{"title":"5 Metrekare Halı Modelleri ve Fiyatları","description":"\u003cdiv style=\"background:#f7f0ee;border-left:4px solid #9a2a2a;padding:16px 20px;margin:0 0 24px 0\"\u003e\u003cp style=\"margin:0\"\u003e\u003cstrong\u003eKısa cevap:\u003c\/strong\u003e 5 metrekare halı, sektörde \u003cstrong\u003e180 × 280 cm\u003c\/strong\u003e ölçüsüne verilen beden adıdır; gerçek alanı \u003cstrong\u003e5,04 m²\u003c\/strong\u003e eder. 200 × 250 (5,00 m²) ve 160 × 300 (4,80 m²) de aynı bedende satılır. 4 ile 6 metrekare arasındaki ara ölçüdür, 16–20 m² salonlara oturur. Bu bedendeki halıların neredeyse tamamı el dokumadır.\u003c\/p\u003e\u003c\/div\u003e\n\u003cp style=\"color:#8a8a8a;font-size:14px;margin:0 0 24px\"\u003e\u003cem\u003eSon güncelleme: Eylül 2026\u003c\/em\u003e\u003c\/p\u003e\n\n\u003ch2\u003e5 Metrekare Halı Kaç cm?\u003c\/h2\u003e\n\u003cp\u003eHalı sektöründe \"metrekare\" bir alan ölçüsü değil, bir \u003cstrong\u003ebeden adıdır\u003c\/strong\u003e. 5 metrekare denen halının gerçek alanı tam 5 m² değildir:\u003c\/p\u003e\n\u003ctable\u003e\n\u003cthead\u003e\u003ctr\u003e\n\u003cth\u003eÖlçü (cm)\u003c\/th\u003e\n\u003cth\u003eGerçek alan\u003c\/th\u003e\n\u003cth\u003eNot\u003c\/th\u003e\n\u003c\/tr\u003e\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003e180 × 280\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e5,04 m²\u003c\/td\u003e\n\u003ctd\u003eEn yaygın\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003e200 × 250\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e5,00 m²\u003c\/td\u003e\n\u003ctd\u003eTam 5 m², kareye yakın\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003e160 × 300\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e4,80 m²\u003c\/td\u003e\n\u003ctd\u003eDar ve uzun salonlar için\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003e190 × 290\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e5,51 m²\u003c\/td\u003e\n\u003ctd\u003eÜst sınır; 6 metrekareye geçiş\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003eHesabı kendiniz yapmak isterseniz formül tek satır: \u003cstrong\u003een (cm) × boy (cm) ÷ 10.000 = alan (m²)\u003c\/strong\u003e. Örneğin 180 × 280 = 50.400 ÷ 10.000 = 5,04 m².\u003c\/p\u003e\n\u003cp\u003eBu bedendeki halıların ölçüleri 152–216 cm en ve 240–350 cm boy arasında değişir; alan olarak 4,52 ile 5,50 m² arasına düşer, ortancası 5,04 m²'dir. Ayrıntılı karşılıklar için \u003ca href=\"\/en\/pages\/hali-olculeri-rehberi\"\u003ehalı ölçüleri rehberimize\u003c\/a\u003e bakabilirsiniz. \u003cstrong\u003eHer halının gerçek ölçüsü kendi ürün sayfasında yazılıdır.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003ch2\u003e5 Metrekare Halı Hangi Odaya Uygun?\u003c\/h2\u003e\n\u003cp\u003eKural şu: halı her yönde duvara \u003cstrong\u003een az 30 cm\u003c\/strong\u003e mesafede bitmeli ve oturma grubunun \u003cstrong\u003een azından ön ayakları\u003c\/strong\u003e halıya basmalı.\u003c\/p\u003e\n\u003ctable\u003e\n\u003cthead\u003e\u003ctr\u003e\n\u003cth\u003eOda\u003c\/th\u003e\n\u003cth\u003e5 m² halı ne yapar\u003c\/th\u003e\n\u003c\/tr\u003e\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e12–15 m² salon\u003c\/td\u003e\n\u003ctd\u003eOdaya büyük gelir; \u003ca href=\"\/en\/collections\/4-metrekare-hali\"\u003e4 metrekare\u003c\/a\u003e daha doğru durur\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003e16–20 m² salon\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cstrong\u003eKoltukların ön ayakları halıya basar — ideal aralık\u003c\/strong\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e24 m² üstü salon\u003c\/td\u003e\n\u003ctd\u003eMobilyaya yetişemez, sehpanın altında ada gibi kalır; \u003ca href=\"\/en\/collections\/6-metrekare-hali\"\u003e6 metrekare\u003c\/a\u003e gerekir\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eÇift kişilik yatak odası\u003c\/td\u003e\n\u003ctd\u003e180 × 280 yatağın altına girer, iki yanda 45–55 cm pay kalır\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e6 kişilik yemek masası\u003c\/td\u003e\n\u003ctd\u003eSandalyeler geriye çekilince arka ayaklar halının üstünde kalır\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003eOdanızı ölçtüğünüzde sonuç 4 ile 5 metrekare arasında çıkıyorsa \u003cstrong\u003ebüyük olanı alın\u003c\/strong\u003e. Küçük halı odayı daraltır, büyük halı toplar.\u003c\/p\u003e\n\n\u003ch2\u003e5 Metrekare Halıların Neredeyse Hepsi Neden El Dokuma?\u003c\/h2\u003e\n\u003cp\u003eBu bedenin kendine özgü bir durumu var ve müşterilerimizin çoğu farkında değil.\u003c\/p\u003e\n\u003cp\u003eMakine halısı kalıptan çıkar. Tezgâh ayarlanır, ölçü sabittir: 160 × 230 (3,68 m²), 200 × 290 (5,80 m²), 200 × 300 (6,00 m²). Bu kalıpların hiçbiri 4,5–5,45 m² aralığına düşmez. \u003cstrong\u003eSonuç olarak makine dokuma bir halı pratikte 5 metrekare bedeninde üretilmez\u003c\/strong\u003e — beden atlanır, 4'ten 6'ya geçilir.\u003c\/p\u003e\n\u003cp\u003eEl dokuma halıda ise böyle bir kalıp yoktur. Ölçüyü tezgâhın kendisi, çözgü gerginliği ve dokuyucunun eli belirler. Bu yüzden el dokuma halılarda 182 × 267, 190 × 275, 193 × 280 gibi tam sayı tutmayan ölçüler görürsünüz — ve bu ölçüler tam da makinenin boş bıraktığı aralığa düşer. Avrupa standardı \u003cstrong\u003eEN 14159\u003c\/strong\u003e, tekstil yer döşemelerinde kabul edilebilir ölçü toleranslarını tanımlar; yani el dokumadaki bu sapma bilinen ve düzenlenmiş bir olgudur, kusur değil.\u003c\/p\u003e\n\u003cp\u003ePratikte şu anlama geliyor: 5 metrekare halı aradığınızda karşınıza çıkan şey, fiyat segmenti ne olursa olsun, büyük ihtimalle elde düğümlenmiş bir halıdır. Konunun tekniği \u003ca href=\"\/en\/blogs\/news\/el-dokuma-yun-hali-nedir-neden-degerli\"\u003eel dokuma yün halı yazımızda\u003c\/a\u003e ayrıntılı anlatılıyor.\u003c\/p\u003e\n\n\u003ch2\u003eHalıcızade'de 5 Metrekare Halı\u003c\/h2\u003e\n\u003cp\u003eBu bedendeki koleksiyonumuzun büyük bölümü \u003ca href=\"\/en\/collections\/yun-hali-modelleri\"\u003eel dokuma yün halılardan\u003c\/a\u003e oluşur; bir kısmında ipek ya da ipek karışımı kullanılır. Yanında az sayıda \u003ca href=\"\/en\/collections\/el-dokuma-kilim-modelleri\"\u003eel dokuma kilim\u003c\/a\u003e ve deri post bulunur.\u003c\/p\u003e\n\u003cp\u003eDokuma yerleri Türkiye, Hindistan, Pakistan ve Afganistan'dır. Desen tarafında \u003ca href=\"\/en\/collections\/usak-hali-modelleri\"\u003eUşak\u003c\/a\u003e ve \u003ca href=\"\/en\/collections\/anadolu-halisi-modelleri\"\u003eAnadolu\u003c\/a\u003e kalıplarının yanında etnik\/otantik, klasik ve vintage yorumlar bu bedende mevcuttur; desen ailelerinin karşılaştırması \u003ca href=\"\/en\/blogs\/news\/hali-desenleri-rehberi-afgan-karabag-usak-yagcibedir\"\u003ehalı deseni rehberimizde\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003eKoleksiyonun bir bölümü \u003ca href=\"\/en\/collections\/nadir-hali-modelleri\"\u003enâdir parçalar\u003c\/a\u003e arasında yer alır — bunlar tek adet, tekrar üretilmeyen halılardır.\u003c\/p\u003e\n\u003cp\u003eİnce eğirdik, sık dokuduk. Beğendiğiniz halıyı satın almadan önce \u003ca href=\"\/en\/pages\/halini-odanda-gor\"\u003eHalını Odanda Gör\u003c\/a\u003e ile kendi salonunuzda deneyebilirsiniz.\u003c\/p\u003e\n\u003cp\u003e→ \u003ca href=\"\/en\/collections\/el-dokuma-hali-modelleri\"\u003eEl dokuma halı\u003c\/a\u003e · \u003ca href=\"\/en\/collections\/yun-hali-modelleri\"\u003eYün halı\u003c\/a\u003e · \u003ca href=\"\/en\/collections\/ipek-hali-modelleri\"\u003eİpekli halı\u003c\/a\u003e · \u003ca href=\"\/en\/collections\/nadir-hali-modelleri\"\u003eNâdir parçalar\u003c\/a\u003e\u003c\/p\u003e\n\n\u003ch2\u003e5 Metrekare Halı Fiyatları\u003c\/h2\u003e\n\u003cp\u003eFiyatı belirleyen üç şey var: \u003cstrong\u003eiplik\u003c\/strong\u003e (yün ve ipek, sentetik ipliklere göre daha maliyetlidir), \u003cstrong\u003edokuma tekniği\u003c\/strong\u003e (elde düğümlenen bir halı aylar sürer) ve \u003cstrong\u003edüğüm yoğunluğu\u003c\/strong\u003e. Bu bedende makine dokuma seçenek bulunmadığı için fiyat aralığı 4 ve 6 metrekare bedenlerinden farklı çalışır; alt uç el dokuma fiyatlarından başlar. Her ürünün güncel fiyatı kendi sayfasında yazılıdır, koleksiyonu fiyata göre süzebilirsiniz.\u003c\/p\u003e\n\n\u003ch2\u003e5 Metrekare Halı Bakımı\u003c\/h2\u003e\n\u003cp\u003eDüzenli süpürme ve lekeyi bekletmeden temizlemek günlük bakım için yeterlidir. Bu bedendeki halıların neredeyse tamamı el dokuma yün ya da ipek olduğu için \u003cstrong\u003ederin temizlikte profesyonel yıkama gerekir\u003c\/strong\u003e; bu ölçüde bir halı çamaşır makinesine sığmaz. Halınızı düzenli havalandırın, uzun süre doğrudan güneş alan bir konumda bırakmayın.\u003c\/p\u003e\n\n\u003ch2\u003eSık Sorulan Sorular\u003c\/h2\u003e\n\u003ch3\u003e5 metrekare halı kaça kaç?\u003c\/h3\u003e\n\u003cp\u003e180 × 280 cm. Gerçek alanı 5,04 m² eder. 200 × 250 cm (5,00 m²) ve 160 × 300 cm (4,80 m²) ölçüleri de piyasada 5 metrekare adıyla satılır.\u003c\/p\u003e\n\u003ch3\u003e180 x 280 halı kaç metrekare?\u003c\/h3\u003e\n\u003cp\u003e5,04 m². Hesap: 180 × 280 = 50.400 ÷ 10.000 = 5,04. Sektörde 5 metrekare halı olarak geçer.\u003c\/p\u003e\n\u003ch3\u003e160 x 300 halı kaç metrekare?\u003c\/h3\u003e\n\u003cp\u003e4,80 m². 5 metrekare bedeninin alt ucunda yer alır ve dar, uzun salonlar için uygundur.\u003c\/p\u003e\n\u003ch3\u003e5 metrekare halı hangi salona uygun?\u003c\/h3\u003e\n\u003cp\u003e16–20 m² arası salonlar için doğru bedendir; bu aralıkta koltukların ön ayakları halıya basar. 24 m² üstü salonlarda halı mobilyaya yetişemez, 6 metrekareye çıkmak gerekir.\u003c\/p\u003e\n\u003ch3\u003e4 metrekare mi 5 metrekare mi almalıyım?\u003c\/h3\u003e\n\u003cp\u003eOdanız 15 m²'den küçükse 4 metrekare, 16–20 m² arasındaysa 5 metrekare. Arada kaldığınızda büyüğü seçin. 4 metrekare denen halının yaygın ölçüsü 160 × 230 cm'dir, gerçek alanı 3,68 m².\u003c\/p\u003e\n\u003ch3\u003e5 metrekare halı neden çoğunlukla el dokuma?\u003c\/h3\u003e\n\u003cp\u003eMakine halıları 160 × 230, 200 × 290 ve 200 × 300 gibi sabit kalıp ölçülerinde dokunur; bu kalıpların hiçbiri 4,5–5,45 m² aralığına düşmez. El dokuma halıda ölçüyü tezgâh ve dokuyucunun eli belirlediği için 182 × 267 veya 190 × 275 gibi ara ölçüler çıkar ve bu beden doğal olarak el dokumayla dolar.\u003c\/p\u003e\n\n\u003cp\u003eÖlçü konusunda emin değilseniz odanızın ölçülerini yazın; halıcılarımız envanterden size uygun olanı önersin. \u003ca href=\"\/en\/pages\/halicizade-iletisim\"\u003eBize ulaşın\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBu beden kalıpta yok, *tezgâhta var.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cscript type=\"application\/ld+json\"\u003e\n{\"@context\":\"https:\/\/schema.org\",\"@type\":\"FAQPage\",\"@id\":\"https:\/\/www.halicizade.com\/collections\/5-metrekare-hali-modelleri-ve-fiyatlari#faq\",\"inLanguage\":\"tr-TR\",\"mainEntity\":[{\"@type\":\"Question\",\"name\":\"5 metrekare halı kaça kaç?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"180 × 280 cm. Gerçek alanı 5,04 m² eder. 200 × 250 cm (5,00 m²) ve 160 × 300 cm (4,80 m²) ölçüleri de piyasada 5 metrekare adıyla satılır.\"}},{\"@type\":\"Question\",\"name\":\"180 x 280 halı kaç metrekare?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"5,04 m². Hesap: 180 × 280 = 50.400 ÷ 10.000 = 5,04. Sektörde 5 metrekare halı olarak geçer.\"}},{\"@type\":\"Question\",\"name\":\"160 x 300 halı kaç metrekare?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"4,80 m². 5 metrekare bedeninin alt ucunda yer alır ve dar, uzun salonlar için uygundur.\"}},{\"@type\":\"Question\",\"name\":\"5 metrekare halı hangi salona uygun?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"16–20 m² arası salonlar için doğru bedendir; bu aralıkta koltukların ön ayakları halıya basar. 24 m² üstü salonlarda halı mobilyaya yetişemez, 6 metrekareye çıkmak gerekir.\"}},{\"@type\":\"Question\",\"name\":\"4 metrekare mi 5 metrekare mi almalıyım?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"Odanız 15 m²'den küçükse 4 metrekare, 16–20 m² arasındaysa 5 metrekare. Arada kaldığınızda büyüğü seçin. 4 metrekare denen halının yaygın ölçüsü 160 × 230 cm'dir, gerçek alanı 3,68 m².\"}},{\"@type\":\"Question\",\"name\":\"5 metrekare halı neden çoğunlukla el dokuma?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"Makine halıları 160 × 230, 200 × 290 ve 200 × 300 gibi sabit kalıp ölçülerinde dokunur; bu kalıpların hiçbiri 4,5–5,45 m² aralığına düşmez. El dokuma halıda ölçüyü tezgâh ve dokuyucunun eli belirlediği için 182 × 267 veya 190 × 275 gibi ara ölçüler çıkar ve bu beden doğal olarak el dokumayla dolar.\"}}]}\n\u003c\/script\u003e","products":[{"product_id":"humayun-serisi-anadolu-desenli-mavi-el-dokuma-hali","title":"Blue Anatolian Medallion Hand-Knotted Wool Rug, Hümayun Series","description":"\u003cp\u003e\u003cstrong\u003eA medallion sits at the center and holds the whole rug together, drawn from Anatolian and Middle Eastern sources and worked in modern blues rather than the old ones. Hand-knotted in India: wool and cotton in the ground, viscose through the motifs where it shines like silk, and the pattern cut into relief by hand with shears. Five sizes, and the biggest of them is 250 × 350 cm (8'2\" × 11'6\").\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eTwo traditions meet in the drawing and neither wins. The Anatolian half supplies the medallion and the framing bands; the Middle Eastern half supplies the density of the small ornament between them. The blues are current rather than antique — a cooler, cleaner range than a nineteenth-century rug would use — and the effect is that an old composition reads as a new object. Where the viscose runs, the pattern catches light and lifts off the wool around it, so the medallion appears to sit slightly above its own ground.\u003c\/p\u003e\n\n\u003cp\u003eKnot density is high, which is the only reason ornament this fine survives being woven at all, and the carving afterward is what gives the relief. Both are hand operations and both take time. The rug does its best work where people arrive rather than where they settle — an entrance hall, a study, a room where one object is expected to carry the space.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in India for Halıcızade.\u003c\/li\u003e\n  \u003cli\u003eWool and cotton in the ground, viscose worked through the motifs for shine.\u003c\/li\u003e\n  \u003cli\u003eAnatolian medallion with Middle Eastern ornament, in contemporary blues.\u003c\/li\u003e\n  \u003cli\u003eThe pattern is carved into relief by hand with shears after weaving.\u003c\/li\u003e\n  \u003cli\u003eHigh knot density, which is what keeps the fine ornament readable.\u003c\/li\u003e\n  \u003cli\u003eFive sizes, from 125 × 185 cm to 250 × 350 cm.\u003c\/li\u003e\n  \u003cli\u003eWashing by a specialist, and no home shampoo on the viscose.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eRugs built around a single medallion get harder to move as the years pass, because a room ends up arranged around the middle of them.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Navy blue \/ 125 X 185","offer_id":44370998526185,"sku":"EKOHUM000001.05","price":58000.0,"currency_code":"TRY","in_stock":false},{"title":"Navy blue \/ 170 X 240","offer_id":46029630243049,"sku":"EKOHUM000001.02","price":102000.0,"currency_code":"TRY","in_stock":true},{"title":"Navy blue \/ 200 X 270","offer_id":46029630275817,"sku":"EKOHUM000001.06","price":135000.0,"currency_code":"TRY","in_stock":true},{"title":"Navy blue \/ 250 X 300","offer_id":46029630308585,"sku":"EKOHUM000001.01","price":188000.0,"currency_code":"TRY","in_stock":true},{"title":"Navy blue \/ 250 X 350","offer_id":46029630341353,"sku":"EKOHUM000001.04","price":220000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/HumayunSerisiAnadoluDesenliMaviElDokumaHali_1.jpg?v=1709564090"},{"product_id":"karnaval-serisi-tezgah-dokuma-sal-desenli-turuncu-hali","title":"Orange Shawl-Pattern Loom-Woven Wool Rug, Karnaval Series","description":"\u003cp\u003e\u003cstrong\u003eThe shawl drawing is the one that traveled — the repeating teardrop figure that came off Kashmir shawls and that English ended up naming after Paisley, the Scottish town that copied them — and here it is worked in wool over an orange ground, loom-woven in India, in three sizes: 60 × 90 cm (2' × 2'11\"), 150 × 217 cm (4'11\" × 7'1\") and 197 × 279 cm (6'6\" × 9'2\").\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eOrange asks a lot of a floor. This one earns it by staying warm rather than bright, nearer the color of a clay tile than of a signal. The shawl figures repeat across the field in a way that is ethnic in origin and modern in effect, because the repetition is regular and the ground is left visible between them. In a room of one flat tone it becomes the depth the room does not otherwise have. Where a scheme already has orange or its neighbors in it, the rug reinforces rather than competes. It sits against natural wood, against white, and — surprisingly — against black.\u003c\/p\u003e\n\n\u003cp\u003eWeavers in India work the wool on the loom, and the fringes at each end are tied by hand once the rug comes off it. Wool is what gives the pile its resilience and the color its depth; a synthetic yarn would take this orange much brighter and much flatter. Keeping it is simple: vacuum it on a regular schedule, which is most of what the color needs to stay where it is. Two remain.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eLoom-woven in India, with the fringes tied by hand afterward.\u003c\/li\u003e\n  \u003cli\u003eWool pile; the depth of the orange comes from the fiber taking dye unevenly.\u003c\/li\u003e\n  \u003cli\u003eA repeating shawl figure — what English calls paisley — over an orange ground.\u003c\/li\u003e\n  \u003cli\u003eThree sizes: 60 × 90, 150 × 217 and 197 × 279 cm.\u003c\/li\u003e\n  \u003cli\u003eReads as a single focal object in a room of flat color.\u003c\/li\u003e\n  \u003cli\u003eRegular vacuuming is what keeps the orange from going dull.\u003c\/li\u003e\n  \u003cli\u003eTwo pieces in stock.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eIt is the rug that gets bought for a child's room and ends up in the living room within a year.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Orange \/ 60 X 90","offer_id":46547281084649,"sku":"HALKAR000002.02","price":7500.0,"currency_code":"TRY","in_stock":true},{"title":"Orange \/ 150 X 217","offer_id":44371441025257,"sku":"HALKAR000002.04","price":42500.0,"currency_code":"TRY","in_stock":false},{"title":"Orange \/ 197 X 279","offer_id":46547281117417,"sku":"HALKAR000002.06","price":72000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/KarnavalSerisiElDokumaSalDesenliTuruncuHali_1.jpg?v=1709566430"},{"product_id":"mahal-serisi-el-dokuma-cizgi-desenli-hali","title":"Yellow Striped Handwoven Wool Rug, Mahal Series","description":"\u003cp\u003e\u003cstrong\u003eThin red lines run the length of a warm yellow ground, evenly spaced and never quite parallel — the horizon where sunlight meets earth is how the house describes them. Yellow Striped Handwoven Wool Rug, Mahal Series, 190 × 265 cm (6'3\" × 8'8\"), woven in Afghanistan and Pakistan with the Anatolian double knot. One piece.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eBecause the yarn was dyed in small lots the yellow is not one yellow. It moves half a tone across the width, and the red lines shift with it, which is the difference between a woven stripe and a printed one. Pastel and earth tones sit under both colors and keep the whole thing from going bright. A rug this size can hold a full seating group or run the length of an office, and in either place the stripes pull the eye down the long axis instead of into the middle.\u003c\/p\u003e\n\n\u003cp\u003eThe double knot — two loops around a pair of warps, the technique Anatolia gave the trade — is what makes the surface firm. Wool covers all of it. Underneath, the foundation is cotton, plus a little synthetic yarn to stop the structure stretching, and the house names that content instead of leaving it out. The hand is hard rather than plush, which is why the rug keeps its shape and why the pile leaves so little depth for anything to work into. A rug washer, never a domestic machine.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eWoven in Afghanistan and Pakistan with the Anatolian double knot.\u003c\/li\u003e\n  \u003cli\u003eWool across the whole surface, over a cotton foundation carrying a little synthetic yarn.\u003c\/li\u003e\n  \u003cli\u003eWarm yellow ground, thin red lines, tonal shift from the small-lot dyeing.\u003c\/li\u003e\n  \u003cli\u003eFirm and shallow rather than plush — it holds its shape.\u003c\/li\u003e\n  \u003cli\u003e190 × 265 cm (6'3\" × 8'8\") — a salon, a study, a director's office.\u003c\/li\u003e\n  \u003cli\u003eYellow at this warmth reads gold by lamplight and closer to lemon in the morning.\u003c\/li\u003e\n  \u003cli\u003eAnything beyond a vacuum belongs to a professional.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eYellow is a color that most people reason themselves out of buying, and this is the one that survives the second look.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Yellow \/ 190 X 265","offer_id":44158139433193,"sku":"KERMAH000101.01","price":106000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/MahalSerisiElDokumaCizgiDesenliHali_1_1d45d278-073e-4d73-99d1-37ed5cd8bbc8.jpg?v=1726920981"},{"product_id":"mahal-serisi-el-dokuma-usak-desenli-pamuk-yun-hali","title":"Black Oushak-Pattern Handwoven Wool Rug, Mahal Series","description":"\u003cp\u003e\u003cstrong\u003eMahal Series handwoven wool rug, 182 × 265 cm (6'0\" × 8'8\"): cream and earth-toned flowers opening across a black ground, inside a wide border drawn in warm red. Wool surface, cotton foundation, tied in Pakistan with the Anatolian double knot. A single piece, and the size is its own.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eBlack is the hardest ground to read, and this one is not a single black. The dyeing is not industrial, so the ground carries several tones at once and the flowers sit on a surface that moves rather than a flat one. In low light the black closes and the composition reduces to the red border; by day the pale work in the field comes up and the rug looks lighter than it is. The border is wide enough to pull the eye inward, which is the whole job of an Oushak border and the reason the center holds.\u003c\/p\u003e\n\n\u003cp\u003eEverything you touch is wool. Underneath, the foundation is cotton with a small proportion of synthetic yarn added for strength — the house states that rather than calling the rug all-natural. The weavers in Pakistan work the Anatolian double knot, the tighter of the two, and it gives the rug a firm, not-quite-thick handle. That firmness is what keeps a rug this size flat under furniture for decades. It cleans easily and it should be cleaned by a rug washer.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in Pakistan using the Anatolian double knot.\u003c\/li\u003e\n  \u003cli\u003eWool across the entire surface, over a cotton foundation stiffened with a little synthetic yarn.\u003c\/li\u003e\n  \u003cli\u003eCream and earth-tone flowers on black, framed by a warm red border.\u003c\/li\u003e\n  \u003cli\u003eNon-industrial dyeing, which is why the black holds more than one tone.\u003c\/li\u003e\n  \u003cli\u003e182 × 265 cm (6'0\" × 8'8\"); one piece at this size.\u003c\/li\u003e\n  \u003cli\u003eFirm rather than thick, so it stays flat under weight.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003ePut it in a study with walnut and it belongs to the room; put it under white walls and it becomes the only dark thing in sight.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Black \/ 182 X 265","offer_id":44158220140777,"sku":"KERMAH000020.01","price":102000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/MahalSerisiElDokumaUsakDesenliYunHali_1_82992e1c-df52-4ef5-b0af-89706ac93ae9.jpg?v=1726914853"},{"product_id":"anadolu-desenli-el-dokuma-hali","title":"Multicolor Anatolian Hand-Knotted Wool Rug","description":"\u003cp\u003e\u003cstrong\u003eAt 194 \u0026times; 278 cm (6'4\" \u0026times; 9'1\") this is a full salon size, which puts it under an entire seating group rather than in front of one. Made by hand in Türkiye, wool over cotton, multicolored, with Anatolian motifs drawn the width of the field. Sandık eskisi: it was made for a chest and kept in one.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eAnatolian village drawing does not organize itself around a single medallion the way a workshop rug does. Figures are set out in rows and columns, each one complete in itself, and the borders repeat a smaller version of what is going on inside. Because the weaver worked from count rather than from a cartoon, the columns drift slightly out of true as the rug rises \u0026mdash; that drift is the signature of hand work, and it is what to check first on a rug of this kind.\u003c\/p\u003e\n\n\u003cp\u003eWool pile on a cotton foundation, which is the combination that lets a rug of five and a half square meters stay flat instead of rippling. A piece that spent its life folded away arrives with creases and with pile that has been compressed in the fold lines; both ease with time on a floor and neither is a fault. The house gives no age for it, and the trade's own terms \u0026mdash; antique from a hundred years, semi-antique from fifty, vintage from twenty \u0026mdash; are conventions that nobody issues or certifies. Professional washing, by someone used to older wool.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in Türkiye, 194 \u0026times; 278 cm (6'4\" \u0026times; 9'1\").\u003c\/li\u003e\n  \u003cli\u003eWool pile on a cotton foundation.\u003c\/li\u003e\n  \u003cli\u003eMulticolored Anatolian drawing, set out in rows rather than around a medallion.\u003c\/li\u003e\n  \u003cli\u003eThe columns drift slightly, because it was counted rather than traced.\u003c\/li\u003e\n  \u003cli\u003eSandık eskisi \u0026mdash; made for a chest and kept there.\u003c\/li\u003e\n  \u003cli\u003eFold creases and compressed pile along the folds; both settle with use.\u003c\/li\u003e\n  \u003cli\u003eNo age is claimed for it, and trade age terms are unregulated conventions.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eFive and a half square meters of hand-knotting is what a household used to save for, and this one was saved rather than spent.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Colorful \/ 194 X 278","offer_id":44216039735529,"sku":"MZTAND000004.01","price":81000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/AnadoluDesenliElDokumaSandikEskisiHali_1.webp?v=1765636372"},{"product_id":"el-dokuma-anadolu-desenli-rengarenk-kilim-1","title":"Multicolor Handwoven Wool Kilim, Anatolian Motifs","description":"\u003cp\u003e\u003cstrong\u003eA handwoven Anatolian kilim, all wool and nothing else, 155 × 325 cm (5'1\" × 10'8\"): flat, pileless, and multicolored in the way village weaving is multicolored, meaning several dyes at full strength rather than one field with accents. Woven in Türkiye, listed among the house's older stock, and there is one of it.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eAn all-wool kilim is a different object from a wool-on-cotton one, and the difference is in the hand. Cotton warps give a flatweave a certain rigidity and a straighter edge; wool warps let the whole piece move, so it drapes, folds soft and settles into a floor that is not perfectly level instead of bridging over it. The cost of that is the edge — an all-wool kilim rarely sits dead straight, and this one does not pretend to. The motifs sit in bands across the width, the way the weaver worked, row after row from one end.\u003c\/p\u003e\n\n\u003cp\u003eEverything visible was done on a two-beam loom by one pair of hands, and the drawing was carried in memory. That is legible in the piece: a motif that is two knots wider in its fourth repeat than in its first, a border that adjusts itself where the weaver ran out of room. Anatolian motif families are older than the kilims that carry them, and a village weaver used them as a working vocabulary rather than as ornament. Take it to a specialist for washing, and put a thin pad beneath it, since a flatweave with nothing under it travels across a hard floor.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven in Türkiye, warp and weft both wool.\u003c\/li\u003e\n  \u003cli\u003eFlat-woven with no pile, and the reverse as finished as the face.\u003c\/li\u003e\n  \u003cli\u003e155 × 325 cm (5'1\" × 10'8\"), a little over five square meters.\u003c\/li\u003e\n  \u003cli\u003eMulticolored bands of Anatolian motifs, worked from memory rather than a cartoon.\u003c\/li\u003e\n  \u003cli\u003eAll-wool construction drapes and folds soft; the edges are not perfectly straight.\u003c\/li\u003e\n  \u003cli\u003eAn older piece from the house's rare stock.\u003c\/li\u003e\n  \u003cli\u003eA thin pad underneath keeps it from walking.\u003c\/li\u003e\n  \u003cli\u003eSpecialist washing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eA kilim this size is light enough to move on a whim, which is how most of them end up in a different room each year.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Colorful \/ 155 X 325","offer_id":44216084070633,"sku":"MZTKIL000018.01","price":80000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaAnadoluDesenliRengarenkKilim_1_e343727b-435c-45f9-8b57-d8af6f2511b2.jpg?v=1705998154"},{"product_id":"el-dokuma-anadolu-cicim-desenli-rengarenk-kazak-kilim","title":"Multicolor Kazak Cicim Handwoven Wool Kilim","description":"\u003cp\u003e\u003cstrong\u003eThe motifs stand slightly above the ground rather than in it. That is cicim, and this is a cicim kilim: handwoven in wool in Türkiye, 180 × 285 cm (5'11\" × 9'4\"), multicolored, drawing on the Kazak family of Anatolian motifs, and old enough that the house files it with its rare stock. A single piece.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eKazak motifs are the large, blocky, high-contrast forms of the eastern Anatolian and Caucasian border — big stepped medallions, hooked latch shapes, wide bands — and they suit cicim because cicim rewards a bold outline. Where a plain kilim builds its pattern from the ground wefts alone, cicim lays additional colored threads over and around the warps as the weaving advances, so the motif is added rather than substituted. A palm laid flat on it finds the difference at once — the ground is smooth and the pattern is not. Light catches those raised threads at an angle and gives the drawing a shadow that a flat kilim cannot produce.\u003c\/p\u003e\n\n\u003cp\u003eThe piece is described in Turkish as \u003cem\u003esandık eskisi\u003c\/em\u003e — chest-old. Anatolian households kept textiles in a dowry chest and brought them out for occasions, which is the single reason wool weavings from that period survive at all, and it explains a piece that has age without the wear age normally brings. All wool, no pile, no knots. The raised cicim threads are the part that will show wear first, since they stand where a foot lands, so a low-traffic floor suits it better than a hallway. Cleaning is a specialist job.\u003c\/p\u003e\n\n\u003ch3\u003eWhat does cicim add to a kilim?\u003c\/h3\u003e\n\u003cp\u003eCicim lays supplementary colored threads over the ground weave as the work proceeds, so motifs are built on top of the surface instead of being formed by the ground wefts. The pattern sits slightly raised, and it catches light and casts a small shadow.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven in Türkiye in wool, worked in the cicim technique.\u003c\/li\u003e\n  \u003cli\u003eKazak-family motifs: large stepped forms, hooks and broad bands.\u003c\/li\u003e\n  \u003cli\u003e180 × 285 cm (5'11\" × 9'4\"), a little over five square meters.\u003c\/li\u003e\n  \u003cli\u003eThe pattern stands proud of the ground and is legible by touch.\u003c\/li\u003e\n  \u003cli\u003e\u003cem\u003eSandık eskisi\u003c\/em\u003e — kept in a dowry chest, which is why it has age without hard wear.\u003c\/li\u003e\n  \u003cli\u003eThe raised threads take wear first; a quiet floor suits it better than a corridor.\u003c\/li\u003e\n  \u003cli\u003eSpecialist cleaning.\u003c\/li\u003e\n  \u003cli\u003eOne piece only.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eRugs are looked at, and cicim is one of the few weavings that also asks to be touched.\u003c\/p\u003e\n\n\u003cscript type=\"application\/ld+json\"\u003e{\"@context\": \"https:\/\/schema.org\", \"@type\": \"FAQPage\", \"mainEntity\": [{\"@type\": \"Question\", \"name\": \"What does cicim add to a kilim?\", \"acceptedAnswer\": {\"@type\": \"Answer\", \"text\": \"Cicim lays supplementary colored threads over the ground weave as the work proceeds, so motifs are built on top of the surface instead of being formed by the ground wefts. The pattern sits slightly raised, and it catches light and casts a small shadow.\"}}]}\u003c\/script\u003e","brand":"HALICIZADE","offers":[{"title":"Colorful \/ 180 X 285","offer_id":44216085643497,"sku":"MZTKIL000019.01","price":85000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/AnadoluDesenliElDokumaCokRenkliCicimKilim_1.jpg?v=1705998183"},{"product_id":"rengarenk-el-dokuma-anadolu-desenli-kilim","title":"Multicolor Cicim Handwoven Wool Kilim","description":"\u003cp\u003e\u003cstrong\u003eA hundred and sixty-one wide by three hundred and thirteen long, which is a proportion close to two to one: a multicolored cicim kilim handwoven in Türkiye in wool over cotton, 161 × 313 cm (5'3\" × 10'3\"), brocaded in Anatolian motifs, and kept in a chest for most of its life. One of one.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThat ratio is the useful thing here. Two to one is the shape of a dining floor with chairs pulled back, of a bed with a walking strip on both sides, of a long sitting room where the seating faces across rather than along. Most modern rugs are made at three to two because that suits a square room, and a piece at this proportion solves a room the standard sizes cannot. The multicolored surface — several dyes at once, none of them subordinate — means it does not need a color scheme built around it; it brings its own and everything else in the room can stay quiet.\u003c\/p\u003e\n\n\u003cp\u003eThe construction is wool brocading and wool ground over cotton warps. Cicim motifs are added to the surface as the weaving goes, so they sit a millimeter or two above the field, and on an old piece that height is the first thing to have been rubbed down in the places where people walked. Look at the raised threads to read the history of the floor it was on. Cleaning belongs to someone who washes kilims; ordinary rug shampoo will lift the brocading before it lifts the dirt.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven in Türkiye: cicim brocading and wool ground over a cotton warp.\u003c\/li\u003e\n  \u003cli\u003e161 × 313 cm (5'3\" × 10'3\"), a proportion close to two to one.\u003c\/li\u003e\n  \u003cli\u003eSuits a dining floor, a bed with walking room on both sides, or a long sitting room.\u003c\/li\u003e\n  \u003cli\u003eSeveral dyes at full strength rather than one field with accents.\u003c\/li\u003e\n  \u003cli\u003eThe brocaded motifs stand a millimeter or two above the ground.\u003c\/li\u003e\n  \u003cli\u003eWear on the raised threads records where the piece was walked on.\u003c\/li\u003e\n  \u003cli\u003eKilim-specialist cleaning only; shampoo lifts the brocading first.\u003c\/li\u003e\n  \u003cli\u003eChest-kept, older, and a single piece.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eProportion is the thing people notice last about a rug and regret first, and this one is shaped for a room the standard sizes ignore.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Colorful \/ 161 X 313","offer_id":44287560253673,"sku":"HALKLH000005.01","price":72000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/RengarenkElDokumaAnadoluDesenliKilim_2.jpg?v=1705496668"},{"product_id":"sultan-serisi-el-dokuma-cicek-desenli-klasik-hali","title":"Cream Floral Hand-Knotted Wool and Silk Rug, Sultan Series","description":"\u003cp\u003e\u003cstrong\u003eMatt wool underneath, bright silk in the drawing: a hand-knotted rug from the Sultan series, 179 × 259 cm (5'10\" × 8'6\"), woven in Türkiye with floral motifs taken from Oushak in beige, gold and a green sitting close to olive.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe flowers are the classical Anatolian ones and they are spread over the whole field rather than gathered into a medallion, which is what keeps a traditional pattern usable under modern furniture. Beige is the ground and gold does most of the drawing, while the green appears in the leaves and along the border, where it stops the warm tones running together. Because the wool is matt and the silk is not, the motifs stand out by brightness even where their colors are close.\u003c\/p\u003e\n\n\u003cp\u003eWool and silk, knotted by hand in Türkiye at a high knot count — the fineness of the flower drawing follows directly from how many knots occupy a square decimeter, and this rug has enough of them to describe a petal. The yarns are the good ones, and the number of Turkish workshops still knotting at this density has fallen sharply. It will hold up under furniture for decades and be ruined by a single home shampoo, so professional washing only.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in Türkiye at a high knot count.\u003c\/li\u003e\n  \u003cli\u003eMatt wool field with silk in the floral motifs, so the pattern reads by brightness.\u003c\/li\u003e\n  \u003cli\u003eBeige, gold and olive green, drawn from Oushak flower motifs.\u003c\/li\u003e\n  \u003cli\u003eFlowers spread across the entire field rather than arranged around a central medallion.\u003c\/li\u003e\n  \u003cli\u003e179 × 259 cm (5'10\" × 8'6\"), a size that takes a sofa and two chairs.\u003c\/li\u003e\n  \u003cli\u003eFewer Turkish workshops weave at this density each year.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing only.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eUnder a very plain modern sofa it does something no plain rug can, which is give the room a history it did not have.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Cream \/ 179 X 259","offer_id":44478444732649,"sku":"RENSUL000182.01","price":163000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/SultanSerisiElDokumaCicekDesenliKlasikHali_2.jpg?v=1709562301"},{"product_id":"el-dokuma-anadolu-cicim-desenli-rengarenk-etnik-kilim","title":"Multicolor Balıkesir Selendi Handwoven Wool Kilim","description":"\u003cp\u003e\u003cstrong\u003eTwo place names sit on this kilim: Balıkesir, the northwestern province it was woven in, and Selendi, the manner it follows. A handwoven wool flatweave, 192 × 246 cm (6'4\" × 8'1\"), multicolored, worked in cicim so the motifs stand above the ground, and kept in a chest rather than walked on.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe colors have the saturation only a stored piece keeps. Reds are still reds and not the pinks fifty years of window light would have made of them, and the cream between the motif rows has not gone to the yellow that fades into old wool. Because the drawing is raised rather than woven flat into the ground, every figure has a thin line of shadow along one edge, and that shadow separates one color from the next as much as the colors do.\u003c\/p\u003e\n\n\u003cp\u003eMade by hand, in wool, in Türkiye. Selendi is regional shorthand for a particular density and motif set rather than for a single design, and a piece can carry the manner without having been made in the town itself — this one carries a manner and a province, which is more information than most old kilims arrive with. It has never been used and it shows: firm, square-edged, entirely unrelaxed. Have it washed professionally before it takes any weight.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven in wool in Balıkesir province, northwestern Türkiye.\u003c\/li\u003e\n  \u003cli\u003eSelendi manner — a regional density and motif set rather than one fixed design.\u003c\/li\u003e\n  \u003cli\u003eCicim construction: raised motifs on a plain flat ground, each with a shadow edge.\u003c\/li\u003e\n  \u003cli\u003eMulticolored and unfaded, having been stored out of the light.\u003c\/li\u003e\n  \u003cli\u003e192 × 246 cm (6'4\" × 8'1\") — a sitting room, or a dining table with room to push chairs back.\u003c\/li\u003e\n  \u003cli\u003eFirm and unrelaxed; it takes time under furniture to settle.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing before use.\u003c\/li\u003e\n  \u003cli\u003eOne piece.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eIt arrives at the beginning of its working life rather than the end of it, which is the opposite of what an old kilim usually offers.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Colorful \/ 192 X 246","offer_id":44596289863913,"sku":"MZTKIL000068.01","price":65000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaAnadoluCicimDesenliRengarenkEtnikKilim_1.jpg?v=1706007875"},{"product_id":"deri-post-hali-15","title":"Zebra-Pattern Cowhide Rug","description":"\u003cp\u003e\u003cstrong\u003eSouth America is where the hide comes from, and cattle is what it comes off: a single cowhide rug carrying a zebra marking, its outline the shape the animal was rather than a rectangle. Dry cleaning only. There is one of it, and no second hide will have the same edge.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eA hide is not a woven thing and does not behave like one. It has a grain and a lie to the hair, so the color changes depending which end of the room you look from. The edges follow the animal, which means no two hides share a size and none of them is square — any dimension given for a hide is approximate by nature. It takes no water at all: dry cleaning, and nothing else, and a spill wants blotting rather than washing. Laid in an entrance or under a desk chair it does the job hides have always done, which is to break up a hard floor without covering it.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eOne South American cowhide, one of one.\u003c\/li\u003e\n  \u003cli\u003eA zebra marking on a cattle hide — the hide is cowhide, the marking is applied.\u003c\/li\u003e\n  \u003cli\u003eThe outline follows the animal; no two are the same shape or size.\u003c\/li\u003e\n  \u003cli\u003eThe hair lies one way, so the tone changes end to end as you move.\u003c\/li\u003e\n  \u003cli\u003eDry cleaning only; keep water off it.\u003c\/li\u003e\n  \u003cli\u003eSuits an entrance, an office, or the side of a bed.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eHides flatten and soften where they are walked on and stay stiff where they are not, so after a few years the traffic through the room is written on it.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Yellow \/ 203 X 250","offer_id":44625086054633,"sku":"EKODAN000346.01","price":43000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/DeriPostHali_2_c80bb4cb-08b9-4c62-bedd-36b174c39cf0.jpg?v=1705675279"},{"product_id":"el-dokuma-yun-anadolu-kilim","title":"Multicolor Anatolian Handwoven Wool Sivrihisar Kilim","description":"\u003cp\u003e\u003cstrong\u003eSivrihisar is a town in Eskişehir province in western central Anatolia, and its name — pointed fortress — comes from the rocks standing above it. This is one of its kilims: handwoven in wool, multicolored, 152 × 350 cm (5'0\" × 11'6\"), and old enough that the house keeps it with the rare stock. One piece, and a large one.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThree and a half meters of flatweave is a room-sized kilim, and room-sized kilims were never woven casually — a loom that wide takes two weavers working across from one another, and the drawing has to be agreed before the first row goes down. What comes off it is a floor covering with the weight of a rug and the thinness of a cloth. The color runs multi throughout rather than settling into a single ground, which is characteristic of the older Anatolian pieces, where whatever wool had been dyed went into the work.\u003c\/p\u003e\n\n\u003cp\u003eWool, handwoven, and worn the way a used kilim is worn: the pile that a knotted rug has to lose is not there to begin with, so age shows in the softening of the weave and the settling of the color rather than in bare patches. Halıcızade lists it among the rare pieces. Trade age words are loose — antique means a hundred years and up, semi-antique fifty to a hundred, vintage twenty to eighty, and no authority anywhere issues a certificate for any of them. What is certain is that nobody is weaving this size by hand in these numbers again. It needs a professional wash and a flat floor.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven wool kilim from Sivrihisar, Eskişehir province, Türkiye.\u003c\/li\u003e\n  \u003cli\u003e152 × 350 cm (5'0\" × 11'6\") — a sitting room, a long landing, or a wide hall.\u003c\/li\u003e\n  \u003cli\u003eMulticolored throughout, in the older Anatolian manner.\u003c\/li\u003e\n  \u003cli\u003eFlat-woven: no pile, and both faces usable.\u003c\/li\u003e\n  \u003cli\u003eIt sits in the house's rare and older stock.\u003c\/li\u003e\n  \u003cli\u003eAge terms in the trade carry no issuing authority behind them.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eKilims this size used to be ordinary, which is the only reason one this good can still be found.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Colorful \/ 152 X 350","offer_id":45468387475689,"sku":"HALKIL000052.01","price":82000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaYunAnadoluKilim_2.jpg?v=1705492102"},{"product_id":"el-dokuma-cicek-desenli-rengarenk-bicar-hali","title":"Multicolor Floral Hand-Knotted Wool Bijar Rug","description":"\u003cp\u003e\u003cstrong\u003eBijar is a town in Iranian Kurdistan, and the rugs that carry its name are among the most heavily compacted hand-knotted rugs made anywhere: the weft is beaten down so hard that the finished fabric is stiff enough to stand on edge. This is a Bijar in that tradition — hand-knotted wool, floral drawing, multicolored with burgundy leading, 201 × 247 cm (6'7\" × 8'1\").\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eDensity is what the name means. A Bijar weaver packs the weft with a heavy metal comb, in some workshops wetting the warp first so that it tightens as it dries, and what comes off the loom resists folding and takes decades of walking. English dealers called them the iron rugs of Persia for exactly this reason. The trade-off is immediate and worth stating: a Bijar is not soft, it does not drape, and it is heavy to move. Its floral field belongs to the classical repertoire of the region — flowers and stems distributed across the ground rather than gathered into one figure.\u003c\/p\u003e\n\n\u003cp\u003eWool is the only fiber the record lists for it, and the house holds it as a single piece, which is how rugs of this kind arrive. One caution about proportion: 201 × 247 cm is close to square, and a nearly square rug wants a room that lets it be seen as one, since it does not slot under a long sofa the way a 170 × 240 does. Cleaning is professional work, and a rug this dense is slow to dry, which is a second reason not to try it at home.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in wool, in the Bijar tradition of Iranian Kurdistan.\u003c\/li\u003e\n  \u003cli\u003eBijar weaving is compacted hard, which is why these rugs are stiff and unusually heavy.\u003c\/li\u003e\n  \u003cli\u003eFloral field in multicolor, with burgundy carrying the composition.\u003c\/li\u003e\n  \u003cli\u003e201 × 247 cm (6'7\" × 8'1\") — close to square, and best given the room to read as such.\u003c\/li\u003e\n  \u003cli\u003eIt does not drape and it does not fold easily; two people to move it.\u003c\/li\u003e\n  \u003cli\u003eWool throughout, on the record.\u003c\/li\u003e\n  \u003cli\u003eA single piece.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing, and a long drying time.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eBijars were bought to be walked on for two generations, and the ones still in circulation are the evidence.\u003c\/p\u003e\n","brand":"HALICIZADE","offers":[{"title":"Colorful \/ 201 X 247","offer_id":46164148912361,"sku":"MZTIRN000001.01","price":94000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaCicekDesenliRengarenkiranBicarHali_1.jpg?v=1705997712"},{"product_id":"el-dokuma-vintage-desenli-bej-yun-hali","title":"Beige Vintage Oushak Hand-Knotted Wool and Silk Rug","description":"\u003cp\u003e\u003cstrong\u003eTurn it over and there is a tuğra woven into the back, the seal Has Halı puts on its own work. Beige Vintage Oushak Hand-Knotted Wool and Silk Rug, 181 × 252 cm (5'11\" × 8'3\"), knotted in Türkiye: a beige ground carrying red-toned block motifs drawn from Uşak, spaced widely enough to read as modern. There is one of it.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eOushak — Uşak, in western Türkiye — has been drawing this family of forms for centuries, and what has been done here is to lift the blocks out of their crowded historical setting and leave ground around them. The red is not one red: it moves through brick and rust because the wool takes dye differently from row to row. Silk is used only inside the figures, so the pattern lifts under a window and settles again under lamplight while the beige stays exactly where it is.\u003c\/p\u003e\n\n\u003cp\u003eThe pile is Erzurum fleece, wool with enough of its own oil left in it to grow brighter as it is walked on rather than duller. The knot is the Gördes knot — symmetrical, tied over two warp threads — which is slower to work and is why a motif edge here stays sharp instead of blurring. Has Halı is one of the larger Turkish makers and the tuğra on the reverse is how its work is told apart from imitations. Silk in a pile rules out home cleaning entirely, so the washing goes to someone equipped for it.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in Türkiye by Has Halı, sealed with the maker's tuğra on the reverse.\u003c\/li\u003e\n  \u003cli\u003eErzurum fleece in the ground; silk confined to the motifs.\u003c\/li\u003e\n  \u003cli\u003eUşak block motifs, redrawn with open ground between them.\u003c\/li\u003e\n  \u003cli\u003eThe red shifts between brick and rust from row to row.\u003c\/li\u003e\n  \u003cli\u003eTied with the Gördes knot, over two warps at a time.\u003c\/li\u003e\n  \u003cli\u003e181 × 252 cm (5'11\" × 8'3\") — a living room or a large bedroom.\u003c\/li\u003e\n  \u003cli\u003eWashed only by a specialist equipped for silk.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eKept properly it will outlast the room it is bought for, and the silk will still be doing its work when the walls have been repainted twice.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"bey \/ 181 X 252","offer_id":46164160250089,"sku":"OZLKOL000014.01","price":345000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaVintageDesenliIpekliYunHali_1.jpg?v=1706024159"},{"product_id":"el-dokuma-bej-vintage-desenli-ipekli-hali","title":"Brown Vintage Oushak Hand-Knotted Wool and Silk Rug","description":"\u003cp\u003e\u003cstrong\u003eBrown Vintage Oushak Hand-Knotted Wool and Silk Rug, 179 × 260 cm (5'10\" × 8'6\"): a ground running from brown into beige, with vintage motifs distributed evenly across it rather than gathered into a center, and silk threaded through the drawing. Knotted in Türkiye by Has Halı. There is one of it.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eNothing on it is centered, and that is a practical virtue. The motifs sit at even intervals so no part of the rug is the part you are meant to look at, which means a sofa can stand anywhere on it without covering the composition. Uşak's old drawing lies underneath all of it, the lines softened. The silk sits inside the figures and does what a gilt frame does to a painting — it marks the edge and stops the pattern dissolving into the ground.\u003c\/p\u003e\n\n\u003cp\u003eThe wool comes from Erzurum, where the fleece keeps enough natural oil that it strengthens with use instead of going lifeless, and the silk in the motifs is fine enough to catch light from across a room. The whole rug is worked with the traditional Turkish double knot, closely set, and the maker's tuğra is woven into the reverse where it can be checked. It is a quiet rug rather than a loud one, and that is the point of it. Take it to a rug washer; nothing at home will do.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in Türkiye by Has Halı, tuğra on the reverse.\u003c\/li\u003e\n  \u003cli\u003eErzurum wool in the ground, silk in the motifs.\u003c\/li\u003e\n  \u003cli\u003eMotifs spread evenly, with no central medallion to work around.\u003c\/li\u003e\n  \u003cli\u003eUşak drawing, softened and reworked for a contemporary room.\u003c\/li\u003e\n  \u003cli\u003eDense double knotting throughout.\u003c\/li\u003e\n  \u003cli\u003e179 × 260 cm (5'10\" × 8'6\") — a full seating group fits inside it.\u003c\/li\u003e\n  \u003cli\u003eRug-washer only.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eSet beside oak and undyed linen it reads as a household object; put a chrome-and-glass table on it and it becomes the oldest thing in the room by a century.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"bey \/ 179 X 260","offer_id":46164166082793,"sku":"OZLKOL000015.01","price":350000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaVintageDesenliIpekliYunHali_5_f3771b75-3cfb-4615-8572-72dc46eb57d0.jpg?v=1706024217"},{"product_id":"el-dokuma-vintage-desenli-mavi-yun-hali","title":"Blue Vintage-Pattern Hand-Knotted Wool Rug","description":"\u003cp\u003e\u003cstrong\u003eAqua, turquoise, petrol, and a blue that turns toward green: a blue vintage-pattern hand-knotted wool rug, 183 × 274 cm (6'0\" × 9'0\"), knotted in Afghanistan on a cotton warp, carrying motifs that have been in use for centuries in a palette that has not. There is one of it.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe blues are laid side by side rather than blended, so the field changes as the light moves and no two hours of the day give you the same rug. The forms themselves are old — the angular vine and open medallion Anatolian weavers have carried for generations — and the surprise is how little they resist contemporary color. The surface is dark and glossy enough to take a tint from whatever stands around it: pale upholstery lightens it, wood deepens it.\u003c\/p\u003e\n\n\u003cp\u003eWool is knotted onto a cotton warp with the double knot, packed tightly enough to make the rug thin in the hand and slow to wear. It came off a loom in Afghanistan. This is one of the more restrained pieces in the house's Retro line, which is its name for old drawing in new color. A blue this saturated behaves differently under an office ceiling light than under lamps, and it is worth seeing it in the light it will live under. Vacuum it; leave the washing to a professional.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in Afghanistan; a wool pile over a cotton warp.\u003c\/li\u003e\n  \u003cli\u003eAqua, turquoise, petrol and a green-leaning blue, set side by side.\u003c\/li\u003e\n  \u003cli\u003eCenturies-old motifs redrawn in a modern palette.\u003c\/li\u003e\n  \u003cli\u003eDouble-knotted and densely packed, so the rug is thin and hard-wearing.\u003c\/li\u003e\n  \u003cli\u003e183 × 274 cm (6'0\" × 9'0\") — large enough for a salon or a meeting room.\u003c\/li\u003e\n  \u003cli\u003eThe color reads differently under ceiling light and under lamps.\u003c\/li\u003e\n  \u003cli\u003eRegular vacuuming; professional washing when it is due.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eBlue is the color rooms hesitate over, and a blue that is really five blues gives them less to hesitate about.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Blue \/ 183 X 274","offer_id":46164173979881,"sku":"OZLKOL000016.01","price":230000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaVintageDesenliMaviYunHali_1.jpg?v=1706024283"},{"product_id":"el-dokuma-anadolu-desenli-rengarenk-taspinar-hali","title":"Multicolor Anatolian Hand-Knotted Wool Taşpınar Rug","description":"\u003cp\u003e\u003cstrong\u003eAksaray province, out on the central Anatolian plateau, has a village called Taşpınar whose name has served as a rug description for generations. This is one of them: hand-knotted in wool, multicolored, drawn in the angular Anatolian manner those looms keep to, and measuring 183 × 272 cm (6'0\" × 8'11\"). A single piece.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eRengarenk\u003c\/em\u003e is the word on the Turkish label and it means precisely what it looks like — many colors, none of them selected to agree with the others. Reds, blues and greens stand side by side at full strength. Where one dye lot ran out partway up the rug the tone steps, and that horizontal banding has a name: abrash. It is what tells you the yarn was dyed in small batches at home rather than bought by the sack.\u003c\/p\u003e\n\n\u003cp\u003eWool throughout, surface and foundation alike, knotted by hand in Türkiye. No cartoon was involved — the drawing lived in the weaver's head, so the figures shift by a knot or two as the work climbs, and over nine feet that drift accumulates until the two ends of the rug are visibly not identical. They were never meant to be. If what you want is a rug that measures true to the millimeter, this is the wrong one. Professional cleaning only; a wool-on-wool village rug is no machine proposition.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eKnotted by hand in the Aksaray village of Taşpınar, central Türkiye.\u003c\/li\u003e\n  \u003cli\u003eWool for the pile, and wool again for the warp and weft.\u003c\/li\u003e\n  \u003cli\u003eReds, blues and greens at full strength, unmatched by design.\u003c\/li\u003e\n  \u003cli\u003eAbrash — horizontal tone banding — where the dye lots changed.\u003c\/li\u003e\n  \u003cli\u003e183 × 272 cm (6'0\" × 8'11\") — a sitting room or a wide hall.\u003c\/li\u003e\n  \u003cli\u003eWorked from memory, so the two ends do not match.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing.\u003c\/li\u003e\n  \u003cli\u003eOne piece; the drawing will not be repeated.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003ePut it in a room of plain walls and quiet furniture and it will be the only thing anyone looks at, which is what it was woven to be.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Colorful \/ 183 X 272","offer_id":46425152487657,"sku":"MZTTAS000011.01","price":87500.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaAnadoluDesenliRengarenkTaspinarHali_6.jpg?v=1706626082"},{"product_id":"anadolu-desenli-rengarenk-yun-koy-dokuma-taspinar-halisi","title":"Multicolor Medallion Hand-Knotted Wool Taşpınar Rug","description":"\u003cp\u003e\u003cstrong\u003eThe side line of this rug is not quite true, which is worth mentioning before the pattern is. It is a Taşpınar rug out of Aksaray, hand-knotted in wool, 178 × 302 cm (5'10\" × 9'11\"), with a navy ground, a red and cream diamond medallion at its center, and a mustard and orange main border. Used, and one of one.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eMost Taşpınar rugs put the dark color in the border and the light one in the field. This one reverses it — navy across the whole ground, with the red pulled into the medallion and the small figures scattered around it, and mustard doing the framing. The result is darker and older-looking than its siblings, and it fixes the floor of a room instead of lifting it: anything placed on a navy ground stands away from it, so cream, camel and pale wood all gain by being there.\u003c\/p\u003e\n\n\u003cp\u003eWool for pile and foundation both, knotted by hand in Türkiye. On a village loom the warp cannot be held at a constant tension over three meters the way a workshop loom holds it, and the consequence is the one stated at the top: the width varies by a few centimeters end to end, and the side line is not quite true. At 178 cm nobody will measure it, but you can see it when the rug is laid out. It has been used, the pile has settled in places, and the sunward face has opened a shade — used wool is softer and glossier than new wool, because the fiber works its own oil to the surface over the years. Professional washing is the first thing it should have.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted at Taşpınar in central Anatolia, Aksaray province.\u003c\/li\u003e\n  \u003cli\u003eWool above and wool below.\u003c\/li\u003e\n  \u003cli\u003eNavy ground with a red and cream diamond medallion; mustard and orange border.\u003c\/li\u003e\n  \u003cli\u003eThe family's usual color arrangement, reversed.\u003c\/li\u003e\n  \u003cli\u003e178 × 302 cm (5'10\" × 9'11\") — long and narrow, for the long axis of a room.\u003c\/li\u003e\n  \u003cli\u003eThe side line is not perfectly straight; village warp tension varies.\u003c\/li\u003e\n  \u003cli\u003ePreviously used: the pile has settled and the surface has softened.\u003c\/li\u003e\n  \u003cli\u003eSend it for professional washing before it goes down.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eNavy on a floor works the way a dark frame works around a picture, which is to say it makes everything standing on it look deliberate.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Colorful \/ 178 X 302","offer_id":47368688206057,"sku":"MZTTAS000019.01","price":98000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/AnadoluDesenliRengarenkYunKoyDokumaTaspinarHalisi_1.jpg?v=1717596151"},{"product_id":"el-dokuma-yun-vintage-desenli-sari-klasik-hali","title":"Yellow Medallion Vintage Hand-Knotted Wool Rug","description":"\u003cp\u003e\u003cstrong\u003eYellow Medallion Vintage Hand-Knotted Wool Rug: a central medallion sitting inside a framing border, on a yellow ground that runs toward gold, 168 × 277 cm (5'6\" × 9'1\"). It was hand-knotted in Anatolia, then sheared, re-dyed and dried. There is one.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe medallion is the oldest way to organize a rug and the most demanding, because everything else has to be arranged around it. Here it works because the color is so warm: the gold-yellow ground holds the middle steady and the border repeats just enough to close the composition without competing. Late in the day the whole field goes the color of low sun on a wall. The fine knotting of the original weave is still readable in the medallion's outline, which is the part of any rug where poor knotting shows first.\u003c\/p\u003e\n\n\u003cp\u003eWool where a foot lands, cotton where it does not. Shearing the pile shortened it and left the surface slightly firm, which is what the Turkish source means by a hard rather than a plush hand — it takes furniture without crushing and it does not hold marks. At almost three meters long it is a living-room size, and the medallion asks for the furniture to be set back from it rather than parked on top. It wants professional washing.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eCentral medallion inside a framing border, on a gold-yellow ground.\u003c\/li\u003e\n  \u003cli\u003eAnatolian hand-knotting from an earlier decade, re-sheared and re-colored.\u003c\/li\u003e\n  \u003cli\u003eWool pile over a cotton foundation.\u003c\/li\u003e\n  \u003cli\u003eFine original knotting, readable in the medallion outline.\u003c\/li\u003e\n  \u003cli\u003eA firm rather than plush surface, which resists crushing under furniture.\u003c\/li\u003e\n  \u003cli\u003e168 × 277 cm (5'6\" × 9'1\") — a living room, a large office, a wide hall.\u003c\/li\u003e\n  \u003cli\u003eWashing is a job for professionals.\u003c\/li\u003e\n  \u003cli\u003eOne rug; the next will not match it.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eA medallion in the middle of a room decides where the sofa goes, and that is a fair trade for a floor this warm.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Yellow \/ 168 X 277","offer_id":47406646329577,"sku":"HALVIN000089.01","price":35000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaYunVintageDesenliSariKlasikHali_1.jpg?v=1718375129"},{"product_id":"el-dokuma-vintage-desenli-sari-yun-klasik-hali-1","title":"Yellow Classic Vintage Hand-Knotted Wool Rug","description":"\u003cp\u003e\u003cstrong\u003eAt 188 × 271 cm (6'2\" × 8'11\") this is the largest of the re-dyed yellow rugs here, and the roughest to the hand. The piece is an Anatolian hand-knotted wool rug of some age, sheared down and colored again, its classical drawing still complete under a soft warm yellow. There is one of it.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eShearing an old pile leaves a surface with some grain in it, and on this rug the grain is unmistakable — not unpleasant, but not soft either, and worth knowing before it is unrolled in a bedroom. What it gives in exchange is durability. The knots underneath are fine and closely set, and a short pile over fine knotting is the most hard-wearing surface a wool rug can have. The yellow is the color of afternoon light rather than of a paint chart, and it changes very little between day and evening.\u003c\/p\u003e\n\n\u003cp\u003eEverything above the foundation is wool; the foundation itself is cotton. Because the rug has been thinned it weighs far less than a new rug of the same footprint, which is what makes a piece this large possible to handle. It has already spent a working life in one house before this one. A rug washer, when the time comes.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eOld Anatolian hand-knotting, sheared down, dyed again and dried out.\u003c\/li\u003e\n  \u003cli\u003eWool above the foundation, cotton within it.\u003c\/li\u003e\n  \u003cli\u003eA soft warm yellow that barely shifts between daylight and lamplight.\u003c\/li\u003e\n  \u003cli\u003eThe sheared surface has a definite grain and is not soft underfoot.\u003c\/li\u003e\n  \u003cli\u003eFine, close knotting under a short pile — the most hard-wearing combination in wool.\u003c\/li\u003e\n  \u003cli\u003e188 × 271 cm (6'2\" × 8'11\") — a full living room or a large dining room.\u003c\/li\u003e\n  \u003cli\u003eTake it to someone who washes rugs.\u003c\/li\u003e\n  \u003cli\u003eSold as a single rug.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eIt has been walked on for years already and shows no sign of minding.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Yellow \/ 188 X 271","offer_id":47406718353641,"sku":"HALVIN000090.01","price":38500.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaVintageDesenliSariYunKlasikHali_4_bb607d87-3ab4-4b00-887d-346c065c408c.jpg?v=1718375987"},{"product_id":"mahal-serisi-el-dokuma-usak-desenli-yun-mavi-hali-1","title":"Turquoise Oushak-Pattern Handwoven Wool Rug, Mahal Series","description":"\u003cp\u003e\u003cstrong\u003eIn Pakistan there are workshops that have kept the Anatolian double knot alive for generations, and one of them made this: a Mahal Series Oushak-pattern rug, turquoise ground inside broad cream borders, 197 \u0026times; 261 cm (6'6\" \u0026times; 8'7\"), wool over cotton. One piece.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eTurquoise is the difficult member of the blue family \u0026mdash; too green and it turns clinical, too blue and it stops being turquoise at all. Here it holds in the middle, cooled by the cream that surrounds it and warmed by the earth tones inside the motif work. The Oushak forms are drawn with fine curves and flower shapes rather than hard geometry, and they behave differently at different hours: direct sun lifts them off the ground almost completely, while evening light flattens them back into it and the whole rug goes quiet.\u003c\/p\u003e\n\n\u003cp\u003eThe double knot the weavers used ties around two warps and is the reason a rug of this age of design survives a century of feet. Wool makes the whole visible surface, cotton the foundation, plus a marginal amount of synthetic thread to hold the shape. It is not a thick rug, and the hand of it is solid rather than soft; that solidity is why it keeps its rectangle and why a vacuum is enough between washes. Hand-dyed yarn puts a great many natural tones into one turquoise field, which is the thing worth looking at up close. Take it to a professional for washing.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eWoven in Pakistan by hands that still work the Anatolian double knot.\u003c\/li\u003e\n  \u003cli\u003eTurquoise field framed by wide cream borders in earth tones.\u003c\/li\u003e\n  \u003cli\u003eFine curving Oushak motifs, drawn as flowers rather than geometry.\u003c\/li\u003e\n  \u003cli\u003eHand-dyed yarn: many natural tones inside a single color.\u003c\/li\u003e\n  \u003cli\u003eWool surface, cotton foundation, a little synthetic yarn for form.\u003c\/li\u003e\n  \u003cli\u003e197 \u0026times; 261 cm (6'6\" \u0026times; 8'7\") \u0026mdash; a sitting room, a study, an office.\u003c\/li\u003e\n  \u003cli\u003eSolid rather than soft, and it keeps its shape.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing. One rug.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eTurquoise dates faster than any other color in a rug, and this one avoids it by being three tones at once.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Turquoise \/ 197 X 261","offer_id":47774430626025,"sku":"KERMAH000030.01","price":109000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/MahalSerisiElDokumaUsakDesenliYunMaviHali_5_e7db802d-56dd-4930-b072-2ac621d619ac.jpg?v=1726915019"},{"product_id":"mahal-serisi-el-dokuma-geometrik-desenli-krem-bordo-hali","title":"Burgundy and Cream Geometric Handwoven Wool Rug, Mahal Series","description":"\u003cp\u003e\u003cstrong\u003eCream rectangles laid in courses like brickwork over a burgundy ground, inside a burgundy frame wide enough to be a wall: that is the Mahal Series geometric rug in cream and burgundy, 177 \u0026times; 271 cm (5'10\" \u0026times; 8'11\"), handwoven in Pakistan, wool over cotton. One piece.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe courses are what make it work. Each cream form is separated from the next by a clean burgundy line, so the field has the regularity of masonry, and against that regularity the softness of the wool reads as a contradiction \u0026mdash; geometric drawing, natural fiber, neither one winning. The burgundy has depth to it because the yarn was dyed with natural colorants and takes light unevenly; the cream stays level and stops the darker ground from sitting heavily on the room.\u003c\/p\u003e\n\n\u003cp\u003eWeavers in Pakistan knotted it entirely by hand using the double-knot technique that came from Anatolia. Wool covers all of the surface, cotton makes the skeleton, and a few synthetic threads run through it so the rug does not pull out of square. Its body is medium and firm, which is the useful weight: it cleans easily and it holds the form it left the loom with. This rug will sit as comfortably in a modern room as in an old one, and the frame is broad enough that it does not need a border of bare floor around it.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven in Pakistan, Anatolian double knot, wool pile on cotton.\u003c\/li\u003e\n  \u003cli\u003eCream rectangles laid in courses over a burgundy ground.\u003c\/li\u003e\n  \u003cli\u003eWide burgundy frame giving the rug a definite edge.\u003c\/li\u003e\n  \u003cli\u003eNaturally dyed yarn, so the burgundy carries depth rather than a flat tone.\u003c\/li\u003e\n  \u003cli\u003eA trace of synthetic yarn in the foundation for shape retention.\u003c\/li\u003e\n  \u003cli\u003e177 \u0026times; 271 cm (5'10\" \u0026times; 8'11\"), suited to a living room or an office.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing when the time comes.\u003c\/li\u003e\n  \u003cli\u003eOne piece, not a repeatable design.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eBurgundy is the color rooms grow into, which is why it looks better in the fifth year than the first.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Burgundy \/ 177 X 271","offer_id":47774746345705,"sku":"KERMAH000051.01","price":101000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/MahalSerisiElDokumaGeometrikDesenliKremBordoHali_1.jpg?v=1726915093"},{"product_id":"mahal-serisi-el-dokuma-geometrik-desenli-krem-hali","title":"Cream Geometric Handwoven Wool Rug, Mahal Series","description":"\u003cp\u003e\u003cstrong\u003eNaturally dyed yarn is where this rug begins: every thread in the Mahal Series geometric rug in cream was colored with natural dyes, which is why its squares arrive in soft steps of earth and coffee rather than in flat blocks. Handwoven in Pakistan, wool surface on a cotton foundation. A single piece.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe field is a rhythm of squares over a cream ground \u0026mdash; light enough to keep a room open, ordered enough to make a room look tidier than it is. Inside that order the tones drift. One square is a shade browner than the one beside it, the next lighter again, and the drift is the whole difference between a woven floor and a printed one. Cream reads warm here rather than cold, because the browns beside it are earth colors rather than gray ones.\u003c\/p\u003e\n\n\u003cp\u003eIt was knotted in Pakistan by weavers keeping the Anatolian double-knot tradition in daily use \u0026mdash; the symmetrical G\u0026ouml;rdes knot, the same one the 13th-century Seljuk rugs from the Al\u0026acirc;eddin Mosque in Konya were tied with. Wool covers the entire walking surface; cotton runs beneath as the skeleton, and a very small synthetic content is added for durability. The body is neither thick nor thin, and the surface is firm, which makes it quick to clean and slow to lose its shape. It goes into modern rooms and rustic ones equally \u0026mdash; the pattern is geometric, the palette is not. Only a professional should wash it.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eWoven by hand in Pakistan, Anatolian double knot throughout.\u003c\/li\u003e\n  \u003cli\u003eEvery yarn dyed with natural colorants, giving soft tonal steps between squares.\u003c\/li\u003e\n  \u003cli\u003eRepeating square geometry on a cream ground, in earth and coffee tones.\u003c\/li\u003e\n  \u003cli\u003eWool surface, cotton skeleton, a trace of synthetic yarn for durability.\u003c\/li\u003e\n  \u003cli\u003eFirm mid-weight body that keeps its rectangle.\u003c\/li\u003e\n  \u003cli\u003eReads equally well in a modern or a rustic room.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing.\u003c\/li\u003e\n  \u003cli\u003eOne piece.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eCream is the hardest ground to weave well and the easiest to live with, and rug makers have never much liked that arrangement.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Cream \/ 182 X 260","offer_id":47774805885161,"sku":"KERMAH000052.01","price":100000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/MahalSerisiElDokumaGeometrikDesenliKremHali_1.jpg?v=1726915198"},{"product_id":"el-dokuma-usak-desenli-kirmizi-yun-hali","title":"Red Oushak-Pattern Hand-Knotted Wool Rug","description":"\u003cp\u003e\u003cstrong\u003eIts foundation is the unusual part: a cotton structure reinforced with Manchester-spun yarn, under a hand-knotted wool surface in deep red with classic Oushak motifs, 184 \u0026times; 283 cm (6'0\" \u0026times; 9'3\"), woven in India. High knot density throughout. There is one of it.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eManchester yarn is a fine, evenly spun cotton, and in a rug foundation it does two things: it takes tension without stretching, and it lets the weaver set knots closer together than a coarser warp would allow. That closeness is why the Oushak drawing here holds its detail. The wool above it has been spun and finished bright, so the red reflects light rather than swallowing it, and the field gains depth from that reflection instead of from a dark border.\u003c\/p\u003e\n\n\u003cp\u003eIt was knotted in the workshops of India that supply the international trade, dyed by non-industrial processes rather than by continuous machine, which is what produces the small tonal variations across a single color. A rug this dense is heavy work and slow work, and the density is also the reason it will outlast several sets of furniture. It goes under a seating group, in a wide hall, in a hotel lobby or an office \u0026mdash; anywhere the floor is a surface people cross rather than sit on. Cleaning is professional work, not weekend work.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in India in wool, at high knot density.\u003c\/li\u003e\n  \u003cli\u003eCotton foundation reinforced with Manchester-spun yarn.\u003c\/li\u003e\n  \u003cli\u003eDeep red field with classic Oushak motifs.\u003c\/li\u003e\n  \u003cli\u003eBright-finished wool: the surface reflects light rather than absorbing it.\u003c\/li\u003e\n  \u003cli\u003eNon-industrial dyeing, which is where the tonal variation comes from.\u003c\/li\u003e\n  \u003cli\u003e184 \u0026times; 283 cm (6'0\" \u0026times; 9'3\") \u0026mdash; a large sitting room, a hall, a lobby.\u003c\/li\u003e\n  \u003cli\u003eSits well with dark timber, and equally with minimalist rooms.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing. One piece.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eDensity is the one quality in a rug that photographs badly and matters most, and there is a great deal of it here.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Red \/ 184 X 283","offer_id":47849324019945,"sku":"BOZSAL000036.01","price":199000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaUsakDesenliKirmiziYunHali_1.jpg?v=1728898347"},{"product_id":"el-dokuma-usak-desenli-yun-krem-hali","title":"Cream Oushak-Pattern Hand-Knotted Wool Rug","description":"\u003cp\u003e\u003cstrong\u003eA hand-knotted wool rug in cream, 181 \u0026times; 271 cm (5'11\" \u0026times; 8'11\"), carrying Oushak motifs that have been drawn in Anatolia since the sixteenth century, knotted in India on a cotton spine reinforced with Manchester yarn. The wool is finished bright, so the cream picks up light instead of sitting flat under it. One piece.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eCream is the ground that shows every decision a weaver makes, and this one holds up to the scrutiny. The Oushak forms are set across it at full scale, the way the Anatolian workshops drew them, with enough space between the motifs that the pattern never crowds. Under a window the surface goes near-white and the drawing recedes; away from the light the cream deepens toward stone and the motifs come forward again. It agrees with classical furniture and with rooms that have almost nothing in them, which is not a claim most patterns can make.\u003c\/p\u003e\n\n\u003cp\u003eThe cotton and wool that went into it were prepared through a long process before any knot was tied, and the Manchester-yarn spine underneath is what carries the tension and keeps the rug true across nearly five square meters. Knotting a piece at this scale by hand is patient work measured in months rather than weeks. Under a seating group it makes a single surface out of a scattered arrangement of furniture. Only a professional should wash it.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in India from high-grade wool and cotton.\u003c\/li\u003e\n  \u003cli\u003eCotton spine reinforced with Manchester-spun yarn.\u003c\/li\u003e\n  \u003cli\u003eCream ground with full-scale Oushak motifs.\u003c\/li\u003e\n  \u003cli\u003eBright-finished wool that reflects light softly.\u003c\/li\u003e\n  \u003cli\u003eDense knotting, which is where the detail and the wear resistance both come from.\u003c\/li\u003e\n  \u003cli\u003e181 \u0026times; 271 cm (5'11\" \u0026times; 8'11\") \u0026mdash; a sitting room, a study, a bedroom.\u003c\/li\u003e\n  \u003cli\u003eWashing by a professional only.\u003c\/li\u003e\n  \u003cli\u003eOne piece.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eThe pattern will still be legible when the furniture around it has been replaced twice.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Cream \/ 181 X 271","offer_id":47873190559977,"sku":"BOZSAL000012.01","price":188000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaUsakDesenliYunKremHali_1.jpg?v=1730033858"},{"product_id":"el-dokuma-cicek-desenli-krem-yun-hali-5","title":"Cream Floral Hand-Knotted Wool and Silk Rug","description":"\u003cp\u003e\u003cstrong\u003eSilk in the flowers and wool everywhere else. This hand-knotted rug has a cream ground carrying a classical floral drawing, with silk knotted into the motifs, wool making the pile and cotton holding the foundation. Made in India, 176 × 268 cm (5'9\" × 8'10\"), and there is not a second one.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe reason for putting silk only in the flowers is optical rather than decorative. A cream field in wool sits at one steady value all day; silk placed inside it flickers between bright and dull as the viewer moves, so the blossoms seem raised while the pile itself stays perfectly flat. That trick is older than any of the workshops still using it, and it is the whole argument for a silk-accented rug over a plain wool one.\u003c\/p\u003e\n\n\u003cp\u003eCream is the least forgiving ground color in a rug. It shows everything and goes gray under a dirty shoe long before it wears out, which is why this piece belongs in a bedroom or a formal room rather than at a doorway. Wool pile, silk motifs, cotton warp and weft — a specialist wash, and tell them there is silk in it, because silk and wool want different water temperatures.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in India — wool pile, silk in the motifs, cotton foundation.\u003c\/li\u003e\n  \u003cli\u003eClassical floral field on a cream ground.\u003c\/li\u003e\n  \u003cli\u003eSilk catches light so the flowers appear to lift off a level surface.\u003c\/li\u003e\n  \u003cli\u003e176 × 268 cm (5'9\" × 8'10\").\u003c\/li\u003e\n  \u003cli\u003eCream shows marks; keep it away from entrances.\u003c\/li\u003e\n  \u003cli\u003eBedroom and formal-room proportions rather than hallway ones.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing, with the silk declared.\u003c\/li\u003e\n  \u003cli\u003eOne piece.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWool wears down slowly and evenly; silk goes softer and slightly duller with time, and a rug that has both ages in two speeds at once.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Cream \/ 176 X 268","offer_id":47946999103721,"sku":"SARLEG000002.01","price":141000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaCicekDesenliKremYunHali_1_928c2ad5-08f1-497a-8ebc-8541bab19b81.jpg?v=1732636528"},{"product_id":"sultan-serisi-el-dokuma-bej-cicek-desenli-hali","title":"Beige Oushak Floral Handwoven Rug, Sultan Series","description":"\u003cp\u003e\u003cstrong\u003eBeige Oushak Floral Handwoven Rug, Sultan Series — 178 × 265 cm (5'10\" × 8'8\"), woven in Türkiye in wool with silk in the motifs, a beige field carrying gold-yellow and green flowers drawn from Anatolian Oushak sources. Under carved furniture it looks inherited; under thin metal legs it looks deliberate. One of one.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eBeige is the flattest ground a weaver can be handed and the hardest to make interesting, and the answer here is to keep the value range narrow and the color range wide: gold, a soft green and cream, all within half a tone of the field. From across a room the effect is one warm surface. Standing on it, the drawing separates into individual flower heads with leaves turning off them, which is how the Oushak sources drew it in the first place.\u003c\/p\u003e\n\n\u003cp\u003eTürkiye, by hand, at a knot count that is the real difference between this series and the rugs it resembles. Wool takes the field and silk takes the motifs, and the silk is not decoration — it is what makes a beige-on-beige pattern visible at all, since it reflects where the wool absorbs. Nothing shouts at the edges, so the rug ends rather than stops. Its only quarrel is with a strongly patterned floor tile. Put it in professional hands for washing and it asks for very little else.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven in Türkiye; wool field with silk in the motifs.\u003c\/li\u003e\n  \u003cli\u003e178 × 265 cm (5'10\" × 8'8\") — a seating group or a large bedroom.\u003c\/li\u003e\n  \u003cli\u003eBeige ground with gold-yellow, green and cream in the drawing.\u003c\/li\u003e\n  \u003cli\u003eAnatolian Oushak floral sources, kept classical.\u003c\/li\u003e\n  \u003cli\u003eHigh knot count, which is where the detail and the weight both come from.\u003c\/li\u003e\n  \u003cli\u003eSilk reflects where wool absorbs, and the pattern shows because of the difference.\u003c\/li\u003e\n  \u003cli\u003eWorks under carved wood and under metal-legged furniture alike.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing. A single piece.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eA beige rug is the one people keep longest, because it is the one that never argues with whatever gets bought next.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"bey \/ 178 X 265","offer_id":48014843609321,"sku":"RENSUL000105.01","price":166000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/SultanSerisiElDokumaBejCicekDesenliHali_1.jpg?v=1735142313"},{"product_id":"patchwork-desenli-bej-deri-post-hali","title":"Beige Patchwork Cowhide Rug","description":"\u003cp\u003e\u003cstrong\u003eTwo meters ten across and two fifty-five long — 210 × 255 cm (6'11\" × 8'4\") — is a large floor to cover in animal skin, and reaching it takes a great many hides. This is a beige patchwork cowhide rug from South America, set out in squares and joined edge to edge. There is one of it.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eSquares are the candid layout for patchwork, since they show how the piece was assembled rather than hiding the joins inside a figure. Each square is a separate skin or part of one, and no two beiges in the grid are quite the same beige: some lean pink, some toward gray, some still carry the faint natural striping cattle hide arrives with. Read across the grid and that variation is the pattern.\u003c\/p\u003e\n\n\u003cp\u003eSouth American cattle hide, cut square with shears and sewn from behind. The arithmetic matters at this scale — five and a third square meters wants a lot of matched skins, and matching pale ones is harder than matching dark, because every difference tells on cream. The joins are also the thing to watch. They are strong, but they are where a hide rug eventually gives, so keep chair legs off them. Dry cleaning, never a wash.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eCattle hide from South America in a square grid, stitched from the back.\u003c\/li\u003e\n  \u003cli\u003eBeige throughout, with the natural difference between skins left visible.\u003c\/li\u003e\n  \u003cli\u003eFive and a third square meters: 210 × 255 cm (6'11\" × 8'4\").\u003c\/li\u003e\n  \u003cli\u003eLarge enough to stand a full seating group on rather than float in front of.\u003c\/li\u003e\n  \u003cli\u003eNo pile at all — the surface is hair on skin, and it sweeps clean.\u003c\/li\u003e\n  \u003cli\u003eThe seams are the wear points; furniture legs belong off them.\u003c\/li\u003e\n  \u003cli\u003eDry cleaning.\u003c\/li\u003e\n  \u003cli\u003eA single assembly.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eA grid this wide gets read as a floor rather than as a rug, which is what most people are after when they buy hide at all.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"bey \/ 210 X 255","offer_id":48098506965225,"sku":"ESTDAN000030.01","price":57000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/PatchworkDesenliBejDeriPostHali_2.jpg?v=1738573354"},{"product_id":"patchwork-desenli-vizon-deri-post-hali","title":"Mink Patchwork Cowhide Rug","description":"\u003cp\u003e\u003cstrong\u003eNothing about a cow suggests a rectangle, and that is the problem patchwork exists to solve. This mink patchwork cowhide rug is South American cattle hide cut down to squares and rebuilt as a true 200 × 240 cm (6'7\" × 7'10\") rectangle, in the gray-brown the trade calls mink. A single piece.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eMink is the tone at which hide behaves most like cloth: dark enough to read as one color from the doorway, light enough for the grid to surface once you are standing on it. The squares follow no repeating rhythm, so the rug has neither top nor bottom and can be turned a quarter each year to spread its wear. Where two skins meet, one runs a shade browner and the other a shade grayer, and that is the only figure in it.\u003c\/p\u003e\n\n\u003cp\u003eThe hides come off cattle raised in South America and are graded before cutting, since a patchwork is only as good as the sorting in front of it. Shears do the cutting, thread does the joining, and the whole is squared against a straightedge — closer to tailoring than to weaving. One caution: hair lies in a direction, and where two squares meet with their grain opposed you can feel the change with a bare foot. People either enjoy that or they do not.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eGraded South American cattle hide, shear-cut into squares.\u003c\/li\u003e\n  \u003cli\u003eMink gray-brown across the whole field, drifting by a shade between panels.\u003c\/li\u003e\n  \u003cli\u003e200 × 240 cm (6'7\" × 7'10\"), four point eight square meters.\u003c\/li\u003e\n  \u003cli\u003eNo fixed direction; turn it now and then to even out the wear.\u003c\/li\u003e\n  \u003cli\u003eGrain reverses at some seams and can be felt underfoot.\u003c\/li\u003e\n  \u003cli\u003eDry clean, and keep it dry the rest of the time.\u003c\/li\u003e\n  \u003cli\u003eAssembled once, from skins that will not recur.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eIt suits a room that wants another texture in it and has run out of appetite for another pattern.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Visa \/ 200 X 240","offer_id":48098627354857,"sku":"ESTDAN000065.01","price":51000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/PatchworkDesenliVizonDeriPostHali_6.jpg?v=1738928881"},{"product_id":"ayan-serisi-el-dokuma-vintage-desenli-mavi-yun-hali","title":"Blue Vintage-Pattern Hand-Knotted Wool Rug, Ayan Series","description":"\u003cp\u003e\u003cstrong\u003eSomething like a sky with cloud shadow crossing it: the Ayan Series blue vintage rug, hand-knotted in wool, 184 × 288 cm (6'0\" × 9'5\"), a bright blue ground scattered with cream and with orange and green figures worked in between, knotted by hand in wool over a cotton foundation. One piece of this design.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe cream passages sit like shade rather than like ornament, and the orange and green appearing between them behave the way blossom does on a bare branch — small, spaced out, and warmer than everything around them. A vintage finish has taken the edge off the blue so that nothing in the palette looks new. What it has instead is the used quality of an object that has been in a house a long time, which is exactly the effect the series is after.\u003c\/p\u003e\n\n\u003cp\u003eThe foundation is cotton and the pile above it is wool, tied with the double knot and drawn tight enough that it will not spread with age. The dyeing is the unusual part: several strengths of the same blue go into one field, so the ground moves instead of lying flat. Each Ayan design is woven once, which means there is no second chance at this one and no matching piece for another room. Have it washed by somebody whose trade is rugs.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in wool with the double knot, on a cotton foundation.\u003c\/li\u003e\n  \u003cli\u003eA bright blue ground, with cream shading and orange and green figures.\u003c\/li\u003e\n  \u003cli\u003eThe yarn is dyed so that one color appears at several strengths in the same field.\u003c\/li\u003e\n  \u003cli\u003eEach design in the Ayan series is woven a single time.\u003c\/li\u003e\n  \u003cli\u003e184 × 288 cm (6'0\" × 9'5\") — a sitting room, a bedroom, or under a dining table for four.\u003c\/li\u003e\n  \u003cli\u003eThe vintage finish is part of the making, so the surface starts out softened rather than crisp.\u003c\/li\u003e\n  \u003cli\u003eWashing should be done by a rug professional.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eIt looks like something inherited, and in a few decades somebody will inherit it.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Blue \/ 184 X 288","offer_id":48162851258601,"sku":"BAYAYN000002.01","price":150000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/AyanSerisiElDokumaVintageDesenliMaviYunHali_2.jpg?v=1741006374"},{"product_id":"el-dokuma-usak-desenli-kirmizi-yun-hali-1","title":"Red Oushak-Pattern Hand-Knotted Wool Rug","description":"\u003cp\u003e\u003cstrong\u003eRed Oushak-pattern hand-knotted wool rug — a bright red field bordered in navy, with thin branches, flower heads and curling stems drawn across it, 197 × 270 cm (6'6\" × 8'10\"), on a cotton foundation, with a wool pile tied in the double Gördes knot. A single rug.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe two colors are doing opposite jobs. Red holds the center and has the warmth of ground that has been standing in the sun; navy runs the borders and pulls the eye back in at the edges. The vine work moves between them, drawn thin enough that it never blocks the ground it sits on. The dyeing is what makes the red worth looking at — the same color turns up at several depths across the field, so the surface carries variation instead of one uniform tone.\u003c\/p\u003e\n\n\u003cp\u003eThe Gördes knot is symmetrical and ties over two warps at once, which is why the pile is stiff and why a rug made this way outlasts its owner. Wool sits on a cotton foundation and there is nothing else in it. Oushak is the English name for a weaving town in western Anatolia whose medallion and vine drawing has been copied and re-copied for five hundred years, and what is here is a working version of that vocabulary rather than a museum reproduction. Only professional washing is advised.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted with the double Gördes knot, the symmetrical Turkish knot.\u003c\/li\u003e\n  \u003cli\u003eWool pile on a cotton foundation, with no other fiber in it.\u003c\/li\u003e\n  \u003cli\u003eA red field bordered in navy, with branch, flower and stem drawing across the ground.\u003c\/li\u003e\n  \u003cli\u003eThe red appears at several depths, a result of how the yarn was dyed.\u003c\/li\u003e\n  \u003cli\u003e197 × 270 cm (6'6\" × 8'10\") — a sitting room, a study or a wide landing.\u003c\/li\u003e\n  \u003cli\u003eThe Oushak vocabulary has been in the trade for five hundred years.\u003c\/li\u003e\n  \u003cli\u003eOnly professional washing is advised.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eA strong red is never background, and that is either the argument for this rug or the argument against it.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Red \/ 197 X 270","offer_id":48307191087337,"sku":"BOZSAL000018.01","price":205000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaUsakDesenliKirmiziYunHali_1.webp?v=1745161631"},{"product_id":"modern-soyut-desenli-kahverengi-deri-post-hali","title":"Brown Abstract Modern Cowhide Rug","description":"\u003cp\u003e\u003cstrong\u003eDry cleaning only, which belongs at the top of a description rather than the bottom. This is a Brown Abstract Modern Cowhide Rug: real hide instead of woven cloth, prepared in South America, with an abstract modern drawing on it, 216 × 248 cm (7'1\" × 8'2\"). Brown is the color on the label, and no hide is ever one flat brown.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe surface is hair on skin. There is no pile to crush, no knot count to quote and no fringe to wear away, so most of what is normally said about rug care simply does not apply here. What it does have is direction. Every hair lies the same way, and a hide read against that lie looks lighter than the same hide read along it. Move a chair across the room and the floor has changed color without anything having happened to it.\u003c\/p\u003e\n\n\u003cp\u003ePrepared in South America and sold as it came, at 216 × 248 cm — a little over five square meters, which puts it under a whole seating group instead of in front of one. Skin does not take water: a spill is lifted off rather than absorbed, and the piece goes out to a dry cleaner for anything beyond that. Store it rolled and never folded, because skin keeps a crease for good.\u003c\/p\u003e\n\n\u003cul\u003e\n\u003cli\u003eCowhide, prepared in South America.\u003c\/li\u003e\n\u003cli\u003eBrown, carrying an abstract modern drawing.\u003c\/li\u003e\n\u003cli\u003e216 × 248 cm (7'1\" × 8'2\"), a little over five square meters.\u003c\/li\u003e\n\u003cli\u003eNo pile, no knots, no fringe.\u003c\/li\u003e\n\u003cli\u003eReads lighter against the lie of the hair and darker along it.\u003c\/li\u003e\n\u003cli\u003eDry cleaning; blot a spill rather than soaking it.\u003c\/li\u003e\n\u003cli\u003eRoll it to store it — a folded hide keeps the crease.\u003c\/li\u003e\n\u003cli\u003eOne hide, with markings that exist once.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eIt will sit under a leather chair without either of them arguing, which very few rugs manage.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Brown \/ 216 X 248","offer_id":48486726107369,"sku":"EKODAN000117.01","price":19500.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ModernSoyutDesenliKahverengiDeriPostHali_1.webp?v=1749987620"},{"product_id":"el-dokuma-vintage-desenli-pembe-yun-hali","title":"Pink Vintage-Pattern Hand-Knotted Wool Rug","description":"\u003cp\u003e\u003cstrong\u003eThis rug was another rug first. Hand-Knotted Vintage-Pattern Pink Wool Rug, 169 × 276 cm (5'7\" × 9'1\") — an Anatolian hand-knotted piece woven somewhere between thirty and eighty years ago, then shaved down, thinned, dyed again in a strong pink and dried. The old floral drawing survives the process and comes up through the new color.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003ePink at this strength was never in the original. It has been laid over motifs drawn for madder and indigo, and the collision is the point: classical Anatolian flowers in a color no classical weaver would have reached for. Where the old wool took the new dye unevenly the field breaks into lighter and darker passages. Against plain furniture it does all the talking in the room.\u003c\/p\u003e\n\n\u003cp\u003eThe process is straightforward and worth understanding. Old handwoven rugs are collected, the pile is clipped short, the body is thinned, the whole piece is over-dyed and then dried. What comes out is thinner than a new rug and, with less pile to soak anything up, less inclined to hold what gets spilled on it. The knots underneath are still the original hand knots. Professional washing.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eAn Anatolian hand-knotted wool rug, originally woven thirty to eighty years ago.\u003c\/li\u003e\n  \u003cli\u003eShaved, thinned, over-dyed in pink and dried.\u003c\/li\u003e\n  \u003cli\u003e169 × 276 cm (5'7\" × 9'1\").\u003c\/li\u003e\n  \u003cli\u003eFloral Anatolian drawing showing through the new color.\u003c\/li\u003e\n  \u003cli\u003eThin, and hard-wearing for its thinness.\u003c\/li\u003e\n  \u003cli\u003eLess absorbent than a full-pile rug, because there is less pile.\u003c\/li\u003e\n  \u003cli\u003eUsed in living rooms, kitchens, offices and public spaces.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat is an overdyed vintage rug?\u003c\/h3\u003e\n\u003cp\u003eThe rug started life as an older hand-knotted piece. Its pile is clipped short, the body is thinned, and then the whole thing goes back through the dye in a single strong color. The drawing underneath stays visible, because old wool and new dye meet unevenly across the field.\u003c\/p\u003e\n\n\u003ch3\u003eHow old is this rug?\u003c\/h3\u003e\n\u003cp\u003eThe rug it was made from was woven in Anatolia between roughly thirty and eighty years ago. In the trade a rug of that age is called vintage, semi-antique runs from fifty to a hundred years, and antique means a hundred or more. No authority issues these labels; they are conventions of use.\u003c\/p\u003e\n\n\u003cscript type=\"application\/ld+json\"\u003e\n{\"@context\":\"https:\/\/schema.org\",\"@type\":\"FAQPage\",\"mainEntity\":[{\"@type\":\"Question\",\"name\":\"What is an overdyed vintage rug?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"The rug started life as an older hand-knotted piece. Its pile is clipped short, the body is thinned, and then the whole thing goes back through the dye in a single strong color. The drawing underneath stays visible, because old wool and new dye meet unevenly across the field.\"}},{\"@type\":\"Question\",\"name\":\"How old is this rug?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"The rug it was made from was woven in Anatolia between roughly thirty and eighty years ago. In the trade a rug of that age is called vintage, semi-antique runs from fifty to a hundred years, and antique means a hundred or more. No authority issues these labels; they are conventions of use.\"}}]}\n\u003c\/script\u003e\n\n\u003cp\u003eSomebody knotted this by hand two generations ago and somebody else decided it should be pink, and both decisions are still visible in it.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Pink \/ 169 X 276","offer_id":48525739786473,"sku":"HALVIN000103.01","price":35000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaVintageDesenliPembeYunHali_1.webp?v=1751204805"},{"product_id":"pera-serisi-el-dokuma-cicek-desenli-krem-i̇pekli-hali","title":"Cream Floral Handwoven Silk-Blend Rug, Pera Series","description":"\u003cp\u003e\u003cstrong\u003eSilk is what makes this one worth a second look. Cream Floral Handwoven Silk-Blend Rug, Pera Series — wool with silk run through it, a classical floral on a cream field, handwoven in Türkiye at 184 × 260 cm (6'0\" × 8'6\"), and there is one of it.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eWool scatters light in every direction and silk sends it straight back along the fiber. Put both into one rug and the passages knotted in silk behave like a different material altogether: bright from one end of the room, nearly invisible from the other, changing as you walk rather than as the day does. On a cream floral that effect is the difference between a pattern you see and a pattern that appears.\u003c\/p\u003e\n\n\u003cp\u003eHandwoven in Türkiye. At 184 × 260 cm it takes a whole seating group with the front legs of the furniture standing on it, which is the arrangement a floral of this kind was drawn for. Two practical notes rather than one: silk highlights lose their brightness under constant sun, and nearly five square meters of pale ground is a large surface to keep clean in a house with a door onto a garden. Neither is a flaw in the rug and both are worth knowing first. Professional washing only.\u003c\/p\u003e\n\n\u003cul\u003e\n\u003cli\u003eTürkiye, woven by hand; the pile is wool carrying silk.\u003c\/li\u003e\n\u003cli\u003eClassical floral drawing on a cream ground.\u003c\/li\u003e\n\u003cli\u003e184 × 260 cm (6'0\" × 8'6\") — a seating group, front legs on.\u003c\/li\u003e\n\u003cli\u003eSilk reads bright from one direction and disappears from the other.\u003c\/li\u003e\n\u003cli\u003eLong direct sun dulls silk before it does anything to the wool.\u003c\/li\u003e\n\u003cli\u003eNearly five square meters of pale ground; plan the traffic around it.\u003c\/li\u003e\n\u003cli\u003eProfessional washing only.\u003c\/li\u003e\n\u003cli\u003eA single piece.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eKept off the sun, it is the sort of rug that outlives the room it was bought for.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Cream \/ 184 X 260","offer_id":49246110056681,"sku":"HASPER000244.01","price":435000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/PeraSerisiElDokumaCicekDesenliKremIpekliHali_1.webp?v=1761474042"},{"product_id":"harem-serisi-el-dokuma-usak-desenli-bej-yun-hali-1","title":"Beige Oushak Hand-Knotted Wool Rug, Harem Series","description":"\u003cp\u003e\u003cstrong\u003eUnscoured Erzurum fleece — wool still carrying its lanolin when it reached the spindle — is the fiber this one is knotted from. A beige Oushak for the Harem series, tied by hand in Türkiye, large figures in a dark brown border around a light beige field, 200 × 271 cm (6'7\" × 8'11\"). One piece.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe beige is not flat. Golden undertones sit inside it and deepen or thin depending on where the light comes from, so the ground behaves like a surface rather than a color. Against it the dark brown border puts the big Oushak figures into hard relief, and a faint floral run through the center softens what would otherwise be a very formal piece. The motif family descends from Oushak weaving of the fourteenth and fifteenth centuries, drawn here with a modern hand.\u003c\/p\u003e\n\n\u003cp\u003eMade at the Çınar Halı looms, with two ties to every knot in the Anatolian way: twice the hours, and a pile that will not walk out of shape. There is no silk in this one. Wool alone, which is why the surface reads matt and why it takes daily use better than a mixed pile would. Vacuum in the direction of the pile. When it eventually needs washing, a rug washer does it.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eKnotted by hand for the Harem series at the Çınar Halı looms.\u003c\/li\u003e\n  \u003cli\u003eErzurum fleece that reached the spindle unscoured, bright and long-wearing.\u003c\/li\u003e\n  \u003cli\u003eAll wool, no silk; a matt surface built for use.\u003c\/li\u003e\n  \u003cli\u003eAnatolian knotting, doubled at every tie.\u003c\/li\u003e\n  \u003cli\u003eLarge Oushak figures in a dark brown border, with faint florals across a beige center.\u003c\/li\u003e\n  \u003cli\u003eGolden undertones that shift with the angle of the light.\u003c\/li\u003e\n  \u003cli\u003e200 × 271 cm (6'7\" × 8'11\") — a full seating group, with room to walk around it.\u003c\/li\u003e\n  \u003cli\u003eProfessional cleaning, and not often.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWool spun in the grease keeps some of its shine for decades, so this beige will be a slightly different beige every ten years, and the change is worth watching for.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Beige \/ 200 X 271","offer_id":49307421671657,"sku":"ÇINHAR000016.01","price":270000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/HaremSerisiElDokumaUsakDesenliBejYunHali_1_3742c208-56c5-4ad6-a061-4f5f8f50fc03.webp?v=1762770823"},{"product_id":"el-dokuma-usak-desenli-yun-rengarenk-hali","title":"Multicolor Floral Oushak Hand-Knotted Wool Rug","description":"\u003cp\u003e\u003cstrong\u003eEight to ten months at the loom produced it. Multicolor Floral Oushak Hand-Knotted Wool Rug — curling vine work and medallion forms drawn in navy, beige and earth tones over a warm red-brown ground, knotted by hand in wool, 196 × 272 cm (6'5\" × 8'11\"). A single piece at the end of all that time.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe motifs interlock rather than repeat cleanly, so the field gives up something new every time it is looked at properly; the borders run rows of small flowers and geometric transitions that close the composition without raising their voice. Red-brown is a difficult ground to place and an easy one to live with — at the far end of a room in the evening it goes nearly black, and in daylight it comes back warm and slightly dusty. The wool is soft enough to fold the rug down to parcel size, which says more about the yarn than any adjective could.\u003c\/p\u003e\n\n\u003cp\u003eDensity is what this piece is really about. A tight knot count is why it will keep its rectangle for decades and why the drawing stays sharp where a looser weave would let it blur; put a hand flat on the pile and the resistance is immediate. The surface is wool throughout, and the shine in it belongs to the fiber rather than to any finish. It will take furniture standing on it without crushing under the legs. Have it washed professionally.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in wool over eight to ten months.\u003c\/li\u003e\n  \u003cli\u003eWarm red-brown ground with navy, beige and earth-toned vine work and medallions.\u003c\/li\u003e\n  \u003cli\u003eSmall flower rows and geometric transitions in the borders.\u003c\/li\u003e\n  \u003cli\u003eA tight knot count — the reason the rug holds its rectangle.\u003c\/li\u003e\n  \u003cli\u003e196 × 272 cm (6'5\" × 8'11\"), suited to a sitting room, a bedroom or an office.\u003c\/li\u003e\n  \u003cli\u003eTakes furniture legs without crushing.\u003c\/li\u003e\n  \u003cli\u003eHave it washed professionally.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eTen years from now the red-brown will have gone a shade quieter and the navy will look as if it had always been that dark.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"colorful \/ 196 X 272","offer_id":50106003357929,"sku":"BOZSAL000027.01","price":205000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaUsakDesenliYunRengarenkHali_1.webp?v=1770726955"},{"product_id":"koy-dokuma-kirmen-sandik-yenisi-70-yas-nigde-kislakci-halisi","title":"Multicolor Anatolian Hand-Knotted Wool Kışlakçı Village Rug","description":"\u003cp\u003e\u003cstrong\u003eThe yarn came off a kirmen — a hand spindle, turned in the fingers, one length at a time — before any of it reached the loom. This is a hand-knotted village rug from Kışlakçı, in Niğde, multicolored wool, 162 × 279 cm (5'4\" × 9'2\"), past seventy years old. The trade calls it sandık yenisi: it went into the chest and came out again almost unused.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eSpindle-spun yarn is not the same material as mill yarn and it does not behave like it. The twist varies along the length, so the thread is thicker in some places than others, and when it is knotted the pile ends up faintly irregular in a way that catches light unevenly across the surface. Mill spinning removes that variation deliberately. In a village rug it is the signature — you can tell spindle-spun wool by running a hand across the pile and feeling it change. Dye takes differently on an uneven thread as well, which is part of why the colors in these rugs never sit completely flat.\u003c\/p\u003e\n\n\u003cp\u003eWool only, according to the record, in the pile and beneath it. Sandık yenisi is a step beyond sandık eskisi: not merely stored, but stored almost from new, so at seventy-odd years the pile stands close to full height and the fringes are as they were made. What it does carry is the crease pattern of a long fold and, at 4.5 square meters, real weight — this is not a rug to reposition on your own. Have it washed professionally before it is laid, and let the fringes be combed rather than brushed.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in Kışlakçı, Niğde; wool pile and wool foundation.\u003c\/li\u003e\n  \u003cli\u003eYarn spun on a kirmen, the hand spindle, rather than by mill.\u003c\/li\u003e\n  \u003cli\u003eUneven twist gives a faintly irregular pile that catches light unevenly.\u003c\/li\u003e\n  \u003cli\u003eSandık yenisi — chest-kept from close to new, so the pile is near full height.\u003c\/li\u003e\n  \u003cli\u003e162 × 279 cm (5'4\" × 9'2\"), about 4.5 square meters and heavy with it.\u003c\/li\u003e\n  \u003cli\u003ePast seventy years old, in the vintage band as the trade uses the term.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing; comb the fringes. A single piece.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat is a kirmen, and why does it matter?\u003c\/h3\u003e\n\u003cp\u003eA kirmen is the Anatolian hand spindle used to spin wool before mill yarn was available in villages. It produces a thread whose twist and thickness vary along its length, and the unevenness travels into the finished pile as a faintly irregular surface that reflects light differently across the rug.\u003c\/p\u003e\n\n\u003ch3\u003eHow is sandık yenisi different from sandık eskisi?\u003c\/h3\u003e\n\u003cp\u003eBoth describe rugs kept in a storage chest rather than used. Sandık eskisi means old and chest-kept; sandık yenisi means the rug went into the chest while still close to new, so despite its age the pile stands near its original height and the fringes are largely intact.\u003c\/p\u003e\n\n\u003cscript type=\"application\/ld+json\"\u003e{\"@context\":\"https:\/\/schema.org\",\"@type\":\"FAQPage\",\"mainEntity\":[{\"@type\":\"Question\",\"name\":\"What is a kirmen, and why does it matter?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"A kirmen is the Anatolian hand spindle used to spin wool before mill yarn was available in villages. It produces a thread whose twist and thickness vary along its length, and the unevenness travels into the finished pile as a faintly irregular surface that reflects light differently across the rug.\"}},{\"@type\":\"Question\",\"name\":\"How is sandık yenisi different from sandık eskisi?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"Both describe rugs kept in a storage chest rather than used. Sandık eskisi means old and chest-kept; sandık yenisi means the rug went into the chest while still close to new, so despite its age the pile stands near its original height and the fringes are largely intact.\"}}]}\u003c\/script\u003e\n\n\u003cp\u003eSeventy years of not being used is a strange kind of luck, and the pile is where you can see it.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"colorful \/ 162 X 279","offer_id":50809553027305,"sku":"MZTAND000093.01","price":98000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/KoyDokumaKirmenSandikYenisi70_YasNigdeKislakciHalisi_1.webp?v=1775909169"},{"product_id":"el-dokuma-sandik-eskisi-80-yas-azerbaycan-sumak-kilimi","title":"Multicolor Handwoven Wool Soumak Kilim","description":"\u003cp\u003e\u003cstrong\u003eSoumak is neither knotted nor plainly woven: the colored yarn is wrapped around the warp threads and carried along, so the pattern stands slightly proud on the front and leaves loose ends trailing across the back. This handwoven wool kilim is worked that way, 172 × 263 cm (5'8\" × 8'8\"), multicolored, and past eighty years old. Sandık eskisi, and one of one.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe technique belongs to the Caucasus and eastern Anatolia, and it produces something between a kilim and a knotted rug. It is flat, like a kilim, and it has no pile to walk down; but the wrapping gives a raised, almost braided surface and lets motifs carry fine detail that slit-weave cannot manage — hooked medallions, stepped stars, animal forms drawn tightly enough to be recognized. The trailing weft ends on the reverse are diagnostic: turn a soumak over and you can identify it in a second, which is one of the few honest tests a buyer can perform without expertise.\u003c\/p\u003e\n\n\u003cp\u003eWool, and nothing else in the record. A soumak is denser and heavier than a kilim of the same size and it will not curl at the corners in the way a light flatweave does. The wrapping is also the vulnerability: a snagged wrap can pull along a run if it is not repaired, so this is a piece for a room rather than a doorway, and vacuuming should be done with a plain head and no beater bar. At past eighty it falls in the semi-antique band, and, having been chest-kept, it shows less surface wear than that age would normally bring.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven soumak — weft wrapped around the warp rather than knotted.\u003c\/li\u003e\n  \u003cli\u003eWool throughout; the yarn record lists no other fiber.\u003c\/li\u003e\n  \u003cli\u003eFlat with a raised, braided surface, and trailing weft ends on the reverse.\u003c\/li\u003e\n  \u003cli\u003eThe technique allows finer detail than slit-weave kilim can hold.\u003c\/li\u003e\n  \u003cli\u003e172 × 263 cm (5'8\" × 8'8\"), about 4.5 square meters.\u003c\/li\u003e\n  \u003cli\u003ePast eighty years: semi-antique, chest-kept, with limited surface wear.\u003c\/li\u003e\n  \u003cli\u003eSnagged wraps should be repaired promptly; vacuum with no beater bar.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat separates soumak from ordinary kilim weaving?\u003c\/h3\u003e\n\u003cp\u003eBoth lie flat and neither has a pile, but the construction differs. A kilim is built from weft passed straight through the warp, while in soumak the weft is wrapped around each warp thread and carried forward. That wrapping raises the surface, allows finer detail, and leaves loose thread ends visible on the back.\u003c\/p\u003e\n\n\u003ch3\u003eCan a soumak be used on a floor?\u003c\/h3\u003e\n\u003cp\u003eYes, and it is heavier and more stable underfoot than an ordinary flatweave of the same size. The one caution is snagging: a pulled wrap can run if it is left, so it suits a room rather than a doorway, and it should be vacuumed with a plain head.\u003c\/p\u003e\n\n\u003cscript type=\"application\/ld+json\"\u003e{\"@context\":\"https:\/\/schema.org\",\"@type\":\"FAQPage\",\"mainEntity\":[{\"@type\":\"Question\",\"name\":\"What separates soumak from ordinary kilim weaving?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"Both lie flat and neither has a pile, but the construction differs. A kilim is built from weft passed straight through the warp, while in soumak the weft is wrapped around each warp thread and carried forward. That wrapping raises the surface, allows finer detail, and leaves loose thread ends visible on the back.\"}},{\"@type\":\"Question\",\"name\":\"Can a soumak be used on a floor?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"Yes, and it is heavier and more stable underfoot than an ordinary flatweave of the same size. The one caution is snagging: a pulled wrap can run if it is left, so it suits a room rather than a doorway, and it should be vacuumed with a plain head.\"}}]}\u003c\/script\u003e\n\n\u003cp\u003eAnyone who has turned one over remembers the back better than the front, which is unusual in a floor covering.\u003c\/p\u003e","brand":"Diğer","offers":[{"title":"colorful \/ 172 X 263","offer_id":50809637109993,"sku":"MZTKIL000175.01","price":74000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaSandikEskisi80_YasAzerbaycanSumakKilimi_1.webp?v=1775909604"},{"product_id":"elvan-serisi-el-dokuma-usak-desenli-rengarenk-i̇pekli-hali","title":"Multicolor Oushak Hand-Knotted Wool and Silk Rug, Elvan Series","description":"\u003cp\u003e\u003cstrong\u003eMulticolor Oushak Hand-Knotted Wool and Silk Rug, Elvan Series — a cream ground carrying a dense Oushak field of flowers and medallions in red, blue, pink, turquoise, orange and purple, knotted by hand in India at 182 × 273 cm (6'0\" × 8'11\"). The ground is wool; every colored passage is sari silk. There is one of it.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eEach medallion has been given a color combination of its own rather than repeating the one beside it, and fine branch and leaf work runs between them to hold the field together. The nearest thing to it is stained glass: the eye stops somewhere different each time and finds a pairing it had not noticed before. A narrow border wraps the ground and repeats the same palette at closer intervals, so the frame is busier than the field it encloses. In a room with beige or white walls and a plain gray sofa, the color becomes the character of the space and nothing else has to.\u003c\/p\u003e\n\n\u003cp\u003eElvan means many-colored, which is description rather than flourish. A piece this size is many months at the loom in India. Wool makes the ground, matt and firm, while the pattern is worked in sari silk — short-staple silk fiber drawn from the making of sari cloth, and the reason the colors sit so high and bright against the wool around them. No synthetic yarn goes into the piece. Because the colorways are assembled one rug at a time, another arranged exactly this way is not something the house can promise. The washing is specialist work.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eWool and sari silk, knotted by hand in India across several months.\u003c\/li\u003e\n  \u003cli\u003e182 × 273 cm (6'0\" × 8'11\") — an entrance, a sitting room, a bedroom or a conservatory.\u003c\/li\u003e\n  \u003cli\u003eCream ground with a dense Oushak field of flowers and medallions.\u003c\/li\u003e\n  \u003cli\u003eEvery medallion carries its own color pairing; the border repeats the palette more tightly.\u003c\/li\u003e\n  \u003cli\u003eSari silk in the colored passages, wool through the ground.\u003c\/li\u003e\n  \u003cli\u003eNo synthetic yarn in the construction.\u003c\/li\u003e\n  \u003cli\u003eOne piece; the colorway is not repeated.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eRooms that have gone quiet tend to get a new lamp; this is the other solution, and it lasts longer.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"colorful \/ 182 X 273","offer_id":50896210067689,"sku":"HALVAN000001.01","price":250000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElvanSerisiElDokumaUsakDesenliRengarenkIpekliHali_1.webp?v=1776513746"},{"product_id":"elvan-serisi-el-dokuma-usak-desenli-yesil-i̇pekli-hali","title":"Green Oushak Hand-Knotted Silk Rug, Elvan Series","description":"\u003cp\u003e\u003cstrong\u003eThe pile here is silk from end to end, which is uncommon at this size and rarer still in this color: Green Oushak Hand-Knotted Silk Rug, Elvan Series, an emerald ground carrying classical Oushak flowers and medallions in blue, orange, yellow, pink and purple, made by hand in India, 184 × 274 cm (6'0\" × 9'0\"). One of one.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eSilk is what the green is doing. Depending on where the light comes from, the ground travels between a dark emerald and a bright, almost grassy tone, and the same passage will not look the same from the two ends of a room. Fine branch work links the medallions in the arrangement Oushak has used for centuries — one of the most familiar readings of that pattern family, executed in an unfamiliar material. The border keeps the density and the palette of the field, so the composition closes on itself rather than simply stopping. Set among dark green plants and gold-toned objects it deepens; against white walls it is the only decision the room needs.\u003c\/p\u003e\n\n\u003cp\u003eThe fiber is sari silk: short-staple silk drawn from the production of sari cloth, a craft knowledge carried over from weaving rather than invented for rugs. It is light in the hand and throws light back, and because the surface carries nothing else, the brightness is even everywhere instead of collecting only in the pattern. No synthetic yarn is used. Every Elvan rug is put together in its own colorway, and green at this depth in a fully silk Oushak does not come round often. Cleaning is for a specialist.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eThe pile is silk throughout — no wool in the surface.\u003c\/li\u003e\n  \u003cli\u003eKnotted by hand in India, over months.\u003c\/li\u003e\n  \u003cli\u003e184 × 274 cm (6'0\" × 9'0\") — a hall, a living room, a bedroom or a winter garden.\u003c\/li\u003e\n  \u003cli\u003eEmerald ground with blue, orange, yellow, pink and purple in the Oushak field.\u003c\/li\u003e\n  \u003cli\u003eThe green shifts from deep emerald to a bright tone as the light angle changes.\u003c\/li\u003e\n  \u003cli\u003eSari silk, spun from short-staple fiber left by sari weaving.\u003c\/li\u003e\n  \u003cli\u003eNo synthetic yarn in the construction; one colorway, one piece.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat is sari silk?\u003c\/h3\u003e\n\u003cp\u003eSari silk is short-staple silk fiber drawn from the production of sari cloth in India. It is spun and knotted like any other silk yarn, and it carries color at a high brightness, which is why the Elvan rugs use it for the passages that have to sing.\u003c\/p\u003e\n\n\u003ch3\u003eWhy is a fully silk hand-knotted rug uncommon?\u003c\/h3\u003e\n\u003cp\u003eSilk is slower to knot than wool and it shows every irregularity, so fewer workshops take the work on. The number of rugs woven entirely in silk has fallen steadily, which is why surviving examples are valued for the craft in them as much as for the surface.\u003c\/p\u003e\n\n\u003cscript type=\"application\/ld+json\"\u003e{\"@context\": \"https:\/\/schema.org\", \"@type\": \"FAQPage\", \"mainEntity\": [{\"@type\": \"Question\", \"name\": \"What is sari silk?\", \"acceptedAnswer\": {\"@type\": \"Answer\", \"text\": \"Sari silk is short-staple silk fiber drawn from the production of sari cloth in India. It is spun and knotted like any other silk yarn, and it carries color at a high brightness, which is why the Elvan rugs use it for the passages that have to sing.\"}}, {\"@type\": \"Question\", \"name\": \"Why is a fully silk hand-knotted rug uncommon?\", \"acceptedAnswer\": {\"@type\": \"Answer\", \"text\": \"Silk is slower to knot than wool and it shows every irregularity, so fewer workshops take the work on. The number of rugs woven entirely in silk has fallen steadily, which is why surviving examples are valued for the craft in them as much as for the surface.\"}}]}\u003c\/script\u003e\n\n\u003cp\u003eGreen is the color a silk rug is least often dyed, and standing over this one explains why the workshops keep trying.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Green \/ 184 X 274","offer_id":50896210886889,"sku":"HALVAN000002.01","price":330000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElvanSerisiElDokumaUsakDesenliYesilIpekliHali_1.webp?v=1776514401"},{"product_id":"el-dokuma-anadolu-desenli-sandik-eskisi-rengarenk-yun-cicim-kilim","title":"Multicolor Anatolian Handwoven Wool Cicim Kilim","description":"\u003cp\u003e\u003cstrong\u003eCicim is a flatweave in which the pattern is not woven into the ground but wrapped around the warps as the ground goes up, so the figures stand a little above the surface and can be found with a hand in the dark. This one is handwoven in wool and cotton in Türkiye, 186 × 277 cm (6'1\" × 9'1\"), in mixed color. One piece.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe house files it as \u003cem\u003esandık eskisi\u003c\/em\u003e — chest-old. The phrase covers a weaving that passed its life folded inside a dowry chest and never underfoot, which is why a piece like this arrives with its color more or less where the weaver left it and its wear concentrated along the folds rather than in the middle. Anatolian cicim work is built from small repeated figures rather than one large drawing, and the vocabulary is a village one: hooks, stars, combs, the hands-on-hips figure Turkish calls \u003cem\u003eelibelinde\u003c\/em\u003e. What any single motif was understood to mean is not settled, and anyone who tells you otherwise is guessing.\u003c\/p\u003e\n\n\u003cp\u003eIn a cicim the ground is a plain weave and the pattern is a second, supplementary weft added by hand as the work proceeds. That is slower than weaving an undecorated kilim, and it explains why cicim work was historically produced for a family to keep and not for sale. Color will step from one band to the next where the dye lot changed; that is abrash, which records the hand rather than any failure of it. The raised motif work will not survive a domestic machine, so the wash goes to a professional.\u003c\/p\u003e\n\n\u003cul\u003e\n\u003cli\u003eHandwoven in Türkiye in wool and cotton, in the cicim technique.\u003c\/li\u003e\n\u003cli\u003eMotifs are added as a supplementary weft and stand above the ground weave.\u003c\/li\u003e\n\u003cli\u003e186 × 277 cm (6'1\" × 9'1\"), a little over five square meters.\u003c\/li\u003e\n\u003cli\u003eSold as \u003cem\u003esandık eskisi\u003c\/em\u003e — kept folded in a chest rather than used on a floor.\u003c\/li\u003e\n\u003cli\u003eAbrash between bands records a change of dye lot, not a defect.\u003c\/li\u003e\n\u003cli\u003eProfessional washing.\u003c\/li\u003e\n\u003cli\u003eOne piece.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat is a cicim kilim?\u003c\/h3\u003e\n\u003cp\u003eA cicim is a flatweave in which the pattern is added as a supplementary weft wrapped around the warp threads while the ground cloth is being woven. The motifs stand slightly above the surface, and that is the fastest way to separate a cicim from a plain kilim by touch.\u003c\/p\u003e\n\n\u003ch3\u003eWhat does sandık eskisi mean?\u003c\/h3\u003e\n\u003cp\u003eSandık eskisi translates as chest-old. It describes a weaving stored folded inside a dowry chest rather than put down on a floor, so it reaches the market with its color largely intact and what wear it has concentrated along the fold lines.\u003c\/p\u003e\n\n\u003cscript type=\"application\/ld+json\"\u003e{\"@context\":\"https:\/\/schema.org\",\"@type\":\"FAQPage\",\"mainEntity\":[{\"@type\":\"Question\",\"name\":\"What is a cicim kilim?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"A cicim is a flatweave in which the pattern is added as a supplementary weft wrapped around the warp threads while the ground cloth is being woven. The motifs stand slightly above the surface, and that is the fastest way to separate a cicim from a plain kilim by touch.\"}},{\"@type\":\"Question\",\"name\":\"What does sandık eskisi mean?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"Sandık eskisi translates as chest-old. It describes a weaving stored folded inside a dowry chest rather than put down on a floor, so it reaches the market with its color largely intact and what wear it has concentrated along the fold lines.\"}}]}\u003c\/script\u003e\n\n\u003cp\u003ePieces that were woven for a house and not for a shop are the ones that turn out to have been worth keeping.\u003c\/p\u003e","brand":"Diğer","offers":[{"title":"colorful \/ 186 X 277","offer_id":50971344404713,"sku":"HALKLH000008.01","price":78000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaAnadoluDesenliSandikEskisiRengarenkYunCicimKilim_1.webp?v=1778419206"},{"product_id":"bohem-serisi-cizgi-desenli-lacivert-yun-tezgah-dokuma-kilim","title":"Navy Striped Loom-Woven Wool Kilim, Bohem Series","description":"\u003cp\u003e\u003cstrong\u003eStripes, and nothing else by way of drawing: bands of navy crossing the width of a flatweave, on a Navy Striped Loom-Woven Wool Kilim, Bohem Series, 190 × 275 cm (6'3\" × 9'0\"), made in Türkiye in wool with cotton in the structure.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eA stripe is what a loom produces most naturally. The weft crosses the warp in a straight line, and a change of yarn makes a band without any drawing being required at all — which is why striped flatweaves are the oldest kilims there are and why they still look modern. The pattern is a consequence of the method rather than an ornament applied over it. Navy across a pale room does the work of a much larger piece of furniture, and the bands run the short way, so the kilim reads wider than it measures.\u003c\/p\u003e\n\n\u003cp\u003eLoom-woven means a machine sets the body of the weave and a person finishes it, which is the construction that sits between a hand-tied rug and a fully mechanized one. Wool takes the surface and cotton sits in the warp holding the tension. There is no pile anywhere, so it slides under a door, takes a table leg without crushing, and shows every crumb that lands on it, which is worth knowing before it goes near a dining chair. Cleaning is specialist work rather than household work.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eLoom-woven in Türkiye, with a person closing the ends afterward.\u003c\/li\u003e\n  \u003cli\u003eWool on the surface, cotton in the warp.\u003c\/li\u003e\n  \u003cli\u003eNavy bands running the short way across the width.\u003c\/li\u003e\n  \u003cli\u003e190 × 275 cm (6'3\" × 9'0\"), pileless, and identical whichever way up it goes.\u003c\/li\u003e\n  \u003cli\u003eIt clears a door and sits flat under furniture legs.\u003c\/li\u003e\n  \u003cli\u003eEverything that lands on a flatweave stays visible until it is lifted.\u003c\/li\u003e\n  \u003cli\u003eRolls small and stores flat between seasons.\u003c\/li\u003e\n  \u003cli\u003eCleaning by a specialist. One piece.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eBands of one color are what people go back to after they have tried patterns, and a loom was making them before anybody thought to call it a design.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Navy Blue \/ 190 X 275","offer_id":51510977593577,"sku":"HALBHM000005.01","price":42000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/BohemSerisiCizgiDesenliLacivertYunTezgahDokumaKilim_1.webp?v=1784028633"},{"product_id":"bohem-serisi-cizgi-desenli-terra-yun-tezgah-dokuma-kilim-1","title":"Terracotta Striped Loom-Woven Wool Kilim, Bohem Series","description":"\u003cp\u003e\u003cstrong\u003eThe color of a flowerpot before anybody has glazed it, run in bands across a flatweave: Terracotta Striped Loom-Woven Wool Kilim, Bohem Series, 193 × 280 cm (6'4\" × 9'2\"), made in Türkiye from wool with a cotton structure, pileless on both faces.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eTerracotta is the warmest color that does not read as red, and on a kilim it behaves like unfired clay rather than like dye — matte, faintly uneven, absorbing light instead of handing it back. Wool is what produces that. A synthetic yarn in the same shade returns a slight gloss and immediately looks like a copy of this. The banding gives a large flat surface something to be read along, and because a kilim has no front, the same bands are waiting on the other side.\u003c\/p\u003e\n\n\u003cp\u003eThe loom does the building and a person does the closing, which is what loom-woven means and why this construction sits between a knotted rug in price and a machine-made one in feel. Flatweaves are light, and a light rug on a smooth floor travels — a pad underneath is not optional if it is going somewhere people walk. It rolls up small enough to be put away for a season and comes back without creases. Send it for a professional wash rather than treating it at home.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eMade on a loom in Türkiye, wool over cotton.\u003c\/li\u003e\n  \u003cli\u003eTerracotta bands, matte, with the unevenness wool gives a warm color.\u003c\/li\u003e\n  \u003cli\u003e193 × 280 cm (6'4\" × 9'2\"), no pile, identical on both faces.\u003c\/li\u003e\n  \u003cli\u003eTurn it over at the end of a season and use the second side.\u003c\/li\u003e\n  \u003cli\u003eLight enough to slide on a smooth floor; use a pad.\u003c\/li\u003e\n  \u003cli\u003eRolls small for storage and recovers its shape.\u003c\/li\u003e\n  \u003cli\u003ePriced and made between the knotted rug and the machine-made one.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing. A single piece.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eClay-colored floors are what rooms full of white walls were waiting for, and this one arrives without a pattern to argue with.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Terra \/ 193 X 280","offer_id":51510988112105,"sku":"HALBHM000010.01","price":44000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/BohemSerisiCizgiDesenliTerraYunTezgahDokumaKilim_1_df9171f9-927c-4867-a6b5-e637b4869756.webp?v=1784547915"},{"product_id":"mihman-serisi-el-dokuma-cicek-desenli-turuncu-yun-hali-1","title":"Mihman Serisi El Dokuma Çiçek Desenli Turuncu Yün Halı","description":"\u003cp\u003e\u003cstrong\u003e\u003cfont size=\"4\"\u003eMihman Serisi El Dokuma Çiçek Desenli Turuncu Yün Halı\u003c\/font\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cfont face=\"Arial\"\u003e\u003cb\u003eDesen: \u003c\/b\u003eÇiçek\u003c\/font\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cfont face=\"Arial\"\u003e\u003cb\u003eTasarım: \u003c\/b\u003eOtantik\u003c\/font\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cfont face=\"Arial\"\u003e\u003cb\u003eİplik Çeşitleri: \u003c\/b\u003eYün\u003cb\u003e, \u003c\/b\u003ePamuk, Sentetik\u003c\/font\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cfont face=\"Arial\"\u003e\u003cb\u003eDokuma: \u003c\/b\u003eEl\u003cb\u003e \u003c\/b\u003eDokuma\u003cb\u003e \u003c\/b\u003eHalı\u003c\/font\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cfont face=\"Arial\"\u003e\u003cb\u003eTemizlik: \u003c\/b\u003eProfesyonel Yıkama\u003c\/font\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cfont face=\"Arial\"\u003e\u003cb\u003eÜretim Yeri: \u003c\/b\u003eAfganistan\u003c\/font\u003e\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Turuncu \/ 188 X 274","offer_id":51878166331625,"sku":"BAYMIH000039.01","price":119000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/MihmanSerisiElDokumaCicekDesenliTuruncuYunHali_1.webp?v=1789562875"}],"url":"https:\/\/www.halicizade.com\/en\/collections\/5-metrekare-hali-modelleri-ve-fiyatlari.oembed","provider":"HALICIZADE","version":"1.0","type":"link"}