{"title":"Blue Rugs","description":"\u003cp\u003e\u003cstrong\u003eA blue rug is a floor covering woven or dyed in blue tones, ranging from soft powder blue and indigo to deep navy, one of the most historically significant colors in Turkish and broader Islamic textile tradition.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBlue occupies a uniquely important place in Turkish decorative art more broadly, not just rugs, and that heritage shows up clearly in how confidently blue is used across our weaving traditions, from the palest indigo wash to the deepest, most saturated navy grounds.\u003c\/p\u003e\n\u003ch2\u003eBlue's Deep Roots in Turkish Design\u003c\/h2\u003e\n\u003cp\u003eIndigo dye has been used in Anatolian weaving for centuries, and blue's association with protection and the divine runs through Turkish decorative art generally, most visibly in the blue-and-white Iznik tile tradition that also influenced textile design. Deep indigo-blue grounds are a hallmark of many antique Anatolian and Caucasian-influenced Turkish rugs specifically.\u003c\/p\u003e\n\u003ch2\u003eThe Range of Blue We Carry\u003c\/h2\u003e\n\u003cp\u003eOur blue collection spans powder and sky blue (soft, calming, currently popular for bedrooms), classic indigo and cobalt (a mid-depth traditional tone with strong heritage grounding), and deep navy (formal, grounding, works as a near-neutral in many rooms).\u003c\/p\u003e\n\u003ch2\u003eWhy Choose a Blue Rug from Halıcızade\u003c\/h2\u003e\n\u003cp\u003eIndigo is historically one of the more colorfast natural dyes available to Turkish weavers, which is part of why antique blue rugs have survived in better color condition than some other traditional hues; we verify this same colorfastness in our contemporary blue pieces before they're listed.\u003c\/p\u003e\n\u003ch2\u003eStyling Blue by Shade\u003c\/h2\u003e\n\u003cp\u003eBlue's shade range is unusually wide, which means the styling guidance shifts significantly depending on where in that range you land.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePowder or sky blue: pairs well with white, cream and soft gray; calming, works especially well in bedrooms.\u003c\/li\u003e\n\u003cli\u003eIndigo or cobalt: pairs naturally with mustard, terracotta and cream in a traditional palette.\u003c\/li\u003e\n\u003cli\u003eNavy: reads almost as a neutral, pairs with nearly any color, particularly popular in studies, living rooms and formal dining rooms.\u003c\/li\u003e\n\u003cli\u003eBlue-and-white patterns: echo Turkish Iznik tile tradition, work well in kitchens and coastal-influenced interiors.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eBlue Shade Comparison\u003c\/h2\u003e\n\u003ctable\u003e\u003ctr\u003e\u003cth\u003eShade\u003c\/th\u003e\u003cth\u003eMood\u003c\/th\u003e\u003cth\u003ePairs Well With\u003c\/th\u003e\u003cth\u003eBest Rooms\u003c\/th\u003e\u003c\/tr\u003e\u003ctr\u003e\u003ctd\u003ePowder \/ Sky Blue\u003c\/td\u003e\u003ctd\u003eCalm, soft\u003c\/td\u003e\u003ctd\u003eWhite, cream, soft gray\u003c\/td\u003e\u003ctd\u003eBedroom, nursery\u003c\/td\u003e\u003c\/tr\u003e\u003ctr\u003e\u003ctd\u003eIndigo \/ Cobalt\u003c\/td\u003e\u003ctd\u003eTraditional, rich\u003c\/td\u003e\u003ctd\u003eMustard, terracotta, cream\u003c\/td\u003e\u003ctd\u003eLiving room, dining room\u003c\/td\u003e\u003c\/tr\u003e\u003ctr\u003e\u003ctd\u003eNavy\u003c\/td\u003e\u003ctd\u003eFormal, grounding, near-neutral\u003c\/td\u003e\u003ctd\u003eAlmost any color\u003c\/td\u003e\u003ctd\u003eStudy, living room, dining room\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\n\u003ch2\u003eCare \u0026amp; Maintenance\u003c\/h2\u003e\n\u003cp\u003eIndigo and natural blue dyes are relatively colorfast compared to some other traditional colors, but as with any dyed fiber, moderate sun exposure and prompt spill cleanup will keep the color looking its best over the long term.\u003c\/p\u003e\n\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\n\u003ch3\u003eWhat wall colors go best with a blue rug?\u003c\/h3\u003e\n\u003cp\u003eWhite, cream and soft gray walls let a blue rug lead the room's palette; navy rugs in particular work well against almost any wall color given how close navy reads to a neutral.\u003c\/p\u003e\n\u003ch3\u003eIs blue dye historically stable in Turkish rugs?\u003c\/h3\u003e\n\u003cp\u003eYes, indigo is one of the more colorfast natural dyes traditionally available to Turkish weavers, which is part of why antique blue rugs have often survived in better color condition than some other traditional hues.\u003c\/p\u003e\n\u003ch3\u003eWhat is the most popular shade of blue for rugs right now?\u003c\/h3\u003e\n\u003cp\u003eNavy is currently very popular for its near-neutral versatility, while powder blue has grown significantly in bedroom and nursery applications.\u003c\/p\u003e\n\u003ch3\u003eWhat Turkish rug patterns are available in blue?\u003c\/h3\u003e\n\u003cp\u003eOur blue collection spans Anatolian geometrics, Hereke-style fine detail pieces, and blue-and-white patterns echoing the Iznik tile tradition, both as a solid dominant color and as a pattern accent.\u003c\/p\u003e\n\u003ch3\u003eDoes blue symbolize anything in Turkish decorative art?\u003c\/h3\u003e\n\u003cp\u003eYes, blue has long been associated with protection in Turkish and broader Islamic decorative tradition, and appears prominently in ceramic, tile and textile art alongside rug weaving.\u003c\/p\u003e\n\u003ch3\u003eIs a navy rug a good neutral choice?\u003c\/h3\u003e\n\u003cp\u003eYes, navy reads close enough to a neutral that it pairs easily with nearly any other color, making it one of the more versatile blue shades for a primary rug color.\u003c\/p\u003e\n\u003cscript type=\"application\/ld+json\"\u003e{\n  \"@context\": \"https:\/\/schema.org\",\n  \"@type\": \"FAQPage\",\n  \"mainEntity\": [\n    {\n      \"@type\": \"Question\",\n      \"name\": \"What wall colors go best with a blue rug?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"White, cream and soft gray walls let a blue rug lead the room's palette; navy rugs in particular work well against almost any wall color given how close navy reads to a neutral.\"\n      }\n    },\n    {\n      \"@type\": \"Question\",\n      \"name\": \"Is blue dye historically stable in Turkish rugs?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"Yes, indigo is one of the more colorfast natural dyes traditionally available to Turkish weavers, which is part of why antique blue rugs have often survived in better color condition than some other traditional hues.\"\n      }\n    },\n    {\n      \"@type\": \"Question\",\n      \"name\": \"What is the most popular shade of blue for rugs right now?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"Navy is currently very popular for its near-neutral versatility, while powder blue has grown significantly in bedroom and nursery applications.\"\n      }\n    },\n    {\n      \"@type\": \"Question\",\n      \"name\": \"What Turkish rug patterns are available in blue?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"Our blue collection spans Anatolian geometrics, Hereke-style fine detail pieces, and blue-and-white patterns echoing the Iznik tile tradition, both as a solid dominant color and as a pattern accent.\"\n      }\n    },\n    {\n      \"@type\": \"Question\",\n      \"name\": \"Does blue symbolize anything in Turkish decorative art?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"Yes, blue has long been associated with protection in Turkish and broader Islamic decorative tradition, and appears prominently in ceramic, tile and textile art alongside rug weaving.\"\n      }\n    },\n    {\n      \"@type\": \"Question\",\n      \"name\": \"Is a navy rug a good neutral choice?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"Yes, navy reads close enough to a neutral that it pairs easily with nearly any other color, making it one of the more versatile blue shades for a primary rug color.\"\n      }\n    }\n  ]\n}\u003c\/script\u003e","products":[{"product_id":"humayun-serisi-anadolu-desenli-mavi-el-dokuma-hali","title":"Blue Anatolian Medallion Hand-Knotted Wool Rug, Hümayun Series","description":"\u003cp\u003e\u003cstrong\u003eA medallion sits at the center and holds the whole rug together, drawn from Anatolian and Middle Eastern sources and worked in modern blues rather than the old ones. Hand-knotted in India: wool and cotton in the ground, viscose through the motifs where it shines like silk, and the pattern cut into relief by hand with shears. Five sizes, and the biggest of them is 250 × 350 cm (8'2\" × 11'6\").\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eTwo traditions meet in the drawing and neither wins. The Anatolian half supplies the medallion and the framing bands; the Middle Eastern half supplies the density of the small ornament between them. The blues are current rather than antique — a cooler, cleaner range than a nineteenth-century rug would use — and the effect is that an old composition reads as a new object. Where the viscose runs, the pattern catches light and lifts off the wool around it, so the medallion appears to sit slightly above its own ground.\u003c\/p\u003e\n\n\u003cp\u003eKnot density is high, which is the only reason ornament this fine survives being woven at all, and the carving afterward is what gives the relief. Both are hand operations and both take time. The rug does its best work where people arrive rather than where they settle — an entrance hall, a study, a room where one object is expected to carry the space.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in India for Halıcızade.\u003c\/li\u003e\n  \u003cli\u003eWool and cotton in the ground, viscose worked through the motifs for shine.\u003c\/li\u003e\n  \u003cli\u003eAnatolian medallion with Middle Eastern ornament, in contemporary blues.\u003c\/li\u003e\n  \u003cli\u003eThe pattern is carved into relief by hand with shears after weaving.\u003c\/li\u003e\n  \u003cli\u003eHigh knot density, which is what keeps the fine ornament readable.\u003c\/li\u003e\n  \u003cli\u003eFive sizes, from 125 × 185 cm to 250 × 350 cm.\u003c\/li\u003e\n  \u003cli\u003eWashing by a specialist, and no home shampoo on the viscose.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eRugs built around a single medallion get harder to move as the years pass, because a room ends up arranged around the middle of them.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Navy blue \/ 125 X 185","offer_id":44370998526185,"sku":"EKOHUM000001.05","price":58000.0,"currency_code":"TRY","in_stock":false},{"title":"Navy blue \/ 170 X 240","offer_id":46029630243049,"sku":"EKOHUM000001.02","price":102000.0,"currency_code":"TRY","in_stock":true},{"title":"Navy blue \/ 200 X 270","offer_id":46029630275817,"sku":"EKOHUM000001.06","price":135000.0,"currency_code":"TRY","in_stock":true},{"title":"Navy blue \/ 250 X 300","offer_id":46029630308585,"sku":"EKOHUM000001.01","price":188000.0,"currency_code":"TRY","in_stock":true},{"title":"Navy blue \/ 250 X 350","offer_id":46029630341353,"sku":"EKOHUM000001.04","price":220000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/HumayunSerisiAnadoluDesenliMaviElDokumaHali_1.jpg?v=1709564090"},{"product_id":"zara-serisi-geometrik-desenli-ozel-tezgah-halisi","title":"Blue Scandinavian Geometric Loom-Woven Rug, Zara Series","description":"\u003cp\u003e\u003cstrong\u003eThe blue is the point. A soft, unsaturated blue holds the entire field of this Blue Scandinavian Geometric Loom-Woven Rug from the Zara series, with Scandinavian-modern figures drawn across it, a Tencel\u0026reg; and viscose face carried on cotton, from looms in Oushak. Ten sizes, the smallest 80 \u0026times; 140 cm (2'7\" \u0026times; 4'7\").\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIt is a blue with no green and no violet in it, which is why it sits beside warm colors \u0026mdash; orange, red \u0026mdash; as easily as beside cool ones. The geometry is spare: straight-sided figures, plenty of ground left empty, nothing that would read as ornament. That restraint makes it a floor for a minimal room rather than a feature in a busy one, and it is why the design has stayed in the range for years.\u003c\/p\u003e\n\u003cp\u003eThese are old-pattern looms, and the only operation they perform is the knotting; every other step on this rug was done by hand in Oushak, the fringes worked one at a time. Cotton runs through the foundation with Tencel\u0026reg; and viscose at the face.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLoom-woven on old-pattern looms in Oushak, T\u0026uuml;rkiye.\u003c\/li\u003e\n\u003cli\u003eTencel\u0026reg; and viscose surface on a cotton foundation.\u003c\/li\u003e\n\u003cli\u003eScandinavian-modern geometry on a soft blue ground.\u003c\/li\u003e\n\u003cli\u003eEverything except the knotting is done by hand; fringes worked individually.\u003c\/li\u003e\n\u003cli\u003eTen sizes, 80 \u0026times; 140 cm (2'7\" \u0026times; 4'7\") to 200 \u0026times; 290 cm (6'7\" \u0026times; 9'6\"), with 90 \u0026times; 390 and 90 \u0026times; 490 cm runners.\u003c\/li\u003e\n\u003cli\u003eProfessional washing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eNobody will comment on it, which in a small room is usually the whole job of a floor.\u003c\/p\u003e","brand":"EKO HALI","offers":[{"title":"Blue \/ 80 X 140","offer_id":44811150590185,"sku":"EKOZAR000013.07","price":10200.0,"currency_code":"TRY","in_stock":false},{"title":"Blue \/ 90 X 150","offer_id":44372002013417,"sku":"EKOZAR000013.02","price":12200.0,"currency_code":"TRY","in_stock":true},{"title":"Blue \/ 90 X 190","offer_id":48074490151145,"sku":"EKOZAR000013.11","price":15400.0,"currency_code":"TRY","in_stock":false},{"title":"Blue \/ 80 X 290","offer_id":46261722939625,"sku":"EKOZAR000013.08","price":21000.0,"currency_code":"TRY","in_stock":false},{"title":"Blue \/ 130 X 190","offer_id":44372002046185,"sku":"EKOZAR000013.03","price":22400.0,"currency_code":"TRY","in_stock":false},{"title":"Blue \/ 90 X 290","offer_id":47300965433577,"sku":"EKOZAR000013.04","price":23500.0,"currency_code":"TRY","in_stock":true},{"title":"Blue \/ 90 X 390","offer_id":48046793916649,"sku":"EKOZAR000013.09","price":31600.0,"currency_code":"TRY","in_stock":true},{"title":"Blue \/ 170 X 240","offer_id":40809424126146,"sku":"EKOZAR000013.01","price":36800.0,"currency_code":"TRY","in_stock":true},{"title":"Blue \/ 90 X 490","offer_id":50945189642473,"sku":"EKOZAR000013.10","price":39800.0,"currency_code":"TRY","in_stock":true},{"title":"Blue \/ 200 X 290","offer_id":44372002111721,"sku":"EKOZAR000013.05","price":52200.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ZaraSerisiGeometrikDesenliModernHali_1.jpg?v=1751030849"},{"product_id":"anadolu-desenli-el-dokuma-turkuaz-ipek-hali","title":"Turquoise Anatolian Hand-Knotted Pure Silk Rug","description":"\u003cp\u003e\u003cstrong\u003eTurquoise and midnight blue run into each other through the center and the borders answer them in yellow and a warm red-brown: Turquoise Anatolian Hand-Knotted Pure Silk Rug — 84 × 125 cm (2'9\" × 4'1\"), knotted in Türkiye in silk alone, symmetrical in its drawing, with fringes at both ends. A single piece.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eTurquoise is a difficult color in a rug and it works here because it is never left alone. The midnight blue keeps it from going sweet, the yellow in the border keeps it from going cold, and the red-brown grounds the whole arrangement. Silk does the rest. The pile catches light along its lay, so the turquoise comes up bright from one direction and goes nearly gray from the other, and the pattern appears to lift and settle again as you walk past it.\u003c\/p\u003e\n\n\u003cp\u003eIt was knotted by hand in Türkiye from silk yarn only, which is what allows drawing this fine at a size this small. Rugs of this kind are often laid on a table or hung on a wall rather than walked on, and that is a reasonable thing to do with this one. Keep it away from direct sun or the color will go. Cleaning is a job for someone who handles silk, not a domestic one. It is a single piece, and it was not made as part of a run.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eKnotted by hand in Türkiye from silk yarn and nothing else.\u003c\/li\u003e\n  \u003cli\u003eTurquoise and midnight blue at the center; yellow and red-brown in the borders.\u003c\/li\u003e\n  \u003cli\u003eSymmetrical drawing, with fringes finished at both ends.\u003c\/li\u003e\n  \u003cli\u003e84 × 125 cm — table, wall or a small stretch of floor.\u003c\/li\u003e\n  \u003cli\u003eBright from one direction and gray from the other, along the lay of the pile.\u003c\/li\u003e\n  \u003cli\u003eDirect sunlight will fade it; keep it out of a south window.\u003c\/li\u003e\n  \u003cli\u003eCleaning by someone who handles silk.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eHang it and it stops being a rug; walk on it and it stops being a picture. Either use is defensible.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Blue \/ 84 X 125","offer_id":44252113895657,"sku":"HADIPE000003.01","price":265000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/AnadoluDesenliElDokumaTurkuazIpekHali_2.jpg?v=1706092212"},{"product_id":"eko-hali-historia-mavi-kahverengi-vizon-etnik-tasarim-vintage-desenli-akrilik-viskon-makine-dokuma-5973","title":"Blue Vintage Machine-Woven Acrylic Rug, Historia Series","description":"\u003cp\u003e\u003cstrong\u003eThis rug is new and the wear on it was designed in, which is a fair thing to say first. Historia series rug, made on a machine in Türkiye from acrylic with viscose, blue with brown and mink, ethnic in drawing and vintage in finish, 240 × 340 cm (7'10\" × 11'2\").\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eHistoria is a series name and the drawing behind it is genuinely old — an ethnic Anatolian arrangement, geometric, with the field broken into sections rather than centered on a medallion. What has been done to it is the vintage treatment: the contrast pulled down until the blue and the brown sit close together, the outlines softened, the whole field given the low-saturation look of a rug that has been in a house for fifty years. Done badly this produces mud. Done properly, as here, it produces a rug that a room with mismatched furniture can absorb, because nothing in it is competing at full strength.\u003c\/p\u003e\n\n\u003cp\u003eAcrylic and viscose share the pile, and each is doing a specific job: acrylic holds color and springs back under a foot, viscose supplies the slight sheen that keeps a low-contrast pattern from going flat. This is not a hand-made rug and it is not offered as one, which is most of why the series exists. The size is the thing to check before ordering — 240 × 340 cm is over eight square meters, big enough to seat a full living room and awkward in anything smaller. One piece is held in it. Professional cleaning.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eMachine-woven in Türkiye from acrylic with viscose.\u003c\/li\u003e\n  \u003cli\u003eAn ethnic Anatolian geometry, sectioned rather than centered.\u003c\/li\u003e\n  \u003cli\u003eBlue with brown and mink, finished in low contrast to read as aged.\u003c\/li\u003e\n  \u003cli\u003e240 × 340 cm (7'10\" × 11'2\"), over eight square meters, one piece in stock.\u003c\/li\u003e\n  \u003cli\u003eAcrylic for spring and color hold; viscose for the sheen that keeps it from flattening.\u003c\/li\u003e\n  \u003cli\u003eThe age is a finish applied at the loom, not a history the rug lived.\u003c\/li\u003e\n  \u003cli\u003eMeasure the clear floor first — this size punishes a wrong guess.\u003c\/li\u003e\n  \u003cli\u003eProfessional cleaning.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eNobody is being asked to believe this is an old rug, and it works better once that has been said out loud.\u003c\/p\u003e","brand":"EKO HALI","offers":[{"title":"Blue \/ 120 X 180","offer_id":44370996232425,"sku":"EKOHİS000002.03","price":13000.0,"currency_code":"TRY","in_stock":false},{"title":"Blue \/ 160 X 230","offer_id":46030849278185,"sku":"EKOHİS000002.04","price":22200.0,"currency_code":"TRY","in_stock":false},{"title":"Blue \/ 200 X 290","offer_id":46030849310953,"sku":"EKOHİS000002.01","price":34800.0,"currency_code":"TRY","in_stock":false},{"title":"Blue \/ 240 X 340","offer_id":46030849343721,"sku":"EKOHİS000002.02","price":49000.0,"currency_code":"TRY","in_stock":true},{"title":"Blue \/ 300 X 390","offer_id":46030849376489,"sku":"EKOHİS000002.05","price":80800.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/HistoriaSerisiVintageDesenliMakineDokumaHali_1.jpg?v=1706520647"},{"product_id":"colorful-serisi-el-dokuma-vintage-desenli-turkuaz-hali","title":"Turquoise Vintage-Pattern Hand-Knotted Wool Rug, Colorful Series","description":"\u003cp\u003e\u003cstrong\u003eThe wool on this one was never dyed and never treated: it is a hand-knotted rug from the Colorful series, made in India, carrying a turquoise, cream and gray vintage drawing worked in bamboo viscose over a cotton foundation. The pile is deep enough that a foot sinks into it. There is one of it.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eVintage here means what the trade means by it — a worn, softened field instead of a crisp one, with color arriving in patches rather than in outlines. Turquoise carries most of the surface, cream opens the ground beneath it, and gray sits between the two and keeps the turquoise from shouting. Bamboo viscose takes light differently from the wool around it, so the colored parts lift very slightly off a matt ground; the difference shows from standing height and disappears when you crouch down to look.\u003c\/p\u003e\n\n\u003cp\u003eEvery knot was tied by hand. Wool does the surface, cotton runs through the foundation, and bamboo viscose is held back for the colored drawing — three fibers doing three jobs, named separately because they behave separately. This is one of the rugs the people here like best, and the reason is simply the thickness: at this depth the surface gives under weight instead of resisting it. The thickness has a cost. Grit works down between the knots and stays there, so a low vacuum setting, used often, is the whole of the daily answer. Anything deeper goes to a specialist washer.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in India, knot by knot.\u003c\/li\u003e\n  \u003cli\u003eUndyed, untreated wool at the surface.\u003c\/li\u003e\n  \u003cli\u003eCotton through the foundation; bamboo viscose reserved for the colored motifs.\u003c\/li\u003e\n  \u003cli\u003eA faded vintage field in turquoise, cream and gray.\u003c\/li\u003e\n  \u003cli\u003eDeep, soft pile — closer to a shaggy rug than a flat one underfoot.\u003c\/li\u003e\n  \u003cli\u003eAt this depth grit settles down between the knots; vacuum low and vacuum often.\u003c\/li\u003e\n  \u003cli\u003eSpecialist washing when the time comes.\u003c\/li\u003e\n  \u003cli\u003eA single piece, with no second one behind it.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eSet against plain modern furniture it supplies all the color a room gets, and dropped into a room that is already colorful it holds the floor down under everything else.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Turquoise \/ 145 X 200","offer_id":44157504815337,"sku":"EKOCLR000016.01","price":18000.0,"currency_code":"TRY","in_stock":false},{"title":"Turquoise \/ 170 X 200","offer_id":46029587611881,"sku":"EKOCLR000016.02","price":21500.0,"currency_code":"TRY","in_stock":true},{"title":"Turquoise \/ 170 X 240","offer_id":46029587644649,"sku":"EKOCLR000016.03","price":25500.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ColorfulSerisiElDokumaVintageDesenliTurkuazHali_1_34465e5a-bfdd-4477-a93b-0d7eab4c55be.jpg?v=1738513796"},{"product_id":"drop-serisi-el-dokuma-soyut-desenli-mavi-kilim","title":"Blue Abstract-Pattern Handwoven Wool Kilim, Drop Series","description":"\u003cp\u003e\u003cstrong\u003eA kilim is a flat weave with no pile, so any relief in it has to be built out of the weave itself — which is what happens here. A handwoven kilim from the Drop series in blue and cream, woven on traditional looms in India from cotton and wool for Halıcızade, with the abstract motifs standing slightly above the flat ground.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eBlue and cream pass into one another in soft steps instead of meeting at a hard line, and the raised sections catch light while the flat ground stays matt. The effect is close to sky reflected on water, which is the comparison the house itself reaches for and which the surface earns. Because the relief is structural rather than printed, it reads from directly above as texture and from across a room as pattern — two different rugs depending on where you stand.\u003c\/p\u003e\n\n\u003cp\u003eCotton and wool are worked together on the loom; the cotton gives the flat weave its stability and the wool gives it its hand. A kilim has no pile to hide anything in, so it wipes down and it dries fast, which suits a room where a glass occasionally goes over. What it will not do is soften a floor the way a knotted rug does — it is thin by nature, and on a hard floor it wants a pad under it. A professional wash restores what daily use takes out of the blues.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven in India on traditional looms, for Halıcızade.\u003c\/li\u003e\n  \u003cli\u003eCotton and wool worked together in a flat kilim weave.\u003c\/li\u003e\n  \u003cli\u003eAbstract motifs raised above the ground by the weave, not printed on it.\u003c\/li\u003e\n  \u003cli\u003eBlue passing into cream in soft steps.\u003c\/li\u003e\n  \u003cli\u003eReads as texture from above and as pattern from across the room.\u003c\/li\u003e\n  \u003cli\u003eFlat and thin: it wipes clean easily but needs a pad for underfoot comfort.\u003c\/li\u003e\n  \u003cli\u003eWashed professionally, the blues keep their depth.\u003c\/li\u003e\n  \u003cli\u003eOne kilim only.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat is the difference between a kilim and a knotted rug?\u003c\/h3\u003e\n\u003cp\u003eA kilim is woven flat, with the pattern formed by the weft threads themselves and no pile standing above the surface. A knotted rug has yarn tied onto the warp to build that pile. A kilim is thinner and lighter as a result.\u003c\/p\u003e\n\n\u003ch3\u003eHow is a raised pattern made in a weave with no pile?\u003c\/h3\u003e\n\u003cp\u003eThe relief comes out of the weaving. Denser passages of weft are packed in where the motif sits, so those areas stand slightly above the flat ground around them. Nothing is printed on, glued down or cut in afterward.\u003c\/p\u003e\n\n\u003cscript type=\"application\/ld+json\"\u003e{\"@context\":\"https:\/\/schema.org\",\"@type\":\"FAQPage\",\"mainEntity\":[{\"@type\":\"Question\",\"name\":\"What is the difference between a kilim and a knotted rug?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"A kilim is woven flat, with the pattern formed by the weft threads themselves and no pile standing above the surface. A knotted rug has yarn tied onto the warp to build that pile. A kilim is thinner and lighter as a result.\"}},{\"@type\":\"Question\",\"name\":\"How is a raised pattern made in a weave with no pile?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"The relief comes out of the weaving. Denser passages of weft are packed in where the motif sits, so those areas stand slightly above the flat ground around them. Nothing is printed on, glued down or cut in afterward.\"}}]}\u003c\/script\u003e\n\n\u003cp\u003eKilims move house well. They roll into nothing, weigh little, and come out of the tube looking the same as they went in.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Blue \/ 170 X 240","offer_id":44665953190121,"sku":"EKODRO000031.01","price":22500.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/DropSerisiElDokumaSoyutDesenliYunMaviKilim_2.jpg?v=1710577948"},{"product_id":"geometrik-desenli-el-dokuma-hali-995","title":"Blue Geometric Handwoven Wool Rug","description":"\u003cp\u003e\u003cstrong\u003eFelted wool loops, set in by hand and left standing: that is the whole construction of this blue geometric rug, made in India in wool, with the pattern raised off the ground rather than drawn onto it. You register the relief through a sock before you ever see it.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eFelting mats the fibers together so a loop holds its shape instead of collapsing, and placing those loops by hand at different heights is how the geometry gets its edge. The blue takes both levels: raised work catches the light while the ground below stays in shadow, so the pattern remains legible in a room with one lamp burning. It is a modern drawing arrived at by an old method.\u003c\/p\u003e\n\n\u003cp\u003eWool throughout, woven by hand in India. A raised surface makes a genuinely good floor for a child's room, because there is something to sit on and something to look at, and wool is warm underfoot in a way no flatweave manages. The cost of relief is that it collects: crumbs and grit settle into the low ground between the loops and want a vacuum with real suction behind it. Spills wipe off the felted surface, and anything worse goes to a professional.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven in India, in wool.\u003c\/li\u003e\n  \u003cli\u003eFelted wool loops set by hand, so the geometry is raised rather than printed.\u003c\/li\u003e\n  \u003cli\u003eBlue, with the pattern read by shadow instead of by color contrast.\u003c\/li\u003e\n  \u003cli\u003eWarm and soft enough to sit on — it suits a child's room or a bedroom.\u003c\/li\u003e\n  \u003cli\u003eGrit settles between the loops and wants a vacuum with real suction.\u003c\/li\u003e\n  \u003cli\u003eWipeable for spills; professional washing beyond that.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eMost rugs are pictures of something. This one is a surface, and it was built to be walked on barefoot.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Blue \/ 90 X 160","offer_id":44157559046377,"sku":"EKOGRA000102.01","price":8000.0,"currency_code":"TRY","in_stock":false},{"title":"Blue \/ 170 X 240","offer_id":46029627687145,"sku":"EKOGRA000102.02","price":22500.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaGeometrikDesenliMaviHali_6.jpg?v=1705756819"},{"product_id":"heritage-serisi-tezgah-dokuma-vintage-mavi-hali","title":"Blue Vintage-Pattern Loom-Woven Wool Rug, Heritage Series","description":"\u003cp\u003e\u003cstrong\u003eThe fleece is New Zealand wool, chosen for a long even staple, and the motifs are picked out in viscose that sits brighter than the ground around them. A loom-woven rug from the Heritage series: hazy blue drawing scattered over a cream field, faded as though the pattern had been left out in the weather. Woven in the Oushak region of western Anatolia.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe fading is deliberate and it is woven in, not applied afterward. Edges of the motifs are softened so the blue never fully resolves, and the field keeps more cream than pattern — an old rug's proportions rather than a new one's. Blue on cream is the coolest combination in the series and it behaves accordingly: in a south-facing room it warms up and reads almost gray-green; in a north-facing one it stays clean and slightly severe.\u003c\/p\u003e\n\n\u003cp\u003eOushak has been weaving for five hundred years, and the Heritage rugs are made there by combining a modern loom with hand finishing — the structure is laid down mechanically, the ends are closed by hand, and the workforce doing it is largely women. Pile is low, which gives dust less to settle into and makes the rug easy to run a vacuum over. Low pile also means less give underfoot than a thick rug: this one is for looking at and walking on, not for sitting on the floor. Professional washing.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eLoom-woven in the Oushak region of western Anatolia, finished by hand.\u003c\/li\u003e\n  \u003cli\u003eNew Zealand wool in the surface, viscose through the motifs.\u003c\/li\u003e\n  \u003cli\u003eBlue vintage drawing on cream, faded in the weaving rather than afterward.\u003c\/li\u003e\n  \u003cli\u003eLow pile — quick to vacuum, with little for dust to settle into.\u003c\/li\u003e\n  \u003cli\u003eCooler in a north-facing room; warmer and greener facing south.\u003c\/li\u003e\n  \u003cli\u003eLess give underfoot than a deep-pile rug.\u003c\/li\u003e\n  \u003cli\u003eMade in limited numbers within the Heritage series.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eA faded pattern has one advantage over a crisp one: it never dates, because it already looks as though it has.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Blue \/ 80 X 140","offer_id":44666354237673,"sku":"EKOHER000244.02","price":10200.0,"currency_code":"TRY","in_stock":false},{"title":"Blue \/ 130 X 190","offer_id":44666354270441,"sku":"EKOHER000244.03","price":22500.0,"currency_code":"TRY","in_stock":false},{"title":"Blue \/ 160 X 230","offer_id":44666354204905,"sku":"EKOHER000244.01","price":33500.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/HeritageSerisiMakineDokumaVintageMaviHali_1.jpg?v=1708675093"},{"product_id":"heritage-serisi-tezgah-dokuma-vintage-desenli-mavi-hali","title":"Cream and Blue Vintage Loom-Woven Wool Rug, Heritage Series","description":"\u003cp\u003e\u003cstrong\u003eKütahya, in western Anatolia, is where this was made — a town better known for its tiles than for its looms, and where the Heritage rugs are woven by putting semi-industrial precision and hand finishing side by side. A loom-woven wool rug: blue drawing scattered over a cream field, New Zealand wool in the surface, viscose in the motifs, cotton in the foundation.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eHalf the pattern is stated and half is withheld. Some motifs are drawn at full strength, others fade almost into the cream, and they are distributed without a repeating grid, so the surface looks composed rather than printed. There is a lot of empty ground and that is the point — the rug leaves room for the eye the way a sparsely hung wall does. Details you did not see on the first day keep arriving for a month.\u003c\/p\u003e\n\n\u003cp\u003eKnot density is high for a loom-woven piece, which is why the surface has some of the weight of a knotted rug in the hand. Wool takes the wear, cotton holds the shape underneath, and the viscose does nothing structural at all — it is there because it reflects. Pale ground and low pile together mean this rug shows a crumb and hides a footprint, the opposite of most. Vacuum it often, which is easy, and send it out for washing rather than trying it at home.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eLoom-woven in Kütahya, western Anatolia, with hand finishing.\u003c\/li\u003e\n  \u003cli\u003eNew Zealand wool surface, viscose motifs, cotton foundation.\u003c\/li\u003e\n  \u003cli\u003eBlue pattern scattered over cream, some motifs full strength and some nearly faded out.\u003c\/li\u003e\n  \u003cli\u003eDense knotting for a loom-woven rug — you feel it in the hand.\u003c\/li\u003e\n  \u003cli\u003eLow pile on a pale ground: crumbs show, footprints do not.\u003c\/li\u003e\n  \u003cli\u003eProduced in limited numbers within the Heritage series.\u003c\/li\u003e\n  \u003cli\u003eVacuum regularly; washing by a professional.\u003c\/li\u003e\n  \u003cli\u003eA single rug from a short run.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eIt is the rug people notice on their third visit to a room rather than their first, and then ask about every time after.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Blue \/ 130 X 190","offer_id":45811510444265,"sku":"EKOHER000298.01","price":22500.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/heritage-serisi-vintage-desenli-makine-dokuma-hali-35923.jpg?v=1691503517"},{"product_id":"safir-serisi-el-dokuma-mavi-usak-desenli-hali","title":"Blue Oushak-Pattern Hand-Knotted Carved Rug, Safir Series","description":"\u003cp\u003e\u003cstrong\u003eBlue Oushak-Pattern Hand-Knotted Carved Rug, Safir Series: blue and mink held against each other across a densely knotted field, with the motifs carved down at their edges so the drawing stands above the ground. Made in India, running from 90 × 150 cm up to 135 × 200 cm — 2'11\" × 4'11\" to 4'5\" × 6'7\".\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eMink is the color doing the quiet work. Blue on its own would be flat; blue against a warm gray-brown gains depth, and where the two meet the carving cuts a shadow line that neither color could produce alone. The Oushak motifs are the classical ones of western Anatolia, redrawn to a contemporary weight — narrower, less crowded, with more ground left visible than a nineteenth-century original would allow. At these sizes it is a bedside or entrance rug rather than a room-sized one, which is the scale at which the carved detail actually gets looked at.\u003c\/p\u003e\n\n\u003cp\u003eThe knot structure is dense and the density is the point: it is what carries the depth of the detail and what lets the shears cut cleanly. Wool, cotton, bamboo viscose and viscose are used together — the wool for body, the two cellulose yarns for the lasting shine in the motifs. Hand knotting means each piece varies slightly from the next, and on a rug this small the variation is visible. Professional washing, and never a stiff brush across the carved edges.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in India in wool, cotton, bamboo viscose and viscose.\u003c\/li\u003e\n  \u003cli\u003eBlue and mink, with the motifs carved in relief after weaving.\u003c\/li\u003e\n  \u003cli\u003eClassical Oushak drawing at a contemporary weight.\u003c\/li\u003e\n  \u003cli\u003eA dense knot structure that holds the detail and takes the carving.\u003c\/li\u003e\n  \u003cli\u003eWoven between 90 × 150 cm and 135 × 200 cm, or 2'11\" × 4'11\" to 4'5\" × 6'7\".\u003c\/li\u003e\n  \u003cli\u003eEach piece differs slightly from the last, as hand knotting requires.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing; no stiff brushes.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eSmall rugs are usually bought to fill a gap; this one is worth putting where somebody will stand still and look down.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Blue \/ 90 X 150","offer_id":45811513458921,"sku":"EKOSAP000012.01","price":40500.0,"currency_code":"TRY","in_stock":false},{"title":"Blue \/ 80 X 290","offer_id":46029642662121,"sku":"EKOSAP000012.02","price":70000.0,"currency_code":"TRY","in_stock":true},{"title":"Blue \/ 80 X 310","offer_id":46029642694889,"sku":"EKOSAP000012.03","price":74500.0,"currency_code":"TRY","in_stock":true},{"title":"Blue \/ 135 X 200","offer_id":46029642727657,"sku":"EKOSAP000012.04","price":81000.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/EKOSAP000012YOLLUK_5_SafirSerisiElDokumaMaviUsakDesenliHali.jpg?v=1704978542"},{"product_id":"el-dokuma-soyut-desenli-mavi-bambu-hali","title":"Blue Abstract-Pattern Hand-Knotted Bamboo Viscose Rug","description":"\u003cp\u003e\u003cstrong\u003eA hand-knotted rug, 212 × 290 cm (6'11\" × 9'6\"), with a blue ground broken by passages of warm orange in an abstract arrangement that has no repeat in it. Cotton in the structure, bamboo viscose on the surface, tied loop by loop in workshops in India.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eBlue and orange sit opposite one another on the color wheel, and putting them in the same rug is a decision that either works or fails outright. Here it works because the orange is used at perhaps a fifth of the area — enough to warm the blue, not enough to compete with it. The transitions look accidental and are not; they follow the way color breaks up in water and in weather, which is to say irregularly but not randomly. Morning light finds the blue and evening light finds the orange, so the rug shifts twice a day.\u003c\/p\u003e\n\n\u003cp\u003eBamboo viscose is cellulose, spun and knotted like a silk substitute, and it is what gives the surface its shine. Cotton takes the structural load underneath. Because the surface is viscose it wants care rather than caution: no wet cleaning at home, no steam, and a rug pad so the foundation is not abraded from below. Every loop was set by hand, which is why the pattern wanders slightly rather than repeating — the drawing was carried in the weaver's judgment, not stamped out.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in India, loop by loop.\u003c\/li\u003e\n  \u003cli\u003eBamboo viscose over a cotton structure.\u003c\/li\u003e\n  \u003cli\u003eBlue ground with warm orange running through roughly a fifth of the field.\u003c\/li\u003e\n  \u003cli\u003eNo repeat anywhere; the drawing wanders because it was carried by hand.\u003c\/li\u003e\n  \u003cli\u003eMorning light brings up the blue and evening light the orange.\u003c\/li\u003e\n  \u003cli\u003e212 × 290 cm (6'11\" × 9'6\").\u003c\/li\u003e\n  \u003cli\u003eNo wet cleaning at home and no steam; use a pad beneath it.\u003c\/li\u003e\n  \u003cli\u003eOne rug.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eBig abstract rugs are usually bought for the wrong wall color and then keep the room they were wrong for.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Turquoise \/ 212 X 290","offer_id":44157717315817,"sku":"EKOBMB000001.01","price":155000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaSoyutDesenliMaviBambuHali_1.jpg?v=1705911075"},{"product_id":"patchwork-desenli-mavi-deri-post-hali","title":"Blue Patchwork Cowhide Rug","description":"\u003cp\u003e\u003cstrong\u003eNo animal is this color. The blue was put onto the hide afterward, over South American cattle skin cut into a modern block layout, 90 \u0026times; 147 cm (2'11\" \u0026times; 4'10\"). A patchwork cowhide rug that exists in one copy, and the dye has taken slightly differently on every panel in it.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThat unevenness is the point rather than the flaw. Hide is not uniform to begin with \u0026mdash; it is thicker at the spine, finer at the flank, and the hair lies at different angles across a single skin \u0026mdash; so a dye laid over it comes out deep in some panels and washed toward slate in others. The blocks are set square against each other with no border, which keeps the piece reading as contemporary rather than as a hide pretending to be a woven rug.\u003c\/p\u003e\n\n\u003cp\u003eThe panels are shear-cut and stitched flat, and the finished rectangle sits true on a floor. Blue is a demanding color on hide and it wants light: in a north-facing room it will go closer to gray, and under a warm lamp it comes back. Dry cleaning, always, and nothing wet. At 90 \u0026times; 147 cm it belongs beside a bed, under a desk, or in the space a hallway makes between two doors.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eSouth American cowhide, dyed blue and cut into square panels.\u003c\/li\u003e\n  \u003cli\u003eThe dye reads unevenly from panel to panel, which is how hide takes color.\u003c\/li\u003e\n  \u003cli\u003e90 \u0026times; 147 cm (2'11\" \u0026times; 4'10\") \u0026mdash; a bedside, a desk, a landing.\u003c\/li\u003e\n  \u003cli\u003eModern block layout, no border, straight machine-true edges.\u003c\/li\u003e\n  \u003cli\u003eDry cleaning; hide should not be wet-washed.\u003c\/li\u003e\n  \u003cli\u003eReads gray in cool north light and blue again under a warm lamp.\u003c\/li\u003e\n  \u003cli\u003eOne assembly only.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eBlue on a floor is rarer than blue on a wall, and this is what happens when the blue comes with a grain running through it.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Blue \/ 90 X 147","offer_id":44252119630057,"sku":"KAPKOL000297.01","price":14000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/PatchworkDesenliDeri-PostHali_1_df12e6c1-e804-49c3-9ca5-38915fcea8d2.jpg?v=1705228904"},{"product_id":"retro-serisi-el-dokuma-vintage-desenli-mavi-hali","title":"Blue Vintage Oushak Handwoven Wool Rug, Retro Series","description":"\u003cp\u003e\u003cstrong\u003eIt looks like a rug that has spent forty years in the sun, and it has not. Blue Vintage Oushak Handwoven Wool Rug, Retro Series takes classical Oushak motifs into contemporary blues, then washes and dyes the finished rug so the color sits deep and slightly worn. Woven in Pakistan and Afghanistan. There is one of it.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe Oushak drawing is intact — the large open medallions and angular vine of western Anatolia — but these are not historical blues. They run from a washed pale to something near ink, and the surface carries a shine that comes out of the post-weaving wash rather than out of the fiber. Under an office ceiling light it flattens into a single blue; in a living room with lamps set low it separates into three or four. That range is the whole reason for the process.\u003c\/p\u003e\n\n\u003cp\u003eThe pile is wool from edge to edge. Beneath it the foundation is cotton, strengthened by a small share of recycled synthetic yarn, and Halıcızade prints that fact instead of hiding it — what a foot touches is wool and nothing else. Weavers in Pakistan and Afghanistan did the work, and the finishing wash came afterward, which is where both the luster and the slightly used look come from. Regular vacuuming keeps it; the rest is a specialist's job.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven in Pakistan and Afghanistan.\u003c\/li\u003e\n  \u003cli\u003eWool across the entire surface; cotton foundation strengthened with recycled synthetic yarn.\u003c\/li\u003e\n  \u003cli\u003eClassical Oushak medallions and vine, redrawn in contemporary blues.\u003c\/li\u003e\n  \u003cli\u003eWashed and dyed after weaving, which is where the depth and the luster come from.\u003c\/li\u003e\n  \u003cli\u003eThe blues separate under low lamps and flatten under a ceiling light.\u003c\/li\u003e\n  \u003cli\u003eRobust enough for an office or a busy living room.\u003c\/li\u003e\n  \u003cli\u003eRegular vacuuming; specialist washing for anything more.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eBlue is the color rooms are most often afraid of, and a worn blue is the version that stops being a risk.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Blue \/ 207 X 304","offer_id":44379187708137,"sku":"SAROVR000017.01","price":158000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/RetroSerisiElDokumaVintageDesenliMaviHali_1.webp?v=1753871212"},{"product_id":"karnaval-serisi-tezgah-dokuma-sal-desenli-mavi-hali","title":"Blue Shawl-Pattern Loom-Woven Wool Rug, Karnaval Series","description":"\u003cp\u003e\u003cstrong\u003eNothing in this listing is large. The four sizes begin at a 60 × 90 cm (2'0\" × 2'11\") mat and stop at 150 × 217 cm (4'11\" × 7'1\"). All four carry the same shawl pattern in 100% wool on a deep blue ground, loom-woven in India with every fringe tied by hand.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eShawl patterns come off woven cloth rather than off rugs, which is why the drawing is finer than an Anatolian village pattern and why the color count is so high — reds, ochres, greens and creams packed into a field that still reads as blue from across a room. In a single-toned space it works as contrast and nothing else. In a room already carrying several colors it stops being a highlight and starts being the thing that ties them together, which is the more useful of its two jobs.\u003c\/p\u003e\n\n\u003cp\u003eThe loom does the structure and a person does the rest; the fringes at both ends are knotted individually. The wool is undiluted, with no cotton or synthetic in the pile, and it behaves the way undiluted wool does: it takes a footprint and loses it again, it holds color for decades and it sheds a little for the first month. Sizes this small go beside a bed, inside a door, or in a child's room, which is where most of them end up.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eLoom-woven in India, with the fringes tied by hand one at a time.\u003c\/li\u003e\n  \u003cli\u003e100% wool pile — no cotton and no synthetic in the surface.\u003c\/li\u003e\n  \u003cli\u003eShawl pattern in red, ochre, green and cream on a deep blue ground.\u003c\/li\u003e\n  \u003cli\u003eFour sizes: 60 × 90, 89 × 125, 122 × 180 and 150 × 217 cm.\u003c\/li\u003e\n  \u003cli\u003eNew wool sheds lightly for the first weeks and then stops.\u003c\/li\u003e\n  \u003cli\u003eDeal with spills while they are still wet; the deep cleaning is a professional job.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eA rug this size ends up beside a bed, and a pattern this busy is a strange and good thing to put a bare foot on first thing in the morning.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Blue \/ 60 X 90","offer_id":44371443122409,"sku":"HALKAR000003.02","price":7500.0,"currency_code":"TRY","in_stock":false},{"title":"Blue \/ 122 X 180","offer_id":44158312382697,"sku":"HALKAR000003.01","price":29000.0,"currency_code":"TRY","in_stock":true},{"title":"Blue \/ 150 X 217","offer_id":44371443187945,"sku":"HALKAR000003.04","price":42500.0,"currency_code":"TRY","in_stock":true},{"title":"Blue \/ 89 X 125","offer_id":45589261091049,"sku":"HALKAR000003.07","price":14500.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/KarnavalSerisiElDokumaSalDesenliMaviHali_14.jpg?v=1729422862"},{"product_id":"el-dokuma-ipek-vintage-desenli-mavi-hali","title":"Blue Vintage-Pattern Hand-Knotted Silk and Wool Rug","description":"\u003cp\u003e\u003cstrong\u003eIt carries the mark of Jaipur, a weaving house known worldwide for its design, and that is why the rug is not anonymous. A hand-knotted piece in blue with real silk worked through it over wool and cotton, made in India, its vintage drawing taken from Anatolian sources. One of one.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe color is the rarity: a range that sits between blue and green without ever settling on either, so the rug reads blue in one light and green in another. The silk in the pattern is real silk and does what real silk does — it takes light at a different angle from the wool beside it, which produces the watered, moiré-like movement across the surface. That effect comes out of the weaving technique rather than from any finish applied afterward. The drawing is Anatolian in origin and modern in how far it has been simplified.\u003c\/p\u003e\n\n\u003cp\u003eWool and cotton make the body of the rug, and silk is used where the pattern needs to lift. Nothing about the surface is uniform, and that irregularity is evidence of hand work rather than a fault in it: the same design woven twice would not come out the same way twice. It belongs somewhere it will be looked at: a sitting room, a large entrance hall, a study. Professional cleaning, and nothing left wet on the silk.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in India and signed by the Jaipur weaving house.\u003c\/li\u003e\n  \u003cli\u003eReal silk worked through the pattern, over wool and cotton.\u003c\/li\u003e\n  \u003cli\u003eA rare blue-green range that shifts between the two by light.\u003c\/li\u003e\n  \u003cli\u003eWatered, moiré-like surface produced by the weaving technique itself.\u003c\/li\u003e\n  \u003cli\u003eVintage drawing derived from Anatolian designs.\u003c\/li\u003e\n  \u003cli\u003eDeliberately uneven surface — the mark of hand weaving.\u003c\/li\u003e\n  \u003cli\u003eProfessional cleaning; nothing left wet on the silk.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eIt is the kind of rug that decides the color of everything else in the room, and it should be bought knowing that.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Blue \/ 201 X 297","offer_id":47386578977001,"sku":"EKOORI000002.01","price":240000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaIpekliVintageDesenliMaviHali_1.webp?v=1762779369"},{"product_id":"usak-desenli-el-dokuma-klasik-hali","title":"Blue Oushak-Pattern Hand-Knotted Wool Rug, Mahal Series","description":"\u003cp\u003e\u003cstrong\u003eAlmost nobody weaves the Oushak pattern in Uşak any more. This one was knotted in Pakistan instead, in wool on a cotton warp, 310 × 420 cm (10'2\" × 13'9\"), with the blue of open sky running underneath yellow and brown drawing. It belongs to the Mahal series and there is a single piece of it.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eBlue does the work here. The yarns were dyed by a method that leaves several values of one color in the same batch, so the ground shifts by half a tone across a hand's width and never sits flat — the effect a rug person calls abrash, arrived at on purpose. Yellow and brown carry the motifs above it, held in pastel and earth values rather than saturated ones, and that restraint is why a rug covering this much floor does not shout. The tonal spread is even across the whole field instead of pooling at one end.\u003c\/p\u003e\n\n\u003cp\u003eIt is tied with the double knot, meaning each knot is closed twice: a rug made this way takes about twice as long as one of the same knot count tied the ordinary way, and the interlocking rows are what hold the structure together. Cotton makes the warps and wool makes the pile, both spun by hand rather than drawn from mill thread. Keep it out of direct sun, because a rug dyed to hold this many close values is precisely the kind that fades unevenly. Rotate it end for end about once a year.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in Pakistan, where most Oushak-pattern weaving now takes place.\u003c\/li\u003e\n  \u003cli\u003eWool pile on a cotton warp, tied throughout with the double knot.\u003c\/li\u003e\n  \u003cli\u003eDouble knotting roughly doubles the weaving time against a single-knotted rug of the same density.\u003c\/li\u003e\n  \u003cli\u003eBlue ground with yellow and brown motifs, in pastel and earth values.\u003c\/li\u003e\n  \u003cli\u003eDyed so that several tones of one color appear across a single surface.\u003c\/li\u003e\n  \u003cli\u003e310 × 420 cm (10'2\" × 13'9\"), a size for a large living room or a wide entrance hall.\u003c\/li\u003e\n  \u003cli\u003eProfessional cleaning; keep it away from direct sunlight and rotate it occasionally.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eIt is a calm rug for a loud room, and the reason to put it in a big entrance is that the space then reads as somewhere you have arrived rather than somewhere you pass through.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Blue \/ 310X420","offer_id":45712734585065,"sku":"KERMAH000169.01","price":320000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/MahalSerisiUsakDesenliElDokumaHali_1.jpg?v=1709626584"},{"product_id":"el-dokuma-anadolu-desenli-rengarenk-kula-hali","title":"Blue Hand-Knotted Wool Kula Rug, Anatolian Pattern","description":"\u003cp\u003e\u003cstrong\u003eKula is a town in Manisa province in western Anatolia, on the volcanic plateau east of İzmir, and it has given its name to a knotted rug type for centuries. This is one: hand-knotted wool pile on a cotton warp, 131 × 199 cm (4'4\" × 6'6\"), in a blue that sits between navy and mid-blue rather than settling on either. Old, and singular.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe color is the piece. A blue caught between two named blues is what happens when indigo is used at a strength the dyer judged by eye, and it behaves differently under different light: by a north window it goes cool and almost slate, and under a warm evening bulb it drops back toward navy and the pattern above it lifts. Anatolian motifs are set across the field in the Kula manner, drawn rather than blocked, and the ground carries them without competing. A blue field of this size is the easiest of all rugs to put into a room that already has too much going on, because it subtracts rather than adds.\u003c\/p\u003e\n\n\u003cp\u003eWool pile knotted onto a cotton foundation. That is the standard Anatolian construction and it is a division of labor: cotton takes tension and keeps the rug square over decades, wool takes abrasion at the surface. Two and a half square meters of knotted pile is heavy for its size and it will not travel around the floor. It is old enough to have a low patch or two where the pile has worn shorter, which reads as a lighter area rather than as damage. Professional washing, once, and then leave it be.\u003c\/p\u003e\n\n\u003ch3\u003eWhat distinguishes a Kula rug?\u003c\/h3\u003e\n\u003cp\u003eKula is a rug-weaving town in Manisa province, western Türkiye, and rugs made there are known for restrained drawing on deep grounds, with wool pile knotted onto a cotton foundation. The name refers to the town and its weaving tradition rather than to a single pattern.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in Kula, Manisa province, western Türkiye.\u003c\/li\u003e\n  \u003cli\u003eWool pile on a cotton foundation — cotton for tension, wool for wear.\u003c\/li\u003e\n  \u003cli\u003e131 × 199 cm (4'4\" × 6'6\"), about two and a half square meters.\u003c\/li\u003e\n  \u003cli\u003eA blue between navy and mid-blue, cool by north light and deeper under a lamp.\u003c\/li\u003e\n  \u003cli\u003eAnatolian motifs drawn across the field in the Kula manner.\u003c\/li\u003e\n  \u003cli\u003eOlder, with shorter pile in the places that were walked on.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing.\u003c\/li\u003e\n  \u003cli\u003eOne of one.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cscript type=\"application\/ld+json\"\u003e{\"@context\": \"https:\/\/schema.org\", \"@type\": \"FAQPage\", \"mainEntity\": [{\"@type\": \"Question\", \"name\": \"What distinguishes a Kula rug?\", \"acceptedAnswer\": {\"@type\": \"Answer\", \"text\": \"Kula is a rug-weaving town in Manisa province, western Türkiye, and rugs made there are known for restrained drawing on deep grounds, with wool pile knotted onto a cotton foundation. The name refers to the town and its weaving tradition rather than to a single pattern.\"}}]}\u003c\/script\u003e","brand":"HALICIZADE","offers":[{"title":"Blue \/ 131 X 199","offer_id":47359936528617,"sku":"MZTKUL000001.01","price":69000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaAnadoluDesenliRengarenkKulaHali_1.jpg?v=1706020050"},{"product_id":"safir-serisi-usak-desenli-el-dokuma-oymali-hali-12","title":"Blue Carved Oushak-Pattern Hand-Knotted Rug, Safir Series","description":"\u003cp\u003e\u003cstrong\u003eEighty centimeters wide and four meters ten long at the top of the range — 2'7\" × 13'5\" — this is a rug drawn for a corridor, and it is made down to 90 × 150 cm (2'11\" × 4'11\") as well. Blue Carved Oushak-Pattern Hand-Knotted Rug, Safir Series, knotted in India in wool, cotton and bamboo viscose.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eCarving is what the series exists for. Once the pile is standing, a worker goes over the surface with shears and trims a narrow channel around every figure, so the drawing sits a couple of millimeters proud of its own ground and throws a shadow along each outline. Blue flattens on a floor more readily than any other color, and that shadow line is precisely what stops it doing so here.\u003c\/p\u003e\n\n\u003cp\u003eKnotted by hand in India at a close density, which the drawing requires: an Oushak pattern depends on thin scrolling stems, and a loose weave loses them entirely. Oushak names a town in western Anatolia and, by extension, the large open floral style its looms sent out for centuries. Wool makes up most of the surface, with cotton and bamboo viscose beside it, and the bamboo viscose accounts for the low sheen. Cleaning is a job for a rug washer, not a machine.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in India, at a knot density fine enough for scrolling stems.\u003c\/li\u003e\n  \u003cli\u003eA surface of wool with cotton and bamboo viscose worked through it.\u003c\/li\u003e\n  \u003cli\u003eEvery motif trimmed around with shears after weaving, so the pattern stands raised.\u003c\/li\u003e\n  \u003cli\u003eBlue, in the Oushak family of large open floral drawings.\u003c\/li\u003e\n  \u003cli\u003eSizes run from 90 × 150 cm to an 80 × 410 cm corridor length.\u003c\/li\u003e\n  \u003cli\u003eSuits a classical room and an entirely plain one for opposite reasons.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing only.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eA rug four meters long has one obvious home, and it is a hallway that has been waiting for something to do with itself.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Blue \/ 90X150","offer_id":45742070956265,"sku":"EKOSAP000114.01","price":40500.0,"currency_code":"TRY","in_stock":true},{"title":"Blue \/ 100 X 160","offer_id":46029649150185,"sku":"EKOSAP000114.02","price":48000.0,"currency_code":"TRY","in_stock":true},{"title":"Blue \/ 80 X 300","offer_id":46029649182953,"sku":"EKOSAP000114.03","price":72000.0,"currency_code":"TRY","in_stock":true},{"title":"Blue \/ 80 X 410","offer_id":46029649215721,"sku":"EKOSAP000114.04","price":98500.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/SafirSerisiUsakDesenliElDokumaOymaliHali_6.jpg?v=1710329859"},{"product_id":"retro-serisi-el-dokuma-vintage-desenli-mavi-yun-hali","title":"Blue Oushak-Pattern Hand-Knotted Wool Rug, Retro Series","description":"\u003cp\u003e\u003cstrong\u003eOushak motifs in blue: a Retro-series rug of 150 × 193 cm (4'11\" × 6'4\"), hand-knotted with a wool pile on cotton, its ground running from a clear mid-blue through gray and anthracite to near-black at the edges. Tied in Pakistan and Afghanistan. One piece.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe blue is not uniform and the rug is better for it: several values sit beside one another across the field, so the pattern seems to surface and submerge depending where the light falls. Anthracite and black gather toward the borders and hold the whole thing down. Classical Anatolian motifs in a blue this cool would ordinarily look transplanted, yet the drawing is fine enough and the tonal range wide enough that they settle instead.\u003c\/p\u003e\n\n\u003cp\u003eThe washing and coloring method the series uses is what draws this many blues out of one dye lot, and the same treatment leaves a low shine on the pile. Cotton and wool are worked together into a thin, firm structure, with a small amount of recycled synthetic in the skeleton and none at all in the surface. Weavers in Pakistan and Afghanistan tie every knot. Sunlight moves a blue faster than it moves a brown, so keep this one off a south window.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in Pakistan and Afghanistan.\u003c\/li\u003e\n  \u003cli\u003eWool pile on a cotton foundation, with a small amount of recycled synthetic yarn used only in the skeleton.\u003c\/li\u003e\n  \u003cli\u003eBlue running through gray, anthracite and near-black across a single field.\u003c\/li\u003e\n  \u003cli\u003eClassical Oushak motifs drawn at a fine scale.\u003c\/li\u003e\n  \u003cli\u003eLow sheen from the finishing wash the series is given.\u003c\/li\u003e\n  \u003cli\u003e150 × 193 cm (4'11\" × 6'4\"), for an office, a study, or in front of seating.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing; keep it away from strong direct sun.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eIn a room with a lot of wood in it the blue is the one cool thing, and that is usually enough.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Blue \/ 150 X 193","offer_id":46711129932009,"sku":"SAROVR000014.01","price":73000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/RetroSerisiElDokumaVintageDesenliMaviYunHali_1.jpg?v=1709563108"},{"product_id":"el-dokuma-saf-ipek-usak-desenli-mavi-hali","title":"Blue Oushak-Pattern Hand-Knotted Pure Silk Rug","description":"\u003cp\u003e\u003cstrong\u003ePure silk, nothing else, knotted eight by eight — sixty-four knots to the square centimeter. This is a hand-knotted Oushak-pattern rug of 108 × 159 cm (3'7\" × 5'3\") in blue and turquoise with cream and gold, woven in China, where silk has been worked since the road that carried it was first traveled.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eBlue does the ground, and it is the blue of water rather than of ink. Turquoise comes in at the lighter values while cream and gold draw the Oushak motifs across the top. Silk takes dye more deeply than wool and returns light instead of absorbing it, so a blue like this reads saturated from one side of the room and almost white where the pile lies the other way. Turn the rug and the whole color changes with it.\u003c\/p\u003e\n\n\u003cp\u003eSixty-four knots in a square centimeter is what lets classical Oushak drawing keep its curves at this scale; at a lower count the same motifs would have to be squared off. The fiber is silk throughout, surface and structure alike, which is now unusual — the number of rugs knotted from pure silk falls every year, and that scarcity is a fact about the market rather than a reason to hurry. It is thin, light and delicate: low-suction vacuuming, no direct sun, professional washing only.\u003c\/p\u003e\n\n\u003ch3\u003eWhat does an 8 × 8 knot density mean?\u003c\/h3\u003e\n\u003cp\u003eIt counts eight knots across and eight down in every square centimeter, or sixty-four knots per square centimeter. The higher the count, the smaller each knot, and the finer the curve a weaver can draw — which is why fine floral patterns need a high density to work at all.\u003c\/p\u003e\n\n\u003ch3\u003eCan this rug be hung on a wall?\u003c\/h3\u003e\n\u003cp\u003eYes. At 108 × 159 cm it is light enough to hang, and pure silk rugs are often displayed rather than walked on, because the pile is delicate and the color changes with the viewing angle. A sleeve sewn to the back carries the weight more evenly than clips do.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in China from pure silk, surface and structure alike.\u003c\/li\u003e\n  \u003cli\u003e8 × 8 knot density — sixty-four knots to the square centimeter.\u003c\/li\u003e\n  \u003cli\u003eClassical Oushak motifs in cream and gold over blue and turquoise.\u003c\/li\u003e\n  \u003cli\u003eSilk returns light rather than absorbing it, so the color changes as you move around it.\u003c\/li\u003e\n  \u003cli\u003e108 × 159 cm (3'7\" × 5'3\") — a bedroom, a coffee corner, a small entrance, or a wall.\u003c\/li\u003e\n  \u003cli\u003eRugs knotted entirely in silk are made in smaller numbers each year.\u003c\/li\u003e\n  \u003cli\u003eLow-suction vacuuming, no direct sunlight, professional washing only.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eIt was made to be looked at as much as walked on, and either way it will outlast the room it goes into.\u003c\/p\u003e\n\n\u003cscript type=\"application\/ld+json\"\u003e{\"@context\": \"https:\/\/schema.org\", \"@type\": \"FAQPage\", \"mainEntity\": [{\"@type\": \"Question\", \"name\": \"What does an 8 × 8 knot density mean?\", \"acceptedAnswer\": {\"@type\": \"Answer\", \"text\": \"It counts eight knots across and eight down in every square centimeter, or sixty-four knots per square centimeter. The higher the count, the smaller each knot, and the finer the curve a weaver can draw — which is why fine floral patterns need a high density to work at all.\"}}, {\"@type\": \"Question\", \"name\": \"Can this rug be hung on a wall?\", \"acceptedAnswer\": {\"@type\": \"Answer\", \"text\": \"Yes. At 108 × 159 cm it is light enough to hang, and pure silk rugs are often displayed rather than walked on, because the pile is delicate and the color changes with the viewing angle. A sleeve sewn to the back carries the weight more evenly than clips do.\"}}]}\u003c\/script\u003e","brand":"HALICIZADE","offers":[{"title":"Turquoise \/ 108 X 159","offer_id":44811177591017,"sku":"SARIPE000184.01","price":320000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaSafIpekUsakDesenliMaviHali_2.jpg?v=1709558827"},{"product_id":"madalyon-desenli-mavi-el-dokuma-viskon-hali","title":"Blue Medallion Hand-Knotted Viscose Rug","description":"\u003cp\u003e\u003cstrong\u003eBlue Medallion Hand-Knotted Viscose Rug, 123 × 185 cm (4'0\" × 6'1\") — a turquoise ground carrying cream medallions, closed by a cream border of fine floral work, knotted by hand in China from cotton and viscose. The ground is blue the way shallow water is blue, which is to say it keeps turning turquoise.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe medallions are not stacked around one center. They sit at intervals across the field like flowers on the surface of a pool, so the eye travels outward toward the frame rather than inward to a single point. Cream is what makes that legible: the pale motifs lift off the blue, and the thin floral running through the border softens the coolness of the field before it reaches the edge. Turquoise changes its mind with the light — bright and slightly green at midday, several shades deeper by lamp.\u003c\/p\u003e\n\n\u003cp\u003eViscose comes from cellulose, and cellulose handles light much the way silk handles it, which is why this rug looks costlier than its fiber. Cotton carries the structure; the viscose is what you see and what you touch. The knot count runs into the hundreds of thousands for a piece this size, every one of them tied by hand. The pile is short — short enough that not much finds its way down into it, and short enough to show the direction it was last brushed. Cleaning belongs in a rug workshop.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in China from cotton and viscose.\u003c\/li\u003e\n  \u003cli\u003eCream medallions scattered across a turquoise-blue ground, inside a fine floral border.\u003c\/li\u003e\n  \u003cli\u003eViscose returns light like silk at a fraction of what silk costs.\u003c\/li\u003e\n  \u003cli\u003eThe blue reads bright and green-tinged in daylight and much deeper by lamp.\u003c\/li\u003e\n  \u003cli\u003eHundreds of thousands of hand-tied knots.\u003c\/li\u003e\n  \u003cli\u003e123 × 185 cm (4'0\" × 6'1\") — a bedroom, an entryway or a landing.\u003c\/li\u003e\n  \u003cli\u003eA short pile, which gives dust very little to lodge in.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing. One piece, with no second one behind it.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eIt is the rug people put down expecting a quiet blue and then find themselves looking at.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Turquoise \/ 123 X 185","offer_id":45111481794793,"sku":"SARBIT000345.01","price":123000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/MadalyonDesenliMaviElDokumaIpekHali_1.jpg?v=1706088729"},{"product_id":"studio-potato-bubble-trouble-yun-el-dokumasi-kilim","title":"Navy Geometric Handwoven Wool Kilim, Studio Potato Bubble Trouble","description":"\u003cp\u003e\u003cstrong\u003eStudio Potato gives its designs names instead of numbers, and Bubble Trouble is one of them: a handwoven wool kilim in navy, flat and pileless, its drawing geometric and modern rather than inherited from any village. Woven in Türkiye. The 120 × 170 cm (3'11\" × 5'7\") piece is the one still held.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eNavy is a hard ground for a flatweave, because there is no pile to hold a shadow — the color arrives flat and stays flat, and the geometry laid across it has to do all the work of depth. The shapes are set against the dark ground as blocks, with the steps and angles that a weft-faced weave forces on any figure it carries. In a room with white walls it reads as a piece of graphic work put on the floor rather than as a rug with a history behind it.\u003c\/p\u003e\n\n\u003cp\u003eWool throughout, and the weaving was done by hand in Türkiye. A kilim carries no knots at all: its pattern is made where the weft crosses the warp and is beaten tight, until nothing of the warp shows. That is why the surface is thin, why both faces work, and why you turn it over once one side has had its season of sun. Thin also means hard, so there is nothing underfoot to absorb a step and a pad beneath it is money well spent on stone or boards. It was made at 80 × 140 cm and 160 × 210 cm as well; only the middle size remains.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven as a wool kilim in Türkiye, flat, with no pile.\u003c\/li\u003e\n  \u003cli\u003eNavy ground under a modern geometric drawing by Studio Potato.\u003c\/li\u003e\n  \u003cli\u003eHeld at 120 × 170 cm (3'11\" × 5'7\"); the 80 × 140 and 160 × 210 sizes are gone.\u003c\/li\u003e\n  \u003cli\u003eReversible, and thin enough to slide beneath a door or a low sofa.\u003c\/li\u003e\n  \u003cli\u003eHard underfoot on stone or boards, so a pad underneath earns its keep.\u003c\/li\u003e\n  \u003cli\u003eWashing is for a rug specialist, never a machine.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eA kilim this graphic will date the way a poster dates, which is to say it will look like the year it was made, and that is not the same as looking old.\u003c\/p\u003e","brand":"Studio Potato","offers":[{"title":"Green \/ 80 X 140","offer_id":45126574735593,"sku":"POTELD000003.01","price":25100.0,"currency_code":"TRY","in_stock":false},{"title":"Green \/ 120 X 170","offer_id":45126574768361,"sku":"POTELD000003.02","price":64500.0,"currency_code":"TRY","in_stock":true},{"title":"Green \/ 160 X 210","offer_id":45126574801129,"sku":"POTELD000003.03","price":105000.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/StudioPotatoBubbleTroubleYunElDokumasiKilim_1.jpg?v=1713267680"},{"product_id":"tezgah-dokuma-soyut-desenli-turkuaz-hali","title":"Turquoise Abstract Loom-Woven Viscose Rug, Heritage Series","description":"\u003cp\u003e\u003cstrong\u003eTurquoise Abstract Loom-Woven Viscose Rug from the Heritage series: warm yellow forms scattered through a gray-turquoise field, with no border and no center. The surface is 100% viscose over a cotton foundation, loom-woven in western Anatolia around Oushak, at 200 \u0026times; 300 cm.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe composition is abstract in the proper sense \u0026mdash; the shapes are not simplified from anything, and where they fall was decided by the drawing rather than by a grid. Turquoise is difficult on a large floor because it goes green in daylight and blue after dark, and the yellow is what holds it together in both states: it stays warm through the whole day and gives the eye somewhere to land. At three meters this is a rug you place a room around, not one you slide under a table.\u003c\/p\u003e\n\n\u003cp\u003eLoom-woven, in the sense the house uses the word: the structure is set on a semi-industrial loom in U\u0026#351;ak and the finishing is hand work, with the knots set close enough to give the surface the density of a handwoven piece. The pile is viscose, spun from cellulose, and it is where all the shine comes from; the foundation carrying it is cotton. Two things follow from a viscose pile that are worth knowing before buying. It takes footmarks, which brush out. And no household shampoo should go near it \u0026mdash; this one belongs to a rug washer.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eLoom-woven in the Oushak region of western Anatolia, with hand finishing.\u003c\/li\u003e\n  \u003cli\u003e100% viscose surface on a cotton foundation.\u003c\/li\u003e\n  \u003cli\u003eWarm yellow shapes scattered across a gray-turquoise field, without border or center.\u003c\/li\u003e\n  \u003cli\u003eTurquoise reads green by day and blue by lamp; the yellow stays constant.\u003c\/li\u003e\n  \u003cli\u003e200 \u0026times; 300 cm (6'7\" \u0026times; 9'10\") \u0026mdash; a room-defining size.\u003c\/li\u003e\n  \u003cli\u003eThe pile takes footmarks and brushes clear.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing; nothing off a supermarket shelf on viscose.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eThe turquoise is what people will notice from the doorway; the yellow is what keeps the rug worth looking at once they are in the room.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Turquoise \/ 200 X 300","offer_id":45174740254953,"sku":"EKOHER000027.01","price":54000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/SoyutDesenliMakineDokumaTurkuazHali_6.jpg?v=1725190625"},{"product_id":"zara-serisi-geometrik-desenli-yuvarlak-ozel-tezgah-halisi","title":"Blue Authentic-Pattern Round Loom-Woven Rug, Zara Series","description":"\u003cp\u003e\u003cstrong\u003eBlue Authentic-Pattern Round Loom-Woven Rug, Zara Series — a calm mid-blue circle with Anatolian motifs dropped across it rather than set in rows, loom-woven in Oushak from yarn containing Tencel®, with no wool in it. It is made as a 200 cm circle and a 160 cm one — 6'7\" and 5'3\" across.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eA circle has no corners, and in a room of straight lines that matters more than it sounds: the hard edges of a sofa and a low table stop competing the moment something round goes underneath them. This blue is at the quiet end of blue rather than the saturated end, so the scattered motifs read as marks on water. Set in front of white or gray furniture it is the only color in the arrangement, which is the arrangement it was drawn for.\u003c\/p\u003e\n\n\u003cp\u003eLoom-woven puts the structure onto a machine-guided loom and leaves the ends to people: once a piece comes off the frame, every fringe is worked and tied on its own, largely by women in the Oushak workshops. The yarn contains Tencel®, spun out of wood pulp, which gives the surface a light fluid gloss and a certain slip underfoot. Nothing in it is wool, worth knowing if what you are after is the density wool gives. Have it professionally washed; that is the whole of the maintenance.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eLoom-woven in Oushak, in workshops where most of the labor is women's.\u003c\/li\u003e\n  \u003cli\u003eTencel®-containing yarn, wool-free.\u003c\/li\u003e\n  \u003cli\u003eTwo diameters are made, 160 cm and 200 cm.\u003c\/li\u003e\n  \u003cli\u003eAuthentic Anatolian motifs scattered across a quiet blue ground.\u003c\/li\u003e\n  \u003cli\u003eEach fringe worked and tied individually once the weaving comes off the frame.\u003c\/li\u003e\n  \u003cli\u003eSoftens the geometry of a room built out of rectangles.\u003c\/li\u003e\n  \u003cli\u003eA rug washer, not a washing machine.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eIt is the honest middle of the catalog: the look of a knotted rug at a price knotting cannot reach, and the house says as much rather than implying otherwise.\u003c\/p\u003e","brand":"EKO HALI","offers":[{"title":"Blue \/ 160 X 160","offer_id":45324542542057,"sku":"EKOZAR000010.01","price":23200.0,"currency_code":"TRY","in_stock":true},{"title":"Blue \/ 200 X 200","offer_id":48074490904809,"sku":"EKOZAR000010.02","price":36000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ZaraSerisiGeometrikDesenliMakineDokumaHali_5.jpg?v=1751030980"},{"product_id":"safir-serisi-usak-desenli-el-dokuma-oymali-mavi-yuvarlak-hali","title":"Blue Oushak-Pattern Handwoven Carved Round Rug, Safir Series","description":"\u003cp\u003e\u003cstrong\u003eA round handwoven rug in pastel blue, worked in Oushak motifs and finished by carving: once the pile is tied, the outline of every motif is cut back with shears so that the pattern stands above its ground in relief. Wool and cotton carry the body of it, bamboo viscose carries the drawing. Woven in India for this house. One piece only.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eOushak drawing is normally large and open. Here it has been reduced and softened until it sits inside a circle with no corner to anchor it. The blues are pastel rather than saturated, so the outer band reads as a ring of pale flowers rather than as a border, and the relief does the work that color would otherwise have to do — under a ceiling light the cut edges throw a shadow a millimeter or two deep and the motifs lift away from the field. Seen from directly above, which is how a round rug in an entrance is actually seen, that shadow is the pattern.\u003c\/p\u003e\n\n\u003cp\u003eCotton runs through the foundation, wool makes the surface, and the motifs alone are picked out in bamboo viscose, a cellulose yarn spun to take light the way silk does; it is why the drawing looks wet against a matt ground. Knot density is high enough that the carver can follow a curve without stepping it. Carving is a second pass and a slow one, carried out by hand with shears once the rug is off the loom. Being round, it has no straight edge to set against a wall, so it needs floor it can sit in the middle of. Cleaning belongs to a rug workshop.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven in India, in a workshop that supplies this house.\u003c\/li\u003e\n  \u003cli\u003eWool surface on a cotton foundation, with bamboo viscose in the motifs.\u003c\/li\u003e\n  \u003cli\u003eOushak motifs redrawn at pastel scale, in blues.\u003c\/li\u003e\n  \u003cli\u003eEvery motif is cut back by hand with shears after weaving.\u003c\/li\u003e\n  \u003cli\u003eDense knotting holds the curves of the drawing without stepping them.\u003c\/li\u003e\n  \u003cli\u003eRound format — an entrance hall, a bedroom, or beneath a round table.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing.\u003c\/li\u003e\n  \u003cli\u003eOne piece; carving is never repeated in exactly the same way.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat does it mean that the rug is carved?\u003c\/h3\u003e\n\u003cp\u003eCarving is a hand operation performed after weaving. A worker follows the outline of each motif with shears and cuts the surrounding pile shorter, so the pattern sits in relief above the field and throws a small shadow across the pile beside it.\u003c\/p\u003e\n\n\u003ch3\u003eWhy does a carved rug need a dense weave?\u003c\/h3\u003e\n\u003cp\u003eShears open a loose pile. The knot count has to be high enough that the cut edge stays sharp and does not fray, which is why carving is only done on rugs tied densely enough to hold the line.\u003c\/p\u003e\n\n\u003cp\u003eIn a hallway it will be the first thing anyone stands on and the last thing they look at, which is the correct order for a rug.\u003c\/p\u003e\n\n\u003cscript type=\"application\/ld+json\"\u003e\n{\n  \"@context\": \"https:\/\/schema.org\",\n  \"@type\": \"FAQPage\",\n  \"mainEntity\": [\n    {\n      \"@type\": \"Question\",\n      \"name\": \"What does it mean that the rug is carved?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"Carving is a hand operation performed after weaving. A worker follows the outline of each motif with shears and cuts the surrounding pile shorter, so the pattern sits in relief above the field and throws a small shadow across the pile beside it.\"\n      }\n    },\n    {\n      \"@type\": \"Question\",\n      \"name\": \"Why does a carved rug need a dense weave?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"Shears open a loose pile. The knot count has to be high enough that the cut edge stays sharp and does not fray, which is why carving is only done on rugs tied densely enough to hold the line.\"\n      }\n    }\n  ]\n}\n\u003c\/script\u003e\n\u003cp\u003e\u003cem\u003eThis rug belongs to the \u003ca href=\"\/en\/collections\/safir-series-rugs\"\u003eSafir Series\u003c\/a\u003e.\u003c\/em\u003e\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Blue \/ 150 X 150","offer_id":45712211214569,"sku":"EKOSAP000017.02","price":67500.0,"currency_code":"TRY","in_stock":true},{"title":"Blue \/ 200 X 200","offer_id":45712211247337,"sku":"EKOSAP000017.01","price":120000.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/EKOSAP000017_5_SafirSerisiUsakDesenliElDokumaHali.jpg?v=1704981228"},{"product_id":"berceste-serisi-madalyonlu-usak-desenli-mavi-yun-yolluk-hali","title":"Blue Medallion Oushak Machine-Woven Wool Runner, Berceste Series","description":"\u003cp\u003e\u003cstrong\u003eA medallion drawn in the Oushak manner runs the length of this one — the large, open, floral-geometric style that came out of western Anatolia in the fifteenth century — set here in blue on a runner 101 × 320 cm (3'4\" × 10'6\"). Machine-woven in Türkiye from wool and cotton, in the Berceste Series. One runner at this length.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eOushak medallions are drawn big and given room, which is the opposite of what a Persian city rug does with the same idea, and on a runner that generosity is useful: a narrow rug crowded with small pattern turns into wallpaper underfoot. Blue is not the historical palette — the old Oushak register was madder and gold — so taking the drawing into blue keeps the form and drops the antique association, which lets the rug sit in a modern hall without arguing with it.\u003c\/p\u003e\n\n\u003cp\u003eMachine-woven, and the house would rather say it than borrow the language of hand work. Wool over the surface and cotton underneath it: the cotton keeps a three-meter runner straight, which is the hardest thing to ask of any long rug, and the wool takes the traffic. What a loom gives you is exactness — the medallion at the far end is the same as the one at the door. What it does not give you is the drift and the abrash of a village piece, and if that drift is the thing you want, the hand-knotted pieces are where to look. Professional washing.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eMachine-woven in Türkiye, wool surface on a cotton foundation.\u003c\/li\u003e\n  \u003cli\u003eAn Oushak medallion drawing, open and large in scale, held in blue.\u003c\/li\u003e\n  \u003cli\u003e101 × 320 cm (3'4\" × 10'6\") — a corridor, a kitchen run, or a long landing.\u003c\/li\u003e\n  \u003cli\u003eThe repeat holds true end to end; that is what a loom is for.\u003c\/li\u003e\n  \u003cli\u003eNo abrash and no drift — the character of a village rug is not here.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing.\u003c\/li\u003e\n  \u003cli\u003eOne runner at this length.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eIs a machine-woven wool rug still a wool rug?\u003c\/h3\u003e\n\u003cp\u003eYes. The loom decides how a rug is built, not what it is built from. This runner has a wool face over cotton, the same fibers a hand-knotted rug uses, and it wears and cleans as wool does. What machine weaving changes is the regularity of the drawing and the hours behind it.\u003c\/p\u003e\n\n\u003ch3\u003eWhat makes a pattern an Oushak?\u003c\/h3\u003e\n\u003cp\u003eUşak, spelled Oushak in English, is a town in the west of Anatolia, and the name describes a way of drawing: large medallions, floral forms simplified into geometry, and generous empty ground between them. The style dates from the fifteenth century and has been copied everywhere since, in every fiber and on every kind of loom.\u003c\/p\u003e\n\n\u003cscript type=\"application\/ld+json\"\u003e\n{\"@context\":\"https:\/\/schema.org\",\"@type\":\"FAQPage\",\"mainEntity\":[{\"@type\":\"Question\",\"name\":\"Is a machine-woven wool rug still a wool rug?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"Yes. The loom decides how a rug is built, not what it is built from. This runner has a wool face over cotton, the same fibers a hand-knotted rug uses, and it wears and cleans as wool does. What machine weaving changes is the regularity of the drawing and the hours behind it.\"}},{\"@type\":\"Question\",\"name\":\"What makes a pattern an Oushak?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"Uşak, spelled Oushak in English, is a town in the west of Anatolia, and the name describes a way of drawing: large medallions, floral forms simplified into geometry, and generous empty ground between them. The style dates from the fifteenth century and has been copied everywhere since, in every fiber and on every kind of loom.\"}}]}\n\u003c\/script\u003e\n\n\u003cp\u003eA corridor shows a rug end-on instead of from above, which no other room does, and a medallion repeat is what that view was made for.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Blue \/ 101 X 320","offer_id":45555994034409,"sku":"HALBER000002.01","price":22800.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/usak-desenli-mavi-yun-pamuk-hali-37055.jpg?v=1694685777"},{"product_id":"berceste-serisi-soluk-zeminli-usak-desenli-mavi-yun-yolluk-hali","title":"Blue Faded-Ground Oushak Machine-Woven Wool Runner, Berceste Series","description":"\u003cp\u003e\u003cstrong\u003eThe ground is faded rather than solid — the blue washed back as though the runner had spent a decade beside a window — with the Oushak drawing sitting over it in stronger tone. Woven by machine in wool and cotton in Türkiye, 84 × 302 cm (2'9\" × 9'11\"), Berceste Series. A single piece.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eFading is a design decision here and not an accident of age, and it changes what the rug does in a room. A solid blue field pulls the eye down; a broken, lightened one lets the floor breathe and makes the pattern read as though it had been in place a long time. At 84 cm this is the narrow end of the runner range, which is the width for a real corridor rather than a wide hall — the sort of passage where anything broader rides up against the skirting.\u003c\/p\u003e\n\n\u003cp\u003eThe pile is wool; cotton carries it underneath. This is a power loom's work, even and repeatable, which is what a loom is for, and that evenness is what allows the faded effect to be controlled at all: the lightening is drawn into the design rather than left to the sun. It will not go on fading. What it will do is show the traffic line down the middle sooner than a dark patterned rug would, because a pale ground shows everything first. A rug washer handles this one.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eMachine-woven in Türkiye; wool pile over a cotton foundation.\u003c\/li\u003e\n  \u003cli\u003eA deliberately faded blue ground with the Oushak drawing in stronger tone.\u003c\/li\u003e\n  \u003cli\u003e84 × 302 cm (2'9\" × 9'11\") — narrow, for a true corridor.\u003c\/li\u003e\n  \u003cli\u003eThe fading is designed in and will not develop further.\u003c\/li\u003e\n  \u003cli\u003eA pale ground shows a traffic line sooner than a dark one.\u003c\/li\u003e\n  \u003cli\u003eA rug washer, when it needs cleaning.\u003c\/li\u003e\n  \u003cli\u003eA single piece.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eNothing in a house is walked on as hard as a runner, and this one tells you in advance where that will show.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Blue \/ 84 X 302","offer_id":45556683964649,"sku":"HALBER000011.01","price":17800.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/BercesteSerisiUsakDesenliKlasikTasarimMaviYunHali_2.jpg?v=1710332085"},{"product_id":"berceste-serisi-doygun-zeminli-usak-desenli-mavi-yun-yolluk-hali","title":"Blue Saturated-Ground Oushak Machine-Woven Wool Runner, Berceste Series","description":"\u003cp\u003e\u003cstrong\u003eBlue at full saturation is the point of this one: the ground holds its color instead of being washed back, and the Oushak drawing sits into it rather than floating above it. A machine-woven wool and cotton runner made in Türkiye, 99 × 301 cm (3'3\" × 9'11\"), Berceste Series. There is one of it.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eA saturated ground behaves like a painted wall. It fills the space it covers and sets the temperature of everything around it, so in a hall with white walls it becomes the color in a space that has none. In a room that already carries a strong blue this is the piece that will fight, and it is worth putting the two next to one another before deciding.\u003c\/p\u003e\n\n\u003cp\u003eWool where it is walked on, cotton where it is held together. A machine set the pile and nothing here pretends otherwise; the trade-off is the usual one, in that the drawing is exact and the surface is even and there is none of the irregularity that makes a hand-knotted rug interesting close up. Deep color also hides more than pale color does, which is the practical argument for this one in a kitchen or a passage where shoes come through. Cleaning goes out to a professional.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eMachine-woven in Türkiye, wool surface over cotton.\u003c\/li\u003e\n  \u003cli\u003eA full-strength blue ground with an Oushak field drawn into it.\u003c\/li\u003e\n  \u003cli\u003e99 × 301 cm (3'3\" × 9'11\") — kitchen, passage, or the length of a hall.\u003c\/li\u003e\n  \u003cli\u003eStrong color sets the temperature of a room; test it against what is already there.\u003c\/li\u003e\n  \u003cli\u003eA dark ground hides day-to-day traffic better than a pale one.\u003c\/li\u003e\n  \u003cli\u003eEven and exact, without a village rug's irregularity.\u003c\/li\u003e\n  \u003cli\u003eCleaning goes out to a professional.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eColor at this strength is a commitment, and a corridor is the easiest place in a house to make one.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Blue \/ 99 X 301","offer_id":45556697333993,"sku":"HALBER000007.01","price":21000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/BercesteSerisiKlasikTasarimUsakDesenliMaviYunHali_2.jpg?v=1706094228"},{"product_id":"berceste-serisi-krem-zeminli-usak-desenli-mavi-yun-yolluk-hali","title":"Blue Oushak Machine-Woven Wool Runner on Cream, Berceste Series","description":"\u003cp\u003e\u003cstrong\u003eThe unusual thing here is that the ground is cream and the blue is the drawing on top of it, which reverses the arrangement the rest of this series uses. A machine-woven wool and cotton runner from the Berceste Series, Oushak-patterned, 100 × 284 cm (3'3\" × 9'4\"), made in Türkiye. Only this one, at this size.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eReversing ground and figure changes the weight of a rug entirely. Blue on cream reads light and drawn, like ink on paper; cream on blue reads solid and woven. For a hall with little daylight the pale version is the one that works, because it gives back what light there is instead of absorbing it, and the Oushak forms stay legible in a passage where a dark rug becomes a shadow.\u003c\/p\u003e\n\n\u003cp\u003eCotton warp and weft under a wool face. This one came off a machine loom in Türkiye, and that is why the drawing holds its register the whole way down — worth saying, because a cream ground shows an uneven repeat far more clearly than a dark one would. The honest drawback is the color: cream in a corridor is where shoes go, and it will want washing more often than any of its darker siblings. Wash it through a specialist.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eMachine-woven in Türkiye, wool over a cotton foundation.\u003c\/li\u003e\n  \u003cli\u003eCream ground with the Oushak drawing carried in blue.\u003c\/li\u003e\n  \u003cli\u003e100 × 284 cm (3'3\" × 9'4\") — a hall, or the run beside a kitchen island.\u003c\/li\u003e\n  \u003cli\u003eThe pale ground gives light back in a passage that has little.\u003c\/li\u003e\n  \u003cli\u003eCleaning will come round sooner than it does for the darker runners here.\u003c\/li\u003e\n  \u003cli\u003eAn exact repeat, end to end.\u003c\/li\u003e\n  \u003cli\u003eOnly this one, at this size.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eEvery other runner in this series puts the blue underneath, and the difference this one makes is visible from the far end of a corridor.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Blue \/ 100 X 284","offer_id":45556713423081,"sku":"HALBER000001.01","price":20000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/BercesteSerisiKlasikTasarimUsakDesenliMaviYunPamukHali_2.jpg?v=1706092558"},{"product_id":"berceste-serisi-koyu-zeminli-usak-desenli-mavi-yun-yolluk-hali","title":"Dark Blue Oushak Machine-Woven Wool Runner, Berceste Series","description":"\u003cp\u003e\u003cstrong\u003eSay the drawback first: on a dark ground the Oushak drawing needs light to be seen at all, and a dim corridor will flatten it to a single deep blue. That is also its advantage. Woven on a machine loom in Türkiye, wool over cotton, 100 × 300 cm (3'3\" × 9'10\"), Berceste Series.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eDeep blue is the color that does the most work underfoot in a house where people arrive in shoes. It takes the daily traffic of a hall without showing it; it sits as well under timber as under a painted wall; and it makes the doorway it runs toward look further off than it is. Put it where there is a window or a lamp, though, because under a light the pattern comes back and the rug becomes a drawing again instead of a dark stripe on the floor.\u003c\/p\u003e\n\n\u003cp\u003eTwo fibers: wool above, cotton below. Machine weaving is what makes a runner like this possible at all, and the house makes no attempt to dress it up — the pile is set mechanically and the finishing is what it is. Wool still behaves like wool, which means it recovers from a footprint and takes a wash. One, and it will not be repeated in these dimensions. It is a professional wash, not a home one.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eMachine-woven in Türkiye, wool surface on cotton.\u003c\/li\u003e\n  \u003cli\u003eA dark blue ground carrying a classical Oushak drawing.\u003c\/li\u003e\n  \u003cli\u003e100 × 300 cm (3'3\" × 9'10\").\u003c\/li\u003e\n  \u003cli\u003eHides hall traffic, and needs light to show its pattern.\u003c\/li\u003e\n  \u003cli\u003eWool recovers from compression in a way synthetics do not.\u003c\/li\u003e\n  \u003cli\u003eA professional wash, not a home one.\u003c\/li\u003e\n  \u003cli\u003eOne, and not repeated in these dimensions.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eIn daylight it is a patterned rug and after dark it is a length of deep blue, and a hallway can use both.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Blue \/ 100 X 300","offer_id":45557026685161,"sku":"HALBER000004.01","price":21000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/BercesteSerisiUsakDesenliMaviKlasikTasarimYunPamukHali_2.jpg?v=1706092755"},{"product_id":"berceste-serisi-genis-bordurlu-usak-desenli-mavi-yun-yolluk-hali","title":"Blue Wide-Border Oushak Machine-Woven Wool Runner, Berceste Series","description":"\u003cp\u003e\u003cstrong\u003eThe border is the story: a wide band frames this runner on all four sides and takes up more of it than a border usually does, which pulls the Oushak field into a narrower, denser line down the middle. Made in Türkiye on a machine loom, wool over cotton, 100 × 317 cm (3'3\" × 10'5\"). A single runner.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eBorder width is one of the quiet decisions in rug design, and on a long narrow piece it decides everything. A wide frame shortens the field optically, so a three-meter runner reads as a series of contained panels instead of one long corridor of pattern — which is what you want in a passage with doors opening off it, because the rug stops competing with the architecture and starts organizing it.\u003c\/p\u003e\n\n\u003cp\u003eThe loom is mechanical. The wool is still wool, over a cotton ground, and the border is where that combination earns itself: a broad band of one tone shows any unevenness in the weave immediately, and this one runs regular the whole way round. Blue throughout, in the classical register the Oushak drawing belongs to. Vacuum it like any wool pile; the deep clean goes out.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eMachine-woven in Türkiye, wool pile over cotton.\u003c\/li\u003e\n  \u003cli\u003eA wide border on all four sides, with the Oushak field held inside it.\u003c\/li\u003e\n  \u003cli\u003e100 × 317 cm (3'3\" × 10'5\") — a long passage with doors off it.\u003c\/li\u003e\n  \u003cli\u003eThe wide frame breaks the length up instead of drawing it out.\u003c\/li\u003e\n  \u003cli\u003eA broad plain band shows weave faults; this one is even throughout.\u003c\/li\u003e\n  \u003cli\u003eSend it out to be cleaned.\u003c\/li\u003e\n  \u003cli\u003eA single runner.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eMost runners try to make a corridor look longer, and this is among the few that do the opposite.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Blue \/ 100 X 317","offer_id":45557133607145,"sku":"HALBER000013.01","price":22200.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/BercesteSerisiUsakDesenliMaviYunPamukKlasikHali_2.jpg?v=1706094520"},{"product_id":"berceste-serisi-pudra-tonlu-usak-desenli-mavi-yun-yolluk-hali","title":"Blue and Powder-Pink Oushak Machine-Woven Wool Runner, Berceste Series","description":"\u003cp\u003e\u003cstrong\u003eBerceste is an old word from Ottoman poetry for a line so well made that it is remembered on its own, and the series is named for that. This runner carries powder-pink tones through a blue Oushak field, woven by machine in Türkiye, wool over cotton, at 98 × 320 cm (3'3\" × 10'6\"). One piece in this length.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003ePowder pink against blue is the softest combination the series makes, and it is the one that changes most with the light: by day the pink is a warm haze inside the blue drawing, and under a lamp it comes forward and reads almost as cream. That shift is the reason to put this one where it will be seen at both ends of the day — a hall used in the morning and again at night, rather than a back passage nobody looks at.\u003c\/p\u003e\n\n\u003cp\u003eThe wool is on top and the cotton is doing the structural work underneath. Woven by machine in Türkiye: the shortcut is in the labor and not in the fiber, and the wool underfoot is the same material a hand-knotted rug would use. Pale tones in a runner are the honest risk here — powder pink will show what a dark ground swallows, and a house with a dog and a back door should probably take one of the darker pieces in this series. Professional cleaning when it needs it.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eMachine-woven in Türkiye, wool surface over a cotton foundation.\u003c\/li\u003e\n  \u003cli\u003ePowder-pink tones set into a blue Oushak field.\u003c\/li\u003e\n  \u003cli\u003e98 × 320 cm (3'3\" × 10'6\").\u003c\/li\u003e\n  \u003cli\u003eThe pink warms and lightens under lamplight; it is not a fixed tone.\u003c\/li\u003e\n  \u003cli\u003eBerceste is a word from Ottoman poetry for a line remembered on its own.\u003c\/li\u003e\n  \u003cli\u003ePale tones show more than dark ones; choose accordingly.\u003c\/li\u003e\n  \u003cli\u003eProfessional cleaning when it needs it.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eIt is the quietest runner in the series, and quiet is usually what a corridor wants.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Blue \/ 98 X 320","offer_id":45557146353897,"sku":"HALBER000010.01","price":22000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/BercesteSerisiKlasikTasarimUsakDesenliMaviYunHali_2_00e822e5-a0df-4124-9906-ade4819793a1.jpg?v=1706094295"},{"product_id":"tezgah-dokuma-vintage-desenli-mavi-klasik-hali","title":"Blue and Beige Vintage-Pattern Loom-Woven Classic Rug","description":"\u003cp\u003e\u003cstrong\u003eBlue and Beige Vintage-Pattern Loom-Woven Classic Rug — a surface drawn to look as though it had faded across decades, 166 × 260 cm (5'5\" × 8'6\"), off traditional Indian looms in cotton and viscose. Halıcızade holds only a small number of this design, and this is one of them.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eBlue and beige are interleaved rather than separated, so no part of the field is entirely one or the other, and the classical drawing underneath surfaces in some places and disappears in others. That unevenness is what produces the aged effect, and it is drawn in, not achieved by wear. In a bedroom the blue reads cool and recessive; under warm lamps it turns gray-green, which is closer to how genuinely old rugs behave than most reproductions manage.\u003c\/p\u003e\n\n\u003cp\u003eTraditional looms in India, cotton and viscose, and a build much lighter than a classical rug of the same footprint. Both fibers come from plants, and the pile they make is soft to a bare foot without being deep. The house is direct about where it should not go: not the kitchen, where a shallow pile and cooking traffic are a poor match. Everywhere else it does the job, and its weight makes it easy to lift when it needs cleaning. Washing is a specialist job.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eLoom-woven on traditional looms in India.\u003c\/li\u003e\n  \u003cli\u003eCotton and viscose surface — light, thin, soft to bare feet.\u003c\/li\u003e\n  \u003cli\u003eBlue and beige interleaved, with the classical drawing faded in.\u003c\/li\u003e\n  \u003cli\u003e166 × 260 cm (5'5\" × 8'6\") — bedroom, study, or a modest sitting room.\u003c\/li\u003e\n  \u003cli\u003eCool and recessive in daylight; gray-green under warm lamps.\u003c\/li\u003e\n  \u003cli\u003eNot for a kitchen.\u003c\/li\u003e\n  \u003cli\u003eEasy to lift and move; professional washing when it needs it.\u003c\/li\u003e\n  \u003cli\u003eOnly a small number of this design exist; this is a single piece.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eIt arrives looking as though it predates everything else on the floor, an effect that is hard to buy and easy to live with.\u003c\/p\u003e","brand":"EKO HALI","offers":[{"title":"Blue \/ 166 X 260","offer_id":45967776743657,"sku":"HALHDL000042.01","price":34600.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/HALHDL000042ElDokumaVintageDesenliMaviKlasikHali_1.jpg?v=1705479453"},{"product_id":"tezgah-dokuma-vintage-desenli-mavi-hali","title":"Blue Vintage-Pattern Loom-Woven Cotton and Viscose Rug","description":"\u003cp\u003e\u003cstrong\u003eIt is thinner and lighter than the rug most people picture when they go looking for one, and that is worth putting first. Blue, beige and pale earth tones in a faded vintage drawing, loom-woven in India, cotton and viscose, at 166 × 260 cm (5'5\" × 8'6\"). One piece.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe transitions between colors are soft everywhere, which is why the drawing reads as worn rather than as designed. Blue dominates, pale earth tones fill the gaps, and beige runs through the border. From a doorway it passes for a hand-woven rug; that resemblance is what the loom is set up to achieve, and it holds right up until you pick the rug up and feel how little it weighs.\u003c\/p\u003e\n\n\u003cp\u003eCotton and viscose on Indian looms. Low weight and a shallow pile are the trade this construction makes: simple to move, simple to clean, simple to store, and it will never have the depth underfoot that a thick wool rug has. In a home decorated in calm pastels it disappears into the scheme in the useful sense, filling the floor without asking for attention. Send it to a specialist for washing.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eLoom-woven in India from cotton and viscose.\u003c\/li\u003e\n  \u003cli\u003eBlue with beige and pale earth tones in soft, faded transitions.\u003c\/li\u003e\n  \u003cli\u003e166 × 260 cm (5'5\" × 8'6\"), comfortable in a roomy sitting area.\u003c\/li\u003e\n  \u003cli\u003eLight and thin: easy to move, easy to roll, shallow underfoot.\u003c\/li\u003e\n  \u003cli\u003ePasses for a hand-woven surface at a glance.\u003c\/li\u003e\n  \u003cli\u003eSuits pastel and calm interiors rather than high-contrast ones.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing.\u003c\/li\u003e\n  \u003cli\u003eA single piece.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eSome rugs are the reason to walk into a room; this is one that makes the rest of the room easier to look at.\u003c\/p\u003e","brand":"EKO HALI","offers":[{"title":"Blue \/ 166 X 260","offer_id":45968450257129,"sku":"HALHDL000045.01","price":34600.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/HALHDL000045ElDokumaVintageDesenliMaviHali_5.jpg?v=1705482881"},{"product_id":"efsun-serisi-makine-dokuma-usak-desenli-lacivert-hali","title":"Navy Oushak-Pattern Machine-Woven Viscose Rug, Efsun Series","description":"\u003cp\u003e\u003cstrong\u003eA deep navy ground covered end to end in a fine vegetal net: cream and gold blossoms, rosettes and curling stems that leave no empty space and form no center. From the Efsun series, machine-woven in Türkiye at a reed count of one hundred, in viscose and acrylic yarns, and made in three sizes. Oushak here names the pattern family, not the place the rug was made.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe border is layered rather than single — a wide cream band, a narrow red water line on each side of it, and a navy edge outside all of them, with cream fringes at both ends. The effect the rug produces does not come from the contrast between navy and cream; it comes from how densely the motifs are packed, and reed count is the number behind that. At a hundred reeds the blossoms in the ground are small enough to sit inside a centimeter and the points of the leaves survive, while the red water lines in the border, only a few threads wide, run unbroken instead of stuttering. A coarser weave would lose both.\u003c\/p\u003e\n\n\u003cp\u003eViscose gives the cream and gold a luster that shifts through the day while the navy stays matt, so the pattern separates itself from the ground by light as well as by color and the rug shows two different faces between morning and evening. A navy ground is the practical choice in a room that gets used, since footmarks and small marks are far less visible on it than on a pale field, and it is the wrong choice in a room that already has navy walls or navy upholstery, where the floor will merge into everything else. Viscose weakens when wet, so blot a spill with a dry cloth instead of pouring water on it. The fringes tangle over time and are combed out by hand.\u003c\/p\u003e\n\n\u003ch3\u003eIs an Oushak-pattern rug woven in Oushak?\u003c\/h3\u003e\n\u003cp\u003eNot necessarily. Oushak is a town in western Anatolia whose looms gave their name to a family of designs, built from large palmettes and rosettes joined by curling stems inside a layered border. This rug carries that drawing, but the product record lists it as machine-woven in Türkiye, so Oushak here describes the pattern rather than the origin.\u003c\/p\u003e\n\n\u003ch3\u003eWhat does a reed count of 100 tell you about this rug?\u003c\/h3\u003e\n\u003cp\u003eReed count measures weaving density: the higher it is, the more threads are available to carry each motif. At a hundred reeds a rug can hold detail only a few threads wide, which is why the thin red lines in this border stay continuous and the small leaves in the field keep their points.\u003c\/p\u003e\n\n\u003cscript type=\"application\/ld+json\"\u003e{\"@context\":\"https:\/\/schema.org\",\"@type\":\"FAQPage\",\"mainEntity\":[{\"@type\":\"Question\",\"name\":\"Is an Oushak-pattern rug woven in Oushak?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"Not necessarily. Oushak is a town in western Anatolia whose looms gave their name to a family of designs, built from large palmettes and rosettes joined by curling stems inside a layered border. This rug carries that drawing, but the product record lists it as machine-woven in Türkiye, so Oushak here describes the pattern rather than the origin.\"}},{\"@type\":\"Question\",\"name\":\"What does a reed count of 100 tell you about this rug?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"Reed count measures weaving density: the higher it is, the more threads are available to carry each motif. At a hundred reeds a rug can hold detail only a few threads wide, which is why the thin red lines in this border stay continuous and the small leaves in the field keep their points.\"}}]}\u003c\/script\u003e\n\n\u003cul\u003e\n  \u003cli\u003eWoven on a power loom in Türkiye from viscose and acrylic yarns; recorded at 100 reeds.\u003c\/li\u003e\n  \u003cli\u003eNavy ground filled with a continuous vegetal net — no bare ground and no medallion.\u003c\/li\u003e\n  \u003cli\u003eLayered border: wide cream band, fine red water lines, navy outer edge, cream fringes.\u003c\/li\u003e\n  \u003cli\u003eCream and gold in lustrous viscose against a matt navy field.\u003c\/li\u003e\n  \u003cli\u003eThree sizes are made: 160 × 230 cm (5'3\" × 7'7\"), sitting in front of a three-seat sofa; 200 × 300 cm (6'7\" × 9'10\"), taking a corner unit; and 300 × 400 cm (9'10\" × 13'1\") beneath a large dining table.\u003c\/li\u003e\n  \u003cli\u003eNavy hides footmarks, and disappears in a room already built on navy.\u003c\/li\u003e\n  \u003cli\u003eComb the fringes out by hand rather than pulling at them.\u003c\/li\u003e\n  \u003cli\u003eThe wash itself goes out of the house.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eAt the largest size, under a six-seat dining table, the chairs stay on the rug when they are pushed back.\u003c\/p\u003e\n","brand":"EKO HALI","offers":[{"title":"Navy blue \/ 160 X 230","offer_id":47432042807529,"sku":"EKOISF000003.03","price":25800.0,"currency_code":"TRY","in_stock":true},{"title":"Navy blue \/ 200 X 300","offer_id":46145967128809,"sku":"EKOISF000003.01","price":42000.0,"currency_code":"TRY","in_stock":false},{"title":"Navy blue \/ 300 X 400","offer_id":47401929474281,"sku":"EKOISF000003.02","price":96600.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/isfahan-serisi-makine-dokuma-usak-desenli-lacivert-hali-39660.jpg?v=1701950596"},{"product_id":"el-dokuma-vintage-desenli-mavi-yun-hali","title":"Blue Vintage-Pattern Hand-Knotted Wool Rug","description":"\u003cp\u003e\u003cstrong\u003eAqua, turquoise, petrol, and a blue that turns toward green: a blue vintage-pattern hand-knotted wool rug, 183 × 274 cm (6'0\" × 9'0\"), knotted in Afghanistan on a cotton warp, carrying motifs that have been in use for centuries in a palette that has not. There is one of it.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe blues are laid side by side rather than blended, so the field changes as the light moves and no two hours of the day give you the same rug. The forms themselves are old — the angular vine and open medallion Anatolian weavers have carried for generations — and the surprise is how little they resist contemporary color. The surface is dark and glossy enough to take a tint from whatever stands around it: pale upholstery lightens it, wood deepens it.\u003c\/p\u003e\n\n\u003cp\u003eWool is knotted onto a cotton warp with the double knot, packed tightly enough to make the rug thin in the hand and slow to wear. It came off a loom in Afghanistan. This is one of the more restrained pieces in the house's Retro line, which is its name for old drawing in new color. A blue this saturated behaves differently under an office ceiling light than under lamps, and it is worth seeing it in the light it will live under. Vacuum it; leave the washing to a professional.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in Afghanistan; a wool pile over a cotton warp.\u003c\/li\u003e\n  \u003cli\u003eAqua, turquoise, petrol and a green-leaning blue, set side by side.\u003c\/li\u003e\n  \u003cli\u003eCenturies-old motifs redrawn in a modern palette.\u003c\/li\u003e\n  \u003cli\u003eDouble-knotted and densely packed, so the rug is thin and hard-wearing.\u003c\/li\u003e\n  \u003cli\u003e183 × 274 cm (6'0\" × 9'0\") — large enough for a salon or a meeting room.\u003c\/li\u003e\n  \u003cli\u003eThe color reads differently under ceiling light and under lamps.\u003c\/li\u003e\n  \u003cli\u003eRegular vacuuming; professional washing when it is due.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eBlue is the color rooms hesitate over, and a blue that is really five blues gives them less to hesitate about.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Blue \/ 183 X 274","offer_id":46164173979881,"sku":"OZLKOL000016.01","price":230000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaVintageDesenliMaviYunHali_1.jpg?v=1706024283"},{"product_id":"makine-dokuma-hereke-desenli-lacivert-pamuk-hali-1","title":"Navy Hereke-Pattern Machine-Woven Viscose Rug, Efsun Series","description":"\u003cp\u003e\u003cstrong\u003eThe Efsun Series rug puts the classical Hereke drawing — a densely filled field inside a wide, fine border — onto a navy ground, machine-woven in Türkiye in viscose and acrylic. It is a Hereke pattern and not a Hereke rug, and that difference is worth stating before anything else. It is cut in three sizes, and the biggest of them is 240 × 340 cm, 7'10\" by 11'2\" in imperial.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eHereke is a town on the Gulf of İzmit, east of İstanbul, where an imperial workshop was founded in 1843 to weave for the Ottoman palace. The name now attaches to a drawing as much as to a place: a crowded field, a broad border, and floral work fine enough that it was originally knotted in silk. Reproduced on a machine loom in viscose, that drawing survives the change of scale better than most classical patterns, because it was composed to be read as an overall surface rather than as a set of individual flowers. Navy holds it together — on a lighter ground the density would look like noise.\u003c\/p\u003e\n\n\u003cp\u003eAcrylic carries the body and viscose carries the pattern, at a hundred reeds, which is the density figure Turkish machine looms are graded by. The result is flat and light, closer in the hand to a woven cloth than to a knotted pile, and it will never do what a hand-knotted Hereke does under a foot. What it will do is put that drawing on a floor at sizes and in rooms where a knotted one would be an unreasonable thing to walk on. Viscose takes a professional wash well, and nothing else is recommended.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eMachine-woven in Türkiye in viscose and acrylic, at a 100-reed density.\u003c\/li\u003e\n  \u003cli\u003eReproduces the classical Hereke drawing — crowded field, wide fine border — in navy.\u003c\/li\u003e\n  \u003cli\u003eIs a Hereke pattern, not a hand-knotted Hereke rug.\u003c\/li\u003e\n  \u003cli\u003eLies flat and light, more like a woven cloth than a knotted pile.\u003c\/li\u003e\n  \u003cli\u003eComes as 160 × 230 cm, as 200 × 290 cm, and as 240 × 340 cm.\u003c\/li\u003e\n  \u003cli\u003eShould be washed professionally.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eIs this a real Hereke rug?\u003c\/h3\u003e\n\u003cp\u003eNo. This is a machine-woven viscose and acrylic rug carrying the Hereke drawing. A hand-knotted Hereke is knotted one knot at a time, usually in silk or fine wool, and takes months or years. Both are legitimate objects; only one of them is a hand-knotted Hereke, and this is not it.\u003c\/p\u003e\n\n\u003ch3\u003eWhat does 100 reeds mean on a machine-woven rug?\u003c\/h3\u003e\n\u003cp\u003eReed count, or tarak in Turkish, is the density figure Turkish machine looms are graded by: the higher the number, the finer the weave and the more detail the drawing can hold. At 100 reeds this rug is fine enough to carry the small floral work a Hereke pattern depends on.\u003c\/p\u003e\n\n\u003cscript type=\"application\/ld+json\"\u003e{\"@context\":\"https:\/\/schema.org\",\"@type\":\"FAQPage\",\"mainEntity\":[{\"@type\":\"Question\",\"name\":\"Is this a real Hereke rug?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"No. This is a machine-woven viscose and acrylic rug carrying the Hereke drawing. A hand-knotted Hereke is knotted one knot at a time, usually in silk or fine wool, and takes months or years. Both are legitimate objects; only one of them is a hand-knotted Hereke, and this is not it.\"}},{\"@type\":\"Question\",\"name\":\"What does 100 reeds mean on a machine-woven rug?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"Reed count, or tarak in Turkish, is the density figure Turkish machine looms are graded by: the higher the number, the finer the weave and the more detail the drawing can hold. At 100 reeds this rug is fine enough to carry the small floral work a Hereke pattern depends on.\"}}]}\u003c\/script\u003e\n\n\u003cp\u003ePalace drawings became public property a long time ago, and there is no dishonor in a floor that borrows one so long as nobody pretends otherwise.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Navy blue \/ 160 X 230","offer_id":46210202566889,"sku":"MEREFS000002.02","price":25800.0,"currency_code":"TRY","in_stock":true},{"title":"Navy blue \/ 200 X 290","offer_id":46210202534121,"sku":"MEREFS000002.01","price":40600.0,"currency_code":"TRY","in_stock":false},{"title":"Navy blue \/ 240 X 340","offer_id":47550445977833,"sku":"MEREFS000002.03","price":57200.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/MakineDokumaHerekeDesenliLacivertPamukHali_1.jpg?v=1705247359"},{"product_id":"el-dokuma-mavi-gobekli-ipekli-hali","title":"Navy Medallion Hand-Knotted Silk-Blend Rug","description":"\u003cp\u003e\u003cstrong\u003eA single large medallion holds the middle, drawn in cream and gold, with floral work filling everything around it. Navy Medallion Hand-Knotted Silk-Blend Rug, 129 × 181 cm (4'3\" × 5'11\"), knotted by hand in China in cotton, viscose and silk, with red and beige running through the border. There is one of it.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eNavy is the ground and it refuses to stay still. Against a window the blue opens and the gold in the medallion catches; away from the light it closes to something near black and the cream drawing is all that survives. That shift is what the silk in the pile is for. The border keeps the whole from being severe — red and beige, warmer than anything in the field, which is the classical way of framing a dark medallion.\u003c\/p\u003e\n\n\u003cp\u003eHundreds of thousands of knots were tied by hand for a piece this size, in cotton, viscose and silk rather than in silk alone. The result is thin in the hand, closer to a textile than to a floor covering, which suits an entrance, a bedside, or the floor immediately in front of a desk, and does not suit a room where furniture gets dragged about. A thin rug on a hard floor will travel without an underlay under it. The washing needs a workshop that takes silk.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eKnotted by hand in China, in a cotton, viscose and silk mixture.\u003c\/li\u003e\n  \u003cli\u003eA cream-and-gold central medallion inside a floral field.\u003c\/li\u003e\n  \u003cli\u003eRed and beige in the border, warming a navy ground.\u003c\/li\u003e\n  \u003cli\u003eThe navy opens toward the light and closes away from it.\u003c\/li\u003e\n  \u003cli\u003e129 × 181 cm (4'3\" × 5'11\") — for an entrance, a study or a bedside.\u003c\/li\u003e\n  \u003cli\u003eThin and light; needs an underlay on a hard floor.\u003c\/li\u003e\n  \u003cli\u003eCleaning belongs to a workshop that takes silk pile.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eMedallion rugs were designed for rooms where people sat on the floor, and they still reward being looked at from low down.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Navy blue \/ 129 X 181","offer_id":46417644519657,"sku":"SARBIT000299.01","price":127000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaMaviGobekliIpekHali_15.jpg?v=1705588373"},{"product_id":"safir-serisi-el-dokuma-krem-usak-desenli-hali","title":"Cream Oushak Carved Handwoven Wool Rug, Safir Series","description":"\u003cp\u003e\u003cstrong\u003eEvery motif has been cut down at its edges with hand shears after weaving, so the pattern stands above the ground and casts a small shadow of its own. Cream Oushak Carved Handwoven Wool Rug, Safir series — wool and cotton with bamboo viscose, made in India, at 95 × 160 cm and 135 × 190 cm (3'1\" × 5'3\" and 4'5\" × 6'3\").\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eCream is the hardest ground for carved work, because there is no contrast to help the drawing and the relief has to do all of it. It does: pass a palm over it and the motifs register before the eye has found them. The Oushak forms are the classical western Anatolian ones, redrawn in pastel rather than in the old madder reds, so the rug keeps the shape of a traditional piece and takes the color of a new one. Bamboo viscose catches light in the figures and makes them read against the cream.\u003c\/p\u003e\n\n\u003cp\u003eA high knot count is what the carving requires — shears cannot cut a clean line into a loose weave. Wool and cotton form the pile itself; the bamboo viscose sits inside the pattern. Both sizes are small enough that the carved detail gets looked at instead of walked over. A carved surface should never meet a stiff brush, because the cut edges are the first thing to wear. Washing is best left to a rug specialist.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven in India; the pile is wool and cotton, the motifs bamboo viscose.\u003c\/li\u003e\n  \u003cli\u003eMotifs carved in relief with hand shears after weaving.\u003c\/li\u003e\n  \u003cli\u003eClassical Oushak drawing in pastel rather than madder tones.\u003c\/li\u003e\n  \u003cli\u003eHigh knot count, which is what allows a clean carved line.\u003c\/li\u003e\n  \u003cli\u003e95 × 160 cm and 135 × 190 cm (3'1\" × 5'3\" and 4'5\" × 6'3\").\u003c\/li\u003e\n  \u003cli\u003eNo stiff brushes on the carved edges.\u003c\/li\u003e\n  \u003cli\u003eWashing by a rug specialist.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat does \"carved\" mean on a rug?\u003c\/h3\u003e\n\u003cp\u003eOnce the rug leaves the loom, a craftsman trims the pile down along the outline of every motif with hand shears. The pattern is left standing slightly above the surrounding ground, so it catches light and throws a shadow line that dyeing alone could not produce.\u003c\/p\u003e\n\n\u003ch3\u003eWhat is bamboo viscose?\u003c\/h3\u003e\n\u003cp\u003eBamboo viscose is a regenerated cellulose yarn spun from bamboo pulp. It is used in the motifs because it takes light much as silk does, giving the pattern a sheen against the matt wool of the ground. It is a plant-derived fiber rather than an animal one.\u003c\/p\u003e\n\n\u003cscript type=\"application\/ld+json\"\u003e{\"@context\":\"https:\/\/schema.org\",\"@type\":\"FAQPage\",\"mainEntity\":[{\"@type\":\"Question\",\"name\":\"What does \\\"carved\\\" mean on a rug?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"Once the rug leaves the loom, a craftsman trims the pile down along the outline of every motif with hand shears. The pattern is left standing slightly above the surrounding ground, so it catches light and throws a shadow line that dyeing alone could not produce.\"}},{\"@type\":\"Question\",\"name\":\"What is bamboo viscose?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"Bamboo viscose is a regenerated cellulose yarn spun from bamboo pulp. It is used in the motifs because it takes light much as silk does, giving the pattern a sheen against the matt wool of the ground. It is a plant-derived fiber rather than an animal one.\"}}]}\u003c\/script\u003e\n\n\u003cp\u003eRelief is the one thing a photograph of a rug cannot show, which is why this series is better in a hallway than in a catalog.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Blue \/ 95 X 160","offer_id":46557720936681,"sku":"EKOSAP000154.01","price":46000.0,"currency_code":"TRY","in_stock":false},{"title":"Blue \/ 135 X 190","offer_id":46557720969449,"sku":"EKOSAP000154.02","price":77000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/SafirSerisiElDokumaKremUsakDesenliHali_12.jpg?v=1717499150"},{"product_id":"el-dokuma-anadolu-desenli-kirmizi-nigde-arisama-hali","title":"Navy Anatolian Hand-Knotted Wool Niğde Arısama Rug","description":"\u003cp\u003e\u003cstrong\u003eForty years places this one in the vintage band rather than the antique one — twenty to eighty years, by a trade convention that nobody issues and nobody polices. Hand-knotted at Arısama, a village in Niğde province, from wool spun on a hand spindle. Navy, 119 × 221 cm (3'11\" × 7'3\"). One piece, and no second.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eNavy is doing the structural work. It fills the ground and the widest border, and everything drawn on top of it — the hooked repeats, the small central forms, the guard stripes — has to be light enough to survive against it. That is why village weavers put cream and pale rust next to a dark field and almost never a mid-tone: on navy a mid-tone simply vanishes at three paces.\u003c\/p\u003e\n\n\u003cp\u003eThe rug is chest stock, filed by the house as \u003cem\u003esandık yenisi\u003c\/em\u003e, meaning it was woven and stored rather than laid down. Spindle-spun wool takes dye unevenly by nature, and on a dark ground that shows as a soft vertical striping through the navy that no amount of washing will even out. It is a characteristic, not a fault, but it is worth seeing before you buy rather than after. A professional washes it or nobody does.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted at Arısama, Niğde province, Türkiye, about forty years ago.\u003c\/li\u003e\n  \u003cli\u003eWool spun by hand on a spindle.\u003c\/li\u003e\n  \u003cli\u003eNavy ground and border, with cream and pale rust drawing over it.\u003c\/li\u003e\n  \u003cli\u003eSoft vertical striping through the dark ground, from uneven dye uptake.\u003c\/li\u003e\n  \u003cli\u003e119 × 221 cm (3'11\" × 7'3\").\u003c\/li\u003e\n  \u003cli\u003eChest-kept rather than walked on.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eA dark village rug is the one that goes on looking deliberate long after the pale ones have started to look tired.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Navy blue \/ 119 X 221","offer_id":46657354105065,"sku":"MZTAND000026.01","price":68000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaAnadoluDesenliKirmiziNigdeArisamaHali_7.jpg?v=1707297250"},{"product_id":"zara-serisi-iskandinav-desenli-ozel-tezgah-halisi-3","title":"Blue Scandinavian-Pattern Loom-Woven Tencel® Rug, Zara Series","description":"\u003cp\u003e\u003cstrong\u003eWhat kept us on this one is the blue: pale and deep at the same time, pastel in the light parts and properly navy in the dark ones, which is hard to describe and easy to recognize. A Scandinavian-pattern Zara rug in Tencel® over cotton, made on the Oushak looms in four sizes — 90 × 150, 130 × 190, 170 × 240 and 200 × 290 cm, which is 2'11\" × 4'11\" at the smallest and 6'7\" × 9'6\" at the largest.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eScandinavian motifs — small, spare, geometric — scattered over a ground that shifts between those two blues. The result reads nostalgic and contemporary at once, and it is the tonal range in the ground rather than the motifs that does it. The rug is quiet enough for a bedroom and graphic enough for a hallway, and in a room with pale wood floors the blue is the only strong color it needs.\u003c\/p\u003e\n\n\u003cp\u003eZara rugs come off looms in Oushak, in workshops where the weaving tradition is older than the machinery, and the labor is largely women's. Every fringe is finished by hand once the rug comes off the frame, and that step, more than anything in the weave, is what stops these from looking like standard machine rugs. Tencel® in the pile over a cotton base gives the surface its softness and durability. There is no wool in the rug.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eLoom-woven in Oushak, Türkiye, largely by women weavers.\u003c\/li\u003e\n  \u003cli\u003eTencel® on a cotton foundation; contains no wool.\u003c\/li\u003e\n  \u003cli\u003eScandinavian geometric motifs over a ground that runs from pastel blue to navy.\u003c\/li\u003e\n  \u003cli\u003eFringes finished by hand once the weaving is done.\u003c\/li\u003e\n  \u003cli\u003eFour sizes, from 90 × 150 cm through to 200 × 290 cm.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing rather than spot-cleaning at home.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eBlue is the color people are most often wrong about in a photograph; this is one of the ones that is better in the room.\u003c\/p\u003e","brand":"EKO HALI","offers":[{"title":"Blue \/ 90 X 150","offer_id":47986803835113,"sku":"EKOZAR000029.04","price":12200.0,"currency_code":"TRY","in_stock":false},{"title":"Blue \/ 130 X 190","offer_id":47164302622953,"sku":"EKOZAR000029.01","price":22400.0,"currency_code":"TRY","in_stock":false},{"title":"Blue \/ 170 X 240","offer_id":47796953940201,"sku":"EKOZAR000029.02","price":36800.0,"currency_code":"TRY","in_stock":true},{"title":"Blue \/ 200 X 290","offer_id":47796953972969,"sku":"EKOZAR000029.03","price":52200.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ZaraSerisiAnadoluDesenliOzelTezgahHalisi_6.jpg?v=1751031077"},{"product_id":"sade-desenli-mavi-yun-hali","title":"Blue Plain Loom-Woven Wool Rug, Heritage Series","description":"\u003cp\u003e\u003cstrong\u003eNew Zealand fleece, put on a loom in Uşak: a loom-woven wool rug in plain blue, 130 × 190 cm (4'3\" × 6'3\"), with a low pile on a cotton foundation and no pattern to speak of. Heritage series. Loom-woven here means a loom carries the structure and hands do the rest, and this is the only piece in this size and shade.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThere is nothing to read on it, so what you get instead is the blue. It is a mid blue with no green in it, the tone that stays blue in a north-facing room instead of turning slate, and because the pile is low the color lies flat and even rather than breaking into light and shadow. On a pale floor the rug reads as a block of shade. Under a window it lightens by a step around the middle of the day. That is the entire visual event, and in a small room it is enough.\u003c\/p\u003e\n\n\u003cp\u003eUşak has been weaving for as long as western Anatolia has had looms, and the workshops there now run a mixed process — semi-industrial looms carrying the structure, women weavers doing the close work and the finish by hand. The pile is New Zealand wool, packed at a high knot count over cotton, and that density is where a loom-woven rug picks up something close to the firmness of a knotted one. The low pile keeps it flat under doors and easy to vacuum. What it will not do is feel deep underfoot; if you want to sink into a rug, this is the wrong construction.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eLoom-woven in the Uşak region, structure on the loom and the finishing by hand.\u003c\/li\u003e\n  \u003cli\u003eNew Zealand wool pile on a cotton foundation.\u003c\/li\u003e\n  \u003cli\u003ePlain mid blue, no pattern, no border.\u003c\/li\u003e\n  \u003cli\u003eHigh knot density for the construction, which is where the firmness comes from.\u003c\/li\u003e\n  \u003cli\u003eLow pile — flat under a door and quick to vacuum.\u003c\/li\u003e\n  \u003cli\u003eFirm rather than plush; it is not a deep rug.\u003c\/li\u003e\n  \u003cli\u003e130 × 190 cm (4'3\" × 6'3\") — a bedroom, a nursery, a small study.\u003c\/li\u003e\n  \u003cli\u003eProfessional cleaning. One piece in this size and shade.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003ePlain rugs get bought to fill a gap and end up being the one thing in a room nobody will agree to move.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Blue \/ 130 X 190","offer_id":47165044424937,"sku":"EKOHER000033.01","price":22500.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/SadeDesenliMaviYunHali_3.jpg?v=1714401033"},{"product_id":"el-dokuma-anadolu-desenli-mavi-cicim-kilim","title":"Navy Anatolian Handwoven Wool Cicim Kilim","description":"\u003cp\u003e\u003cstrong\u003eForty-seven centimeters across and a hundred and two down — 1'7\" × 3'4\" — which makes this the smallest woven piece here and, more usefully, one that can be hung without a rail. It is a handwoven navy wool cicim kilim from Türkiye, brocaded in the Anatolian motif families. One of one.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eNavy behaves oddly at small scale. On a large rug a dark ground recedes and lets the drawing come forward; on a strip this narrow the ground reads as one solid dark block and the brocaded figures sit on it like marks on a page. That is the argument for putting it on a wall rather than a floor. It is also small enough to be honest about — this is not going to cover anything, and its use is decorative.\u003c\/p\u003e\n\n\u003cp\u003eWool throughout, worked by hand in Türkiye. Cicim brocading lays extra yarn over the ground rather than into it, so figures on a navy field come up as raised color catching light along one edge. On a small piece that raised work is proportionally more of the object and proportionally more vulnerable: a corner caught under a door will pull yarn out of a cicim faster than out of a plain kilim. Professional washing, and if it goes on a wall, hang it from a full-width sleeve rather than from two hooks.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven in wool in Türkiye, brocaded in the cicim technique.\u003c\/li\u003e\n  \u003cli\u003e47 × 102 cm (1'7\" × 3'4\"), the smallest format in this group.\u003c\/li\u003e\n  \u003cli\u003eNavy ground with Anatolian figures raised above it.\u003c\/li\u003e\n  \u003cli\u003eBetter on a wall than underfoot, at this size.\u003c\/li\u003e\n  \u003cli\u003eRaised brocade pulls if caught; keep it clear of door edges.\u003c\/li\u003e\n  \u003cli\u003eHang from a full-width sleeve, never from two points.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing.\u003c\/li\u003e\n  \u003cli\u003eA single piece.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eSmall weavings survive because nobody walks on them, which is why the small ones that come down to us are usually the ones with their color intact.\u003c\/p\u003e","brand":"Diğer","offers":[{"title":"Navy blue \/ 47 X 102","offer_id":47353032507625,"sku":"MZTKIL000147.01","price":7000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaAnadoluCicimDesenliMaviKilim_2_86f02ae6-6dbb-4b76-9035-9eb8ee4eac41.jpg?v=1714467047"},{"product_id":"soyut-desenli-lacivert-yun-hali","title":"Navy Abstract Loom-Woven Wool Rug","description":"\u003cp\u003e\u003cstrong\u003eOne thing to settle before anything else: the house does not recommend this rug to anyone with a sensitivity to wool. It is a loom-woven wool rug in navy with abstract forms in gray over a deep navy field, made in Türkiye, and the fringes at both ends were knotted one at a time by hand. Its dimensions, plainly: 200 × 300 cm (6'7\" × 9'10\"). Nothing else like it comes off that loom.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eNavy behaves like night on this surface and the gray behaves like the hour before it gets light. The two do not blend into each other — they are set side by side, each holding its own tone, so the field has depth without any of the muddiness a graded navy usually falls into. The forms themselves are abstractions of Anatolian motifs: you can find the source shapes in old village weaving if you look, but nothing here is quoting anything directly. From above, the pattern is clear. From a low chair it flattens into a dark, textured plane.\u003c\/p\u003e\n\n\u003cp\u003eIt is made in Türkiye by a process that puts a machine and a person on the same rug. A loom lays down the structure in wool, and the fringes are then knotted one at a time by hand, which is why no two rugs in this line finish identically at the ends. The wool is thick enough to give the floor some warmth and firm enough to keep its shape under furniture. It vacuums easily. It is also a high-wool surface, and that is the reason for the sentence at the top of this page.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eLoom-woven in Türkiye in wool, with the fringes hand-knotted individually.\u003c\/li\u003e\n  \u003cli\u003eNavy field with gray abstract forms drawn from Anatolian motifs.\u003c\/li\u003e\n  \u003cli\u003eSix square meters exactly, measured out as 200 × 300 cm (6'7\" × 9'10\"), fringes excluded.\u003c\/li\u003e\n  \u003cli\u003eThick and firm; it holds its shape under furniture legs.\u003c\/li\u003e\n  \u003cli\u003eStraightforward to vacuum.\u003c\/li\u003e\n  \u003cli\u003eNot recommended for anyone with a wool sensitivity.\u003c\/li\u003e\n  \u003cli\u003eHand-finished ends mean each piece differs slightly at the fringes.\u003c\/li\u003e\n  \u003cli\u003eOne rug in this size.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eIt is dark enough to anchor a pale room and plain enough not to date the way a figured navy rug does.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Navy blue \/ 200 X 300","offer_id":47198061592809,"sku":"EKONIR000008.01","price":42000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/SoyutDesenliLacivertYunHali_1.jpg?v=1714741183"},{"product_id":"el-dokuma-anadolu-desenli-50-yas-ustu-kula-halisi","title":"Blue Anatolian Hand-Knotted Wool Kula Rug, Over 50 Years Old","description":"\u003cp\u003e\u003cstrong\u003eOver fifty years old, which puts it exactly on the line the trade draws between vintage and semi-antique: a hand-knotted wool rug from Kula, in Manisa province, 120 × 157 cm (3'11\" × 5'2\"), blue, with Anatolian figures across the field. One of one.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThose age bands are worth stating plainly, since nobody issues them. A hundred years or more is antique; fifty to a hundred is semi-antique; twenty to eighty is vintage; anything younger is new. They overlap on purpose, because a dealer judging by wear and color, with no document to check against, is making an estimate. Fifty years is long enough for a rug to have flattened, for the pile to have shortened along the lines people walked, and for the blues to have gone one step quieter than they were dyed.\u003c\/p\u003e\n\n\u003cp\u003eKula has lent its name to knotted rugs for a very long time — long enough that the word describes a type as much as a town in western Anatolia. This piece is wool, knotted by hand, and at a shade under two square meters it belongs at a bedside or in front of a hearth rather than under a table. Blue is generally the color that survives best on rugs of this age. It should be washed professionally, and it will not need it often.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in wool at Kula, Manisa province, western Türkiye.\u003c\/li\u003e\n  \u003cli\u003e120 × 157 cm (3'11\" × 5'2\"), a little under two square meters.\u003c\/li\u003e\n  \u003cli\u003eOver fifty years old — the vintage and semi-antique bands overlap here.\u003c\/li\u003e\n  \u003cli\u003eTrade age bands: antique 100 years and up, semi-antique 50 to 100, vintage 20 to 80, and no authority issues them.\u003c\/li\u003e\n  \u003cli\u003eAnatolian figures set across a blue field.\u003c\/li\u003e\n  \u003cli\u003ePile shortened where it was walked, which reads as a lighter patch.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing, infrequently.\u003c\/li\u003e\n  \u003cli\u003eA single piece.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eFifty years on a floor is not very long for a rug, and it is a lifetime for anything else in the room.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Blue \/ 120 X 157","offer_id":47198961729769,"sku":"MZTKUL000003.01","price":28500.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaAnadoluDesenli50YasUstuKulaHalisi_1.jpg?v=1715008151"},{"product_id":"el-dokuma-cerceve-desenli-mavi-yun-hali","title":"Blue Frame-Pattern Hand-Knotted Wool Rug","description":"\u003cp\u003e\u003cstrong\u003eThree blues rather than one — turquoise, navy and cream set inside a classical frame border. This is a hand-knotted wool rug on a cotton foundation, made in India, measuring 130 × 190 cm, 4'3\" by 6'3\" in feet and inches, and knotted closely enough that the surface is firm underfoot rather than soft.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eTurquoise is what decides this rug. Navy on its own would be simply classical and cream on its own would be simply quiet, but turquoise between the two pulls the whole composition toward water and keeps a traditional drawing from reading as inherited. The frame is drawn in the classical manner: an outer band, an inner rule, and the field left to its ground color, so the rug is symmetrical without needing a medallion in the middle of it. In a bedroom with white walls it is the only color in the room and does not need help.\u003c\/p\u003e\n\n\u003cp\u003eWool over cotton, every knot set by hand, and close enough together that the rug has weight in the hand and a firm, full surface. Firmness cuts both ways — it is what lasts under a chair, and it is also what gives least when somebody sits on the floor. This is not the rug for a room where people sit on the floor. At 130 × 190 cm it is an entrance, bedside or single-armchair size, not a sitting-room rug. A specialist wash, when the day comes.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eIs hand-knotted in India, wool over a cotton foundation.\u003c\/li\u003e\n  \u003cli\u003eSets turquoise, navy and cream inside a classical frame border.\u003c\/li\u003e\n  \u003cli\u003eHolds a dense, firm weave with real weight in the hand.\u003c\/li\u003e\n  \u003cli\u003eGives little underfoot, which suits chairs better than floor-sitting.\u003c\/li\u003e\n  \u003cli\u003eMeasures 130 × 190 cm, for an entrance, a bedside or beside a single chair.\u003c\/li\u003e\n  \u003cli\u003eNeeds a specialist wash.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eTurquoise dates faster than navy and ages better than beige, which is roughly the bet anyone makes when they buy a blue rug.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Blue \/ 130 X 190","offer_id":47239604044009,"sku":"EKO01K000002.01","price":54000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/el-dokuma-cerceve-desenli-mavi-yun-hali-39147.jpg?v=1715686492"},{"product_id":"mahal-serisi-el-dokuma-usak-desenli-mavi-yun-hali","title":"Blue Oushak Hand-Knotted Wool Runner, Mahal Series","description":"\u003cp\u003e\u003cstrong\u003eBlue is unusual in this family of rugs, and that is the reason to start there: a wool runner from the Mahal series, hand-knotted, 78 × 256 cm (2'7\" × 8'5\"), with fine gold and cream scrollwork over a pale blue field and a cream border carrying warm brown. Knotted in Pakistan; wool on top, cotton underneath. One piece.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eOushak drawing usually sits on cream, madder red or brown. Setting it on a pale blue changes what the pattern is for — the curling flower-and-leaf figures stop reading as antique and start reading as drawing, the way a blueprint does. Gold against light blue is a high-contrast pairing at close range and a soft one from the end of a hall. The cream border cools the whole thing down again and keeps the blue from taking over a narrow space. On a wooden floor the blue picks up the warmth of the boards and comes out slightly green; on stone it stays flatly blue.\u003c\/p\u003e\n\n\u003cp\u003eHands in Pakistan tied every knot, using the double knot that came out of Anatolia and never left the workshops that adopted it — two warps to a knot, slower to work, firmer in the finished rug. Wool is what your foot lands on, and nothing else. The structure below is cotton, and a measured amount of synthetic yarn goes in with it so the piece keeps its rectangle. Because the yarns were dyed by hand, the blue is not level: it moves a shade lighter and darker along the length, which is what tells you a person and not a machine chose when to stop a dye lot.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in Pakistan on the Anatolian double knot.\u003c\/li\u003e\n  \u003cli\u003eWool on the face; the cotton structure beneath carries a measured synthetic addition.\u003c\/li\u003e\n  \u003cli\u003ePale blue field, gold and cream Oushak scrollwork, cream border with warm brown.\u003c\/li\u003e\n  \u003cli\u003e78 × 256 cm (2'7\" × 8'5\") — corridors, long entrance halls, narrow landings.\u003c\/li\u003e\n  \u003cli\u003eHand-dyed yarn, so the blue shifts in tone along the rug.\u003c\/li\u003e\n  \u003cli\u003eFirm rather than thick; it stays flat and vacuums quickly.\u003c\/li\u003e\n  \u003cli\u003eBlue is a rarity in Oushak drawing, which is most of this piece's interest.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing. A single runner at this length.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eHallways are usually painted to be forgotten; a blue runner is a way of declining that.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Blue \/ 78 X 256","offer_id":47238862176489,"sku":"KERMAH000036.01","price":42000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/MahalSerisiElDokumaUsakDesenliMaviYunHali_2.jpg?v=1715846998"},{"product_id":"mahal-serisi-el-dokuma-usak-desenli-yun-mavi-hali","title":"Blue Oushak-Pattern Handwoven Wool Runner, Mahal Series","description":"\u003cp\u003e\u003cstrong\u003eThe flowers come first on this one: terracotta and cream blossoms scattered over a blue that has been pulled back almost to pastel, framed by Oushak borders, on a handwoven wool runner measuring 80 × 300 cm, or 2'7\" × 9'10\". Wool pile, cotton foundation, knotted by hand in Pakistan.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eA pale blue floor is unusual in a Turkish rug and it changes the arithmetic of the whole piece. Because the ground is quiet, the terracotta does not have to fight for attention, and the two sit at roughly equal weight instead of one dominating. The border repeats a classical Oushak figure at small scale, which is what stops the pastel from drifting into a nursery register. Hand-dyed yarn keeps the blue from ever going uniform — it lightens and gathers along the length, the way a wash of watercolor does.\u003c\/p\u003e\n\n\u003cp\u003eThe weaving is done in Pakistan at a close knot count, entirely by hand. The surface is wool through and through; below it, cotton warp and weft stiffened by a few synthetic threads. The rug is of middling thickness with a firm handle, which is the combination that keeps a three-meter runner from rucking up at the ends. Because every color was dyed in batches, no two lengths of this rug are tonally identical, and that is worth knowing before you order a second one to match.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in Pakistan at a close knot count.\u003c\/li\u003e\n  \u003cli\u003eWool pile above; cotton warp and weft with a trace of synthetic yarn below.\u003c\/li\u003e\n  \u003cli\u003ePale blue ground with terracotta and cream florals and a small-scale Oushak border.\u003c\/li\u003e\n  \u003cli\u003e80 × 300 cm (2'7\" × 9'10\") — corridor, entrance hall or the foot of a bed.\u003c\/li\u003e\n  \u003cli\u003eBatch-dyed yarn, so the blue lifts and settles along the length.\u003c\/li\u003e\n  \u003cli\u003eMedium thickness with a firm handle; it lies flat and stays flat.\u003c\/li\u003e\n  \u003cli\u003eHave it washed by someone who washes rugs for a living.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eIt is the rare traditional pattern that will not darken a narrow hallway, and in a north-facing one it does the opposite.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThis rug belongs to the \u003ca href=\"\/en\/collections\/mahal-series\"\u003eMahal Series\u003c\/a\u003e.\u003c\/em\u003e\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Blue \/ 80 X 300","offer_id":47238887866601,"sku":"KERMAH000037.01","price":50500.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/MahalSerisiElDokumaUsakDesenliYunMaviHali_2.jpg?v=1715847773"},{"product_id":"retro-serisi-el-dokuma-vintage-desenli-yun-mavi-hali","title":"Blue Vintage Oushak-Pattern Handwoven Wool Runner, Retro Series","description":"\u003cp\u003e\u003cstrong\u003eAfghanistan, on cotton warps, in wool: the Retro Series blue Oushak-pattern handwoven wool runner measures 79 × 307 cm (2'7\" × 10'1\"), three meters of blue carrying classical Oushak motifs in colors no nineteenth-century weaver would have reached for. It is tied on the double knot, and there is one of it.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eOushak drawing is normally seen in madder red and soft gold. Putting it into blue changes what it does: the geometry stays and the period leaves, so the rug reads as a modern object with an old grammar rather than as a reproduction of anything. The blues run from a grayed slate through to something clearer, and because the field is long and narrow the pattern repeats often enough to feel like a rhythm underfoot. Halıcızade has been setting the Retro rugs against both modern and classical furniture for years, which is the honest reason the series exists.\u003c\/p\u003e\n\n\u003cp\u003eWool is knotted onto a cotton warp, two warps to a knot, with a trace of recycled synthetic yarn worked into the skeleton for strength, and the result is a thin rug with a lot of structure in it — the reason it can be this long without rippling. The pile is short and closely set, and it sheds very little. Ten feet is a serious length: measure the corridor before ordering, because a runner that has to be bent around a doorway will always look bent. Professional washing when the time comes.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven in Afghanistan on the double knot.\u003c\/li\u003e\n  \u003cli\u003eWool pile knotted onto a cotton warp — thin, and structurally strong.\u003c\/li\u003e\n  \u003cli\u003eA trace of recycled synthetic yarn in the skeleton, for strength.\u003c\/li\u003e\n  \u003cli\u003eClassical Oushak motifs recolored into blue rather than madder and gold.\u003c\/li\u003e\n  \u003cli\u003e79 × 307 cm (2'7\" × 10'1\") — a long corridor, a landing, an office run.\u003c\/li\u003e\n  \u003cli\u003eShort, close-set pile that sheds very little.\u003c\/li\u003e\n  \u003cli\u003eMeasure the run first; at three meters there is no forgiveness in the length.\u003c\/li\u003e\n  \u003cli\u003eWashed by a professional, not at home.\u003c\/li\u003e\n  \u003cli\u003eA single rug.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eCorridors wear a rug out faster than any other floor in a house, which is an argument for buying a knotted one rather than a printed one.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Blue \/ 79 X 307","offer_id":47239540801769,"sku":"SAROVR000015.01","price":61000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/RetroSerisiElDokumaVintageDesenliYunMaviHali_2.jpg?v=1715865845"},{"product_id":"el-dokuma-vintage-desenli-lacivert-yun-hali","title":"Navy Vintage Hand-Knotted Wool Rug","description":"\u003cp\u003e\u003cstrong\u003eThe wear on this one is visible, and it belongs to the rug rather than to any finishing process: a navy hand-knotted wool rug of 100 × 195 cm (3'3\" × 6'5\"), woven in Anatolia long enough ago to have been walked on, then sheared, re-dyed and returned to use. There is one of it.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eNavy holds depth better than any other dark color because it keeps a trace of blue in it even in shadow, and where the old pile has thinned the ground goes lighter — small pale passages across the field that map where somebody's furniture used to stand. Those patches are the argument for buying this rather than a new rug in the same color. Under a lamp the whole surface turns toward ink; by a north window it comes back to something nearer denim.\u003c\/p\u003e\n\n\u003cp\u003eWool makes the pile; underneath it, cotton runs both ways. Shearing left the rug thin and light, and thin rugs sit flat under a door and travel well. The design is plain, so color and wear carry the whole thing — anyone who wants ornament will not find any here. It should be cleaned by a firm that washes rugs.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eAn older Anatolian handwoven rug, sheared, re-dyed navy and dried.\u003c\/li\u003e\n  \u003cli\u003eWool pile, cotton warp and weft.\u003c\/li\u003e\n  \u003cli\u003eVisible thinning across the field, left as it was found.\u003c\/li\u003e\n  \u003cli\u003eThe blue reads as ink under lamplight and nearer denim by daylight.\u003c\/li\u003e\n  \u003cli\u003e100 × 195 cm (3'3\" × 6'5\") — an entrance, a conservatory, a kitchen run.\u003c\/li\u003e\n  \u003cli\u003ePlain: no ornament to speak of, by design.\u003c\/li\u003e\n  \u003cli\u003eCleaning by a rug-washing firm.\u003c\/li\u003e\n  \u003cli\u003eOne piece and no second.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eNo factory has yet worked out how to produce wear, and wear is the first thing anyone notices about this one.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Navy blue \/ 100 X 195","offer_id":47402143875305,"sku":"HALVIN000077.01","price":15000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaVintageDesenliLacivertYunHali_1.jpg?v=1718291103"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/collections\/mavi-800x500-tikla.png?v=1784440609","url":"https:\/\/www.halicizade.com\/en\/collections\/blue-rugs.oembed?page=5","provider":"HALICIZADE","version":"1.0","type":"link"}