{"title":"Brown Rugs","description":"\u003cp\u003e\u003cstrong\u003eA brown rug is a floor covering woven predominantly in earthy brown tones, ranging from light, natural camel and walnut wool to deep chocolate, prized in Turkish weaving for both its versatility and, in its natural undyed form, its chemical-free origin.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBrown occupies a distinctive place among rug colors, it's one of the few tones commonly achieved without any dye at all, simply the natural color of undyed sheep's wool, which gives it an authentic, grounded character.\u003c\/p\u003e\n\u003ch2\u003eUndyed Wool as a Traditional Color Source\u003c\/h2\u003e\n\u003cp\u003eUndyed camel and walnut-brown wool tones are prized in Turkish weaving for their natural, chemical-free origin, using the sheep's own natural fiber color rather than an applied dye. This tradition predates synthetic and even many natural dye processes, since simply weaving with unprocessed wool was often the most practical option available to weavers before dye access became widespread.\u003c\/p\u003e\n\u003ch2\u003eNatural vs. Dyed Brown\u003c\/h2\u003e\n\u003cp\u003eOur brown collection includes both undyed natural wool (lighter camel and tan tones, entirely chemical-free) and deliberately dyed deeper browns (chocolate and walnut, achieved through natural or modern dye processes for a richer, more saturated look than undyed wool alone typically provides).\u003c\/p\u003e\n\u003ch2\u003eWhy Choose a Brown Rug from Halicizade\u003c\/h2\u003e\n\u003cp\u003eFor buyers specifically prioritizing natural, minimally processed materials, our undyed brown pieces are worth seeking out directly, they represent wool in its most unaltered state, with no dye process involved at any stage.\u003c\/p\u003e\n\u003ch2\u003eStyling Brown by Shade\u003c\/h2\u003e\n\u003cp\u003eBrown's earthy warmth makes it one of the more universally easy colors to build a room around, particularly alongside natural materials.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLight camel or tan: pairs beautifully with cream, sage green and natural wood; reads as a warm neutral.\u003c\/li\u003e\n\u003cli\u003eDeep chocolate or walnut: pairs well with rust, gold accents and cream for a richer, more grounded look.\u003c\/li\u003e\n\u003cli\u003eUndyed pieces: particularly popular in interiors prioritizing natural, minimally processed materials throughout.\u003c\/li\u003e\n\u003cli\u003eWorks especially well in living rooms and bedrooms alongside wood furniture and leather accents.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eUndyed vs. Dyed Brown\u003c\/h2\u003e\n\u003ctable\u003e\u003ctr\u003e\u003cth\u003e\u003c\/th\u003e\u003cth\u003eUndyed Natural Wool\u003c\/th\u003e\u003cth\u003eDyed Brown (Chocolate\/Walnut)\u003c\/th\u003e\u003c\/tr\u003e\u003ctr\u003e\u003ctd\u003eProcess\u003c\/td\u003e\u003ctd\u003eNo dye, natural sheep's wool color\u003c\/td\u003e\u003ctd\u003eNatural or synthetic dye applied\u003c\/td\u003e\u003c\/tr\u003e\u003ctr\u003e\u003ctd\u003eTone range\u003c\/td\u003e\u003ctd\u003eLight camel, tan, gray-brown\u003c\/td\u003e\u003ctd\u003eDeeper, more saturated chocolate\/walnut\u003c\/td\u003e\u003c\/tr\u003e\u003ctr\u003e\u003ctd\u003eAppeal\u003c\/td\u003e\u003ctd\u003eChemical-free, most natural option\u003c\/td\u003e\u003ctd\u003eRicher, more dramatic depth of color\u003c\/td\u003e\u003c\/tr\u003e\u003ctr\u003e\u003ctd\u003eColorfastness consideration\u003c\/td\u003e\u003ctd\u003eNone needed, no dye to fade\u003c\/td\u003e\u003ctd\u003eStandard dye colorfastness applies\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\n\u003ch2\u003eCare \u0026amp; Maintenance\u003c\/h2\u003e\n\u003cp\u003eUndyed brown wool has no dye to fade, making it one of the lowest-maintenance colors in terms of long-term color stability; standard wool care (regular vacuuming, prompt spill treatment, periodic professional cleaning) otherwise applies.\u003c\/p\u003e\n\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\n\u003ch3\u003eIs brown always undyed in Turkish rugs?\u003c\/h3\u003e\n\u003cp\u003eNot always, lighter camel and tan tones are often undyed natural wool, while deeper chocolate and walnut shades are typically achieved through natural or modern dye processes for a richer color.\u003c\/p\u003e\n\u003ch3\u003eWhat is the advantage of undyed brown wool?\u003c\/h3\u003e\n\u003cp\u003eIt involves no dye process at all, making it one of the most natural, chemical-free options in rug weaving, and it has no dye to fade over time.\u003c\/p\u003e\n\u003ch3\u003eWhat colors pair well with a brown rug?\u003c\/h3\u003e\n\u003cp\u003eCream, sage green, rust and natural wood tones all pair naturally with brown; the specific pairing depends on whether the rug is a lighter camel tone or a deeper chocolate shade.\u003c\/p\u003e\n\u003ch3\u003eIs a brown rug a versatile neutral choice?\u003c\/h3\u003e\n\u003cp\u003eYes, particularly lighter camel and tan tones, which function almost as a warm neutral and pair easily with most existing color schemes.\u003c\/p\u003e\n\u003ch3\u003eDoes undyed wool fade over time?\u003c\/h3\u003e\n\u003cp\u003eNo, since there's no dye involved, undyed natural wool doesn't fade in the way a dyed color can under sun exposure; its natural tone remains stable.\u003c\/p\u003e\n\u003ch3\u003eWhat rooms suit a brown rug best?\u003c\/h3\u003e\n\u003cp\u003eLiving rooms and bedrooms with wood furniture and leather accents are a particularly natural fit, given brown's inherently earthy, grounded character.\u003c\/p\u003e\n\u003cscript type=\"application\/ld+json\"\u003e{\n  \"@context\": \"https:\/\/schema.org\",\n  \"@type\": \"FAQPage\",\n  \"mainEntity\": [\n    {\n      \"@type\": \"Question\",\n      \"name\": \"Is brown always undyed in Turkish rugs?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"Not always, lighter camel and tan tones are often undyed natural wool, while deeper chocolate and walnut shades are typically achieved through natural or modern dye processes for a richer color.\"\n      }\n    },\n    {\n      \"@type\": \"Question\",\n      \"name\": \"What is the advantage of undyed brown wool?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"It involves no dye process at all, making it one of the most natural, chemical-free options in rug weaving, and it has no dye to fade over time.\"\n      }\n    },\n    {\n      \"@type\": \"Question\",\n      \"name\": \"What colors pair well with a brown rug?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"Cream, sage green, rust and natural wood tones all pair naturally with brown; the specific pairing depends on whether the rug is a lighter camel tone or a deeper chocolate shade.\"\n      }\n    },\n    {\n      \"@type\": \"Question\",\n      \"name\": \"Is a brown rug a versatile neutral choice?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"Yes, particularly lighter camel and tan tones, which function almost as a warm neutral and pair easily with most existing color schemes.\"\n      }\n    },\n    {\n      \"@type\": \"Question\",\n      \"name\": \"Does undyed wool fade over time?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"No, since there's no dye involved, undyed natural wool doesn't fade in the way a dyed color can under sun exposure; its natural tone remains stable.\"\n      }\n    },\n    {\n      \"@type\": \"Question\",\n      \"name\": \"What rooms suit a brown rug best?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"Living rooms and bedrooms with wood furniture and leather accents are a particularly natural fit, given brown's inherently earthy, grounded character.\"\n      }\n    }\n  ]\n}\u003c\/script\u003e","products":[{"product_id":"lori-baft-serisi-el-dokuma-sade-desenli-krem-yun-hali","title":"Cream Plain Handwoven Wool Rug, Lori Baft Series","description":"\u003cp\u003e\u003cstrong\u003eBaft is the Persian word for woven, and Lori Baft is the name a whole family of thick, plainly drawn handwoven rugs goes by. This one is cream with brown in it, handwoven in wool on cotton in India, 120 × 180 cm (3'11\" × 5'11\"). There is one of it.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003ePlain is the hardest thing to weave well, because there is no pattern to hide behind and every irregularity in the yarn shows. What you get in exchange is abrash — the faint horizontal banding that appears where wool from two dye lots meets in one field, a shade apart and no more. On a patterned rug abrash is a flaw. On a plain cream field it is the whole visual event, and the brown here is what it has to play against.\u003c\/p\u003e\n\n\u003cp\u003eIt was woven in India, wool over cotton, and the wool is thick enough that the pile stands rather than lying flat. At 120 × 180 cm this is a rug for one specific job: in front of a sofa, beside a bed, or under a small dining table for two. It is not big enough to organize a living room and it should not be asked to. Cream wool at floor level is honest work — it will need vacuuming more often than a dark rug and it will look worse than a dark rug between cleans. A professional wash restores it; nothing at home does. One piece, at this size, in this arrangement of tone.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven in India, wool pile on a cotton foundation.\u003c\/li\u003e\n  \u003cli\u003ePlain drawing in cream, with brown running through the field.\u003c\/li\u003e\n  \u003cli\u003e120 × 180 cm (3'11\" × 5'11\"), one piece only.\u003c\/li\u003e\n  \u003cli\u003eAbrash — the soft banding left by separate dye lots — is visible and is not a defect.\u003c\/li\u003e\n  \u003cli\u003eA thick pile that stands up rather than lying down.\u003c\/li\u003e\n  \u003cli\u003eSized for a sofa front, a bedside, or a small table.\u003c\/li\u003e\n  \u003cli\u003eBaft means woven in Persian; the series keeps its name untranslated.\u003c\/li\u003e\n  \u003cli\u003eRestore it with a professional wash rather than a home method.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003ePlain rugs get bought to disappear, and the good ones turn out to be the thing people put a hand down to touch.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Cream \/ 120 X 180","offer_id":40742938673346,"sku":"EKOLOR000027.01","price":35000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/LoriBaftSerisiElDokumaSadeDesenliKremYunHali_1.jpg?v=1709565473"},{"product_id":"tezgah-dokuma-cizgi-desenli-kahverengi-yun-hali","title":"Brown Striped Loom-Woven Wool Rug","description":"\u003cp\u003e\u003cstrong\u003eNo two stripes on it are the same width. Brown Striped Loom-Woven Wool Rug — brown ground crossed by uneven lines in cinnamon, yellow and red, made in India at 120 × 180 cm (3'11\" × 5'11\"), at 90 × 300 cm (2'11\" × 9'10\") and at 200 × 300 cm, six foot seven by nine foot ten.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eRegular stripes calm a floor down; irregular ones keep it awake, and this rug is deliberately on the second side of that line. The lines wander in thickness and spacing, so the surface has movement in it without ever arriving at a pattern you could name. Brown carries the whole thing — the color of soil, more or less, and the reason the yellow and the red read as warm rather than as bright. There is a faint sheen across it, and it is worth knowing where that comes from: not from a finish, but from the bamboo viscose worked in among the wool.\u003c\/p\u003e\n\n\u003cp\u003eLoom-woven in India: the frame builds what you walk on, and a weaver does everything that shows at the edges. Wool, bamboo viscose and cotton share the surface, giving a hand that is soft without going slack, and the pile is woven at the familiar mid-height that wears for years rather than seasons. The 90 × 300 cm size exists for corridors and is the one most people overlook. Professional washing; brown hides more than it should, which is not an excuse to leave it.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eLoom-woven in India in wool, bamboo viscose and cotton.\u003c\/li\u003e\n  \u003cli\u003eUneven stripes in cinnamon, yellow and red on a brown ground.\u003c\/li\u003e\n  \u003cli\u003eThe sheen comes from the bamboo viscose, not from any treatment.\u003c\/li\u003e\n  \u003cli\u003eMid-height pile, thick and firm underfoot.\u003c\/li\u003e\n  \u003cli\u003eThree sizes, including a 90 × 300 cm (2'11\" × 9'10\") runner for a corridor.\u003c\/li\u003e\n  \u003cli\u003eA faded, vintage-patterned version of the same construction is also made.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eIn a minimal room it is the one thing with a temperature; in a crowded one it is the thing that stops the argument.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Brown \/ 120 X 180","offer_id":44157935812841,"sku":"HALHDL000005.01","price":17400.0,"currency_code":"TRY","in_stock":true},{"title":"Brown \/ 90X300","offer_id":45794918105321,"sku":"HALHDL000005.02","price":21600.0,"currency_code":"TRY","in_stock":true},{"title":"Brown \/ 200 X 300","offer_id":46209786380521,"sku":"HALHDL000005.03","price":48000.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaCizgiDesenliKahverengiYunHali_6.jpg?v=1718349544"},{"product_id":"hanzade-serisi-el-dokuma-cerceve-desenli-krem-hali","title":"Cream Bordered Hand-Knotted Silk-Blend Rug, Hanzade Series","description":"\u003cp\u003e\u003cstrong\u003eIt handles like dress fabric rather than floor covering: Cream Bordered Hand-Knotted Silk-Blend Rug, Hanzade Series — 122 × 177 cm (4'0\" × 5'10\"), knotted in Türkiye, a cream field inside a classical border of earth and honey tones, with enough silk in the pile to make the surface move under the hand.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe cream is not one cream. Warm milk, faint beige and the thin lines of the weave itself come and go depending on where you stand, and the border — curved, classical, drawn in earth and honey — closes the field without hardening it. At this size the rug does not cover a room, it marks a place in one: under a bergère, along a reading corner, at the foot of a bed. That is what it was drawn to do, and it does it without asking for attention.\u003c\/p\u003e\n\n\u003cp\u003eMonths of knotting go into a rug worked this finely, and the fringes at both ends are tied individually by hand after the pile is finished, which is the visible signature of that labor. The pile is heavy in silk, and that is where the fluidity comes from; rugs woven this way are made in smaller numbers every year. Underfoot it is light, warm and faintly slippery — worth knowing before it goes at the bottom of a staircase. It is a single piece, and washing is a specialist's job.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in Türkiye, with a silk-heavy pile.\u003c\/li\u003e\n  \u003cli\u003eCream field with a curved classical border in earth and honey tones.\u003c\/li\u003e\n  \u003cli\u003eFringes tied one at a time by hand, after the knotting is finished.\u003c\/li\u003e\n  \u003cli\u003eMeasures 122 × 177 cm, drawn to define a corner rather than fill a room.\u003c\/li\u003e\n  \u003cli\u003eLight and faintly slippery underfoot; think twice about stair bottoms and thresholds.\u003c\/li\u003e\n  \u003cli\u003eMonths of work in a single piece.\u003c\/li\u003e\n  \u003cli\u003eA specialist washer, and no one else.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eSit in the chair it goes under and you will end up touching it with a bare foot, which is the honest reason to own it.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Cream \/ 122 X 177","offer_id":40809443229890,"sku":"HALHAN000011.01","price":130000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/HanzadeSerisiElDokumaCerceveDesenliKremHali_1.jpg?v=1709566338"},{"product_id":"harem-serisi-usak-desenli-el-dokuma-krem-renk-yun-ipek-hali-315","title":"Cream Oushak Hand-Knotted Wool and Silk Rug, Harem Series","description":"\u003cp\u003e\u003cstrong\u003eErzurum fleece and genuine Bursa silk, worked into the same pile: Cream Oushak Hand-Knotted Rug in Wool and Silk, Harem Series — 144 × 193 cm (4'9\" × 6'4\"), knotted in Türkiye, a cream ground carrying fourteenth- and fifteenth-century Uşak drawing in brown and honey.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eCream is the hardest ground to draw an Oushak on, because the pattern has nowhere dark to hide against. Everything here is legible: the branch turns, the flower heads, the way the border repeats without quite repeating. The silk sits in the highlights, so the rug is one thing under a window and another under a lamp, and the wool holds the rest steady while the silk moves. Beside walnut and unbleached linen it looks domestic; beside anything painted it looks considerably older than it is.\u003c\/p\u003e\n\n\u003cp\u003eÇınar Halı in Türkiye weaves the Harem series to patterns drawn for this shop, and the firm's own designs have taken prizes outside the country. Its fleece comes out of Erzurum, where enough natural oil stays in the wool to make it strong and bright at once. Its silk is Bursa silk, which now reaches very few looms anywhere. Both are tied with the Anatolian double knot, one knot wrapped around a pair of warp threads — slower to work than the alternative, and cleaner wherever a motif turns a corner. Send it to a washer who takes silk.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eWoven by Çınar Halı in Türkiye, to drawings commissioned by this shop.\u003c\/li\u003e\n  \u003cli\u003eErzurum fleece wool with genuine Bursa silk in the highlights.\u003c\/li\u003e\n  \u003cli\u003eFourteenth- and fifteenth-century Uşak drawing, redrawn for a modern room.\u003c\/li\u003e\n  \u003cli\u003eTied with the Anatolian double knot, around a pair of warp threads.\u003c\/li\u003e\n  \u003cli\u003eCream ground with brown and honey drawing, 144 × 193 cm.\u003c\/li\u003e\n  \u003cli\u003eThe silk changes the rug between daylight and lamplight.\u003c\/li\u003e\n  \u003cli\u003eSpecialist washing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eA cream Oushak is the one that ends up in the room people are actually shown into.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Cream \/ 144 X 193","offer_id":44156943466729,"sku":"ÇINHAR000024.01","price":137000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/HaremSerisiUsakDesenliElDokumaKremRenkYunIpekHali_1.jpg?v=1709557770"},{"product_id":"harem-serisi-usak-desenli-el-dokuma-yun-krem-hali","title":"Cream Oushak Hand-Knotted Wool Rug, Harem Series","description":"\u003cp\u003e\u003cstrong\u003eAt 132 × 168 cm (4'4\" × 5'6\") this one is close to square, which is rare in a knotted rug and useful in a room that is: Cream Oushak Hand-Knotted Wool Rug, Harem Series — knotted in Türkiye from Erzurum wool, cream ground, classical Uşak drawing worked at a modern scale.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eA near-square rug behaves differently. Nothing about it points anywhere, so it will not tell you which way the furniture should face, and under a round table or in a square hall it settles where a long rug would look stranded. The drawing helps: the Oushak motifs are set out symmetrically, so there is no head and no foot to the piece. Cream keeps it light. The pattern is carried in warmer tones and is easiest to read from directly above, which is the angle a square rug is usually seen from anyway.\u003c\/p\u003e\n\n\u003cp\u003eErzurum wool is what goes into it, bright and soft and strong at once, which is a combination that rarely turns up in one fleece. The knotting is the Anatolian double knot, worked symmetrically around two warp threads, which takes longer per row and holds the drawing crisper at the turns. The whole rug was made in Türkiye. Contemporary readings of fourteenth- and fifteenth-century Uşak motifs are what the Harem series is for, and this is one of the plainer ones. Professional washing.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in Türkiye from Erzurum wool.\u003c\/li\u003e\n  \u003cli\u003eNearly square at 132 × 168 cm, with no direction to the drawing.\u003c\/li\u003e\n  \u003cli\u003eSymmetrical Uşak motifs on a cream ground, drawn at a modern scale.\u003c\/li\u003e\n  \u003cli\u003eDouble-knotted around two warps, which sharpens the turns in the pattern.\u003c\/li\u003e\n  \u003cli\u003eErzurum fleece: bright, soft and strong at once.\u003c\/li\u003e\n  \u003cli\u003eSuits a square hall, a round table or a room without a long axis.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eSquare rooms are usually furnished as though they were rectangular; this is the rug that lets them stop.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Cream \/ 132 X 168","offer_id":44156946252009,"sku":"ÇINHAR000064.01","price":110000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/HaremSerisiUsakDesenliElDokumaYunKremHali_1.jpg?v=1709558552"},{"product_id":"harem-serisi-usak-desenli-kahverengi-el-dokuma-hali","title":"Brown Oushak Hand-Knotted Wool Rug, Harem Series","description":"\u003cp\u003e\u003cstrong\u003eUşak, in western Türkiye, has been drawing the same family of patterns since the fifteenth century; this is a present-day reading of them: Brown Oushak Hand-Knotted Wool Rug, Harem Series — 130 × 165 cm (4'3\" × 5'5\"), knotted in Türkiye from Erzurum wool, in browns and natural tones.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eBrown is the color the Oushak drawing was probably always closest to, and on this ground the motifs read as structure rather than as decoration — you notice the geometry of the branches before you notice the flowers on them. The palette stays inside the natural range, which means the rug does not compete with wood and does not fight leather. In a study or a small hall it does the thing a brown rug is bought to do: it makes the floor feel finished and then stops asking for attention.\u003c\/p\u003e\n\n\u003cp\u003eÇınar Halı wove it for Halıcızade — a house with international awards in rug design — and the series is theirs to make and ours to draw. Erzurum wool gives the pile its softness and its shine. The knot is the Anatolian double knot, two warps at a time, which is the slower method and the one that keeps a pattern edge from blurring. Genuine Bursa silk turns up in some pieces from the Harem series. Erzurum wool is what is named for this one. Professional washing.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in Türkiye by Çınar Halı for Halıcızade.\u003c\/li\u003e\n  \u003cli\u003eErzurum wool in the pile; Bursa silk appears in some Harem pieces but is not named for this one.\u003c\/li\u003e\n  \u003cli\u003eOushak drawing in browns and natural tones, read as structure.\u003c\/li\u003e\n  \u003cli\u003eThe Anatolian double knot, tied around two warps at a time.\u003c\/li\u003e\n  \u003cli\u003e130 × 165 cm, a near-square size for a study or a small hall.\u003c\/li\u003e\n  \u003cli\u003eSits with wood and leather without competing with either.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eBuy it when the floor is the thing that keeps looking unfinished, and it will go on solving that for twenty years.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Brown \/ 130 X 165","offer_id":44156949659881,"sku":"ÇINHAR000053.01","price":106000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/HaremSerisiUsakDesenliKahverengiElDokumaHali_1.jpg?v=1709558225"},{"product_id":"el-dokuma-cizgi-desenli-kahverengi-yun-hali-1","title":"Brown Striped Hand-Knotted Wool Rug","description":"\u003cp\u003e\u003cstrong\u003eStripes are the least forgiving pattern a hand-knotted rug can carry, since every row of knots either lines up with the last or does not. This brown wool rug from India carries them anyway, ruled lengthwise in bamboo viscose over a matt wool ground, on a cotton foundation. Two pieces exist, at 163 × 240 cm (5'4\" × 7'10\") and 174 × 244 cm (5'9\" × 8'0\").\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe interest is in the contrast between the two yarns rather than between two colors. Wool absorbs light and gives back a flat, warm brown; bamboo viscose returns it, so each stripe reads as a band of shine crossing a band of matt. Walk the length of the room and the stripes brighten. Walk back and they go quiet. It is a single-color rug that does not behave like one, and it needs nothing else in the room to explain it.\u003c\/p\u003e\n\n\u003cp\u003eEvery knot was tied by hand, close together, which is what keeps thin stripes straight over more than two meters of length. The face is wool and bamboo viscose together, over a foundation of cotton. That the two pieces are not the same size is not an oversight — hand-knotted rugs are measured after they come off the loom, not cut to a specification, and eleven centimeters of difference is ordinary. It goes to a professional cleaner, never into a bath.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in India, knot by knot, on a cotton foundation.\u003c\/li\u003e\n  \u003cli\u003eCombines a wool ground with bamboo viscose in the striping.\u003c\/li\u003e\n  \u003cli\u003eReads as shine against matt rather than as one color against another.\u003c\/li\u003e\n  \u003cli\u003eRuns its stripes lengthwise, which draws a room longer.\u003c\/li\u003e\n  \u003cli\u003eComes as two individually measured pieces, 163 × 240 cm and 174 × 244 cm.\u003c\/li\u003e\n  \u003cli\u003eRequires professional washing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eBrown gets called safe until someone puts a striped one down and the floor turns out to have a direction.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Brown \/ 174 X 244","offer_id":44370587844841,"sku":"DEHJPR000001.02","price":60000.0,"currency_code":"TRY","in_stock":true},{"title":"Brown \/ 163 X 240","offer_id":46029541703913,"sku":"DEHJPR000001.01","price":55000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaCizgiDesenliKahverengiPamukHali_1.jpg?v=1705837745"},{"product_id":"tezgah-dokuma-sade-desenli-krem-modern-hali","title":"Cream Minimal-Pattern Loom-Woven Wool Rug","description":"\u003cp\u003e\u003cstrong\u003eBest said at the top: the wool content here is high, and Halıcızade advises against it for anybody sensitive to pile or dust. Cream Minimal-Pattern Loom-Woven Wool Rug, 140 × 200 cm (4'7\" × 6'7\"), came off a loom in India — a cream ground somewhere between beige and ivory, scattered with small geometric marks in reddish brown.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe drawing is sparse on purpose. Little geometric figures are set at intervals across an otherwise open ground, close enough to a traditional Anatolian repeat to be read as a reference and far enough from it to look current. Cream at this weight is not a fixed color: in daylight the ground goes toward ivory, under a lamp it settles into beige, and the reddish brown of the marks warms up along with it. The rug does not insist on itself. It holds a room together from underneath and gets noticed second.\u003c\/p\u003e\n\n\u003cp\u003eOn a loom-woven rug the frame carries the structure and a weaver finishes the ends. Cotton and wool are worked together here, at the pile height you would expect of an ordinary rug rather than a flatweave, so there is weight underfoot and a soft surface above it. Halıcızade is straightforward about what this is not: it sits between machine work and knotting, more regular than the first and faster than the second. Vacuum it often and hand the deep clean to a professional.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eWoven on the loom in India in cotton and wool, with the ends finished by hand.\u003c\/li\u003e\n  \u003cli\u003eCream ground with small geometric marks in reddish brown.\u003c\/li\u003e\n  \u003cli\u003eStandard rug thickness — soft underfoot, with body to it.\u003c\/li\u003e\n  \u003cli\u003eThe color moves between ivory and beige as the light changes.\u003c\/li\u003e\n  \u003cli\u003e140 × 200 cm (4'7\" × 6'7\") — sized for a seating area or the foot of a bed.\u003c\/li\u003e\n  \u003cli\u003eNot recommended for anyone sensitive to pile or dust; the wool content is high.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing once vacuuming stops being enough.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eIt is the kind of rug that gets moved from room to room over a decade and works in each one.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Cream \/ 140 X 200","offer_id":44158073635049,"sku":"HALHDL000008.01","price":22400.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaSadeDesenliKremModernHali_5.jpg?v=1706098957"},{"product_id":"patchwork-desenli-kahverengi-deri-hali","title":"Brown Patchwork Cowhide Rug","description":"\u003cp\u003e\u003cstrong\u003eCut, sorted and joined: this brown cowhide rug is a patchwork, assembled from hide panels laid out in a geometric arrangement rather than taken from a single skin. The hides come from South America, and the finished piece is a flat rectangle with straight edges.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003ePatchwork is what allows hide to become a rug in a chosen shape and a chosen color. Each panel keeps its own grain direction, so the browns run from light to dark across the surface and shift again when you walk around it — the same effect as abrash in a woven rug, arrived at by a completely different route. Against concrete, steel or pale timber it reads as modern; against older furniture it reads as older still, because hide has been on floors for longer than weaving has.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eCowhide from South America, cut into panels and joined flat.\u003c\/li\u003e\n  \u003cli\u003eGeometric patchwork arrangement, rectangular with straight edges.\u003c\/li\u003e\n  \u003cli\u003eBrowns running light to dark; the grain direction changes panel by panel.\u003c\/li\u003e\n  \u003cli\u003eNo pile — the surface is hide, not yarn.\u003c\/li\u003e\n  \u003cli\u003eDry cleaning only; water is the wrong treatment for hide.\u003c\/li\u003e\n  \u003cli\u003eModern interiors, and equally at home with old furniture.\u003c\/li\u003e\n  \u003cli\u003eNo two of these are the same, and this is one of them.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eEvery panel in it came off a different animal, which is why no second copy of this arrangement exists.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Brown \/ 122 X 182","offer_id":44158136746217,"sku":"KAPKOL000291.01","price":23000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/PatchworkDesenliKahverengiDeriHali_1.jpg?v=1705228684"},{"product_id":"mahal-serisi-el-dokuma-cizgi-desenli-hali","title":"Yellow Striped Handwoven Wool Rug, Mahal Series","description":"\u003cp\u003e\u003cstrong\u003eThin red lines run the length of a warm yellow ground, evenly spaced and never quite parallel — the horizon where sunlight meets earth is how the house describes them. Yellow Striped Handwoven Wool Rug, Mahal Series, 190 × 265 cm (6'3\" × 8'8\"), woven in Afghanistan and Pakistan with the Anatolian double knot. One piece.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eBecause the yarn was dyed in small lots the yellow is not one yellow. It moves half a tone across the width, and the red lines shift with it, which is the difference between a woven stripe and a printed one. Pastel and earth tones sit under both colors and keep the whole thing from going bright. A rug this size can hold a full seating group or run the length of an office, and in either place the stripes pull the eye down the long axis instead of into the middle.\u003c\/p\u003e\n\n\u003cp\u003eThe double knot — two loops around a pair of warps, the technique Anatolia gave the trade — is what makes the surface firm. Wool covers all of it. Underneath, the foundation is cotton, plus a little synthetic yarn to stop the structure stretching, and the house names that content instead of leaving it out. The hand is hard rather than plush, which is why the rug keeps its shape and why the pile leaves so little depth for anything to work into. A rug washer, never a domestic machine.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eWoven in Afghanistan and Pakistan with the Anatolian double knot.\u003c\/li\u003e\n  \u003cli\u003eWool across the whole surface, over a cotton foundation carrying a little synthetic yarn.\u003c\/li\u003e\n  \u003cli\u003eWarm yellow ground, thin red lines, tonal shift from the small-lot dyeing.\u003c\/li\u003e\n  \u003cli\u003eFirm and shallow rather than plush — it holds its shape.\u003c\/li\u003e\n  \u003cli\u003e190 × 265 cm (6'3\" × 8'8\") — a salon, a study, a director's office.\u003c\/li\u003e\n  \u003cli\u003eYellow at this warmth reads gold by lamplight and closer to lemon in the morning.\u003c\/li\u003e\n  \u003cli\u003eAnything beyond a vacuum belongs to a professional.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eYellow is a color that most people reason themselves out of buying, and this is the one that survives the second look.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Yellow \/ 190 X 265","offer_id":44158139433193,"sku":"KERMAH000101.01","price":106000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/MahalSerisiElDokumaCizgiDesenliHali_1_1d45d278-073e-4d73-99d1-37ed5cd8bbc8.jpg?v=1726920981"},{"product_id":"geometrik-desenli-el-dokuma-hali-2098","title":"Cream and Brown Geometric Hand-Knotted Wool Rug","description":"\u003cp\u003e\u003cstrong\u003eNo dye was used on it at all. The cream, brown and gray in this 175 × 242 cm (5'9\" × 7'11\") rug are the fleece's own colors, sorted by shade before spinning and then hand-knotted in Türkiye into a geometric field on a cotton foundation.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eWorking without dye means working with what the sheep provided, which restricts the palette to the range between white and near-black and makes the sorting as important as the weaving. The geometry is drawn in those natural tones alone, so the pattern separates by value rather than by color — a quieter effect than a dyed rug gives, and one that does not date, because there is no fashion in undyed wool. It is ethnic drawing rather than classical: angular forms, repeated at a small scale, with no medallion and no floral element.\u003c\/p\u003e\n\n\u003cp\u003eWool through the pile, cotton in the foundation. The colors will not fade because there is nothing in them to fade, which is the practical advantage of undyed yarn and the reason a rug like this can sit in a sunlit room without being turned twice a year. The limitation is the other side of the same fact: what you see is the whole range available, and it cannot be matched to a color scheme that needs a red or a blue. Wipe it as marks appear; a rug washer for anything more.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eKnotted by hand in Türkiye — wool pile, cotton foundation.\u003c\/li\u003e\n  \u003cli\u003eUndyed — cream, brown and gray are the fleece's natural shades.\u003c\/li\u003e\n  \u003cli\u003e175 × 242 cm (5'9\" × 7'11\").\u003c\/li\u003e\n  \u003cli\u003eSmall-scale ethnic geometry with no medallion and no border.\u003c\/li\u003e\n  \u003cli\u003eNothing in the color to fade, so direct light is not a problem.\u003c\/li\u003e\n  \u003cli\u003eThe palette cannot be extended; undyed wool has the range it has.\u003c\/li\u003e\n  \u003cli\u003eA damp cloth for marks, a rug washer once every few years.\u003c\/li\u003e\n  \u003cli\u003eOne piece.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eUndyed rugs get better rather than worse, because the only thing that changes about them is the light in the room.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Brown \/ 175x242","offer_id":45752284512489,"sku":"KOYNAT000006.01","price":62000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/GeometrikDesenliElDokumaHali_1_128cd784-df81-4694-a192-04818ebf8d82.jpg?v=1705242565"},{"product_id":"ottoman-serisi-el-dokuma-usak-desenli-ipek-yun-krem-hali","title":"Cream Oushak-Pattern Handwoven Silk and Wool Rug, Ottoman Series","description":"\u003cp\u003e\u003cstrong\u003eErzurum, in the high east of Anatolia, is where the wool for this rug was shorn — the first shearing, the one that comes off with the most lanolin in it. Cream Oushak-Pattern Handwoven Silk and Wool Rug, Ottoman Series: historic Oushak motifs redrawn on a contemporary field in cream, beige and gold, with pure silk worked into the pattern. One piece.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eA first-shearing fleece is finer and glossier than anything that follows it, and it is why this pile already has a soft light on it before any silk is added. The Oushak drawing has been opened out and simplified — the motifs still come from the old weaving of western Anatolia, but the spacing is modern, so the rug never reads as a reproduction of anything. Cream and beige hold the field; gold appears at the joins; the brown in the palette anchors the whole thing against wood.\u003c\/p\u003e\n\n\u003cp\u003eHas Halı wove it, and the technique is the traditional Turkish double knot, tied symmetrically across two warp threads. Silk is confined to the patterned areas, where it does two things at once — it takes color deeper than wool can, and it changes brightness as you walk past. This is not a rug for a dining table: silk in the drawing with food above it is a combination nobody wins. Silk is cleaned by people who know silk, and by nobody else.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eWoven by Has Halı in Türkiye, with the traditional Turkish double knot.\u003c\/li\u003e\n  \u003cli\u003eFirst-shearing greasy fleece from Erzurum, with pure silk in the patterned areas.\u003c\/li\u003e\n  \u003cli\u003eOushak motifs, redrawn at contemporary spacing.\u003c\/li\u003e\n  \u003cli\u003eCream, beige and gold, with brown holding the palette down.\u003c\/li\u003e\n  \u003cli\u003eThe silk shifts in brightness as you cross the room.\u003c\/li\u003e\n  \u003cli\u003eBetter kept away from a dining table.\u003c\/li\u003e\n  \u003cli\u003eSpecialist cleaning. A single piece.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWool of this grade stopped being ordinary a long time ago, and a rug made from it outlasts the room it was bought for.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Cream \/ 160 X 240","offer_id":44158156603625,"sku":"HASOTT000192.01","price":235000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/OttomanSerisiElDokumaUsakDesenliIpekYunKremHali_1.jpg?v=1709379214"},{"product_id":"el-dokuma-vintage-desenli-kahverengi-hali","title":"Brown Vintage Hand-Knotted Wool Rug","description":"\u003cp\u003e\u003cstrong\u003eThe rug under the color is between thirty and eighty years old. Brown Vintage Hand-Knotted Wool Rug: an Anatolian hand-knotted piece, clipped down to a shallow pile, redyed brown and returned to use — wool on a cotton foundation, with the original motifs still legible beneath the new tone. There is one of it.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eOverdyeing is a blunt process and that is its virtue. The old drawing does not disappear; it goes quiet, so a border or a village medallion reads as texture rather than as pattern, and the floor becomes one brown surface with something moving inside it. The brown is warm and slightly uneven, because old wool takes dye at different rates depending on what color it used to be. In a study with dark shelving it recedes; in a white kitchen it is the only warm thing in the room.\u003c\/p\u003e\n\n\u003cp\u003eRugs are collected across Anatolia, shaved to remove the accumulated pile, dyed, dried and finished. Anything weak breaks during the shearing and never reaches the dye bath, so what survives is by definition the sound part of what was made. The pile is shallow now, which means very little depth for anything to sink into and a vacuum that reaches the base of the knot. In the trade a rug of this age is called vintage — twenty to eighty years, by common usage rather than by any issuing authority. Vacuum it often, and leave water to a professional.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eWoven in Anatolia thirty to eighty years ago, then clipped and redyed.\u003c\/li\u003e\n  \u003cli\u003eHand-knotted wool pile on a cotton foundation.\u003c\/li\u003e\n  \u003cli\u003eWarm brown, uneven where the old wool took the dye differently.\u003c\/li\u003e\n  \u003cli\u003eTraditional Anatolian motifs still readable beneath the color.\u003c\/li\u003e\n  \u003cli\u003eShallow pile — quick to vacuum, with no depth to trap anything.\u003c\/li\u003e\n  \u003cli\u003eSuited to a living room, a study, an office or a busy public space.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing; one piece, and its age is part of what it is.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eVintage is a trade word with no authority behind it, but here it means what it says: this rug had a life before it had this color.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Brown \/ 121X214","offer_id":45752271503593,"sku":"HALVIN000004.01","price":19500.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaVintageDesenliKahverengiHali_1.jpg?v=1705145102"},{"product_id":"patchwork-desenli-deri-post-hali-1993","title":"Black Damask Patchwork Cowhide Rug","description":"\u003cp\u003e\u003cstrong\u003eDamask started life as a woven silk figure — a scrolling, symmetrical repeat named after Damascus — and on this piece it has been cut out of hide instead. A black patchwork cowhide rug, 89 \u0026times; 150 cm (2'11\" \u0026times; 4'11\"), assembled from South American cattle hide and joined flat. There is one of it.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe figure is built, never printed. Panels of black hide carry the scroll and warmer brown and tan pieces fill in around it, so what reads as a single motif is a dozen separate cuts butted edge to edge. Each panel keeps the direction its hair grew in, which means the black refuses to sit still: dense and matt from the doorway, faintly bronzed along one axis from the far side of the room. That movement is the reason to put hide on a floor at all.\u003c\/p\u003e\n\n\u003cp\u003eThe hides are sorted by tone before anything is cut, then trimmed with shears and sewn panel to panel until the piece holds a true rectangle. There is no pile — the surface is skin, and it behaves like skin. Water is the wrong treatment: dry cleaning, and blotting rather than rubbing if something lands on it. At 89 \u0026times; 150 cm this is a small rug, better in front of a chair or along the foot of a bed than adrift in the middle of a floor.\u003c\/p\u003e\n\n\u003ch3\u003eWhy is a hide rug made as patchwork?\u003c\/h3\u003e\n\u003cp\u003eA single hide arrives in the shape of the animal, so it cannot be a rectangle or a chosen color. Cutting hides into panels and joining them lets the maker set the size, square the edges and build a figure such as damask out of tonal pieces.\u003c\/p\u003e\n\n\u003ch3\u003eCan a cowhide rug be washed?\u003c\/h3\u003e\n\u003cp\u003eNo. Hide stiffens and warps when it is soaked, so wet washing is the one thing to avoid. Wipe it down for everyday marks, blot anything spilled instead of rubbing it, and send it to a dry cleaner when it needs more than that.\u003c\/p\u003e\n\n\u003cscript type=\"application\/ld+json\"\u003e{\"@context\":\"https:\/\/schema.org\",\"@type\":\"FAQPage\",\"mainEntity\":[{\"@type\":\"Question\",\"name\":\"Why is a hide rug made as patchwork?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"A single hide arrives in the shape of the animal, so it cannot be a rectangle or a chosen color. Cutting hides into panels and joining them lets the maker set the size, square the edges and build a figure such as damask out of tonal pieces.\"}},{\"@type\":\"Question\",\"name\":\"Can a cowhide rug be washed?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"No. Hide stiffens and warps when it is soaked, so wet washing is the one thing to avoid. Wipe it down for everyday marks, blot anything spilled instead of rubbing it, and send it to a dry cleaner when it needs more than that.\"}}]}\u003c\/script\u003e\n\n\u003cul\u003e\n  \u003cli\u003eSouth American cattle hide, shear-cut into panels and butted edge to edge.\u003c\/li\u003e\n  \u003cli\u003eA damask scroll assembled from black, brown and tan pieces.\u003c\/li\u003e\n  \u003cli\u003e89 \u0026times; 150 cm (2'11\" \u0026times; 4'11\") \u0026mdash; a chair, a bedside, a narrow hall.\u003c\/li\u003e\n  \u003cli\u003eHair grain instead of pile, so the tone changes with the viewing angle.\u003c\/li\u003e\n  \u003cli\u003eDry cleaning; keep it away from water.\u003c\/li\u003e\n  \u003cli\u003eAssembled once, from hides that will not be matched again.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eHide darkens rather than wears thin, and the black in this one will be deeper in five years than it is now.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Black \/ 89X150","offer_id":45752278122729,"sku":"KAPKOL000167.01","price":14000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/PatchworkDesenliDeri-PostHali_1_00b77d84-b423-4be0-bb30-39f1ee953ad8.jpg?v=1705227918"},{"product_id":"patchwork-desenli-deri-post-hali-1995","title":"Beige Damask Patchwork Cowhide Rug","description":"\u003cp\u003e\u003cstrong\u003eThe skins for this one were chosen from the pale end of the pile. A beige patchwork cowhide rug laid out in a damask arrangement, 89 \u0026times; 150 cm (2'11\" \u0026times; 4'11\"), pieced from South American cattle hide. Beige and brown throughout, with no dark panel anywhere in it, and it exists once.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003ePale hide gives away more than dark hide does. On a black skin the hair grain hides itself; on beige you can see the whorls, the change of direction at a shoulder, the faint striping where the coat lay differently. The damask scroll is drawn by setting light panels against slightly warmer ones, so the pattern registers as a shift in tone instead of a shift in hue, and it appears and recedes as the light in the room moves across the day.\u003c\/p\u003e\n\n\u003cp\u003eHide, cut with shears, sewn edge to edge, and pressed flat. Nothing on this surface is woven, so none of the vocabulary of a rug applies to it: no warp, no knot count, no pile height. What it does have is a hair lie that flattens where people walk, which is how a hide records the traffic through a room. Dry cleaning only. Spills need blotting straight away, because beige forgives nothing.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eSouth American cowhide in beige and brown, joined into a rectangle.\u003c\/li\u003e\n  \u003cli\u003eDamask arrangement drawn by tone rather than by contrast.\u003c\/li\u003e\n  \u003cli\u003e89 \u0026times; 150 cm (2'11\" \u0026times; 4'11\"), a small format for a chair or a bedside.\u003c\/li\u003e\n  \u003cli\u003eThe grain and whorls of the coat stay visible on pale hide.\u003c\/li\u003e\n  \u003cli\u003eDry cleaning; blot spills rather than washing them out.\u003c\/li\u003e\n  \u003cli\u003ePale hide marks more readily than dark hide, and that is worth knowing first.\u003c\/li\u003e\n  \u003cli\u003eOne arrangement, from skins that came together once.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003ePut it on a dark timber floor and the tone reverses: the rug becomes the light thing in the room rather than the pattern in it.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"bey \/ 89 X 150","offer_id":47907175596265,"sku":"KAPKOL000173.01","price":14000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/PatchworkDesenliDeri-PostHali_1_741af9c8-98e9-482b-ab1d-59d9d15fb60d.jpg?v=1705228004"},{"product_id":"patchwork-desenli-kahverengi-deri-post-hali","title":"Brown Patchwork Cowhide Rug","description":"\u003cp\u003e\u003cstrong\u003eIt is filed under brown and brown is only half the story: black, cream and gray skins run through this patchwork cowhide rug alongside the browns, blocked out in a modern arrangement, 92 \u0026times; 147 cm (3'0\" \u0026times; 4'10\"). The hide comes from South America and the piece was assembled once.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eModern, in a hide piece, means the panels are square and the tones are allowed to jump. A cream block sits next to a black one with no graded browns between them to soften the change, and the effect is closer to a color study than to a pattern. Nothing repeats. Follow any row across and the sequence of tones is different from the row above it, because the sequence was decided by which skins were on the table that day.\u003c\/p\u003e\n\n\u003cp\u003eCut and stitched flat, with straight edges and no pile at all. Hide takes light along the lie of the hair, so each panel has its own direction and the cream ones flare while the black ones go matt, then swap over when you walk around the piece. Care begins and ends at a dry cleaner. In a small room, 92 \u0026times; 147 cm is enough to define a seating area without filling the floor.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eCowhide from South America in brown, black, cream and gray.\u003c\/li\u003e\n  \u003cli\u003eSquare-blocked modern layout with no graded transitions between tones.\u003c\/li\u003e\n  \u003cli\u003e92 \u0026times; 147 cm (3'0\" \u0026times; 4'10\"), a compact rug for a small seating area.\u003c\/li\u003e\n  \u003cli\u003eNo pile; the surface is hair lying in a direction, panel by panel.\u003c\/li\u003e\n  \u003cli\u003eDry cleaning only.\u003c\/li\u003e\n  \u003cli\u003eThe tonal sequence was set by the skins available, so it cannot be repeated.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eUnder a glass table it is at its best, because the pattern goes on being visible through the top rather than disappearing beneath it.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Brown \/ 92×147","offer_id":45752279073001,"sku":"KAPKOL000214.01","price":14000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/PatchworkDesenliDeri-PostHali_1_312a78a9-fff1-416a-b637-d52adec912b7.jpg?v=1705228500"},{"product_id":"sultan-serisi-el-dokuma-anadolu-usak-desenli-krem-hali","title":"Beige Anatolian Floral Handwoven Wool and Silk Rug, Sultan Series","description":"\u003cp\u003e\u003cstrong\u003eReal cocoon silk and wool, both woven in Türkiye: Beige Anatolian Floral Handwoven Wool and Silk Rug, Sultan Series carries traditional Anatolian motifs mixed with Oushak drawing across a beige ground, in gold-yellow, green and brown with a touch of burgundy. A single piece.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eCocoon silk is reeled from a whole cocoon rather than spun from waste, which is why the silk in this rug holds a line instead of fuzzing at the edges. It appears in the pattern and not in the ground, so the gold-yellow reads brightest and the greens keep their depth. The Anatolian and Oushak elements are not layered on top of each other — they alternate, one motif family giving way to the next across the field, which is common practice in Turkish workshop weaving and difficult to do without the joins showing.\u003c\/p\u003e\n\n\u003cp\u003eThe house recommends this one under a dining table, which is unusual advice and worth taking seriously: the drawing is busy enough to forgive a crumb and deep enough in the browns to forgive a shadow. Beside classical furniture it agrees; beside a single-color modern piece in black it does the opposite and sets up a contrast. For anything beyond dust, find somebody who washes hand-knotted rugs.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eWoven in Türkiye in wool with real cocoon silk.\u003c\/li\u003e\n  \u003cli\u003eSilk carried in the pattern; wool through the ground.\u003c\/li\u003e\n  \u003cli\u003eAnatolian and Oushak motif families alternating across a beige field.\u003c\/li\u003e\n  \u003cli\u003eGold-yellow, green and brown, with burgundy touching the edges of the drawing.\u003c\/li\u003e\n  \u003cli\u003eSuited to a bedroom, a living room, or the floor under a dining table.\u003c\/li\u003e\n  \u003cli\u003eAgrees with classical furniture and contrasts with plain black modern pieces.\u003c\/li\u003e\n  \u003cli\u003eSpecialist washing. One piece.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eSilk in the drawing and wool in the ground is the oldest compromise in Turkish weaving, and it still returns the best of both.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"bey \/ 198 X 288","offer_id":47907178414313,"sku":"RENSUL000201.01","price":200000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/SultanSerisiElDokumaAnadoluUsakDesenliKremHali_1.jpg?v=1709633853"},{"product_id":"saf-ipek-el-dokuma-sal-desenli-modern-klasik-hali","title":"Brown Shawl-Pattern Hand-Knotted Pure Silk Rug","description":"\u003cp\u003e\u003cstrong\u003eMore than a year at the loom. Brown Shawl-Pattern Hand-Knotted Pure Silk Rug is tied entirely in silk on a ten-by-ten system — a hundred knots to the square centimeter, roughly a million to the square meter — with shawl motifs at the center and fine linework running out from them across earth tones. One piece, and there will not be a second.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe shawl motif is the teardrop drawing that traveled west on Kashmir shawls and has been rewoven in Anatolia and Persia ever since. Here it sits in the middle of the field with thin modern lines around it, so the rug reads classical from a distance and contemporary up close. The colors are all earth: cream, beige, milk coffee and a dark brown, with green appearing faintly where the drawing needs a cool note. Silk takes dye deeper than wool does, and the browns reach a saturation wool cannot.\u003c\/p\u003e\n\n\u003cp\u003eA million knots is not a figure quoted for effect — it is what a hundred knots per square centimeter comes to, and it is the reason the pile is thin enough that the rug can be folded like cloth. Weavers in China, where hand-knotted silk is still produced at this density, tied every one of them. Two practical warnings, both from the house: keep it away from animals, which pull silk faster than anything else in a home, and take it to a washer who knows silk.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in China in 100% pure silk.\u003c\/li\u003e\n  \u003cli\u003eA ten-by-ten knot system: 100 knots per square centimeter, about one million per square meter.\u003c\/li\u003e\n  \u003cli\u003eOver a year of weaving for a single rug.\u003c\/li\u003e\n  \u003cli\u003eShawl motifs at the center, fine modern linework around them.\u003c\/li\u003e\n  \u003cli\u003eCream, beige, milk coffee and dark brown, with a trace of green.\u003c\/li\u003e\n  \u003cli\u003eThin and light enough to be handled like a length of cloth.\u003c\/li\u003e\n  \u003cli\u003eNot for a house with animals; silk cleaning by a specialist only.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eRugs at this density were always rare and are getting rarer, and what makes this one worth the trouble is that the density is visible to the eye rather than only readable on paper.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Visa \/ 166 X 240","offer_id":44158198317289,"sku":"SARICE000003.01","price":965000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/SafIpekElDokumaSalDesenliModernKlasikHali_3.jpg?v=1708254642"},{"product_id":"sultan-serisi-el-dokuma-usak-desenli-krem-hali","title":"Beige Oushak Handwoven Wool and Silk Rug, Sultan Series","description":"\u003cp\u003e\u003cstrong\u003eHeld at arm's length it could be an old Anatolian rug; underfoot it is plainly new. Beige Oushak Handwoven Wool and Silk Rug, Sultan Series was made in Türkiye, its wool ground carrying cocoon silk through an Oushak drawing that runs gold-yellow, green and brown over beige. A single piece.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe illusion is entirely in the palette. Gold-yellow and brown are the colors an old rug arrives at after decades, and putting them into a new one makes it look inherited. Nothing about the surface supports the impression: the pile is even, the drawing unbroken, the fringes clean. Beige in the ground keeps the whole thing calm enough to live under furniture without competing with it, and burgundy shows up only in the smallest elements of the pattern.\u003c\/p\u003e\n\n\u003cp\u003eWool through the body, cocoon silk in the drawing, both woven in Türkiye by weavers working in the local tradition. The rug is meant to be used rather than protected — the house puts it in bedrooms, living rooms and under dining tables without hesitation. Set against classical furniture it agrees; set against a single-color black modern piece it argues, in the useful way. Professional washing, and no household machine at any point.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eMade in Türkiye: a wool ground with cocoon silk through the pattern.\u003c\/li\u003e\n  \u003cli\u003eAn Oushak drawing carried on beige, with Anatolian motifs alongside it.\u003c\/li\u003e\n  \u003cli\u003eBurgundy appears only in the smallest elements of the design.\u003c\/li\u003e\n  \u003cli\u003eA new rug wearing the palette old rugs take decades to reach.\u003c\/li\u003e\n  \u003cli\u003eMeant for daily use — a bedroom, a sitting room, a dining floor.\u003c\/li\u003e\n  \u003cli\u003eQuiet beside carved classical pieces, sharp beside plain black modern ones.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing, and no household machine at any point.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eThe point of a rug like this is that nobody asks where it came from, and that is the compliment it was built for.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"bey \/ 166 X 241","offer_id":47907178381545,"sku":"RENSUL000179.01","price":141000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/SultanSerisiElDokumaUsakDesenliKremHali_15.jpg?v=1709633733"},{"product_id":"ottoman-serisi-usak-desenli-el-dokuma-klasik-yun-hali","title":"Brown Frame-Pattern Handwoven Wool Rug, Ottoman Series","description":"\u003cp\u003e\u003cstrong\u003eFirst-shearing fleece from the high pastures above Erzurum went into this handwoven wool rug from the Ottoman Series, 208 × 291 cm (6'10\" × 9'7\"), with silk carrying the motifs across a cream and beige field and brown and green worked through the frame border. It was woven in eastern Anatolia, and there is one of it.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe drawing is Oushak in origin, the classical repertoire of western Anatolia, and here it is arranged as a plain center inside an active border. Cream and beige hold the field; the colors were brought up with natural root dyes rather than industrial ones, so the palette stays close to what the fleece already was. A thin line of green runs through the cream of the border — a line rather than a band, which keeps the frame from shutting the field in. The motifs themselves are silk, and they come forward under lamplight and settle back in daylight.\u003c\/p\u003e\n\n\u003cp\u003eThe pile is wool and the motifs are silk; warp, weft and knot are wool throughout the ground. The fleece comes from the first shearing, off flocks grazed on the high plateau, where the altitude produces a brighter and softer staple than lowland pasture does. It was tied with the double knot and finished with the grooved technique the eastern workshops used, which raises the density. About six months at the loom. Weaving of this kind has all but stopped in Erzurum and Diyarbakır, so what exists is what exists. Wool and silk together want careful handling: send it to a rug washer, and keep claws off the pile.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven in eastern Anatolia — Erzurum and Diyarbakır — where this kind of weaving has largely ended.\u003c\/li\u003e\n  \u003cli\u003eWool pile with the motifs worked in silk.\u003c\/li\u003e\n  \u003cli\u003eFirst-shearing fleece from flocks grazed at altitude.\u003c\/li\u003e\n  \u003cli\u003eDouble-knotted and finished with the grooved technique, which raises the density.\u003c\/li\u003e\n  \u003cli\u003eAbout six months at the loom.\u003c\/li\u003e\n  \u003cli\u003e208 × 291 cm (6'10\" × 9'7\") — a full salon size.\u003c\/li\u003e\n  \u003cli\u003eNatural root dyes: cream and beige in the field, green through the border.\u003c\/li\u003e\n  \u003cli\u003eRug washer only, and take care around pets.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eIn ten years the cream will have gone a shade deeper and the silk will still be the first thing the light finds.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"bey \/ 208 X 291","offer_id":47907191652585,"sku":"HASOTT000003.01","price":365000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/OttomanSerisiElDokumaCerceveDesenliKahverengiYunHali_1_1b5320e7-2471-48be-a4a3-7cecd7a5de02.jpg?v=1731678918"},{"product_id":"saf-ipek-krem-rengi-el-dokuma-klasik-hali","title":"Cream Pure Silk Hand-Knotted Classic Rug","description":"\u003cp\u003e\u003cstrong\u003eBetween eighteen months and two years at the loom, worked by two people side by side. Cream Pure Silk Hand-Knotted Classic Rug \u0026mdash; 100% silk, knotted in China at 207 \u0026times; 303 cm (6'9\" \u0026times; 9'11\"), a cream ground carrying a classical medallion and frame drawn in gold, with thirty-six knots in every square centimeter.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eSilk is what makes the drawing possible. A wool pile cannot hold a line this fine, so the leaves inside the medallion are drawn a knot or two wide and still read as leaves. The ground is cream and the figures are a yellow-gold that changes weight through the day: bright and almost metallic with the sun on it, warm and matte by lamplight, and different again if you walk to the other end of the room and look back along the pile rather than into it. That reversal is the property people buy silk for, and it is why the same rug photographs as two colors.\u003c\/p\u003e\n\n\u003cp\u003eTwo weavers work a piece like this together, one on each half, and thirty-six knots per square centimeter is the rate that makes a year and a half of work necessary. China is where silk weaving began and it is still where the finest silk pile is knotted. Some honesty about living with it: silk is a delicate surface, cats will find it, and it cannot be cleaned at home \u0026mdash; a rug washer who works with silk is the only correct answer. Two pieces exist at this size.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003e100% pure silk, hand-knotted in China.\u003c\/li\u003e\n  \u003cli\u003eThirty-six knots per square centimeter \u0026mdash; a 6 \u0026times; 6 knot spacing.\u003c\/li\u003e\n  \u003cli\u003eEighteen months to two years on the loom, worked by two weavers.\u003c\/li\u003e\n  \u003cli\u003e207 \u0026times; 303 cm (6'9\" \u0026times; 9'11\") \u0026mdash; a full sitting-room size.\u003c\/li\u003e\n  \u003cli\u003eCream ground, gold figures, with a central medallion inside a drawn frame.\u003c\/li\u003e\n  \u003cli\u003eThe color reverses depending on which end of the rug you look from.\u003c\/li\u003e\n  \u003cli\u003eNot a surface for a household with cats.\u003c\/li\u003e\n  \u003cli\u003eCleaning by a specialist in silk rugs only.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\n\u003ch3\u003eWhat does a 6 \u0026times; 6 knot spacing mean on a silk rug?\u003c\/h3\u003e\n\u003cp\u003eIt means six knots across and six down in every centimeter, or thirty-six knots per square centimeter. That density is what allows a curved leaf or a thin stem to be drawn cleanly, and it is also why a rug of this size takes between eighteen months and two years to finish.\u003c\/p\u003e\n\n\u003ch3\u003eCan a pure silk rug be cleaned at home?\u003c\/h3\u003e\n\u003cp\u003eNo. Silk loses its sheen with household detergent and mats when it is over-wetted, so a silk rug goes to a washer who handles silk specifically. Between washes, a light vacuum in the direction of the pile is all it needs.\u003c\/p\u003e\n\n\u003cscript type=\"application\/ld+json\"\u003e\n{\n  \"@context\": \"https:\/\/schema.org\",\n  \"@type\": \"FAQPage\",\n  \"mainEntity\": [\n    {\n      \"@type\": \"Question\",\n      \"name\": \"What does a 6 × 6 knot spacing mean on a silk rug?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"It means six knots across and six down in every centimeter, or thirty-six knots per square centimeter. That density is what allows a curved leaf or a thin stem to be drawn cleanly, and it is also why a rug of this size takes between eighteen months and two years to finish.\"\n      }\n    },\n    {\n      \"@type\": \"Question\",\n      \"name\": \"Can a pure silk rug be cleaned at home?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"No. Silk loses its sheen with household detergent and mats when it is over-wetted, so a silk rug goes to a washer who handles silk specifically. Between washes, a light vacuum in the direction of the pile is all it needs.\"\n      }\n    }\n  ]\n}\n\u003c\/script\u003e\n\n\u003cp\u003eA rug that took two years will spend its first year looking new, and it is the forty after that it was made for.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Cream \/ 207 X 303","offer_id":44158228857065,"sku":"SARIPE000026.01","price":1200000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/KremSafIpekElDokumaKlasikHali_1.jpg?v=1709633990"},{"product_id":"focus-serisi-tezgah-dokuma-sade-kahverengi-hali","title":"Brown Plain Loom-Woven Wool Rug, Focus Series","description":"\u003cp\u003e\u003cstrong\u003eBrown Plain Loom-Woven Wool Rug, Focus Series — a rug with no pattern on it at all, loom-woven in India from wool, bamboo viscose and cotton, in a brown that is graded rather than flat: dark beige at one end of the surface, something close to milky coffee at the other. It is made in several sizes, a runner among them.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eA single brown on a floor goes hard within a week; a brown built out of several tones does not, and that gradation is the whole design. It sits in the neutral middle of the earth colors, which means blue, green, yellow, navy and beige can all be in the room with it without an argument starting. Under a classic dining set it stays behind the furniture and pushes it forward; under something low and modern it is the warmer of the two.\u003c\/p\u003e\n\n\u003cp\u003eLoom-woven: the ground is laid down on a mechanical loom and the finishing is done by hand, which is the middle construction — more even than a village rug, quicker than a knotted one. Wool gives it body, bamboo viscose gives it the light it has, cotton holds the foundation. Vacuum it often, keep it out of a window that takes full afternoon sun, and send it out for a proper wash when it stops looking like itself.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eLoom-woven in India, machine structure with hand finishing.\u003c\/li\u003e\n  \u003cli\u003eWool, bamboo viscose and cotton worked together.\u003c\/li\u003e\n  \u003cli\u003eNo pattern of any kind — the gradient is the design.\u003c\/li\u003e\n  \u003cli\u003eRuns from a dark beige to a milky brown across the field.\u003c\/li\u003e\n  \u003cli\u003eTakes blue, green, yellow, navy and beige in the same room.\u003c\/li\u003e\n  \u003cli\u003eSeveral sizes are made, including a runner length.\u003c\/li\u003e\n  \u003cli\u003eVacuum regularly, keep it out of direct sun, professional washing for a deep clean.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eBrown is the color people arrive at after trying the others, and this is the version of it that does not go flat.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Brown \/ 80 X 150","offer_id":44163869835497,"sku":"EKOFOC000308.01","price":16000.0,"currency_code":"TRY","in_stock":true},{"title":"Brown \/ 80 X 300","offer_id":46030843314409,"sku":"EKOFOC000308.02","price":31500.0,"currency_code":"TRY","in_stock":false},{"title":"Brown \/ 130 X 190","offer_id":46030843347177,"sku":"EKOFOC000308.05","price":32500.0,"currency_code":"TRY","in_stock":true},{"title":"Brown \/ 100 X 300","offer_id":46030843379945,"sku":"EKOFOC000308.04","price":39000.0,"currency_code":"TRY","in_stock":false},{"title":"Brown \/ 80 X 400","offer_id":46030843412713,"sku":"EKOFOC000308.03","price":42000.0,"currency_code":"TRY","in_stock":false},{"title":"Brown \/ 160 X 230","offer_id":46030843445481,"sku":"EKOFOC000308.07","price":48000.0,"currency_code":"TRY","in_stock":false},{"title":"Brown \/ 200 X 300","offer_id":46030843478249,"sku":"EKOFOC000308.08","price":78000.0,"currency_code":"TRY","in_stock":true},{"title":"Brown \/ 240 X 340","offer_id":46030843511017,"sku":"EKOFOC000308.09","price":107000.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/FocusSerisiTezgahDokumaSadeKahverengiHali_1.webp?v=1749905814"},{"product_id":"usak-desenli-el-dokuma-ofis-halisi","title":"Cream Oushak Hand-Knotted Wool Office Rug","description":"\u003cp\u003e\u003cstrong\u003eA scattered floral field, the flowers set loose across the middle rather than gathered into a medallion, with traditional Oushak motifs holding the border. A hand-knotted wool rug in cream, beige and brown, made with Manchester cotton and lustrous wool. It was drawn for a desk or a dining table to stand on. One piece.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe loose field is a functional decision. A rug meant to live under furniture cannot afford a strong center, because the center is the part that disappears; scattering the flowers means the pattern survives being covered. The Oushak border does the framing and gives the eye the edge it needs. Cream, beige and brown carry it, and that range goes with almost any wood, as well as with burgundy and blue upholstery.\u003c\/p\u003e\n\n\u003cp\u003eManchester cotton in the foundation and bright wool above it, tied by hand at a high density — which is the reason a rug that spends its life under chair legs stays flat and keeps its drawing. The house sells this one only through its own collection. It is at home in an office, a boardroom or a dining room, and it will take the traffic of all three. Have it cleaned professionally.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted with Manchester cotton and lustrous wool.\u003c\/li\u003e\n  \u003cli\u003eScattered floral field with traditional Oushak motifs on the border.\u003c\/li\u003e\n  \u003cli\u003eCream, beige and brown, against wood, burgundy or blue.\u003c\/li\u003e\n  \u003cli\u003eDrawn to be used beneath a dining table or a desk.\u003c\/li\u003e\n  \u003cli\u003eHigh knot density, which keeps it flat under chair legs.\u003c\/li\u003e\n  \u003cli\u003eAvailable through Halıcızade only.\u003c\/li\u003e\n  \u003cli\u003eProfessional cleaning.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eRugs that live under tables get judged on how they look at the edges, and this one was drawn with that in mind.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Brown \/ 275X359","offer_id":45758777262313,"sku":"BOZSAL000007.01","price":380000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/UsakDesenliElDokumaOfisHalisi_1.jpg?v=1709629290"},{"product_id":"geometrik-desenli-el-dokuma-hali-13","title":"Cream Geometric Hand-Knotted Wool Rug","description":"\u003cp\u003e\u003cstrong\u003eIt is built the way a weaver's sampler book is built. A hand-knotted rug from Türkiye, wool pile on a cotton warp, 125 × 186 cm (4'1\" × 6'1\"), with square and rectangular boxes of different sizes scattered over a cream ground — each box filled with a different texture, some dotted, some hatched, some gridded, some left plain. Brown on cream, and nothing else.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eBecause the color runs on a single axis, every bit of movement in the surface has to come from the drawing, and it does: each of those textures is a different arrangement of knots, so the richness is native to the weaving rather than applied to it. The boxes do not sit on a regular grid either — sizes vary, positions wander — which is what stops a sampler idea from becoming a chart. Cream and brown is the safest pair in interior work and enters almost any room; what this piece contributes is not color but incident, something to look at on a plain floor in a plain-walled room.\u003c\/p\u003e\n\n\u003cp\u003eWoven in Türkiye by hand, wool pile knotted onto cotton warps. Cotton takes tension and holds the rug's skeleton straight; wool takes abrasion at the surface. Because each box carries a different texture, the weaver worked dozens of small independent designs in sequence rather than repeating one motif — and in hand weaving that is markedly slower, since a repeat lets the hand memorize and this gives it nothing to memorize. Two honest notes. The composition gathers in the middle, so putting a coffee table on it hides the idea; this is a rug to lay open. And at this size and weight it needs a non-slip pad. Once a year to a rug washer, never to a domestic machine; fringes tangle and comb out by hand, and there will be a little shedding early on.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in Türkiye, wool pile on a cotton warp.\u003c\/li\u003e\n  \u003cli\u003e125 × 186 cm (4'1\" × 6'1\"), about two and a third square meters.\u003c\/li\u003e\n  \u003cli\u003eBrown boxes of varying size on cream, each filled with a different weave texture.\u003c\/li\u003e\n  \u003cli\u003eColor runs on one axis; all the movement is in the drawing.\u003c\/li\u003e\n  \u003cli\u003eDozens of independent small designs, so the hand has no repeat to memorize.\u003c\/li\u003e\n  \u003cli\u003eRecognizable but not figurative — it suits a child's room and does not age out of one.\u003c\/li\u003e\n  \u003cli\u003eLay it open: furniture in the middle hides the composition.\u003c\/li\u003e\n  \u003cli\u003eA non-slip pad, annual washing by a rug cleaner, and fringes combed by hand.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eA sampler is what a weaver makes to remember what she can do, and putting one on a floor at this scale is a generous idea.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Cream \/ 125 X 186","offer_id":44338150834409,"sku":"KOYNAT000015.01","price":34000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/GeometrikDesenliElDokumaHali_1_4684b2e0-d729-49c1-8032-6e0c90486d02.jpg?v=1705243011"},{"product_id":"retro-serisi-el-dokuma-kahverengi-vintage-desenli-hali","title":"Brown Oushak-Pattern Hand-Knotted Wool Rug, Retro Series","description":"\u003cp\u003e\u003cstrong\u003eBrown is what an Oushak pattern looks like once the red has been taken out of it. This is a hand-knotted Retro-series rug, 150 × 187 cm (4'11\" × 6'2\"), wool pile over cotton, knotted in Pakistan and Afghanistan, the traditional drawing carried in deep brown values across a glossy finished surface.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eRemove the red and an Oushak field stops looking antique and starts looking like a piece of furniture. The motifs are still the old ones, but brown flattens the hierarchy between border and field, so what registers is the shape of the drawing rather than its age. The dyeing and washing method used across the series produces both the depth of the brown and the shine sitting on top of it. Between them the rug lights a dark corner rather than swallowing one.\u003c\/p\u003e\n\n\u003cp\u003eCotton and wool, tied by hand, with a trace of recycled synthetic yarn in the skeleton to hold the structure — the pile itself has nothing in it but wool. The weave is thin, and thin is a virtue at this size, because the rug will pass under a door or a low chair without lifting either. Master weavers in Afghanistan and Pakistan produce the entire series. It wants professional washing and never a home machine.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted by weavers in Pakistan and Afghanistan.\u003c\/li\u003e\n  \u003cli\u003eWool pile over cotton, with a trace of recycled synthetic yarn in the foundation.\u003c\/li\u003e\n  \u003cli\u003eDeep brown obtained through the series' own dyeing and washing method, which also produces the surface shine.\u003c\/li\u003e\n  \u003cli\u003eClassical Oushak drawing carried entirely in brown values.\u003c\/li\u003e\n  \u003cli\u003eThin weave: it fits beneath a door and under low furniture.\u003c\/li\u003e\n  \u003cli\u003e150 × 187 cm (4'11\" × 6'2\") — a study, a bedside, or the space in front of a sofa.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eIt reads warm under a lamp and nearly gray by daylight, which is more range than a brown rug usually has.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Brown \/ 150 X 187","offer_id":44478418747625,"sku":"SAROVR000018.01","price":71000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/RetroSerisiElDokumaKahverengiVintageDesenliHali_1.jpg?v=1709563231"},{"product_id":"sultan-serisi-el-dokuma-cicek-desenli-hali","title":"Gold and Cream Floral Hand-Knotted Wool Rug, Sultan Series","description":"\u003cp\u003e\u003cstrong\u003eGold on cream is the oldest combination in Anatolian weaving, and this Sultan-series rug uses it plainly: 172 × 222 cm (5'8\" × 7'3\"), hand-knotted in Türkiye, a wool ground with silk in the flowers, the motifs drawn from Oushak and worked over the entire field.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eCream and gold sit close enough in value that the pattern has to be carried by texture, and it is — the silk flowers read brighter than the wool around them under any light and duller once the room goes dark. Green comes in through the stems and the outer band. Nothing is drawn large. This is a fine, close pattern that rewards being stood on far more than being looked at from a doorway.\u003c\/p\u003e\n\n\u003cp\u003eTürkiye, by hand, knots tied close together. What is scarce here is not the design but the thread: the grade of wool and the silk the series uses have both become harder to source, and a workshop keeping to this knot count finishes fewer rugs a year than it once did. The piece goes as easily under a steel-and-glass table as under a carved sideboard, and few classical patterns manage both. Professional cleaning is not optional with silk in the surface.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in Türkiye with the knots tied close together.\u003c\/li\u003e\n  \u003cli\u003eWool ground carrying silk-knotted flowers, so the pattern separates by sheen.\u003c\/li\u003e\n  \u003cli\u003eCream and gold at close value, with green in the stems and the outer band.\u003c\/li\u003e\n  \u003cli\u003eFine, small-scale drawing across the whole field.\u003c\/li\u003e\n  \u003cli\u003e172 × 222 cm (5'8\" × 7'3\"), the most compact of the room-sized Sultan pieces.\u003c\/li\u003e\n  \u003cli\u003eSuits carved wood and plain steel furniture equally.\u003c\/li\u003e\n  \u003cli\u003eProfessional cleaning, because of the silk.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eThe pattern will still be doing its work in twenty years, and the gold will have gone a half-tone deeper by then.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Cream \/ 172 X 222","offer_id":44478476157161,"sku":"RENSUL000093.01","price":134000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/SultanSerisiElDokumaCicekDesenliHali_19.jpg?v=1724748233"},{"product_id":"el-dokuma-patchwork-desenli-yun-kilim","title":"Brown Patchwork Handwoven Wool Kilim","description":"\u003cp\u003e\u003cstrong\u003eIt is assembled rather than woven in one go: separate flat-woven panels, each carrying its own drawing, joined into one kilim measuring 120 × 180 cm (3'11\" × 5'11\"), in earth-toned browns. Handwoven in India, in wool with cotton and bamboo viscose.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eBecause every panel came from a different piece of weaving, the browns do not match. They run from a light tan through to something near coffee, and the seams between them stay visible on purpose. Each patch keeps its own motif, so the surface is a set of small unrelated arguments held together by nothing but color. That is the appeal of patchwork and also its limit — there is no composition to stand back and read, only close-range interest.\u003c\/p\u003e\n\n\u003cp\u003eThe panels are handwoven in India, then cut and joined by hand afterward. Wool gives the surface its body, cotton holds the structure together, and the bamboo viscose is what keeps a piece this size light enough to lift with one hand and shake out. It can be wiped down between proper cleanings and should go to a professional for those. On a smooth floor it will travel unless there is a pad underneath.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven in India from wool, cotton and bamboo viscose.\u003c\/li\u003e\n  \u003cli\u003eSeparate flatwoven panels cut and joined by hand, the seams left visible.\u003c\/li\u003e\n  \u003cli\u003eEarth-toned browns running from tan to near-coffee, each panel keeping its own motif.\u003c\/li\u003e\n  \u003cli\u003eLight enough to lift and shake out with one hand.\u003c\/li\u003e\n  \u003cli\u003e120 × 180 cm (3'11\" × 5'11\") — a kitchen, a balcony, a child's room, or beside a bed.\u003c\/li\u003e\n  \u003cli\u003eWipeable between cleanings; professional washing for a proper one.\u003c\/li\u003e\n  \u003cli\u003eIt needs a pad on a polished floor.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003ePatchwork suits a room with several things already going on in it, because one more will not be noticed.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Brown \/ 120 X 180","offer_id":44666404241641,"sku":"EKOETN000001.01","price":9000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaPatchworkDesenliKahverengiYunKilim_1.jpg?v=1726913364"},{"product_id":"retro-serisi-el-dokuma-kahverengi-vintage-hali","title":"Brown Vintage Hand-Knotted Square Wool Rug, Retro Series","description":"\u003cp\u003e\u003cstrong\u003eSquare rugs are uncommon and this is a true square: 240 × 240 cm (7'10\" × 7'10\"), hand-knotted in brown for the Retro series, its Oushak motifs recolored into a contemporary palette. Wool and cotton, tied in Pakistan and Afghanistan, one piece.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eA square changes the arithmetic of a room. There is no long axis to line the furniture up against, so a seating group arranged on it turns inward instead of facing one way, and the pattern arrives the same from all four sides. The Oushak drawing has been pulled into brown values throughout, and the finishing wash used across the series leaves the pile bright enough that the rug lifts a dim room rather than darkening it further.\u003c\/p\u003e\n\n\u003cp\u003eMaster weavers in Afghanistan and Pakistan tie the whole series by hand, at a high knot count, over a thin structure of cotton and wool with a small quantity of recycled synthetic yarn worked into the skeleton for strength. Everything underfoot is wool. Two things follow from a square of this size: it is heavy, and there is no obvious way to hang it. Professional washing.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in Pakistan and Afghanistan at a high knot count.\u003c\/li\u003e\n  \u003cli\u003eCotton and wool structure with a trace of recycled synthetic yarn in the skeleton; the pile is wool.\u003c\/li\u003e\n  \u003cli\u003eTraditional Oushak motifs recolored into brown throughout.\u003c\/li\u003e\n  \u003cli\u003eA bright surface from the series' finishing wash, so it lightens a room rather than darkening it.\u003c\/li\u003e\n  \u003cli\u003e240 × 240 cm (7'10\" × 7'10\"), a true square, which turns a seating group inward.\u003c\/li\u003e\n  \u003cli\u003eHeavy for its footprint, and awkward to hang.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003ePut four chairs around it and the room stops having a front.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Brown \/ 240 X 240","offer_id":44726608953577,"sku":"SAROVR000176.01","price":144000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/RetroSerisiVintageDesenliElDokumaHali_1_7db281fe-86a1-4442-bfc7-c6f0e7c4af0f.jpg?v=1709560081"},{"product_id":"cerceve-desenli-krem-el-dokuma-klasik-ipek-hali","title":"Cream Bordered Hand-Knotted Pure Silk Rug","description":"\u003cp\u003e\u003cstrong\u003eCream Bordered Hand-Knotted Pure Silk Rug, 123 × 183 cm (4'0\" × 6'0\"), is pure silk in warp and weft alike, knotted by hand in China. The composition is framed — border inside border, with the drawing gathered toward the middle — and restrained enough that from a doorway the whole thing reads as plain cream.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eUp close it is not plain at all. The center holds a quiet balance of motifs in cream and beige, none of them raised above the others, and the frames step inward in narrowing bands until they meet it. What changes is the light. Silk at this knot density has two faces, matt when the pile lies away from you and near-satin when it lies toward you, so the same rug is dull from one end of the room and lit from the other. Beside walnut or a pale natural wood it stays in the same register; add brass or iron and the classical side of the drawing comes forward.\u003c\/p\u003e\n\n\u003cp\u003eSilk in the warp as well as the pile is the expensive decision here, and it is what makes the fabric so thin and so strong at once. A piece at this density is months of work — one weaver, one loom, one knot at a time. That fineness costs something: silk marks where it is pressed, and the surface will hold the shape of a chair leg until the pile is brushed back. Have it washed by a rug cleaner, and not by a van that also does upholstery.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003ePure silk in the warp, the weft and the pile, knotted by hand in China.\u003c\/li\u003e\n  \u003cli\u003eA framed composition: narrow borders stepping in toward a gathered center.\u003c\/li\u003e\n  \u003cli\u003eCream and beige throughout, with no single motif taking the lead.\u003c\/li\u003e\n  \u003cli\u003eThe surface turns matt or satin depending on which way the pile faces you.\u003c\/li\u003e\n  \u003cli\u003eMonths at the loom at this knot density.\u003c\/li\u003e\n  \u003cli\u003e123 × 183 cm (4'0\" × 6'0\"), at home in a bedroom or an entrance hall.\u003c\/li\u003e\n  \u003cli\u003eSits well with walnut and pale wood; brass and iron push it classical.\u003c\/li\u003e\n  \u003cli\u003ePressure marks the pile; brush it back rather than leaving it.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eIn ten years it will look very close to the way it looks now, which is the whole argument for silk.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Cream \/ 123 X 183","offer_id":45111492444393,"sku":"SARIPE000030.01","price":420000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/CerceveDesenliKremElDokumaKlasikIpekHali_5.jpg?v=1709556721"},{"product_id":"tezgah-dokuma-soyut-desenli-turkuaz-hali","title":"Turquoise Abstract Loom-Woven Viscose Rug, Heritage Series","description":"\u003cp\u003e\u003cstrong\u003eTurquoise Abstract Loom-Woven Viscose Rug from the Heritage series: warm yellow forms scattered through a gray-turquoise field, with no border and no center. The surface is 100% viscose over a cotton foundation, loom-woven in western Anatolia around Oushak, at 200 \u0026times; 300 cm.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe composition is abstract in the proper sense \u0026mdash; the shapes are not simplified from anything, and where they fall was decided by the drawing rather than by a grid. Turquoise is difficult on a large floor because it goes green in daylight and blue after dark, and the yellow is what holds it together in both states: it stays warm through the whole day and gives the eye somewhere to land. At three meters this is a rug you place a room around, not one you slide under a table.\u003c\/p\u003e\n\n\u003cp\u003eLoom-woven, in the sense the house uses the word: the structure is set on a semi-industrial loom in U\u0026#351;ak and the finishing is hand work, with the knots set close enough to give the surface the density of a handwoven piece. The pile is viscose, spun from cellulose, and it is where all the shine comes from; the foundation carrying it is cotton. Two things follow from a viscose pile that are worth knowing before buying. It takes footmarks, which brush out. And no household shampoo should go near it \u0026mdash; this one belongs to a rug washer.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eLoom-woven in the Oushak region of western Anatolia, with hand finishing.\u003c\/li\u003e\n  \u003cli\u003e100% viscose surface on a cotton foundation.\u003c\/li\u003e\n  \u003cli\u003eWarm yellow shapes scattered across a gray-turquoise field, without border or center.\u003c\/li\u003e\n  \u003cli\u003eTurquoise reads green by day and blue by lamp; the yellow stays constant.\u003c\/li\u003e\n  \u003cli\u003e200 \u0026times; 300 cm (6'7\" \u0026times; 9'10\") \u0026mdash; a room-defining size.\u003c\/li\u003e\n  \u003cli\u003eThe pile takes footmarks and brushes clear.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing; nothing off a supermarket shelf on viscose.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eThe turquoise is what people will notice from the doorway; the yellow is what keeps the rug worth looking at once they are in the room.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Turquoise \/ 200 X 300","offer_id":45174740254953,"sku":"EKOHER000027.01","price":44600.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/SoyutDesenliMakineDokumaTurkuazHali_6.jpg?v=1725190625"},{"product_id":"zade-serisi-el-dokuma-ipek-hali","title":"Cream Medallion Hand-Knotted Silk and Wool Rug, Nahar Series","description":"\u003cp\u003e\u003cstrong\u003eNinety percent silk, ten percent wool: that ratio is what the Nahar Series is. Cream Medallion Hand-Knotted Silk and Wool Rug, 126 × 182 cm (4'2\" × 6'0\"), tied by hand in China, with a circular motif at the center opening like the layers of a flower and leaf-and-vine work running out from it.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe ten percent matters more than it sounds. Pure silk is beautiful and slack; wool at that proportion gives the fabric enough spine to lie flat and take weight without the pile crushing, while the silk keeps the shine and the fineness. Cream is the ground, and it is a warm cream rather than a white one, so the rug lights a room without cooling it. The central medallion is the whole composition — everything else is subordinate to it, a spiral of leaves and vines from the classical Anatolian and Central Asian repertoire, spreading outward until the border stops it.\u003c\/p\u003e\n\n\u003cp\u003eHundreds of thousands of knots, tied by hand, over months. Silk rugs at this ratio are a shrinking category and the workshops producing them are fewer every year; the house is candid that this is one of the last examples of a craft nobody is replacing. At 126 × 182 cm it is a reception-room size rather than a living-room one — a small formal room, a study, the space in front of a fireplace. Professional cleaning only, and not often.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in China from 90% silk and 10% wool.\u003c\/li\u003e\n  \u003cli\u003eThe wool content is what keeps a silk pile from crushing under weight.\u003c\/li\u003e\n  \u003cli\u003eA circular central medallion opening in layers, with leaf and vine work around it.\u003c\/li\u003e\n  \u003cli\u003eClassical Anatolian and Central Asian motifs.\u003c\/li\u003e\n  \u003cli\u003eHundreds of thousands of knots; months of work.\u003c\/li\u003e\n  \u003cli\u003e126 × 182 cm (4'2\" × 6'0\") — a study, a small formal room, a hearth.\u003c\/li\u003e\n  \u003cli\u003eProduced in very small numbers.\u003c\/li\u003e\n  \u003cli\u003eProfessional cleaning only. One piece.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eThe kind of rug that outlasts several rooms and gets moved into each of them.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Cream \/ 126 X 182","offer_id":45231125168361,"sku":"SARZAD000021.01","price":148000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/SARZAD000021-4_03c275be-06fb-4cfb-b4af-40850642a7c7.jpg?v=1709405694"},{"product_id":"eko-hali-netra-cizgi-desenli-el-dokuma-hali-2856","title":"Brown Striped Handwoven Rush Flatweave Rug, Fuji Series","description":"\u003cp\u003e\u003cstrong\u003eStripes, and only stripes: a handwoven rush flatweave in brown, made in India for the Fuji Series, with the drawing kept to plain bands and nothing else on it. The size in stock is 120 × 180 cm — 5'11\" long by 3'11\" wide — and it is made at 80 × 150 and 170 × 240 as well. Nothing in it is knotted.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eBrown here is the fiber's own register rather than a decorator's brown — the warm, dry, slightly grayed tone a natural stem fiber gives when it is spun and woven without much interference. Stripes are the honest pattern on a flatweave, because a band of color is what a loom produces most naturally and every other kind of figure has to be forced onto it. Beside oak or walnut the rug disappears into the floor; beside painted furniture it does the opposite and becomes the texture in the room.\u003c\/p\u003e\n\n\u003cp\u003eRush is a stem fiber cut on the banks of the Ganges, and the people who work it there call it the golden fiber. Every stage of this rug was done by hand. The stiffness that makes it interesting underfoot is also what makes it fragile: a hard point load — a heel, a castor — cuts the fiber instead of compressing it. Water is the other enemy, so this is a dry-cleaning piece and nothing else. In return it asks almost nothing week to week, which is a vacuum and a shake outdoors.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven in India as a flatweave, in natural rush fiber.\u003c\/li\u003e\n  \u003cli\u003eBrown, with plain stripes and no other drawing.\u003c\/li\u003e\n  \u003cli\u003eSizes: 80 × 150, 120 × 180 (the size held) and 170 × 240 cm.\u003c\/li\u003e\n  \u003cli\u003eStiff underfoot — texture in place of softness.\u003c\/li\u003e\n  \u003cli\u003eHeels and castors cut this fiber; keep both off it.\u003c\/li\u003e\n  \u003cli\u003eDry cleaning only; water is not an option.\u003c\/li\u003e\n  \u003cli\u003eSuits a bedside, a conservatory, or a hall with light traffic.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eEvery rug in this series asks something of the room it goes in, and what this one asks is that nobody crosses it in a hurry.\u003c\/p\u003e","brand":"EKO HALI","offers":[{"title":"Brown \/ 80 X 150","offer_id":45712111239401,"sku":"EKOFLN000005.02","price":5700.0,"currency_code":"TRY","in_stock":false},{"title":"Brown \/ 120 X 180","offer_id":45712111206633,"sku":"EKOFLN000005.01","price":10260.0,"currency_code":"TRY","in_stock":true},{"title":"Brown \/ 170 X 240","offer_id":47717012996329,"sku":"EKOFLN000005.03","price":19500.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/FujiSerisiCizgiDesenliElDokumaHali_1.jpg?v=1705743481"},{"product_id":"zade-serisi-cicek-desenli-ipek-el-dokuma-krem-hali","title":"Cream Floral Handwoven Silk Rug with Geometric Border, Nahar Series","description":"\u003cp\u003e\u003cstrong\u003eThin branches and small flowers spread over a cream ground the way a garden looks at seven in the morning, before the color has come up in it. This is a handwoven Nahar Series rug, roughly nine-tenths silk and one-tenth wool, made in China across several months, with a geometric border closing the composition. The design has gone out of production.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eNothing in the field announces itself. The branches are drawn thin and the flowers small, in pastel tones a single step away from the ground they sit on, and from the doorway the whole rug reads as one pale surface. Walk onto it and the drawing resolves. The border follows the opposite instinct — geometric, firm, traditional in shape — putting a hard edge around a soft field and stopping the composition from drifting. The motifs themselves belong to the Anatolian and Central Asian flower repertoire.\u003c\/p\u003e\n\n\u003cp\u003eSilk makes up about ninety percent of the yarn and wool about ten. The wool is not filler: a pile of pure silk at this fineness collapses under weight, and the wool is what lets it recover. Weaving took months in a Chinese workshop, and that workshop no longer produces the design, so what is in circulation is what there is. It is fine, low in pile, and better suited to a quiet room than a busy one. For anything beyond dust, use a rug washer.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eRoughly 90% silk and 10% wool, woven by hand in China.\u003c\/li\u003e\n  \u003cli\u003eMonths of work; the design is no longer produced.\u003c\/li\u003e\n  \u003cli\u003eCream ground with thin branches and small flowers in pastel tones.\u003c\/li\u003e\n  \u003cli\u003eA geometric border framing a deliberately soft field.\u003c\/li\u003e\n  \u003cli\u003eAnatolian and Central Asian flower motifs.\u003c\/li\u003e\n  \u003cli\u003eFine and low in pile; a quiet room suits it better than a busy one.\u003c\/li\u003e\n  \u003cli\u003eProfessional cleaning only.\u003c\/li\u003e\n  \u003cli\u003eOne piece.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eIt is a rug for people who like being the only ones who notice something, and it stays that way for years.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Cream \/ 216 X 307","offer_id":45687437361385,"sku":"SARZAD000016.01","price":430000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ZadeSerisiCicekDesenliIpekliElDokumaKremHali_1.jpg?v=1705498931"},{"product_id":"retro-serisi-el-dokuma-kahverengi-yun-vintage-hali","title":"Brown Oushak-Pattern Handwoven Wool Rug, Retro Series","description":"\u003cp\u003e\u003cstrong\u003eAfghanistan and Pakistan, by weavers working in the older tradition: that is where this Retro Series rug in brown was made, its classical Oushak motifs redrawn in saturated browns over a wool surface on a cotton foundation. The knotting is dense and the finish has been washed up to a shine. There is one of this piece.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eBrown is a difficult ground to keep interesting, and what keeps this one interesting is that it runs in two registers at once — a bright, almost polished brown across the open areas and a deep one in the motifs. The Oushak drawing sits between geometric and floral, as it always has, and in this coloring it goes with whatever else is in the room: warm woods, leather, brass, and equally with gray and white. The shine picks up ambient color, so a room with a strong wall color will find some of that wall reflected in its floor.\u003c\/p\u003e\n\n\u003cp\u003eWool makes the entire surface. Below it, cotton carries the structure, with a small share of recycled synthetic worked in for strength — which the house prefers to print. Knot density is set high, and that is where the wear resistance comes from and also why the drawing holds its detail at this scale. The brightness is a finishing process: the yarn is dyed and the rug washed by a method the series uses on every piece, which is why Retro rugs carry a gloss and a depth of tone together. Leave washing to people who wash rugs for a living.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven in Afghanistan and Pakistan for the Retro Series.\u003c\/li\u003e\n  \u003cli\u003eWool face on cotton, with a little recycled synthetic in the foundation.\u003c\/li\u003e\n  \u003cli\u003eClassical Oushak motifs in bright and deep browns.\u003c\/li\u003e\n  \u003cli\u003eHigh knot density — the source of the wear resistance and of the detail.\u003c\/li\u003e\n  \u003cli\u003eThe gloss comes from the series' own dyeing and washing method.\u003c\/li\u003e\n  \u003cli\u003eWorks with warm woods, leather and brass, and with gray and white.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing.\u003c\/li\u003e\n  \u003cli\u003eOne piece.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eBrown floors get overlooked in a catalog and chosen in a house, which is roughly the right order.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Brown \/ 146 X 190","offer_id":46034149409001,"sku":"SAROVR000038.01","price":70000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/RetroSerisiElDokumaVintageDesenliKahverengiYunHali_1_05bee986-2215-4811-bffd-29392a306f20.jpg?v=1706100049"},{"product_id":"harem-serisi-el-dokuma-usak-desenli-krem-hali","title":"Brown Oushak Hand-Knotted Wool and Silk Rug, Harem Series","description":"\u003cp\u003e\u003cstrong\u003eFirst-shearing fleece from Erzurum is the starting point — the lamb's first cut, brighter and softer than anything taken afterward. Brown Oushak Hand-Knotted Wool-and-Silk Rug, Harem series, 162 × 239 cm (5'4\" × 7'10\"), knotted in Türkiye by Çınar Halı, in browns and creams. One piece.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eBrown with cream is the oldest Oushak pairing and the least demanding of a room: the drawing stays legible without contrast doing the work, so the rug sits under furniture instead of arguing with it. The motifs are the classical Uşak vocabulary — branching vine, open forms, a border that repeats without quite repeating — and at 162 × 239 cm they are drawn at a size that survives a table standing in the middle of them.\u003c\/p\u003e\n\n\u003cp\u003eÇınar Halı weaves the Harem series, and the construction is why the house files it under rare: the Gördes knot, symmetrical, tied over two warps, at a density that takes far longer to work than the alternative. Silk runs through the pile alongside the wool and does what silk does, holding light where wool absorbs it. Rugs of this weaving class are harder to source every year, which is a statement about supply rather than a sales line. Only specialist washers should handle it.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in Türkiye by Çınar Halı for Halıcızade.\u003c\/li\u003e\n  \u003cli\u003eFirst-shearing Erzurum fleece, with silk worked into the same pile.\u003c\/li\u003e\n  \u003cli\u003eClassical Uşak drawing in browns and creams.\u003c\/li\u003e\n  \u003cli\u003eThe Gördes knot, symmetrical and tied over two warp threads.\u003c\/li\u003e\n  \u003cli\u003e162 × 239 cm (5'4\" × 7'10\") — a study, a library or a sitting room.\u003c\/li\u003e\n  \u003cli\u003eFiled among the house's rare pieces; the weaving class is getting scarce.\u003c\/li\u003e\n  \u003cli\u003eSpecialist washing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003ePut it under a solid bookcase and a desk and it will look, in ten years, like it was there before either of them.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Brown \/ 162 X 239","offer_id":47352475353321,"sku":"ÇINHAR000076.01","price":191000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/HaremSerisiElDokumaUsakDesenliKremHali_8.jpg?v=1708355791"},{"product_id":"harem-serisi-el-dokuma-usak-desenli-bordo-hali","title":"Burgundy Oushak Hand-Knotted Wool and Silk Rug, Harem Series","description":"\u003cp\u003e\u003cstrong\u003eErzurum first-shearing fleece and silk, knotted together on the Gördes double knot, and what they produced is an Oushak-pattern rug, hand-knotted, in burgundy and beige, 164 × 242 cm (5'5\" × 7'11\"), made in Türkiye for the Harem series. The classical Uşak drawing is worked at close knot density, and there is one of it.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eBurgundy holds the ground; beige does the drawing. Oushak — the English name for Uşak — is a rug town out in the west of Anatolia, and its repertoire — broad medallions, angular floral arabesques, a border that repeats rather than narrates — has been copied out of that town for centuries. Here the beige runs cool against the deep red and warms up under lamplight, which is when the silk in the motifs shows itself. Silk takes light at a different angle from wool, so parts of the pattern lift out of the ground as you move past.\u003c\/p\u003e\n\n\u003cp\u003eThe rug was made by the Çınar mill from wool and silk yarns. Erzurum first-shearing fleece is the wool: the fleece taken from a sheep's first clip, brighter and softer than later shearings and unusually strong for how soft it is. The knot is the Gördes, tied symmetrically over two warps, which is slower per row than the alternative and holds a curve without letting it blur. Rugs knotted this densely in wool and silk are made in smaller numbers every year. Wash it through a specialist and nobody else.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in Türkiye by the Çınar mill, in wool and silk.\u003c\/li\u003e\n  \u003cli\u003eErzurum first-shearing fleece — the first clip from the animal, and the brightest.\u003c\/li\u003e\n  \u003cli\u003eGördes double knot, tied over two warps at close density.\u003c\/li\u003e\n  \u003cli\u003eBurgundy ground with the Uşak drawing in beige, lifted by silk in the motifs.\u003c\/li\u003e\n  \u003cli\u003e164 × 242 cm (5'5\" × 7'11\") — a hall, a study, or under a small dining table.\u003c\/li\u003e\n  \u003cli\u003eRugs at this weaving class are getting harder to source each year.\u003c\/li\u003e\n  \u003cli\u003eSpecialist washing only. No home cleaning.\u003c\/li\u003e\n  \u003cli\u003eA single piece from the Harem series; there is no second one.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eIn twenty years the beige will have warmed by a half-tone and the burgundy darkened by one, and the rug will look more like itself than it does now.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Burgundy \/ 164 X 242","offer_id":46672466313449,"sku":"ÇINHAR000065.01","price":195000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/HaremSerisiElDokumaUsakDesenliBordoHali_9.jpg?v=1708358811"},{"product_id":"ikinci-el-anadolu-desenli-el-dokuma-krem-hali","title":"Cream Medallion Hand-Knotted Wool Kayseri Rug","description":"\u003cp\u003e\u003cstrong\u003eA second-hand rug is the nearest thing this catalog has to a second-hand book: somebody else chose it, lived with it, and let it go, and the object carries that. This one is a cream Kayseri: wool tied by hand over a cotton foundation, with a central medallion, 198 × 288 cm (6'6\" × 9'5\"). Kayseri has been a weaving city in central Anatolia for centuries.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe composition is the classical one that Kayseri built its name on: a medallion at the center with quarter-medallions answering it in the corners, the field between them filled with a fine floral scroll, and a broad border framing the whole. Cream carries the ground and browns do the drawing, which is a restrained palette by Anatolian standards and the reason a rug like this sits well under heavy furniture instead of fighting it.\u003c\/p\u003e\n\n\u003cp\u003eWool pile on a cotton foundation — cotton being what allows the fine, tight knotting a floral scroll needs, since a wool warp would not hold the tension. Buying second-hand means buying a rug whose history you cannot fully read: it has been walked on, its colors have had some daylight, and whatever softness it has now, it earned. We would rather say that than call it vintage. Professional cleaning, and it is worth doing once before the rug goes down.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eKnotted by hand in Kayseri, central Türkiye.\u003c\/li\u003e\n  \u003cli\u003eThe pile is wool; the foundation under it is cotton, which permits fine knotting.\u003c\/li\u003e\n  \u003cli\u003eCentral medallion with corner quarters and a floral scroll between.\u003c\/li\u003e\n  \u003cli\u003eCream ground with brown drawing — a restrained Anatolian palette.\u003c\/li\u003e\n  \u003cli\u003e198 × 288 cm (6'6\" × 9'5\") — a full sitting-room size.\u003c\/li\u003e\n  \u003cli\u003eSecond-hand: previously owned and previously walked on.\u003c\/li\u003e\n  \u003cli\u003eProfessional cleaning before use.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eThe pile is already through the phase where a new rug sheds and settles, which is a head start most buyers never get.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Cream \/ 198 X 288","offer_id":46687006818537,"sku":"HALİKİ000054.01","price":54500.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/IkinciElAnadoluDesenliElDokumaKremHali_6.jpg?v=1708690786"},{"product_id":"mahal-serisi-el-dokuma-usak-desenli-kahverengi-yun-hali","title":"Brown Oushak Hand-Knotted Wool Runner, Mahal Series","description":"\u003cp\u003e\u003cstrong\u003eBrown Oushak Hand-Knotted Wool Runner, Mahal Series — a cream ground scattered with green, gold and earth-toned motifs, framed by a warm brown border, 79 × 253 cm (2'7\" × 8'4\"). Knotted by hand in Pakistan in the Oushak drawing tradition of western Anatolia, wool face over a cotton foundation. This length is a single piece.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe border is doing more here than edging the rug. It is a wide band of warm brown, and against it the cream field looks lighter than it is, which is the trick that makes a narrow runner feel like an opening rather than a strip. Inside, the Oushak motifs curl rather than repeat mechanically — the eye is led along the length by the drawing itself, which is what these patterns were designed to do. Green, gold and terracotta sit in the motifs; brown holds the outside; nothing is at full saturation.\u003c\/p\u003e\n\n\u003cp\u003eWeavers in Pakistan knotted it, working the Anatolian double knot, which ties around two warps and produces a pile that keeps a runner's shape in a corridor where the traffic always goes the same way. The face is wool. Under it sits cotton, with a small synthetic thread run through for strength — stated here rather than glossed over. The yarns were dyed by hand, so the browns run from chestnut through to gold along the length and the cream is not one cream. That variation is the difference between this and an industrially colored rug.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eMade in Pakistan, knot by knot, on the Anatolian double knot.\u003c\/li\u003e\n  \u003cli\u003eWool face; cotton foundation, lightly reinforced with synthetic yarn.\u003c\/li\u003e\n  \u003cli\u003eCream ground, green and gold motifs, a wide warm brown border.\u003c\/li\u003e\n  \u003cli\u003eHand-dyed yarns: the tones move along the length rather than staying uniform.\u003c\/li\u003e\n  \u003cli\u003eOushak drawing — the pattern tradition of western Anatolia, woven here in Pakistan.\u003c\/li\u003e\n  \u003cli\u003e79 × 253 cm (2'7\" × 8'4\") — an entrance hall or a short corridor.\u003c\/li\u003e\n  \u003cli\u003eThin in the hand but densely knotted; it will take daily traffic.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing. One runner at this length.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eHalls take more footfall than any other floor in a house and are almost always given the cheapest rug; this is the opposite decision.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Brown \/ 79 X 253","offer_id":47272784560361,"sku":"KERMAH000012.01","price":42000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/MahalSerisiElDokumaUsakDesenliKahverengiYunHali_6.jpg?v=1716390415"},{"product_id":"mahal-serisi-el-dokuma-usak-desenli-yun-kahverengi-hali","title":"Brown Oushak-Pattern Handwoven Wool Runner, Mahal Series","description":"\u003cp\u003e\u003cstrong\u003eThree meters of it, and barely seventy-five centimeters across: this is a handwoven wool runner in the Mahal series, made in two lengths — 75 × 304 cm (2'6\" × 10'0\") and 70 × 303 cm (2'4\" × 9'11\") — with gold and earth-toned Oushak motifs laid over a dark brown ground and a pale, wide border holding them in. Wool surface, cotton foundation, woven in Pakistan.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eOushak is the English form of Uşak, a weaving town in the west of Anatolia, and weavers elsewhere have been copying its drawing for four hundred years. What the copies keep is the curve: stems that bend rather than turn corners, blossoms opened flat. On this brown ground the gold sits close in tone, so the pattern does not shout across the room — it pulls the eye from one end of a corridor to the other, which is the job a runner is actually for. The light border works like a margin on a page and keeps the dark field from swallowing the walls.\u003c\/p\u003e\n\n\u003cp\u003eIt is knotted by hand in Pakistan by weavers working the Anatolian double knot, the symmetrical knot that closes over two warps and holds a straight line better than a single one does. The yarns are dyed by hand before weaving, which is why the gold reads brassy in daylight and almost bronze under a lamp. Underneath, the warp and weft are cotton, stiffened by a small percentage of synthetic yarn — a detail the house prints rather than calling the rug all-natural. The hand is on the firm side — good in a hallway, less inviting underfoot than a thick pile.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eKnotted by hand in Pakistan with the Anatolian double knot.\u003c\/li\u003e\n  \u003cli\u003eWool surface over a cotton foundation, with a small proportion of synthetic yarn for strength.\u003c\/li\u003e\n  \u003cli\u003eDark brown ground, gold and earth-toned Oushak motifs, wide pale border.\u003c\/li\u003e\n  \u003cli\u003eWoven in two lengths: 75 × 304 cm (2'6\" × 10'0\") and 70 × 303 cm (2'4\" × 9'11\").\u003c\/li\u003e\n  \u003cli\u003eHand-dyed yarn, so the gold moves between brass and bronze with the light.\u003c\/li\u003e\n  \u003cli\u003eA firm rather than a plush surface, which is what stands up in a passage.\u003c\/li\u003e\n  \u003cli\u003eSend it to a rug washer when it needs a real clean.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eCorridors are where rugs get walked on hardest and looked at least, and this one is built for the first and rewards the second.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Brown \/ 75 X 304","offer_id":47236310401257,"sku":"KERMAH000033.02","price":48000.0,"currency_code":"TRY","in_stock":true},{"title":"Brown \/ 70 X 303","offer_id":47236310434025,"sku":"KERMAH000033.01","price":45000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/mahal-serisi-el-dokuma-usak-desenli-yun-kahverengi-hali-45273.jpg?v=1715784882"},{"product_id":"mahal-serisi-el-dokuma-kahverengi-usak-desenli-yun-hali","title":"Cream and Brown Oushak Hand-Knotted Wool Runner, Mahal Series","description":"\u003cp\u003e\u003cstrong\u003eThe broad brown border is the first thing you see, and it is what holds the rug together: a hand-knotted Mahal runner in wool, 78 × 216 cm (2'7\" × 7'1\"), with gold, earth and soft green motifs on a light ground. Knotted in Pakistan; the face is wool and the structure below it is cotton. The shortest runner in this group, and there is one of it.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eAt just over two meters it is a passage rug rather than a corridor rug — the length of a doorway approach, a galley kitchen, the space between a bed and a wall. The border takes a disproportionate share of that length, which is why it reads as a frame around a picture rather than a trim around a floor. Inside the frame the Oushak motifs are pale and open: gold and soft green on light cream, with earth tones filling between them. The contrast is low enough that the rug will not shorten a small room the way a dark patterned runner does.\u003c\/p\u003e\n\n\u003cp\u003eIt comes from workshops in Pakistan, where the Anatolian double-knot technique has been kept in daily use. The pile is wool. Beneath it, cotton warps and wefts do the structural work, and a thread of synthetic yarn is added so a narrow rug holds its line over years of being walked down the middle. Hand-dyed yarn is what produces the chestnut-to-gold movement across the border; two runs of the same color never come out identical, and neither do two rugs. Have it washed professionally.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in Pakistan on the double knot.\u003c\/li\u003e\n  \u003cli\u003eWool pile; cotton structure with a thread of synthetic yarn in it.\u003c\/li\u003e\n  \u003cli\u003eWide brown border enclosing gold, earth and soft green Oushak motifs.\u003c\/li\u003e\n  \u003cli\u003e78 × 216 cm (2'7\" × 7'1\") — short passages, galley kitchens, bedsides.\u003c\/li\u003e\n  \u003cli\u003eLow contrast, so it does not visually shorten a small space.\u003c\/li\u003e\n  \u003cli\u003eHand-dyed yarns give the border its chestnut-to-gold movement.\u003c\/li\u003e\n  \u003cli\u003eDense enough for a route that gets walked several times a day.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing. A single piece.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eShort runners are the hardest size to buy well, because there is nowhere for a weak pattern to hide.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Brown \/ 78 X 216","offer_id":47272851112169,"sku":"KERMAH000034.01","price":35500.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/MahalSerisiElDokumaKahverengiUsakDesenliYunHali_2.jpg?v=1716391293"},{"product_id":"el-dokuma-bunyan-desenli-vintage-krem-yun-hali","title":"Cream Bünyan-Pattern Vintage Hand-Knotted Wool Rug","description":"\u003cp\u003e\u003cstrong\u003eThe drawing is Bünyan — a pattern family from the town of that name in Kayseri province, one of the older weaving centers in central Anatolia. It is carried here on a cream ground, in a hand-knotted wool rug of 130 × 221 cm (4'3\" × 7'3\") that was woven years ago, sheared down and re-dyed. One piece only.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eBünyan drawing is fine rather than bold: small repeating elements, a strong border, and a field that fills without crowding. Putting it on cream is what the re-dyeing did, and the effect is to soften a pattern originally built for stronger color. Up close the motifs are complete; from a doorway they read as texture. Cream keeps a room bright without going cold, which is the practical reason it survives fashion cycles that take other colors down with them.\u003c\/p\u003e\n\n\u003cp\u003eCotton carries the frame, wool makes everything you can see. The shearing that thinned this rug also shortened the pile, and a short pile picks up less and releases it more easily — a plain matter of depth rather than any property of the fiber. It is light for its size. Against dark wood the cream lifts; in a room already pale it settles and does very little, which some people want and others do not. Take it to a rug washer.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eBünyan drawing, from the weaving town in Kayseri province.\u003c\/li\u003e\n  \u003cli\u003eAn older Anatolian hand-knotted rug, sheared thin and re-colored cream.\u003c\/li\u003e\n  \u003cli\u003eWool for the pile, cotton for the ground beneath it.\u003c\/li\u003e\n  \u003cli\u003eFine repeating motifs with a firm border — texture at a distance, pattern up close.\u003c\/li\u003e\n  \u003cli\u003e130 × 221 cm (4'3\" × 7'3\") — a dining side, a bedroom, a wide hall.\u003c\/li\u003e\n  \u003cli\u003eShort pile, and light enough to move without help.\u003c\/li\u003e\n  \u003cli\u003eSend it to a rug washer.\u003c\/li\u003e\n  \u003cli\u003eA single example.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat is a Bünyan pattern?\u003c\/h3\u003e\n\u003cp\u003eBünyan is a town in Kayseri province in central Anatolia with a long rug-weaving tradition, and the name is used for the pattern family associated with it: fine, closely repeated motifs inside a firm border, drawn at a smaller scale than most Anatolian village work.\u003c\/p\u003e\n\n\u003ch3\u003eWhat does re-dyeing do to an old rug?\u003c\/h3\u003e\n\u003cp\u003eThe rug is sheared to shorten and even the pile, then dyed again in a single color and dried. The original drawing stays visible under the new color, and the rug becomes thinner and lighter than it was. No two results are the same, because no two starting rugs are.\u003c\/p\u003e\n\n\u003cp\u003eA cream floor is a decision about how much light a room is allowed to keep, and this one keeps most of it.\u003c\/p\u003e\n\n\u003cscript type=\"application\/ld+json\"\u003e{\"@context\": \"https:\/\/schema.org\", \"@type\": \"FAQPage\", \"mainEntity\": [{\"@type\": \"Question\", \"name\": \"What is a Bünyan pattern?\", \"acceptedAnswer\": {\"@type\": \"Answer\", \"text\": \"Bünyan is a town in Kayseri province in central Anatolia with a long rug-weaving tradition, and the name is used for the pattern family associated with it: fine, closely repeated motifs inside a firm border, drawn at a smaller scale than most Anatolian village work.\"}}, {\"@type\": \"Question\", \"name\": \"What does re-dyeing do to an old rug?\", \"acceptedAnswer\": {\"@type\": \"Answer\", \"text\": \"The rug is sheared to shorten and even the pile, then dyed again in a single color and dried. The original drawing stays visible under the new color, and the rug becomes thinner and lighter than it was. No two results are the same, because no two starting rugs are.\"}}]}\u003c\/script\u003e","brand":"HALICIZADE","offers":[{"title":"Cream \/ 130 X 221","offer_id":47401913778409,"sku":"HALVIN000074.01","price":22000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaVintageDesenliKremYunHali_1.jpg?v=1718285555"},{"product_id":"harem-serisi-el-dokuma-usak-desenli-yun-kahverengi-hali","title":"Brown Oushak-Pattern Hand-Knotted Wool Rug, Harem Series","description":"\u003cp\u003e\u003cstrong\u003eBurgundy, cream, gold-yellow and pale green, balanced across classical Uşak drawing on a brown ground: that is the Harem-series rug here, 220 × 285 cm (7'3\" × 9'4\"). Çınar Halı knotted it in Türkiye, in first-shearing fleece out of Erzurum worked together with silk. One of one.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eUşak, which English has spelled Oushak for two hundred years, is a town in western Anatolia whose rugs were being exported to Europe by the sixteenth century and copied there soon after. The drawing on this piece is that tradition, unabbreviated: large forms in the field, a border that repeats without ever quite repeating, and the four colors distributed so the eye keeps moving. Burgundy carries the weight, brown holds the temperature, and the gold catches whatever light reaches the floor. It suits the sort of room that already has a bookcase in it.\u003c\/p\u003e\n\n\u003cp\u003eFirst-shearing wool is the fleece taken from an animal's first clip; it keeps more of its natural oil and therefore more of its shine than later shearings, and it is what gives the series its hand. Silk enters the pile with it. The knot is the symmetrical Turkish knot, tied over two neighboring warps, at a density that decides both the sharpness of the drawing and the years of work it can absorb. Fewer looms attempt this class each season, and none of it will forgive a domestic wash — take it to a washer who understands what silk in a pile means.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eMade by hand in Türkiye, in the Çınar Halı workshops.\u003c\/li\u003e\n  \u003cli\u003eErzurum first-clip fleece, spun with silk, in one pile.\u003c\/li\u003e\n  \u003cli\u003eBrown ground; burgundy, cream, gold-yellow and pale green in the drawing.\u003c\/li\u003e\n  \u003cli\u003eClassical Uşak composition — large field forms inside a repeating border.\u003c\/li\u003e\n  \u003cli\u003eSymmetrical Turkish knot over two warps, densely worked.\u003c\/li\u003e\n  \u003cli\u003e220 × 285 cm (7'3\" × 9'4\"), which covers a full living-room group.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing, by someone used to silk-and-wool pile.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eBrown grounds do the thing dark rugs are bought for and rarely deliver: they make the furniture standing on them look better than it is.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Brown \/ 220 X 285","offer_id":47634600984809,"sku":"ÇINHAR000185.01","price":310000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/HaremSerisiElDokumaUsakDesenliYunKahverengiHali_2.jpg?v=1723127653"},{"product_id":"harem-serisi-el-dokuma-usak-desenli-sari-hali","title":"Yellow Oushak Hand-Knotted Silk and Wool Rug, Harem Series","description":"\u003cp\u003e\u003cstrong\u003eNine square meters of floor: 257 × 347 cm (8'5\" × 11'5\") is a rug for a room with real distance in it, and the Uşak drawing on this Harem-series piece was scaled accordingly — beige, cream, brown and red over a yellow ground. Çınar Halı wove it in Türkiye. A single rug.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eYellow is a difficult ground at small sizes and a generous one at this scale, because there is enough of it for the color to become the room's light rather than an object in it. The Uşak motifs are worked in beige and cream where they sit against the yellow and in brown and red where they need to hold an edge, and the effect at nine square meters is closer to a painted floor than to a rug on one. It was drawn for palaces and it behaves like it: put it somewhere with height, or it will overwhelm what is standing on it.\u003c\/p\u003e\n\n\u003cp\u003eThe Harem series is woven in first-class wool and silk, on fleece taken at the first shearing in Erzurum, and the knot is the Gördes — symmetrical, over two warp threads, at a density that took an extraordinary quantity of hand labor to complete across an area this large. Weaving of this class gets scarcer in Türkiye every year — a fact about the industry, not a claim about the rug. It should be cleaned by washers who work on rugs of this standard and by nobody else.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eWoven at the Çınar Halı looms in Türkiye for this series.\u003c\/li\u003e\n  \u003cli\u003eFirst-class wool and silk, on fleece taken at the first shearing in Erzurum.\u003c\/li\u003e\n  \u003cli\u003eThe Gördes knot — symmetrical, over two warps — at high density.\u003c\/li\u003e\n  \u003cli\u003eYellow ground with Uşak motifs in beige, cream, brown and red.\u003c\/li\u003e\n  \u003cli\u003e257 × 347 cm (8'5\" × 11'5\"), roughly nine square meters.\u003c\/li\u003e\n  \u003cli\u003eIt needs a large room with height; a small one will not carry it.\u003c\/li\u003e\n  \u003cli\u003eCleaned only by washers used to this class of weaving.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eYellow grounds keep a room lit through a northern winter, which is the reason they were woven in the first place.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Yellow \/ 257 X 347","offer_id":47652382114025,"sku":"ÇINHAR000015.01","price":440000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/HaremSerisiElDokumaUsakDesenliSariHali_8.jpg?v=1723544725"},{"product_id":"harem-serisi-el-dokuma-kahverengi-usak-desenli-hali","title":"Brown Oushak-Pattern Hand-Knotted Wool-Silk Rug, Harem Series","description":"\u003cp\u003e\u003cstrong\u003eBefore anything else: at 270 × 342 cm (8'10\" × 11'3\") this piece needs something close to four meters of clear floor in each direction, and in a smaller room it will vanish under the furniture. A Harem-series Oushak rug in burgundy, green and beige over brown, made in Türkiye at Çınar Halı from wool and silk. One piece.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eGiven the floor it wants, the drawing repays it. Uşak motifs run across the brown at full scale, with burgundy carrying the weight of the field, green cooling it in the border work and beige lifting the whole where the pattern needs air. Brown is the ground that never dates, and at this size it does something specific to a room: it lowers the visual temperature of everything above it, so pale walls read cooler and dark furniture reads heavier. Rooms with old furniture in them are where this rug stops being a purchase and starts being an inheritance.\u003c\/p\u003e\n\n\u003cp\u003eThe Harem series is built around one construction — the Gördes double knot, on Erzurum fleece from the first clip, with silk carried in the same pile — and this is what that construction produces at nine and a bit square meters. The labor involved is why the house treats the weaving class as rare rather than the design. Wool absorbs the wear and silk returns the light, and between them they rule out any domestic wash. Give it to a specialist.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted at Çınar Halı, in Türkiye.\u003c\/li\u003e\n  \u003cli\u003eThe fleece is a first clip out of Erzurum, and silk goes in with it.\u003c\/li\u003e\n  \u003cli\u003eThe Gördes double knot, tied symmetrically over two warps.\u003c\/li\u003e\n  \u003cli\u003eBrown ground; burgundy, green and beige across Uşak drawing.\u003c\/li\u003e\n  \u003cli\u003e270 × 342 cm (8'10\" × 11'3\"), a little over nine square meters.\u003c\/li\u003e\n  \u003cli\u003eIt wants close to four meters of clear floor each way.\u003c\/li\u003e\n  \u003cli\u003eFiled among the rare weaving classes, on construction rather than design.\u003c\/li\u003e\n  \u003cli\u003eSpecialist washing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eBrown rugs are chosen last and thrown out never, and this one will outlast every wall color the room is given.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Brown \/ 270 X 342","offer_id":47652412260585,"sku":"ÇINHAR000125.01","price":455000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/HaremSerisiElDokumaKahverengiUsakDesenliHali_1.jpg?v=1723547487"},{"product_id":"mahal-serisi-el-dokuma-cizgi-desenli-kahverengi-hali","title":"Brown Striped Handwoven Wool Rug, Mahal Series","description":"\u003cp\u003e\u003cstrong\u003eThe yarn was dyed by hand, and that is why no two browns in this rug are quite the same tone: Mahal Series Handwoven Line-Pattern Brown Rug, 172 × 241 cm (5'8\" × 7'11\"), a squared grid of horizontal and vertical bars over cream, tied with the Anatolian double knot on a cotton foundation with a wool surface.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eWithin each square the bars run one way, and in the square beside it they turn ninety degrees, so the field reads as order and movement at the same time — the same trick a parquet floor plays. Brown moves from bark to biscuit across the piece because the dye lots were mixed by hand rather than metered, and those shifts are the visible difference between this and an industrially produced rug. Earth tones and a wool surface together make a room feel less furnished and more inhabited.\u003c\/p\u003e\n\n\u003cp\u003eWeavers tie the Anatolian double knot, the symmetrical knot used across Turkish weaving, which holds the pattern square and stiffens the fabric. Cotton below, wool above, and a measured amount of synthetic yarn added to hold the structure — declared rather than papered over with the word natural. The pile is not thick, and it is firm rather than soft: the rug keeps its shape, does not shed much, and the low surface gives dust less to settle into. Professional washing.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven with the Anatolian double knot, on a cotton foundation.\u003c\/li\u003e\n  \u003cli\u003eWool surface, plus a trace of synthetic yarn for durability.\u003c\/li\u003e\n  \u003cli\u003e172 × 241 cm (5'8\" × 7'11\").\u003c\/li\u003e\n  \u003cli\u003eSquared grid of brown bars on cream, turning direction square by square.\u003c\/li\u003e\n  \u003cli\u003eHand-dyed yarn, so the browns vary naturally from one area to the next.\u003c\/li\u003e\n  \u003cli\u003eA firm, thin pile that holds its shape and vacuums easily.\u003c\/li\u003e\n  \u003cli\u003eSend it out for washing rather than treating it at home.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eIt is a modern drawing made by a method that is not modern at all, and that tension is the whole appeal.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Brown \/ 172 X 241","offer_id":47714394472681,"sku":"KERMAH000001.01","price":87500.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/MahalSerisiElDokumaCizgiDesenliKahverengiHali_6.jpg?v=1724676022"},{"product_id":"tezgah-dokuma-sade-desenli-kahverengi-terra-yun-hali","title":"Brown and Terracotta Plain Loom-Woven Wool Rug","description":"\u003cp\u003e\u003cstrong\u003eThe color moves as you cross it: palest sand through cinnamon and rust into terracotta, one tone leaning into the next with no join. Loom-Woven Plain Brown and Terracotta Wool Rug — 80% wool, 20% cotton, 3,300 g\/m² at a 7 mm pile, woven in India in four sizes from 140 × 200 cm (4'7\" × 6'7\") to 250 × 350 cm (8'2\" × 11'6\").\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eUnderneath the browns there is an orange-peel undertone that shows most clearly in daylight, and it is what keeps the rug from reading as a beige compromise. The gradient needs room to be seen — on a small floor the shifts compress and the rug looks like a single brown, while at the largest size the whole progression is visible from one end to the other. Which is the honest way to say that this design rewards a big room and gives less back in a small one. Against neutral walls it does the job a fire does.\u003c\/p\u003e\n\n\u003cp\u003eLoom-woven in India, wool-led, and the wool is why it stays soft while keeping its shape — a rug that recovers rather than flattens. At 7 mm the pile is at the classic rug thickness, the height most people have underfoot without thinking about it, and 3,300 g\/m² gives it the weight to lie still. It vacuums and wipes without trouble and does not shed to any degree worth complaining about. Rustic, Scandinavian, industrial or maximalist rooms all take it. Professional washing when it eventually needs it.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eLoom-woven in India.\u003c\/li\u003e\n  \u003cli\u003e80% wool, 20% cotton.\u003c\/li\u003e\n  \u003cli\u003e3,300 g\/m² at a 7 mm pile — classic thickness, with weight behind it.\u003c\/li\u003e\n  \u003cli\u003eTone-into-tone gradient from sand through cinnamon and rust to terracotta.\u003c\/li\u003e\n  \u003cli\u003eFour sizes, from 140 × 200 cm up to 250 × 350 cm, with 170 × 240 cm and 200 × 300 cm between.\u003c\/li\u003e\n  \u003cli\u003eShows its gradient best on a large floor; compresses on a small one.\u003c\/li\u003e\n  \u003cli\u003eEasy daily cleaning; professional washing for a deep clean.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eYears of laying rugs in houses and this line has still not dated, which is a reasonable definition of a good plain rug.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Earth \/ 200 X 300","offer_id":47744486801641,"sku":"HALPRJ000081.02","price":69000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaSadeDesenliKahverengiTerraYunHali_2.jpg?v=1725624706"},{"product_id":"mahal-serisi-el-dokuma-geometrik-desenli-kahverengi-yun-hali","title":"Brown Geometric Handwoven Wool Rug, Mahal Series","description":"\u003cp\u003e\u003cstrong\u003eSquares laid one over another in pastel brown and honey, across 249 \u0026times; 295 cm (8'2\" \u0026times; 9'8\"): this is the Mahal Series geometric rug in brown, handwoven in Pakistan using the Anatolian double knot, wool over the whole surface and cotton beneath it. There is one of it, and no second.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe forms overlap rather than sit side by side, so the field reads in layers instead of as a grid, and the eye keeps finding another edge behind the one it was following. Color moves with them \u0026mdash; pale brown through honey to something close to earth after rain \u0026mdash; because the yarn was dyed in batches rather than to a single number. Those small tonal steps are why the surface never goes flat under a lamp. Against oak, walnut or a stone floor the browns read warm; beside gray upholstery they cool and behave like a neutral.\u003c\/p\u003e\n\n\u003cp\u003ePakistan, and the double knot throughout \u0026mdash; the knot Anatolian weavers use, tied around two warps so it grips and does not slip. Wool makes every part of the pile; cotton carries the structure below it, and a little synthetic thread runs with it for strength \u0026mdash; something the house prints rather than hides. The pile is shallow and the hand of it is firm. This is not a rug you sink into, and anyone hoping for that should know it now. At this width a full seating group fits on it with floor to spare, which is what the size was drawn for. Cleaning belongs to a professional washer.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eKnotted by hand in Pakistan, Anatolian double knot.\u003c\/li\u003e\n  \u003cli\u003eWool over the full surface; the cotton foundation carries a small synthetic component for strength.\u003c\/li\u003e\n  \u003cli\u003eOverlapping square forms in pastel brown, honey and beige.\u003c\/li\u003e\n  \u003cli\u003eBatch-dyed yarn, so the browns step through several tones instead of one.\u003c\/li\u003e\n  \u003cli\u003e249 \u0026times; 295 cm (8'2\" \u0026times; 9'8\") \u0026mdash; a large salon, a study, an office floor.\u003c\/li\u003e\n  \u003cli\u003eFirm, shallow pile that holds its shape.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing.\u003c\/li\u003e\n  \u003cli\u003eOne piece.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eBrown squares look modest in a photograph and hold a room together for twenty years, which is the trade the buyer is actually making.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Brown \/ 249 X 295","offer_id":47750032261353,"sku":"KERMAH000004.01","price":155000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/MahalSerisiElDokumaGeometrikDesenliKahverengiYunHali_2_e269adcd-56db-4971-850d-2cbe74423174.jpg?v=1725870593"},{"product_id":"ottoman-serisi-el-dokuma-cerceve-desenli-kahverengi-yun-hali","title":"Brown Frame-Pattern Handwoven Wool Rug, Ottoman Series","description":"\u003cp\u003e\u003cstrong\u003eFirst-shearing fleece from Erzurum, the oiliest and most reflective wool the Turkish highlands produce, is what this rug is made of: an Ottoman Series frame-pattern rug in brown, 165 \u0026times; 213 cm (5'5\" \u0026times; 7'0\"), handwoven in T\u0026uuml;rkiye with the Turkish double knot. The series is finished, and this is one of the pieces left.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eErzurum wool is prized for a reason that shows rather than reads: the natural oil left in a first shearing makes the fiber throw light back instead of absorbing it, so a brown that would be dull in another fleece has a low shine to it here. The pattern is a frame drawn from Oushak sources, a border inside a border, holding a field of brown, beige and gold. On dark stone and dark timber floors that palette separates cleanly; on pale boards it warms everything within a meter of it.\u003c\/p\u003e\n\n\u003cp\u003eThe knot is the Turkish one \u0026mdash; the symmetrical double knot, tied around two warps, which is the knot Anatolia has used for as long as anyone has been counting. It is slower than the alternative and it holds better, and it is the reason old Anatolian rugs survive with their pile intact. The Ottoman Series is no longer in production, so what exists is what exists. In front of a seating group, in an entrance hall, or in a room where the furniture is already old, it will look like it was there first. It wants professional washing rather than a home clean.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven in T\u0026uuml;rkiye from first-shearing Erzurum fleece.\u003c\/li\u003e\n  \u003cli\u003eTurkish double knot \u0026mdash; symmetrical, tied around two warps.\u003c\/li\u003e\n  \u003cli\u003eFrame-within-a-frame pattern drawn from historic Oushak motifs.\u003c\/li\u003e\n  \u003cli\u003eBrown, beige and gold; strongest against dark stone and dark wood.\u003c\/li\u003e\n  \u003cli\u003eThe oil in a first shearing gives the wool its natural sheen.\u003c\/li\u003e\n  \u003cli\u003e165 \u0026times; 213 cm (5'5\" \u0026times; 7'0\") \u0026mdash; a seating group, a hall, a bedroom.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing.\u003c\/li\u003e\n  \u003cli\u003eProduction of the series has ended; this is a single remaining piece.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat is first-shearing Erzurum wool?\u003c\/h3\u003e\n\u003cp\u003eIt is the fleece taken at a sheep's first shearing in the Erzurum highlands of eastern T\u0026uuml;rkiye. That first fleece keeps more of its natural oil than later ones, which makes the fiber softer to handle, brighter under light, and more resistant to wear once it is knotted into a pile.\u003c\/p\u003e\n\n\u003ch3\u003eWhat is the Turkish double knot?\u003c\/h3\u003e\n\u003cp\u003eThe Turkish or G\u0026ouml;rdes knot is a symmetrical knot tied around two warp threads rather than one. It grips more firmly than the asymmetrical alternative and takes longer to tie, which is why Anatolian rugs knotted this way keep their pile and their shape over very long service.\u003c\/p\u003e\n\n\u003cscript type=\"application\/ld+json\"\u003e\n{\"@context\":\"https:\/\/schema.org\",\"@type\":\"FAQPage\",\"mainEntity\":[{\"@type\":\"Question\",\"name\":\"What is first-shearing Erzurum wool?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"It is the fleece taken at a sheep's first shearing in the Erzurum highlands of eastern Türkiye. That first fleece keeps more of its natural oil than later ones, which makes the fiber softer to handle, brighter under light, and more resistant to wear once it is knotted into a pile.\"}},{\"@type\":\"Question\",\"name\":\"What is the Turkish double knot?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"The Turkish or Gördes knot is a symmetrical knot tied around two warp threads rather than one. It grips more firmly than the asymmetrical alternative and takes longer to tie, which is why Anatolian rugs knotted this way keep their pile and their shape over very long service.\"}}]}\n\u003c\/script\u003e\n\n\u003cp\u003eWhen a series ends the remaining pieces stop being stock and start being what is left, and this is one of them.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Brown \/ 165 X 213","offer_id":47849308717289,"sku":"HASOTT000182.01","price":215000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/OttomanSerisiElDokumaCerceveDesenliKahverengiYunHali_1.jpg?v=1728897892"},{"product_id":"tezgah-dokuma-sade-desenli-bakir-hali","title":"Copper Plain Loom-Woven Wool Rug","description":"\u003cp\u003e\u003cstrong\u003eCopper is neither brown nor orange, and that is the whole point of this rug: a plain loom-woven floor in 100% New Zealand wool, dug out of the middle of the two, 13 mm deep and 4,750 g\/m\u0026sup2; heavy, made in India in several sizes. No pattern anywhere on it.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe color is dense and refined rather than bright \u0026mdash; the tone of the metal after it has been handled, not after it has been polished. Because the fiber is wool and wool is matt, nothing on the surface glares, and the copper stays the same copper from every corner of the room. It is at its best against natural timber, against leather, and against the gray of stone; put it near any of those and the room settles. Plain and deep-toned at once, which is a combination that gets noticed without asking to be.\u003c\/p\u003e\n\n\u003cp\u003eLoom-woven in India, which here means the body of the rug is set mechanically and the knotting closed by hand. The fleece is New Zealand wool, and its matt surface is the reason a copper floor throws no glare. Step onto it and the density registers before the color does. Two things to know: wool of this depth sheds a little, particularly early on, and the fiber will hold a stain if one is left in it. Professional washing is what the house advises.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eLoom-woven in India \u0026mdash; loom-set structure, hand-finished knotting.\u003c\/li\u003e\n  \u003cli\u003e100% New Zealand wool.\u003c\/li\u003e\n  \u003cli\u003e13 mm pile, 4,750 g\/m\u0026sup2;: thick and dense underfoot.\u003c\/li\u003e\n  \u003cli\u003eCopper: a deep tone between brown and orange, with no sheen.\u003c\/li\u003e\n  \u003cli\u003eMatt surface, so it does not mark where you have walked.\u003c\/li\u003e\n  \u003cli\u003eSheds a little at first and can hold a stain \u0026mdash; treat spills promptly.\u003c\/li\u003e\n  \u003cli\u003eGoes with timber, leather and stone gray.\u003c\/li\u003e\n  \u003cli\u003eSeveral sizes; professional washing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat does loom-woven mean?\u003c\/h3\u003e\n\u003cp\u003eLoom-woven sits between hand-knotting and machine weaving. The rug's body is built on a loom that carries part of the work, and the knotting and finishing are completed by hand. It gives a denser, more regular surface than a machine-made rug, and takes far fewer hours than one knotted throughout.\u003c\/p\u003e\n\n\u003ch3\u003eWhy does a new wool rug shed?\u003c\/h3\u003e\n\u003cp\u003eShort fibers left in the pile from spinning work their way loose during the first months of use. That is shedding, and it is normal in a deep wool pile. It slows down steadily with regular vacuuming and stops once the loose fiber has cleared; it is not a sign of wear.\u003c\/p\u003e\n\n\u003cscript type=\"application\/ld+json\"\u003e\n{\"@context\":\"https:\/\/schema.org\",\"@type\":\"FAQPage\",\"mainEntity\":[{\"@type\":\"Question\",\"name\":\"What does loom-woven mean?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"Loom-woven sits between hand-knotting and machine weaving. The rug's body is built on a loom that carries part of the work, and the knotting and finishing are completed by hand. It gives a denser, more regular surface than a machine-made rug, and takes far fewer hours than one knotted throughout.\"}},{\"@type\":\"Question\",\"name\":\"Why does a new wool rug shed?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"Short fibers left in the pile from spinning work their way loose during the first months of use. That is shedding, and it is normal in a deep wool pile. It slows down steadily with regular vacuuming and stops once the loose fiber has cleared; it is not a sign of wear.\"}}]}\n\u003c\/script\u003e\n\n\u003cp\u003eCopper is the color people describe wrongly and recognize instantly, which is why it is worth seeing on a floor rather than a screen.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Copper \/ 45 X 45","offer_id":47873203568873,"sku":"HALPRJ000103.01","price":2600.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaSadeDesenliBakirHali_1.jpg?v=1730034265"},{"product_id":"harem-serisi-el-dokuma-usak-desenli-krem-hali-1","title":"Cream Oushak Hand-Knotted Wool and Silk Rug, Harem Series","description":"\u003cp\u003e\u003cstrong\u003eThe drawing on this rug was taken from Oushak carpets of the fourteenth and fifteenth centuries. It is a Harem Series piece from the Çınar Halı workshop, knotted by hand in Türkiye at 168 × 219 cm (5'6\" × 7'2\"), in Erzurum wool with real Bursa silk, tied on the double knot, cream throughout. A single piece.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eOushak is the weaving region in western Anatolia whose rugs turn up in European paintings from the fifteenth century onward, and the patterns of that period are looser and larger in scale than what came after. That looseness is what has been kept here. The cream is soft rather than white, and the silk in the drawing catches light at a different angle than the wool does, so the motifs come and go as you move around it.\u003c\/p\u003e\n\n\u003cp\u003eErzurum wool and Bursa silk are the two yarns the Turkish trade names when it is being precise about quality, and both are in this rug. The double knot puts two anchors under every tuft, which is what lets a piece built this way survive being walked on for decades rather than years. Çınar Halı is one of the few Turkish hand-knotting workshops with an international record, and rugs at this weave class are getting harder to source. Only a washer who does this for a living should be allowed near it.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eKnotted by hand at Çınar Halı, in Türkiye.\u003c\/li\u003e\n  \u003cli\u003eErzurum wool in the pile, real Bursa silk in the drawing.\u003c\/li\u003e\n  \u003cli\u003eDouble knot — two anchors per tuft, and the reason it wears slowly.\u003c\/li\u003e\n  \u003cli\u003eDrawn from Oushak weaving of the fourteenth and fifteenth centuries.\u003c\/li\u003e\n  \u003cli\u003eCream, soft rather than white, with the silk catching light separately from the wool.\u003c\/li\u003e\n  \u003cli\u003e168 × 219 cm (5'6\" × 7'2\").\u003c\/li\u003e\n  \u003cli\u003eWashing by a specialist in hand-knotted work, and nobody else.\u003c\/li\u003e\n  \u003cli\u003eOne piece.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eIt will sit under a dark table without disappearing, which is more than most pale rugs manage.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Cream \/ 168 X 219","offer_id":47930681950441,"sku":"ÇINHAR000038.01","price":181000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/HaremSerisiElDokumaUsakDesenliKremHali_1.jpg?v=1731766942"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/collections\/kahverengi-1920x650-tikla.png?v=1784440610","url":"https:\/\/www.halicizade.com\/en\/collections\/brown-rugs.oembed?page=3","provider":"HALICIZADE","version":"1.0","type":"link"}