{"title":"Entryway Rugs","description":"\u003cp\u003e\u003cstrong\u003eAn entryway rug is the small rug laid inside the front door, usually between 80 x 150 cm (2'7\" x 4'11\") and 130 x 190 cm (4'3\" x 6'3\"), or a runner where the hall is narrow. It has to clear the door swing, take grit and wet soles, and be light enough to lift and shake out.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAn entry is the hardest floor in a house and the smallest budget in the room. What follows is the geometry — door clearance, proportions, runner lengths — and what an entry floor actually does to a rug.\u003c\/p\u003e\n\n\u003ch2\u003eFirst, the door\u003c\/h2\u003e\n\u003cp\u003eMeasure the gap under the door leaf before you measure the floor.\u003c\/p\u003e\n\u003cp\u003eAn interior door swings through an arc equal to its own width, usually 80 to 90 cm, and it passes over whatever is under it at a fixed height. Compare that gap against the pile height of the rug plus any pad beneath it. Pile depth across these collections runs from about 5 mm to over 25 mm: 5 mm passes under almost any door, 12 mm often does not, and anything deeper has to begin outside the door's arc.\u003c\/p\u003e\n\u003cp\u003eTwo ways out if the clearance is tight. Set the rug behind the arc, starting where the door's leading edge stops, which suits a hall long enough to take a runner. Or pick a flat-woven kilim, which has no pile at all — the pattern is made by the weft itself, so the whole rug is a few millimeters thick and reversible into the bargain.\u003c\/p\u003e\n\n\u003ch2\u003eWhat an entry floor actually takes\u003c\/h2\u003e\n\u003cp\u003eGrit, water and point loads, in that order of damage.\u003c\/p\u003e\n\u003cp\u003eThe sand and street grit carried in on shoe soles is abrasive. It works down between the tufts and cuts the yarn from below, which is why an entry rug wears out from the base rather than the surface, and why vacuuming it more often than the rest of the house is not fussiness. Water arrives with it in wet weather, and a rug left damp against a hard floor stays damp underneath. Then there are the point loads: a heel, a dropped bag, the leg of a hall bench in the same spot for years.\u003c\/p\u003e\n\u003cp\u003eThis is what should decide the ground color. Street grit is gray-brown, so it vanishes into a mottled or patterned field and shows plainly on a flat pale one. Cream and white belong in an entry where shoes come off at the door.\u003c\/p\u003e\n\n\u003ch2\u003eSizes and proportion\u003c\/h2\u003e\n\u003cp\u003eThe size is set by the floor that shows around the rug, not by the rug.\u003c\/p\u003e\n\u003cp\u003eLeave 10 to 15 cm of bare floor along each long side. That strip is what tells the eye it is looking at a rug rather than at fitted carpet, and it is also what stops the rug from being kicked up against the skirting every time the door opens. Working backward from a typical 160 cm wide entry hall, that puts the rug at 130 cm wide or under.\u003c\/p\u003e\n\u003cp\u003eThe sizes that land in an entry, and what each one suits:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003e80 x 150 cm (2'7\" x 4'11\")\u003c\/strong\u003e — a narrow entry, or a landing strip just inside the door.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e100 x 200 cm (3'3\" x 6'7\")\u003c\/strong\u003e — a long, narrow entry where the rug runs away from the door rather than across it.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e120 x 180 cm (3'11\" x 5'11\")\u003c\/strong\u003e — an entry with a console table, where the rug should reach past the table's front legs.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e130 x 190 cm (4'3\" x 6'3\")\u003c\/strong\u003e — a generous square entry, or one that doubles as the start of a corridor.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e160 cm and 200 cm rounds (5'3\" and 6'7\" across)\u003c\/strong\u003e — an entry with a central light fitting or a round table, where a rectangle would fight the geometry.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eMany of the pieces here are small hand-knotted rugs whose measurements are irregular by nature: 117 x 217, 124 x 185, 132 x 190 cm. Each rug's measured size is on its own page.\u003c\/p\u003e\n\n\u003ch2\u003eRunners, when the entry is a corridor\u003c\/h2\u003e\n\u003cp\u003eA runner is proportioned to the corridor, not to the door.\u003c\/p\u003e\n\u003cp\u003eLeave 15 to 20 cm of floor at each end, so the runner never runs into the skirting board, and at least 10 cm of floor on each side along its length. A runner that touches the walls makes a corridor read narrower than it is, which is the opposite of what it is there to do. Runners are woven 80, 90 and 100 cm wide, in lengths from 300 up to 600 cm — long enough that most apartment corridors and stair landings can be done in one piece rather than two. Lengths and widths are set out at \u003ca href=\"\/en\/collections\/hallway-runners\"\u003ehallway runners\u003c\/a\u003e, and the proportions are worked through at greater length in the \u003ca href=\"\/en\/blogs\/news\/hallway-runner-guide\"\u003ehallway runner guide\u003c\/a\u003e.\u003c\/p\u003e\n\n\u003ch2\u003eWhich construction for an entry\u003c\/h2\u003e\n\u003ctable\u003e\n\u003ctr\u003e\u003cth\u003eConstruction\u003c\/th\u003e\u003cth\u003eThickness\u003c\/th\u003e\u003cth\u003eBehavior in an entry\u003c\/th\u003e\u003cth\u003eTrade\u003c\/th\u003e\u003c\/tr\u003e\n\u003ctr\u003e\u003ctd\u003eFlat-woven kilim\u003c\/td\u003e\u003ctd\u003eNo pile at all\u003c\/td\u003e\u003ctd\u003eClears any door, lifts and shakes out in one hand, reversible\u003c\/td\u003e\u003ctd\u003eThin underfoot, and the weave shows wear along a fold line\u003c\/td\u003e\u003c\/tr\u003e\n\u003ctr\u003e\u003ctd\u003eHand-knotted wool, low pile\u003c\/td\u003e\u003ctd\u003eLow and dense\u003c\/td\u003e\u003ctd\u003eDense enough to hold grit at the surface where a vacuum reaches it\u003c\/td\u003e\u003ctd\u003eThe highest cost per square meter of the four\u003c\/td\u003e\u003c\/tr\u003e\n\u003ctr\u003e\u003ctd\u003eLoom-woven\u003c\/td\u003e\u003ctd\u003eLow to medium\u003c\/td\u003e\u003ctd\u003eEven pile, consistent sizes, a step below hand-knotting in price\u003c\/td\u003e\u003ctd\u003eLess character than a knotted piece\u003c\/td\u003e\u003c\/tr\u003e\n\u003ctr\u003e\u003ctd\u003eMachine-woven\u003c\/td\u003e\u003ctd\u003eLow to medium\u003c\/td\u003e\u003ctd\u003eLight, cheap to replace, repeatable if a second one is needed\u003c\/td\u003e\u003ctd\u003eNo abrash, no irregularity, nothing that improves with age\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003cp\u003eCompare them at \u003ca href=\"\/en\/collections\/kilim-rugs\"\u003ehandwoven kilims\u003c\/a\u003e, \u003ca href=\"\/en\/collections\/hand-knotted-rugs\"\u003ehand-knotted rugs\u003c\/a\u003e and \u003ca href=\"\/en\/collections\/machine-rugs\"\u003emachine-woven rugs\u003c\/a\u003e. Where a maker states that a rug can go in a washing machine, it is listed under \u003ca href=\"\/en\/collections\/machine-washable-rugs\"\u003emachine-washable rugs\u003c\/a\u003e.\u003c\/p\u003e\n\n\u003ch2\u003eKeeping it in one place, and keeping it clean\u003c\/h2\u003e\n\u003cp\u003eOn a hard floor, put a thin pad under it. A small rug in a doorway travels a few millimeters with every step until somebody kicks the corner of it, and a pad also lifts the rug enough for air to move underneath — worth having in the one room where wet shoes land.\u003c\/p\u003e\n\u003cp\u003eVacuum an entry rug more often than the rest of the house, with the beater bar off and in the direction of the pile, and take it outside to shake two or three times a year. Blot a spill with a dry cloth rather than rubbing it, since rubbing drives the liquid into the knot collar where it sets. Once or twice a year send it for professional washing, and read \u003ca href=\"\/en\/blogs\/news\/how-to-clean-a-rug\"\u003ehow a rug is cleaned\u003c\/a\u003e before you try anything stronger at home.\u003c\/p\u003e\n\n\u003ch2\u003eFrequently asked questions\u003c\/h2\u003e\n\u003ch3\u003eWhat size should an entryway rug be?\u003c\/h3\u003e\n\u003cp\u003eMost entries take something between 80 x 150 cm (2'7\" x 4'11\") and 130 x 190 cm (4'3\" x 6'3\"). The rule that matters more than the size is the border: leave 10 to 15 cm of bare floor along each long side so the rug reads as laid down rather than fitted.\u003c\/p\u003e\n\u003ch3\u003eHow do I stop the rug from catching under the door?\u003c\/h3\u003e\n\u003cp\u003eMeasure the gap between the bottom of the door leaf and the finished floor, then compare it with the pile height plus any pad. A pile of about 5 mm clears most interior doors; anything from 12 mm up often does not, in which case the rug has to start beyond the door's swing.\u003c\/p\u003e\n\u003ch3\u003eWhat is the right length for a runner in a hall?\u003c\/h3\u003e\n\u003cp\u003eOne that leaves 15 to 20 cm of floor at each end, so the runner never touches the skirting. Across the width, keep at least 10 cm of floor showing on both sides, or the runner makes the corridor look narrower than it is.\u003c\/p\u003e\n\u003ch3\u003eWhich construction holds up best in an entry?\u003c\/h3\u003e\n\u003cp\u003eA dense, low pile of any construction. Flat-woven kilims are the easiest to lift and shake out, machine-woven rugs are the cheapest to replace when a hall is hard on them, and a small hand-knotted wool rug takes grit better than its size suggests.\u003c\/p\u003e\n\u003ch3\u003eWhat color hides an entry's traffic best?\u003c\/h3\u003e\n\u003cp\u003eA mid to dark ground with a broken pattern. Grit that walks in from outside is gray-brown, so it disappears into a patterned or mottled field and shows plainly on a flat pale one. Cream and white belong in a hall with a shoes-off habit.\u003c\/p\u003e\n\u003ch3\u003eCan an entryway rug be washed?\u003c\/h3\u003e\n\u003cp\u003eSome of the rugs here are stated by their makers to be machine washable, and those are listed together. For everything else, vacuum regularly, blot spills rather than rubbing them, and send the rug for professional washing once or twice a year.\u003c\/p\u003e\n\u003ch3\u003eShould an entryway rug sit on a pad?\u003c\/h3\u003e\n\u003cp\u003eOn a hard floor, yes. A thin pad keeps a small rug from traveling every time someone steps on the corner of it, and it lets air move under the pile, which matters most in the one room of the house where wet shoes land.\u003c\/p\u003e\n\u003cscript type=\"application\/ld+json\"\u003e{\"@context\":\"https:\/\/schema.org\",\"@type\":\"FAQPage\",\"mainEntity\":[{\"@type\":\"Question\",\"name\":\"What size should an entryway rug be?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"Most entries take something between 80 x 150 cm (2'7\\\" x 4'11\\\") and 130 x 190 cm (4'3\\\" x 6'3\\\"). The rule that matters more than the size is the border: leave 10 to 15 cm of bare floor along each long side so the rug reads as laid down rather than fitted.\"}},{\"@type\":\"Question\",\"name\":\"How do I stop the rug from catching under the door?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"Measure the gap between the bottom of the door leaf and the finished floor, then compare it with the pile height plus any pad. A pile of about 5 mm clears most interior doors; anything from 12 mm up often does not, in which case the rug has to start beyond the door's swing.\"}},{\"@type\":\"Question\",\"name\":\"What is the right length for a runner in a hall?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"One that leaves 15 to 20 cm of floor at each end, so the runner never touches the skirting. Across the width, keep at least 10 cm of floor showing on both sides, or the runner makes the corridor look narrower than it is.\"}},{\"@type\":\"Question\",\"name\":\"Which construction holds up best in an entry?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"A dense, low pile of any construction. Flat-woven kilims are the easiest to lift and shake out, machine-woven rugs are the cheapest to replace when a hall is hard on them, and a small hand-knotted wool rug takes grit better than its size suggests.\"}},{\"@type\":\"Question\",\"name\":\"What color hides an entry's traffic best?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"A mid to dark ground with a broken pattern. Grit that walks in from outside is gray-brown, so it disappears into a patterned or mottled field and shows plainly on a flat pale one. Cream and white belong in a hall with a shoes-off habit.\"}},{\"@type\":\"Question\",\"name\":\"Can an entryway rug be washed?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"Some of the rugs here are stated by their makers to be machine washable, and those are listed together. For everything else, vacuum regularly, blot spills rather than rubbing them, and send the rug for professional washing once or twice a year.\"}},{\"@type\":\"Question\",\"name\":\"Should an entryway rug sit on a pad?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"On a hard floor, yes. A thin pad keeps a small rug from traveling every time someone steps on the corner of it, and it lets air move under the pile, which matters most in the one room of the house where wet shoes land.\"}}]}\u003c\/script\u003e\n\n\u003cp\u003e\u003cstrong\u003eRelated collections:\u003c\/strong\u003e \u003ca href=\"\/en\/collections\/hallway-runners\"\u003ehallway runners\u003c\/a\u003e · \u003ca href=\"\/en\/collections\/kilim-rugs\"\u003ehandwoven kilims\u003c\/a\u003e · \u003ca href=\"\/en\/collections\/round-rugs\"\u003eround rugs\u003c\/a\u003e · \u003ca href=\"\/en\/collections\/machine-washable-rugs\"\u003emachine-washable rugs\u003c\/a\u003e\u003c\/p\u003e\n","products":[{"product_id":"eko-hali-lugano-krem-modern-tasarim-sade-desenli-viskon-makine-dokuma-hali-5697","title":"Cream Plain Machine-Woven Viscose Rug, Lugano Series","description":"\u003cp\u003e\u003cstrong\u003e160 × 230 cm, or 5'3\" × 7'7\", is the in-between size — too big for a bedside and too small to take a three-seat sofa, which makes it the shape for a coffee table with two chairs around it. Lugano series plain rug in cream, machine-woven in Türkiye from viscose, with nothing drawn on it.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eA plain rug has one job and it is not decoration. It sets a boundary on an open floor and tells the furniture where the room is, and cream does that more quietly than any other tone because it argues with nothing. The interest, such as it is, comes from the fiber: viscose reflects along the fiber rather than scattering, so a plain cream field is bright where the pile leans away from you and soft where it leans toward you, and the whole surface changes when you cross the room. That is the difference between a plain rug that is worth having and a piece of felt.\u003c\/p\u003e\n\n\u003cp\u003eMachine-woven in Türkiye, viscose pile, and it is not dressed up as anything else. This is the rug people buy for a child's room or a teenager's, and there is a real point to make about that: cream viscose in a room where things get spilled is a short-lived arrangement. It cleans, but not at home and not with water, and a rug used hard will be going out for washing more than once. If the room is calm it will look right for years. Professional cleaning, and a pad underneath on any hard floor.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eMachine-woven in Türkiye, viscose pile, plain throughout.\u003c\/li\u003e\n  \u003cli\u003e160 × 230 cm (5'3\" × 7'7\"), the coffee-table-and-two-chairs size.\u003c\/li\u003e\n  \u003cli\u003eCream, with the surface shifting bright to soft as the pile turns.\u003c\/li\u003e\n  \u003cli\u003eDefines a seating area on an open floor without adding a pattern to the room.\u003c\/li\u003e\n  \u003cli\u003ePopular for children's and teenagers' rooms — and pale viscose is not forgiving there.\u003c\/li\u003e\n  \u003cli\u003eCleans professionally rather than at home; water is not the method.\u003c\/li\u003e\n  \u003cli\u003eOne piece in this size; a pad on hard floors.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eThe plain rug is the one nobody comments on and everybody stands on, and that is the correct outcome for it.\u003c\/p\u003e","brand":"EKO HALI","offers":[{"title":"Cream \/ 120 X 180","offer_id":44371100500201,"sku":"EKOLUG000020.03","price":10000.0,"currency_code":"TRY","in_stock":false},{"title":"Cream \/ 160 X 230","offer_id":46031300034793,"sku":"EKOLUG000020.04","price":17000.0,"currency_code":"TRY","in_stock":true},{"title":"Cream \/ 200 X 300","offer_id":46031300067561,"sku":"EKOLUG000020.01","price":27500.0,"currency_code":"TRY","in_stock":false},{"title":"Cream \/ 240 X 340","offer_id":46031300100329,"sku":"EKOLUG000020.02","price":37500.0,"currency_code":"TRY","in_stock":false},{"title":"Cream \/ 300 X 400","offer_id":46231550722281,"sku":"EKOLUG000020.05","price":63000.0,"currency_code":"TRY","in_stock":false},{"title":"Cream \/ 80 X 150","offer_id":47771155267817,"sku":"EKOLUG000020.06","price":5500.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/LuganoSerisiSadeDesenliMakineDokumaHali_2.jpg?v=1705996032"},{"product_id":"anadolu-desenli-el-dokuma-hali","title":"Multicolor Anatolian Hand-Knotted Wool Rug","description":"\u003cp\u003e\u003cstrong\u003eAt 194 \u0026times; 278 cm (6'4\" \u0026times; 9'1\") this is a full salon size, which puts it under an entire seating group rather than in front of one. Made by hand in Türkiye, wool over cotton, multicolored, with Anatolian motifs drawn the width of the field. Sandık eskisi: it was made for a chest and kept in one.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eAnatolian village drawing does not organize itself around a single medallion the way a workshop rug does. Figures are set out in rows and columns, each one complete in itself, and the borders repeat a smaller version of what is going on inside. Because the weaver worked from count rather than from a cartoon, the columns drift slightly out of true as the rug rises \u0026mdash; that drift is the signature of hand work, and it is what to check first on a rug of this kind.\u003c\/p\u003e\n\n\u003cp\u003eWool pile on a cotton foundation, which is the combination that lets a rug of five and a half square meters stay flat instead of rippling. A piece that spent its life folded away arrives with creases and with pile that has been compressed in the fold lines; both ease with time on a floor and neither is a fault. The house gives no age for it, and the trade's own terms \u0026mdash; antique from a hundred years, semi-antique from fifty, vintage from twenty \u0026mdash; are conventions that nobody issues or certifies. Professional washing, by someone used to older wool.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in Türkiye, 194 \u0026times; 278 cm (6'4\" \u0026times; 9'1\").\u003c\/li\u003e\n  \u003cli\u003eWool pile on a cotton foundation.\u003c\/li\u003e\n  \u003cli\u003eMulticolored Anatolian drawing, set out in rows rather than around a medallion.\u003c\/li\u003e\n  \u003cli\u003eThe columns drift slightly, because it was counted rather than traced.\u003c\/li\u003e\n  \u003cli\u003eSandık eskisi \u0026mdash; made for a chest and kept there.\u003c\/li\u003e\n  \u003cli\u003eFold creases and compressed pile along the folds; both settle with use.\u003c\/li\u003e\n  \u003cli\u003eNo age is claimed for it, and trade age terms are unregulated conventions.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eFive and a half square meters of hand-knotting is what a household used to save for, and this one was saved rather than spent.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Colorful \/ 194 X 278","offer_id":44216039735529,"sku":"MZTAND000004.01","price":81000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/AnadoluDesenliElDokumaSandikEskisiHali_1.webp?v=1765636372"},{"product_id":"el-dokuma-anadolu-desenli-siyah-kilim","title":"Black Anatolian-Pattern Handwoven Wool Kilim","description":"\u003cp\u003e\u003cstrong\u003eA handwoven wool kilim on a black ground, 120 × 180 cm (3'11\" × 5'11\"), with Anatolian geometric motifs running in horizontal bands across it in red, orange, yellow and green. A kilim is flat-woven rather than knotted, so it carries no pile and lies thin. Woven in Türkiye, one piece.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eBlack is an unusual ground for an Anatolian flatweave and it changes what every other color does: red goes hotter against it, yellow stops looking pale, and the green begins to read almost as a third warm color. The bands advance up the kilim in sequence, four colors taking their turn, so the eye travels along it instead of settling in a middle. Inside the bands is the old geometric alphabet of village weaving — hooks, diamonds, running borders — each drawn small and repeated.\u003c\/p\u003e\n\n\u003cp\u003eWoven entirely in wool on Turkish looms, with no pile whatsoever. The pattern is the weft itself, beaten down over the warp until the warp disappears. That is what a flatweave is, and it is why a kilim weighs a fraction of a knotted rug covering the same floor and can be picked up and shaken out. Thinness is the trade: underfoot it is firm rather than soft, and on a polished floor it will slide without a pad beneath it. Professional washing keeps the black from going gray.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven flatweave in wool, made in Türkiye.\u003c\/li\u003e\n  \u003cli\u003eBlack ground carrying horizontal bands in red, orange, yellow and green.\u003c\/li\u003e\n  \u003cli\u003eGeometric Anatolian motifs drawn small and repeated along each band.\u003c\/li\u003e\n  \u003cli\u003eNo pile at all: thin, light, and easy to lift and shake out.\u003c\/li\u003e\n  \u003cli\u003e120 × 180 cm (3'11\" × 5'11\") — an entryway, a study, or the foot of a bed.\u003c\/li\u003e\n  \u003cli\u003eFirm underfoot rather than cushioned, and it wants a pad on a smooth floor.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eHung on a wall it does the same job it does on a floor, and the black keeps it from competing with anything else in the room.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Black \/ 120 X 180","offer_id":44269877919977,"sku":"HALPAT000036.01","price":16500.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaAnadoluDesenliSiyahKilim_2.jpg?v=1704635223"},{"product_id":"el-dokuma-etnik-tasarimli-yagcibedir-desenli-kirmizi-hali","title":"Red Yağcıbedir Hand-Knotted Wool Rug","description":"\u003cp\u003e\u003cstrong\u003eBurgundy, navy and white, in that order of dominance — the Yağcıbedir triad, one of the most recognizable color signatures in Anatolian weaving. It is carried here by a hand-knotted wool rug, 106 × 184 cm (3'6\" × 6'0\"), made in Türkiye, in the Yörük motif repertoire the house traces to the Taurus. A single piece.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThree colors is a discipline. A weaver with a wide palette can cover an error with another shade; a weaver with burgundy, navy and white has nowhere to put a mistake, and every motif has to be legible on the strength of its outline alone. That is why Yağcıbedir drawing is angular and closed — hooked forms, stepped edges, small enclosed figures — and why the white is used sparingly, as the element that separates the two dark colors from each other. In a room the effect is graphic rather than soft, and the rug will hold its own against strong furniture instead of sitting quietly beneath it.\u003c\/p\u003e\n\n\u003cp\u003eWool pile, hand-knotted, from Türkiye. Under two square meters it is an entrance rug, a bedside rug, or the piece that goes in front of a single chair; the Turkish source proposes a sitting room, an entrance, or a bedroom, and at this size each of those is honest. Walnut and mid-brown wood sit with the burgundy without argument, and so do the same colors repeated in small objects. The house's own guidance allows wiping with mild soapy water for a local mark, with a professional wash for anything more than that.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in wool in Türkiye, in the Yağcıbedir pattern family.\u003c\/li\u003e\n  \u003cli\u003eBurgundy, navy and white — three colors, used in that order of weight.\u003c\/li\u003e\n  \u003cli\u003e106 × 184 cm (3'6\" × 6'0\"), under two square meters.\u003c\/li\u003e\n  \u003cli\u003eAngular closed drawing: hooks, stepped edges, small enclosed figures.\u003c\/li\u003e\n  \u003cli\u003eWhite is used sparingly, as the separator between the two dark colors.\u003c\/li\u003e\n  \u003cli\u003eReads graphic rather than soft; it will not disappear under strong furniture.\u003c\/li\u003e\n  \u003cli\u003eA local mark can be wiped with mild soapy water; anything larger goes out for washing.\u003c\/li\u003e\n  \u003cli\u003eOne of one.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eA three-color rug is the hardest kind to weave badly without it showing, which is most of what recommends this one.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Red \/ 106 X 184","offer_id":44318214947049,"sku":"MZTYAB000004.01","price":47000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaEtnikTasarimliYagcibedirDesenliKirmiziHali_1.jpg?v=1706021345"},{"product_id":"geometrik-desenli-el-dokuma-hali-13","title":"Cream Geometric Hand-Knotted Wool Rug","description":"\u003cp\u003e\u003cstrong\u003eIt is built the way a weaver's sampler book is built. A hand-knotted rug from Türkiye, wool pile on a cotton warp, 125 × 186 cm (4'1\" × 6'1\"), with square and rectangular boxes of different sizes scattered over a cream ground — each box filled with a different texture, some dotted, some hatched, some gridded, some left plain. Brown on cream, and nothing else.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eBecause the color runs on a single axis, every bit of movement in the surface has to come from the drawing, and it does: each of those textures is a different arrangement of knots, so the richness is native to the weaving rather than applied to it. The boxes do not sit on a regular grid either — sizes vary, positions wander — which is what stops a sampler idea from becoming a chart. Cream and brown is the safest pair in interior work and enters almost any room; what this piece contributes is not color but incident, something to look at on a plain floor in a plain-walled room.\u003c\/p\u003e\n\n\u003cp\u003eWoven in Türkiye by hand, wool pile knotted onto cotton warps. Cotton takes tension and holds the rug's skeleton straight; wool takes abrasion at the surface. Because each box carries a different texture, the weaver worked dozens of small independent designs in sequence rather than repeating one motif — and in hand weaving that is markedly slower, since a repeat lets the hand memorize and this gives it nothing to memorize. Two honest notes. The composition gathers in the middle, so putting a coffee table on it hides the idea; this is a rug to lay open. And at this size and weight it needs a non-slip pad. Once a year to a rug washer, never to a domestic machine; fringes tangle and comb out by hand, and there will be a little shedding early on.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in Türkiye, wool pile on a cotton warp.\u003c\/li\u003e\n  \u003cli\u003e125 × 186 cm (4'1\" × 6'1\"), about two and a third square meters.\u003c\/li\u003e\n  \u003cli\u003eBrown boxes of varying size on cream, each filled with a different weave texture.\u003c\/li\u003e\n  \u003cli\u003eColor runs on one axis; all the movement is in the drawing.\u003c\/li\u003e\n  \u003cli\u003eDozens of independent small designs, so the hand has no repeat to memorize.\u003c\/li\u003e\n  \u003cli\u003eRecognizable but not figurative — it suits a child's room and does not age out of one.\u003c\/li\u003e\n  \u003cli\u003eLay it open: furniture in the middle hides the composition.\u003c\/li\u003e\n  \u003cli\u003eA non-slip pad, annual washing by a rug cleaner, and fringes combed by hand.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eA sampler is what a weaver makes to remember what she can do, and putting one on a floor at this scale is a generous idea.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Cream \/ 125 X 186","offer_id":44338150834409,"sku":"KOYNAT000015.01","price":34000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/GeometrikDesenliElDokumaHali_1_4684b2e0-d729-49c1-8032-6e0c90486d02.jpg?v=1705243011"},{"product_id":"safir-serisi-usak-desenli-el-dokuma-oymali-hali-12","title":"Blue Carved Oushak-Pattern Hand-Knotted Rug, Safir Series","description":"\u003cp\u003e\u003cstrong\u003eEighty centimeters wide and four meters ten long at the top of the range — 2'7\" × 13'5\" — this is a rug drawn for a corridor, and it is made down to 90 × 150 cm (2'11\" × 4'11\") as well. Blue Carved Oushak-Pattern Hand-Knotted Rug, Safir Series, knotted in India in wool, cotton and bamboo viscose.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eCarving is what the series exists for. Once the pile is standing, a worker goes over the surface with shears and trims a narrow channel around every figure, so the drawing sits a couple of millimeters proud of its own ground and throws a shadow along each outline. Blue flattens on a floor more readily than any other color, and that shadow line is precisely what stops it doing so here.\u003c\/p\u003e\n\n\u003cp\u003eKnotted by hand in India at a close density, which the drawing requires: an Oushak pattern depends on thin scrolling stems, and a loose weave loses them entirely. Oushak names a town in western Anatolia and, by extension, the large open floral style its looms sent out for centuries. Wool makes up most of the surface, with cotton and bamboo viscose beside it, and the bamboo viscose accounts for the low sheen. Cleaning is a job for a rug washer, not a machine.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in India, at a knot density fine enough for scrolling stems.\u003c\/li\u003e\n  \u003cli\u003eA surface of wool with cotton and bamboo viscose worked through it.\u003c\/li\u003e\n  \u003cli\u003eEvery motif trimmed around with shears after weaving, so the pattern stands raised.\u003c\/li\u003e\n  \u003cli\u003eBlue, in the Oushak family of large open floral drawings.\u003c\/li\u003e\n  \u003cli\u003eSizes run from 90 × 150 cm to an 80 × 410 cm corridor length.\u003c\/li\u003e\n  \u003cli\u003eSuits a classical room and an entirely plain one for opposite reasons.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing only.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eA rug four meters long has one obvious home, and it is a hallway that has been waiting for something to do with itself.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Blue \/ 90X150","offer_id":45742070956265,"sku":"EKOSAP000114.01","price":40500.0,"currency_code":"TRY","in_stock":true},{"title":"Blue \/ 100 X 160","offer_id":46029649150185,"sku":"EKOSAP000114.02","price":48000.0,"currency_code":"TRY","in_stock":true},{"title":"Blue \/ 80 X 300","offer_id":46029649182953,"sku":"EKOSAP000114.03","price":72000.0,"currency_code":"TRY","in_stock":true},{"title":"Blue \/ 80 X 410","offer_id":46029649215721,"sku":"EKOSAP000114.04","price":98500.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/SafirSerisiUsakDesenliElDokumaOymaliHali_6.jpg?v=1710329859"},{"product_id":"anadolu-sal-serisi-sivas-zara-desenli-el-dokuma-yun-hali-16","title":"Multicolor Sivas Zara Handwoven Wool Rug, Anadolu Şal Series","description":"\u003cp\u003e\u003cstrong\u003eA piece this small took months to weave. It is a handwoven wool rug of 81 × 129 cm (2'8\" × 4'3\") in the Sivas Zara pattern, part of Halıcızade's Anadolu Şal series, made entirely in Anatolia in blue, orange, red, green and yellow. Zara, in central Anatolia, is a Sivas district whose weaving carries drawing of its own.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe palette is loud on purpose and the pattern is dense — five colors, none of them held back, worked into the traditional Anatolian motifs the series is named for. Şal means shawl, and this drawing belonged to woven shawls before it ever went onto a floor. At this scale the whole design can be taken in at once, which is rare; the same pattern on a large rug has to be read in sections, one part at a time.\u003c\/p\u003e\n\n\u003cp\u003eThe yarn is first-grade wool, spun and knotted by women working by hand over months, for a rug a grown person can carry under one arm. That ratio is the point of the piece. The wool has a soft hand and a faint sheen close to silk, and both come from the grade of the fleece rather than from any finishing treatment. Fewer of these are made each year. It should be washed professionally, and being small enough to carry, most people will do exactly that rather than risk it.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven in Anatolia, wholly by hand, over several months.\u003c\/li\u003e\n  \u003cli\u003eFirst-grade wool yarn, soft in the hand and faintly lustrous.\u003c\/li\u003e\n  \u003cli\u003eWoven by women artisans, as the whole Anadolu Şal series is.\u003c\/li\u003e\n  \u003cli\u003eBlue, orange, red, green and yellow, in traditional Anatolian motifs.\u003c\/li\u003e\n  \u003cli\u003eŞal means shawl: the drawing came from woven shawls before it came to rugs.\u003c\/li\u003e\n  \u003cli\u003e81 × 129 cm (2'8\" × 4'3\") — a bedside, a reading chair, a small entrance.\u003c\/li\u003e\n  \u003cli\u003eFewer pieces of this kind leave Anatolian looms every year.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eIt is a small rug that behaves like a large one, and in a plain room it will be the only thing anybody asks about.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Colorful \/ 81 X 129","offer_id":44374863773929,"sku":"CALSAL000014.01","price":38000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaRengarenkSalDesenliYunHali_1_35b20b3c-88e0-457e-9c2a-f29cf7c4967b.jpg?v=1705830070"},{"product_id":"el-dokuma-yahyali-anadolu-desenli-rengarenk-hali","title":"Multicolor Yahyalı Hand-Knotted Wool Rug","description":"\u003cp\u003e\u003cstrong\u003eYahyalı sits in the mountains south of Kayseri, and the rug that carries its name is one of the most recognizable drawings in central Anatolia. This is a hand-knotted Yahyalı rug in wool, 108 × 194 cm (3'7\" × 6'4\"), woven in Türkiye, multicolored, with the district's stepped geometry running the length of the field.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe drawing is geometric rather than floral — angular repeats and a stepped central form, with a border that runs a smaller version of the same logic around the edge. Color is recorded on this piece only as rengarenk, multicolored, which is the honest description: no single tone takes charge, and the ones doing most of the work are the reds and blues that Yahyalı weaving has always leaned on. In a hallway with one lamp they settle rather than argue.\u003c\/p\u003e\n\n\u003cp\u003eHand-knotted in Türkiye, wool from the pile down to the last row of the foundation. The house files it among its rare pieces, and it is old rather than new. Nothing on it was drawn on paper first: the medallion sits a knot or two off center and the two ends of the border do not close identically, which is the ordinary evidence of a weaver working from memory. Take it to a rug washer; nothing improvised at home will do the job.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in Türkiye, in the Yahyalı pattern of the Kayseri highlands.\u003c\/li\u003e\n  \u003cli\u003eWool throughout — pile and foundation both.\u003c\/li\u003e\n  \u003cli\u003eGeometric field with a stepped central form and a repeating border.\u003c\/li\u003e\n  \u003cli\u003eMulticolored, with red and blue doing most of the work.\u003c\/li\u003e\n  \u003cli\u003e108 × 194 cm (3'7\" × 6'4\") — an entrance, a bedside, or the floor beside a desk.\u003c\/li\u003e\n  \u003cli\u003eAn older piece, held in the rare-pieces group rather than the current ranges.\u003c\/li\u003e\n  \u003cli\u003eWashing by a rug specialist.\u003c\/li\u003e\n  \u003cli\u003eOne of one.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eRugs of this drawing were made to be walked on for a generation before anyone thought of them as old, and this one is only partway through that.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Colorful \/ 108 X 194","offer_id":44397863043305,"sku":"MZTYAH000002.01","price":58500.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaEtnikTasarimliYagcibedirDesenliKirmiziHali_1_c232d0ad-b287-4693-88d6-cd4a7eb5a66b.jpg?v=1706022088"},{"product_id":"nadide-serisi-el-dokuma-geometrik-desenli-hali","title":"Red Geometric Handwoven Naturally Dyed Wool Rug, Nadide Series","description":"\u003cp\u003e\u003cstrong\u003eThe yarn came from somewhere else first. This Nadide-series rug is handwoven in Türkiye from unraveled wool, colored with root dyes, and drawn in blocks of geometry across 230 × 248 cm (7'7\" × 8'2\") in red and blue. Only one was made, because only one could be.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe geometry is large and squared off, red carrying most of the field and blue set against it in bands and blocks. Root-dyed wool never gives a flat color — plant dye takes differently on yarn that has already been spun once and pulled apart again — so the red arrives in several values and the blue moves between something near indigo and something much lighter. Those variations are what the trade calls abrash, and here nobody tried to avoid them.\u003c\/p\u003e\n\n\u003cp\u003eSöküntü yarn, meaning wool unraveled from finished weaving and spun back into usable thread, is the reason this exists as a single piece: the supply of any one color ends when it ends. It was woven by hand in Türkiye and colored with plant roots rather than synthetic dyestuff, which is a fact about the color and not a claim about anything else. The tones will move slowly over years of daylight. That is what plant dye does, and most people who buy these consider it an improvement rather than a fault.\u003c\/p\u003e\n\n\u003ch3\u003eWhat is söküntü yarn?\u003c\/h3\u003e\n\u003cp\u003eIt is wool unraveled from finished weaving and spun back into thread that can be knotted again. Because the supply of any single color is limited to whatever was pulled apart, a rug built from it cannot be reproduced a second time.\u003c\/p\u003e\n\n\u003ch3\u003eWhat are root dyes?\u003c\/h3\u003e\n\u003cp\u003eRoot dyes are colors drawn from plants — madder for reds, indigo for blues — rather than from synthetic dyestuff. They take unevenly, which is why a root-dyed rug shows several values of the same color across a single surface.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven in Türkiye; one piece only, and not repeatable.\u003c\/li\u003e\n  \u003cli\u003eWoven from söküntü yarn — wool unraveled from earlier weaving and respun.\u003c\/li\u003e\n  \u003cli\u003eColored with root dyes, which yield several values of each color rather than one flat tone.\u003c\/li\u003e\n  \u003cli\u003eLarge squared geometry in red and blue.\u003c\/li\u003e\n  \u003cli\u003e230 × 248 cm (7'7\" × 8'2\"), close to square, which suits a room arranged around a center.\u003c\/li\u003e\n  \u003cli\u003eRoot-dyed wool shifts tone slowly in daylight.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eA rug that could not be made twice ends up in the middle of a room rather than at the edge of one.\u003c\/p\u003e\n\n\u003cscript type=\"application\/ld+json\"\u003e{\"@context\": \"https:\/\/schema.org\", \"@type\": \"FAQPage\", \"mainEntity\": [{\"@type\": \"Question\", \"name\": \"What is söküntü yarn?\", \"acceptedAnswer\": {\"@type\": \"Answer\", \"text\": \"It is wool unraveled from finished weaving and spun back into thread that can be knotted again. Because the supply of any single color is limited to whatever was pulled apart, a rug built from it cannot be reproduced a second time.\"}}, {\"@type\": \"Question\", \"name\": \"What are root dyes?\", \"acceptedAnswer\": {\"@type\": \"Answer\", \"text\": \"Root dyes are colors drawn from plants — madder for reds, indigo for blues — rather than from synthetic dyestuff. They take unevenly, which is why a root-dyed rug shows several values of the same color across a single surface.\"}}]}\u003c\/script\u003e","brand":"HALICIZADE","offers":[{"title":"Red \/ 230 X 248","offer_id":44400653271273,"sku":"MZTNAD000001.01","price":400000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/NadideSerisiElDokumaGeometrikDesenliHali_1.jpg?v=1706020212"},{"product_id":"el-dokuma-karabag-desenli-siyah-kilim","title":"Black Karabagh Handwoven Wool Kilim","description":"\u003cp\u003e\u003cstrong\u003eKarabagh is one of the few names on a rug that describes both the drawing and the place it came from, and this kilim answers to it twice: the pattern is Karabagh and so is the origin. A handwoven wool flatweave on a black ground, 214 × 300 cm (7'0\" × 9'10\"), with the region's dense multicolored geometry across the field.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eBlack as a kilim ground does something no other color does: it takes the background out of the eye entirely, so the motifs appear to float rather than to sit on anything. Every other color in the piece is read against that absence, which is why reds look hotter and creams brighter on a black-ground kilim than the same yarns would on cream. Karabagh drawing is angular and closely packed, and black gives it the room it needs.\u003c\/p\u003e\n\n\u003cp\u003eHandwoven in wool in the Karabagh region. A flatweave has no pile to hide behind, so every join between color areas is a structural decision — the weaver either interlocks the wefts or leaves a slit where two colors meet, and on a piece this size that choice gets made a few thousand times. It is the kind of work that does not show unless it goes wrong. Have it washed by someone used to dark flatweaves; a black ground reports every mark a bad clean leaves.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven in the Karabagh region, in wool.\u003c\/li\u003e\n  \u003cli\u003eBlack ground with dense multicolored angular motifs.\u003c\/li\u003e\n  \u003cli\u003eFlat-woven with no pile; the reverse is nearly as finished as the front.\u003c\/li\u003e\n  \u003cli\u003e214 × 300 cm (7'0\" × 9'10\") — large enough to take a full seating group with the front legs on.\u003c\/li\u003e\n  \u003cli\u003eBlack grounds make warm colors read hotter and pale ones brighter.\u003c\/li\u003e\n  \u003cli\u003eEvery color join is either interlocked or slit-woven, thousands of times over.\u003c\/li\u003e\n  \u003cli\u003eCleaning by someone who handles dark flatweaves.\u003c\/li\u003e\n  \u003cli\u003eA single piece.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eA black-ground kilim is the one thing in a room that never has to match anything, and it holds that position for as long as it is down.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Black \/ 214 X 300","offer_id":44689913250025,"sku":"MZTKIL000056.01","price":74000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaKarabagDesenliSiyahKilim_1.jpg?v=1705999094"},{"product_id":"retro-serisi-el-dokuma-kahverengi-vintage-desenli-hali","title":"Brown Oushak-Pattern Hand-Knotted Wool Rug, Retro Series","description":"\u003cp\u003e\u003cstrong\u003eBrown is what an Oushak pattern looks like once the red has been taken out of it. This is a hand-knotted Retro-series rug, 150 × 187 cm (4'11\" × 6'2\"), wool pile over cotton, knotted in Pakistan and Afghanistan, the traditional drawing carried in deep brown values across a glossy finished surface.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eRemove the red and an Oushak field stops looking antique and starts looking like a piece of furniture. The motifs are still the old ones, but brown flattens the hierarchy between border and field, so what registers is the shape of the drawing rather than its age. The dyeing and washing method used across the series produces both the depth of the brown and the shine sitting on top of it. Between them the rug lights a dark corner rather than swallowing one.\u003c\/p\u003e\n\n\u003cp\u003eCotton and wool, tied by hand, with a trace of recycled synthetic yarn in the skeleton to hold the structure — the pile itself has nothing in it but wool. The weave is thin, and thin is a virtue at this size, because the rug will pass under a door or a low chair without lifting either. Master weavers in Afghanistan and Pakistan produce the entire series. It wants professional washing and never a home machine.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted by weavers in Pakistan and Afghanistan.\u003c\/li\u003e\n  \u003cli\u003eWool pile over cotton, with a trace of recycled synthetic yarn in the foundation.\u003c\/li\u003e\n  \u003cli\u003eDeep brown obtained through the series' own dyeing and washing method, which also produces the surface shine.\u003c\/li\u003e\n  \u003cli\u003eClassical Oushak drawing carried entirely in brown values.\u003c\/li\u003e\n  \u003cli\u003eThin weave: it fits beneath a door and under low furniture.\u003c\/li\u003e\n  \u003cli\u003e150 × 187 cm (4'11\" × 6'2\") — a study, a bedside, or the space in front of a sofa.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eIt reads warm under a lamp and nearly gray by daylight, which is more range than a brown rug usually has.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Brown \/ 150 X 187","offer_id":44478418747625,"sku":"SAROVR000018.01","price":71000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/RetroSerisiElDokumaKahverengiVintageDesenliHali_1.jpg?v=1709563231"},{"product_id":"retro-serisi-el-dokuma-vintage-desenli-mavi-yun-hali","title":"Blue Oushak-Pattern Hand-Knotted Wool Rug, Retro Series","description":"\u003cp\u003e\u003cstrong\u003eOushak motifs in blue: a Retro-series rug of 150 × 193 cm (4'11\" × 6'4\"), hand-knotted with a wool pile on cotton, its ground running from a clear mid-blue through gray and anthracite to near-black at the edges. Tied in Pakistan and Afghanistan. One piece.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe blue is not uniform and the rug is better for it: several values sit beside one another across the field, so the pattern seems to surface and submerge depending where the light falls. Anthracite and black gather toward the borders and hold the whole thing down. Classical Anatolian motifs in a blue this cool would ordinarily look transplanted, yet the drawing is fine enough and the tonal range wide enough that they settle instead.\u003c\/p\u003e\n\n\u003cp\u003eThe washing and coloring method the series uses is what draws this many blues out of one dye lot, and the same treatment leaves a low shine on the pile. Cotton and wool are worked together into a thin, firm structure, with a small amount of recycled synthetic in the skeleton and none at all in the surface. Weavers in Pakistan and Afghanistan tie every knot. Sunlight moves a blue faster than it moves a brown, so keep this one off a south window.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in Pakistan and Afghanistan.\u003c\/li\u003e\n  \u003cli\u003eWool pile on a cotton foundation, with a small amount of recycled synthetic yarn used only in the skeleton.\u003c\/li\u003e\n  \u003cli\u003eBlue running through gray, anthracite and near-black across a single field.\u003c\/li\u003e\n  \u003cli\u003eClassical Oushak motifs drawn at a fine scale.\u003c\/li\u003e\n  \u003cli\u003eLow sheen from the finishing wash the series is given.\u003c\/li\u003e\n  \u003cli\u003e150 × 193 cm (4'11\" × 6'4\"), for an office, a study, or in front of seating.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing; keep it away from strong direct sun.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eIn a room with a lot of wood in it the blue is the one cool thing, and that is usually enough.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Blue \/ 150 X 193","offer_id":46711129932009,"sku":"SAROVR000014.01","price":73000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/RetroSerisiElDokumaVintageDesenliMaviYunHali_1.jpg?v=1709563108"},{"product_id":"saf-ipek-el-dokuma-selcuklu-motifli-hali","title":"Burgundy Seljuk-Motif Hand-Knotted Pure Silk Rug","description":"\u003cp\u003e\u003cstrong\u003eEight by eight in the weaver's shorthand: sixty-four hand-tied knots in every square centimeter, and roughly a month of work for each square meter. Burgundy Seljuk-Motif Hand-Knotted Pure Silk Rug — pure silk throughout, knotted in China, carrying the Seljuk star in burgundy and blue with gold and cream around it.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe star at the center is the figure the Seljuks cut into stone, tile and wood across Anatolia, and silk is the only fiber that renders its thin interlaced lines without thickening them. Burgundy and a deep blue hold the field; gold, cream and a yellow close to old gilt lift the drawing clear of it, and small turquoise notes appear where the eye has not asked for them. Silk changes with the angle you stand at, so a single border reads dark from the doorway and bright from a chair.\u003c\/p\u003e\n\n\u003cp\u003eKnotted in China, where silk weaving has the longest unbroken history anywhere. Sixty-four knots to the centimeter square puts hundreds of thousands of them into every square meter, and that density is what pays for the detail — it is also most of what the rug costs, since silk is among the dearest fibers in textiles and only a small number of people still weave it at this scale. Matching sets in several sizes are made, which is now rare in pure silk anywhere. Keep it clear of animals with claws. Cleaning goes to a specialist working at low temperature with the detergents made for silk, and to nobody else.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in China from pure silk, surface and foundation alike.\u003c\/li\u003e\n  \u003cli\u003e8 × 8 knotting — 64 knots in every square centimeter.\u003c\/li\u003e\n  \u003cli\u003eAbout one month of weaving for each square meter.\u003c\/li\u003e\n  \u003cli\u003eThe Seljuk star at the center, a figure carried through Anatolian stone and tile.\u003c\/li\u003e\n  \u003cli\u003eBurgundy and deep blue with gold, cream and occasional turquoise.\u003c\/li\u003e\n  \u003cli\u003eMade as matching sets in more than one size.\u003c\/li\u003e\n  \u003cli\u003eKeep it away from cats and dogs; claws and silk do not agree.\u003c\/li\u003e\n  \u003cli\u003eSpecialist cleaning at low temperature, with silk detergents only.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eHand-knotting in pure silk is thinning out everywhere, which is the plain reason a rug like this is harder to find now than it was.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Burgundy \/ 124 X 184","offer_id":45229812646121,"sku":"SARIPE000216.04","price":425000.0,"currency_code":"TRY","in_stock":false},{"title":"Burgundy \/ 124 X 185","offer_id":46030876705001,"sku":"SARIPE000216.02","price":430000.0,"currency_code":"TRY","in_stock":true},{"title":"Burgundy \/ 123 X 187","offer_id":46030876737769,"sku":"SARIPE000216.01","price":430000.0,"currency_code":"TRY","in_stock":true},{"title":"Burgundy \/ 124 X 187","offer_id":46030876770537,"sku":"SARIPE000216.03","price":435000.0,"currency_code":"TRY","in_stock":true},{"title":"Burgundy \/ 168 X 247","offer_id":48461637124329,"sku":"SARIPE000216.06","price":775000.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/SafIpekElDokumaSelcukluMotifliHali_5.jpg?v=1709562930"},{"product_id":"anadolu-sal-serisi-patchwork-desenli-el-dokuma-yun-hali-5","title":"Multicolor Patchwork Handwoven Wool Rug, Anadolu Şal Series","description":"\u003cp\u003e\u003cstrong\u003eFour weaving towns in one rug: the panels borrow motifs from Hereke, B\u0026uuml;nyan, Ladik and Kayseri and set them side by side. Multicolor Patchwork Handwoven Wool Rug, Anadolu \u0026#350;al series: first-grade wool, woven by hand in Anatolia, in four sizes from 83 \u0026times; 120 cm up to 173 \u0026times; 241 cm, two of them long narrow pieces at 81 \u0026times; 281 cm and 81 \u0026times; 293 cm.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003ePatchwork here is a design decision rather than a salvage: each panel is drawn complete, in its own palette, and the joins are where the interest is. Reds, blues, greens and golds run through them, the colors Anatolian dyers have always reached for. Across a long narrow piece the panels arrive one after another like rooms down a corridor. Against oak and gray, which is where most people put it, the rug supplies all the color a room needs and asks for nothing back.\u003c\/p\u003e\n\n\u003cp\u003eThe wool is first grade throughout, and that is where the softness and the low natural shine both come from. Women weave these across Anatolia and a single piece takes months. Handwoven work is never mechanically even \u0026mdash; panel edges wander by a few millimeters and colors shift where one dye lot gave out and the next took over \u0026mdash; and that is the evidence you are holding, not a defect to be corrected. Rugs of this kind are made in smaller numbers each year. Send it out for washing.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven in Anatolia, T\u0026uuml;rkiye, from first-grade wool.\u003c\/li\u003e\n  \u003cli\u003ePanels drawn after Hereke, B\u0026uuml;nyan, Ladik and Kayseri motifs.\u003c\/li\u003e\n  \u003cli\u003eReds, blues, greens and golds across the full width.\u003c\/li\u003e\n  \u003cli\u003eMade at 83 \u0026times; 120 cm (2'9\" \u0026times; 3'11\") and 173 \u0026times; 241 cm (5'8\" \u0026times; 7'11\"), and as long pieces at 81 \u0026times; 281 cm (2'8\" \u0026times; 9'3\") and 81 \u0026times; 293 cm (2'8\" \u0026times; 9'7\").\u003c\/li\u003e\n  \u003cli\u003eMonths of work per piece, woven by women.\u003c\/li\u003e\n  \u003cli\u003eSmall irregularities in the panel edges and in the dye lots are part of the weave.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eSet it beside plain wood and gray upholstery and it will be the only thing in the room with a birthplace.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Colorful \/ 83 X 120","offer_id":46305069695209,"sku":"CALSAL000005.05","price":36000.0,"currency_code":"TRY","in_stock":false},{"title":"Colorful \/ 81 X 281","offer_id":46305069662441,"sku":"CALSAL000005.03","price":82000.0,"currency_code":"TRY","in_stock":true},{"title":"Colorful \/ 81 X 293","offer_id":46305069629673,"sku":"CALSAL000005.02","price":86000.0,"currency_code":"TRY","in_stock":true},{"title":"Colorful \/ 173 X 241","offer_id":44490185474281,"sku":"CALSAL000005.01","price":151000.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/AnadoluSalSerisiPatchworkDesenliElDokumaYunHali_2_019ce8c9-8434-4c49-82b6-0958befe17d0.jpg?v=1709561059"},{"product_id":"harem-serisi-usak-desenli-el-dokuma-salon-halisi","title":"Cream Oushak Handwoven Wool Rug, Harem Series","description":"\u003cp\u003e\u003cstrong\u003eTwo knots where most rugs use one: the double-knot technique is what this piece is built on. Cream Oushak Handwoven Wool Rug from the Harem series \u0026mdash; Erzurum wool, woven in T\u0026uuml;rkiye, carrying Oushak motifs of the fourteenth and fifteenth centuries redrawn for a modern floor, at 145 \u0026times; 198 cm (4'9\" \u0026times; 6'6\") and 171 \u0026times; 219 cm (5'7\" \u0026times; 7'2\").\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eOushak \u0026mdash; U\u0026#351;ak in Turkish, in western Anatolia \u0026mdash; is the weaving region whose large medallions and open fields turn up in European painting from the fifteenth century onward, and the drawing here comes from that period rather than from the nineteenth-century revivals. What has changed is the scale and the palette: a cream ground, the figures loosened, the framing simplified. It is a classical rug that a room without a single antique in it can carry.\u003c\/p\u003e\n\n\u003cp\u003eErzurum fleece is soft, holds a shine and wears hard, which is the combination the eastern Anatolian flocks are valued for. The double knot doubles the anchoring at each point of the drawing, and the result is a denser, heavier rug whose motifs keep their edges instead of blurring with traffic. It is woven for Hal\u0026#305;c\u0026#305;zade by \u0026#199;\u0026#305;nhar, a Turkish mill. Two pieces are in stock, one in each size, and their measurements differ because a knotted rug is finished at the loom rather than cut. Professional washing.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven in T\u0026uuml;rkiye from Erzurum wool.\u003c\/li\u003e\n  \u003cli\u003eDouble-knot technique \u0026mdash; denser and heavier, and the drawing holds its edges.\u003c\/li\u003e\n  \u003cli\u003eOushak motifs of the fourteenth and fifteenth centuries, redrawn at a modern scale.\u003c\/li\u003e\n  \u003cli\u003eCream ground with the figures loosened and the framing simplified.\u003c\/li\u003e\n  \u003cli\u003eWoven for Hal\u0026#305;c\u0026#305;zade by the Turkish mill \u0026#199;\u0026#305;nhar.\u003c\/li\u003e\n  \u003cli\u003e145 \u0026times; 198 cm and 171 \u0026times; 219 cm, one piece of each.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eMost cream rugs go quiet in a room; this one keeps a pattern old enough to have been painted, and lets you use it anyway.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Cream \/ 145 X 198","offer_id":44572205121769,"sku":"ÇINHAR000139.01","price":142000.0,"currency_code":"TRY","in_stock":true},{"title":"Cream \/ 171 X 219","offer_id":47906970730729,"sku":"ÇINHAR000139.02","price":185000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/HaremSerisiUsakDesenliElDokumaSalonHalisi_12.jpg?v=1709560666"},{"product_id":"deri-post-hali-15","title":"Zebra-Pattern Cowhide Rug","description":"\u003cp\u003e\u003cstrong\u003eSouth America is where the hide comes from, and cattle is what it comes off: a single cowhide rug carrying a zebra marking, its outline the shape the animal was rather than a rectangle. Dry cleaning only. There is one of it, and no second hide will have the same edge.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eA hide is not a woven thing and does not behave like one. It has a grain and a lie to the hair, so the color changes depending which end of the room you look from. The edges follow the animal, which means no two hides share a size and none of them is square — any dimension given for a hide is approximate by nature. It takes no water at all: dry cleaning, and nothing else, and a spill wants blotting rather than washing. Laid in an entrance or under a desk chair it does the job hides have always done, which is to break up a hard floor without covering it.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eOne South American cowhide, one of one.\u003c\/li\u003e\n  \u003cli\u003eA zebra marking on a cattle hide — the hide is cowhide, the marking is applied.\u003c\/li\u003e\n  \u003cli\u003eThe outline follows the animal; no two are the same shape or size.\u003c\/li\u003e\n  \u003cli\u003eThe hair lies one way, so the tone changes end to end as you move.\u003c\/li\u003e\n  \u003cli\u003eDry cleaning only; keep water off it.\u003c\/li\u003e\n  \u003cli\u003eSuits an entrance, an office, or the side of a bed.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eHides flatten and soften where they are walked on and stay stiff where they are not, so after a few years the traffic through the room is written on it.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Yellow \/ 203 X 250","offer_id":44625086054633,"sku":"EKODAN000346.01","price":43000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/DeriPostHali_2_c80bb4cb-08b9-4c62-bedd-36b174c39cf0.jpg?v=1705675279"},{"product_id":"retro-serisi-el-dokuma-kahverengi-vintage-hali","title":"Brown Vintage Hand-Knotted Square Wool Rug, Retro Series","description":"\u003cp\u003e\u003cstrong\u003eSquare rugs are uncommon and this is a true square: 240 × 240 cm (7'10\" × 7'10\"), hand-knotted in brown for the Retro series, its Oushak motifs recolored into a contemporary palette. Wool and cotton, tied in Pakistan and Afghanistan, one piece.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eA square changes the arithmetic of a room. There is no long axis to line the furniture up against, so a seating group arranged on it turns inward instead of facing one way, and the pattern arrives the same from all four sides. The Oushak drawing has been pulled into brown values throughout, and the finishing wash used across the series leaves the pile bright enough that the rug lifts a dim room rather than darkening it further.\u003c\/p\u003e\n\n\u003cp\u003eMaster weavers in Afghanistan and Pakistan tie the whole series by hand, at a high knot count, over a thin structure of cotton and wool with a small quantity of recycled synthetic yarn worked into the skeleton for strength. Everything underfoot is wool. Two things follow from a square of this size: it is heavy, and there is no obvious way to hang it. Professional washing.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in Pakistan and Afghanistan at a high knot count.\u003c\/li\u003e\n  \u003cli\u003eCotton and wool structure with a trace of recycled synthetic yarn in the skeleton; the pile is wool.\u003c\/li\u003e\n  \u003cli\u003eTraditional Oushak motifs recolored into brown throughout.\u003c\/li\u003e\n  \u003cli\u003eA bright surface from the series' finishing wash, so it lightens a room rather than darkening it.\u003c\/li\u003e\n  \u003cli\u003e240 × 240 cm (7'10\" × 7'10\"), a true square, which turns a seating group inward.\u003c\/li\u003e\n  \u003cli\u003eHeavy for its footprint, and awkward to hang.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003ePut four chairs around it and the room stops having a front.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Brown \/ 240 X 240","offer_id":44726608953577,"sku":"SAROVR000176.01","price":144000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/RetroSerisiVintageDesenliElDokumaHali_1_7db281fe-86a1-4442-bfc7-c6f0e7c4af0f.jpg?v=1709560081"},{"product_id":"el-dokuma-cerceve-desenli-ipekli-klasik-mor-hali","title":"Purple Frame-Pattern Hand-Knotted Silk-Blend Rug","description":"\u003cp\u003e\u003cstrong\u003eHundreds of thousands of knots inside a piece measuring 53 × 67 cm (1'9\" × 2'2\"). It is hand-knotted in China from silk, cotton and viscose, with classical drawing in gold and cream over a purple ground and a cream border holding the edges.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003ePurple is the rarest ground color in classical rug weaving and it behaves oddly under light — from one angle it is bright and almost lit, from another it goes deep and nearly black. The gold and cream motifs stay constant through that change, which means the same rug looks like two different objects at different hours of the day. Cream and beige along the border are the counterweight, keeping the density of the purple from closing in on itself.\u003c\/p\u003e\n\n\u003cp\u003eKnotted entirely by hand in China from silk, cotton and viscose. At this scale the knot count is what the piece actually is: the drawing is only possible because each knot is small enough to describe a curve, and a rug of 53 × 67 cm containing several hundred thousand of them is a demonstration more than a floor covering. It is thin and light. Realistically it belongs at a door, beside a bed, or on a wall — too small to be a room's rug and too fine to be treated as a mat. Professional washing.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in China from silk, cotton and viscose.\u003c\/li\u003e\n  \u003cli\u003eSeveral hundred thousand knots inside a piece of 53 × 67 cm (1'9\" × 2'2\").\u003c\/li\u003e\n  \u003cli\u003ePurple ground carrying classical motifs in gold and cream.\u003c\/li\u003e\n  \u003cli\u003eA cream and beige border set against the density of the purple.\u003c\/li\u003e\n  \u003cli\u003eThe purple shifts between bright and near-black depending on the angle of the light.\u003c\/li\u003e\n  \u003cli\u003eThin and light; it suits a doorway, a bedside, or a wall.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eSmall enough to hang, and fine enough to be worth hanging.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Purple \/ 53 X 67","offer_id":44732477571305,"sku":"SARBIT000319.01","price":19500.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaCerceveDesenliKlasikMorHali_7.jpg?v=1709559747"},{"product_id":"el-dokuma-saf-ipek-usak-desenli-mavi-hali","title":"Blue Oushak-Pattern Hand-Knotted Pure Silk Rug","description":"\u003cp\u003e\u003cstrong\u003ePure silk, nothing else, knotted eight by eight — sixty-four knots to the square centimeter. This is a hand-knotted Oushak-pattern rug of 108 × 159 cm (3'7\" × 5'3\") in blue and turquoise with cream and gold, woven in China, where silk has been worked since the road that carried it was first traveled.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eBlue does the ground, and it is the blue of water rather than of ink. Turquoise comes in at the lighter values while cream and gold draw the Oushak motifs across the top. Silk takes dye more deeply than wool and returns light instead of absorbing it, so a blue like this reads saturated from one side of the room and almost white where the pile lies the other way. Turn the rug and the whole color changes with it.\u003c\/p\u003e\n\n\u003cp\u003eSixty-four knots in a square centimeter is what lets classical Oushak drawing keep its curves at this scale; at a lower count the same motifs would have to be squared off. The fiber is silk throughout, surface and structure alike, which is now unusual — the number of rugs knotted from pure silk falls every year, and that scarcity is a fact about the market rather than a reason to hurry. It is thin, light and delicate: low-suction vacuuming, no direct sun, professional washing only.\u003c\/p\u003e\n\n\u003ch3\u003eWhat does an 8 × 8 knot density mean?\u003c\/h3\u003e\n\u003cp\u003eIt counts eight knots across and eight down in every square centimeter, or sixty-four knots per square centimeter. The higher the count, the smaller each knot, and the finer the curve a weaver can draw — which is why fine floral patterns need a high density to work at all.\u003c\/p\u003e\n\n\u003ch3\u003eCan this rug be hung on a wall?\u003c\/h3\u003e\n\u003cp\u003eYes. At 108 × 159 cm it is light enough to hang, and pure silk rugs are often displayed rather than walked on, because the pile is delicate and the color changes with the viewing angle. A sleeve sewn to the back carries the weight more evenly than clips do.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in China from pure silk, surface and structure alike.\u003c\/li\u003e\n  \u003cli\u003e8 × 8 knot density — sixty-four knots to the square centimeter.\u003c\/li\u003e\n  \u003cli\u003eClassical Oushak motifs in cream and gold over blue and turquoise.\u003c\/li\u003e\n  \u003cli\u003eSilk returns light rather than absorbing it, so the color changes as you move around it.\u003c\/li\u003e\n  \u003cli\u003e108 × 159 cm (3'7\" × 5'3\") — a bedroom, a coffee corner, a small entrance, or a wall.\u003c\/li\u003e\n  \u003cli\u003eRugs knotted entirely in silk are made in smaller numbers each year.\u003c\/li\u003e\n  \u003cli\u003eLow-suction vacuuming, no direct sunlight, professional washing only.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eIt was made to be looked at as much as walked on, and either way it will outlast the room it goes into.\u003c\/p\u003e\n\n\u003cscript type=\"application\/ld+json\"\u003e{\"@context\": \"https:\/\/schema.org\", \"@type\": \"FAQPage\", \"mainEntity\": [{\"@type\": \"Question\", \"name\": \"What does an 8 × 8 knot density mean?\", \"acceptedAnswer\": {\"@type\": \"Answer\", \"text\": \"It counts eight knots across and eight down in every square centimeter, or sixty-four knots per square centimeter. The higher the count, the smaller each knot, and the finer the curve a weaver can draw — which is why fine floral patterns need a high density to work at all.\"}}, {\"@type\": \"Question\", \"name\": \"Can this rug be hung on a wall?\", \"acceptedAnswer\": {\"@type\": \"Answer\", \"text\": \"Yes. At 108 × 159 cm it is light enough to hang, and pure silk rugs are often displayed rather than walked on, because the pile is delicate and the color changes with the viewing angle. A sleeve sewn to the back carries the weight more evenly than clips do.\"}}]}\u003c\/script\u003e","brand":"HALICIZADE","offers":[{"title":"Turquoise \/ 108 X 159","offer_id":44811177591017,"sku":"SARIPE000184.01","price":320000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaSafIpekUsakDesenliMaviHali_6.jpg?v=1709558827"},{"product_id":"el-dokuma-saf-ipek-klasik-anadolu-desenli-modern-bordo-hali","title":"Burgundy Modern Anatolian Hand-Knotted Pure Silk Rug","description":"\u003cp\u003e\u003cstrong\u003eSixty-four knots to the square centimeter, all of them silk. The piece is a hand-knotted pure silk rug, 104 × 168 cm (3'5\" × 5'6\"), woven in China in burgundy, with classic Anatolian motifs redrawn to a modern spacing. Eight by eight is how the weavers count it. One piece; there will not be a second.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eBurgundy at this density does something a printed color cannot. Silk takes the dye deep and then returns the light unevenly, so the ground moves between dark wine and a lit red as you walk past it, and the Anatolian figures — the hooks, the stepped edges, the small hexagons — surface and recede along with it. The drawing is old. The spacing is not. Where a village piece would crowd the field, this one leaves air around each figure, which is why it reads as modern without disowning what it borrowed.\u003c\/p\u003e\n\n\u003cp\u003eChina has been reeling and weaving silk for a very long time, and this is the workshop end of that tradition: tied knot over knot, dense enough that every edge in the drawing stays sharp at arm's length. Small silk rugs are often hung rather than laid, and the surface here carries light well enough to hold a wall. On the floor it wants a corner that nobody crosses in shoes. Silk is the least forgiving fiber in the house, and it should be washed by a specialist and by no one else.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in China in pure silk, surface and foundation alike.\u003c\/li\u003e\n  \u003cli\u003eEight by eight — sixty-four knots in every square centimeter.\u003c\/li\u003e\n  \u003cli\u003eClassic Anatolian and authentic motifs, set at modern intervals.\u003c\/li\u003e\n  \u003cli\u003eThe burgundy shifts between wine and lit red with the angle of the light.\u003c\/li\u003e\n  \u003cli\u003e104 × 168 cm (3'5\" × 5'6\"), which suits a study, a bedside, a small entryway or a wall.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing only; silk does not survive improvisation.\u003c\/li\u003e\n  \u003cli\u003eA single piece.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eHung, it is a picture. Laid down, it is the smallest serious thing in the room.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Red \/ 104 X 168","offer_id":45712192438505,"sku":"SARIPE000080.01","price":265000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaSafIpekKlasikAnadoluDesenliModernBordoHali_7.jpg?v=1709558655"},{"product_id":"zara-serisi-otantik-desenli-ozel-tezgah-halisi-1","title":"Green Cypress-Motif Loom-Woven Rug, Zara Series","description":"\u003cp\u003e\u003cstrong\u003eTencel\u0026reg; is a lyocell \u0026mdash; a fiber spun from wood pulp \u0026mdash; and it is the reason this rug holds the light it does. Green Cypress-Motif Loom-Woven Rug from the Zara series: slim cypress trees on a green ground, Tencel\u0026reg; over a cotton foundation, woven in Oushak. Ten sizes are made, the largest 200 \u0026times; 290 cm (6'7\" \u0026times; 9'6\").\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eGreen is the least common ground in this catalog and it behaves differently from the reds: it takes daylight without brightening much, and it holds its own beside plants and raw wood instead of competing with them. The cypresses run in vertical ranks down the field, the same motif family woven in Anatolia for centuries, drawn here without shading. There is no heavy border. The ranks simply stop, which keeps the rug from looking formal.\u003c\/p\u003e\n\u003cp\u003eA hand-guided loom sets the pile; everything at the fringe was done without a machine. Those fringes are knotted individually, after the rug leaves the loom, by the women who finish it. The face is Tencel\u0026reg; and viscose; the body beneath is cotton. Send it out to be washed rather than trying it at home.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLoom-woven in Oushak, western Anatolia.\u003c\/li\u003e\n\u003cli\u003eTencel\u0026reg; and viscose surface, cotton foundation.\u003c\/li\u003e\n\u003cli\u003eRanks of cypress trees on a green ground, with no outer border.\u003c\/li\u003e\n\u003cli\u003eFringes knotted by hand, one at a time.\u003c\/li\u003e\n\u003cli\u003eTen sizes, 80 \u0026times; 140 cm (2'7\" \u0026times; 4'7\") to 200 \u0026times; 290 cm (6'7\" \u0026times; 9'6\"), plus 90 \u0026times; 390 and 90 \u0026times; 490 cm runners.\u003c\/li\u003e\n\u003cli\u003eProfessional washing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eBeside oak, rattan and unbleached linen it looks as though it were chosen last and belonged first.\u003c\/p\u003e","brand":"EKO HALI","offers":[{"title":"Green \/ 80 X 140","offer_id":44869649694953,"sku":"EKOZAR000025.02","price":10200.0,"currency_code":"TRY","in_stock":false},{"title":"Green \/ 80 X 290","offer_id":45646463533289,"sku":"EKOZAR000025.04","price":21000.0,"currency_code":"TRY","in_stock":true},{"title":"Green \/ 130 X 190","offer_id":44869649629417,"sku":"EKOZAR000025.01","price":22400.0,"currency_code":"TRY","in_stock":false},{"title":"Green \/ 90 X 290","offer_id":47260916416745,"sku":"EKOZAR000025.06","price":23500.0,"currency_code":"TRY","in_stock":true},{"title":"Green \/ 170 X 240","offer_id":44869649727721,"sku":"EKOZAR000025.03","price":36800.0,"currency_code":"TRY","in_stock":false},{"title":"Green \/ 200X290","offer_id":45732836016361,"sku":"EKOZAR000025.05","price":52200.0,"currency_code":"TRY","in_stock":false},{"title":"Green \/ 90 X 150","offer_id":47935952978153,"sku":"EKOZAR000025.07","price":12200.0,"currency_code":"TRY","in_stock":false},{"title":"Green \/ 90 X 490","offer_id":50843171291369,"sku":"EKOZAR000025.08","price":39800.0,"currency_code":"TRY","in_stock":true},{"title":"Green \/ 90 X 190","offer_id":47994454474985,"sku":"EKOZAR000025.09","price":15400.0,"currency_code":"TRY","in_stock":true},{"title":"Green \/ 90 X 390","offer_id":47994454507753,"sku":"EKOZAR000025.10","price":31600.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/EKOZAR000025ZaraSerisiOtantikDesenliHali_1.jpg?v=1751030954"},{"product_id":"madalyon-desenli-mavi-el-dokuma-viskon-hali","title":"Blue Medallion Hand-Knotted Viscose Rug","description":"\u003cp\u003e\u003cstrong\u003eBlue Medallion Hand-Knotted Viscose Rug, 123 × 185 cm (4'0\" × 6'1\") — a turquoise ground carrying cream medallions, closed by a cream border of fine floral work, knotted by hand in China from cotton and viscose. The ground is blue the way shallow water is blue, which is to say it keeps turning turquoise.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe medallions are not stacked around one center. They sit at intervals across the field like flowers on the surface of a pool, so the eye travels outward toward the frame rather than inward to a single point. Cream is what makes that legible: the pale motifs lift off the blue, and the thin floral running through the border softens the coolness of the field before it reaches the edge. Turquoise changes its mind with the light — bright and slightly green at midday, several shades deeper by lamp.\u003c\/p\u003e\n\n\u003cp\u003eViscose comes from cellulose, and cellulose handles light much the way silk handles it, which is why this rug looks costlier than its fiber. Cotton carries the structure; the viscose is what you see and what you touch. The knot count runs into the hundreds of thousands for a piece this size, every one of them tied by hand. The pile is short — short enough that not much finds its way down into it, and short enough to show the direction it was last brushed. Cleaning belongs in a rug workshop.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in China from cotton and viscose.\u003c\/li\u003e\n  \u003cli\u003eCream medallions scattered across a turquoise-blue ground, inside a fine floral border.\u003c\/li\u003e\n  \u003cli\u003eViscose returns light like silk at a fraction of what silk costs.\u003c\/li\u003e\n  \u003cli\u003eThe blue reads bright and green-tinged in daylight and much deeper by lamp.\u003c\/li\u003e\n  \u003cli\u003eHundreds of thousands of hand-tied knots.\u003c\/li\u003e\n  \u003cli\u003e123 × 185 cm (4'0\" × 6'1\") — a bedroom, an entryway or a landing.\u003c\/li\u003e\n  \u003cli\u003eA short pile, which gives dust very little to lodge in.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing. One piece, with no second one behind it.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eIt is the rug people put down expecting a quiet blue and then find themselves looking at.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Turquoise \/ 123 X 185","offer_id":45111481794793,"sku":"SARBIT000345.01","price":123000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/MadalyonDesenliMaviElDokumaIpekHali_1.jpg?v=1706088729"},{"product_id":"madalyon-desenli-kirmizi-el-dokuma-viskon-hali","title":"Red Medallion Hand-Knotted Viscose Rug","description":"\u003cp\u003e\u003cstrong\u003eThe medallion at the center is blue and green, and everything around it is red. Red Medallion Hand-Knotted Viscose Rug, 123 × 183 cm (4'0\" × 6'0\"), tied by hand in China, viscose over cotton, with gold and cream running through the borders that hold the field.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eRed first, then the detail. From across a room the rug is one saturated color and nothing else; two steps closer, the medallion resolves into blue and green and the borders turn out to be carrying classical frame motifs in gold and cream. The arrangement is deliberate — a warm field needs a cool center, or it flattens. Light finishes the job. Under a window the red goes bright and faintly orange; after dark it settles toward brick and stays there.\u003c\/p\u003e\n\n\u003cp\u003eCotton in the foundation, viscose in the pile, and hundreds of thousands of hand-tied knots between the two. Viscose is the reason the surface has the fall and the shine people associate with silk, and at close range it is genuinely difficult to say which of them you are looking at. The weave is fine and the pile low, so the rug lies flat and clears a door swing. Send it out for washing; a home shampoo will crush the pile and dull the sheen it was bought for.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in China: viscose above, cotton below.\u003c\/li\u003e\n  \u003cli\u003eA large central medallion in blue and green on a red ground.\u003c\/li\u003e\n  \u003cli\u003eGold and cream borders that stop the red from taking the whole field.\u003c\/li\u003e\n  \u003cli\u003eBright and orange-leaning in daylight; brick-toned once the lamps are on.\u003c\/li\u003e\n  \u003cli\u003eFine weave and a low pile, so it sits flat under a door.\u003c\/li\u003e\n  \u003cli\u003e123 × 183 cm (4'0\" × 6'0\") — a hall, a bedside, a landing.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing. There is one of this rug.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eRed on a floor is either the loudest thing in the room or the reason everything else looks calm. Here it is the second.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Red \/ 123 X 183","offer_id":45111485530345,"sku":"SARBIT000207.01","price":122000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/MadalyonDesenliKirmiziElDokumaIpekHali_10.jpg?v=1709557016"},{"product_id":"madalyon-desenli-krem-el-dokuma-ipek-hali","title":"Cream Medallion Hand-Knotted Silk Rug","description":"\u003cp\u003e\u003cstrong\u003eAt 124 \u0026times; 183 cm (4'1\" \u0026times; 6'0\") it is small for a silk rug, which is why people hang it. Cream Medallion Hand-Knotted Silk Rug \u0026mdash; pure silk, knotted in China, one medallion in the exact center of a cream field, ringed by curling leaves and thin flower stems.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe medallion does all the work and the rest of the field is left to it. Around the center, leaves curl outward on stems drawn only a knot or two wide, and the border closes them without adding another argument. Cream silk under light is not a flat color: it lifts to a low gleam where the pile lies away from you and sinks to bone where it lies toward you, so the same medallion appears to float or to sit depending on where you stand. On a wall it reads as a picture. On a floor it redefines whichever end of the room it is in.\u003c\/p\u003e\n\n\u003cp\u003eEvery knot in it is silk, and the knot count is high enough to hold a curved stem \u0026mdash; that density is what makes the months of weaving necessary. A rug this fine is a delicate surface: it needs professional cleaning, and it should not go where a chair is dragged. Both pieces at this size are alike, and it suits an entrance, a bedroom or the near end of a sitting room rather than the middle of one.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in China from pure silk.\u003c\/li\u003e\n  \u003cli\u003eA single central medallion in a cream field, with curling leaf and stem work around it.\u003c\/li\u003e\n  \u003cli\u003eDense knotting \u0026mdash; fine enough to draw a stem a knot or two wide.\u003c\/li\u003e\n  \u003cli\u003e124 \u0026times; 183 cm (4'1\" \u0026times; 6'0\") \u0026mdash; hall, bedroom, or hung on a wall.\u003c\/li\u003e\n  \u003cli\u003eCream silk shifts between gleam and bone depending on where you stand.\u003c\/li\u003e\n  \u003cli\u003eMonths of weaving per piece.\u003c\/li\u003e\n  \u003cli\u003eNot for a spot where furniture is dragged; cleaning by a specialist.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eSilk rugs at this size get hung more often than walked on, and there is no argument against doing both in turn.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Cream \/ 124 X 183","offer_id":45111488446697,"sku":"SARIPE000078.01","price":425000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/MadalyonDesenliKremElDokumaIpekHali_3.jpg?v=1709556833"},{"product_id":"cerceve-desenli-krem-el-dokuma-klasik-ipek-hali","title":"Cream Bordered Hand-Knotted Pure Silk Rug","description":"\u003cp\u003e\u003cstrong\u003eCream Bordered Hand-Knotted Pure Silk Rug, 123 × 183 cm (4'0\" × 6'0\"), is pure silk in warp and weft alike, knotted by hand in China. The composition is framed — border inside border, with the drawing gathered toward the middle — and restrained enough that from a doorway the whole thing reads as plain cream.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eUp close it is not plain at all. The center holds a quiet balance of motifs in cream and beige, none of them raised above the others, and the frames step inward in narrowing bands until they meet it. What changes is the light. Silk at this knot density has two faces, matt when the pile lies away from you and near-satin when it lies toward you, so the same rug is dull from one end of the room and lit from the other. Beside walnut or a pale natural wood it stays in the same register; add brass or iron and the classical side of the drawing comes forward.\u003c\/p\u003e\n\n\u003cp\u003eSilk in the warp as well as the pile is the expensive decision here, and it is what makes the fabric so thin and so strong at once. A piece at this density is months of work — one weaver, one loom, one knot at a time. That fineness costs something: silk marks where it is pressed, and the surface will hold the shape of a chair leg until the pile is brushed back. Have it washed by a rug cleaner, and not by a van that also does upholstery.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003ePure silk in the warp, the weft and the pile, knotted by hand in China.\u003c\/li\u003e\n  \u003cli\u003eA framed composition: narrow borders stepping in toward a gathered center.\u003c\/li\u003e\n  \u003cli\u003eCream and beige throughout, with no single motif taking the lead.\u003c\/li\u003e\n  \u003cli\u003eThe surface turns matt or satin depending on which way the pile faces you.\u003c\/li\u003e\n  \u003cli\u003eMonths at the loom at this knot density.\u003c\/li\u003e\n  \u003cli\u003e123 × 183 cm (4'0\" × 6'0\"), at home in a bedroom or an entrance hall.\u003c\/li\u003e\n  \u003cli\u003eSits well with walnut and pale wood; brass and iron push it classical.\u003c\/li\u003e\n  \u003cli\u003ePressure marks the pile; brush it back rather than leaving it.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eIn ten years it will look very close to the way it looks now, which is the whole argument for silk.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Cream \/ 123 X 183","offer_id":45111492444393,"sku":"SARIPE000030.01","price":420000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/CerceveDesenliKremElDokumaKlasikIpekHali_5.jpg?v=1709556721"},{"product_id":"heritage-serisi-vintage-desenli-tezgah-dokuma-yun-hali","title":"Green Vintage Loom-Woven Wool Rug, Heritage Series","description":"\u003cp\u003e\u003cstrong\u003eGreen Vintage Loom-Woven Wool Rug from the Heritage Series, 200 × 300 cm (6'7\" × 9'10\") — faded green over a milky cream ground, with a medallion and a border that never quite come into focus. New Zealand wool and bamboo viscose over cotton, woven on a loom in the Oushak region of western Türkiye and finished by hand.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe pattern is drawn as though it had already aged. Edges blur where a border would normally end, the medallion bleeds into the field, and the greens sit a step or two below full strength, so from standing height you get a soft rhythm rather than a set of shapes. Look down and the shapes are all there. That deliberate softness is why the rug can enter a modern room without turning it into a period one — it keeps the memory of a classical rug drawing while dropping the insistence.\u003c\/p\u003e\n\n\u003cp\u003eLoom-woven means the frame of the rug is set by machine and everything after that is closed by hand, and in the Oushak workshops the hand work is women's work, edge by edge and fringe by fringe. The pile is New Zealand wool with bamboo viscose worked into the motifs for a low sheen, over a cotton foundation. It is a low pile, which leaves dust nowhere much to go and makes six square meters something you can vacuum in one pass. The series runs in small numbers, so patterns come and go. Between washes a vacuum is enough; the wash itself is not a home job.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eLoom-woven in western Türkiye, in the workshops around Uşak; the finishing is hand work.\u003c\/li\u003e\n  \u003cli\u003eNew Zealand wool pile with bamboo viscose in the motifs, on a cotton foundation.\u003c\/li\u003e\n  \u003cli\u003eFaded green over a milky cream ground; soft-edged border and medallion.\u003c\/li\u003e\n  \u003cli\u003eLow pile — easy underfoot, and quick to run a vacuum across.\u003c\/li\u003e\n  \u003cli\u003e200 × 300 cm (6'7\" × 9'10\"), which is a full living-room size.\u003c\/li\u003e\n  \u003cli\u003eMade in limited runs; each piece differs a little from the last.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eIt is the floor for a room that wants to feel settled by the second week rather than the second year.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Green \/ 200 X 300","offer_id":45112905597161,"sku":"EKOHER000014.01","price":44600.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/HeritageSerisiVintageDesenliMakineDokumaYunHali_8.jpg?v=1705757769"},{"product_id":"studio-potato-bubble-trouble-yun-el-dokumasi-kilim","title":"Navy Geometric Handwoven Wool Kilim, Studio Potato Bubble Trouble","description":"\u003cp\u003e\u003cstrong\u003eStudio Potato gives its designs names instead of numbers, and Bubble Trouble is one of them: a handwoven wool kilim in navy, flat and pileless, its drawing geometric and modern rather than inherited from any village. Woven in Türkiye. The 120 × 170 cm (3'11\" × 5'7\") piece is the one still held.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eNavy is a hard ground for a flatweave, because there is no pile to hold a shadow — the color arrives flat and stays flat, and the geometry laid across it has to do all the work of depth. The shapes are set against the dark ground as blocks, with the steps and angles that a weft-faced weave forces on any figure it carries. In a room with white walls it reads as a piece of graphic work put on the floor rather than as a rug with a history behind it.\u003c\/p\u003e\n\n\u003cp\u003eWool throughout, and the weaving was done by hand in Türkiye. A kilim carries no knots at all: its pattern is made where the weft crosses the warp and is beaten tight, until nothing of the warp shows. That is why the surface is thin, why both faces work, and why you turn it over once one side has had its season of sun. Thin also means hard, so there is nothing underfoot to absorb a step and a pad beneath it is money well spent on stone or boards. It was made at 80 × 140 cm and 160 × 210 cm as well; only the middle size remains.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven as a wool kilim in Türkiye, flat, with no pile.\u003c\/li\u003e\n  \u003cli\u003eNavy ground under a modern geometric drawing by Studio Potato.\u003c\/li\u003e\n  \u003cli\u003eHeld at 120 × 170 cm (3'11\" × 5'7\"); the 80 × 140 and 160 × 210 sizes are gone.\u003c\/li\u003e\n  \u003cli\u003eReversible, and thin enough to slide beneath a door or a low sofa.\u003c\/li\u003e\n  \u003cli\u003eHard underfoot on stone or boards, so a pad underneath earns its keep.\u003c\/li\u003e\n  \u003cli\u003eWashing is for a rug specialist, never a machine.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eA kilim this graphic will date the way a poster dates, which is to say it will look like the year it was made, and that is not the same as looking old.\u003c\/p\u003e","brand":"Studio Potato","offers":[{"title":"Green \/ 80 X 140","offer_id":45126574735593,"sku":"POTELD000003.01","price":25100.0,"currency_code":"TRY","in_stock":false},{"title":"Green \/ 120 X 170","offer_id":45126574768361,"sku":"POTELD000003.02","price":64500.0,"currency_code":"TRY","in_stock":true},{"title":"Green \/ 160 X 210","offer_id":45126574801129,"sku":"POTELD000003.03","price":105000.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/StudioPotatoBubbleTroubleYunElDokumasiKilim_1.jpg?v=1713267680"},{"product_id":"el-dokuma-anadolu-desenli-kirmizi-hali","title":"Red Anatolian Hand-Knotted Wool Adana Yörük Rug","description":"\u003cp\u003e\u003cstrong\u003eAdana sits on the Çukurova plain in southern Türkiye, and the Yörük — the tent-dwelling herders of Anatolia — wove on horizontal looms that could be rolled up and carried. This is one of their rugs: hand-knotted in wool, red-ground, drawn in the angular Anatolian manner, 138 × 235 cm (4'6\" × 7'9\"), and old enough that Halıcızade files it with the rare pieces.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eRed is the ground, and village reds are rarely one flat tone. Yarn dyed in small lots takes color a little differently from batch to batch, and the horizontal bands of shifting shade this produces have a name in the trade: abrash. The drawing over it is angular rather than curved, because a pattern counted out in knotted rows cannot make a smooth arc. Every figure is a shape a weaver could carry in memory and set down again a hundred rows later.\u003c\/p\u003e\n\n\u003cp\u003eWool, knotted by hand, made in Türkiye. Old is what the house says, and old is all anyone can honestly say — in the trade, antique starts at a hundred years, semi-antique covers fifty up to a hundred, and vintage runs from twenty to eighty, with nobody anywhere issuing a certificate for any of it. What can be seen is the wear: a rug that has been walked on has a pile that lies down and a sheen new wool does not have. It is listed among the rare pieces because there is one of it, because it is not being made again, and because Yörük weaving of this kind has been leaving Anatolia for two generations. Professional washing, and nothing improvised.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in wool on the Çukurova plain around Adana, in southern Türkiye.\u003c\/li\u003e\n  \u003cli\u003eRed ground with angular Anatolian figures, drawn in the Yörük manner.\u003c\/li\u003e\n  \u003cli\u003e138 × 235 cm (4'6\" × 7'9\").\u003c\/li\u003e\n  \u003cli\u003eListed by the house as old and as one of its rare pieces; no date is claimed.\u003c\/li\u003e\n  \u003cli\u003eTrade age words — antique, semi-antique, vintage — have no issuing authority behind them.\u003c\/li\u003e\n  \u003cli\u003eAbrash, the shift of tone between dye lots, is the mark of hand-dyed village wool.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing only.\u003c\/li\u003e\n  \u003cli\u003eA single rug, with nothing else like it in the catalog.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eOne life on a southern floor is already behind it, and a second will not finish it off either.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Red \/ 138 X 235","offer_id":45146837385449,"sku":"MZTADN000001.01","price":64000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/AnadoluDesenliElDokumaHali_1.jpg?v=1705931487"},{"product_id":"anadolu-desenli-afgan-sirvan-el-dokuma-hali","title":"Multicolor Anatolian-Pattern Handwoven Wool Rug, Afghan Shirvan","description":"\u003cp\u003e\u003cstrong\u003eAn Afghan Shirvan rug, handwoven in wool over a cotton foundation and measuring 160 × 190 cm (5'3\" × 6'3\"), which is close to square. Shirvan is a weaving region in eastern Azerbaijan, in the Caucasus, and its patterns — small geometric medallions set in rows — have been woven by Turkmen and Afghan workshops for generations. A single piece.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe field is drawn in the same angular vocabulary Anatolian village weaving uses: hooked medallions, stepped diamonds, small filler figures scattered wherever the drawing left room. That is why the house describes the pattern as Anatolian even though the loom stood a long way east of Anatolia. Multicolor here means the palette belongs to this piece alone, since a weaver works from the wool that has been dyed and is to hand. A near-square rug is the awkward one to place and the useful one to own — it suits a square hall, a bay, or the floor under a round table, where a long rectangle argues with the room.\u003c\/p\u003e\n\n\u003cp\u003eAfghan workshops are where a great deal of the world's handwoven wool now comes from, and the work is done on cotton warps, which hold tension better than wool and keep a large rug square. Cotton in the foundation and wool on the surface: two fibers doing two different jobs, and the reason the piece lies flat. This is old-fashioned production with no shortcut in it and no machine anywhere in the sequence. A rug washer does the cleaning.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven in Afghanistan, with cotton underneath and wool on top.\u003c\/li\u003e\n  \u003cli\u003eA Shirvan drawing — rows of small geometric medallions, angular throughout.\u003c\/li\u003e\n  \u003cli\u003e160 × 190 cm (5'3\" × 6'3\"), near enough to square to suit a square room.\u003c\/li\u003e\n  \u003cli\u003eMulticolored, with a palette particular to this piece.\u003c\/li\u003e\n  \u003cli\u003eCotton warps hold the rug square; the wool does the wearing.\u003c\/li\u003e\n  \u003cli\u003eA rug washer, not a machine.\u003c\/li\u003e\n  \u003cli\u003eOne of one.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eSquare rooms are commoner than square rugs, which is the whole argument for this one.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Colorful \/ 160 X 190","offer_id":45224811299049,"sku":"MZTAFG000003.01","price":78000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/AnadoluDesenliAfganSirvanElDokumaHali_1.jpg?v=1705931560"},{"product_id":"zade-serisi-el-dokuma-ipek-hali","title":"Cream Medallion Hand-Knotted Silk and Wool Rug, Nahar Series","description":"\u003cp\u003e\u003cstrong\u003eNinety percent silk, ten percent wool: that ratio is what the Nahar Series is. Cream Medallion Hand-Knotted Silk and Wool Rug, 126 × 182 cm (4'2\" × 6'0\"), tied by hand in China, with a circular motif at the center opening like the layers of a flower and leaf-and-vine work running out from it.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe ten percent matters more than it sounds. Pure silk is beautiful and slack; wool at that proportion gives the fabric enough spine to lie flat and take weight without the pile crushing, while the silk keeps the shine and the fineness. Cream is the ground, and it is a warm cream rather than a white one, so the rug lights a room without cooling it. The central medallion is the whole composition — everything else is subordinate to it, a spiral of leaves and vines from the classical Anatolian and Central Asian repertoire, spreading outward until the border stops it.\u003c\/p\u003e\n\n\u003cp\u003eHundreds of thousands of knots, tied by hand, over months. Silk rugs at this ratio are a shrinking category and the workshops producing them are fewer every year; the house is candid that this is one of the last examples of a craft nobody is replacing. At 126 × 182 cm it is a reception-room size rather than a living-room one — a small formal room, a study, the space in front of a fireplace. Professional cleaning only, and not often.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in China from 90% silk and 10% wool.\u003c\/li\u003e\n  \u003cli\u003eThe wool content is what keeps a silk pile from crushing under weight.\u003c\/li\u003e\n  \u003cli\u003eA circular central medallion opening in layers, with leaf and vine work around it.\u003c\/li\u003e\n  \u003cli\u003eClassical Anatolian and Central Asian motifs.\u003c\/li\u003e\n  \u003cli\u003eHundreds of thousands of knots; months of work.\u003c\/li\u003e\n  \u003cli\u003e126 × 182 cm (4'2\" × 6'0\") — a study, a small formal room, a hearth.\u003c\/li\u003e\n  \u003cli\u003eProduced in very small numbers.\u003c\/li\u003e\n  \u003cli\u003eProfessional cleaning only. One piece.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eThe kind of rug that outlasts several rooms and gets moved into each of them.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Cream \/ 126 X 182","offer_id":45231125168361,"sku":"SARZAD000021.01","price":148000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/SARZAD000021-4_03c275be-06fb-4cfb-b4af-40850642a7c7.jpg?v=1709405694"},{"product_id":"rengarenk-modern-tasarim-soyut-desenli-hasir-pamuk-el-dokuma-hali-845","title":"Multicolor Spiral Handwoven Rush Rug, Bolga Series","description":"\u003cp\u003e\u003cstrong\u003eAlong the Ganges in India there is a natural fiber the region calls the Golden Fibre, and the Bolga Series is woven from it. Multicolor Spiral Handwoven Rush Rug, 170 × 240 cm (5'7\" × 7'10\"), is a flatweave of coiled discs in earth beige, warm orange, red, mustard and deep green, made entirely by hand.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe discs are the whole design. Each is a spiral coiled flat and bound in place, and they sit beside and over one another like braided rosettes laid on a floor, so the surface has depth with no pile at all. Every coil turns in its own direction and no two are quite the same size, because they are made one at a time. The color is set into the fiber rather than laid over it, and the natural straw tone showing between the coils is what keeps five strong colors from arguing with each other.\u003c\/p\u003e\n\n\u003cp\u003eThis is a flatweave, not a knotted rug, and it behaves differently. It absorbs very little, which makes day-to-day cleaning simple, and it cannot be washed — water is what destroys a rush fiber. It also dislikes point loads: wheelchair casters and heels will break the coils, and the house prefers to say that before the sale rather than after it. Keep it to entryways, conservatories, kitchens and the sort of room people arrive in rather than settle in, and it will hold its shape for years. Brush it, and keep it dry.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven in India from natural rush fiber, along the Ganges.\u003c\/li\u003e\n  \u003cli\u003eA flatweave of coiled discs — no pile, and depth built from the coils themselves.\u003c\/li\u003e\n  \u003cli\u003eEarth beige, warm orange, red, mustard and deep green over natural straw tone.\u003c\/li\u003e\n  \u003cli\u003eVery low absorbency, so day-to-day cleaning is easy.\u003c\/li\u003e\n  \u003cli\u003eNot washable. Water is what ruins this fiber.\u003c\/li\u003e\n  \u003cli\u003eHeels and wheelchair casters will break the coils.\u003c\/li\u003e\n  \u003cli\u003e170 × 240 cm (5'7\" × 7'10\"); a 120 × 180 cm size is also made.\u003c\/li\u003e\n  \u003cli\u003eAn honest alternative for anyone shopping sisal and rush.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCan this rug be washed?\u003c\/h3\u003e\n\u003cp\u003eNo. Rush fiber loses its structure when it is soaked, so a Bolga rug is brushed and kept dry rather than washed. Its low absorbency means most spills sit on the surface long enough to be lifted off with a dry cloth.\u003c\/p\u003e\n\n\u003ch3\u003eWhat is the Golden Fibre?\u003c\/h3\u003e\n\u003cp\u003eIt is the name given along the Ganges to the natural rush fiber this rug is made from. It is harvested locally, worked while it is still pliable, and coiled and bound by hand into the discs that make up the surface.\u003c\/p\u003e\n\n\u003ch3\u003eWhere does a rug like this belong?\u003c\/h3\u003e\n\u003cp\u003eEntryways, conservatories and kitchens, where it is walked across rather than lived on. It stands up to traffic and to dirt, and it does not stand up to concentrated weight from heels or caster wheels.\u003c\/p\u003e\n\n\u003cscript type=\"application\/ld+json\"\u003e\n{\"@context\":\"https:\/\/schema.org\",\"@type\":\"FAQPage\",\"mainEntity\":[{\"@type\":\"Question\",\"name\":\"Can this rug be washed?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"No. Rush fiber loses its structure when it is soaked, so a Bolga rug is brushed and kept dry rather than washed. Its low absorbency means most spills sit on the surface long enough to be lifted off with a dry cloth.\"}},{\"@type\":\"Question\",\"name\":\"What is the Golden Fibre?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"It is the name given along the Ganges to the natural rush fiber this rug is made from. It is harvested locally, worked while it is still pliable, and coiled and bound by hand into the discs that make up the surface.\"}},{\"@type\":\"Question\",\"name\":\"Where does a rug like this belong?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"Entryways, conservatories and kitchens, where it is walked across rather than lived on. It stands up to traffic and to dirt, and it does not stand up to concentrated weight from heels or caster wheels.\"}}]}\n\u003c\/script\u003e\n\n\u003cp\u003eAnyone who has looked at sisal and wanted something with color in it has been looking for this.\u003c\/p\u003e","brand":"EKO HALI","offers":[{"title":"Colorful \/ 120 X 180","offer_id":45265843519721,"sku":"EKOFLC000010.02","price":9800.0,"currency_code":"TRY","in_stock":false},{"title":"Colorful \/ 170 X 240","offer_id":45265843486953,"sku":"EKOFLC000010.01","price":18400.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/BolgaSerisiGeometrikDesenliElDokumaHali_6.jpg?v=1705742145"},{"product_id":"eko-hali-choti-sade-desenli-el-dokuma-hali-2952","title":"White Plain Handwoven Jute Rug, Bolga Series","description":"\u003cp\u003e\u003cstrong\u003eThe fiber comes first here: jute, the plant they call golden fiber along the Ganges, spun and plaited by hand into a flat off-white surface. White Plain Handwoven Jute Rug, Bolga Series, 120 × 180 cm (3'11\" × 5'11\"), woven in India. It is an alternative to sisal rather than a copy of one.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe white is not uniform and was never meant to be. Jute takes color unevenly, so the surface moves between chalk and warm off-white across a single row, and the plaited structure sets up a regular ridge you notice with your feet before you notice with your eyes. There is no pattern beyond that rhythm. In an entrance hall, a conservatory or a kitchen it does what a plain floor covering should do and nothing more.\u003c\/p\u003e\n\n\u003cp\u003eEvery part of it is worked by hand, which is why the rows shift slightly against each other, and it wants to be treated as the plant material it is. Jute absorbs very little, so day-to-day dirt sits on the surface and sweeps off. It also does not wash: water is the one thing that will finish it. Castors and heels will crush the plait, so keep a desk chair off it. Dry cleaning only, and rarely.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven from jute fiber in India.\u003c\/li\u003e\n  \u003cli\u003eOff-white, with the tonal drift natural to an undyed plant fiber.\u003c\/li\u003e\n  \u003cli\u003eA plaited surface that reads as texture rather than pattern.\u003c\/li\u003e\n  \u003cli\u003e120 × 180 cm (3'11\" × 5'11\"); other sizes are made.\u003c\/li\u003e\n  \u003cli\u003eLow absorbency, so surface dirt lifts off with a brush or a vacuum.\u003c\/li\u003e\n  \u003cli\u003eNot suitable for washing, and not for wheeled chairs or stiletto heels.\u003c\/li\u003e\n  \u003cli\u003eSuits entrances, conservatories and kitchens.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat is jute and how does it differ from sisal?\u003c\/h3\u003e\n\u003cp\u003eJute is a bast fiber taken from the stem of the plant, softer and more matt than sisal, which comes from a leaf. Jute plaits into a finer surface and feels gentler underfoot, and it is the more forgiving of the two in a room where people go barefoot.\u003c\/p\u003e\n\n\u003ch3\u003eWhy can this rug not be washed?\u003c\/h3\u003e\n\u003cp\u003eJute swells and stiffens when it is soaked, and the plaited structure loses its shape as it dries. Surface cleaning keeps it in condition: sweep or vacuum it, lift spills straight away, and use dry cleaning when it needs more than that.\u003c\/p\u003e\n\n\u003cp\u003eIt will pale slowly wherever the sun reaches it, and the fibers will soften where people walk. Both are the material behaving normally.\u003c\/p\u003e\n\n\u003cscript type=\"application\/ld+json\"\u003e{\"@context\": \"https:\/\/schema.org\", \"@type\": \"FAQPage\", \"mainEntity\": [{\"@type\": \"Question\", \"name\": \"What is jute and how does it differ from sisal?\", \"acceptedAnswer\": {\"@type\": \"Answer\", \"text\": \"Jute is a bast fiber taken from the stem of the plant, softer and more matt than sisal, which comes from a leaf. Jute plaits into a finer surface and feels gentler underfoot, and it is the more forgiving of the two in a room where people go barefoot.\"}}, {\"@type\": \"Question\", \"name\": \"Why can this rug not be washed?\", \"acceptedAnswer\": {\"@type\": \"Answer\", \"text\": \"Jute swells and stiffens when it is soaked, and the plaited structure loses its shape as it dries. Surface cleaning keeps it in condition: sweep or vacuum it, lift spills straight away, and use dry cleaning when it needs more than that.\"}}]}\u003c\/script\u003e","brand":"EKO HALI","offers":[{"title":"White \/ 80 X 150","offer_id":45686463725801,"sku":"EKOFLC000003.04","price":5450.0,"currency_code":"TRY","in_stock":false},{"title":"White \/ 120 X 180","offer_id":45265856856297,"sku":"EKOFLC000003.01","price":9800.0,"currency_code":"TRY","in_stock":true},{"title":"White \/ 140 X 200","offer_id":45265856889065,"sku":"EKOFLC000003.02","price":12650.0,"currency_code":"TRY","in_stock":false},{"title":"White \/ 170 X 240","offer_id":45265856921833,"sku":"EKOFLC000003.03","price":18400.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/BolgaSerisiSadeDesenliElDokumaHali_9.jpg?v=1708527458"},{"product_id":"eko-hali-choti-sade-desenli-el-dokuma-hali-3","title":"Anthracite Plain Handwoven Rush Flatweave Rug, Fuji Series","description":"\u003cp\u003e\u003cstrong\u003eStart with what it will not do: this rug cannot be washed with water, and wheeled chairs and narrow heels will break its surface. It is a handwoven flatweave in natural rush fiber, plain, anthracite, made in India for the Fuji Series, and held in one size only, 120 × 180 cm, which is 3'11\" by 5'11\".\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eWhat you get in exchange is a texture no pile rug produces. A flatweave in a stiff natural fiber has ribs rather than a nap, so light runs along them one way and stops the other, and the surface changes as you move around it without a single color changing. Anthracite keeps it quiet — dark enough to sit under timber without looking like a doormat, flat enough that it never becomes the loudest thing in a room made mostly of glass.\u003c\/p\u003e\n\n\u003cp\u003eIt is woven entirely by hand in India, from the natural rush fiber cut along the Ganges that the people who gather it call the golden fiber. Because the fiber is stiff, the weave itself is the pattern; there is no drawing on it at all, which is why the house lists it as plain. Cleaning is dry cleaning and only dry cleaning, since it will not survive being soaked. Vacuum it lightly, and lift anything spilled before it settles. The house lays these in entrances, kitchens and winter gardens, where the light and the traffic suit them.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven flatweave in natural rush fiber, made in India.\u003c\/li\u003e\n  \u003cli\u003eAnthracite and plain — the weave structure is the only pattern on it.\u003c\/li\u003e\n  \u003cli\u003eOne size in stock, 120 × 180 cm, with 80 × 150 cm also made.\u003c\/li\u003e\n  \u003cli\u003eA ribbed surface that changes with the direction you look from.\u003c\/li\u003e\n  \u003cli\u003eDelicate: no wheeled chairs, no stiletto heels.\u003c\/li\u003e\n  \u003cli\u003eDry cleaning only; it cannot be wet-washed.\u003c\/li\u003e\n  \u003cli\u003eEntrances, kitchens and winter gardens are where the house puts them.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eTreated the way the house treats it, it lasts; treated as a rug for a busy hall, it will not see out the year.\u003c\/p\u003e","brand":"EKO HALI","offers":[{"title":"Anthracite \/ 80 X 150","offer_id":45265857937641,"sku":"EKOFLN000003.02","price":5700.0,"currency_code":"TRY","in_stock":false},{"title":"Anthracite \/ 120 X 180","offer_id":45265857904873,"sku":"EKOFLN000003.01","price":10260.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/FujiSerisiSadeDesenliElDokumaHali_1_6dafbdcc-f052-415a-b383-758afbcde0cf.jpg?v=1705742849"},{"product_id":"jura-el-dokuma-sade-desenli-hali","title":"Cream Plain Handwoven Cotton and Viscose Rug, Jura Series","description":"\u003cp\u003e\u003cstrong\u003eThere is no wool in this one at all. It is handwoven in India from cotton and viscose with a small amount of synthetic yarn worked in for wear, in a flat cream that carries a faint moiré where the hand of the weaver changed. Eight sizes are made, including a 100 × 300 cm (3'3\" × 9'10\") hall length.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe moiré is the only event on the surface, and it is not printed. It comes from small variations in tension as the weaving went along, so it shifts as you move — which is why a plain rug of this kind holds a room instead of vanishing out of it. Cream sits over dark boards better than it sits over pale ones, where it can go slightly invisible. Against black-stained oak or a dark stone floor it gives the room its light back.\u003c\/p\u003e\n\n\u003cp\u003eBeing wool-free is the practical fact about it. Cotton and viscose make a thinner, lighter, cooler rug than wool does — easy to lift, easy to fold, easy to move between a bedroom and a sunroom in April — and they lack wool's spring, so this is a rug you look at rather than one you sink into. A household that wants no animal fiber underfoot has few good options, and this is one of them.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven in India by hand-weaving technique, not on a mechanical loom.\u003c\/li\u003e\n  \u003cli\u003eCotton and viscose with a small quantity of synthetic yarn for wear — no wool.\u003c\/li\u003e\n  \u003cli\u003ePlain cream, with a faint moiré from variations in weaving tension.\u003c\/li\u003e\n  \u003cli\u003eThin and light: simple to lift, fold and move between rooms.\u003c\/li\u003e\n  \u003cli\u003eEight sizes, from 80 × 150 cm to 240 × 340 cm, including a 100 × 300 cm runner.\u003c\/li\u003e\n  \u003cli\u003eIt has no wool spring; the pleasure is visual rather than underfoot.\u003c\/li\u003e\n  \u003cli\u003eProfessional cleaning keeps the moiré even.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eA room that has already said everything it means to say needs a floor that says nothing, and this is that floor.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Cream \/ 80 X 150","offer_id":45273914278121,"sku":"HALJUR000001.08","price":8000.0,"currency_code":"TRY","in_stock":false},{"title":"Cream \/ 120 X 180","offer_id":45273914147049,"sku":"HALJUR000001.04","price":14000.0,"currency_code":"TRY","in_stock":false},{"title":"Cream \/ 140 X 200","offer_id":45273914179817,"sku":"HALJUR000001.05","price":18000.0,"currency_code":"TRY","in_stock":false},{"title":"Cream \/ 100 X 300","offer_id":45273914114281,"sku":"HALJUR000001.03","price":19500.0,"currency_code":"TRY","in_stock":true},{"title":"Cream \/ 160 X 230","offer_id":45273914081513,"sku":"HALJUR000001.01","price":24000.0,"currency_code":"TRY","in_stock":true},{"title":"Cream \/ 200 X 290","offer_id":45273914212585,"sku":"HALJUR000001.06","price":37500.0,"currency_code":"TRY","in_stock":false},{"title":"Cream \/ 240 X 340","offer_id":45273914245353,"sku":"HALJUR000001.07","price":52500.0,"currency_code":"TRY","in_stock":false},{"title":"Cream \/ 200 X 300","offer_id":47604796981481,"sku":"HALJUR000001.02","price":38500.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/JuraSadeDesenliElDokumaHali_19.jpg?v=1709382929"},{"product_id":"sal-desenli-el-dokuma-taspinar-hali","title":"Multicolor Shawl-Pattern Handwoven Wool Rug, Anadolu Şal Series","description":"\u003cp\u003e\u003cstrong\u003eAt 108 × 161 cm (3'7\" × 5'3\") this is a small rug, drawn as one: a handwoven wool piece in the shawl pattern of the Anadolu Şal Series, multicolored, made at Taşpınar in Türkiye. Small rugs make a pattern work harder, because there is no room in which to lose a figure. A single piece.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eTaşpınar is a village in Aksaray province on the central Anatolian plateau, and its name has been a rug name for generations. The shawl drawing it carries here is banded rather than centered — no medallion, no open field, just color against color along the length of the piece with small figures running down each band. In a rug this size the bands sit close together, so from a distance the effect is of a woven textile laid flat rather than of a rug with a pattern on it.\u003c\/p\u003e\n\n\u003cp\u003eWool, handwoven in Anatolia. Village looms are narrow, and 108 cm across is about the width one weaver can reach without help, which is part of why so much Anatolian weaving comes in this size and why it is the size that ends up at a bed's foot or in front of a hearth. The color will not be uniform under close inspection: hand-spun wool takes dye at its own rate, and those small variations are the difference between this and a printed copy of it. Washing is a job for a specialist.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven wool, made at Taşpınar in Aksaray province, central Anatolia.\u003c\/li\u003e\n  \u003cli\u003e108 × 161 cm (3'7\" × 5'3\") — bedside, hearth, or a narrow entrance.\u003c\/li\u003e\n  \u003cli\u003eA banded shawl drawing, multicolored, with small figures on every band.\u003c\/li\u003e\n  \u003cli\u003ePart of the Anadolu Şal Series, named after the shawls the pattern comes from.\u003c\/li\u003e\n  \u003cli\u003eHand-spun wool means small variations of tone across the field.\u003c\/li\u003e\n  \u003cli\u003eOne piece at this size.\u003c\/li\u003e\n  \u003cli\u003eSpecialist washing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eRugs this size get carried from room to room for years before they finally settle somewhere.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Colorful \/ 108 X 161","offer_id":45280712818921,"sku":"MZTTAS000008.01","price":40500.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/AnadoluSalSerisiSivasZaraDesenliElDokumaYunHali_1_c7c81cbb-3cb2-4932-a3c1-9a2363abef47.jpg?v=1706021065"},{"product_id":"fresco-serisi-cerceve-desenli-yuvarlak-hali","title":"Black Frame-Pattern Round Machine-Woven Viscose Rug, Fresco Series","description":"\u003cp\u003e\u003cstrong\u003eThe frame pattern is the oldest idea in rug drawing — a border holding a field — and here it has been put into a circle, where there are no corners for it to turn. Black Frame-Pattern Round Machine-Woven Viscose Rug, Fresco Series: a 200 cm circle, 6'7\" across, in black and silver, machine-woven in Türkiye.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eSixty to seventy percent of the yarn is viscose and the remainder is acrylic, and that mix is why the surface shimmers slightly instead of presenting a matt face — viscose reflects, acrylic keeps the shape. Black absorbs a room's light, so this is a rug for a pale floor: over light boards or a stone-toned tile the silver in the border separates and the whole circle lifts. Over a dark floor it disappears, and that is worth knowing before it arrives.\u003c\/p\u003e\n\n\u003cp\u003eMachine-woven, and the house says so rather than reaching for a better-sounding word: it is neither knotted nor loom-woven, and the price follows from that. What a round rug does that a rectangle cannot is make its own footprint look wider, which is most of the argument for one in an entrance hall or beside a bed. Regular vacuuming keeps it; a professional wash rather than anything heavy at home.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eMade on a machine in Türkiye, to a house design.\u003c\/li\u003e\n  \u003cli\u003eSixty to seventy percent viscose, the rest acrylic.\u003c\/li\u003e\n  \u003cli\u003eRound, 200 cm across.\u003c\/li\u003e\n  \u003cli\u003eA frame drawing in black and silver, set into a circle.\u003c\/li\u003e\n  \u003cli\u003eThe viscose gives a faint shimmer that shifts as you cross the room.\u003c\/li\u003e\n  \u003cli\u003eLay it on a light floor; over a dark one the pattern is lost.\u003c\/li\u003e\n  \u003cli\u003eVacuum regularly, professional wash for anything deeper.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eIt is a black circle with a silver edge, and in the right room that is a complete idea.\u003c\/p\u003e","brand":"EKO HALI","offers":[{"title":"Black \/ 200 X 200","offer_id":45324097224937,"sku":"EKOFSC000001.01","price":26400.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/EKOFSC000142.07_1.jpg?v=1705750546"},{"product_id":"nostalji-serisi-afgan-turkmen-desenli-yuvarlak-ozel-tezgah-halisi","title":"Round Burgundy Afghan Turkmen Loom-Woven Rug, Nostalji Series","description":"\u003cp\u003e\u003cstrong\u003eRound, and that is the whole reason to want it: a circular loom-woven rug in burgundy with Afghan Turkmen motifs, made at 160 \u0026times; 160 cm (5'3\" \u0026times; 5'3\"), 190 \u0026times; 190 cm (6'3\" \u0026times; 6'3\") and 200 \u0026times; 200 cm (6'7\" \u0026times; 6'7\"), with a smaller 120 \u0026times; 120 cm (3'11\" \u0026times; 3'11\") also on the size list. Tencel\u0026reg; face, cotton foundation, woven in T\u0026uuml;rkiye.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFitting a rectangular tribal drawing into a circle is not automatic. The solution here is to let the border curve and to keep the field repeating right out to the edge, so the motifs are cut by the circumference rather than squeezed to fit it. Burgundy and navy carry the color, with gold scattered through them. A circle does something a rectangle cannot in an entrance hall: it takes the corners out of the room and gives a door somewhere to swing.\u003c\/p\u003e\n\u003cp\u003eMachine and hand divide the work: the loom builds, the weaver closes. On a round rug the fringe is a continuous edge rather than two ends, and it is finished by women in Oushak. The pile is Tencel\u0026reg;; the warp and weft underneath are cotton. Have it washed by a specialist rather than at home.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRound, loom-woven in T\u0026uuml;rkiye.\u003c\/li\u003e\n\u003cli\u003eTencel\u0026reg; surface on a cotton foundation.\u003c\/li\u003e\n\u003cli\u003eAfghan Turkmen motifs in burgundy and navy with gold.\u003c\/li\u003e\n\u003cli\u003e160 \u0026times; 160 cm (5'3\"), 190 \u0026times; 190 cm (6'3\") and 200 \u0026times; 200 cm (6'7\") circles; a 120 \u0026times; 120 cm (3'11\") size is also listed.\u003c\/li\u003e\n\u003cli\u003eSuits an entrance hall, a bay window, or the middle of a square room.\u003c\/li\u003e\n\u003cli\u003eProfessional washing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eUnder a round table it is the only shape that makes sense, and that is what most people who buy one came looking for.\u003c\/p\u003e","brand":"EKO HALI","offers":[{"title":"Burgundy \/ 160 X 160","offer_id":45324469108969,"sku":"EKONOS000002.01","price":20500.0,"currency_code":"TRY","in_stock":true},{"title":"Burgundy \/ 190 X 190","offer_id":46968629002473,"sku":"EKONOS000002.02","price":29000.0,"currency_code":"TRY","in_stock":false},{"title":"Burgundy \/ 200 X 200","offer_id":48004917133545,"sku":"EKONOS000002.03","price":32000.0,"currency_code":"TRY","in_stock":false},{"title":"Burgundy \/ 120 X 120","offer_id":50637296304361,"sku":"EKONOS000002.04","price":11600.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/NostaljiSerisiAfganTurkmenDesenliYuvarlakTezgahDokumaHali_2.webp?v=1751112935"},{"product_id":"zara-serisi-geometrik-desenli-yuvarlak-ozel-tezgah-halisi","title":"Blue Authentic-Pattern Round Loom-Woven Rug, Zara Series","description":"\u003cp\u003e\u003cstrong\u003eBlue Authentic-Pattern Round Loom-Woven Rug, Zara Series — a calm mid-blue circle with Anatolian motifs dropped across it rather than set in rows, loom-woven in Oushak from yarn containing Tencel®, with no wool in it. It is made as a 200 cm circle and a 160 cm one — 6'7\" and 5'3\" across.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eA circle has no corners, and in a room of straight lines that matters more than it sounds: the hard edges of a sofa and a low table stop competing the moment something round goes underneath them. This blue is at the quiet end of blue rather than the saturated end, so the scattered motifs read as marks on water. Set in front of white or gray furniture it is the only color in the arrangement, which is the arrangement it was drawn for.\u003c\/p\u003e\n\n\u003cp\u003eLoom-woven puts the structure onto a machine-guided loom and leaves the ends to people: once a piece comes off the frame, every fringe is worked and tied on its own, largely by women in the Oushak workshops. The yarn contains Tencel®, spun out of wood pulp, which gives the surface a light fluid gloss and a certain slip underfoot. Nothing in it is wool, worth knowing if what you are after is the density wool gives. Have it professionally washed; that is the whole of the maintenance.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eLoom-woven in Oushak, in workshops where most of the labor is women's.\u003c\/li\u003e\n  \u003cli\u003eTencel®-containing yarn, wool-free.\u003c\/li\u003e\n  \u003cli\u003eTwo diameters are made, 160 cm and 200 cm.\u003c\/li\u003e\n  \u003cli\u003eAuthentic Anatolian motifs scattered across a quiet blue ground.\u003c\/li\u003e\n  \u003cli\u003eEach fringe worked and tied individually once the weaving comes off the frame.\u003c\/li\u003e\n  \u003cli\u003eSoftens the geometry of a room built out of rectangles.\u003c\/li\u003e\n  \u003cli\u003eA rug washer, not a washing machine.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eIt is the honest middle of the catalog: the look of a knotted rug at a price knotting cannot reach, and the house says as much rather than implying otherwise.\u003c\/p\u003e","brand":"EKO HALI","offers":[{"title":"Blue \/ 160 X 160","offer_id":45324542542057,"sku":"EKOZAR000010.01","price":23200.0,"currency_code":"TRY","in_stock":true},{"title":"Blue \/ 200 X 200","offer_id":48074490904809,"sku":"EKOZAR000010.02","price":36000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ZaraSerisiGeometrikDesenliMakineDokumaHali_5.jpg?v=1751030980"},{"product_id":"zara-serisi-cicek-desenli-daire-ozel-tezgah-halisi","title":"Red Floral Round Loom-Woven Tencel® Rug, Zara Series","description":"\u003cp\u003e\u003cstrong\u003eRound, in three diameters — 120 cm (3'11\"), 160 cm (5'3\") and 200 cm (6'7\") — with floral motifs worked over a red ground. Zara is Halıcızade's loom-woven line, made in Oushak, the old weaving town of western Anatolia; this piece is Tencel® on a cotton foundation, with no wool in it.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eA circle changes what a rug does in a room. There are no corners to line up with the furniture, so it sits under a coffee table or in the middle of a seating group and softens the geometry instead of reinforcing it. The red is a full, warm red rather than a brick or a rust, and the flowers on it are drawn from Anatolian village weaving rather than from a European floral. At 120 cm it is a spot under one chair; at 200 cm it takes the whole center of a small room.\u003c\/p\u003e\n\n\u003cp\u003eA loom sets the warp and the pile; women in and around Oushak knot the fringes one at a time, which is why no two Zara rugs finish identically. Tencel® over cotton gives the surface a soft, faintly bright hand rather than a woolly one, and it wears well for a rug of this price. The technique sits between the two things buyers usually compare: it has the hand of a knotted rug and the cost of a woven one.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eLoom-woven in Oushak, Türkiye, with the fringes hand-knotted one at a time.\u003c\/li\u003e\n  \u003cli\u003eTencel® pile on a cotton foundation; no wool content.\u003c\/li\u003e\n  \u003cli\u003eFloral motifs on a red ground, drawn from Anatolian weaving.\u003c\/li\u003e\n  \u003cli\u003eRound: 120, 160 and 200 cm across.\u003c\/li\u003e\n  \u003cli\u003eLargely produced by women weavers in the Oushak district.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing; the Tencel® pile does not take a home shampoo well.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eIt is the shape to choose when the room is already full of straight lines.\u003c\/p\u003e","brand":"EKO HALI","offers":[{"title":"Red \/ 160 X 160","offer_id":45324547555561,"sku":"EKOZAR000011.01","price":23200.0,"currency_code":"TRY","in_stock":false},{"title":"Red \/ 200 X 200","offer_id":47952120053993,"sku":"EKOZAR000011.02","price":36000.0,"currency_code":"TRY","in_stock":true},{"title":"Red \/ 120 X 120","offer_id":48113563271401,"sku":"EKOZAR000011.03","price":13000.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/EKOZAR000011_2.jpg?v=1751030986"},{"product_id":"cizgi-desenli-gri-yuvarlak-hali","title":"Gray Striped Machine-Woven Round Rug","description":"\u003cp\u003e\u003cstrong\u003eA round rug, which is the point of it: gray, striped, made by machine in Türkiye from viscose and acrylic over a cotton ground, at a hundred-reed density. A circle has no corners to curl and no long edge to line up against a wall, so it lands under a table or in the middle of a small room.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eReed count is the density grade Turkish mills quote, measured across the warp, and a hundred sits in the middle of the range for weaving of this kind — dense enough that the stripe edges stay crisp instead of feathering into one another. The gray is unsaturated, which matters more on a circle than on a rectangle, because a round rug already draws the eye and a strong color would turn it into a target.\u003c\/p\u003e\n\n\u003cp\u003eViscose gives the pile its shine and acrylic gives it recovery, so the surface springs back after a chair leg has stood on it. Both sit on a cotton foundation. The shine has a cost worth stating plainly: a circle is walked across from every direction, and a viscose pile records each of those directions as a slightly different value of gray until you brush it out. A professional wash when required, and a vacuum in between.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eWoven by machine in Türkiye; the density is quoted at a hundred reed.\u003c\/li\u003e\n  \u003cli\u003eA viscose and acrylic pile, set on a cotton foundation.\u003c\/li\u003e\n  \u003cli\u003eRound, gray, with a striped drawing and nothing else on it.\u003c\/li\u003e\n  \u003cli\u003eSized for an entrance, a bedside, or under a small dining table.\u003c\/li\u003e\n  \u003cli\u003eThe pile shows the direction it was last walked on.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eRound rugs fail when they are treated as decoration; this one works because it is doing a job a rectangle cannot.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Gray \/ 160 X 160","offer_id":45331544080617,"sku":"WKNMON000014.01","price":15400.0,"currency_code":"TRY","in_stock":true},{"title":"Gray \/ 200 X 200","offer_id":45331544113385,"sku":"WKNMON000014.02","price":24000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/CizgiDesenliMakineDokumaHali_1_f2c838ef-4009-4799-8b37-2c8bb3bc0bac.jpg?v=1705580730"},{"product_id":"el-dokuma-cerceve-desen-ipekli-salon-ofis-halisi","title":"Burgundy Bordered Hand-Knotted Silk-Blend Rug","description":"\u003cp\u003e\u003cstrong\u003eThe frame is the first thing you see: a wide cream-and-beige border holding a burgundy field packed with small motifs. Burgundy Bordered Hand-Knotted Silk-Blend Rug, 171 × 243 cm (5'7\" × 8'0\"), tied by hand in China from cotton, viscose and silk.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eInside the frame the drawing is fine-scaled — classical figures repeated small and close together, in the manner of an old piece meant to be read from a chair rather than from a doorway. Burgundy carries them, and burgundy is the color that changes most across a day: deep and nearly brown in the morning, lit and red under a lamp, with the pale border holding steady behind it. That contrast is doing structural work. Without the cream frame the field would close in on itself; with it, the rug has a middle and an edge.\u003c\/p\u003e\n\n\u003cp\u003eCotton underneath, viscose and silk on top, and a knot count that runs into the hundreds of thousands. The blend is the point. It gets close to the hand and the shine of a pure silk rug without the price or the fragility of one, and it takes daily use in a living room or an office in a way a pure silk piece would not. The weave is thin and the pile short, so it lies flat and stays out of a door's way. A vacuum for the week, and a rug cleaner for anything more.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in China from cotton, viscose and silk.\u003c\/li\u003e\n  \u003cli\u003eA wide cream and beige border around a burgundy field of small classical motifs.\u003c\/li\u003e\n  \u003cli\u003eThe burgundy reads brown in daylight and red under a lamp.\u003c\/li\u003e\n  \u003cli\u003eHundreds of thousands of knots.\u003c\/li\u003e\n  \u003cli\u003eThin weave, short pile — it lies flat and clears a door.\u003c\/li\u003e\n  \u003cli\u003eSturdier than pure silk and closer to it than wool.\u003c\/li\u003e\n  \u003cli\u003e171 × 243 cm (5'7\" × 8'0\"), for a living room or an office.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing. One piece.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eIt is what an office floor looks like when somebody decided the office should not look like one.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Burgundy \/ 171 X 243","offer_id":45712191750377,"sku":"SARBIT000286.01","price":230000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaCerceveDesenSalonOfisHalisi_1.jpg?v=1706087738"},{"product_id":"cerceve-desenli-krem-el-dokuma-ipekli-hali","title":"Cream Floral Bordered Hand-Knotted Silk-Blend Rug","description":"\u003cp\u003e\u003cstrong\u003eCream Floral Bordered Hand-Knotted Silk-Blend Rug, 157 × 243 cm (5'2\" × 8'0\"), looks like a mosaic floor in a walled garden: fine flower forms in green and earth tones set into a cream ground, with the border standing around them like a run of columns. Knotted by hand in China from viscose and silk.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eLight blue and gold run through the drawing and give it a depth the cream alone would not have. The flowers are small and evenly placed, the border repeats a heavier version of the same motifs, and the change of scale between the two is what keeps the middle from looking crowded. Across a day the surface moves between two states — a mother-of-pearl brightness when the light comes at it sideways, and a flat pastel clarity when it comes from above. Neither state is the rug's real appearance, and both are.\u003c\/p\u003e\n\n\u003cp\u003eViscose and silk together, knotted by hand in China, with the knot count in six figures. Cellulose fibers of this kind are what make a rug shine, and they are also softer than wool underfoot and less resilient under a chair leg. The pile is short and the weave fine, so there is little for dust to work into and daily cleaning is straightforward. Give it a room where it will be looked at more than it is crossed. Professional washing, and let the professionals decide how often.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in China from viscose and silk.\u003c\/li\u003e\n  \u003cli\u003eFine floral motifs in green and earth tones on a cream ground.\u003c\/li\u003e\n  \u003cli\u003eLight blue and gold worked through the pattern for depth.\u003c\/li\u003e\n  \u003cli\u003eA heavier version of the same motifs in the border.\u003c\/li\u003e\n  \u003cli\u003eThe surface alternates between a pearly shine and a flat pastel.\u003c\/li\u003e\n  \u003cli\u003eSofter than wool underfoot and less resilient under furniture.\u003c\/li\u003e\n  \u003cli\u003e157 × 243 cm (5'2\" × 8'0\") — a living room, a bedroom, a wide entrance.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing. A single piece.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003ePut a chair on it and the chair will leave its mark. Put it where people look and it earns the space.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Cream \/ 157 X 243","offer_id":45461575991529,"sku":"SARBIT000349.01","price":210000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/CerceveDesenliKremElDokumaHali_1.jpg?v=1706089025"},{"product_id":"el-dokuma-yun-anadolu-kilim","title":"Multicolor Anatolian Handwoven Wool Sivrihisar Kilim","description":"\u003cp\u003e\u003cstrong\u003eSivrihisar is a town in Eskişehir province in western central Anatolia, and its name — pointed fortress — comes from the rocks standing above it. This is one of its kilims: handwoven in wool, multicolored, 152 × 350 cm (5'0\" × 11'6\"), and old enough that the house keeps it with the rare stock. One piece, and a large one.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThree and a half meters of flatweave is a room-sized kilim, and room-sized kilims were never woven casually — a loom that wide takes two weavers working across from one another, and the drawing has to be agreed before the first row goes down. What comes off it is a floor covering with the weight of a rug and the thinness of a cloth. The color runs multi throughout rather than settling into a single ground, which is characteristic of the older Anatolian pieces, where whatever wool had been dyed went into the work.\u003c\/p\u003e\n\n\u003cp\u003eWool, handwoven, and worn the way a used kilim is worn: the pile that a knotted rug has to lose is not there to begin with, so age shows in the softening of the weave and the settling of the color rather than in bare patches. Halıcızade lists it among the rare pieces. Trade age words are loose — antique means a hundred years and up, semi-antique fifty to a hundred, vintage twenty to eighty, and no authority anywhere issues a certificate for any of them. What is certain is that nobody is weaving this size by hand in these numbers again. It needs a professional wash and a flat floor.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven wool kilim from Sivrihisar, Eskişehir province, Türkiye.\u003c\/li\u003e\n  \u003cli\u003e152 × 350 cm (5'0\" × 11'6\") — a sitting room, a long landing, or a wide hall.\u003c\/li\u003e\n  \u003cli\u003eMulticolored throughout, in the older Anatolian manner.\u003c\/li\u003e\n  \u003cli\u003eFlat-woven: no pile, and both faces usable.\u003c\/li\u003e\n  \u003cli\u003eIt sits in the house's rare and older stock.\u003c\/li\u003e\n  \u003cli\u003eAge terms in the trade carry no issuing authority behind them.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eKilims this size used to be ordinary, which is the only reason one this good can still be found.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Colorful \/ 152 X 350","offer_id":45468387475689,"sku":"HALKIL000052.01","price":82000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaYunAnadoluKilim_2.jpg?v=1705492102"},{"product_id":"safir-serisi-usak-desenli-el-dokuma-oymali-mor-yuvarlak-hali","title":"Purple Oushak Carved Handwoven Round Rug, Safir Series","description":"\u003cp\u003e\u003cstrong\u003eSafir is the Turkish word for sapphire; the rug itself is lilac-purple rather than blue, and the name belongs to the series, not to the color. Purple Oushak Carved Handwoven Round Rug from the Safir series \u0026mdash; round, with every motif edge cut in by hand, woven in India from cotton, wool, bamboo viscose and viscose, at 150 \u0026times; 150 cm and 200 \u0026times; 200 cm.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eCarving is the technique the series is built on. After the pile is set, a weaver takes shears to the surface and cuts a channel along the outline of every motif, so the drawing sits in its own relief and throws a shadow. On a round rug that matters more than on a rectangle, because there is no straight border to tell you where the pattern begins. The Oushak figures \u0026mdash; the medallion families of western Anatolia \u0026mdash; have been reworked here at a scale and in a palette with nothing classical about it: lilac shading to a deeper purple, with cream and gray coming through.\u003c\/p\u003e\n\n\u003cp\u003ePurple is not a neutral and this rug does not pretend to be one. It sits well with gray and cream and it fights almost anything warm, which is worth settling before it arrives. The knot count is high, since a loose pile will not hold a cut edge, and the four yarns in the surface give it both softness and a light sheen. A round rug also asks something of the room: it wants space around it and will look like a mistake pushed against a wall. Cleaning is professional.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven in India from cotton, wool, bamboo viscose and viscose.\u003c\/li\u003e\n  \u003cli\u003eEvery motif outline is carved by hand with shears, so the drawing stands in relief.\u003c\/li\u003e\n  \u003cli\u003eOushak medallion figures redrawn in lilac and purple, with cream and gray.\u003c\/li\u003e\n  \u003cli\u003eRound, at 150 \u0026times; 150 cm (4'11\" \u0026times; 4'11\") and 200 \u0026times; 200 cm (6'7\" \u0026times; 6'7\").\u003c\/li\u003e\n  \u003cli\u003eHigh knot density \u0026mdash; carving will not hold on a loose pile.\u003c\/li\u003e\n  \u003cli\u003eReads well with gray and cream; awkward beside warm colors.\u003c\/li\u003e\n  \u003cli\u003eA round rug needs clear floor around it.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eRound rugs are usually chosen to soften a corner; this one is strong enough to be the reason for the corner.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Purple \/ 150 X 150","offer_id":45712210002153,"sku":"EKOSAP000014.01","price":67500.0,"currency_code":"TRY","in_stock":true},{"title":"Purple \/ 200 X 200","offer_id":45712210034921,"sku":"EKOSAP000014.02","price":120000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/EKOSAP000018.02_5_SafirSerisiUsakDesenliElDokumaHali.jpg?v=1704979315"},{"product_id":"safir-serisi-usak-desenli-el-dokuma-oymali-mavi-yuvarlak-hali","title":"Blue Oushak-Pattern Handwoven Carved Round Rug, Safir Series","description":"\u003cp\u003e\u003cstrong\u003eA round handwoven rug in pastel blue, worked in Oushak motifs and finished by carving: once the pile is tied, the outline of every motif is cut back with shears so that the pattern stands above its ground in relief. Wool and cotton carry the body of it, bamboo viscose carries the drawing. Woven in India for this house. One piece only.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eOushak drawing is normally large and open. Here it has been reduced and softened until it sits inside a circle with no corner to anchor it. The blues are pastel rather than saturated, so the outer band reads as a ring of pale flowers rather than as a border, and the relief does the work that color would otherwise have to do — under a ceiling light the cut edges throw a shadow a millimeter or two deep and the motifs lift away from the field. Seen from directly above, which is how a round rug in an entrance is actually seen, that shadow is the pattern.\u003c\/p\u003e\n\n\u003cp\u003eCotton runs through the foundation, wool makes the surface, and the motifs alone are picked out in bamboo viscose, a cellulose yarn spun to take light the way silk does; it is why the drawing looks wet against a matt ground. Knot density is high enough that the carver can follow a curve without stepping it. Carving is a second pass and a slow one, carried out by hand with shears once the rug is off the loom. Being round, it has no straight edge to set against a wall, so it needs floor it can sit in the middle of. Cleaning belongs to a rug workshop.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven in India, in a workshop that supplies this house.\u003c\/li\u003e\n  \u003cli\u003eWool surface on a cotton foundation, with bamboo viscose in the motifs.\u003c\/li\u003e\n  \u003cli\u003eOushak motifs redrawn at pastel scale, in blues.\u003c\/li\u003e\n  \u003cli\u003eEvery motif is cut back by hand with shears after weaving.\u003c\/li\u003e\n  \u003cli\u003eDense knotting holds the curves of the drawing without stepping them.\u003c\/li\u003e\n  \u003cli\u003eRound format — an entrance hall, a bedroom, or beneath a round table.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing.\u003c\/li\u003e\n  \u003cli\u003eOne piece; carving is never repeated in exactly the same way.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat does it mean that the rug is carved?\u003c\/h3\u003e\n\u003cp\u003eCarving is a hand operation performed after weaving. A worker follows the outline of each motif with shears and cuts the surrounding pile shorter, so the pattern sits in relief above the field and throws a small shadow across the pile beside it.\u003c\/p\u003e\n\n\u003ch3\u003eWhy does a carved rug need a dense weave?\u003c\/h3\u003e\n\u003cp\u003eShears open a loose pile. The knot count has to be high enough that the cut edge stays sharp and does not fray, which is why carving is only done on rugs tied densely enough to hold the line.\u003c\/p\u003e\n\n\u003cp\u003eIn a hallway it will be the first thing anyone stands on and the last thing they look at, which is the correct order for a rug.\u003c\/p\u003e\n\n\u003cscript type=\"application\/ld+json\"\u003e\n{\n  \"@context\": \"https:\/\/schema.org\",\n  \"@type\": \"FAQPage\",\n  \"mainEntity\": [\n    {\n      \"@type\": \"Question\",\n      \"name\": \"What does it mean that the rug is carved?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"Carving is a hand operation performed after weaving. A worker follows the outline of each motif with shears and cuts the surrounding pile shorter, so the pattern sits in relief above the field and throws a small shadow across the pile beside it.\"\n      }\n    },\n    {\n      \"@type\": \"Question\",\n      \"name\": \"Why does a carved rug need a dense weave?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"Shears open a loose pile. The knot count has to be high enough that the cut edge stays sharp and does not fray, which is why carving is only done on rugs tied densely enough to hold the line.\"\n      }\n    }\n  ]\n}\n\u003c\/script\u003e","brand":"HALICIZADE","offers":[{"title":"Blue \/ 150 X 150","offer_id":45712211214569,"sku":"EKOSAP000017.02","price":67500.0,"currency_code":"TRY","in_stock":true},{"title":"Blue \/ 200 X 200","offer_id":45712211247337,"sku":"EKOSAP000017.01","price":120000.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/EKOSAP000017_5_SafirSerisiUsakDesenliElDokumaHali.jpg?v=1704981228"},{"product_id":"safir-serisi-usak-desenli-el-dokuma-oymali-yesil-yuvarlak-hali","title":"Sea-Green Oushak-Pattern Handwoven Carved Round Rug, Safir Series","description":"\u003cp\u003e\u003cstrong\u003eWool over cotton, with viscose and bamboo viscose held back for the pattern alone: this is a round Safir Series rug in sea-green, its Oushak motifs cut into relief by hand once the weaving was done. A high knot count is what makes that possible — a drawing has to be dense before it can be sculpted. Made in India for this house, and only one was woven.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eSea-green holds most of the field, pale enough to sit between burgundy wood and gray upholstery without arguing with either. The Oushak motifs are classical in origin and modern in scale, and because the shears have taken a fraction off the ground around each one, the pattern stays legible even where the light is flat. Cream and soft gray run through the drawing. Against dark walnut the green warms; against gray stone it cools and goes almost silver.\u003c\/p\u003e\n\n\u003cp\u003eFour yarns do four jobs. Cotton is the foundation, wool is the surface a foot meets, and viscose and bamboo viscose appear only in the motifs, where their sheen separates the pattern from the wool around it. Carving is done with shears, motif by motif, and it takes longer than weaving an equivalent flat-faced rug would. The tight knotting is not ornament; a loose weave cannot be carved at all without fraying at the cut. A rug washer should do the washing.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eWoven by hand in India for the Safir Series.\u003c\/li\u003e\n  \u003cli\u003eCotton foundation, wool surface, with viscose and bamboo viscose reserved for the pattern.\u003c\/li\u003e\n  \u003cli\u003eSea-green field with cream and gray in the drawing.\u003c\/li\u003e\n  \u003cli\u003eMotifs cut into relief with shears once the weaving is done.\u003c\/li\u003e\n  \u003cli\u003eRound — for an entrance, the center of a sitting room, or a bedside.\u003c\/li\u003e\n  \u003cli\u003eSits with burgundy woods as easily as with gray and cream.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing.\u003c\/li\u003e\n  \u003cli\u003eSingle piece.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eGreen takes longest to choose and longest to tire of, and this one is quiet enough to be lived with rather than admired.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Green \/ 210 X 210","offer_id":45712210591977,"sku":"EKOSAP000021.01","price":133000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/EKOSAP000021_1_SafirSerisiUsakDesenliElDokumaHali.jpg?v=1704983840"},{"product_id":"zara-serisi-anadolu-desenli-yuvarlak-tezgah-dokuma-hali","title":"Cream Anatolian-Pattern Round Loom-Woven Rug, Zara Series","description":"\u003cp\u003e\u003cstrong\u003eIn a room that gets little daylight, cream does what a lamp cannot, and this is a round cream rug for exactly that problem: loom-woven at Oushak from Tencel® and bamboo viscose over a cotton ground, with traditional Anatolian motifs drawn across it, 200 cm across (6'7\"), or 160 cm (5'3\") where the space is tighter. One left.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe motifs are worked a shade or two off the ground rather than in contrast, so the drawing is legible without becoming the subject; from the doorway it reads as texture and from a chair it resolves into pattern. Being circular, it has no corners to line up with a wall, which is what makes it useful in an entrance, a hallway or a bedroom, and what lets it sit in the middle of a room full of straight lines and soften them. Cream also makes a space read larger than it is, and among furniture in strong colors it acts as the neutral that lets the rest of the palette agree with itself.\u003c\/p\u003e\n\n\u003cp\u003eZara is made on the looms at Oushak, where women who have been weaving for years do the finishing; the fringes are worked by hand, which is what keeps them durable and keeps the rug from looking mass-produced. Tencel® is a plant-based fiber with a soft hand and a visible gloss, bamboo viscose adds to the wear, and the cotton ground underneath keeps lint down. Day to day it needs very little; when it needs more than that, it goes to a rug washer, and a cream rug will reach that point sooner than a dark one.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eLoom-woven at Oushak, Türkiye, with fringes finished by hand.\u003c\/li\u003e\n  \u003cli\u003eTencel® and bamboo viscose over a cotton ground.\u003c\/li\u003e\n  \u003cli\u003eTraditional Anatolian motifs on cream, drawn close in tone to the ground.\u003c\/li\u003e\n  \u003cli\u003eRound: 160 and 200 cm across.\u003c\/li\u003e\n  \u003cli\u003eCream makes a low-light room read brighter and a small room read larger.\u003c\/li\u003e\n  \u003cli\u003eLow lint from the cotton ground; easy day-to-day care.\u003c\/li\u003e\n  \u003cli\u003eA rug washer for a deep clean, which a cream rug will want sooner than a dark one.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eOne left, and a round rug in this color is the piece people come back for after they have bought the rectangle and found it fights the hall.\u003c\/p\u003e","brand":"EKO HALI","offers":[{"title":"Cream \/ 160 X 160","offer_id":45517972308201,"sku":"EKOZAR000002.01","price":23200.0,"currency_code":"TRY","in_stock":false},{"title":"Cream \/ 200 X 200","offer_id":48074472325353,"sku":"EKOZAR000002.02","price":36000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ZaraSerisiOtantikDesenliYuvarlakTezgahDokumaHalisi_1.webp?v=1768825280"},{"product_id":"el-dokuma-cok-renkli-anadolu-cicim-kilim","title":"Multicolor Anatolian Cicim Handwoven Wool Kilim","description":"\u003cp\u003e\u003cstrong\u003eCicim is not the flat part of a kilim but the raised part: threads wrapped around the warps while the ground is being woven, so the motifs stand above the surface. This piece is worked that way across 161 × 392 cm (5'3\" × 12'10\") of handwoven wool, multicolored, made in Türkiye and held among the house's older stock.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eAt nearly four meters this is one of the pieces that used to be laid down the middle of a village house, and the drawing is organized for that length: motif units in rows, changing color as they go, with the cicim work catching light along the tops of the figures while the ground stays matt. Run a hand along it and you feel the pattern before you see it. That is the difference between cicim and a plain kilim, and it is what your fingers find first.\u003c\/p\u003e\n\n\u003cp\u003eWool throughout, woven and wrapped by hand. Cicim takes longer than plain weaving because the wrapping is done thread by thread on a ground that still has to be beaten in, so a piece this size is months of work rather than weeks. The house lists it as old and as rare, and lists it that way without putting a year on it, which is the honest position — no authority dates a village weaving. Some of the raised threads on any old cicim will have worn or been repaired; that is the material's history and not a fault. Professional cleaning, and keep it off damp stone.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven wool kilim with cicim motif work, made in Türkiye.\u003c\/li\u003e\n  \u003cli\u003e161 × 392 cm (5'3\" × 12'10\") — a large sitting room or a long central hall.\u003c\/li\u003e\n  \u003cli\u003eMotifs raised above the flat ground, so the pattern can be felt as well as seen.\u003c\/li\u003e\n  \u003cli\u003eMulticolored, with the units changing color along the length.\u003c\/li\u003e\n  \u003cli\u003eListed by the house among its old and rare pieces; no date is claimed for it.\u003c\/li\u003e\n  \u003cli\u003eWrapped thread by thread — months of work rather than weeks.\u003c\/li\u003e\n  \u003cli\u003eProfessional cleaning; keep it away from damp floors.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eA rug you can read with your fingers is a different proposition from one you only look at, and it is the older idea by a long way.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Colorful \/ 161 X 392","offer_id":45537209450729,"sku":"MZTKIL000077.01","price":62000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaCokRenkliAnadoluCicimKilim_1.jpg?v=1706013770"},{"product_id":"safir-serisi-usak-desenli-el-dokuma-oymali-mor-yuvarlak-hali-2","title":"Purple Oushak-Pattern Hand-Knotted Round Rug, Safir Series","description":"\u003cp\u003e\u003cstrong\u003eEvery motif on this rug has been cut around with shears after knotting, so the pattern stands slightly above the ground instead of sitting flush with it. Purple Oushak-Pattern Hand-Knotted Round Rug, Safir Series — hand-knotted in India, round, from 155 × 155 cm (5'1\" × 5'1\") to 200 × 200 cm (6'7\" × 6'7\").\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eOushak — Uşak in Turkish — is a town and a weaving district in the Anatolian west, whose medallion-and-border drawing has been imitated since the sixteenth century. Here the motifs are redrawn at a modern scale and carried on a purple that sits close to lilac — a color that behaves oddly and usefully, going gray under a north window and warming toward wine under a filament bulb. The carving is what you notice second: run a hand across the surface and the border edges catch, because the pile has been trimmed down between the figures and left standing inside them.\u003c\/p\u003e\n\n\u003cp\u003eA dense knot count is what makes the carving possible; a loose weave would blur the moment the shears touched it. Cotton, wool, bamboo viscose and viscose are used together, and the shine in the motifs comes from the two cellulose yarns rather than from any finish. A round rug is unforgiving about placement, so measure the circle against the furniture before it arrives. Professional washing only, and carving of this kind should never meet a stiff brush.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in India from cotton, wool, bamboo viscose and viscose.\u003c\/li\u003e\n  \u003cli\u003eThe motifs are cut in relief with shears after weaving, one figure at a time.\u003c\/li\u003e\n  \u003cli\u003eClassical Oushak drawing, redrawn at a contemporary scale.\u003c\/li\u003e\n  \u003cli\u003ePurple running toward lilac, which settles well next to gray and cream.\u003c\/li\u003e\n  \u003cli\u003eA high knot count holds the detail the carving depends on.\u003c\/li\u003e\n  \u003cli\u003eRound, from 155 × 155 cm (5'1\" × 5'1\") to 200 × 200 cm (6'7\" × 6'7\").\u003c\/li\u003e\n  \u003cli\u003eProfessional washing; never brush the carved edges.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat does a carved rug mean?\u003c\/h3\u003e\n\u003cp\u003eCarving is a finishing operation. After the rug is knotted, a weaver cuts down the pile around each motif with hand shears so the figures stand proud of the ground. It adds depth to the drawing and it can only be done on a densely knotted rug.\u003c\/p\u003e\n\n\u003cp\u003eIn a room of gray upholstery and cream walls the purple is the only strong note on the floor, and the relief keeps it interesting long after the color has stopped being a surprise.\u003c\/p\u003e\n\n\u003cscript type=\"application\/ld+json\"\u003e{\"@context\": \"https:\/\/schema.org\", \"@type\": \"FAQPage\", \"mainEntity\": [{\"@type\": \"Question\", \"name\": \"What does a carved rug mean?\", \"acceptedAnswer\": {\"@type\": \"Answer\", \"text\": \"Carving is a finishing operation. After the rug is knotted, a weaver cuts down the pile around each motif with hand shears so the figures stand proud of the ground. It adds depth to the drawing and it can only be done on a densely knotted rug.\"}}]}\u003c\/script\u003e","brand":"HALICIZADE","offers":[{"title":"Purple \/ 155 X 155","offer_id":45712210198761,"sku":"EKOSAP000016.03","price":72500.0,"currency_code":"TRY","in_stock":false},{"title":"Purple \/ 190 X 190","offer_id":45712210231529,"sku":"EKOSAP000016.01","price":109000.0,"currency_code":"TRY","in_stock":true},{"title":"Purple \/ 200 X 200","offer_id":45712210264297,"sku":"EKOSAP000016.02","price":120000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/EKOSAP000016SafirSerisiUsakDesenliElDokumaHali_1.jpg?v=1704980787"},{"product_id":"safir-serisi-usak-desenli-el-dokuma-oymali-hali-4","title":"Green Oushak-Pattern Handwoven Carved Round Wool Rug, Safir Series","description":"\u003cp\u003e\u003cstrong\u003eIndia makes more hand-woven rugs than anywhere else, and this one comes from a workshop there that produces the Safir Series for Halıcızade alone: a round rug in pale green, Oushak motifs, cut into relief with shears. Cotton in the spine, wool on the face you walk on, bamboo viscose in the drawing. A single example.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe green is a pale water-green — cool, low in saturation, nearer gray than grass. Oushak's flowering repertoire has been redrawn to fill a circle, so nothing terminates in a corner and the eye keeps travelling. What the carving contributes is depth: each motif sits a fraction proud of the field, and that fraction is enough to make the whole pattern readable from standing height without any strong contrast of color doing the work.\u003c\/p\u003e\n\n\u003cp\u003eThree fibers, three jobs, stated separately because they behave differently. Cotton holds the structure, wool takes the wear, bamboo viscose gives the motifs a silk-like return of light. Knot density is high, which is a requirement and not a boast, since carving demands a pile tight enough to survive the shears. The workshop weaves the rug by hand, then carves it, then finishes it. It is at home with heavy carved wood and equally at home with flat, plain furniture, which is unusual and worth saying. Professional washing.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eRound, and woven entirely by hand in an Indian workshop for this house.\u003c\/li\u003e\n  \u003cli\u003ePale water-green field with Oushak motifs in cream and gray.\u003c\/li\u003e\n  \u003cli\u003eCotton foundation, wool pile, bamboo viscose picking out the pattern.\u003c\/li\u003e\n  \u003cli\u003eCarved in relief with shears once the weaving is finished.\u003c\/li\u003e\n  \u003cli\u003eDense knotting — the condition for carving, not a decoration.\u003c\/li\u003e\n  \u003cli\u003eSuits entrance halls, sitting rooms, offices and bedrooms.\u003c\/li\u003e\n  \u003cli\u003eGreen reads warm beside burgundy woods and cool beside gray and cream.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing. One only.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eA round rug commits a room to a center, and this is a quiet enough green to be trusted with that decision.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Green \/ 160 X 160","offer_id":45550348599529,"sku":"EKOSAP000019.01","price":77000.0,"currency_code":"TRY","in_stock":false},{"title":"Green \/ 210 X 210","offer_id":45550348632297,"sku":"EKOSAP000019.02","price":133000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/EKOSAP000019SafirSerisiUsakDesenliElDokumaHali_4.jpg?v=1704982827"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/collections\/antre-800x500-tikla.png?v=1784440682","url":"https:\/\/www.halicizade.com\/en\/collections\/entrance-hall-rugs.oembed?page=17","provider":"HALICIZADE","version":"1.0","type":"link"}