{"title":"Entryway Rugs","description":"\u003cp\u003e\u003cstrong\u003eAn entryway rug is the small rug laid inside the front door, usually between 80 x 150 cm (2'7\" x 4'11\") and 130 x 190 cm (4'3\" x 6'3\"), or a runner where the hall is narrow. It has to clear the door swing, take grit and wet soles, and be light enough to lift and shake out.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAn entry is the hardest floor in a house and the smallest budget in the room. What follows is the geometry — door clearance, proportions, runner lengths — and what an entry floor actually does to a rug.\u003c\/p\u003e\n\n\u003ch2\u003eFirst, the door\u003c\/h2\u003e\n\u003cp\u003eMeasure the gap under the door leaf before you measure the floor.\u003c\/p\u003e\n\u003cp\u003eAn interior door swings through an arc equal to its own width, usually 80 to 90 cm, and it passes over whatever is under it at a fixed height. Compare that gap against the pile height of the rug plus any pad beneath it. Pile depth across these collections runs from about 5 mm to over 25 mm: 5 mm passes under almost any door, 12 mm often does not, and anything deeper has to begin outside the door's arc.\u003c\/p\u003e\n\u003cp\u003eTwo ways out if the clearance is tight. Set the rug behind the arc, starting where the door's leading edge stops, which suits a hall long enough to take a runner. Or pick a flat-woven kilim, which has no pile at all — the pattern is made by the weft itself, so the whole rug is a few millimeters thick and reversible into the bargain.\u003c\/p\u003e\n\n\u003ch2\u003eWhat an entry floor actually takes\u003c\/h2\u003e\n\u003cp\u003eGrit, water and point loads, in that order of damage.\u003c\/p\u003e\n\u003cp\u003eThe sand and street grit carried in on shoe soles is abrasive. It works down between the tufts and cuts the yarn from below, which is why an entry rug wears out from the base rather than the surface, and why vacuuming it more often than the rest of the house is not fussiness. Water arrives with it in wet weather, and a rug left damp against a hard floor stays damp underneath. Then there are the point loads: a heel, a dropped bag, the leg of a hall bench in the same spot for years.\u003c\/p\u003e\n\u003cp\u003eThis is what should decide the ground color. Street grit is gray-brown, so it vanishes into a mottled or patterned field and shows plainly on a flat pale one. Cream and white belong in an entry where shoes come off at the door.\u003c\/p\u003e\n\n\u003ch2\u003eSizes and proportion\u003c\/h2\u003e\n\u003cp\u003eThe size is set by the floor that shows around the rug, not by the rug.\u003c\/p\u003e\n\u003cp\u003eLeave 10 to 15 cm of bare floor along each long side. That strip is what tells the eye it is looking at a rug rather than at fitted carpet, and it is also what stops the rug from being kicked up against the skirting every time the door opens. Working backward from a typical 160 cm wide entry hall, that puts the rug at 130 cm wide or under.\u003c\/p\u003e\n\u003cp\u003eThe sizes that land in an entry, and what each one suits:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003e80 x 150 cm (2'7\" x 4'11\")\u003c\/strong\u003e — a narrow entry, or a landing strip just inside the door.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e100 x 200 cm (3'3\" x 6'7\")\u003c\/strong\u003e — a long, narrow entry where the rug runs away from the door rather than across it.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e120 x 180 cm (3'11\" x 5'11\")\u003c\/strong\u003e — an entry with a console table, where the rug should reach past the table's front legs.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e130 x 190 cm (4'3\" x 6'3\")\u003c\/strong\u003e — a generous square entry, or one that doubles as the start of a corridor.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e160 cm and 200 cm rounds (5'3\" and 6'7\" across)\u003c\/strong\u003e — an entry with a central light fitting or a round table, where a rectangle would fight the geometry.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eMany of the pieces here are small hand-knotted rugs whose measurements are irregular by nature: 117 x 217, 124 x 185, 132 x 190 cm. Each rug's measured size is on its own page.\u003c\/p\u003e\n\n\u003ch2\u003eRunners, when the entry is a corridor\u003c\/h2\u003e\n\u003cp\u003eA runner is proportioned to the corridor, not to the door.\u003c\/p\u003e\n\u003cp\u003eLeave 15 to 20 cm of floor at each end, so the runner never runs into the skirting board, and at least 10 cm of floor on each side along its length. A runner that touches the walls makes a corridor read narrower than it is, which is the opposite of what it is there to do. Runners are woven 80, 90 and 100 cm wide, in lengths from 300 up to 600 cm — long enough that most apartment corridors and stair landings can be done in one piece rather than two. Lengths and widths are set out at \u003ca href=\"\/en\/collections\/hallway-runners\"\u003ehallway runners\u003c\/a\u003e, and the proportions are worked through at greater length in the \u003ca href=\"\/en\/blogs\/news\/hallway-runner-guide\"\u003ehallway runner guide\u003c\/a\u003e.\u003c\/p\u003e\n\n\u003ch2\u003eWhich construction for an entry\u003c\/h2\u003e\n\u003ctable\u003e\n\u003ctr\u003e\u003cth\u003eConstruction\u003c\/th\u003e\u003cth\u003eThickness\u003c\/th\u003e\u003cth\u003eBehavior in an entry\u003c\/th\u003e\u003cth\u003eTrade\u003c\/th\u003e\u003c\/tr\u003e\n\u003ctr\u003e\u003ctd\u003eFlat-woven kilim\u003c\/td\u003e\u003ctd\u003eNo pile at all\u003c\/td\u003e\u003ctd\u003eClears any door, lifts and shakes out in one hand, reversible\u003c\/td\u003e\u003ctd\u003eThin underfoot, and the weave shows wear along a fold line\u003c\/td\u003e\u003c\/tr\u003e\n\u003ctr\u003e\u003ctd\u003eHand-knotted wool, low pile\u003c\/td\u003e\u003ctd\u003eLow and dense\u003c\/td\u003e\u003ctd\u003eDense enough to hold grit at the surface where a vacuum reaches it\u003c\/td\u003e\u003ctd\u003eThe highest cost per square meter of the four\u003c\/td\u003e\u003c\/tr\u003e\n\u003ctr\u003e\u003ctd\u003eLoom-woven\u003c\/td\u003e\u003ctd\u003eLow to medium\u003c\/td\u003e\u003ctd\u003eEven pile, consistent sizes, a step below hand-knotting in price\u003c\/td\u003e\u003ctd\u003eLess character than a knotted piece\u003c\/td\u003e\u003c\/tr\u003e\n\u003ctr\u003e\u003ctd\u003eMachine-woven\u003c\/td\u003e\u003ctd\u003eLow to medium\u003c\/td\u003e\u003ctd\u003eLight, cheap to replace, repeatable if a second one is needed\u003c\/td\u003e\u003ctd\u003eNo abrash, no irregularity, nothing that improves with age\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003cp\u003eCompare them at \u003ca href=\"\/en\/collections\/kilim-rugs\"\u003ehandwoven kilims\u003c\/a\u003e, \u003ca href=\"\/en\/collections\/hand-knotted-rugs\"\u003ehand-knotted rugs\u003c\/a\u003e and \u003ca href=\"\/en\/collections\/machine-rugs\"\u003emachine-woven rugs\u003c\/a\u003e. Where a maker states that a rug can go in a washing machine, it is listed under \u003ca href=\"\/en\/collections\/machine-washable-rugs\"\u003emachine-washable rugs\u003c\/a\u003e.\u003c\/p\u003e\n\n\u003ch2\u003eKeeping it in one place, and keeping it clean\u003c\/h2\u003e\n\u003cp\u003eOn a hard floor, put a thin pad under it. A small rug in a doorway travels a few millimeters with every step until somebody kicks the corner of it, and a pad also lifts the rug enough for air to move underneath — worth having in the one room where wet shoes land.\u003c\/p\u003e\n\u003cp\u003eVacuum an entry rug more often than the rest of the house, with the beater bar off and in the direction of the pile, and take it outside to shake two or three times a year. Blot a spill with a dry cloth rather than rubbing it, since rubbing drives the liquid into the knot collar where it sets. Once or twice a year send it for professional washing, and read \u003ca href=\"\/en\/blogs\/news\/how-to-clean-a-rug\"\u003ehow a rug is cleaned\u003c\/a\u003e before you try anything stronger at home.\u003c\/p\u003e\n\n\u003ch2\u003eFrequently asked questions\u003c\/h2\u003e\n\u003ch3\u003eWhat size should an entryway rug be?\u003c\/h3\u003e\n\u003cp\u003eMost entries take something between 80 x 150 cm (2'7\" x 4'11\") and 130 x 190 cm (4'3\" x 6'3\"). The rule that matters more than the size is the border: leave 10 to 15 cm of bare floor along each long side so the rug reads as laid down rather than fitted.\u003c\/p\u003e\n\u003ch3\u003eHow do I stop the rug from catching under the door?\u003c\/h3\u003e\n\u003cp\u003eMeasure the gap between the bottom of the door leaf and the finished floor, then compare it with the pile height plus any pad. A pile of about 5 mm clears most interior doors; anything from 12 mm up often does not, in which case the rug has to start beyond the door's swing.\u003c\/p\u003e\n\u003ch3\u003eWhat is the right length for a runner in a hall?\u003c\/h3\u003e\n\u003cp\u003eOne that leaves 15 to 20 cm of floor at each end, so the runner never touches the skirting. Across the width, keep at least 10 cm of floor showing on both sides, or the runner makes the corridor look narrower than it is.\u003c\/p\u003e\n\u003ch3\u003eWhich construction holds up best in an entry?\u003c\/h3\u003e\n\u003cp\u003eA dense, low pile of any construction. Flat-woven kilims are the easiest to lift and shake out, machine-woven rugs are the cheapest to replace when a hall is hard on them, and a small hand-knotted wool rug takes grit better than its size suggests.\u003c\/p\u003e\n\u003ch3\u003eWhat color hides an entry's traffic best?\u003c\/h3\u003e\n\u003cp\u003eA mid to dark ground with a broken pattern. Grit that walks in from outside is gray-brown, so it disappears into a patterned or mottled field and shows plainly on a flat pale one. Cream and white belong in a hall with a shoes-off habit.\u003c\/p\u003e\n\u003ch3\u003eCan an entryway rug be washed?\u003c\/h3\u003e\n\u003cp\u003eSome of the rugs here are stated by their makers to be machine washable, and those are listed together. For everything else, vacuum regularly, blot spills rather than rubbing them, and send the rug for professional washing once or twice a year.\u003c\/p\u003e\n\u003ch3\u003eShould an entryway rug sit on a pad?\u003c\/h3\u003e\n\u003cp\u003eOn a hard floor, yes. A thin pad keeps a small rug from traveling every time someone steps on the corner of it, and it lets air move under the pile, which matters most in the one room of the house where wet shoes land.\u003c\/p\u003e\n\u003cscript type=\"application\/ld+json\"\u003e{\"@context\":\"https:\/\/schema.org\",\"@type\":\"FAQPage\",\"mainEntity\":[{\"@type\":\"Question\",\"name\":\"What size should an entryway rug be?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"Most entries take something between 80 x 150 cm (2'7\\\" x 4'11\\\") and 130 x 190 cm (4'3\\\" x 6'3\\\"). The rule that matters more than the size is the border: leave 10 to 15 cm of bare floor along each long side so the rug reads as laid down rather than fitted.\"}},{\"@type\":\"Question\",\"name\":\"How do I stop the rug from catching under the door?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"Measure the gap between the bottom of the door leaf and the finished floor, then compare it with the pile height plus any pad. A pile of about 5 mm clears most interior doors; anything from 12 mm up often does not, in which case the rug has to start beyond the door's swing.\"}},{\"@type\":\"Question\",\"name\":\"What is the right length for a runner in a hall?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"One that leaves 15 to 20 cm of floor at each end, so the runner never touches the skirting. Across the width, keep at least 10 cm of floor showing on both sides, or the runner makes the corridor look narrower than it is.\"}},{\"@type\":\"Question\",\"name\":\"Which construction holds up best in an entry?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"A dense, low pile of any construction. Flat-woven kilims are the easiest to lift and shake out, machine-woven rugs are the cheapest to replace when a hall is hard on them, and a small hand-knotted wool rug takes grit better than its size suggests.\"}},{\"@type\":\"Question\",\"name\":\"What color hides an entry's traffic best?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"A mid to dark ground with a broken pattern. Grit that walks in from outside is gray-brown, so it disappears into a patterned or mottled field and shows plainly on a flat pale one. Cream and white belong in a hall with a shoes-off habit.\"}},{\"@type\":\"Question\",\"name\":\"Can an entryway rug be washed?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"Some of the rugs here are stated by their makers to be machine washable, and those are listed together. For everything else, vacuum regularly, blot spills rather than rubbing them, and send the rug for professional washing once or twice a year.\"}},{\"@type\":\"Question\",\"name\":\"Should an entryway rug sit on a pad?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"On a hard floor, yes. A thin pad keeps a small rug from traveling every time someone steps on the corner of it, and it lets air move under the pile, which matters most in the one room of the house where wet shoes land.\"}}]}\u003c\/script\u003e\n\n\u003cp\u003e\u003cstrong\u003eRelated collections:\u003c\/strong\u003e \u003ca href=\"\/en\/collections\/hallway-runners\"\u003ehallway runners\u003c\/a\u003e · \u003ca href=\"\/en\/collections\/kilim-rugs\"\u003ehandwoven kilims\u003c\/a\u003e · \u003ca href=\"\/en\/collections\/round-rugs\"\u003eround rugs\u003c\/a\u003e · \u003ca href=\"\/en\/collections\/machine-washable-rugs\"\u003emachine-washable rugs\u003c\/a\u003e\u003c\/p\u003e\n","products":[{"product_id":"hanzade-serisi-el-dokuma-cerceve-desenli-krem-hali","title":"Cream Bordered Hand-Knotted Silk-Blend Rug, Hanzade Series","description":"\u003cp\u003e\u003cstrong\u003eIt handles like dress fabric rather than floor covering: Cream Bordered Hand-Knotted Silk-Blend Rug, Hanzade Series — 122 × 177 cm (4'0\" × 5'10\"), knotted in Türkiye, a cream field inside a classical border of earth and honey tones, with enough silk in the pile to make the surface move under the hand.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe cream is not one cream. Warm milk, faint beige and the thin lines of the weave itself come and go depending on where you stand, and the border — curved, classical, drawn in earth and honey — closes the field without hardening it. At this size the rug does not cover a room, it marks a place in one: under a bergère, along a reading corner, at the foot of a bed. That is what it was drawn to do, and it does it without asking for attention.\u003c\/p\u003e\n\n\u003cp\u003eMonths of knotting go into a rug worked this finely, and the fringes at both ends are tied individually by hand after the pile is finished, which is the visible signature of that labor. The pile is heavy in silk, and that is where the fluidity comes from; rugs woven this way are made in smaller numbers every year. Underfoot it is light, warm and faintly slippery — worth knowing before it goes at the bottom of a staircase. It is a single piece, and washing is a specialist's job.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in Türkiye, with a silk-heavy pile.\u003c\/li\u003e\n  \u003cli\u003eCream field with a curved classical border in earth and honey tones.\u003c\/li\u003e\n  \u003cli\u003eFringes tied one at a time by hand, after the knotting is finished.\u003c\/li\u003e\n  \u003cli\u003eMeasures 122 × 177 cm, drawn to define a corner rather than fill a room.\u003c\/li\u003e\n  \u003cli\u003eLight and faintly slippery underfoot; think twice about stair bottoms and thresholds.\u003c\/li\u003e\n  \u003cli\u003eMonths of work in a single piece.\u003c\/li\u003e\n  \u003cli\u003eA specialist washer, and no one else.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eSit in the chair it goes under and you will end up touching it with a bare foot, which is the honest reason to own it.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Cream \/ 122 X 177","offer_id":40809443229890,"sku":"HALHAN000011.01","price":130000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/HanzadeSerisiElDokumaCerceveDesenliKremHali_1.jpg?v=1709566338"},{"product_id":"el-dokuma-anadolu-desenli-siyah-kilim","title":"Black Anatolian-Pattern Handwoven Wool Kilim","description":"\u003cp\u003e\u003cstrong\u003eA handwoven wool kilim on a black ground, 120 × 180 cm (3'11\" × 5'11\"), with Anatolian geometric motifs running in horizontal bands across it in red, orange, yellow and green. A kilim is flat-woven rather than knotted, so it carries no pile and lies thin. Woven in Türkiye, one piece.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eBlack is an unusual ground for an Anatolian flatweave and it changes what every other color does: red goes hotter against it, yellow stops looking pale, and the green begins to read almost as a third warm color. The bands advance up the kilim in sequence, four colors taking their turn, so the eye travels along it instead of settling in a middle. Inside the bands is the old geometric alphabet of village weaving — hooks, diamonds, running borders — each drawn small and repeated.\u003c\/p\u003e\n\n\u003cp\u003eWoven entirely in wool on Turkish looms, with no pile whatsoever. The pattern is the weft itself, beaten down over the warp until the warp disappears. That is what a flatweave is, and it is why a kilim weighs a fraction of a knotted rug covering the same floor and can be picked up and shaken out. Thinness is the trade: underfoot it is firm rather than soft, and on a polished floor it will slide without a pad beneath it. Professional washing keeps the black from going gray.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven flatweave in wool, made in Türkiye.\u003c\/li\u003e\n  \u003cli\u003eBlack ground carrying horizontal bands in red, orange, yellow and green.\u003c\/li\u003e\n  \u003cli\u003eGeometric Anatolian motifs drawn small and repeated along each band.\u003c\/li\u003e\n  \u003cli\u003eNo pile at all: thin, light, and easy to lift and shake out.\u003c\/li\u003e\n  \u003cli\u003e120 × 180 cm (3'11\" × 5'11\") — an entryway, a study, or the foot of a bed.\u003c\/li\u003e\n  \u003cli\u003eFirm underfoot rather than cushioned, and it wants a pad on a smooth floor.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eHung on a wall it does the same job it does on a floor, and the black keeps it from competing with anything else in the room.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Black \/ 120 X 180","offer_id":44269877919977,"sku":"HALPAT000036.01","price":16500.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaAnadoluDesenliSiyahKilim_2.jpg?v=1704635223"},{"product_id":"geometrik-desenli-el-dokuma-hali-13","title":"Cream Geometric Hand-Knotted Wool Rug","description":"\u003cp\u003e\u003cstrong\u003eIt is built the way a weaver's sampler book is built. A hand-knotted rug from Türkiye, wool pile on a cotton warp, 125 × 186 cm (4'1\" × 6'1\"), with square and rectangular boxes of different sizes scattered over a cream ground — each box filled with a different texture, some dotted, some hatched, some gridded, some left plain. Brown on cream, and nothing else.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eBecause the color runs on a single axis, every bit of movement in the surface has to come from the drawing, and it does: each of those textures is a different arrangement of knots, so the richness is native to the weaving rather than applied to it. The boxes do not sit on a regular grid either — sizes vary, positions wander — which is what stops a sampler idea from becoming a chart. Cream and brown is the safest pair in interior work and enters almost any room; what this piece contributes is not color but incident, something to look at on a plain floor in a plain-walled room.\u003c\/p\u003e\n\n\u003cp\u003eWoven in Türkiye by hand, wool pile knotted onto cotton warps. Cotton takes tension and holds the rug's skeleton straight; wool takes abrasion at the surface. Because each box carries a different texture, the weaver worked dozens of small independent designs in sequence rather than repeating one motif — and in hand weaving that is markedly slower, since a repeat lets the hand memorize and this gives it nothing to memorize. Two honest notes. The composition gathers in the middle, so putting a coffee table on it hides the idea; this is a rug to lay open. And at this size and weight it needs a non-slip pad. Once a year to a rug washer, never to a domestic machine; fringes tangle and comb out by hand, and there will be a little shedding early on.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in Türkiye, wool pile on a cotton warp.\u003c\/li\u003e\n  \u003cli\u003e125 × 186 cm (4'1\" × 6'1\"), about two and a third square meters.\u003c\/li\u003e\n  \u003cli\u003eBrown boxes of varying size on cream, each filled with a different weave texture.\u003c\/li\u003e\n  \u003cli\u003eColor runs on one axis; all the movement is in the drawing.\u003c\/li\u003e\n  \u003cli\u003eDozens of independent small designs, so the hand has no repeat to memorize.\u003c\/li\u003e\n  \u003cli\u003eRecognizable but not figurative — it suits a child's room and does not age out of one.\u003c\/li\u003e\n  \u003cli\u003eLay it open: furniture in the middle hides the composition.\u003c\/li\u003e\n  \u003cli\u003eA non-slip pad, annual washing by a rug cleaner, and fringes combed by hand.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eA sampler is what a weaver makes to remember what she can do, and putting one on a floor at this scale is a generous idea.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Cream \/ 125 X 186","offer_id":44338150834409,"sku":"KOYNAT000015.01","price":34000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/GeometrikDesenliElDokumaHali_1_4684b2e0-d729-49c1-8032-6e0c90486d02.jpg?v=1705243011"},{"product_id":"safir-serisi-usak-desenli-el-dokuma-oymali-hali-12","title":"Blue Carved Oushak-Pattern Hand-Knotted Rug, Safir Series","description":"\u003cp\u003e\u003cstrong\u003eEighty centimeters wide and four meters ten long at the top of the range — 2'7\" × 13'5\" — this is a rug drawn for a corridor, and it is made down to 90 × 150 cm (2'11\" × 4'11\") as well. Blue Carved Oushak-Pattern Hand-Knotted Rug, Safir Series, knotted in India in wool, cotton and bamboo viscose.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eCarving is what the series exists for. Once the pile is standing, a worker goes over the surface with shears and trims a narrow channel around every figure, so the drawing sits a couple of millimeters proud of its own ground and throws a shadow along each outline. Blue flattens on a floor more readily than any other color, and that shadow line is precisely what stops it doing so here.\u003c\/p\u003e\n\n\u003cp\u003eKnotted by hand in India at a close density, which the drawing requires: an Oushak pattern depends on thin scrolling stems, and a loose weave loses them entirely. Oushak names a town in western Anatolia and, by extension, the large open floral style its looms sent out for centuries. Wool makes up most of the surface, with cotton and bamboo viscose beside it, and the bamboo viscose accounts for the low sheen. Cleaning is a job for a rug washer, not a machine.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in India, at a knot density fine enough for scrolling stems.\u003c\/li\u003e\n  \u003cli\u003eA surface of wool with cotton and bamboo viscose worked through it.\u003c\/li\u003e\n  \u003cli\u003eEvery motif trimmed around with shears after weaving, so the pattern stands raised.\u003c\/li\u003e\n  \u003cli\u003eBlue, in the Oushak family of large open floral drawings.\u003c\/li\u003e\n  \u003cli\u003eSizes run from 90 × 150 cm to an 80 × 410 cm corridor length.\u003c\/li\u003e\n  \u003cli\u003eSuits a classical room and an entirely plain one for opposite reasons.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing only.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eA rug four meters long has one obvious home, and it is a hallway that has been waiting for something to do with itself.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Blue \/ 90X150","offer_id":45742070956265,"sku":"EKOSAP000114.01","price":40500.0,"currency_code":"TRY","in_stock":true},{"title":"Blue \/ 100 X 160","offer_id":46029649150185,"sku":"EKOSAP000114.02","price":48000.0,"currency_code":"TRY","in_stock":true},{"title":"Blue \/ 80 X 300","offer_id":46029649182953,"sku":"EKOSAP000114.03","price":72000.0,"currency_code":"TRY","in_stock":true},{"title":"Blue \/ 80 X 410","offer_id":46029649215721,"sku":"EKOSAP000114.04","price":98500.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/SafirSerisiUsakDesenliElDokumaOymaliHali_6.jpg?v=1710329859"},{"product_id":"anadolu-sal-serisi-sivas-zara-desenli-el-dokuma-yun-hali-16","title":"Multicolor Sivas Zara Handwoven Wool Rug, Anadolu Şal Series","description":"\u003cp\u003e\u003cstrong\u003eA piece this small took months to weave. It is a handwoven wool rug of 81 × 129 cm (2'8\" × 4'3\") in the Sivas Zara pattern, part of Halıcızade's Anadolu Şal series, made entirely in Anatolia in blue, orange, red, green and yellow. Zara, in central Anatolia, is a Sivas district whose weaving carries drawing of its own.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe palette is loud on purpose and the pattern is dense — five colors, none of them held back, worked into the traditional Anatolian motifs the series is named for. Şal means shawl, and this drawing belonged to woven shawls before it ever went onto a floor. At this scale the whole design can be taken in at once, which is rare; the same pattern on a large rug has to be read in sections, one part at a time.\u003c\/p\u003e\n\n\u003cp\u003eThe yarn is first-grade wool, spun and knotted by women working by hand over months, for a rug a grown person can carry under one arm. That ratio is the point of the piece. The wool has a soft hand and a faint sheen close to silk, and both come from the grade of the fleece rather than from any finishing treatment. Fewer of these are made each year. It should be washed professionally, and being small enough to carry, most people will do exactly that rather than risk it.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven in Anatolia, wholly by hand, over several months.\u003c\/li\u003e\n  \u003cli\u003eFirst-grade wool yarn, soft in the hand and faintly lustrous.\u003c\/li\u003e\n  \u003cli\u003eWoven by women artisans, as the whole Anadolu Şal series is.\u003c\/li\u003e\n  \u003cli\u003eBlue, orange, red, green and yellow, in traditional Anatolian motifs.\u003c\/li\u003e\n  \u003cli\u003eŞal means shawl: the drawing came from woven shawls before it came to rugs.\u003c\/li\u003e\n  \u003cli\u003e81 × 129 cm (2'8\" × 4'3\") — a bedside, a reading chair, a small entrance.\u003c\/li\u003e\n  \u003cli\u003eFewer pieces of this kind leave Anatolian looms every year.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eIt is a small rug that behaves like a large one, and in a plain room it will be the only thing anybody asks about.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Colorful \/ 81 X 129","offer_id":44374863773929,"sku":"CALSAL000014.01","price":38000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaRengarenkSalDesenliYunHali_1_35b20b3c-88e0-457e-9c2a-f29cf7c4967b.jpg?v=1705830070"},{"product_id":"retro-serisi-el-dokuma-kahverengi-vintage-desenli-hali","title":"Brown Oushak-Pattern Hand-Knotted Wool Rug, Retro Series","description":"\u003cp\u003e\u003cstrong\u003eBrown is what an Oushak pattern looks like once the red has been taken out of it. This is a hand-knotted Retro-series rug, 150 × 187 cm (4'11\" × 6'2\"), wool pile over cotton, knotted in Pakistan and Afghanistan, the traditional drawing carried in deep brown values across a glossy finished surface.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eRemove the red and an Oushak field stops looking antique and starts looking like a piece of furniture. The motifs are still the old ones, but brown flattens the hierarchy between border and field, so what registers is the shape of the drawing rather than its age. The dyeing and washing method used across the series produces both the depth of the brown and the shine sitting on top of it. Between them the rug lights a dark corner rather than swallowing one.\u003c\/p\u003e\n\n\u003cp\u003eCotton and wool, tied by hand, with a trace of recycled synthetic yarn in the skeleton to hold the structure — the pile itself has nothing in it but wool. The weave is thin, and thin is a virtue at this size, because the rug will pass under a door or a low chair without lifting either. Master weavers in Afghanistan and Pakistan produce the entire series. It wants professional washing and never a home machine.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted by weavers in Pakistan and Afghanistan.\u003c\/li\u003e\n  \u003cli\u003eWool pile over cotton, with a trace of recycled synthetic yarn in the foundation.\u003c\/li\u003e\n  \u003cli\u003eDeep brown obtained through the series' own dyeing and washing method, which also produces the surface shine.\u003c\/li\u003e\n  \u003cli\u003eClassical Oushak drawing carried entirely in brown values.\u003c\/li\u003e\n  \u003cli\u003eThin weave: it fits beneath a door and under low furniture.\u003c\/li\u003e\n  \u003cli\u003e150 × 187 cm (4'11\" × 6'2\") — a study, a bedside, or the space in front of a sofa.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eIt reads warm under a lamp and nearly gray by daylight, which is more range than a brown rug usually has.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Brown \/ 150 X 187","offer_id":44478418747625,"sku":"SAROVR000018.01","price":71000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/RetroSerisiElDokumaKahverengiVintageDesenliHali_1.jpg?v=1709563231"},{"product_id":"retro-serisi-el-dokuma-vintage-desenli-mavi-yun-hali","title":"Blue Oushak-Pattern Hand-Knotted Wool Rug, Retro Series","description":"\u003cp\u003e\u003cstrong\u003eOushak motifs in blue: a Retro-series rug of 150 × 193 cm (4'11\" × 6'4\"), hand-knotted with a wool pile on cotton, its ground running from a clear mid-blue through gray and anthracite to near-black at the edges. Tied in Pakistan and Afghanistan. One piece.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe blue is not uniform and the rug is better for it: several values sit beside one another across the field, so the pattern seems to surface and submerge depending where the light falls. Anthracite and black gather toward the borders and hold the whole thing down. Classical Anatolian motifs in a blue this cool would ordinarily look transplanted, yet the drawing is fine enough and the tonal range wide enough that they settle instead.\u003c\/p\u003e\n\n\u003cp\u003eThe washing and coloring method the series uses is what draws this many blues out of one dye lot, and the same treatment leaves a low shine on the pile. Cotton and wool are worked together into a thin, firm structure, with a small amount of recycled synthetic in the skeleton and none at all in the surface. Weavers in Pakistan and Afghanistan tie every knot. Sunlight moves a blue faster than it moves a brown, so keep this one off a south window.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in Pakistan and Afghanistan.\u003c\/li\u003e\n  \u003cli\u003eWool pile on a cotton foundation, with a small amount of recycled synthetic yarn used only in the skeleton.\u003c\/li\u003e\n  \u003cli\u003eBlue running through gray, anthracite and near-black across a single field.\u003c\/li\u003e\n  \u003cli\u003eClassical Oushak motifs drawn at a fine scale.\u003c\/li\u003e\n  \u003cli\u003eLow sheen from the finishing wash the series is given.\u003c\/li\u003e\n  \u003cli\u003e150 × 193 cm (4'11\" × 6'4\"), for an office, a study, or in front of seating.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing; keep it away from strong direct sun.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eIn a room with a lot of wood in it the blue is the one cool thing, and that is usually enough.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Blue \/ 150 X 193","offer_id":46711129932009,"sku":"SAROVR000014.01","price":73000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/RetroSerisiElDokumaVintageDesenliMaviYunHali_1.jpg?v=1709563108"},{"product_id":"saf-ipek-el-dokuma-selcuklu-motifli-hali","title":"Burgundy Seljuk-Motif Hand-Knotted Pure Silk Rug","description":"\u003cp\u003e\u003cstrong\u003eEight by eight in the weaver's shorthand: sixty-four hand-tied knots in every square centimeter, and roughly a month of work for each square meter. Burgundy Seljuk-Motif Hand-Knotted Pure Silk Rug — pure silk throughout, knotted in China, carrying the Seljuk star in burgundy and blue with gold and cream around it.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe star at the center is the figure the Seljuks cut into stone, tile and wood across Anatolia, and silk is the only fiber that renders its thin interlaced lines without thickening them. Burgundy and a deep blue hold the field; gold, cream and a yellow close to old gilt lift the drawing clear of it, and small turquoise notes appear where the eye has not asked for them. Silk changes with the angle you stand at, so a single border reads dark from the doorway and bright from a chair.\u003c\/p\u003e\n\n\u003cp\u003eKnotted in China, where silk weaving has the longest unbroken history anywhere. Sixty-four knots to the centimeter square puts hundreds of thousands of them into every square meter, and that density is what pays for the detail — it is also most of what the rug costs, since silk is among the dearest fibers in textiles and only a small number of people still weave it at this scale. Matching sets in several sizes are made, which is now rare in pure silk anywhere. Keep it clear of animals with claws. Cleaning goes to a specialist working at low temperature with the detergents made for silk, and to nobody else.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in China from pure silk, surface and foundation alike.\u003c\/li\u003e\n  \u003cli\u003e8 × 8 knotting — 64 knots in every square centimeter.\u003c\/li\u003e\n  \u003cli\u003eAbout one month of weaving for each square meter.\u003c\/li\u003e\n  \u003cli\u003eThe Seljuk star at the center, a figure carried through Anatolian stone and tile.\u003c\/li\u003e\n  \u003cli\u003eBurgundy and deep blue with gold, cream and occasional turquoise.\u003c\/li\u003e\n  \u003cli\u003eMade as matching sets in more than one size.\u003c\/li\u003e\n  \u003cli\u003eKeep it away from cats and dogs; claws and silk do not agree.\u003c\/li\u003e\n  \u003cli\u003eSpecialist cleaning at low temperature, with silk detergents only.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eHand-knotting in pure silk is thinning out everywhere, which is the plain reason a rug like this is harder to find now than it was.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Burgundy \/ 124 X 184","offer_id":45229812646121,"sku":"SARIPE000216.04","price":425000.0,"currency_code":"TRY","in_stock":false},{"title":"Burgundy \/ 124 X 185","offer_id":46030876705001,"sku":"SARIPE000216.02","price":430000.0,"currency_code":"TRY","in_stock":true},{"title":"Burgundy \/ 123 X 187","offer_id":46030876737769,"sku":"SARIPE000216.01","price":430000.0,"currency_code":"TRY","in_stock":true},{"title":"Burgundy \/ 124 X 187","offer_id":46030876770537,"sku":"SARIPE000216.03","price":435000.0,"currency_code":"TRY","in_stock":true},{"title":"Burgundy \/ 168 X 247","offer_id":48461637124329,"sku":"SARIPE000216.06","price":775000.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/SafIpekElDokumaSelcukluMotifliHali_5.jpg?v=1709562930"},{"product_id":"anadolu-sal-serisi-patchwork-desenli-el-dokuma-yun-hali-5","title":"Multicolor Patchwork Handwoven Wool Rug, Anadolu Şal Series","description":"\u003cp\u003e\u003cstrong\u003eFour weaving towns in one rug: the panels borrow motifs from Hereke, B\u0026uuml;nyan, Ladik and Kayseri and set them side by side. Multicolor Patchwork Handwoven Wool Rug, Anadolu \u0026#350;al series: first-grade wool, woven by hand in Anatolia, in four sizes from 83 \u0026times; 120 cm up to 173 \u0026times; 241 cm, two of them long narrow pieces at 81 \u0026times; 281 cm and 81 \u0026times; 293 cm.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003ePatchwork here is a design decision rather than a salvage: each panel is drawn complete, in its own palette, and the joins are where the interest is. Reds, blues, greens and golds run through them, the colors Anatolian dyers have always reached for. Across a long narrow piece the panels arrive one after another like rooms down a corridor. Against oak and gray, which is where most people put it, the rug supplies all the color a room needs and asks for nothing back.\u003c\/p\u003e\n\n\u003cp\u003eThe wool is first grade throughout, and that is where the softness and the low natural shine both come from. Women weave these across Anatolia and a single piece takes months. Handwoven work is never mechanically even \u0026mdash; panel edges wander by a few millimeters and colors shift where one dye lot gave out and the next took over \u0026mdash; and that is the evidence you are holding, not a defect to be corrected. Rugs of this kind are made in smaller numbers each year. Send it out for washing.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven in Anatolia, T\u0026uuml;rkiye, from first-grade wool.\u003c\/li\u003e\n  \u003cli\u003ePanels drawn after Hereke, B\u0026uuml;nyan, Ladik and Kayseri motifs.\u003c\/li\u003e\n  \u003cli\u003eReds, blues, greens and golds across the full width.\u003c\/li\u003e\n  \u003cli\u003eMade at 83 \u0026times; 120 cm (2'9\" \u0026times; 3'11\") and 173 \u0026times; 241 cm (5'8\" \u0026times; 7'11\"), and as long pieces at 81 \u0026times; 281 cm (2'8\" \u0026times; 9'3\") and 81 \u0026times; 293 cm (2'8\" \u0026times; 9'7\").\u003c\/li\u003e\n  \u003cli\u003eMonths of work per piece, woven by women.\u003c\/li\u003e\n  \u003cli\u003eSmall irregularities in the panel edges and in the dye lots are part of the weave.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eSet it beside plain wood and gray upholstery and it will be the only thing in the room with a birthplace.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThis rug belongs to the \u003ca href=\"\/en\/collections\/anatolian-shawl-rugs\"\u003eAnadolu \u0026#350;al Series\u003c\/a\u003e.\u003c\/em\u003e\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Colorful \/ 83 X 120","offer_id":46305069695209,"sku":"CALSAL000005.05","price":36000.0,"currency_code":"TRY","in_stock":false},{"title":"Colorful \/ 81 X 281","offer_id":46305069662441,"sku":"CALSAL000005.03","price":82000.0,"currency_code":"TRY","in_stock":true},{"title":"Colorful \/ 81 X 293","offer_id":46305069629673,"sku":"CALSAL000005.02","price":86000.0,"currency_code":"TRY","in_stock":true},{"title":"Colorful \/ 173 X 241","offer_id":44490185474281,"sku":"CALSAL000005.01","price":151000.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/AnadoluSalSerisiPatchworkDesenliElDokumaYunHali_2_019ce8c9-8434-4c49-82b6-0958befe17d0.jpg?v=1709561059"},{"product_id":"harem-serisi-usak-desenli-el-dokuma-salon-halisi","title":"Cream Oushak Handwoven Wool Rug, Harem Series","description":"\u003cp\u003e\u003cstrong\u003eTwo knots where most rugs use one: the double-knot technique is what this piece is built on. Cream Oushak Handwoven Wool Rug from the Harem series \u0026mdash; Erzurum wool, woven in T\u0026uuml;rkiye, carrying Oushak motifs of the fourteenth and fifteenth centuries redrawn for a modern floor, at 145 \u0026times; 198 cm (4'9\" \u0026times; 6'6\") and 171 \u0026times; 219 cm (5'7\" \u0026times; 7'2\").\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eOushak \u0026mdash; U\u0026#351;ak in Turkish, in western Anatolia \u0026mdash; is the weaving region whose large medallions and open fields turn up in European painting from the fifteenth century onward, and the drawing here comes from that period rather than from the nineteenth-century revivals. What has changed is the scale and the palette: a cream ground, the figures loosened, the framing simplified. It is a classical rug that a room without a single antique in it can carry.\u003c\/p\u003e\n\n\u003cp\u003eErzurum fleece is soft, holds a shine and wears hard, which is the combination the eastern Anatolian flocks are valued for. The double knot doubles the anchoring at each point of the drawing, and the result is a denser, heavier rug whose motifs keep their edges instead of blurring with traffic. It is woven for Hal\u0026#305;c\u0026#305;zade by \u0026#199;\u0026#305;nar, a Turkish mill. Two pieces are in stock, one in each size, and their measurements differ because a knotted rug is finished at the loom rather than cut. Professional washing.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven in T\u0026uuml;rkiye from Erzurum wool.\u003c\/li\u003e\n  \u003cli\u003eDouble-knot technique \u0026mdash; denser and heavier, and the drawing holds its edges.\u003c\/li\u003e\n  \u003cli\u003eOushak motifs of the fourteenth and fifteenth centuries, redrawn at a modern scale.\u003c\/li\u003e\n  \u003cli\u003eCream ground with the figures loosened and the framing simplified.\u003c\/li\u003e\n  \u003cli\u003eWoven for Hal\u0026#305;c\u0026#305;zade by the Turkish mill \u0026#199;\u0026#305;nar.\u003c\/li\u003e\n  \u003cli\u003e145 \u0026times; 198 cm and 171 \u0026times; 219 cm, one piece of each.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eMost cream rugs go quiet in a room; this one keeps a pattern old enough to have been painted, and lets you use it anyway.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Cream \/ 145 X 198","offer_id":44572205121769,"sku":"ÇINHAR000139.01","price":142000.0,"currency_code":"TRY","in_stock":true},{"title":"Cream \/ 171 X 219","offer_id":47906970730729,"sku":"ÇINHAR000139.02","price":185000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/HaremSerisiUsakDesenliElDokumaSalonHalisi_12.jpg?v=1709560666"},{"product_id":"deri-post-hali-15","title":"Zebra-Pattern Cowhide Rug","description":"\u003cp\u003e\u003cstrong\u003eSouth America is where the hide comes from, and cattle is what it comes off: a single cowhide rug carrying a zebra marking, its outline the shape the animal was rather than a rectangle. Dry cleaning only. There is one of it, and no second hide will have the same edge.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eA hide is not a woven thing and does not behave like one. It has a grain and a lie to the hair, so the color changes depending which end of the room you look from. The edges follow the animal, which means no two hides share a size and none of them is square — any dimension given for a hide is approximate by nature. It takes no water at all: dry cleaning, and nothing else, and a spill wants blotting rather than washing. Laid in an entrance or under a desk chair it does the job hides have always done, which is to break up a hard floor without covering it.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eOne South American cowhide, one of one.\u003c\/li\u003e\n  \u003cli\u003eA zebra marking on a cattle hide — the hide is cowhide, the marking is applied.\u003c\/li\u003e\n  \u003cli\u003eThe outline follows the animal; no two are the same shape or size.\u003c\/li\u003e\n  \u003cli\u003eThe hair lies one way, so the tone changes end to end as you move.\u003c\/li\u003e\n  \u003cli\u003eDry cleaning only; keep water off it.\u003c\/li\u003e\n  \u003cli\u003eSuits an entrance, an office, or the side of a bed.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eHides flatten and soften where they are walked on and stay stiff where they are not, so after a few years the traffic through the room is written on it.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Yellow \/ 203 X 250","offer_id":44625086054633,"sku":"EKODAN000346.01","price":43000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/DeriPostHali_2_c80bb4cb-08b9-4c62-bedd-36b174c39cf0.jpg?v=1705675279"},{"product_id":"retro-serisi-el-dokuma-kahverengi-vintage-hali","title":"Brown Vintage Hand-Knotted Square Wool Rug, Retro Series","description":"\u003cp\u003e\u003cstrong\u003eSquare rugs are uncommon and this is a true square: 240 × 240 cm (7'10\" × 7'10\"), hand-knotted in brown for the Retro series, its Oushak motifs recolored into a contemporary palette. Wool and cotton, tied in Pakistan and Afghanistan, one piece.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eA square changes the arithmetic of a room. There is no long axis to line the furniture up against, so a seating group arranged on it turns inward instead of facing one way, and the pattern arrives the same from all four sides. The Oushak drawing has been pulled into brown values throughout, and the finishing wash used across the series leaves the pile bright enough that the rug lifts a dim room rather than darkening it further.\u003c\/p\u003e\n\n\u003cp\u003eMaster weavers in Afghanistan and Pakistan tie the whole series by hand, at a high knot count, over a thin structure of cotton and wool with a small quantity of recycled synthetic yarn worked into the skeleton for strength. Everything underfoot is wool. Two things follow from a square of this size: it is heavy, and there is no obvious way to hang it. Professional washing.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in Pakistan and Afghanistan at a high knot count.\u003c\/li\u003e\n  \u003cli\u003eCotton and wool structure with a trace of recycled synthetic yarn in the skeleton; the pile is wool.\u003c\/li\u003e\n  \u003cli\u003eTraditional Oushak motifs recolored into brown throughout.\u003c\/li\u003e\n  \u003cli\u003eA bright surface from the series' finishing wash, so it lightens a room rather than darkening it.\u003c\/li\u003e\n  \u003cli\u003e240 × 240 cm (7'10\" × 7'10\"), a true square, which turns a seating group inward.\u003c\/li\u003e\n  \u003cli\u003eHeavy for its footprint, and awkward to hang.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003ePut four chairs around it and the room stops having a front.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Brown \/ 240 X 240","offer_id":44726608953577,"sku":"SAROVR000176.01","price":144000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/RetroSerisiVintageDesenliElDokumaHali_1_7db281fe-86a1-4442-bfc7-c6f0e7c4af0f.jpg?v=1709560081"},{"product_id":"el-dokuma-saf-ipek-usak-desenli-mavi-hali","title":"Blue Oushak-Pattern Hand-Knotted Pure Silk Rug","description":"\u003cp\u003e\u003cstrong\u003ePure silk, nothing else, knotted eight by eight — sixty-four knots to the square centimeter. This is a hand-knotted Oushak-pattern rug of 108 × 159 cm (3'7\" × 5'3\") in blue and turquoise with cream and gold, woven in China, where silk has been worked since the road that carried it was first traveled.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eBlue does the ground, and it is the blue of water rather than of ink. Turquoise comes in at the lighter values while cream and gold draw the Oushak motifs across the top. Silk takes dye more deeply than wool and returns light instead of absorbing it, so a blue like this reads saturated from one side of the room and almost white where the pile lies the other way. Turn the rug and the whole color changes with it.\u003c\/p\u003e\n\n\u003cp\u003eSixty-four knots in a square centimeter is what lets classical Oushak drawing keep its curves at this scale; at a lower count the same motifs would have to be squared off. The fiber is silk throughout, surface and structure alike, which is now unusual — the number of rugs knotted from pure silk falls every year, and that scarcity is a fact about the market rather than a reason to hurry. It is thin, light and delicate: low-suction vacuuming, no direct sun, professional washing only.\u003c\/p\u003e\n\n\u003ch3\u003eWhat does an 8 × 8 knot density mean?\u003c\/h3\u003e\n\u003cp\u003eIt counts eight knots across and eight down in every square centimeter, or sixty-four knots per square centimeter. The higher the count, the smaller each knot, and the finer the curve a weaver can draw — which is why fine floral patterns need a high density to work at all.\u003c\/p\u003e\n\n\u003ch3\u003eCan this rug be hung on a wall?\u003c\/h3\u003e\n\u003cp\u003eYes. At 108 × 159 cm it is light enough to hang, and pure silk rugs are often displayed rather than walked on, because the pile is delicate and the color changes with the viewing angle. A sleeve sewn to the back carries the weight more evenly than clips do.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in China from pure silk, surface and structure alike.\u003c\/li\u003e\n  \u003cli\u003e8 × 8 knot density — sixty-four knots to the square centimeter.\u003c\/li\u003e\n  \u003cli\u003eClassical Oushak motifs in cream and gold over blue and turquoise.\u003c\/li\u003e\n  \u003cli\u003eSilk returns light rather than absorbing it, so the color changes as you move around it.\u003c\/li\u003e\n  \u003cli\u003e108 × 159 cm (3'7\" × 5'3\") — a bedroom, a coffee corner, a small entrance, or a wall.\u003c\/li\u003e\n  \u003cli\u003eRugs knotted entirely in silk are made in smaller numbers each year.\u003c\/li\u003e\n  \u003cli\u003eLow-suction vacuuming, no direct sunlight, professional washing only.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eIt was made to be looked at as much as walked on, and either way it will outlast the room it goes into.\u003c\/p\u003e\n\n\u003cscript type=\"application\/ld+json\"\u003e{\"@context\": \"https:\/\/schema.org\", \"@type\": \"FAQPage\", \"mainEntity\": [{\"@type\": \"Question\", \"name\": \"What does an 8 × 8 knot density mean?\", \"acceptedAnswer\": {\"@type\": \"Answer\", \"text\": \"It counts eight knots across and eight down in every square centimeter, or sixty-four knots per square centimeter. The higher the count, the smaller each knot, and the finer the curve a weaver can draw — which is why fine floral patterns need a high density to work at all.\"}}, {\"@type\": \"Question\", \"name\": \"Can this rug be hung on a wall?\", \"acceptedAnswer\": {\"@type\": \"Answer\", \"text\": \"Yes. At 108 × 159 cm it is light enough to hang, and pure silk rugs are often displayed rather than walked on, because the pile is delicate and the color changes with the viewing angle. A sleeve sewn to the back carries the weight more evenly than clips do.\"}}]}\u003c\/script\u003e","brand":"HALICIZADE","offers":[{"title":"Turquoise \/ 108 X 159","offer_id":44811177591017,"sku":"SARIPE000184.01","price":320000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaSafIpekUsakDesenliMaviHali_2.jpg?v=1709558827"},{"product_id":"el-dokuma-saf-ipek-klasik-anadolu-desenli-modern-bordo-hali","title":"Burgundy Modern Anatolian Hand-Knotted Pure Silk Rug","description":"\u003cp\u003e\u003cstrong\u003eSixty-four knots to the square centimeter, all of them silk. The piece is a hand-knotted pure silk rug, 104 × 168 cm (3'5\" × 5'6\"), woven in China in burgundy, with classic Anatolian motifs redrawn to a modern spacing. Eight by eight is how the weavers count it. One piece; there will not be a second.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eBurgundy at this density does something a printed color cannot. Silk takes the dye deep and then returns the light unevenly, so the ground moves between dark wine and a lit red as you walk past it, and the Anatolian figures — the hooks, the stepped edges, the small hexagons — surface and recede along with it. The drawing is old. The spacing is not. Where a village piece would crowd the field, this one leaves air around each figure, which is why it reads as modern without disowning what it borrowed.\u003c\/p\u003e\n\n\u003cp\u003eChina has been reeling and weaving silk for a very long time, and this is the workshop end of that tradition: tied knot over knot, dense enough that every edge in the drawing stays sharp at arm's length. Small silk rugs are often hung rather than laid, and the surface here carries light well enough to hold a wall. On the floor it wants a corner that nobody crosses in shoes. Silk is the least forgiving fiber in the house, and it should be washed by a specialist and by no one else.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in China in pure silk, surface and foundation alike.\u003c\/li\u003e\n  \u003cli\u003eEight by eight — sixty-four knots in every square centimeter.\u003c\/li\u003e\n  \u003cli\u003eClassic Anatolian and authentic motifs, set at modern intervals.\u003c\/li\u003e\n  \u003cli\u003eThe burgundy shifts between wine and lit red with the angle of the light.\u003c\/li\u003e\n  \u003cli\u003e104 × 168 cm (3'5\" × 5'6\"), which suits a study, a bedside, a small entryway or a wall.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing only; silk does not survive improvisation.\u003c\/li\u003e\n  \u003cli\u003eA single piece.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eHung, it is a picture. Laid down, it is the smallest serious thing in the room.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Red \/ 104 X 168","offer_id":45712192438505,"sku":"SARIPE000080.01","price":265000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaSafIpekKlasikAnadoluDesenliModernBordoHali_7.jpg?v=1709558655"},{"product_id":"zara-serisi-otantik-desenli-ozel-tezgah-halisi-1","title":"Green Cypress-Motif Loom-Woven Rug, Zara Series","description":"\u003cp\u003e\u003cstrong\u003eTencel\u0026reg; is a lyocell \u0026mdash; a fiber spun from wood pulp \u0026mdash; and it is the reason this rug holds the light it does. Green Cypress-Motif Loom-Woven Rug from the Zara series: slim cypress trees on a green ground, Tencel\u0026reg; over a cotton foundation, woven in Oushak. Ten sizes are made, the largest 200 \u0026times; 290 cm (6'7\" \u0026times; 9'6\").\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eGreen is the least common ground in this catalog and it behaves differently from the reds: it takes daylight without brightening much, and it holds its own beside plants and raw wood instead of competing with them. The cypresses run in vertical ranks down the field, the same motif family woven in Anatolia for centuries, drawn here without shading. There is no heavy border. The ranks simply stop, which keeps the rug from looking formal.\u003c\/p\u003e\n\u003cp\u003eA hand-guided loom sets the pile; everything at the fringe was done without a machine. Those fringes are knotted individually, after the rug leaves the loom, by the women who finish it. The face is Tencel\u0026reg; and viscose; the body beneath is cotton. Send it out to be washed rather than trying it at home.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLoom-woven in Oushak, western Anatolia.\u003c\/li\u003e\n\u003cli\u003eTencel\u0026reg; and viscose surface, cotton foundation.\u003c\/li\u003e\n\u003cli\u003eRanks of cypress trees on a green ground, with no outer border.\u003c\/li\u003e\n\u003cli\u003eFringes knotted by hand, one at a time.\u003c\/li\u003e\n\u003cli\u003eTen sizes, 80 \u0026times; 140 cm (2'7\" \u0026times; 4'7\") to 200 \u0026times; 290 cm (6'7\" \u0026times; 9'6\"), plus 90 \u0026times; 390 and 90 \u0026times; 490 cm runners.\u003c\/li\u003e\n\u003cli\u003eProfessional washing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eBeside oak, rattan and unbleached linen it looks as though it were chosen last and belonged first.\u003c\/p\u003e","brand":"EKO HALI","offers":[{"title":"Green \/ 80 X 140","offer_id":44869649694953,"sku":"EKOZAR000025.02","price":10800.0,"currency_code":"TRY","in_stock":false},{"title":"Green \/ 80 X 290","offer_id":45646463533289,"sku":"EKOZAR000025.04","price":22300.0,"currency_code":"TRY","in_stock":true},{"title":"Green \/ 130 X 190","offer_id":44869649629417,"sku":"EKOZAR000025.01","price":23800.0,"currency_code":"TRY","in_stock":false},{"title":"Green \/ 90 X 290","offer_id":47260916416745,"sku":"EKOZAR000025.06","price":25100.0,"currency_code":"TRY","in_stock":true},{"title":"Green \/ 170 X 240","offer_id":44869649727721,"sku":"EKOZAR000025.03","price":39200.0,"currency_code":"TRY","in_stock":false},{"title":"Green \/ 200X290","offer_id":45732836016361,"sku":"EKOZAR000025.05","price":55700.0,"currency_code":"TRY","in_stock":false},{"title":"Green \/ 90 X 150","offer_id":47935952978153,"sku":"EKOZAR000025.07","price":13000.0,"currency_code":"TRY","in_stock":false},{"title":"Green \/ 90 X 490","offer_id":50843171291369,"sku":"EKOZAR000025.08","price":42400.0,"currency_code":"TRY","in_stock":true},{"title":"Green \/ 90 X 190","offer_id":47994454474985,"sku":"EKOZAR000025.09","price":16500.0,"currency_code":"TRY","in_stock":true},{"title":"Green \/ 90 X 390","offer_id":47994454507753,"sku":"EKOZAR000025.10","price":33700.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/EKOZAR000025ZaraSerisiOtantikDesenliHali_1.jpg?v=1751030954"},{"product_id":"madalyon-desenli-mavi-el-dokuma-viskon-hali","title":"Blue Medallion Hand-Knotted Viscose Rug","description":"\u003cp\u003e\u003cstrong\u003eBlue Medallion Hand-Knotted Viscose Rug, 123 × 185 cm (4'0\" × 6'1\") — a turquoise ground carrying cream medallions, closed by a cream border of fine floral work, knotted by hand in China from cotton and viscose. The ground is blue the way shallow water is blue, which is to say it keeps turning turquoise.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe medallions are not stacked around one center. They sit at intervals across the field like flowers on the surface of a pool, so the eye travels outward toward the frame rather than inward to a single point. Cream is what makes that legible: the pale motifs lift off the blue, and the thin floral running through the border softens the coolness of the field before it reaches the edge. Turquoise changes its mind with the light — bright and slightly green at midday, several shades deeper by lamp.\u003c\/p\u003e\n\n\u003cp\u003eViscose comes from cellulose, and cellulose handles light much the way silk handles it, which is why this rug looks costlier than its fiber. Cotton carries the structure; the viscose is what you see and what you touch. The knot count runs into the hundreds of thousands for a piece this size, every one of them tied by hand. The pile is short — short enough that not much finds its way down into it, and short enough to show the direction it was last brushed. Cleaning belongs in a rug workshop.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in China from cotton and viscose.\u003c\/li\u003e\n  \u003cli\u003eCream medallions scattered across a turquoise-blue ground, inside a fine floral border.\u003c\/li\u003e\n  \u003cli\u003eViscose returns light like silk at a fraction of what silk costs.\u003c\/li\u003e\n  \u003cli\u003eThe blue reads bright and green-tinged in daylight and much deeper by lamp.\u003c\/li\u003e\n  \u003cli\u003eHundreds of thousands of hand-tied knots.\u003c\/li\u003e\n  \u003cli\u003e123 × 185 cm (4'0\" × 6'1\") — a bedroom, an entryway or a landing.\u003c\/li\u003e\n  \u003cli\u003eA short pile, which gives dust very little to lodge in.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing. One piece, with no second one behind it.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eIt is the rug people put down expecting a quiet blue and then find themselves looking at.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Turquoise \/ 123 X 185","offer_id":45111481794793,"sku":"SARBIT000345.01","price":123000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/MadalyonDesenliMaviElDokumaIpekHali_1.jpg?v=1706088729"},{"product_id":"madalyon-desenli-kirmizi-el-dokuma-viskon-hali","title":"Red Medallion Hand-Knotted Viscose Rug","description":"\u003cp\u003e\u003cstrong\u003eThe medallion at the center is blue and green, and everything around it is red. Red Medallion Hand-Knotted Viscose Rug, 123 × 183 cm (4'0\" × 6'0\"), tied by hand in China, viscose over cotton, with gold and cream running through the borders that hold the field.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eRed first, then the detail. From across a room the rug is one saturated color and nothing else; two steps closer, the medallion resolves into blue and green and the borders turn out to be carrying classical frame motifs in gold and cream. The arrangement is deliberate — a warm field needs a cool center, or it flattens. Light finishes the job. Under a window the red goes bright and faintly orange; after dark it settles toward brick and stays there.\u003c\/p\u003e\n\n\u003cp\u003eCotton in the foundation, viscose in the pile, and hundreds of thousands of hand-tied knots between the two. Viscose is the reason the surface has the fall and the shine people associate with silk, and at close range it is genuinely difficult to say which of them you are looking at. The weave is fine and the pile low, so the rug lies flat and clears a door swing. Send it out for washing; a home shampoo will crush the pile and dull the sheen it was bought for.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in China: viscose above, cotton below.\u003c\/li\u003e\n  \u003cli\u003eA large central medallion in blue and green on a red ground.\u003c\/li\u003e\n  \u003cli\u003eGold and cream borders that stop the red from taking the whole field.\u003c\/li\u003e\n  \u003cli\u003eBright and orange-leaning in daylight; brick-toned once the lamps are on.\u003c\/li\u003e\n  \u003cli\u003eFine weave and a low pile, so it sits flat under a door.\u003c\/li\u003e\n  \u003cli\u003e123 × 183 cm (4'0\" × 6'0\") — a hall, a bedside, a landing.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing. There is one of this rug.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eRed on a floor is either the loudest thing in the room or the reason everything else looks calm. Here it is the second.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Red \/ 123 X 183","offer_id":45111485530345,"sku":"SARBIT000207.01","price":122000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/MadalyonDesenliKirmiziElDokumaIpekHali_10.jpg?v=1709557016"},{"product_id":"madalyon-desenli-krem-el-dokuma-ipek-hali","title":"Cream Medallion Hand-Knotted Silk Rug","description":"\u003cp\u003e\u003cstrong\u003eAt 124 \u0026times; 183 cm (4'1\" \u0026times; 6'0\") it is small for a silk rug, which is why people hang it. Cream Medallion Hand-Knotted Silk Rug \u0026mdash; pure silk, knotted in China, one medallion in the exact center of a cream field, ringed by curling leaves and thin flower stems.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe medallion does all the work and the rest of the field is left to it. Around the center, leaves curl outward on stems drawn only a knot or two wide, and the border closes them without adding another argument. Cream silk under light is not a flat color: it lifts to a low gleam where the pile lies away from you and sinks to bone where it lies toward you, so the same medallion appears to float or to sit depending on where you stand. On a wall it reads as a picture. On a floor it redefines whichever end of the room it is in.\u003c\/p\u003e\n\n\u003cp\u003eEvery knot in it is silk, and the knot count is high enough to hold a curved stem \u0026mdash; that density is what makes the months of weaving necessary. A rug this fine is a delicate surface: it needs professional cleaning, and it should not go where a chair is dragged. Both pieces at this size are alike, and it suits an entrance, a bedroom or the near end of a sitting room rather than the middle of one.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in China from pure silk.\u003c\/li\u003e\n  \u003cli\u003eA single central medallion in a cream field, with curling leaf and stem work around it.\u003c\/li\u003e\n  \u003cli\u003eDense knotting \u0026mdash; fine enough to draw a stem a knot or two wide.\u003c\/li\u003e\n  \u003cli\u003e124 \u0026times; 183 cm (4'1\" \u0026times; 6'0\") \u0026mdash; hall, bedroom, or hung on a wall.\u003c\/li\u003e\n  \u003cli\u003eCream silk shifts between gleam and bone depending on where you stand.\u003c\/li\u003e\n  \u003cli\u003eMonths of weaving per piece.\u003c\/li\u003e\n  \u003cli\u003eNot for a spot where furniture is dragged; cleaning by a specialist.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eSilk rugs at this size get hung more often than walked on, and there is no argument against doing both in turn.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Cream \/ 124 X 183","offer_id":45111488446697,"sku":"SARIPE000078.01","price":425000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/MadalyonDesenliKremElDokumaIpekHali_3.jpg?v=1709556833"},{"product_id":"cerceve-desenli-krem-el-dokuma-klasik-ipek-hali","title":"Cream Bordered Hand-Knotted Pure Silk Rug","description":"\u003cp\u003e\u003cstrong\u003eCream Bordered Hand-Knotted Pure Silk Rug, 123 × 183 cm (4'0\" × 6'0\"), is pure silk in warp and weft alike, knotted by hand in China. The composition is framed — border inside border, with the drawing gathered toward the middle — and restrained enough that from a doorway the whole thing reads as plain cream.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eUp close it is not plain at all. The center holds a quiet balance of motifs in cream and beige, none of them raised above the others, and the frames step inward in narrowing bands until they meet it. What changes is the light. Silk at this knot density has two faces, matt when the pile lies away from you and near-satin when it lies toward you, so the same rug is dull from one end of the room and lit from the other. Beside walnut or a pale natural wood it stays in the same register; add brass or iron and the classical side of the drawing comes forward.\u003c\/p\u003e\n\n\u003cp\u003eSilk in the warp as well as the pile is the expensive decision here, and it is what makes the fabric so thin and so strong at once. A piece at this density is months of work — one weaver, one loom, one knot at a time. That fineness costs something: silk marks where it is pressed, and the surface will hold the shape of a chair leg until the pile is brushed back. Have it washed by a rug cleaner, and not by a van that also does upholstery.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003ePure silk in the warp, the weft and the pile, knotted by hand in China.\u003c\/li\u003e\n  \u003cli\u003eA framed composition: narrow borders stepping in toward a gathered center.\u003c\/li\u003e\n  \u003cli\u003eCream and beige throughout, with no single motif taking the lead.\u003c\/li\u003e\n  \u003cli\u003eThe surface turns matt or satin depending on which way the pile faces you.\u003c\/li\u003e\n  \u003cli\u003eMonths at the loom at this knot density.\u003c\/li\u003e\n  \u003cli\u003e123 × 183 cm (4'0\" × 6'0\"), at home in a bedroom or an entrance hall.\u003c\/li\u003e\n  \u003cli\u003eSits well with walnut and pale wood; brass and iron push it classical.\u003c\/li\u003e\n  \u003cli\u003ePressure marks the pile; brush it back rather than leaving it.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eIn ten years it will look very close to the way it looks now, which is the whole argument for silk.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Cream \/ 123 X 183","offer_id":45111492444393,"sku":"SARIPE000030.01","price":420000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/CerceveDesenliKremElDokumaKlasikIpekHali_5.jpg?v=1709556721"},{"product_id":"studio-potato-bubble-trouble-yun-el-dokumasi-kilim","title":"Navy Geometric Handwoven Wool Kilim, Studio Potato Bubble Trouble","description":"\u003cp\u003e\u003cstrong\u003eStudio Potato gives its designs names instead of numbers, and Bubble Trouble is one of them: a handwoven wool kilim in navy, flat and pileless, its drawing geometric and modern rather than inherited from any village. Woven in Türkiye. The 120 × 170 cm (3'11\" × 5'7\") piece is the one still held.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eNavy is a hard ground for a flatweave, because there is no pile to hold a shadow — the color arrives flat and stays flat, and the geometry laid across it has to do all the work of depth. The shapes are set against the dark ground as blocks, with the steps and angles that a weft-faced weave forces on any figure it carries. In a room with white walls it reads as a piece of graphic work put on the floor rather than as a rug with a history behind it.\u003c\/p\u003e\n\n\u003cp\u003eWool throughout, and the weaving was done by hand in Türkiye. A kilim carries no knots at all: its pattern is made where the weft crosses the warp and is beaten tight, until nothing of the warp shows. That is why the surface is thin, why both faces work, and why you turn it over once one side has had its season of sun. Thin also means hard, so there is nothing underfoot to absorb a step and a pad beneath it is money well spent on stone or boards. It was made at 80 × 140 cm and 160 × 210 cm as well; only the middle size remains.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven as a wool kilim in Türkiye, flat, with no pile.\u003c\/li\u003e\n  \u003cli\u003eNavy ground under a modern geometric drawing by Studio Potato.\u003c\/li\u003e\n  \u003cli\u003eHeld at 120 × 170 cm (3'11\" × 5'7\"); the 80 × 140 and 160 × 210 sizes are gone.\u003c\/li\u003e\n  \u003cli\u003eReversible, and thin enough to slide beneath a door or a low sofa.\u003c\/li\u003e\n  \u003cli\u003eHard underfoot on stone or boards, so a pad underneath earns its keep.\u003c\/li\u003e\n  \u003cli\u003eWashing is for a rug specialist, never a machine.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eA kilim this graphic will date the way a poster dates, which is to say it will look like the year it was made, and that is not the same as looking old.\u003c\/p\u003e","brand":"Studio Potato","offers":[{"title":"Green \/ 80 X 140","offer_id":45126574735593,"sku":"POTELD000003.01","price":25100.0,"currency_code":"TRY","in_stock":false},{"title":"Green \/ 120 X 170","offer_id":45126574768361,"sku":"POTELD000003.02","price":64500.0,"currency_code":"TRY","in_stock":true},{"title":"Green \/ 160 X 210","offer_id":45126574801129,"sku":"POTELD000003.03","price":105000.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/StudioPotatoBubbleTroubleYunElDokumasiKilim_1.jpg?v=1713267680"},{"product_id":"el-dokuma-anadolu-desenli-kirmizi-hali","title":"Red Anatolian Hand-Knotted Wool Adana Yörük Rug","description":"\u003cp\u003e\u003cstrong\u003eAdana sits on the Çukurova plain in southern Türkiye, and the Yörük — the tent-dwelling herders of Anatolia — wove on horizontal looms that could be rolled up and carried. This is one of their rugs: hand-knotted in wool, red-ground, drawn in the angular Anatolian manner, 138 × 235 cm (4'6\" × 7'9\"), and old enough that Halıcızade files it with the rare pieces.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eRed is the ground, and village reds are rarely one flat tone. Yarn dyed in small lots takes color a little differently from batch to batch, and the horizontal bands of shifting shade this produces have a name in the trade: abrash. The drawing over it is angular rather than curved, because a pattern counted out in knotted rows cannot make a smooth arc. Every figure is a shape a weaver could carry in memory and set down again a hundred rows later.\u003c\/p\u003e\n\n\u003cp\u003eWool, knotted by hand, made in Türkiye. Old is what the house says, and old is all anyone can honestly say — in the trade, antique starts at a hundred years, semi-antique covers fifty up to a hundred, and vintage runs from twenty to eighty, with nobody anywhere issuing a certificate for any of it. What can be seen is the wear: a rug that has been walked on has a pile that lies down and a sheen new wool does not have. It is listed among the rare pieces because there is one of it, because it is not being made again, and because Yörük weaving of this kind has been leaving Anatolia for two generations. Professional washing, and nothing improvised.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in wool on the Çukurova plain around Adana, in southern Türkiye.\u003c\/li\u003e\n  \u003cli\u003eRed ground with angular Anatolian figures, drawn in the Yörük manner.\u003c\/li\u003e\n  \u003cli\u003e138 × 235 cm (4'6\" × 7'9\").\u003c\/li\u003e\n  \u003cli\u003eListed by the house as old and as one of its rare pieces; no date is claimed.\u003c\/li\u003e\n  \u003cli\u003eTrade age words — antique, semi-antique, vintage — have no issuing authority behind them.\u003c\/li\u003e\n  \u003cli\u003eAbrash, the shift of tone between dye lots, is the mark of hand-dyed village wool.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing only.\u003c\/li\u003e\n  \u003cli\u003eA single rug, with nothing else like it in the catalog.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eOne life on a southern floor is already behind it, and a second will not finish it off either.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Red \/ 138 X 235","offer_id":45146837385449,"sku":"MZTADN000001.01","price":64000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/AnadoluDesenliElDokumaHali_1.jpg?v=1705931487"},{"product_id":"anadolu-desenli-afgan-sirvan-el-dokuma-hali","title":"Anadolu Şal Series Multicolor Anatolian-Pattern Handwoven Wool Rug, Afghan Shirvan","description":"\u003cp\u003e\u003cstrong\u003eAn Afghan Shirvan rug, handwoven in wool over a cotton foundation and measuring 160 × 190 cm (5'3\" × 6'3\"), which is close to square. Shirvan is a weaving region in eastern Azerbaijan, in the Caucasus, and its patterns — small geometric medallions set in rows — have been woven by Turkmen and Afghan workshops for generations. A single piece.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe field is drawn in the same angular vocabulary Anatolian village weaving uses: hooked medallions, stepped diamonds, small filler figures scattered wherever the drawing left room. That is why the house describes the pattern as Anatolian even though the loom stood a long way east of Anatolia. Multicolor here means the palette belongs to this piece alone, since a weaver works from the wool that has been dyed and is to hand. A near-square rug is the awkward one to place and the useful one to own — it suits a square hall, a bay, or the floor under a round table, where a long rectangle argues with the room.\u003c\/p\u003e\n\n\u003cp\u003eAfghan workshops are where a great deal of the world's handwoven wool now comes from, and the work is done on cotton warps, which hold tension better than wool and keep a large rug square. Cotton in the foundation and wool on the surface: two fibers doing two different jobs, and the reason the piece lies flat. This is old-fashioned production with no shortcut in it and no machine anywhere in the sequence. A rug washer does the cleaning.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven in Afghanistan, with cotton underneath and wool on top.\u003c\/li\u003e\n  \u003cli\u003eA Shirvan drawing — rows of small geometric medallions, angular throughout.\u003c\/li\u003e\n  \u003cli\u003e160 × 190 cm (5'3\" × 6'3\"), near enough to square to suit a square room.\u003c\/li\u003e\n  \u003cli\u003eMulticolored, with a palette particular to this piece.\u003c\/li\u003e\n  \u003cli\u003eCotton warps hold the rug square; the wool does the wearing.\u003c\/li\u003e\n  \u003cli\u003eA rug washer, not a machine.\u003c\/li\u003e\n  \u003cli\u003eOne of one.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eSquare rooms are commoner than square rugs, which is the whole argument for this one.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Colorful \/ 160 X 190","offer_id":45224811299049,"sku":"MZTAFG000003.01","price":78000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/AnadoluDesenliAfganSirvanElDokumaHali_1.jpg?v=1705931560"},{"product_id":"zade-serisi-el-dokuma-ipek-hali","title":"Cream Medallion Hand-Knotted Silk and Wool Rug, Nahar Series","description":"\u003cp\u003e\u003cstrong\u003eNinety percent silk, ten percent wool: that ratio is what the Nahar Series is. Cream Medallion Hand-Knotted Silk and Wool Rug, 126 × 182 cm (4'2\" × 6'0\"), tied by hand in China, with a circular motif at the center opening like the layers of a flower and leaf-and-vine work running out from it.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe ten percent matters more than it sounds. Pure silk is beautiful and slack; wool at that proportion gives the fabric enough spine to lie flat and take weight without the pile crushing, while the silk keeps the shine and the fineness. Cream is the ground, and it is a warm cream rather than a white one, so the rug lights a room without cooling it. The central medallion is the whole composition — everything else is subordinate to it, a spiral of leaves and vines from the classical Anatolian and Central Asian repertoire, spreading outward until the border stops it.\u003c\/p\u003e\n\n\u003cp\u003eHundreds of thousands of knots, tied by hand, over months. Silk rugs at this ratio are a shrinking category and the workshops producing them are fewer every year; the house is candid that this is one of the last examples of a craft nobody is replacing. At 126 × 182 cm it is a reception-room size rather than a living-room one — a small formal room, a study, the space in front of a fireplace. Professional cleaning only, and not often.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in China from 90% silk and 10% wool.\u003c\/li\u003e\n  \u003cli\u003eThe wool content is what keeps a silk pile from crushing under weight.\u003c\/li\u003e\n  \u003cli\u003eA circular central medallion opening in layers, with leaf and vine work around it.\u003c\/li\u003e\n  \u003cli\u003eClassical Anatolian and Central Asian motifs.\u003c\/li\u003e\n  \u003cli\u003eHundreds of thousands of knots; months of work.\u003c\/li\u003e\n  \u003cli\u003e126 × 182 cm (4'2\" × 6'0\") — a study, a small formal room, a hearth.\u003c\/li\u003e\n  \u003cli\u003eProduced in very small numbers.\u003c\/li\u003e\n  \u003cli\u003eProfessional cleaning only. One piece.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eThe kind of rug that outlasts several rooms and gets moved into each of them.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Cream \/ 126 X 182","offer_id":45231125168361,"sku":"SARZAD000021.01","price":148000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/SARZAD000021-4_03c275be-06fb-4cfb-b4af-40850642a7c7.jpg?v=1709405694"},{"product_id":"rengarenk-modern-tasarim-soyut-desenli-hasir-pamuk-el-dokuma-hali-845","title":"Multicolor Spiral Handwoven Rush Rug, Bolga Series","description":"\u003cp\u003e\u003cstrong\u003eAlong the Ganges in India there is a natural fiber the region calls the Golden Fibre, and the Bolga Series is woven from it. Multicolor Spiral Handwoven Rush Rug, 170 × 240 cm (5'7\" × 7'10\"), is a flatweave of coiled discs in earth beige, warm orange, red, mustard and deep green, made entirely by hand.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe discs are the whole design. Each is a spiral coiled flat and bound in place, and they sit beside and over one another like braided rosettes laid on a floor, so the surface has depth with no pile at all. Every coil turns in its own direction and no two are quite the same size, because they are made one at a time. The color is set into the fiber rather than laid over it, and the natural straw tone showing between the coils is what keeps five strong colors from arguing with each other.\u003c\/p\u003e\n\n\u003cp\u003eThis is a flatweave, not a knotted rug, and it behaves differently. It absorbs very little, which makes day-to-day cleaning simple, and it cannot be washed — water is what destroys a rush fiber. It also dislikes point loads: wheelchair casters and heels will break the coils, and the house prefers to say that before the sale rather than after it. Keep it to entryways, conservatories, kitchens and the sort of room people arrive in rather than settle in, and it will hold its shape for years. Brush it, and keep it dry.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven in India from natural rush fiber, along the Ganges.\u003c\/li\u003e\n  \u003cli\u003eA flatweave of coiled discs — no pile, and depth built from the coils themselves.\u003c\/li\u003e\n  \u003cli\u003eEarth beige, warm orange, red, mustard and deep green over natural straw tone.\u003c\/li\u003e\n  \u003cli\u003eVery low absorbency, so day-to-day cleaning is easy.\u003c\/li\u003e\n  \u003cli\u003eNot washable. Water is what ruins this fiber.\u003c\/li\u003e\n  \u003cli\u003eHeels and wheelchair casters will break the coils.\u003c\/li\u003e\n  \u003cli\u003e170 × 240 cm (5'7\" × 7'10\"); a 120 × 180 cm size is also made.\u003c\/li\u003e\n  \u003cli\u003eAn honest alternative for anyone shopping sisal and rush.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan this rug be washed?\u003c\/h3\u003e\n\u003cp\u003eNo. Rush fiber loses its structure when it is soaked, so a Bolga rug is brushed and kept dry rather than washed. Its low absorbency means most spills sit on the surface long enough to be lifted off with a dry cloth.\u003c\/p\u003e\n\n\u003ch3\u003eWhat is the Golden Fibre?\u003c\/h3\u003e\n\u003cp\u003eIt is the name given along the Ganges to the natural rush fiber this rug is made from. It is harvested locally, worked while it is still pliable, and coiled and bound by hand into the discs that make up the surface.\u003c\/p\u003e\n\n\u003ch3\u003eWhere does a rug like this belong?\u003c\/h3\u003e\n\u003cp\u003eEntryways, conservatories and kitchens, where it is walked across rather than lived on. It stands up to traffic and to dirt, and it does not stand up to concentrated weight from heels or caster wheels.\u003c\/p\u003e\n\n\u003cscript type=\"application\/ld+json\"\u003e\n{\"@context\":\"https:\/\/schema.org\",\"@type\":\"FAQPage\",\"mainEntity\":[{\"@type\":\"Question\",\"name\":\"Can this rug be washed?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"No. Rush fiber loses its structure when it is soaked, so a Bolga rug is brushed and kept dry rather than washed. Its low absorbency means most spills sit on the surface long enough to be lifted off with a dry cloth.\"}},{\"@type\":\"Question\",\"name\":\"What is the Golden Fibre?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"It is the name given along the Ganges to the natural rush fiber this rug is made from. It is harvested locally, worked while it is still pliable, and coiled and bound by hand into the discs that make up the surface.\"}},{\"@type\":\"Question\",\"name\":\"Where does a rug like this belong?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"Entryways, conservatories and kitchens, where it is walked across rather than lived on. It stands up to traffic and to dirt, and it does not stand up to concentrated weight from heels or caster wheels.\"}}]}\n\u003c\/script\u003e\n\n\u003cp\u003eAnyone who has looked at sisal and wanted something with color in it has been looking for this.\u003c\/p\u003e","brand":"EKO HALI","offers":[{"title":"Colorful \/ 120 X 180","offer_id":45265843519721,"sku":"EKOFLC000010.02","price":9800.0,"currency_code":"TRY","in_stock":false},{"title":"Colorful \/ 170 X 240","offer_id":45265843486953,"sku":"EKOFLC000010.01","price":18400.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/BolgaSerisiGeometrikDesenliElDokumaHali_6.jpg?v=1705742145"},{"product_id":"eko-hali-choti-sade-desenli-el-dokuma-hali-3","title":"Anthracite Plain Handwoven Rush Flatweave Rug, Fuji Series","description":"\u003cp\u003e\u003cstrong\u003eStart with what it will not do: this rug cannot be washed with water, and wheeled chairs and narrow heels will break its surface. It is a handwoven flatweave in natural rush fiber, plain, anthracite, made in India for the Fuji Series, and held in one size only, 120 × 180 cm, which is 3'11\" by 5'11\".\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eWhat you get in exchange is a texture no pile rug produces. A flatweave in a stiff natural fiber has ribs rather than a nap, so light runs along them one way and stops the other, and the surface changes as you move around it without a single color changing. Anthracite keeps it quiet — dark enough to sit under timber without looking like a doormat, flat enough that it never becomes the loudest thing in a room made mostly of glass.\u003c\/p\u003e\n\n\u003cp\u003eIt is woven entirely by hand in India, from the natural rush fiber cut along the Ganges that the people who gather it call the golden fiber. Because the fiber is stiff, the weave itself is the pattern; there is no drawing on it at all, which is why the house lists it as plain. Cleaning is dry cleaning and only dry cleaning, since it will not survive being soaked. Vacuum it lightly, and lift anything spilled before it settles. The house lays these in entrances, kitchens and winter gardens, where the light and the traffic suit them.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven flatweave in natural rush fiber, made in India.\u003c\/li\u003e\n  \u003cli\u003eAnthracite and plain — the weave structure is the only pattern on it.\u003c\/li\u003e\n  \u003cli\u003eOne size in stock, 120 × 180 cm, with 80 × 150 cm also made.\u003c\/li\u003e\n  \u003cli\u003eA ribbed surface that changes with the direction you look from.\u003c\/li\u003e\n  \u003cli\u003eDelicate: no wheeled chairs, no stiletto heels.\u003c\/li\u003e\n  \u003cli\u003eDry cleaning only; it cannot be wet-washed.\u003c\/li\u003e\n  \u003cli\u003eEntrances, kitchens and winter gardens are where the house puts them.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eTreated the way the house treats it, it lasts; treated as a rug for a busy hall, it will not see out the year.\u003c\/p\u003e","brand":"EKO HALI","offers":[{"title":"Anthracite \/ 80 X 150","offer_id":45265857937641,"sku":"EKOFLN000003.02","price":6000.0,"currency_code":"TRY","in_stock":false},{"title":"Anthracite \/ 120 X 180","offer_id":45265857904873,"sku":"EKOFLN000003.01","price":10700.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/FujiSerisiSadeDesenliElDokumaHali_1_6dafbdcc-f052-415a-b383-758afbcde0cf.jpg?v=1705742849"},{"product_id":"jura-el-dokuma-sade-desenli-hali","title":"Cream Plain Handwoven Cotton and Viscose Rug, Jura Series","description":"\u003cp\u003e\u003cstrong\u003eThere is no wool in this one at all. It is handwoven in India from cotton and viscose with a small amount of synthetic yarn worked in for wear, in a flat cream that carries a faint moiré where the hand of the weaver changed. Eight sizes are made, including a 100 × 300 cm (3'3\" × 9'10\") hall length.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe moiré is the only event on the surface, and it is not printed. It comes from small variations in tension as the weaving went along, so it shifts as you move — which is why a plain rug of this kind holds a room instead of vanishing out of it. Cream sits over dark boards better than it sits over pale ones, where it can go slightly invisible. Against black-stained oak or a dark stone floor it gives the room its light back.\u003c\/p\u003e\n\n\u003cp\u003eBeing wool-free is the practical fact about it. Cotton and viscose make a thinner, lighter, cooler rug than wool does — easy to lift, easy to fold, easy to move between a bedroom and a sunroom in April — and they lack wool's spring, so this is a rug you look at rather than one you sink into. A household that wants no animal fiber underfoot has few good options, and this is one of them.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven in India by hand-weaving technique, not on a mechanical loom.\u003c\/li\u003e\n  \u003cli\u003eCotton and viscose with a small quantity of synthetic yarn for wear — no wool.\u003c\/li\u003e\n  \u003cli\u003ePlain cream, with a faint moiré from variations in weaving tension.\u003c\/li\u003e\n  \u003cli\u003eThin and light: simple to lift, fold and move between rooms.\u003c\/li\u003e\n  \u003cli\u003eEight sizes, from 80 × 150 cm to 240 × 340 cm, including a 100 × 300 cm runner.\u003c\/li\u003e\n  \u003cli\u003eIt has no wool spring; the pleasure is visual rather than underfoot.\u003c\/li\u003e\n  \u003cli\u003eProfessional cleaning keeps the moiré even.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eA room that has already said everything it means to say needs a floor that says nothing, and this is that floor.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Cream \/ 80 X 150","offer_id":45273914278121,"sku":"HALJUR000001.08","price":8000.0,"currency_code":"TRY","in_stock":false},{"title":"Cream \/ 120 X 180","offer_id":45273914147049,"sku":"HALJUR000001.04","price":14000.0,"currency_code":"TRY","in_stock":false},{"title":"Cream \/ 140 X 200","offer_id":45273914179817,"sku":"HALJUR000001.05","price":18000.0,"currency_code":"TRY","in_stock":false},{"title":"Cream \/ 100 X 300","offer_id":45273914114281,"sku":"HALJUR000001.03","price":19500.0,"currency_code":"TRY","in_stock":true},{"title":"Cream \/ 160 X 230","offer_id":45273914081513,"sku":"HALJUR000001.01","price":24000.0,"currency_code":"TRY","in_stock":true},{"title":"Cream \/ 200 X 290","offer_id":45273914212585,"sku":"HALJUR000001.06","price":37500.0,"currency_code":"TRY","in_stock":false},{"title":"Cream \/ 240 X 340","offer_id":45273914245353,"sku":"HALJUR000001.07","price":52500.0,"currency_code":"TRY","in_stock":false},{"title":"Cream \/ 200 X 300","offer_id":47604796981481,"sku":"HALJUR000001.02","price":38500.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/JuraSadeDesenliElDokumaHali_19.jpg?v=1709382929"},{"product_id":"sal-desenli-el-dokuma-taspinar-hali","title":"Multicolor Shawl-Pattern Handwoven Wool Rug, Anadolu Şal Series","description":"\u003cp\u003e\u003cstrong\u003eAt 108 × 161 cm (3'7\" × 5'3\") this is a small rug, drawn as one: a handwoven wool piece in the shawl pattern of the Anadolu Şal Series, multicolored, made at Taşpınar in Türkiye. Small rugs make a pattern work harder, because there is no room in which to lose a figure. A single piece.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eTaşpınar is a village in Aksaray province on the central Anatolian plateau, and its name has been a rug name for generations. The shawl drawing it carries here is banded rather than centered — no medallion, no open field, just color against color along the length of the piece with small figures running down each band. In a rug this size the bands sit close together, so from a distance the effect is of a woven textile laid flat rather than of a rug with a pattern on it.\u003c\/p\u003e\n\n\u003cp\u003eWool, handwoven in Anatolia. Village looms are narrow, and 108 cm across is about the width one weaver can reach without help, which is part of why so much Anatolian weaving comes in this size and why it is the size that ends up at a bed's foot or in front of a hearth. The color will not be uniform under close inspection: hand-spun wool takes dye at its own rate, and those small variations are the difference between this and a printed copy of it. Washing is a job for a specialist.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven wool, made at Taşpınar in Aksaray province, central Anatolia.\u003c\/li\u003e\n  \u003cli\u003e108 × 161 cm (3'7\" × 5'3\") — bedside, hearth, or a narrow entrance.\u003c\/li\u003e\n  \u003cli\u003eA banded shawl drawing, multicolored, with small figures on every band.\u003c\/li\u003e\n  \u003cli\u003ePart of the Anadolu Şal Series, named after the shawls the pattern comes from.\u003c\/li\u003e\n  \u003cli\u003eHand-spun wool means small variations of tone across the field.\u003c\/li\u003e\n  \u003cli\u003eOne piece at this size.\u003c\/li\u003e\n  \u003cli\u003eSpecialist washing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eRugs this size get carried from room to room for years before they finally settle somewhere.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Colorful \/ 108 X 161","offer_id":45280712818921,"sku":"MZTTAS000008.01","price":40500.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/AnadoluSalSerisiSivasZaraDesenliElDokumaYunHali_1_c7c81cbb-3cb2-4932-a3c1-9a2363abef47.jpg?v=1706021065"},{"product_id":"fresco-serisi-cerceve-desenli-yuvarlak-hali","title":"Black Frame-Pattern Round Machine-Woven Viscose Rug, Fresco Series","description":"\u003cp\u003e\u003cstrong\u003eThe frame pattern is the oldest idea in rug drawing — a border holding a field — and here it has been put into a circle, where there are no corners for it to turn. Black Frame-Pattern Round Machine-Woven Viscose Rug, Fresco Series: a 200 cm circle, 6'7\" across, in black and silver, machine-woven in Türkiye.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eSixty to seventy percent of the yarn is viscose and the remainder is acrylic, and that mix is why the surface shimmers slightly instead of presenting a matt face — viscose reflects, acrylic keeps the shape. Black absorbs a room's light, so this is a rug for a pale floor: over light boards or a stone-toned tile the silver in the border separates and the whole circle lifts. Over a dark floor it disappears, and that is worth knowing before it arrives.\u003c\/p\u003e\n\n\u003cp\u003eMachine-woven, and the house says so rather than reaching for a better-sounding word: it is neither knotted nor loom-woven, and the price follows from that. What a round rug does that a rectangle cannot is make its own footprint look wider, which is most of the argument for one in an entrance hall or beside a bed. Regular vacuuming keeps it; a professional wash rather than anything heavy at home.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eMade on a machine in Türkiye, to a house design.\u003c\/li\u003e\n  \u003cli\u003eSixty to seventy percent viscose, the rest acrylic.\u003c\/li\u003e\n  \u003cli\u003eRound, 200 cm across.\u003c\/li\u003e\n  \u003cli\u003eA frame drawing in black and silver, set into a circle.\u003c\/li\u003e\n  \u003cli\u003eThe viscose gives a faint shimmer that shifts as you cross the room.\u003c\/li\u003e\n  \u003cli\u003eLay it on a light floor; over a dark one the pattern is lost.\u003c\/li\u003e\n  \u003cli\u003eVacuum regularly, professional wash for anything deeper.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eIt is a black circle with a silver edge, and in the right room that is a complete idea.\u003c\/p\u003e","brand":"EKO HALI","offers":[{"title":"Black \/ 200 X 200","offer_id":45324097224937,"sku":"EKOFSC000001.01","price":26400.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/EKOFSC000142.07_1.jpg?v=1705750546"},{"product_id":"nostalji-serisi-afgan-turkmen-desenli-yuvarlak-ozel-tezgah-halisi","title":"Round Burgundy Afghan Turkmen Loom-Woven Rug, Nostalji Series","description":"\u003cp\u003e\u003cstrong\u003eRound, and that is the whole reason to want it: a circular loom-woven rug in burgundy with Afghan Turkmen motifs, made at 160 \u0026times; 160 cm (5'3\" \u0026times; 5'3\"), 190 \u0026times; 190 cm (6'3\" \u0026times; 6'3\") and 200 \u0026times; 200 cm (6'7\" \u0026times; 6'7\"), with a smaller 120 \u0026times; 120 cm (3'11\" \u0026times; 3'11\") also on the size list. Tencel\u0026reg; face, cotton foundation, woven in T\u0026uuml;rkiye.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFitting a rectangular tribal drawing into a circle is not automatic. The solution here is to let the border curve and to keep the field repeating right out to the edge, so the motifs are cut by the circumference rather than squeezed to fit it. Burgundy and navy carry the color, with gold scattered through them. A circle does something a rectangle cannot in an entrance hall: it takes the corners out of the room and gives a door somewhere to swing.\u003c\/p\u003e\n\u003cp\u003eMachine and hand divide the work: the loom builds, the weaver closes. On a round rug the fringe is a continuous edge rather than two ends, and it is finished by women in Oushak. The pile is Tencel\u0026reg;; the warp and weft underneath are cotton. Have it washed by a specialist rather than at home.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRound, loom-woven in T\u0026uuml;rkiye.\u003c\/li\u003e\n\u003cli\u003eTencel\u0026reg; surface on a cotton foundation.\u003c\/li\u003e\n\u003cli\u003eAfghan Turkmen motifs in burgundy and navy with gold.\u003c\/li\u003e\n\u003cli\u003e160 \u0026times; 160 cm (5'3\"), 190 \u0026times; 190 cm (6'3\") and 200 \u0026times; 200 cm (6'7\") circles; a 120 \u0026times; 120 cm (3'11\") size is also listed.\u003c\/li\u003e\n\u003cli\u003eSuits an entrance hall, a bay window, or the middle of a square room.\u003c\/li\u003e\n\u003cli\u003eProfessional washing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eUnder a round table it is the only shape that makes sense, and that is what most people who buy one came looking for.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThis rug belongs to the \u003ca href=\"\/en\/collections\/nostalji-series-rugs\"\u003eNostalji Series\u003c\/a\u003e.\u003c\/em\u003e\u003c\/p\u003e","brand":"EKO HALI","offers":[{"title":"Burgundy \/ 160 X 160","offer_id":45324469108969,"sku":"EKONOS000002.01","price":21800.0,"currency_code":"TRY","in_stock":true},{"title":"Burgundy \/ 190 X 190","offer_id":46968629002473,"sku":"EKONOS000002.02","price":30700.0,"currency_code":"TRY","in_stock":false},{"title":"Burgundy \/ 200 X 200","offer_id":48004917133545,"sku":"EKONOS000002.03","price":34000.0,"currency_code":"TRY","in_stock":false},{"title":"Burgundy \/ 120 X 120","offer_id":50637296304361,"sku":"EKONOS000002.04","price":12300.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/NostaljiSerisiAfganTurkmenDesenliYuvarlakTezgahDokumaHali_2.webp?v=1751112935"},{"product_id":"zara-serisi-geometrik-desenli-yuvarlak-ozel-tezgah-halisi","title":"Blue Authentic-Pattern Round Loom-Woven Rug, Zara Series","description":"\u003cp\u003e\u003cstrong\u003eBlue Authentic-Pattern Round Loom-Woven Rug, Zara Series — a calm mid-blue circle with Anatolian motifs dropped across it rather than set in rows, loom-woven in Oushak from yarn containing Tencel®, with no wool in it. It is made as a 200 cm circle and a 160 cm one — 6'7\" and 5'3\" across.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eA circle has no corners, and in a room of straight lines that matters more than it sounds: the hard edges of a sofa and a low table stop competing the moment something round goes underneath them. This blue is at the quiet end of blue rather than the saturated end, so the scattered motifs read as marks on water. Set in front of white or gray furniture it is the only color in the arrangement, which is the arrangement it was drawn for.\u003c\/p\u003e\n\n\u003cp\u003eLoom-woven puts the structure onto a machine-guided loom and leaves the ends to people: once a piece comes off the frame, every fringe is worked and tied on its own, largely by women in the Oushak workshops. The yarn contains Tencel®, spun out of wood pulp, which gives the surface a light fluid gloss and a certain slip underfoot. Nothing in it is wool, worth knowing if what you are after is the density wool gives. Have it professionally washed; that is the whole of the maintenance.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eLoom-woven in Oushak, in workshops where most of the labor is women's.\u003c\/li\u003e\n  \u003cli\u003eTencel®-containing yarn, wool-free.\u003c\/li\u003e\n  \u003cli\u003eTwo diameters are made, 160 cm and 200 cm.\u003c\/li\u003e\n  \u003cli\u003eAuthentic Anatolian motifs scattered across a quiet blue ground.\u003c\/li\u003e\n  \u003cli\u003eEach fringe worked and tied individually once the weaving comes off the frame.\u003c\/li\u003e\n  \u003cli\u003eSoftens the geometry of a room built out of rectangles.\u003c\/li\u003e\n  \u003cli\u003eA rug washer, not a washing machine.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eIt is the honest middle of the catalog: the look of a knotted rug at a price knotting cannot reach, and the house says as much rather than implying otherwise.\u003c\/p\u003e","brand":"EKO HALI","offers":[{"title":"Blue \/ 160 X 160","offer_id":45324542542057,"sku":"EKOZAR000010.01","price":24600.0,"currency_code":"TRY","in_stock":true},{"title":"Blue \/ 200 X 200","offer_id":48074490904809,"sku":"EKOZAR000010.02","price":38400.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ZaraSerisiGeometrikDesenliMakineDokumaHali_5.jpg?v=1751030980"},{"product_id":"zara-serisi-cicek-desenli-daire-ozel-tezgah-halisi","title":"Red Floral Round Loom-Woven Tencel® Rug, Zara Series","description":"\u003cp\u003e\u003cstrong\u003eRound, in three diameters — 120 cm (3'11\"), 160 cm (5'3\") and 200 cm (6'7\") — with floral motifs worked over a red ground. Zara is Halıcızade's loom-woven line, made in Oushak, the old weaving town of western Anatolia; this piece is Tencel® on a cotton foundation, with no wool in it.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eA circle changes what a rug does in a room. There are no corners to line up with the furniture, so it sits under a coffee table or in the middle of a seating group and softens the geometry instead of reinforcing it. The red is a full, warm red rather than a brick or a rust, and the flowers on it are drawn from Anatolian village weaving rather than from a European floral. At 120 cm it is a spot under one chair; at 200 cm it takes the whole center of a small room.\u003c\/p\u003e\n\n\u003cp\u003eA loom sets the warp and the pile; women in and around Oushak knot the fringes one at a time, which is why no two Zara rugs finish identically. Tencel® over cotton gives the surface a soft, faintly bright hand rather than a woolly one, and it wears well for a rug of this price. The technique sits between the two things buyers usually compare: it has the hand of a knotted rug and the cost of a woven one.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eLoom-woven in Oushak, Türkiye, with the fringes hand-knotted one at a time.\u003c\/li\u003e\n  \u003cli\u003eTencel® pile on a cotton foundation; no wool content.\u003c\/li\u003e\n  \u003cli\u003eFloral motifs on a red ground, drawn from Anatolian weaving.\u003c\/li\u003e\n  \u003cli\u003eRound: 120, 160 and 200 cm across.\u003c\/li\u003e\n  \u003cli\u003eLargely produced by women weavers in the Oushak district.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing; the Tencel® pile does not take a home shampoo well.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eIt is the shape to choose when the room is already full of straight lines.\u003c\/p\u003e","brand":"EKO HALI","offers":[{"title":"Red \/ 160 X 160","offer_id":45324547555561,"sku":"EKOZAR000011.01","price":24600.0,"currency_code":"TRY","in_stock":false},{"title":"Red \/ 200 X 200","offer_id":47952120053993,"sku":"EKOZAR000011.02","price":38400.0,"currency_code":"TRY","in_stock":true},{"title":"Red \/ 120 X 120","offer_id":48113563271401,"sku":"EKOZAR000011.03","price":13900.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/EKOZAR000011_2.jpg?v=1751030986"},{"product_id":"cizgi-desenli-gri-yuvarlak-hali","title":"Gray Striped Machine-Woven Round Rug","description":"\u003cp\u003e\u003cstrong\u003eA round rug, which is the point of it: gray, striped, made by machine in Türkiye from viscose and acrylic over a cotton ground, at a hundred-reed density. A circle has no corners to curl and no long edge to line up against a wall, so it lands under a table or in the middle of a small room.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eReed count is the density grade Turkish mills quote, measured across the warp, and a hundred sits in the middle of the range for weaving of this kind — dense enough that the stripe edges stay crisp instead of feathering into one another. The gray is unsaturated, which matters more on a circle than on a rectangle, because a round rug already draws the eye and a strong color would turn it into a target.\u003c\/p\u003e\n\n\u003cp\u003eViscose gives the pile its shine and acrylic gives it recovery, so the surface springs back after a chair leg has stood on it. Both sit on a cotton foundation. The shine has a cost worth stating plainly: a circle is walked across from every direction, and a viscose pile records each of those directions as a slightly different value of gray until you brush it out. A professional wash when required, and a vacuum in between.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eWoven by machine in Türkiye; the density is quoted at a hundred reed.\u003c\/li\u003e\n  \u003cli\u003eA viscose and acrylic pile, set on a cotton foundation.\u003c\/li\u003e\n  \u003cli\u003eRound, gray, with a striped drawing and nothing else on it.\u003c\/li\u003e\n  \u003cli\u003eSized for an entrance, a bedside, or under a small dining table.\u003c\/li\u003e\n  \u003cli\u003eThe pile shows the direction it was last walked on.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eRound rugs fail when they are treated as decoration; this one works because it is doing a job a rectangle cannot.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Gray \/ 160 X 160","offer_id":45331544080617,"sku":"WKNMON000014.01","price":15400.0,"currency_code":"TRY","in_stock":true},{"title":"Gray \/ 200 X 200","offer_id":45331544113385,"sku":"WKNMON000014.02","price":24000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/CizgiDesenliMakineDokumaHali_1_f2c838ef-4009-4799-8b37-2c8bb3bc0bac.jpg?v=1705580730"},{"product_id":"el-dokuma-cerceve-desen-ipekli-salon-ofis-halisi","title":"Burgundy Bordered Hand-Knotted Silk-Blend Rug","description":"\u003cp\u003e\u003cstrong\u003eThe frame is the first thing you see: a wide cream-and-beige border holding a burgundy field packed with small motifs. Burgundy Bordered Hand-Knotted Silk-Blend Rug, 171 × 243 cm (5'7\" × 8'0\"), tied by hand in China from cotton, viscose and silk.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eInside the frame the drawing is fine-scaled — classical figures repeated small and close together, in the manner of an old piece meant to be read from a chair rather than from a doorway. Burgundy carries them, and burgundy is the color that changes most across a day: deep and nearly brown in the morning, lit and red under a lamp, with the pale border holding steady behind it. That contrast is doing structural work. Without the cream frame the field would close in on itself; with it, the rug has a middle and an edge.\u003c\/p\u003e\n\n\u003cp\u003eCotton underneath, viscose and silk on top, and a knot count that runs into the hundreds of thousands. The blend is the point. It gets close to the hand and the shine of a pure silk rug without the price or the fragility of one, and it takes daily use in a living room or an office in a way a pure silk piece would not. The weave is thin and the pile short, so it lies flat and stays out of a door's way. A vacuum for the week, and a rug cleaner for anything more.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in China from cotton, viscose and silk.\u003c\/li\u003e\n  \u003cli\u003eA wide cream and beige border around a burgundy field of small classical motifs.\u003c\/li\u003e\n  \u003cli\u003eThe burgundy reads brown in daylight and red under a lamp.\u003c\/li\u003e\n  \u003cli\u003eHundreds of thousands of knots.\u003c\/li\u003e\n  \u003cli\u003eThin weave, short pile — it lies flat and clears a door.\u003c\/li\u003e\n  \u003cli\u003eSturdier than pure silk and closer to it than wool.\u003c\/li\u003e\n  \u003cli\u003e171 × 243 cm (5'7\" × 8'0\"), for a living room or an office.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing. One piece.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eIt is what an office floor looks like when somebody decided the office should not look like one.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Burgundy \/ 171 X 243","offer_id":45712191750377,"sku":"SARBIT000286.01","price":230000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaCerceveDesenSalonOfisHalisi_1.jpg?v=1706087738"},{"product_id":"cerceve-desenli-krem-el-dokuma-ipekli-hali","title":"Cream Floral Bordered Hand-Knotted Silk-Blend Rug","description":"\u003cp\u003e\u003cstrong\u003eCream Floral Bordered Hand-Knotted Silk-Blend Rug, 157 × 243 cm (5'2\" × 8'0\"), looks like a mosaic floor in a walled garden: fine flower forms in green and earth tones set into a cream ground, with the border standing around them like a run of columns. Knotted by hand in China from viscose and silk.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eLight blue and gold run through the drawing and give it a depth the cream alone would not have. The flowers are small and evenly placed, the border repeats a heavier version of the same motifs, and the change of scale between the two is what keeps the middle from looking crowded. Across a day the surface moves between two states — a mother-of-pearl brightness when the light comes at it sideways, and a flat pastel clarity when it comes from above. Neither state is the rug's real appearance, and both are.\u003c\/p\u003e\n\n\u003cp\u003eViscose and silk together, knotted by hand in China, with the knot count in six figures. Cellulose fibers of this kind are what make a rug shine, and they are also softer than wool underfoot and less resilient under a chair leg. The pile is short and the weave fine, so there is little for dust to work into and daily cleaning is straightforward. Give it a room where it will be looked at more than it is crossed. Professional washing, and let the professionals decide how often.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in China from viscose and silk.\u003c\/li\u003e\n  \u003cli\u003eFine floral motifs in green and earth tones on a cream ground.\u003c\/li\u003e\n  \u003cli\u003eLight blue and gold worked through the pattern for depth.\u003c\/li\u003e\n  \u003cli\u003eA heavier version of the same motifs in the border.\u003c\/li\u003e\n  \u003cli\u003eThe surface alternates between a pearly shine and a flat pastel.\u003c\/li\u003e\n  \u003cli\u003eSofter than wool underfoot and less resilient under furniture.\u003c\/li\u003e\n  \u003cli\u003e157 × 243 cm (5'2\" × 8'0\") — a living room, a bedroom, a wide entrance.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing. A single piece.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003ePut a chair on it and the chair will leave its mark. Put it where people look and it earns the space.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Cream \/ 157 X 243","offer_id":45461575991529,"sku":"SARBIT000349.01","price":210000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/CerceveDesenliKremElDokumaHali_1.jpg?v=1706089025"},{"product_id":"safir-serisi-usak-desenli-el-dokuma-oymali-mor-yuvarlak-hali","title":"Purple Oushak Carved Handwoven Round Rug, Safir Series","description":"\u003cp\u003e\u003cstrong\u003eSafir is the Turkish word for sapphire; the rug itself is lilac-purple rather than blue, and the name belongs to the series, not to the color. Purple Oushak Carved Handwoven Round Rug from the Safir series \u0026mdash; round, with every motif edge cut in by hand, woven in India from cotton, wool, bamboo viscose and viscose, at 150 \u0026times; 150 cm and 200 \u0026times; 200 cm.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eCarving is the technique the series is built on. After the pile is set, a weaver takes shears to the surface and cuts a channel along the outline of every motif, so the drawing sits in its own relief and throws a shadow. On a round rug that matters more than on a rectangle, because there is no straight border to tell you where the pattern begins. The Oushak figures \u0026mdash; the medallion families of western Anatolia \u0026mdash; have been reworked here at a scale and in a palette with nothing classical about it: lilac shading to a deeper purple, with cream and gray coming through.\u003c\/p\u003e\n\n\u003cp\u003ePurple is not a neutral and this rug does not pretend to be one. It sits well with gray and cream and it fights almost anything warm, which is worth settling before it arrives. The knot count is high, since a loose pile will not hold a cut edge, and the four yarns in the surface give it both softness and a light sheen. A round rug also asks something of the room: it wants space around it and will look like a mistake pushed against a wall. Cleaning is professional.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven in India from cotton, wool, bamboo viscose and viscose.\u003c\/li\u003e\n  \u003cli\u003eEvery motif outline is carved by hand with shears, so the drawing stands in relief.\u003c\/li\u003e\n  \u003cli\u003eOushak medallion figures redrawn in lilac and purple, with cream and gray.\u003c\/li\u003e\n  \u003cli\u003eRound, at 150 \u0026times; 150 cm (4'11\" \u0026times; 4'11\") and 200 \u0026times; 200 cm (6'7\" \u0026times; 6'7\").\u003c\/li\u003e\n  \u003cli\u003eHigh knot density \u0026mdash; carving will not hold on a loose pile.\u003c\/li\u003e\n  \u003cli\u003eReads well with gray and cream; awkward beside warm colors.\u003c\/li\u003e\n  \u003cli\u003eA round rug needs clear floor around it.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eRound rugs are usually chosen to soften a corner; this one is strong enough to be the reason for the corner.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Purple \/ 150 X 150","offer_id":45712210002153,"sku":"EKOSAP000014.01","price":67500.0,"currency_code":"TRY","in_stock":true},{"title":"Purple \/ 200 X 200","offer_id":45712210034921,"sku":"EKOSAP000014.02","price":120000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/EKOSAP000018.02_5_SafirSerisiUsakDesenliElDokumaHali.jpg?v=1704979315"},{"product_id":"safir-serisi-usak-desenli-el-dokuma-oymali-mavi-yuvarlak-hali","title":"Blue Oushak-Pattern Handwoven Carved Round Rug, Safir Series","description":"\u003cp\u003e\u003cstrong\u003eA round handwoven rug in pastel blue, worked in Oushak motifs and finished by carving: once the pile is tied, the outline of every motif is cut back with shears so that the pattern stands above its ground in relief. Wool and cotton carry the body of it, bamboo viscose carries the drawing. Woven in India for this house. One piece only.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eOushak drawing is normally large and open. Here it has been reduced and softened until it sits inside a circle with no corner to anchor it. The blues are pastel rather than saturated, so the outer band reads as a ring of pale flowers rather than as a border, and the relief does the work that color would otherwise have to do — under a ceiling light the cut edges throw a shadow a millimeter or two deep and the motifs lift away from the field. Seen from directly above, which is how a round rug in an entrance is actually seen, that shadow is the pattern.\u003c\/p\u003e\n\n\u003cp\u003eCotton runs through the foundation, wool makes the surface, and the motifs alone are picked out in bamboo viscose, a cellulose yarn spun to take light the way silk does; it is why the drawing looks wet against a matt ground. Knot density is high enough that the carver can follow a curve without stepping it. Carving is a second pass and a slow one, carried out by hand with shears once the rug is off the loom. Being round, it has no straight edge to set against a wall, so it needs floor it can sit in the middle of. Cleaning belongs to a rug workshop.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven in India, in a workshop that supplies this house.\u003c\/li\u003e\n  \u003cli\u003eWool surface on a cotton foundation, with bamboo viscose in the motifs.\u003c\/li\u003e\n  \u003cli\u003eOushak motifs redrawn at pastel scale, in blues.\u003c\/li\u003e\n  \u003cli\u003eEvery motif is cut back by hand with shears after weaving.\u003c\/li\u003e\n  \u003cli\u003eDense knotting holds the curves of the drawing without stepping them.\u003c\/li\u003e\n  \u003cli\u003eRound format — an entrance hall, a bedroom, or beneath a round table.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing.\u003c\/li\u003e\n  \u003cli\u003eOne piece; carving is never repeated in exactly the same way.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat does it mean that the rug is carved?\u003c\/h3\u003e\n\u003cp\u003eCarving is a hand operation performed after weaving. A worker follows the outline of each motif with shears and cuts the surrounding pile shorter, so the pattern sits in relief above the field and throws a small shadow across the pile beside it.\u003c\/p\u003e\n\n\u003ch3\u003eWhy does a carved rug need a dense weave?\u003c\/h3\u003e\n\u003cp\u003eShears open a loose pile. The knot count has to be high enough that the cut edge stays sharp and does not fray, which is why carving is only done on rugs tied densely enough to hold the line.\u003c\/p\u003e\n\n\u003cp\u003eIn a hallway it will be the first thing anyone stands on and the last thing they look at, which is the correct order for a rug.\u003c\/p\u003e\n\n\u003cscript type=\"application\/ld+json\"\u003e\n{\n  \"@context\": \"https:\/\/schema.org\",\n  \"@type\": \"FAQPage\",\n  \"mainEntity\": [\n    {\n      \"@type\": \"Question\",\n      \"name\": \"What does it mean that the rug is carved?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"Carving is a hand operation performed after weaving. A worker follows the outline of each motif with shears and cuts the surrounding pile shorter, so the pattern sits in relief above the field and throws a small shadow across the pile beside it.\"\n      }\n    },\n    {\n      \"@type\": \"Question\",\n      \"name\": \"Why does a carved rug need a dense weave?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"Shears open a loose pile. The knot count has to be high enough that the cut edge stays sharp and does not fray, which is why carving is only done on rugs tied densely enough to hold the line.\"\n      }\n    }\n  ]\n}\n\u003c\/script\u003e\n\u003cp\u003e\u003cem\u003eThis rug belongs to the \u003ca href=\"\/en\/collections\/safir-series-rugs\"\u003eSafir Series\u003c\/a\u003e.\u003c\/em\u003e\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Blue \/ 150 X 150","offer_id":45712211214569,"sku":"EKOSAP000017.02","price":67500.0,"currency_code":"TRY","in_stock":true},{"title":"Blue \/ 200 X 200","offer_id":45712211247337,"sku":"EKOSAP000017.01","price":120000.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/EKOSAP000017_5_SafirSerisiUsakDesenliElDokumaHali.jpg?v=1704981228"},{"product_id":"safir-serisi-usak-desenli-el-dokuma-oymali-yesil-yuvarlak-hali","title":"Sea-Green Oushak-Pattern Handwoven Carved Round Rug, Safir Series","description":"\u003cp\u003e\u003cstrong\u003eWool over cotton, with viscose and bamboo viscose held back for the pattern alone: this is a round Safir Series rug in sea-green, its Oushak motifs cut into relief by hand once the weaving was done. A high knot count is what makes that possible — a drawing has to be dense before it can be sculpted. Made in India for this house, and only one was woven.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eSea-green holds most of the field, pale enough to sit between burgundy wood and gray upholstery without arguing with either. The Oushak motifs are classical in origin and modern in scale, and because the shears have taken a fraction off the ground around each one, the pattern stays legible even where the light is flat. Cream and soft gray run through the drawing. Against dark walnut the green warms; against gray stone it cools and goes almost silver.\u003c\/p\u003e\n\n\u003cp\u003eFour yarns do four jobs. Cotton is the foundation, wool is the surface a foot meets, and viscose and bamboo viscose appear only in the motifs, where their sheen separates the pattern from the wool around it. Carving is done with shears, motif by motif, and it takes longer than weaving an equivalent flat-faced rug would. The tight knotting is not ornament; a loose weave cannot be carved at all without fraying at the cut. A rug washer should do the washing.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eWoven by hand in India for the Safir Series.\u003c\/li\u003e\n  \u003cli\u003eCotton foundation, wool surface, with viscose and bamboo viscose reserved for the pattern.\u003c\/li\u003e\n  \u003cli\u003eSea-green field with cream and gray in the drawing.\u003c\/li\u003e\n  \u003cli\u003eMotifs cut into relief with shears once the weaving is done.\u003c\/li\u003e\n  \u003cli\u003eRound — for an entrance, the center of a sitting room, or a bedside.\u003c\/li\u003e\n  \u003cli\u003eSits with burgundy woods as easily as with gray and cream.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing.\u003c\/li\u003e\n  \u003cli\u003eSingle piece.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eGreen takes longest to choose and longest to tire of, and this one is quiet enough to be lived with rather than admired.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Green \/ 210 X 210","offer_id":45712210591977,"sku":"EKOSAP000021.01","price":133000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/EKOSAP000021_1_SafirSerisiUsakDesenliElDokumaHali.jpg?v=1704983840"},{"product_id":"zara-serisi-anadolu-desenli-yuvarlak-tezgah-dokuma-hali","title":"Cream Anatolian-Pattern Round Loom-Woven Rug, Zara Series","description":"\u003cp\u003e\u003cstrong\u003eIn a room that gets little daylight, cream does what a lamp cannot, and this is a round cream rug for exactly that problem: loom-woven at Oushak from Tencel® over a cotton ground, with traditional Anatolian motifs drawn across it, 200 cm across (6'7\"), or 160 cm (5'3\") where the space is tighter. One left.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe motifs are worked a shade or two off the ground rather than in contrast, so the drawing is legible without becoming the subject; from the doorway it reads as texture and from a chair it resolves into pattern. Being circular, it has no corners to line up with a wall, which is what makes it useful in an entrance, a hallway or a bedroom, and what lets it sit in the middle of a room full of straight lines and soften them. Cream also makes a space read larger than it is, and among furniture in strong colors it acts as the neutral that lets the rest of the palette agree with itself.\u003c\/p\u003e\n\n\u003cp\u003eZara is made on the looms at Oushak, where women who have been weaving for years do the finishing; the fringes are worked by hand, which is what keeps them durable and keeps the rug from looking mass-produced. Tencel® is a plant-based fiber with a soft hand and a visible gloss, and the cotton ground underneath keeps lint down. Day to day it needs very little; when it needs more than that, it goes to a rug washer, and a cream rug will reach that point sooner than a dark one.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eLoom-woven at Oushak, Türkiye, with fringes finished by hand.\u003c\/li\u003e\n  \u003cli\u003eTencel® over a cotton ground.\u003c\/li\u003e\n  \u003cli\u003eTraditional Anatolian motifs on cream, drawn close in tone to the ground.\u003c\/li\u003e\n  \u003cli\u003eRound: 160 and 200 cm across.\u003c\/li\u003e\n  \u003cli\u003eCream makes a low-light room read brighter and a small room read larger.\u003c\/li\u003e\n  \u003cli\u003eLow lint from the cotton ground; easy day-to-day care.\u003c\/li\u003e\n  \u003cli\u003eA rug washer for a deep clean, which a cream rug will want sooner than a dark one.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eOne left, and a round rug in this color is the piece people come back for after they have bought the rectangle and found it fights the hall.\u003c\/p\u003e","brand":"EKO HALI","offers":[{"title":"Cream \/ 160 X 160","offer_id":45517972308201,"sku":"EKOZAR000002.01","price":24600.0,"currency_code":"TRY","in_stock":false},{"title":"Cream \/ 200 X 200","offer_id":48074472325353,"sku":"EKOZAR000002.02","price":38400.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ZaraSerisiOtantikDesenliYuvarlakTezgahDokumaHalisi_1.webp?v=1768825280"},{"product_id":"safir-serisi-usak-desenli-el-dokuma-oymali-mor-yuvarlak-hali-2","title":"Purple Oushak-Pattern Hand-Knotted Round Rug, Safir Series","description":"\u003cp\u003e\u003cstrong\u003eEvery motif on this rug has been cut around with shears after knotting, so the pattern stands slightly above the ground instead of sitting flush with it. Purple Oushak-Pattern Hand-Knotted Round Rug, Safir Series — hand-knotted in India, round, from 155 × 155 cm (5'1\" × 5'1\") to 200 × 200 cm (6'7\" × 6'7\").\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eOushak — Uşak in Turkish — is a town and a weaving district in the Anatolian west, whose medallion-and-border drawing has been imitated since the sixteenth century. Here the motifs are redrawn at a modern scale and carried on a purple that sits close to lilac — a color that behaves oddly and usefully, going gray under a north window and warming toward wine under a filament bulb. The carving is what you notice second: run a hand across the surface and the border edges catch, because the pile has been trimmed down between the figures and left standing inside them.\u003c\/p\u003e\n\n\u003cp\u003eA dense knot count is what makes the carving possible; a loose weave would blur the moment the shears touched it. Cotton, wool, bamboo viscose and viscose are used together, and the shine in the motifs comes from the two cellulose yarns rather than from any finish. A round rug is unforgiving about placement, so measure the circle against the furniture before it arrives. Professional washing only, and carving of this kind should never meet a stiff brush.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in India from cotton, wool, bamboo viscose and viscose.\u003c\/li\u003e\n  \u003cli\u003eThe motifs are cut in relief with shears after weaving, one figure at a time.\u003c\/li\u003e\n  \u003cli\u003eClassical Oushak drawing, redrawn at a contemporary scale.\u003c\/li\u003e\n  \u003cli\u003ePurple running toward lilac, which settles well next to gray and cream.\u003c\/li\u003e\n  \u003cli\u003eA high knot count holds the detail the carving depends on.\u003c\/li\u003e\n  \u003cli\u003eRound, from 155 × 155 cm (5'1\" × 5'1\") to 200 × 200 cm (6'7\" × 6'7\").\u003c\/li\u003e\n  \u003cli\u003eProfessional washing; never brush the carved edges.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat does a carved rug mean?\u003c\/h3\u003e\n\u003cp\u003eCarving is a finishing operation. After the rug is knotted, a weaver cuts down the pile around each motif with hand shears so the figures stand proud of the ground. It adds depth to the drawing and it can only be done on a densely knotted rug.\u003c\/p\u003e\n\n\u003cp\u003eIn a room of gray upholstery and cream walls the purple is the only strong note on the floor, and the relief keeps it interesting long after the color has stopped being a surprise.\u003c\/p\u003e\n\n\u003cscript type=\"application\/ld+json\"\u003e{\"@context\": \"https:\/\/schema.org\", \"@type\": \"FAQPage\", \"mainEntity\": [{\"@type\": \"Question\", \"name\": \"What does a carved rug mean?\", \"acceptedAnswer\": {\"@type\": \"Answer\", \"text\": \"Carving is a finishing operation. After the rug is knotted, a weaver cuts down the pile around each motif with hand shears so the figures stand proud of the ground. It adds depth to the drawing and it can only be done on a densely knotted rug.\"}}]}\u003c\/script\u003e","brand":"HALICIZADE","offers":[{"title":"Purple \/ 155 X 155","offer_id":45712210198761,"sku":"EKOSAP000016.03","price":72500.0,"currency_code":"TRY","in_stock":false},{"title":"Purple \/ 190 X 190","offer_id":45712210231529,"sku":"EKOSAP000016.01","price":109000.0,"currency_code":"TRY","in_stock":true},{"title":"Purple \/ 200 X 200","offer_id":45712210264297,"sku":"EKOSAP000016.02","price":120000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/EKOSAP000016SafirSerisiUsakDesenliElDokumaHali_1.jpg?v=1704980787"},{"product_id":"safir-serisi-usak-desenli-el-dokuma-oymali-hali-4","title":"Green Oushak-Pattern Handwoven Carved Round Wool Rug, Safir Series","description":"\u003cp\u003e\u003cstrong\u003eIndia makes more hand-woven rugs than anywhere else, and this one comes from a workshop there that produces the Safir Series for Halıcızade alone: a round rug in pale green, Oushak motifs, cut into relief with shears. Cotton in the spine, wool on the face you walk on, bamboo viscose in the drawing. A single example.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe green is a pale water-green — cool, low in saturation, nearer gray than grass. Oushak's flowering repertoire has been redrawn to fill a circle, so nothing terminates in a corner and the eye keeps travelling. What the carving contributes is depth: each motif sits a fraction proud of the field, and that fraction is enough to make the whole pattern readable from standing height without any strong contrast of color doing the work.\u003c\/p\u003e\n\n\u003cp\u003eThree fibers, three jobs, stated separately because they behave differently. Cotton holds the structure, wool takes the wear, bamboo viscose gives the motifs a silk-like return of light. Knot density is high, which is a requirement and not a boast, since carving demands a pile tight enough to survive the shears. The workshop weaves the rug by hand, then carves it, then finishes it. It is at home with heavy carved wood and equally at home with flat, plain furniture, which is unusual and worth saying. Professional washing.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eRound, and woven entirely by hand in an Indian workshop for this house.\u003c\/li\u003e\n  \u003cli\u003ePale water-green field with Oushak motifs in cream and gray.\u003c\/li\u003e\n  \u003cli\u003eCotton foundation, wool pile, bamboo viscose picking out the pattern.\u003c\/li\u003e\n  \u003cli\u003eCarved in relief with shears once the weaving is finished.\u003c\/li\u003e\n  \u003cli\u003eDense knotting — the condition for carving, not a decoration.\u003c\/li\u003e\n  \u003cli\u003eSuits entrance halls, sitting rooms, offices and bedrooms.\u003c\/li\u003e\n  \u003cli\u003eGreen reads warm beside burgundy woods and cool beside gray and cream.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing. One only.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eA round rug commits a room to a center, and this is a quiet enough green to be trusted with that decision.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Green \/ 160 X 160","offer_id":45550348599529,"sku":"EKOSAP000019.01","price":77000.0,"currency_code":"TRY","in_stock":false},{"title":"Green \/ 210 X 210","offer_id":45550348632297,"sku":"EKOSAP000019.02","price":133000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/EKOSAP000019SafirSerisiUsakDesenliElDokumaHali_4.jpg?v=1704982827"},{"product_id":"el-dokuma-siyah-madalyon-desenli-ipekli-hali","title":"Black Medallion Hand-Knotted Silk-Blend Rug","description":"\u003cp\u003e\u003cstrong\u003eBlack Medallion Hand-Knotted Silk-Blend Rug: a black ground with a red-and-cream medallion at its center, 167 × 241 cm (5'6\" × 7'11\"), tied by hand in China out of cotton, viscose and silk. The field around the medallion is filled with small floral work and closed by a red and beige border. Black is uncommon as a ground in classical drawing. This is a rug, not a model.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe medallion is drawn in cream and red, and it reads as the only warm thing on the piece until you notice the border, which repeats those reds at a smaller scale and stops the black from swallowing the ends. Silk in the pile is what makes the surface move: stand at one end and the black is nearly wet, walk to the other and the same black goes flat and matt, and the medallion seems to travel with you. That behavior belongs to the fiber, not to a finish applied over it.\u003c\/p\u003e\n\n\u003cp\u003eKnotted entirely by hand in China, at a count running into the hundreds of thousands, on a cotton foundation with viscose and silk through the surface. The blend is the whole argument of the piece: pure silk rugs cost what they cost, and this reaches for the same sheen and the same thinness at a different level of the market, which the house says rather than calling the rug silk. The pile is fine and shallow, so there is little depth for dust to settle into and the rug is light to lift. Washing is a specialist job.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eTied by hand in China; the knot count runs into six figures.\u003c\/li\u003e\n  \u003cli\u003eCotton foundation with viscose and silk in the surface.\u003c\/li\u003e\n  \u003cli\u003eBlack ground, cream-and-red medallion, densely worked floral field.\u003c\/li\u003e\n  \u003cli\u003eRed and beige border closing the field at every edge.\u003c\/li\u003e\n  \u003cli\u003eThe sheen turns from wet-looking to flat depending where you stand.\u003c\/li\u003e\n  \u003cli\u003e167 × 241 cm (5'6\" × 7'11\") — a sitting room or a wide hall.\u003c\/li\u003e\n  \u003cli\u003eThin and light; simple to lift and to vacuum.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing. A single piece.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eBlack grounds get chosen for rooms that already have enough going on, and this one was drawn to be the calm thing rather than the loud one.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Black \/ 167 X 241","offer_id":47519074943209,"sku":"SARBIT000300.01","price":220000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaSiyahMadalyonDesenliHali_1.jpg?v=1706088132"},{"product_id":"usak-cerceve-desenli-el-dokuma-krem-ipek-hali","title":"Cream Oushak Frame-Pattern Hand-Knotted Pure Silk Rug","description":"\u003cp\u003e\u003cstrong\u003eThe Oushak frame — a wide bordered rectangle with the field left comparatively open — is the pattern here, worked in cream and closed by red borders on a rug of 171 × 242 cm (5'7\" × 7'11\") woven in pure silk from warp to weft. Fine leaves and flower forms are scattered through the field. Made by hand in China. One piece.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eMost of the drawing happens at the edges. The red borders are the strongest color on the rug and they hold a field that has been kept deliberately quiet, with leaf and flower forms distributed rather than repeated. Just inside the fringes at either end the knotting tightens and a band of raised flower heads appears, the densest work on the piece and the place to look if you want to see what the weaver could do. Silk shifts color with the angle of the light, so the cream travels from bone to honey depending on where you stand.\u003c\/p\u003e\n\n\u003cp\u003eSilk in the warp, silk in the weft, silk in the pile: there is no cotton anywhere in it, which is unusual, and it is why the rug is so thin and so heavy for its thickness. It was woven by hand in China, where silk rug weaving has run continuously for centuries. A rug with no cotton in the structure is more delicate than one with, so it should not sit under a door that sweeps and should never be dragged. Walnut and maple sit well beside it; brass fittings push it toward the formal. Take it to a rug washer, never a home machine.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003ePure silk throughout, warp and weft included.\u003c\/li\u003e\n  \u003cli\u003eWoven by hand in China in the traditional silk technique.\u003c\/li\u003e\n  \u003cli\u003eCream field with red borders and scattered leaf and flower forms.\u003c\/li\u003e\n  \u003cli\u003eA band of raised, tightly knotted flower heads inside each fringe.\u003c\/li\u003e\n  \u003cli\u003e171 × 242 cm (5'7\" × 7'11\") — a sitting room, a study, an office.\u003c\/li\u003e\n  \u003cli\u003eDelicate: it wants a quiet floor and careful handling.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing only.\u003c\/li\u003e\n  \u003cli\u003eOne example; the design is not rewoven to order.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat does it mean that a rug is pure silk in the warp and weft?\u003c\/h3\u003e\n\u003cp\u003eMost silk rugs are silk only in the pile and use cotton for the structure underneath. Here the warp and weft are silk as well, which makes the rug thinner, heavier in the hand for its thickness, and more delicate at the edges.\u003c\/p\u003e\n\n\u003ch3\u003eWhere is the finest work on this rug?\u003c\/h3\u003e\n\u003cp\u003eJust inside the fringe at each end, where the knot count rises and a band of raised flower heads is worked. That band took longer than an equivalent area of the open field and is the clearest evidence of the weaver's skill.\u003c\/p\u003e\n\n\u003cp\u003eIt reads formal beside walnut and brass, and modern on a bare pale floor with nothing else in the room competing.\u003c\/p\u003e\n\n\u003cscript type=\"application\/ld+json\"\u003e\n{\n  \"@context\": \"https:\/\/schema.org\",\n  \"@type\": \"FAQPage\",\n  \"mainEntity\": [\n    {\n      \"@type\": \"Question\",\n      \"name\": \"What does it mean that a rug is pure silk in the warp and weft?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"Most silk rugs are silk only in the pile and use cotton for the structure underneath. Here the warp and weft are silk as well, which makes the rug thinner, heavier in the hand for its thickness, and more delicate at the edges.\"\n      }\n    },\n    {\n      \"@type\": \"Question\",\n      \"name\": \"Where is the finest work on this rug?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"Just inside the fringe at each end, where the knot count rises and a band of raised flower heads is worked. That band took longer than an equivalent area of the open field and is the clearest evidence of the weaver's skill.\"\n      }\n    }\n  ]\n}\n\u003c\/script\u003e","brand":"HALICIZADE","offers":[{"title":"Cream \/ 171 X 242","offer_id":45556609450217,"sku":"SARIPE000004.01","price":775000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/UsakCerceveDesenliElDokumaKremIpekHali_1.jpg?v=1709384603"},{"product_id":"humayun-serisi-anadolu-desenli-yuvarlak-el-dokuma-hali","title":"Blue Anatolian-Pattern Handwoven Round Wool Rug, Hümayun Series","description":"\u003cp\u003e\u003cstrong\u003eA circle 196 cm across (6'5\"): this is a round handwoven rug from the Hümayun Series, with a central medallion drawn in modern blues over Anatolian and Middle Eastern motifs, wool on the surface and cotton beneath it. The relief in the pattern is cut by hand with shears. Woven in India for Halıcızade, and there is one.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eA medallion is the oldest way of organizing a rug and the only one that makes sense in a circle, since everything radiates from the center and nothing has to resolve in a corner. The blues are contemporary rather than historical — mid-tone, slightly gray, closer to denim than to indigo — and they carry motifs whose lineage runs back through Anatolia into the Middle East. Bamboo viscose appears in the drawing alone, so the motifs keep a faint sheen while the wool ground around them stays matt.\u003c\/p\u003e\n\n\u003cp\u003eThe base is cotton and the face is wool, tied at a knot density high enough for the pattern to hold a curve. After weaving, a carver works over the motifs with shears and cuts the pile back around them, which is the step that gives the design its depth in a photograph and its shadow in a room. This series is made in India for this house and is not sold under another name. A circle of this diameter needs floor around it; pushed against a wall it will look like a mistake. Have a professional wash it.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003e196 × 196 cm (6'5\" × 6'5\"), a true circle.\u003c\/li\u003e\n  \u003cli\u003eHandwoven in India, exclusive to Halıcızade.\u003c\/li\u003e\n  \u003cli\u003eWool surface on a cotton base, with bamboo viscose in the motifs.\u003c\/li\u003e\n  \u003cli\u003eAnatolian and Middle Eastern motifs arranged around a central medallion.\u003c\/li\u003e\n  \u003cli\u003eBlues in modern, slightly gray tones rather than historical indigo.\u003c\/li\u003e\n  \u003cli\u003eThe pattern is carved into relief with shears after weaving.\u003c\/li\u003e\n  \u003cli\u003eBest in an entrance hall, a study, or a room it can occupy the middle of.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing. A single piece.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003ePut a round table on it and it turns into furniture; leave it bare and it turns into the floor plan.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Navy blue \/ 196 X 196","offer_id":45612275171561,"sku":"EKOHUM000002.01","price":96500.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/HumayunSerisiAnadoluDesenliYuvarlakElDokumaHali_1.jpg?v=1705760600"},{"product_id":"nahar-serisi-cerceve-desenli-krem-el-dokuma-ipekli-hali","title":"Cream Frame-Pattern Handwoven Silk and Wool Rug, Nahar Series","description":"\u003cp\u003e\u003cstrong\u003eSilk in the drawing, wool in the knots — the Nahar Series works two fibers against each other, and this cream rug with a blue frame pattern is a clear case of it. Classical Seljuk motifs run through the field and around the border. It was knotted by hand, several hundred thousand times, and there is one piece in this coloring.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eSeljuk drawing is angular where Ottoman drawing is floral, and the motifs here keep that hardness: stars, hooks and interlace rather than vines. Cream carries the field and blue does the framing, the reverse of the usual arrangement, and the reason the rug reads light from across a room. Silk is concentrated in the pattern, so the blue catches light where the cream ground does not, and the frame appears to sit above the field rather than around it.\u003c\/p\u003e\n\n\u003cp\u003eWool takes the knots and silk takes the drawing. That division gives the piece two qualities at once — a wool rug's resistance underfoot and a silk rug's shine in the motifs — and it is the technique the whole series is built on. The knot count runs to several hundred thousand, every one set by hand. Because so much of the surface is pale, it will show a spill more readily than a dark rug would, which is worth knowing before it goes under a dining table. Washing: professional, and no shortcuts.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted from wool and silk; several hundred thousand knots.\u003c\/li\u003e\n  \u003cli\u003eSilk concentrated in the motifs, wool through the knotted ground.\u003c\/li\u003e\n  \u003cli\u003eCream field with a blue frame, in classical Seljuk motifs.\u003c\/li\u003e\n  \u003cli\u003ePale enough to lift a dark room and pale enough to show a spill.\u003c\/li\u003e\n  \u003cli\u003eSits with solid wood furniture and with cream, blue and red textiles.\u003c\/li\u003e\n  \u003cli\u003ePart of the Nahar Series, which is built on the wool-and-silk pairing.\u003c\/li\u003e\n  \u003cli\u003eProfessional cleaning only.\u003c\/li\u003e\n  \u003cli\u003eOne piece in this coloring.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eThe geometry belongs to the thirteenth-century Seljuk rugs found at the Alâeddin Mosque in Konya, and it still looks more modern than most of what came after it.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Cream \/ 167 X 242","offer_id":45638723371241,"sku":"SARZAD000030.01","price":260000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ZadeSerisiCerceveDesenliKremElDokumaIpekliHali_1.jpg?v=1705500080"},{"product_id":"cerceve-desenli-el-dokuma-krem-pamuk-viskon-iplikli-hali","title":"Cream Frame-Pattern Hand-Knotted Silk and Viscose Rug","description":"\u003cp\u003e\u003cstrong\u003eMother-of-pearl is the nearest thing to how this rug behaves: a cream ground in silk and viscose that turns nacreous from one angle and soft and matt from another, with a turquoise-centered medallion and a black outer frame. Hand-knotted in China, 171 × 243 cm (5'7\" × 8'0\"). A single piece.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe medallion is small for the field it sits in, and its turquoise is the only cool color on the rug, which is what lets it hold the center. Around it, floral motifs in cream and beige interlock closely enough that ground and drawing are nearly the same value, so you read them by sheen rather than by contrast. Then the black frame arrives and does what black always does, which is draw a hard line and make everything inside it look more deliberate. Turquoise against black is a pairing borrowed from tilework, and it still holds.\u003c\/p\u003e\n\n\u003cp\u003eSilk and viscose together, knotted by hand in China at a count in the hundreds of thousands. Both fibers are filament-smooth, which is why the pile is so thin and why the face reflects rather than absorbs. Thinness has a practical side: a low pile leaves dust little depth to settle into, and the rug is easy to lift and shake out. It also gives less cushioning underfoot than a wool rug of the same footprint. Take it to a rug cleaner when it needs more than a vacuum.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in China at a very high knot count.\u003c\/li\u003e\n  \u003cli\u003eSilk and viscose in the surface.\u003c\/li\u003e\n  \u003cli\u003eCream and beige floral field around a turquoise-centered medallion.\u003c\/li\u003e\n  \u003cli\u003eBlack outer frame drawing a hard edge around the pattern.\u003c\/li\u003e\n  \u003cli\u003eThe ground shifts between a pearl sheen and a soft matt with the light.\u003c\/li\u003e\n  \u003cli\u003eLow pile — light to handle, with little depth for dust to sit in.\u003c\/li\u003e\n  \u003cli\u003e171 × 243 cm (5'7\" × 8'0\") — a sitting room, a bedroom, a wide hall.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing. One only.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eThe turquoise is the detail people notice last and remember first.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Cream \/ 171 X 243","offer_id":45638740803817,"sku":"SARBIT000350.01","price":230000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/CerceveDesenliElDokumaKremPamukViskonIplikliHali_1.jpg?v=1706089135"},{"product_id":"el-dokuma-krem-viskon-iplikli-klasik-hali","title":"Cream Classic Hand-Knotted Viscose Rug","description":"\u003cp\u003e\u003cstrong\u003eThis looks like a silk rug and is not one. The pile is viscose, with a small proportion of synthetic yarn worked in for strength, and the house prefers to say so outright. Cream ground, gold and blue Anatolian motifs, knotted by hand in China over a run of months. Thin, bright, and made once.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eGold and blue is a pairing classical weaving uses sparingly, because gold turns brassy against the wrong ground; on cream it stays warm. The Anatolian motifs are drawn small and repeated over the field instead of collecting into a medallion, so the rug has no single center and can be turned in a room without looking wrong. Viscose returns light strongly, which is why the gold reads as metal from standing height and as ordinary yellow when you crouch beside it.\u003c\/p\u003e\n\n\u003cp\u003eMost of the yarn is viscose, a fiber spun from cellulose that takes dye brilliantly and takes light the way silk does; the remainder is synthetic, added for tensile strength, because viscose on its own is weak when wet. The knots run into the hundreds of thousands, all set by hand in China over months. The trade-off is the honest part: viscose delivers the sheen and the thinness of silk at a different level of the market, and in exchange it marks more easily and dislikes standing water. It should be washed by hands that know what they are doing, and by no others.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eTied in China by hand, across months of work.\u003c\/li\u003e\n  \u003cli\u003eMostly viscose, with a small share of synthetic yarn for strength.\u003c\/li\u003e\n  \u003cli\u003eCream ground with gold and blue Anatolian motifs across the field.\u003c\/li\u003e\n  \u003cli\u003eThin and bright, with a silk-like return of light.\u003c\/li\u003e\n  \u003cli\u003eMarks more readily than wool and does not like standing water.\u003c\/li\u003e\n  \u003cli\u003eNo central medallion, so it can be laid in either direction.\u003c\/li\u003e\n  \u003cli\u003eWashing by a specialist only.\u003c\/li\u003e\n  \u003cli\u003eA single piece.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eIs viscose the same thing as silk?\u003c\/h3\u003e\n\u003cp\u003eNo. Viscose is spun from cellulose and silk is spun by an insect. Viscose reflects light in a similar way and can be woven just as fine, but it is weaker, particularly when wet, and it will not wear as long as silk or wool.\u003c\/p\u003e\n\n\u003ch3\u003eWhy is there synthetic yarn in a hand-knotted rug?\u003c\/h3\u003e\n\u003cp\u003eViscose has low tensile strength on its own. A small proportion of synthetic yarn is worked in to keep the structure sound under weight, and this house states the content rather than describing the rug as entirely plant-based.\u003c\/p\u003e\n\n\u003cp\u003eWhat it gives up in ruggedness it returns in light, which is a fair exchange in a room with enough furniture to hold the floor down.\u003c\/p\u003e\n\n\u003cscript type=\"application\/ld+json\"\u003e\n{\n  \"@context\": \"https:\/\/schema.org\",\n  \"@type\": \"FAQPage\",\n  \"mainEntity\": [\n    {\n      \"@type\": \"Question\",\n      \"name\": \"Is viscose the same thing as silk?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"No. Viscose is spun from cellulose and silk is spun by an insect. Viscose reflects light in a similar way and can be woven just as fine, but it is weaker, particularly when wet, and it will not wear as long as silk or wool.\"\n      }\n    },\n    {\n      \"@type\": \"Question\",\n      \"name\": \"Why is there synthetic yarn in a hand-knotted rug?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"Viscose has low tensile strength on its own. A small proportion of synthetic yarn is worked in to keep the structure sound under weight, and this house states the content rather than describing the rug as entirely plant-based.\"\n      }\n    }\n  ]\n}\n\u003c\/script\u003e","brand":"HALICIZADE","offers":[{"title":"Cream \/ 169 X 240","offer_id":45638761644265,"sku":"SARBIT000331.01","price":225000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaKremViskonIplikliKlasikHali_1.jpg?v=1706088252"},{"product_id":"usak-desenli-el-dokuma-hali-krem-ipek-hali","title":"Cream and Burgundy Oushak-Pattern Hand-Knotted Silk Rug","description":"\u003cp\u003e\u003cstrong\u003eA burgundy Seljuk star sits at the middle of this cream silk rug, with gold-yellow spreading out around it and turquoise picked out in the smaller motifs. Hand-knotted in China in 100% silk, 167 × 241 cm (5'6\" × 7'11\"), in the Oushak tradition of western Anatolia. A single example.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe eight-pointed star is one of the constants of Anatolian art, and it is used here the way a jewel is used in a setting: one dark, saturated form holding a field that would otherwise float. Gold-yellow runs out from it across the cream in thin, sunlit strokes. The turquoise appears only in small quantities, which is how that color has always been used in Anatolian work — enough to cool the reds, never enough to compete with them. Every step changes the sheen, so the star looks lit from one side of the room and inked from the other.\u003c\/p\u003e\n\n\u003cp\u003eAll silk, tied by hand in China over a long production. A silk pile of this fineness is soft and fluid rather than springy: it lies down under a foot and comes back slowly, which is one of the ways a silk rug is identified by touch alone. The Oushak repertoire it draws on comes from the weaving towns of western Anatolia, where the pattern family has been in use since the sixteenth century. Day to day it needs no more than a vacuum. Everything past that goes to a professional washer.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003e100% silk, hand-knotted in China over a long production.\u003c\/li\u003e\n  \u003cli\u003eCream ground with gold-yellow spreading from a burgundy Seljuk star.\u003c\/li\u003e\n  \u003cli\u003eTurquoise used sparingly through the smaller motifs.\u003c\/li\u003e\n  \u003cli\u003eOushak drawing, from the weaving towns of western Anatolia.\u003c\/li\u003e\n  \u003cli\u003e167 × 241 cm (5'6\" × 7'11\") — the middle of a salon, or a large bedroom.\u003c\/li\u003e\n  \u003cli\u003eSoft and fluid underfoot rather than springy, as a silk pile is.\u003c\/li\u003e\n  \u003cli\u003eVacuum for daily care; a professional wash for anything more.\u003c\/li\u003e\n  \u003cli\u003eA single piece.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eThe star is the part that will still be legible in fifty years, long after anyone has stopped noticing the gold.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Cream \/ 167 X 241","offer_id":46240321732841,"sku":"SARIPE000226.02","price":610000.0,"currency_code":"TRY","in_stock":true},{"title":"Cream \/ 220 X 306","offer_id":45687882154217,"sku":"SARIPE000226.01","price":1050000.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/UsakDesenliElDokumaKremIpekHali_1.jpg?v=1706095139"},{"product_id":"otantik-desenli-el-dokuma-kirmizi-yun-hali","title":"Red Hand-Knotted Wool Konya Karapınar Rug","description":"\u003cp\u003e\u003cstrong\u003eKarapınar is a district on the southern edge of the Konya plain, and its weaving is known for red grounds and a hard, dry wool. This is a hand-knotted Karapınar rug in that tradition: wool surface, wool foundation, 138 × 205 cm (4'6\" × 6'9\"), red-dominant, listed by the house under rare pieces. It is not new work.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eWool over wool is the older construction and the less common one now. A cotton foundation gives a flatter, more regular back and is cheaper to build, which is why nearly everything made today uses one; wool over wool gives a rug that flexes, lies a little unevenly, and wears down slowly. The Konya plain is high, dry sheep country, and the fleece off it is coarse and lustrous rather than soft — the reason a Karapınar piece feels firm underfoot rather than plush.\u003c\/p\u003e\n\n\u003cp\u003eVillage work of this kind carries no signature and no weave number, so all the evidence is in the rug itself: the knotting, the wool, and the way the red has moved across the field. Expect abrash, the tonal drift you get when one dye lot runs out mid-rug and the next is a shade off, and read it as the record of the weaving rather than as a fault. A rug of this age should be cleaned by somebody who washes rugs for a living and by nobody else.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in the Karapınar district of Konya, central Anatolia.\u003c\/li\u003e\n  \u003cli\u003eWool pile over a wool foundation, which is the older village construction.\u003c\/li\u003e\n  \u003cli\u003eRed-dominant field in the authentic Anatolian drawing.\u003c\/li\u003e\n  \u003cli\u003e138 × 205 cm (4'6\" × 6'9\") — an entrance hall, a study, or a wide landing.\u003c\/li\u003e\n  \u003cli\u003eOlder work, and part of the house's rare-pieces holding.\u003c\/li\u003e\n  \u003cli\u003eAbrash across the ground is expected and is part of how the piece is read.\u003c\/li\u003e\n  \u003cli\u003eSpecialist washing only.\u003c\/li\u003e\n  \u003cli\u003eOne rug. There is no second.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eIt has already outlasted the room it was woven for, and it will outlast this one.\u003c\/p\u003e\n","brand":"HALICIZADE","offers":[{"title":"Red \/ 138 X 205","offer_id":47352494751977,"sku":"MZTKON000010.01","price":76000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/OtantikDesenliElDokumaKirmiziYunHali_1.jpg?v=1706017249"},{"product_id":"el-dokuma-anadolu-desenli-yun-kilim","title":"Multicolor Handwoven Wool Konya Nuzumla Kilim Runner","description":"\u003cp\u003e\u003cstrong\u003eAt 91 × 190 cm (3'0\" × 6'3\") this is a runner, and it was woven as one — a handwoven wool village kilim from Nuzumla in the Konya region, colored with root dyes, multicolored, with no second piece behind it. Flatweave: no pile, patterned on both faces, thin enough to lie under a door.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eVillage kilims were woven to the loom a household owned, and a narrow loom produced narrow cloth, which is how so much Anatolian flatweave ended up in corridor proportions. Root dyeing was the ordinary practice before synthetic dyes reached the villages in the later nineteenth century, and it ages differently: color made from plant roots dulls toward its own hue rather than shifting away from it, so an old madder red goes rustier instead of turning pink.\u003c\/p\u003e\n\n\u003cp\u003eWool throughout, spun and woven by hand. A flatweave of this weight is honest about what it lacks — there is no pile to absorb sound or liquid, and anything spilled goes straight through to the floor beneath. Slip is the other consideration in a corridor, so it wants a pad. Expect the piece to be slightly out of true as well: a handwoven kilim is never quite rectangular, and forcing it flat under furniture is how the edges go.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven in wool at Nuzumla, in the Konya region of Türkiye.\u003c\/li\u003e\n  \u003cli\u003eColored with root dyes rather than synthetics.\u003c\/li\u003e\n  \u003cli\u003eKilim flatweave, reversible in effect, with no pile.\u003c\/li\u003e\n  \u003cli\u003e91 × 190 cm (3'0\" × 6'3\") — runner proportions, for a hall or a galley kitchen.\u003c\/li\u003e\n  \u003cli\u003eA flatweave absorbs nothing; a spill reaches the floor.\u003c\/li\u003e\n  \u003cli\u003eUse a pad. A light kilim slides.\u003c\/li\u003e\n  \u003cli\u003eSlightly out of true, as hand looms make them.\u003c\/li\u003e\n  \u003cli\u003eWashing goes to a professional. One piece, and the drawing does not repeat.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eHallways usually get the rug nobody thought about, and this is the argument for thinking about it.\u003c\/p\u003e\n","brand":"HALICIZADE","offers":[{"title":"Colorful \/ 91 X 190","offer_id":45962706944233,"sku":"MZTKIL000082.01","price":38000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaAnadoluDesenliYunKilim_1.jpg?v=1706013877"},{"product_id":"el-dokuma-etnik-desenli-yun-sivas-halisi","title":"Sivas Zara Pattern Handwoven Wool Rug, Anadolu Şal Series","description":"\u003cp\u003e\u003cstrong\u003eThe series name stays in Turkish, and it carries a meaning: şal is the word for shawl, and this family of drawings descends from woven shawls rather than from floor rugs. This is a handwoven wool piece in the Sivas Zara pattern, 88 × 155 cm (2'11\" × 5'1\"), multicolored, made in Türkiye. One of one.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eZara is a district east of Sivas, in the high country of central-eastern Anatolia, and it lends its name to a group of weavings recognized by their drawing rather than by any single motif. A shawl pattern works differently from a rug pattern: it is built to run in one direction and to be read as bands of ornament, so the şal family gives you nothing to line up in the middle and no corner-pieces to match. Laid on a floor it keeps that logic, and the eye travels along the piece instead of settling in its center.\u003c\/p\u003e\n\n\u003cp\u003eWool throughout, handwoven. The scale is what to be honest about — at 88 × 155 cm this is a piece for a bedside, an entrance or a spot in front of a desk, and it will look thin in front of a sofa. Hand-loomed work of this width also shifts slightly along its length; the two ends of a hand-woven rug are rarely the same measurement to the millimeter, and that is the method rather than a defect.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven in wool, in Türkiye.\u003c\/li\u003e\n  \u003cli\u003eSivas Zara drawing, from the Anadolu Şal series — the series name is not translated.\u003c\/li\u003e\n  \u003cli\u003eThe family descends from woven shawls, not from rug design.\u003c\/li\u003e\n  \u003cli\u003eThe drawing runs lengthwise in bands rather than around a center.\u003c\/li\u003e\n  \u003cli\u003e88 × 155 cm (2'11\" × 5'1\") — bedside, entrance or study, not a living-room floor.\u003c\/li\u003e\n  \u003cli\u003eHand-loomed width varies a little end to end.\u003c\/li\u003e\n  \u003cli\u003eIt is a professional-wash piece.\u003c\/li\u003e\n  \u003cli\u003eA single piece.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eIt is the size that gets bought last and walked on most.\u003c\/p\u003e\n","brand":"HALICIZADE","offers":[{"title":"Colorful \/ 88 X 155","offer_id":45962943201513,"sku":"MZTSAL000005.01","price":29000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/AnadoluSalSerisiSivasZaraDesenliElDokumaYunHali_1_f098e0ea-a812-4c8b-a2d2-0f0e2e289599.jpg?v=1706020306"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/collections\/Antre_ev.jpg?v=1790435419","url":"https:\/\/www.halicizade.com\/en\/collections\/entrance-hall-rugs.oembed?page=10","provider":"HALICIZADE","version":"1.0","type":"link"}