{"title":"Bordered Rugs","description":"\u003cp\u003e\u003cstrong\u003eA bordered rug features one or more distinct decorative frames surrounding a central field, a structural pattern convention used across most traditional Turkish and Persian weaving to visually contain and emphasize the rug's central motif.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe border isn't just decoration around the edge — it's a structural design element that shapes how the entire rug's composition reads, and that framing function is worth understanding on its own.\u003c\/p\u003e\n\u003ch2\u003eThe Border as a Foundational Design Convention\u003c\/h2\u003e\n\u003cp\u003eNearly all traditional Turkish and Persian rug design is organized around a bordered structure, one or more concentric frames enclosing a central field, a convention with roots stretching back centuries across nearly every major regional weaving tradition.\u003c\/p\u003e\n\u003ch2\u003eHow Border Pattern Relates to the Central Field\u003c\/h2\u003e\n\u003cp\u003eA rug's border typically echoes or complements the central field's motifs at a smaller, more repetitive scale, creating visual rhythm while clearly separating the rug's central focus from its edge, a compositional principle distinct from an all-over or borderless pattern.\u003c\/p\u003e\n\u003ch2\u003eWhy Choose a Bordered Rug from Halıcızade\u003c\/h2\u003e\n\u003cp\u003eWe maintain traditional bordered composition across much of our pattern-forward catalog because this framing structure is fundamental to how classical Turkish rug design organizes visual weight and hierarchy.\u003c\/p\u003e\n\u003ch2\u003eStyling a Bordered Rug\u003c\/h2\u003e\n\u003cp\u003eA clearly bordered rug works especially well when its edges remain visible within the room's layout.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eChoose a rug size that leaves the border visible around furniture rather than fully obscured.\u003c\/li\u003e\n\u003cli\u003eTraditional and formal living rooms and dining rooms suit bordered composition particularly well.\u003c\/li\u003e\n\u003cli\u003ePairs naturally with furniture that echoes the border's color rather than competing with the central field.\u003c\/li\u003e\n\u003cli\u003eLayering a bordered rug beneath furniture works best when the border frames the seating area rather than being cut off.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eBordered vs. Borderless (All-Over) Pattern\u003c\/h2\u003e\n\u003ctable\u003e\u003ctr\u003e\u003cth\u003e\u003c\/th\u003e\u003cth\u003eBordered Rug\u003c\/th\u003e\u003cth\u003eBorderless \/ All-Over Pattern\u003c\/th\u003e\u003c\/tr\u003e\u003ctr\u003e\u003ctd\u003eStructure\u003c\/td\u003e\u003ctd\u003eCentral field framed by distinct border\u003c\/td\u003e\u003ctd\u003ePattern repeats edge to edge\u003c\/td\u003e\u003c\/tr\u003e\u003ctr\u003e\u003ctd\u003eVisual hierarchy\u003c\/td\u003e\u003ctd\u003eClear focal center\u003c\/td\u003e\u003ctd\u003eMore uniform, textural\u003c\/td\u003e\u003c\/tr\u003e\u003ctr\u003e\u003ctd\u003eTraditional use\u003c\/td\u003e\u003ctd\u003eClassical Turkish\/Persian convention\u003c\/td\u003e\u003ctd\u003eMore common in modern, geometric design\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\n\u003ch2\u003eCare \u0026amp; Maintenance\u003c\/h2\u003e\n\u003cp\u003eStandard wool care applies, regular vacuuming, prompt spill treatment, and professional cleaning every 12-18 months; rotate periodically to ensure the border wears evenly on all sides.\u003c\/p\u003e\n\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\n\u003ch3\u003eWhy do traditional Turkish rugs almost always have a border?\u003c\/h3\u003e\n\u003cp\u003eThe border is a foundational design convention in Turkish and Persian rug weaving, framing and emphasizing the central field, with roots stretching back centuries.\u003c\/p\u003e\n\u003ch3\u003eDoes the border pattern relate to the central field?\u003c\/h3\u003e\n\u003cp\u003eTypically yes, the border often echoes or complements the central field's motifs at a smaller, more repetitive scale, creating visual rhythm.\u003c\/p\u003e\n\u003ch3\u003eWhat size rug keeps the border visible around furniture?\u003c\/h3\u003e\n\u003cp\u003eSizing the rug so furniture sits within the central field, leaving the border visible around the seating area, generally preserves the intended framing effect.\u003c\/p\u003e\n\u003ch3\u003eAre all Halıcızade rugs bordered?\u003c\/h3\u003e\n\u003cp\u003eNo, our modern and Scandinavian-design collections often use borderless, all-over patterns, while our traditional pattern-forward catalog maintains classical bordered composition.\u003c\/p\u003e\n\u003ch3\u003eWhat rooms work best with a bordered rug?\u003c\/h3\u003e\n\u003cp\u003eTraditional and formal living rooms and dining rooms suit bordered composition particularly well, given its classical, structured character.\u003c\/p\u003e\n\u003ch3\u003eShould furniture color match the border or the central field?\u003c\/h3\u003e\n\u003cp\u003eFurniture that echoes the border's color generally complements the rug better than furniture competing directly with the central field's main motif.\u003c\/p\u003e\n\u003cscript type=\"application\/ld+json\"\u003e{\n  \"@context\": \"https:\/\/schema.org\",\n  \"@type\": \"FAQPage\",\n  \"mainEntity\": [\n    {\n      \"@type\": \"Question\",\n      \"name\": \"Why do traditional Turkish rugs almost always have a border?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"The border is a foundational design convention in Turkish and Persian rug weaving, framing and emphasizing the central field, with roots stretching back centuries.\"\n      }\n    },\n    {\n      \"@type\": \"Question\",\n      \"name\": \"Does the border pattern relate to the central field?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"Typically yes, the border often echoes or complements the central field's motifs at a smaller, more repetitive scale, creating visual rhythm.\"\n      }\n    },\n    {\n      \"@type\": \"Question\",\n      \"name\": \"What size rug keeps the border visible around furniture?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"Sizing the rug so furniture sits within the central field, leaving the border visible around the seating area, generally preserves the intended framing effect.\"\n      }\n    },\n    {\n      \"@type\": \"Question\",\n      \"name\": \"Are all Halıcızade rugs bordered?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"No, our modern and Scandinavian-design collections often use borderless, all-over patterns, while our traditional pattern-forward catalog maintains classical bordered composition.\"\n      }\n    },\n    {\n      \"@type\": \"Question\",\n      \"name\": \"What rooms work best with a bordered rug?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"Traditional and formal living rooms and dining rooms suit bordered composition particularly well, given its classical, structured character.\"\n      }\n    },\n    {\n      \"@type\": \"Question\",\n      \"name\": \"Should furniture color match the border or the central field?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"Furniture that echoes the border's color generally complements the rug better than furniture competing directly with the central field's main motif.\"\n      }\n    }\n  ]\n}\u003c\/script\u003e","products":[{"product_id":"humayun-serisi-anadolu-desenli-mavi-el-dokuma-hali","title":"Blue Anatolian Medallion Hand-Knotted Wool Rug, Hümayun Series","description":"\u003cp\u003e\u003cstrong\u003eA medallion sits at the center and holds the whole rug together, drawn from Anatolian and Middle Eastern sources and worked in modern blues rather than the old ones. Hand-knotted in India: wool and cotton in the ground, viscose through the motifs where it shines like silk, and the pattern cut into relief by hand with shears. Five sizes, and the biggest of them is 250 × 350 cm (8'2\" × 11'6\").\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eTwo traditions meet in the drawing and neither wins. The Anatolian half supplies the medallion and the framing bands; the Middle Eastern half supplies the density of the small ornament between them. The blues are current rather than antique — a cooler, cleaner range than a nineteenth-century rug would use — and the effect is that an old composition reads as a new object. Where the viscose runs, the pattern catches light and lifts off the wool around it, so the medallion appears to sit slightly above its own ground.\u003c\/p\u003e\n\n\u003cp\u003eKnot density is high, which is the only reason ornament this fine survives being woven at all, and the carving afterward is what gives the relief. Both are hand operations and both take time. The rug does its best work where people arrive rather than where they settle — an entrance hall, a study, a room where one object is expected to carry the space.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in India for Halıcızade.\u003c\/li\u003e\n  \u003cli\u003eWool and cotton in the ground, viscose worked through the motifs for shine.\u003c\/li\u003e\n  \u003cli\u003eAnatolian medallion with Middle Eastern ornament, in contemporary blues.\u003c\/li\u003e\n  \u003cli\u003eThe pattern is carved into relief by hand with shears after weaving.\u003c\/li\u003e\n  \u003cli\u003eHigh knot density, which is what keeps the fine ornament readable.\u003c\/li\u003e\n  \u003cli\u003eFive sizes, from 125 × 185 cm to 250 × 350 cm.\u003c\/li\u003e\n  \u003cli\u003eWashing by a specialist, and no home shampoo on the viscose.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eRugs built around a single medallion get harder to move as the years pass, because a room ends up arranged around the middle of them.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Navy blue \/ 125 X 185","offer_id":44370998526185,"sku":"EKOHUM000001.05","price":58000.0,"currency_code":"TRY","in_stock":false},{"title":"Navy blue \/ 170 X 240","offer_id":46029630243049,"sku":"EKOHUM000001.02","price":102000.0,"currency_code":"TRY","in_stock":true},{"title":"Navy blue \/ 200 X 270","offer_id":46029630275817,"sku":"EKOHUM000001.06","price":135000.0,"currency_code":"TRY","in_stock":true},{"title":"Navy blue \/ 250 X 300","offer_id":46029630308585,"sku":"EKOHUM000001.01","price":188000.0,"currency_code":"TRY","in_stock":true},{"title":"Navy blue \/ 250 X 350","offer_id":46029630341353,"sku":"EKOHUM000001.04","price":220000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/HumayunSerisiAnadoluDesenliMaviElDokumaHali_1.jpg?v=1709564090"},{"product_id":"anadolu-desenli-el-dokuma-kirmizi-ipek-klasik-hali","title":"Navy Anatolian Hand-Knotted Pure Silk Rug","description":"\u003cp\u003e\u003cstrong\u003eAt 82 × 119 cm (2'8\" × 3'11\") this is a rug for one specific place — in front of a chair, at a bedside, on a wall: Navy Anatolian Hand-Knotted Pure Silk Rug, knotted in Türkiye entirely in silk, with classical Anatolian drawing worked in red, navy and cream. There is one of it.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eSilk is what makes a size this small worth doing. A wool rug of the same dimensions would read as a mat, whereas silk holds detail at a scale wool cannot, so the motifs stay legible from standing height and the piece behaves more like a framed object than a floor covering. Navy carries the field. Red and cream do the drawing. Because silk reflects along the direction of the pile, the rug is bright from one end and dark from the other, and turning it around changes the color of that corner of the room.\u003c\/p\u003e\n\n\u003cp\u003eIt was knotted by hand in Türkiye, in silk throughout, pile and detail both, which has become uncommon at any size. The finer the yarn, the more knots go into a square decimeter and the longer the weaving takes; that is the whole economics of a silk rug and the reason so few are made now. Direct sun will take the color out of it over years. Spilled liquid needs lifting immediately rather than eventually. Cleaning is specialist work. One piece, and there is not a second.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in Türkiye from silk alone, with no wool or cotton in the pile.\u003c\/li\u003e\n  \u003cli\u003eClassical Anatolian drawing in red, navy and cream on a navy field.\u003c\/li\u003e\n  \u003cli\u003eSmall at 82 × 119 cm, sized for a chair, a bedside or a wall.\u003c\/li\u003e\n  \u003cli\u003eSilk reflects along the lay of the pile, so the rug is light from one end and dark from the other.\u003c\/li\u003e\n  \u003cli\u003eSunlight is what will damage it; place it away from an unshaded window.\u003c\/li\u003e\n  \u003cli\u003eLift spills at once; cleaning is specialist work.\u003c\/li\u003e\n  \u003cli\u003eA single piece. There is no second one behind it.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eMost rugs are bought for a room; this one is bought for a square meter of it, and will outlast the room.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Navy blue \/ 82 X 119","offer_id":44252113764585,"sku":"HADIPE000001.01","price":250000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/AnadoluDesenliElDokumaKirmiziIpekKlasikHali_2.jpg?v=1706092127"},{"product_id":"hanzade-serisi-el-dokuma-cerceve-desenli-krem-hali","title":"Cream Bordered Hand-Knotted Silk-Blend Rug, Hanzade Series","description":"\u003cp\u003e\u003cstrong\u003eIt handles like dress fabric rather than floor covering: Cream Bordered Hand-Knotted Silk-Blend Rug, Hanzade Series — 122 × 177 cm (4'0\" × 5'10\"), knotted in Türkiye, a cream field inside a classical border of earth and honey tones, with enough silk in the pile to make the surface move under the hand.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe cream is not one cream. Warm milk, faint beige and the thin lines of the weave itself come and go depending on where you stand, and the border — curved, classical, drawn in earth and honey — closes the field without hardening it. At this size the rug does not cover a room, it marks a place in one: under a bergère, along a reading corner, at the foot of a bed. That is what it was drawn to do, and it does it without asking for attention.\u003c\/p\u003e\n\n\u003cp\u003eMonths of knotting go into a rug worked this finely, and the fringes at both ends are tied individually by hand after the pile is finished, which is the visible signature of that labor. The pile is heavy in silk, and that is where the fluidity comes from; rugs woven this way are made in smaller numbers every year. Underfoot it is light, warm and faintly slippery — worth knowing before it goes at the bottom of a staircase. It is a single piece, and washing is a specialist's job.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in Türkiye, with a silk-heavy pile.\u003c\/li\u003e\n  \u003cli\u003eCream field with a curved classical border in earth and honey tones.\u003c\/li\u003e\n  \u003cli\u003eFringes tied one at a time by hand, after the knotting is finished.\u003c\/li\u003e\n  \u003cli\u003eMeasures 122 × 177 cm, drawn to define a corner rather than fill a room.\u003c\/li\u003e\n  \u003cli\u003eLight and faintly slippery underfoot; think twice about stair bottoms and thresholds.\u003c\/li\u003e\n  \u003cli\u003eMonths of work in a single piece.\u003c\/li\u003e\n  \u003cli\u003eA specialist washer, and no one else.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eSit in the chair it goes under and you will end up touching it with a bare foot, which is the honest reason to own it.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Cream \/ 122 X 177","offer_id":40809443229890,"sku":"HALHAN000011.01","price":130000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/HanzadeSerisiElDokumaCerceveDesenliKremHali_1.jpg?v=1709566338"},{"product_id":"anadolu-desenli-el-dokuma-turkuaz-ipek-hali","title":"Turquoise Anatolian Hand-Knotted Pure Silk Rug","description":"\u003cp\u003e\u003cstrong\u003eTurquoise and midnight blue run into each other through the center and the borders answer them in yellow and a warm red-brown: Turquoise Anatolian Hand-Knotted Pure Silk Rug — 84 × 125 cm (2'9\" × 4'1\"), knotted in Türkiye in silk alone, symmetrical in its drawing, with fringes at both ends. A single piece.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eTurquoise is a difficult color in a rug and it works here because it is never left alone. The midnight blue keeps it from going sweet, the yellow in the border keeps it from going cold, and the red-brown grounds the whole arrangement. Silk does the rest. The pile catches light along its lay, so the turquoise comes up bright from one direction and goes nearly gray from the other, and the pattern appears to lift and settle again as you walk past it.\u003c\/p\u003e\n\n\u003cp\u003eIt was knotted by hand in Türkiye from silk yarn only, which is what allows drawing this fine at a size this small. Rugs of this kind are often laid on a table or hung on a wall rather than walked on, and that is a reasonable thing to do with this one. Keep it away from direct sun or the color will go. Cleaning is a job for someone who handles silk, not a domestic one. It is a single piece, and it was not made as part of a run.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eKnotted by hand in Türkiye from silk yarn and nothing else.\u003c\/li\u003e\n  \u003cli\u003eTurquoise and midnight blue at the center; yellow and red-brown in the borders.\u003c\/li\u003e\n  \u003cli\u003eSymmetrical drawing, with fringes finished at both ends.\u003c\/li\u003e\n  \u003cli\u003e84 × 125 cm — table, wall or a small stretch of floor.\u003c\/li\u003e\n  \u003cli\u003eBright from one direction and gray from the other, along the lay of the pile.\u003c\/li\u003e\n  \u003cli\u003eDirect sunlight will fade it; keep it out of a south window.\u003c\/li\u003e\n  \u003cli\u003eCleaning by someone who handles silk.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eHang it and it stops being a rug; walk on it and it stops being a picture. Either use is defensible.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Blue \/ 84 X 125","offer_id":44252113895657,"sku":"HADIPE000003.01","price":265000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/AnadoluDesenliElDokumaTurkuazIpekHali_2.jpg?v=1706092212"},{"product_id":"saf-ipek-anadolu-el-dokuma-klasik-hali","title":"Burgundy Anatolian Hand-Knotted Pure Silk Rug","description":"\u003cp\u003e\u003cstrong\u003eTwo weavers, and between a year and a half and two years of work: Burgundy Anatolian Hand-Knotted Pure Silk Rug — 202 × 284 cm (6'8\" × 9'4\") in Bursa silk throughout, a burgundy ground carrying gold and navy Anatolian drawing, with an open center and a deep classical border. One piece.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe center is left empty on purpose, which is why a low table can stand on it without ruining the composition; the drawing is concentrated in the border and the corners, and the field exists to be crossed. Gold gives the pattern its light and navy gives it its edges, and against the burgundy the two behave differently at different hours — the gold flattens in daylight and comes up under lamps. Silver-toned furniture suits it, and so does light oak or maple flooring, which stops the burgundy from sinking into a dark floor.\u003c\/p\u003e\n\n\u003cp\u003eThe silk comes from Bursa, the Ottoman silk city, where mulberry has been grown and silk reeled for centuries. Very little Bursa silk now goes into rugs at all, so pieces like this are bought as collected objects at least as much as floor covering. The weave is a 6 × 6 knot density, which is what allows the fine detail in the border to be drawn rather than suggested, and which is also why two people needed close to two years to finish it. It is fragile by construction: lift spills at once, keep it out of direct sun, be careful with it around animals, vacuum on the lowest setting, and have it washed away from the house.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in Bursa, Türkiye, from pure Bursa silk.\u003c\/li\u003e\n  \u003cli\u003eBurgundy ground with gold and navy Anatolian drawing, and an open center.\u003c\/li\u003e\n  \u003cli\u003e6 × 6 knot density, tied by two weavers over a year and a half to two years.\u003c\/li\u003e\n  \u003cli\u003e202 × 284 cm, with the pattern held in the border and the corners.\u003c\/li\u003e\n  \u003cli\u003eSuits silver-toned furniture and pale maple or oak flooring.\u003c\/li\u003e\n  \u003cli\u003eDelicate: low-suction vacuuming, no direct sun, care around pets.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing only.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat is Bursa silk?\u003c\/h3\u003e\n\u003cp\u003eBursa, in northwest Türkiye, was the center of Ottoman silk production and reels silk still. Very little of it now goes into rug weaving, so a rug knotted entirely from Bursa silk is bought as a collected object at least as much as a floor covering.\u003c\/p\u003e\n\n\u003ch3\u003eWhy did this rug take two years to weave?\u003c\/h3\u003e\n\u003cp\u003eIt follows from the knot density. At 6 × 6 the number of individually tied knots in a piece of 202 × 284 cm is very large, and two weavers working together needed between a year and a half and two years to complete it.\u003c\/p\u003e\n\n\u003cp\u003eIt is the sort of rug that gets moved from house to house rather than replaced, and the reason to buy the open center is that a table will not spoil it.\u003c\/p\u003e\n\n\u003cscript type=\"application\/ld+json\"\u003e{\"@context\": \"https:\/\/schema.org\", \"@type\": \"FAQPage\", \"mainEntity\": [{\"@type\": \"Question\", \"name\": \"What is Bursa silk?\", \"acceptedAnswer\": {\"@type\": \"Answer\", \"text\": \"Bursa, in northwest Türkiye, was the center of Ottoman silk production and reels silk still. 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At 6 × 6 the number of individually tied knots in a piece of 202 × 284 cm is very large, and two weavers working together needed between a year and a half and two years to complete it.\"}}]}\u003c\/script\u003e","brand":"HALICIZADE","offers":[{"title":"Red \/ 202 X 284","offer_id":40809470722242,"sku":"HADIPE000007.01","price":1450000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/BursaIpekElDokumaKlasikHali_8.jpg?v=1711282627"},{"product_id":"harem-serisi-el-dokuma-usak-desenli-ipek-hali","title":"Oushak-Pattern Handwoven Wool and Silk Rug, Harem Series","description":"\u003cp\u003e\u003cstrong\u003eFirst-shearing oily fleece from Erzurum and real Bursa silk, knotted together by hand into an Oushak-pattern rug from the Harem series — wool carrying the ground, silk laid in where the drawing has to catch light. Woven in Türkiye for Halıcızade by the Çınhar workshop, on the Anatolian double knot. There is one of it.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eOushak — a weaving town out in the west of Anatolia — has been supplying this kind of drawing for five centuries: broad medallions, a field left generous rather than crowded, borders that frame instead of compete. The Harem reading keeps that architecture and loosens the rest, so the ornament sits apart with air around it. Where the silk runs through the motifs it answers light differently from the wool beside it, and the pattern seems to float a knot's height above its own ground when you cross the room.\u003c\/p\u003e\n\n\u003cp\u003eThe fleece is Erzurum \u003cem\u003eyağlı yapağı\u003c\/em\u003e, the oily first-shearing wool that keeps most of its lanolin and therefore most of its shine. The silk is reeled in Bursa, which has been a silk town since the Ottomans made it one. Çınhar ties the pile on the double knot, the Anatolian method, and the piece was made for this house rather than bought in. Silk and wool take water differently, so this one goes to a specialist and to nobody with a bottle of shampoo.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven in Türkiye by Çınhar, made for Halıcızade.\u003c\/li\u003e\n  \u003cli\u003eWool pile with real Bursa silk worked through the motifs.\u003c\/li\u003e\n  \u003cli\u003eThe fleece is Erzurum first-shearing oily wool, chosen for its shine.\u003c\/li\u003e\n  \u003cli\u003eTied on the Anatolian double knot.\u003c\/li\u003e\n  \u003cli\u003eClassical Oushak drawing, opened out and read for a modern room.\u003c\/li\u003e\n  \u003cli\u003eSpecialist washing only — never a home shampoo on the silk.\u003c\/li\u003e\n  \u003cli\u003eOne piece, and it will not be woven again.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eThe silk announces itself only to somebody moving past it, which makes this a rug for the part of a house where people walk slowly.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"burgundy \/ 165X243","offer_id":45803626103017,"sku":"ÇINHAR000120.01","price":197000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/HaremSerisiElDokumaUsakDesenliIpekHali_1.jpg?v=1709558693"},{"product_id":"fresco-serisi-cerceve-desenli-makine-dokuma-hali","title":"Black Frame-Pattern Machine-Woven Viscose Rug, Lapis Series","description":"\u003cp\u003e\u003cstrong\u003eOne hundred is the comb count this rug is woven at — the figure a machine rug is measured by, standing where knots per square decimeter stand on a hand-knotted one. What it carries is a plain frame around a black field with nothing inside it, acrylic and viscose together, made in Türkiye for the Lapis series.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eAcrylic and viscose, woven on a machine in Türkiye at comb count 100.\u003c\/li\u003e\n  \u003cli\u003eA single drawn frame; the field inside it is left empty.\u003c\/li\u003e\n  \u003cli\u003eModern in register — a floor for furniture to sit on rather than a pattern to look at.\u003c\/li\u003e\n  \u003cli\u003eBlack grounds show lint and pale dust more than any other color does.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing.\u003c\/li\u003e\n  \u003cli\u003eTwenty-three in stock across the sizes.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"EKO HALI","offers":[{"title":"Black \/ 80 X 150","offer_id":44157550952681,"sku":"EKOFSC000142.01","price":7950.0,"currency_code":"TRY","in_stock":true},{"title":"Black \/ 80 X 300","offer_id":44370923454697,"sku":"EKOFSC000142.02","price":15850.0,"currency_code":"TRY","in_stock":true},{"title":"Black \/ 80 X 400","offer_id":44370923487465,"sku":"EKOFSC000142.03","price":21200.0,"currency_code":"TRY","in_stock":true},{"title":"Black \/ 120 X 180","offer_id":44370923520233,"sku":"EKOFSC000142.04","price":14300.0,"currency_code":"TRY","in_stock":true},{"title":"Black \/ 160 X 230","offer_id":44370923553001,"sku":"EKOFSC000142.05","price":24300.0,"currency_code":"TRY","in_stock":true},{"title":"Black \/ 200 X 290","offer_id":44370923585769,"sku":"EKOFSC000142.06","price":38300.0,"currency_code":"TRY","in_stock":true},{"title":"Black \/ 240 X 340","offer_id":44370923651305,"sku":"EKOFSC000142.08","price":53900.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/FrescoSerisiMakineDokumaCerceveDesenliSiyahHali_2.webp?v=1741776261"},{"product_id":"cerceve-desenli-siyah-deri-post-hali","title":"Black Frame-Pattern Cowhide Rug","description":"\u003cp\u003e\u003cstrong\u003eThis one was never on a loom. A cowhide rug from South America, laid out with a frame drawn around the field — black through the center, silver-gray at the border — and finished as a flat panel rather than as a shaped skin.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eA hide has grain rather than pile, and the grain runs in one direction, so the black shifts between deep and slightly bronzed according to where in the room you stand. Framing it is what turns a hide into a rug: the silver-gray border gives the piece a straight edge and a defined shape, which is what a floor needs and what an untrimmed skin never provides. It goes into modern rooms, over concrete or over pale timber, and it is the only surface in the catalog that will not tolerate a drop of water on a mop.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eCowhide, sourced from South America.\u003c\/li\u003e\n  \u003cli\u003eBlack field with a silver-gray frame around it.\u003c\/li\u003e\n  \u003cli\u003eGrain rather than pile — the color changes with the viewing angle.\u003c\/li\u003e\n  \u003cli\u003eCut and assembled flat, with straight edges.\u003c\/li\u003e\n  \u003cli\u003eDry cleaning only; hide should not be wet-washed.\u003c\/li\u003e\n  \u003cli\u003eModern interiors, concrete and pale timber floors.\u003c\/li\u003e\n  \u003cli\u003eOne hide, one piece — the markings on it are not repeated.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eHide ages by darkening rather than by wearing thin, and in ten years the black will be deeper than the day it arrived.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Black \/ 170 X 240","offer_id":47353028149481,"sku":"ESTDAN000058.01","price":44000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/CerceveDesenliSiyahDeriPostHali_2.jpg?v=1740236359"},{"product_id":"emirgan-serisi-el-dokuma-cicek-desenli-klasik-hali","title":"Cream Oushak-Floral Handwoven Rug, Emirgan Series","description":"\u003cp\u003e\u003cstrong\u003eTwo drawings meet on this rug: the large open flowers of Oushak, the weaving region of western Anatolia, and the plaited mat pattern Anatolian weavers call \u003cem\u003ehasır\u003c\/em\u003e. Cream Oushak-Floral Handwoven Rug, Emirgan Series — cream ground, purple and green through the field, pink and blue in the flower heads. Made on the Aegean side of Anatolia. One piece.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eOushak drawings are open and generous; hasır is a tight interlace copied from woven reed matting. Setting one inside the other is what gives the field its changes of scale — a flower head opens across four or five inches, and the ground behind it is worked in a plait small enough that you have to bend down to find it. Pink and blue appear only in the petals, and in a north-facing room they are the two colors still legible after everything else has gone gray.\u003c\/p\u003e\n\n\u003cp\u003eMonths at the loom, at a knot density high enough to hold that interlace together. The warp is viscose and the weft is wool and viscose; viscose is a plant fiber that takes light much as silk does, which is why a cream rug in this construction has a sheen on it. Rugs like this were once standard in the reception rooms of senior Turkish institutions and are barely made now — the weavers who can do it are older than the trade. The fringes are plaited into flat ribbons. Take it to a professional washer and to nobody else.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eWorked by hand on the Aegean side of Anatolia, over months.\u003c\/li\u003e\n  \u003cli\u003eOushak floral drawing set against an Anatolian hasır plait.\u003c\/li\u003e\n  \u003cli\u003eCream ground with purple and green; pink and blue confined to the flower heads.\u003c\/li\u003e\n  \u003cli\u003eViscose warp with a wool-and-viscose weft, worked at high knot density.\u003c\/li\u003e\n  \u003cli\u003eViscose carries the shine; wool carries the softness.\u003c\/li\u003e\n  \u003cli\u003eFlat plaited fringes at both ends.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing. This construction is rarely woven in Türkiye now.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWhat makes it worth having is not the flowers but the plait behind them, and almost nobody is still weaving that.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Cream \/ 234 X 320","offer_id":44252121268457,"sku":"KIREMI000091.01","price":340000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/EmirganSerisiElDokumaCicekDesenliKlasikHali_1.jpg?v=1709633205"},{"product_id":"ottoman-serisi-cerceve-desenli-el-dokuma-yun-hali","title":"Beige Framed Handwoven Wool Rug, Ottoman Series","description":"\u003cp\u003e\u003cstrong\u003eThis one was woven by Has Halı, a Turkish mill known well beyond Türkiye, and carries that mill's work rather than the house's own. Beige Framed Handwoven Wool Rug, Ottoman Series — Oushak motifs held inside a border, in cream, beige and gold, with Erzurum fleece through the pile and pure silk in the drawing. A single piece.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe frame does what a frame does: a border closes the field and the Oushak motifs sit inside it without spilling. Oushak, the western Anatolian town the English trade has spelled that way for two centuries, gave the world a particular kind of large, loose floral drawing, and the Ottoman series takes it and tightens it. Where silk falls, the drawing brightens — not everywhere, only along the lines meant to be read first. Cream, beige and gold is a palette that concedes to a room rather than instructing it.\u003c\/p\u003e\n\n\u003cp\u003eThe wool is greasy fleece from Erzurum in eastern Anatolia, where the winters are long and the fiber comes off the animal with its lanolin still in it; that is the source of both the sheen and the resilience. The knot is the Anatolian double knot, symmetrical, tied across two warps, and better at holding detail than at holding speed. Silk is the expensive part and is used sparingly for exactly that reason. Hand it to a rug-washing workshop when the vacuum stops being enough.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eWoven by Has Halı in Türkiye and carried in the Ottoman series.\u003c\/li\u003e\n  \u003cli\u003eErzurum greasy fleece in the pile, pure silk along the pattern lines.\u003c\/li\u003e\n  \u003cli\u003eOushak motifs enclosed by a border.\u003c\/li\u003e\n  \u003cli\u003eCream, beige and gold — a palette that works in most rooms.\u003c\/li\u003e\n  \u003cli\u003eWoven with the Anatolian double knot, which is symmetrical and holds fine detail.\u003c\/li\u003e\n  \u003cli\u003eThe silk catches light along the drawing rather than across the whole field.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing only; one piece.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eIt reads as reserved until the light moves and the silk gives it away.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Cream \/ 130 X 200","offer_id":44158155817193,"sku":"HASOTT000111.01","price":160000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/OttomanSerisiCerceveDesenliElDokumaYunHali_1.jpg?v=1705156573"},{"product_id":"emirgan-serisi-el-dokuma-cicekli-krem-hali","title":"Cream Flowered Handwoven Wool Rug, Emirgan Series","description":"\u003cp\u003e\u003cstrong\u003eThe Aegean coast of Türkiye keeps a craft that has nearly stopped: Cream Flowered Handwoven Wool Rug, Emirgan Series came off a loom there, worked in wool and viscose at a high knot count, with flowers spread over a cream ground in purple and green and small notes of pink and blue. One piece, and the technique behind it is thinning out.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eIts drawing borrows from Oushak and from the wider Anatolian repertoire, but the flowers have been enlarged and the ground opened up so the rug reads the way modern furniture wants it to. Cream is the ground, purple and green do the structure, and pink and blue arrive in single blossoms — the two colors that stop the palette from collapsing into a monochrome. Laid over dark boards, the contrast is what you notice first. Beside a modern sofa with a straight line, it does not look borrowed from another century.\u003c\/p\u003e\n\n\u003cp\u003eWool gives it the softness, viscose gives it the silk-like light across the surface, and the density of the knotting is what allows a flower to be drawn rather than approximated. The fringes are arranged and secured by hand so the ends sit straight. It is a fine rug in the literal sense — thin, closely worked, easier to damage than a coarse one — which is why every recommendation the house makes about it ends at a professional washer. It is a workshop wash, not a weekend job.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven on the Aegean coast of Türkiye, at high knot density.\u003c\/li\u003e\n  \u003cli\u003eWool for the hand, viscose for the light on the surface.\u003c\/li\u003e\n  \u003cli\u003eCream ground, purple and green structure, pink and blue in single blossoms.\u003c\/li\u003e\n  \u003cli\u003eOushak and Anatolian drawing, enlarged and opened out.\u003c\/li\u003e\n  \u003cli\u003eStrongest laid over dark wood; sits well with modern furniture and patterned curtains.\u003c\/li\u003e\n  \u003cli\u003eFringes set and secured by hand at both ends.\u003c\/li\u003e\n  \u003cli\u003eDelicate construction — professional cleaning, always.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eVery few looms in Türkiye are still set up to do this, and the number does not go back up.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Cream \/ 213X306","offer_id":45752283398377,"sku":"KIREMI000090.01","price":295000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/EmirganSerisiElDokumaCicekliKremHali_1.jpg?v=1709633080"},{"product_id":"saf-ipek-el-dokuma-sal-desenli-modern-klasik-hali","title":"Brown Shawl-Pattern Hand-Knotted Pure Silk Rug","description":"\u003cp\u003e\u003cstrong\u003eMore than a year at the loom. Brown Shawl-Pattern Hand-Knotted Pure Silk Rug is tied entirely in silk on a ten-by-ten system — a hundred knots to the square centimeter, roughly a million to the square meter — with shawl motifs at the center and fine linework running out from them across earth tones. One piece, and there will not be a second.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe shawl motif is the teardrop drawing that traveled west on Kashmir shawls and has been rewoven in Anatolia and Persia ever since. Here it sits in the middle of the field with thin modern lines around it, so the rug reads classical from a distance and contemporary up close. The colors are all earth: cream, beige, milk coffee and a dark brown, with green appearing faintly where the drawing needs a cool note. Silk takes dye deeper than wool does, and the browns reach a saturation wool cannot.\u003c\/p\u003e\n\n\u003cp\u003eA million knots is not a figure quoted for effect — it is what a hundred knots per square centimeter comes to, and it is the reason the pile is thin enough that the rug can be folded like cloth. Weavers in China, where hand-knotted silk is still produced at this density, tied every one of them. Two practical warnings, both from the house: keep it away from animals, which pull silk faster than anything else in a home, and take it to a washer who knows silk.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in China in 100% pure silk.\u003c\/li\u003e\n  \u003cli\u003eA ten-by-ten knot system: 100 knots per square centimeter, about one million per square meter.\u003c\/li\u003e\n  \u003cli\u003eOver a year of weaving for a single rug.\u003c\/li\u003e\n  \u003cli\u003eShawl motifs at the center, fine modern linework around them.\u003c\/li\u003e\n  \u003cli\u003eCream, beige, milk coffee and dark brown, with a trace of green.\u003c\/li\u003e\n  \u003cli\u003eThin and light enough to be handled like a length of cloth.\u003c\/li\u003e\n  \u003cli\u003eNot for a house with animals; silk cleaning by a specialist only.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eRugs at this density were always rare and are getting rarer, and what makes this one worth the trouble is that the density is visible to the eye rather than only readable on paper.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Visa \/ 166 X 240","offer_id":44158198317289,"sku":"SARICE000003.01","price":965000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/SafIpekElDokumaSalDesenliModernKlasikHali_3.jpg?v=1708254642"},{"product_id":"cerceveli-krem-el-dokuma-ipek-hali","title":"Cream Cartouche Hand-Knotted Pure Silk Rug","description":"\u003cp\u003e\u003cstrong\u003eSilk rugs of this kind are the work of years, and only a handful of workshops still make them. Cream Cartouche Hand-Knotted Pure Silk Rug is tied six by six — thirty-six knots to the square centimeter — in pure silk, with panelled cartouche drawing in coffee tones over a cream ground and the pattern raised in relief. A single piece.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eA cartouche — \u003cem\u003epafta\u003c\/em\u003e in Turkish — is a closed panel inside a field, and the drawing sits inside it rather than running loose across the rug. There are several of them here, each holding its own motif, with shawl figures threaded between. The pile has been carved: outlines are clipped lower than the fields they enclose, so the pattern stands up from the surface and catches light along its cut edges. Cream carries it, coffee browns give the panels their weight, and greens move between the two.\u003c\/p\u003e\n\n\u003cp\u003eThirty-six knots per square centimeter is a moderate density for silk and a very high one for anything else, and it is what lets the relief carving hold a clean edge. It was tied in China, where silk weaving runs back in an unbroken line to the beginning of the trade. A few things to know: it wants natural light to show what it is, it should be kept out of direct sun so the colors hold, animals will damage it, and Halıcızade advises against a gray-toned room, where the cream goes dull. Cleaning is specialist work; the yarn will not take a home solution.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in China in pure silk.\u003c\/li\u003e\n  \u003cli\u003eSix-by-six weave: thirty-six knots to the square centimeter.\u003c\/li\u003e\n  \u003cli\u003eCartouche panels in coffee tones on a cream ground, with shawl motifs between them.\u003c\/li\u003e\n  \u003cli\u003eThe pattern is carved in relief and catches light along the cut edges.\u003c\/li\u003e\n  \u003cli\u003eReads best in daylight; keep it out of direct sun to hold the color.\u003c\/li\u003e\n  \u003cli\u003eNot advised in a gray-toned scheme, and not in a house with animals.\u003c\/li\u003e\n  \u003cli\u003eSpecialist cleaning only. One piece.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWalnut, marble and dark boards are what it was drawn against, and on any of them the relief does something a flat surface cannot.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Cream \/ 204 X 302","offer_id":44158198710505,"sku":"SARIPE000012.01","price":930000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/CerceveliKremElDokumaIpekHali_1.jpg?v=1719139161"},{"product_id":"el-dokuma-ipek-osmanli-desenli-kirmizi-hali","title":"Red Framed Hand-Knotted Silk Rug","description":"\u003cp\u003e\u003cstrong\u003eSixty-four knots in a single square centimeter \u0026mdash; 6,400 to the square decimeter \u0026mdash; is what allows a rug this small to carry a full Ottoman drawing without losing a line of it. A hand-knotted silk rug, silk knots on a silk foundation, 63 \u0026times; 93 cm (2'1\" \u0026times; 3'1\"), red-grounded inside a drawn frame, woven in China. One of one.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe pattern belongs to the court repertoire that came down from the Ottoman palaces: a framed field, the frame itself filled with a running ornament, the red inside it worked with fine floral and scrolling work in gold and deeper burgundy. At this knot density the drawing does not have to simplify. Curves stay curved, a stem stays a stem, and the smallest elements in the border are still legible at reading distance rather than dissolving into steps, which is what happens to the same design on a coarser weave.\u003c\/p\u003e\n\n\u003cp\u003eSilk both above and below: the knots are silk and so is the foundation they are tied onto, which is why the piece is light in the hand and why it shifts between bright and dark as you turn it. Silk weaving in China long predates the pattern on it, and what you have here is a Chinese workshop's reading of a Turkish court design rather than a Turkish rug. At 63 \u0026times; 93 cm it is the size of a cushion, and Halıcızade suggests framing it as a panel or laying it on a desk or a glass table rather than putting it on a floor. That is the honest use for it. Washing is a specialist's job and no one else's.\u003c\/p\u003e\n\n\u003ch3\u003eWhat does 64 knots per square centimeter mean?\u003c\/h3\u003e\n\u003cp\u003eIt is a density measurement: sixty-four separate hand-tied knots occupy each square centimeter of the surface, or 6,400 to the square decimeter. A higher count buys a finer line, which is why the curves hold their shape here and the smallest border elements do not break down into steps.\u003c\/p\u003e\n\n\u003ch3\u003eWhy is a silk rug this size not meant for the floor?\u003c\/h3\u003e\n\u003cp\u003eSilk pile is fine and takes light rather than traffic, and at 63 \u0026times; 93 cm this piece is closer to a panel than to a floor covering. The house suggests framing it, or setting it on a desk or a glass table, where the sheen is what you see rather than footmarks.\u003c\/p\u003e\n\n\u003cscript type=\"application\/ld+json\"\u003e{\"@context\":\"https:\/\/schema.org\",\"@type\":\"FAQPage\",\"mainEntity\":[{\"@type\":\"Question\",\"name\":\"What does 64 knots per square centimeter mean?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"It is a density measurement: sixty-four separate hand-tied knots occupy each square centimeter of the surface, or 6,400 to the square decimeter. A higher count buys a finer line, which is why the curves hold their shape here and the smallest border elements do not break down into steps.\"}},{\"@type\":\"Question\",\"name\":\"Why is a silk rug this size not meant for the floor?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"Silk pile is fine and takes light rather than traffic, and at 63 × 93 cm this piece is closer to a panel than to a floor covering. The house suggests framing it, or setting it on a desk or a glass table, where the sheen is what you see rather than footmarks.\"}}]}\u003c\/script\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in China, in silk throughout \u0026mdash; silk knots on a silk foundation.\u003c\/li\u003e\n  \u003cli\u003e64 knots per square centimeter, or 6,400 per square decimeter.\u003c\/li\u003e\n  \u003cli\u003eAn Ottoman court pattern: a framed field with floral and scrolling work in red, gold and burgundy.\u003c\/li\u003e\n  \u003cli\u003e63 \u0026times; 93 cm (2'1\" \u0026times; 3'1\"), which is cushion size.\u003c\/li\u003e\n  \u003cli\u003eIntended for framing, a desk or a glass table rather than a floor.\u003c\/li\u003e\n  \u003cli\u003eOften bought as a gift for a person or an institution.\u003c\/li\u003e\n  \u003cli\u003eSpecialist washing only.\u003c\/li\u003e\n  \u003cli\u003eOne piece only, at this size and this count.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eSilk of this fineness reads as two different rugs depending on which end you stand at, and framing it fixes the better of the two.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Red \/ 63 X 93","offer_id":44158199660777,"sku":"SARIPE000174.01","price":88000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/SARIPE000174-13_727d1a62-ced6-40d6-be02-1c07438fe685.jpg?v=1709405446"},{"product_id":"saf-ipek-el-dokuma-hereke-desenli-klasik-hali","title":"Deep Red Hereke-Pattern Hand-Knotted Pure Silk Rug","description":"\u003cp\u003e\u003cstrong\u003eDeep Red Hereke-Pattern Hand-Knotted Pure Silk Rug: a dark red ground scattered with the small repeating figures of the Hereke drawing, held against cream, with blue, green and gold sitting underneath the two main colors. Knotted entirely in silk, at eight to fourteen months of work per rug. One piece.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eHereke is a town east of İstanbul that supplied the Ottoman court and gave its name to the densest Turkish weaving; the pattern is named for the place, and this rug carries the pattern rather than the provenance — it was knotted in China. The scattered form, \u003cem\u003eserpme\u003c\/em\u003e, spreads small motifs evenly across the field instead of building toward a central medallion, which is why a red this dark never becomes heavy. The undertones do the rest. Blue and green cool the red where it would otherwise dominate, and gold marks the places the eye is meant to stop.\u003c\/p\u003e\n\n\u003cp\u003eEight to fourteen months for one rug is a working figure rather than a boast, and silk at this fineness is the explanation. Silk holds its brightness under wear better than any other rug fiber, and the pile is thin, so a rug like this shows its drawing rather than its depth. Practical matters, all stated by the house: keep it out of direct sunlight or the reds will lift, turn it end for end from time to time so it wears evenly, and keep it away from cats. Cleaning is for a silk specialist; a general rug washer is not enough.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in China in pure silk.\u003c\/li\u003e\n  \u003cli\u003eBetween eight and fourteen months of weaving for a single rug.\u003c\/li\u003e\n  \u003cli\u003eDeep red ground with cream, in the scattered \u003cem\u003eserpme\u003c\/em\u003e Hereke drawing.\u003c\/li\u003e\n  \u003cli\u003eBlue, green and gold undertones set beneath the two dominant colors.\u003c\/li\u003e\n  \u003cli\u003eKeep it out of direct sun; turn it end for end so it wears evenly.\u003c\/li\u003e\n  \u003cli\u003eSilk is easily damaged by animals; place it accordingly.\u003c\/li\u003e\n  \u003cli\u003eCleaning by a silk specialist. There is one of it.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eRed rooms are rare because red is difficult, and a floor like this is the argument for trying one anyway.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Cream \/ 170 X 251","offer_id":44158202216681,"sku":"SARIPE000005.01","price":795000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/SafIpekElDokumaHerekeDesenliKlasikHali_1.jpg?v=1709633913"},{"product_id":"el-dokuma-mor-madalyon-desenli-ipek-yatak-odasi-halisi","title":"Purple Medallion Hand-Knotted Pure Silk Rug","description":"\u003cp\u003e\u003cstrong\u003eA hundred knots to the square centimetre, which is a million to the square metre, every one of them tied by hand. This is a hand-knotted pure silk rug with a purple Oushak medallion at its center — warp, weft and pile all silk — woven in China over more than a year. Only a few pieces in this palette exist in Türkiye.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe medallion is the Oushak kind: one large centerpiece with the border repeating its logic in miniature the whole way round. Purple runs from a saturated tone at the middle out into pale lilac, the contrast pitched high enough that the drawing reads from across a room. Purple was the palace color for most of recorded history because the dye was scarce, and a purple silk rug still carries the association whether or not anyone thinks about it. Under a lamp the silk changes value as you move; from the far side of the room the same field looks two shades lighter.\u003c\/p\u003e\n\n\u003cp\u003eSilk from the Chinese mills and nothing else in it — the warps and the wefts are silk as well as the pile, which is what allows a knot count this high. At a hundred knots per square centimetre the fabric ends up about as thin and as light as a handkerchief; it gathers into two hands. More than a year went into it. Silk is the least forgiving fiber in a rug: keep it out of direct sun, lift anything spilled immediately rather than letting it sit, and let a specialist do the washing. It is also one of the pieces the people in the shop stop at most often, which has as much to do with the depth of the purple as with the shine.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in China, where silk weaving has been continuous for centuries.\u003c\/li\u003e\n  \u003cli\u003ePure silk: warp, weft and pile.\u003c\/li\u003e\n  \u003cli\u003eAbout 100 knots per square centimetre — roughly a million to the square metre.\u003c\/li\u003e\n  \u003cli\u003ePurple through pale lilac, on an Oushak medallion composition.\u003c\/li\u003e\n  \u003cli\u003eThin and light in the hand, close to the weight of a handkerchief.\u003c\/li\u003e\n  \u003cli\u003eMore than a year at the loom.\u003c\/li\u003e\n  \u003cli\u003eOnly a handful of examples in this color range exist in Türkiye.\u003c\/li\u003e\n  \u003cli\u003eSpecialist washing, and away from direct sun.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat does a hundred knots per square centimetre actually mean?\u003c\/h3\u003e\n\u003cp\u003eIt means roughly a million hand-tied knots in every square metre of the rug. That density is rare, and it is what lets a silk pile hold fine drawing — the smaller the knot, the smaller the detail a weaver can place without it blurring.\u003c\/p\u003e\n\u003ch3\u003eIs this rug pure silk, or silk-faced?\u003c\/h3\u003e\n\u003cp\u003ePure silk throughout. The warps and wefts of the foundation are silk as well as the pile, which is unusual; most silk rugs are knotted on a cotton foundation and only the surface is silk.\u003c\/p\u003e\n\u003ch3\u003eHow should a pure silk rug be cleaned?\u003c\/h3\u003e\n\u003cp\u003eBy a specialist, and not otherwise. Lift spills at once, keep the rug out of direct sunlight so the dyes hold, and take care around pets, since claws can pull at a pile this fine.\u003c\/p\u003e\n\n\u003cscript type=\"application\/ld+json\"\u003e{\"@context\":\"https:\/\/schema.org\",\"@type\":\"FAQPage\",\"mainEntity\":[{\"@type\":\"Question\",\"name\":\"What does a hundred knots per square centimetre actually mean?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"It means roughly a million hand-tied knots in every square metre of the rug. That density is rare, and it is what lets a silk pile hold fine drawing — the smaller the knot, the smaller the detail a weaver can place without it blurring.\"}},{\"@type\":\"Question\",\"name\":\"Is this rug pure silk, or silk-faced?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"Pure silk throughout. The warps and wefts of the foundation are silk as well as the pile, which is unusual; most silk rugs are knotted on a cotton foundation and only the surface is silk.\"}},{\"@type\":\"Question\",\"name\":\"How should a pure silk rug be cleaned?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"By a specialist, and not otherwise. Lift spills at once, keep the rug out of direct sunlight so the dyes hold, and take care around pets, since claws can pull at a pile this fine.\"}}]}\u003c\/script\u003e\n\n\u003cp\u003eRugs like this one end up on walls as often as on floors, and there is a reasonable argument for it.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Purple \/ 170 X 240","offer_id":44158227546345,"sku":"SARICE000019.01","price":985000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaMorMadalyonDesenliSafIpekHali_5.jpg?v=1735476943"},{"product_id":"saf-ipek-krem-rengi-el-dokuma-klasik-hali","title":"Cream Pure Silk Hand-Knotted Classic Rug","description":"\u003cp\u003e\u003cstrong\u003eBetween eighteen months and two years at the loom, worked by two people side by side. Cream Pure Silk Hand-Knotted Classic Rug \u0026mdash; 100% silk, knotted in China at 207 \u0026times; 303 cm (6'9\" \u0026times; 9'11\"), a cream ground carrying a classical medallion and frame drawn in gold, with thirty-six knots in every square centimeter.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eSilk is what makes the drawing possible. A wool pile cannot hold a line this fine, so the leaves inside the medallion are drawn a knot or two wide and still read as leaves. The ground is cream and the figures are a yellow-gold that changes weight through the day: bright and almost metallic with the sun on it, warm and matte by lamplight, and different again if you walk to the other end of the room and look back along the pile rather than into it. That reversal is the property people buy silk for, and it is why the same rug photographs as two colors.\u003c\/p\u003e\n\n\u003cp\u003eTwo weavers work a piece like this together, one on each half, and thirty-six knots per square centimeter is the rate that makes a year and a half of work necessary. China is where silk weaving began and it is still where the finest silk pile is knotted. Some honesty about living with it: silk is a delicate surface, cats will find it, and it cannot be cleaned at home \u0026mdash; a rug washer who works with silk is the only correct answer. Two pieces exist at this size.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003e100% pure silk, hand-knotted in China.\u003c\/li\u003e\n  \u003cli\u003eThirty-six knots per square centimeter \u0026mdash; a 6 \u0026times; 6 knot spacing.\u003c\/li\u003e\n  \u003cli\u003eEighteen months to two years on the loom, worked by two weavers.\u003c\/li\u003e\n  \u003cli\u003e207 \u0026times; 303 cm (6'9\" \u0026times; 9'11\") \u0026mdash; a full sitting-room size.\u003c\/li\u003e\n  \u003cli\u003eCream ground, gold figures, with a central medallion inside a drawn frame.\u003c\/li\u003e\n  \u003cli\u003eThe color reverses depending on which end of the rug you look from.\u003c\/li\u003e\n  \u003cli\u003eNot a surface for a household with cats.\u003c\/li\u003e\n  \u003cli\u003eCleaning by a specialist in silk rugs only.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\n\u003ch3\u003eWhat does a 6 \u0026times; 6 knot spacing mean on a silk rug?\u003c\/h3\u003e\n\u003cp\u003eIt means six knots across and six down in every centimeter, or thirty-six knots per square centimeter. That density is what allows a curved leaf or a thin stem to be drawn cleanly, and it is also why a rug of this size takes between eighteen months and two years to finish.\u003c\/p\u003e\n\n\u003ch3\u003eCan a pure silk rug be cleaned at home?\u003c\/h3\u003e\n\u003cp\u003eNo. Silk loses its sheen with household detergent and mats when it is over-wetted, so a silk rug goes to a washer who handles silk specifically. Between washes, a light vacuum in the direction of the pile is all it needs.\u003c\/p\u003e\n\n\u003cscript type=\"application\/ld+json\"\u003e\n{\n  \"@context\": \"https:\/\/schema.org\",\n  \"@type\": \"FAQPage\",\n  \"mainEntity\": [\n    {\n      \"@type\": \"Question\",\n      \"name\": \"What does a 6 × 6 knot spacing mean on a silk rug?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"It means six knots across and six down in every centimeter, or thirty-six knots per square centimeter. That density is what allows a curved leaf or a thin stem to be drawn cleanly, and it is also why a rug of this size takes between eighteen months and two years to finish.\"\n      }\n    },\n    {\n      \"@type\": \"Question\",\n      \"name\": \"Can a pure silk rug be cleaned at home?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"No. Silk loses its sheen with household detergent and mats when it is over-wetted, so a silk rug goes to a washer who handles silk specifically. Between washes, a light vacuum in the direction of the pile is all it needs.\"\n      }\n    }\n  ]\n}\n\u003c\/script\u003e\n\n\u003cp\u003eA rug that took two years will spend its first year looking new, and it is the forty after that it was made for.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Cream \/ 207 X 303","offer_id":44158228857065,"sku":"SARIPE000026.01","price":1200000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/KremSafIpekElDokumaKlasikHali_1.jpg?v=1709633990"},{"product_id":"cerceve-desenli-makine-dokuma-hali-2996","title":"Gray and Cream Frame-Pattern Machine-Woven Rug","description":"\u003cp\u003e\u003cstrong\u003eCream grounds show what lands on them, and this one is mostly cream: a frame drawn in gray around an open field, machine-woven in Türkiye from cotton, viscose and acrylic, in sizes running from 80 × 150 cm to a largest of 240 × 340 cm, or 7'10\" by 11'2\" in feet.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eMachine-woven in Türkiye, comb count 100.\u003c\/li\u003e\n  \u003cli\u003eCotton, viscose and acrylic together in one yarn.\u003c\/li\u003e\n  \u003cli\u003eA gray frame around an open cream field, with the middle left alone.\u003c\/li\u003e\n  \u003cli\u003eSizes between 80 × 150 and 240 × 340 cm, runner lengths included.\u003c\/li\u003e\n  \u003cli\u003ePale, and it will be washed more often than a dark rug would be.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing.\u003c\/li\u003e\n  \u003cli\u003eThree in stock.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"HALICIZADE","offers":[{"title":"White \/ 80 X 150","offer_id":46031089074409,"sku":"WKNMON000002.04","price":7200.0,"currency_code":"TRY","in_stock":true},{"title":"White \/ 120 X 180","offer_id":46031089008873,"sku":"WKNMON000002.02","price":13000.0,"currency_code":"TRY","in_stock":false},{"title":"White \/ 160 X 235","offer_id":46031089041641,"sku":"WKNMON000002.03","price":22600.0,"currency_code":"TRY","in_stock":true},{"title":"White \/ 200X300","offer_id":45752294801641,"sku":"WKNMON000002.01","price":36000.0,"currency_code":"TRY","in_stock":true},{"title":"White \/ 240 X 340","offer_id":46031089107177,"sku":"WKNMON000002.05","price":49000.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/CerceveDesenliMakineDokumaHali_1_b1e94fac-eba0-4027-bfd8-8bd457d5e8a3.jpg?v=1705567118"},{"product_id":"el-dokuma-cicek-desenli-bordo-yun-hali","title":"Burgundy Floral Hand-Knotted Wool Rug","description":"\u003cp\u003e\u003cstrong\u003eA burgundy hand-knotted wool rug, 124 \u0026times; 180 cm (4'1\" \u0026times; 5'11\"), knotted by hand in India over a cotton foundation, carrying a classical floral field held inside a drawn frame. The weave is close and firm enough that you feel it before you see it, and there is one of it.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eBurgundy is a ground that decides a room rather than fitting into one. The flowers sit on it in lighter tones and the frame closes them in on all four sides, which is what keeps a classical pattern from spilling and is why the piece reads as finished rather than as a section cut out of something larger. Under a lamp the red moves toward brown; in daylight it comes back to red, and the pale floral work is what changes least between the two.\u003c\/p\u003e\n\n\u003cp\u003eHand-knotted in India: the pile is wool and the foundation beneath it is cotton. Tight, firm weaving is the whole of the argument for this one \u0026mdash; press a thumb into it and it barely gives, which is what a rug needs if it is going to be walked on for twenty years rather than five. The straight caution: at 124 \u0026times; 180 cm this is not a rug that will fill a living room, and it works best where it can be seen whole, in front of a fireplace, beside a bed, or in an entrance. Professional washing.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in India, 124 \u0026times; 180 cm (4'1\" \u0026times; 5'11\").\u003c\/li\u003e\n  \u003cli\u003eWool pile on a cotton foundation.\u003c\/li\u003e\n  \u003cli\u003eClassical floral field inside a drawn frame, in burgundy with lighter flowers.\u003c\/li\u003e\n  \u003cli\u003eDense, firm weave that gives very little under a thumb.\u003c\/li\u003e\n  \u003cli\u003eThe red darkens toward brown under lamplight and returns in daylight.\u003c\/li\u003e\n  \u003cli\u003eA size to be seen whole: a fireplace, a bedside, an entrance.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing.\u003c\/li\u003e\n  \u003cli\u003eOne piece.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eA cotton foundation is what decides whether a rug is still lying flat in twenty years, and this one has the right thing underneath it.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Burgundy \/ 124 X 180","offer_id":44184338104553,"sku":"EKO01K000001.01","price":49000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaCicekDesenliBordoYunHali_5_7b66cf5b-9334-490d-b940-8436c6d1425d.jpg?v=1713448443"},{"product_id":"hanzade-el-dokuma-modern-klasik-hali","title":"Anthracite Gray Oushak Handwoven Silk Rug, Hanzade Series","description":"\u003cp\u003e\u003cstrong\u003eThree quarters of this rug is silk. The visible pattern is entirely silk and so is the foundation beneath it; the remaining quarter is Erzurum fleece. A handwoven Hanzade Series rug in anthracite gray, carrying an Oushak design several centuries old in a color the Oushak workshops never used. Woven in Türkiye, and no longer made.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eAnthracite is what makes it modern. The drawing underneath is the classical Oushak grammar — medallion logic, banded borders, stylized flowers — rendered in gray and silver instead of madder and indigo, and that shift changes everything about how it reads. Silk in the pattern catches light against the flat gray of the ground, so from across a room the motifs glitter while the field stays matt. Beside gray upholstery it merges into the scheme; against yellow, orange, red, blue or purple it becomes the balance.\u003c\/p\u003e\n\n\u003cp\u003eThe composition is 75% silk and 25% wool. The silk is Turkish; the wool is Erzurum yapağı, soft and bright, from the eastern flocks that supply the finest Anatolian weaving. Building the foundation in silk rather than cotton is what makes the rug so thin and light in the hand, and it also sharpens the pattern, because a finer foundation carries a finer knot. It was made with the double knot. The looms that made it have stopped. Silk and wool at this ratio need a specialist rug washer and nothing else.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven in Türkiye with the double knot.\u003c\/li\u003e\n  \u003cli\u003e75% silk and 25% wool: Turkish silk, Erzurum yapağı fleece.\u003c\/li\u003e\n  \u003cli\u003eThe pattern and the foundation are both silk.\u003c\/li\u003e\n  \u003cli\u003eClassical Oushak drawing in anthracite gray and silver.\u003c\/li\u003e\n  \u003cli\u003eThin and light in the hand for a rug of its size.\u003c\/li\u003e\n  \u003cli\u003eNo longer in production.\u003c\/li\u003e\n  \u003cli\u003eSpecialist rug washing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat does a silk foundation change?\u003c\/h3\u003e\n\u003cp\u003eIt makes the rug thinner and lighter than a cotton-founded one, and it lets the weaver place a finer knot, so the pattern comes out sharper. It also means the rug wants specialist cleaning rather than any household method.\u003c\/p\u003e\n\u003ch3\u003eWhat is Erzurum yapağı?\u003c\/h3\u003e\n\u003cp\u003eFleece from flocks in the Erzurum region of eastern Anatolia, shorn and spun for weaving. The altitude gives it a brighter, softer staple than lowland wool, and it goes into the Turkish rugs whose surface has to stay resilient as well as shining.\u003c\/p\u003e\n\u003ch3\u003eIs the Hanzade Series still being woven?\u003c\/h3\u003e\n\u003cp\u003eNo. Production has stopped and what remains is what exists. Silk-and-wool rugs at this ratio have become scarce in Türkiye as hand weaving in the country has contracted.\u003c\/p\u003e\n\n\u003cscript type=\"application\/ld+json\"\u003e{\"@context\":\"https:\/\/schema.org\",\"@type\":\"FAQPage\",\"mainEntity\":[{\"@type\":\"Question\",\"name\":\"What does a silk foundation change?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"It makes the rug thinner and lighter than a cotton-founded one, and it lets the weaver place a finer knot, so the pattern comes out sharper. It also means the rug wants specialist cleaning rather than any household method.\"}},{\"@type\":\"Question\",\"name\":\"What is Erzurum yapağı?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"Fleece from flocks in the Erzurum region of eastern Anatolia, shorn and spun for weaving. The altitude gives it a brighter, softer staple than lowland wool, and it goes into the Turkish rugs whose surface has to stay resilient as well as shining.\"}},{\"@type\":\"Question\",\"name\":\"Is the Hanzade Series still being woven?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"No. Production has stopped and what remains is what exists. Silk-and-wool rugs at this ratio have become scarce in Türkiye as hand weaving in the country has contracted.\"}}]}\u003c\/script\u003e\n\n\u003cp\u003eGray was the decision that made a five-hundred-year-old pattern legible again, and in thirty years it will still be the reason to own it.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Anthracite \/ 250 X 312","offer_id":44216086757609,"sku":"SARHAN000100.01","price":470000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/HanzadeSerisiElDokumaModernKlasikHali_1.webp?v=1752659423"},{"product_id":"el-dokuma-cerceve-desenli-krem-ipekli-hali","title":"Cream Frame-Pattern Hand-Knotted Silk and Viscose Rug","description":"\u003cp\u003e\u003cstrong\u003eAt 76 × 122 cm (2'6\" × 4'0\") this is a small rug carrying a full classical composition: a detailed medallion on a red ground at the center, layered in blue and beige, held inside a cream frame drawn with turquoise and gold. Hand-knotted in cotton, viscose and silk in China. One of one.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe center reads like a garden seen from above — the layers of blue and beige interleave closely enough that the pattern keeps opening the longer it is looked at. The frame around it does more than close the edge: the turquoise and gold worked into the cream set the character of the whole piece, and without them the red would simply be loud. Symmetry holds everything in place. The surface plays with light through the day and moves between bright and matt as the sun does.\u003c\/p\u003e\n\n\u003cp\u003eCotton, viscose and silk together, tied entirely by hand — hundreds of thousands of knots in a rug this size, which is what fine drawing at small scale requires. The pile is thin and the whole piece is light. Red on the floor brings warmth into a room, and the blue and beige stop it short of dominating. At this size it works in an entrance, in front of a cabinet, or as something to give. Professional washing suits it, and the thin pile makes routine cleaning straightforward.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in China in cotton, viscose and silk.\u003c\/li\u003e\n  \u003cli\u003eRed-ground medallion layered in blue and beige.\u003c\/li\u003e\n  \u003cli\u003eCream frame worked with turquoise and gold.\u003c\/li\u003e\n  \u003cli\u003eThin, light pile with hundreds of thousands of knots in it.\u003c\/li\u003e\n  \u003cli\u003e76 × 122 cm (2'6\" × 4'0\") — an entrance, or the floor in front of a cabinet.\u003c\/li\u003e\n  \u003cli\u003eThe surface moves between bright and matt with the light.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eSmall classical rugs are what people buy for other people, and this is one of the few categories where that counts as a compliment.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Red \/ 76 X 122","offer_id":44224679837929,"sku":"SARBIT000355.01","price":50500.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaCerceveDesenliKremIpekliHali_7.jpg?v=1709630130"},{"product_id":"ikinci-el-klasik-krem-renk-cicek-desenli-el-dokuma-bunyan-hali","title":"Cream Floral Hand-Knotted Wool Bünyan Rug, Second-Hand","description":"\u003cp\u003e\u003cstrong\u003eAt 308 × 420 cm (10'1\" × 13'9\") this is a room-sized hand-knotted Bünyan rug, cream-ground and covered edge to edge in small flowers, with an orange and salmon border closing it. Bünyan is a town near Kayseri in central Anatolia that has knotted rugs on cotton warps for generations. The rug is second-hand and in flawless condition, and there is one of it.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe ground is a light cream that keeps the surface bright, and the flowers worked across it are small and close-set rather than gathered around a medallion. Brown and blue do most of the drawing inside the blossoms; the border shifts into orange and salmon and gives the field a warm edge to stop against. Read from a doorway it holds together as one pale expanse. Up close it separates into several hundred individual flower heads, none of them quite matching its neighbor.\u003c\/p\u003e\n\n\u003cp\u003eCotton in the warp, wool in the weft, knotted in the Bünyan tradition that gives the rug its name. It is woven finer than most rugs of its kind, which is why a piece covering this much floor still lies flat and handles like a smaller one. It has had an owner before this one. We say so plainly, because it matters and because the condition is the surprising part — no wear to point at, no thinned patch, no repaired corner. It wants professional washing and nothing improvised.\u003c\/p\u003e\n\n\u003ch3\u003eWhat is a Bünyan rug?\u003c\/h3\u003e\n\u003cp\u003eBünyan is a district of Kayseri in central Anatolia whose weavers knot rugs on cotton warps, usually in floral drawing over light grounds. The name records where and how a rug was made rather than naming one fixed design.\u003c\/p\u003e\n\n\u003ch3\u003eWhat does second-hand mean for a rug like this?\u003c\/h3\u003e\n\u003cp\u003eIt means the rug had an owner before this one. It does not mean damage. This piece shows no wear, no repairs and no thinning, and the only real difference from new is that it has already settled and lies flat.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in Bünyan, near Kayseri, on a cotton warp with wool weft.\u003c\/li\u003e\n  \u003cli\u003eCream ground carrying close-set floral drawing in brown and blue.\u003c\/li\u003e\n  \u003cli\u003eOrange and salmon border framing the field on all four sides.\u003c\/li\u003e\n  \u003cli\u003eWoven finer than most Bünyan rugs of this scale, so it lies flatter and weighs less.\u003c\/li\u003e\n  \u003cli\u003e308 × 420 cm (10'1\" × 13'9\") — it takes a twelve-seat dining table with the chairs pulled back, or a bed with room to walk around.\u003c\/li\u003e\n  \u003cli\u003eSecond-hand, with no faults we can find and no visible wear.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eA cream rug this large records everything that happens to it, which is the argument for buying one that has already come through a household intact.\u003c\/p\u003e\n\n\u003cscript type=\"application\/ld+json\"\u003e{\"@context\": \"https:\/\/schema.org\", \"@type\": \"FAQPage\", \"mainEntity\": [{\"@type\": \"Question\", \"name\": \"What is a Bünyan rug?\", \"acceptedAnswer\": {\"@type\": \"Answer\", \"text\": \"Bünyan is a district of Kayseri in central Anatolia whose weavers knot rugs on cotton warps, usually in floral drawing over light grounds. The name records where and how a rug was made rather than naming one fixed design.\"}}, {\"@type\": \"Question\", \"name\": \"What does second-hand mean for a rug like this?\", \"acceptedAnswer\": {\"@type\": \"Answer\", \"text\": \"It means the rug had an owner before this one. It does not mean damage. This piece shows no wear, no repairs and no thinning, and the only real difference from new is that it has already settled and lies flat.\"}}]}\u003c\/script\u003e","brand":"HALICIZADE","offers":[{"title":"Cream \/ 308X420","offer_id":45712734552297,"sku":"HALİKİ000012.01","price":161000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/HALIKI000012.jpg?v=1705484638"},{"product_id":"saf-ipek-el-dokuma-selcuklu-motifli-hali","title":"Burgundy Seljuk-Motif Hand-Knotted Pure Silk Rug","description":"\u003cp\u003e\u003cstrong\u003eEight by eight in the weaver's shorthand: sixty-four hand-tied knots in every square centimeter, and roughly a month of work for each square meter. Burgundy Seljuk-Motif Hand-Knotted Pure Silk Rug — pure silk throughout, knotted in China, carrying the Seljuk star in burgundy and blue with gold and cream around it.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe star at the center is the figure the Seljuks cut into stone, tile and wood across Anatolia, and silk is the only fiber that renders its thin interlaced lines without thickening them. Burgundy and a deep blue hold the field; gold, cream and a yellow close to old gilt lift the drawing clear of it, and small turquoise notes appear where the eye has not asked for them. Silk changes with the angle you stand at, so a single border reads dark from the doorway and bright from a chair.\u003c\/p\u003e\n\n\u003cp\u003eKnotted in China, where silk weaving has the longest unbroken history anywhere. Sixty-four knots to the centimeter square puts hundreds of thousands of them into every square meter, and that density is what pays for the detail — it is also most of what the rug costs, since silk is among the dearest fibers in textiles and only a small number of people still weave it at this scale. Matching sets in several sizes are made, which is now rare in pure silk anywhere. Keep it clear of animals with claws. Cleaning goes to a specialist working at low temperature with the detergents made for silk, and to nobody else.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in China from pure silk, surface and foundation alike.\u003c\/li\u003e\n  \u003cli\u003e8 × 8 knotting — 64 knots in every square centimeter.\u003c\/li\u003e\n  \u003cli\u003eAbout one month of weaving for each square meter.\u003c\/li\u003e\n  \u003cli\u003eThe Seljuk star at the center, a figure carried through Anatolian stone and tile.\u003c\/li\u003e\n  \u003cli\u003eBurgundy and deep blue with gold, cream and occasional turquoise.\u003c\/li\u003e\n  \u003cli\u003eMade as matching sets in more than one size.\u003c\/li\u003e\n  \u003cli\u003eKeep it away from cats and dogs; claws and silk do not agree.\u003c\/li\u003e\n  \u003cli\u003eSpecialist cleaning at low temperature, with silk detergents only.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eHand-knotting in pure silk is thinning out everywhere, which is the plain reason a rug like this is harder to find now than it was.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Burgundy \/ 124 X 184","offer_id":45229812646121,"sku":"SARIPE000216.04","price":425000.0,"currency_code":"TRY","in_stock":false},{"title":"Burgundy \/ 124 X 185","offer_id":46030876705001,"sku":"SARIPE000216.02","price":430000.0,"currency_code":"TRY","in_stock":true},{"title":"Burgundy \/ 123 X 187","offer_id":46030876737769,"sku":"SARIPE000216.01","price":430000.0,"currency_code":"TRY","in_stock":true},{"title":"Burgundy \/ 124 X 187","offer_id":46030876770537,"sku":"SARIPE000216.03","price":435000.0,"currency_code":"TRY","in_stock":true},{"title":"Burgundy \/ 168 X 247","offer_id":48461637124329,"sku":"SARIPE000216.06","price":775000.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/SafIpekElDokumaSelcukluMotifliHali_5.jpg?v=1709562930"},{"product_id":"sultan-serisi-el-dokuma-cerceve-desenli-krem-hali","title":"Beige Frame-Pattern Hand-Knotted Wool and Silk Rug, Sultan Series","description":"\u003cp\u003e\u003cstrong\u003eEverything here happens inside a frame. A Sultan-series rug of 177 × 234 cm (5'10\" × 7'8\"), hand-knotted in Türkiye in beige with gold and green, its field bordered on all four sides and its pattern held deliberately within. Wool makes the ground and silk appears only in the motifs.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eA framed composition is a quieter thing than an all-over one. The border sets a boundary, the drawing respects it, and the room around the rug stays legible instead of being swallowed. Inside that boundary the Oushak-derived motifs are worked in gold against beige, with green used sparingly along the frame itself. The ground stays matt right across, and what catches the light is the silk in the pattern and nothing besides.\u003c\/p\u003e\n\n\u003cp\u003eKnotted by hand in Türkiye from wool and silk, at the density the series is built around. Confining silk to the motifs is a decision about cost as much as about looks — it puts the expensive fiber where it can be seen and leaves wool where the wear happens, which is why a rug assembled this way outlasts one knotted entirely in silk. Fewer pieces come off Turkish looms at this density every year. Wash it professionally.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in Türkiye, wool ground with silk in the motifs.\u003c\/li\u003e\n  \u003cli\u003eThe field is enclosed by a border on all four sides and the pattern stays inside it.\u003c\/li\u003e\n  \u003cli\u003eBeige and gold, with green worked along the frame.\u003c\/li\u003e\n  \u003cli\u003eMatt wool surface, the shine confined to the silk drawing.\u003c\/li\u003e\n  \u003cli\u003eSilk placed where it is seen and wool where the wear falls.\u003c\/li\u003e\n  \u003cli\u003e177 × 234 cm (5'10\" × 7'8\"), suited to a seating group or the foot of a bed.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eFramed rugs sit better in square rooms than all-over patterns do, because the border gives the walls something to agree with.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"bey \/ 177 X 234","offer_id":47907178447081,"sku":"RENSUL000154.01","price":145000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/SultanSerisiElDokumaCerceveDesenliBejIpekliHali_1.jpg?v=1734006632"},{"product_id":"sultan-serisi-el-dokuma-cicek-desenli-hali","title":"Gold and Cream Floral Hand-Knotted Wool Rug, Sultan Series","description":"\u003cp\u003e\u003cstrong\u003eGold on cream is the oldest combination in Anatolian weaving, and this Sultan-series rug uses it plainly: 172 × 222 cm (5'8\" × 7'3\"), hand-knotted in Türkiye, a wool ground with silk in the flowers, the motifs drawn from Oushak and worked over the entire field.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eCream and gold sit close enough in value that the pattern has to be carried by texture, and it is — the silk flowers read brighter than the wool around them under any light and duller once the room goes dark. Green comes in through the stems and the outer band. Nothing is drawn large. This is a fine, close pattern that rewards being stood on far more than being looked at from a doorway.\u003c\/p\u003e\n\n\u003cp\u003eTürkiye, by hand, knots tied close together. What is scarce here is not the design but the thread: the grade of wool and the silk the series uses have both become harder to source, and a workshop keeping to this knot count finishes fewer rugs a year than it once did. The piece goes as easily under a steel-and-glass table as under a carved sideboard, and few classical patterns manage both. Professional cleaning is not optional with silk in the surface.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in Türkiye with the knots tied close together.\u003c\/li\u003e\n  \u003cli\u003eWool ground carrying silk-knotted flowers, so the pattern separates by sheen.\u003c\/li\u003e\n  \u003cli\u003eCream and gold at close value, with green in the stems and the outer band.\u003c\/li\u003e\n  \u003cli\u003eFine, small-scale drawing across the whole field.\u003c\/li\u003e\n  \u003cli\u003e172 × 222 cm (5'8\" × 7'3\"), the most compact of the room-sized Sultan pieces.\u003c\/li\u003e\n  \u003cli\u003eSuits carved wood and plain steel furniture equally.\u003c\/li\u003e\n  \u003cli\u003eProfessional cleaning, because of the silk.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eThe pattern will still be doing its work in twenty years, and the gold will have gone a half-tone deeper by then.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Cream \/ 172 X 222","offer_id":44478476157161,"sku":"RENSUL000093.01","price":134000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/SultanSerisiElDokumaCicekDesenliHali_19.jpg?v=1724748233"},{"product_id":"harem-serisi-usak-desenli-el-dokuma-salon-halisi","title":"Cream Oushak Handwoven Wool Rug, Harem Series","description":"\u003cp\u003e\u003cstrong\u003eTwo knots where most rugs use one: the double-knot technique is what this piece is built on. Cream Oushak Handwoven Wool Rug from the Harem series \u0026mdash; Erzurum wool, woven in T\u0026uuml;rkiye, carrying Oushak motifs of the fourteenth and fifteenth centuries redrawn for a modern floor, at 145 \u0026times; 198 cm (4'9\" \u0026times; 6'6\") and 171 \u0026times; 219 cm (5'7\" \u0026times; 7'2\").\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eOushak \u0026mdash; U\u0026#351;ak in Turkish, in western Anatolia \u0026mdash; is the weaving region whose large medallions and open fields turn up in European painting from the fifteenth century onward, and the drawing here comes from that period rather than from the nineteenth-century revivals. What has changed is the scale and the palette: a cream ground, the figures loosened, the framing simplified. It is a classical rug that a room without a single antique in it can carry.\u003c\/p\u003e\n\n\u003cp\u003eErzurum fleece is soft, holds a shine and wears hard, which is the combination the eastern Anatolian flocks are valued for. The double knot doubles the anchoring at each point of the drawing, and the result is a denser, heavier rug whose motifs keep their edges instead of blurring with traffic. It is woven for Hal\u0026#305;c\u0026#305;zade by \u0026#199;\u0026#305;nhar, a Turkish mill. Two pieces are in stock, one in each size, and their measurements differ because a knotted rug is finished at the loom rather than cut. Professional washing.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven in T\u0026uuml;rkiye from Erzurum wool.\u003c\/li\u003e\n  \u003cli\u003eDouble-knot technique \u0026mdash; denser and heavier, and the drawing holds its edges.\u003c\/li\u003e\n  \u003cli\u003eOushak motifs of the fourteenth and fifteenth centuries, redrawn at a modern scale.\u003c\/li\u003e\n  \u003cli\u003eCream ground with the figures loosened and the framing simplified.\u003c\/li\u003e\n  \u003cli\u003eWoven for Hal\u0026#305;c\u0026#305;zade by the Turkish mill \u0026#199;\u0026#305;nhar.\u003c\/li\u003e\n  \u003cli\u003e145 \u0026times; 198 cm and 171 \u0026times; 219 cm, one piece of each.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eMost cream rugs go quiet in a room; this one keeps a pattern old enough to have been painted, and lets you use it anyway.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Cream \/ 145 X 198","offer_id":44572205121769,"sku":"ÇINHAR000139.01","price":142000.0,"currency_code":"TRY","in_stock":true},{"title":"Cream \/ 171 X 219","offer_id":47906970730729,"sku":"ÇINHAR000139.02","price":185000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/HaremSerisiUsakDesenliElDokumaSalonHalisi_12.jpg?v=1709560666"},{"product_id":"el-dokuma-cerceve-desenli-ipekli-klasik-mor-hali","title":"Purple Frame-Pattern Hand-Knotted Silk-Blend Rug","description":"\u003cp\u003e\u003cstrong\u003eHundreds of thousands of knots inside a piece measuring 53 × 67 cm (1'9\" × 2'2\"). It is hand-knotted in China from silk, cotton and viscose, with classical drawing in gold and cream over a purple ground and a cream border holding the edges.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003ePurple is the rarest ground color in classical rug weaving and it behaves oddly under light — from one angle it is bright and almost lit, from another it goes deep and nearly black. The gold and cream motifs stay constant through that change, which means the same rug looks like two different objects at different hours of the day. Cream and beige along the border are the counterweight, keeping the density of the purple from closing in on itself.\u003c\/p\u003e\n\n\u003cp\u003eKnotted entirely by hand in China from silk, cotton and viscose. At this scale the knot count is what the piece actually is: the drawing is only possible because each knot is small enough to describe a curve, and a rug of 53 × 67 cm containing several hundred thousand of them is a demonstration more than a floor covering. It is thin and light. Realistically it belongs at a door, beside a bed, or on a wall — too small to be a room's rug and too fine to be treated as a mat. Professional washing.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in China from silk, cotton and viscose.\u003c\/li\u003e\n  \u003cli\u003eSeveral hundred thousand knots inside a piece of 53 × 67 cm (1'9\" × 2'2\").\u003c\/li\u003e\n  \u003cli\u003ePurple ground carrying classical motifs in gold and cream.\u003c\/li\u003e\n  \u003cli\u003eA cream and beige border set against the density of the purple.\u003c\/li\u003e\n  \u003cli\u003eThe purple shifts between bright and near-black depending on the angle of the light.\u003c\/li\u003e\n  \u003cli\u003eThin and light; it suits a doorway, a bedside, or a wall.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eSmall enough to hang, and fine enough to be worth hanging.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Purple \/ 53 X 67","offer_id":44732477571305,"sku":"SARBIT000319.01","price":19500.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaCerceveDesenliKlasikMorHali_7.jpg?v=1709559747"},{"product_id":"madalyon-desenli-mavi-el-dokuma-viskon-hali","title":"Blue Medallion Hand-Knotted Viscose Rug","description":"\u003cp\u003e\u003cstrong\u003eBlue Medallion Hand-Knotted Viscose Rug, 123 × 185 cm (4'0\" × 6'1\") — a turquoise ground carrying cream medallions, closed by a cream border of fine floral work, knotted by hand in China from cotton and viscose. The ground is blue the way shallow water is blue, which is to say it keeps turning turquoise.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe medallions are not stacked around one center. They sit at intervals across the field like flowers on the surface of a pool, so the eye travels outward toward the frame rather than inward to a single point. Cream is what makes that legible: the pale motifs lift off the blue, and the thin floral running through the border softens the coolness of the field before it reaches the edge. Turquoise changes its mind with the light — bright and slightly green at midday, several shades deeper by lamp.\u003c\/p\u003e\n\n\u003cp\u003eViscose comes from cellulose, and cellulose handles light much the way silk handles it, which is why this rug looks costlier than its fiber. Cotton carries the structure; the viscose is what you see and what you touch. The knot count runs into the hundreds of thousands for a piece this size, every one of them tied by hand. The pile is short — short enough that not much finds its way down into it, and short enough to show the direction it was last brushed. Cleaning belongs in a rug workshop.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in China from cotton and viscose.\u003c\/li\u003e\n  \u003cli\u003eCream medallions scattered across a turquoise-blue ground, inside a fine floral border.\u003c\/li\u003e\n  \u003cli\u003eViscose returns light like silk at a fraction of what silk costs.\u003c\/li\u003e\n  \u003cli\u003eThe blue reads bright and green-tinged in daylight and much deeper by lamp.\u003c\/li\u003e\n  \u003cli\u003eHundreds of thousands of hand-tied knots.\u003c\/li\u003e\n  \u003cli\u003e123 × 185 cm (4'0\" × 6'1\") — a bedroom, an entryway or a landing.\u003c\/li\u003e\n  \u003cli\u003eA short pile, which gives dust very little to lodge in.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing. One piece, with no second one behind it.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eIt is the rug people put down expecting a quiet blue and then find themselves looking at.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Turquoise \/ 123 X 185","offer_id":45111481794793,"sku":"SARBIT000345.01","price":123000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/MadalyonDesenliMaviElDokumaIpekHali_1.jpg?v=1706088729"},{"product_id":"madalyon-desenli-kirmizi-el-dokuma-viskon-hali","title":"Red Medallion Hand-Knotted Viscose Rug","description":"\u003cp\u003e\u003cstrong\u003eThe medallion at the center is blue and green, and everything around it is red. Red Medallion Hand-Knotted Viscose Rug, 123 × 183 cm (4'0\" × 6'0\"), tied by hand in China, viscose over cotton, with gold and cream running through the borders that hold the field.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eRed first, then the detail. From across a room the rug is one saturated color and nothing else; two steps closer, the medallion resolves into blue and green and the borders turn out to be carrying classical frame motifs in gold and cream. The arrangement is deliberate — a warm field needs a cool center, or it flattens. Light finishes the job. Under a window the red goes bright and faintly orange; after dark it settles toward brick and stays there.\u003c\/p\u003e\n\n\u003cp\u003eCotton in the foundation, viscose in the pile, and hundreds of thousands of hand-tied knots between the two. Viscose is the reason the surface has the fall and the shine people associate with silk, and at close range it is genuinely difficult to say which of them you are looking at. The weave is fine and the pile low, so the rug lies flat and clears a door swing. Send it out for washing; a home shampoo will crush the pile and dull the sheen it was bought for.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in China: viscose above, cotton below.\u003c\/li\u003e\n  \u003cli\u003eA large central medallion in blue and green on a red ground.\u003c\/li\u003e\n  \u003cli\u003eGold and cream borders that stop the red from taking the whole field.\u003c\/li\u003e\n  \u003cli\u003eBright and orange-leaning in daylight; brick-toned once the lamps are on.\u003c\/li\u003e\n  \u003cli\u003eFine weave and a low pile, so it sits flat under a door.\u003c\/li\u003e\n  \u003cli\u003e123 × 183 cm (4'0\" × 6'0\") — a hall, a bedside, a landing.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing. There is one of this rug.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eRed on a floor is either the loudest thing in the room or the reason everything else looks calm. Here it is the second.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Red \/ 123 X 183","offer_id":45111485530345,"sku":"SARBIT000207.01","price":122000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/MadalyonDesenliKirmiziElDokumaIpekHali_10.jpg?v=1709557016"},{"product_id":"madalyon-desenli-krem-el-dokuma-ipek-hali","title":"Cream Medallion Hand-Knotted Silk Rug","description":"\u003cp\u003e\u003cstrong\u003eAt 124 \u0026times; 183 cm (4'1\" \u0026times; 6'0\") it is small for a silk rug, which is why people hang it. Cream Medallion Hand-Knotted Silk Rug \u0026mdash; pure silk, knotted in China, one medallion in the exact center of a cream field, ringed by curling leaves and thin flower stems.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe medallion does all the work and the rest of the field is left to it. Around the center, leaves curl outward on stems drawn only a knot or two wide, and the border closes them without adding another argument. Cream silk under light is not a flat color: it lifts to a low gleam where the pile lies away from you and sinks to bone where it lies toward you, so the same medallion appears to float or to sit depending on where you stand. On a wall it reads as a picture. On a floor it redefines whichever end of the room it is in.\u003c\/p\u003e\n\n\u003cp\u003eEvery knot in it is silk, and the knot count is high enough to hold a curved stem \u0026mdash; that density is what makes the months of weaving necessary. A rug this fine is a delicate surface: it needs professional cleaning, and it should not go where a chair is dragged. Both pieces at this size are alike, and it suits an entrance, a bedroom or the near end of a sitting room rather than the middle of one.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in China from pure silk.\u003c\/li\u003e\n  \u003cli\u003eA single central medallion in a cream field, with curling leaf and stem work around it.\u003c\/li\u003e\n  \u003cli\u003eDense knotting \u0026mdash; fine enough to draw a stem a knot or two wide.\u003c\/li\u003e\n  \u003cli\u003e124 \u0026times; 183 cm (4'1\" \u0026times; 6'0\") \u0026mdash; hall, bedroom, or hung on a wall.\u003c\/li\u003e\n  \u003cli\u003eCream silk shifts between gleam and bone depending on where you stand.\u003c\/li\u003e\n  \u003cli\u003eMonths of weaving per piece.\u003c\/li\u003e\n  \u003cli\u003eNot for a spot where furniture is dragged; cleaning by a specialist.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eSilk rugs at this size get hung more often than walked on, and there is no argument against doing both in turn.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Cream \/ 124 X 183","offer_id":45111488446697,"sku":"SARIPE000078.01","price":425000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/MadalyonDesenliKremElDokumaIpekHali_3.jpg?v=1709556833"},{"product_id":"cerceve-desenli-krem-el-dokuma-klasik-ipek-hali","title":"Cream Bordered Hand-Knotted Pure Silk Rug","description":"\u003cp\u003e\u003cstrong\u003eCream Bordered Hand-Knotted Pure Silk Rug, 123 × 183 cm (4'0\" × 6'0\"), is pure silk in warp and weft alike, knotted by hand in China. The composition is framed — border inside border, with the drawing gathered toward the middle — and restrained enough that from a doorway the whole thing reads as plain cream.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eUp close it is not plain at all. The center holds a quiet balance of motifs in cream and beige, none of them raised above the others, and the frames step inward in narrowing bands until they meet it. What changes is the light. Silk at this knot density has two faces, matt when the pile lies away from you and near-satin when it lies toward you, so the same rug is dull from one end of the room and lit from the other. Beside walnut or a pale natural wood it stays in the same register; add brass or iron and the classical side of the drawing comes forward.\u003c\/p\u003e\n\n\u003cp\u003eSilk in the warp as well as the pile is the expensive decision here, and it is what makes the fabric so thin and so strong at once. A piece at this density is months of work — one weaver, one loom, one knot at a time. That fineness costs something: silk marks where it is pressed, and the surface will hold the shape of a chair leg until the pile is brushed back. Have it washed by a rug cleaner, and not by a van that also does upholstery.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003ePure silk in the warp, the weft and the pile, knotted by hand in China.\u003c\/li\u003e\n  \u003cli\u003eA framed composition: narrow borders stepping in toward a gathered center.\u003c\/li\u003e\n  \u003cli\u003eCream and beige throughout, with no single motif taking the lead.\u003c\/li\u003e\n  \u003cli\u003eThe surface turns matt or satin depending on which way the pile faces you.\u003c\/li\u003e\n  \u003cli\u003eMonths at the loom at this knot density.\u003c\/li\u003e\n  \u003cli\u003e123 × 183 cm (4'0\" × 6'0\"), at home in a bedroom or an entrance hall.\u003c\/li\u003e\n  \u003cli\u003eSits well with walnut and pale wood; brass and iron push it classical.\u003c\/li\u003e\n  \u003cli\u003ePressure marks the pile; brush it back rather than leaving it.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eIn ten years it will look very close to the way it looks now, which is the whole argument for silk.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Cream \/ 123 X 183","offer_id":45111492444393,"sku":"SARIPE000030.01","price":420000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/CerceveDesenliKremElDokumaKlasikIpekHali_5.jpg?v=1709556721"},{"product_id":"saf-ipek-cerceve-desenli-krem-el-dokuma-hali","title":"Cream and Gold Framed Hand-Knotted Pure Silk Rug","description":"\u003cp\u003e\u003cstrong\u003eIt takes footmarks. That is the first thing to say about it. Cream and Gold Framed Hand-Knotted Pure Silk Rug, 123 × 185 cm (4'0\" × 6'1\"), pure silk in warp and weft, knotted by hand in China: a cream ground framed in blue, gold and earth tones, with the drawing spreading out from the center the way a painting does rather than the way a border does.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe palette is the unusual part. Silk rugs of this kind are normally saturated, and this one is pastel — blues that stay pale, golds held soft, earth tones a shade back from where they would ordinarily sit. The result is a surface that reflects a great deal of light and asserts very little. Angle matters more than color here: from one side it is a quiet shimmer, from the other it is warm and nearly matt, and it moves between the two as the sun does, without anyone touching it.\u003c\/p\u003e\n\n\u003cp\u003eEvery square centimeter is silk, warp and weft included, and the piece was knotted by hand over months. Soft silk of this kind receives a footprint the way fresh snow does. The mark is not damage and it lifts when the pile is brushed with the nap, but anyone who wants a floor that never shows where people walked should be looking at wool instead. Walnut and maple sit naturally beside it; brass and metalwork push it toward the formal. Silk of this kind wants a specialist and a light hand.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in China, silk in warp, weft and pile.\u003c\/li\u003e\n  \u003cli\u003eA cream ground framed in blue, gold and earth tones, drawn outward from the center.\u003c\/li\u003e\n  \u003cli\u003ePastel tonality, which is rare in a silk rug of this construction.\u003c\/li\u003e\n  \u003cli\u003eShows footmarks; brush with the nap to clear them.\u003c\/li\u003e\n  \u003cli\u003e123 × 185 cm (4'0\" × 6'1\") — a bedroom, a study, or a wall.\u003c\/li\u003e\n  \u003cli\u003ePairs with walnut and maple; brass takes it formal.\u003c\/li\u003e\n  \u003cli\u003eProfessional cleaning, and nothing improvised at home.\u003c\/li\u003e\n  \u003cli\u003eOne of one.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eA rug that records where you walked is either a nuisance or a diary, and people know within a week which one it is for them.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Cream \/ 123 X 185","offer_id":45112847237353,"sku":"SARIPE000146.01","price":345000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/SafIpekCerceveDesenliKremElDokumaHali_1.jpg?v=1706094865"},{"product_id":"saf-ipek-el-dokuma-klasik-azerbaycan-halisi","title":"Red Heriz Hand-Knotted Pure Silk Azerbaijani Rug","description":"\u003cp\u003e\u003cstrong\u003eŞeki, in northern Azerbaijan, has raised silkworms since the sixteenth century and built its first silk mill in 1829. This rug was knotted there: a pure silk Azerbaijani rug, 250 × 337 cm (8'2\" × 11'1\"), in a Heriz drawing with Oushak inflections, cream at the center and red around the edges, and between eight and fourteen months on the loom.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe Heriz layout is large-scale by nature — big angular medallions, broad corner pieces, borders wide enough to carry a pattern of their own — and at this size it has the room to be what it is. Cream holds the middle. Red runs the edge and does most of the shouting. Between them the palette opens into gold, burgundy, a water-green and a soft gray that keeps the whole from settling into a single loud statement. The Oushak influence shows in how the motifs are spaced rather than in any one figure, which is the sort of borrowing that only appears on a close reading.\u003c\/p\u003e\n\n\u003cp\u003eSilk warp, silk weft, silk pile, tied with the single-knot technique at six by six, which is thirty-six knots in a square centimeter. That is sparser than most silk rugs, and it is a choice rather than a shortcut: the looser structure gives the fabric a softer hand and a heavier drape than a tightly packed silk piece has. The silk is Azeri, rare enough that a woven statement on the underside says so. Surface marks come off with a damp cloth; anything deeper goes to a specialist, and never to an attempt at home.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in Şeki, Azerbaijan, in pure Azeri silk throughout.\u003c\/li\u003e\n  \u003cli\u003eThirty-six knots in a square centimeter, six by six — sparser than most silk rugs, and softer for it.\u003c\/li\u003e\n  \u003cli\u003eTied with the single-knot technique, silk wefts over a silk warp.\u003c\/li\u003e\n  \u003cli\u003eBetween eight and fourteen months at the loom.\u003c\/li\u003e\n  \u003cli\u003eA woven mark on the underside states that the silk is Azeri.\u003c\/li\u003e\n  \u003cli\u003eHeriz drawing with Oushak influence: cream center, red border, gold, burgundy, water-green and gray between.\u003c\/li\u003e\n  \u003cli\u003e250 × 337 cm (8'2\" × 11'1\") — a salon size that will take a seating group standing inside it.\u003c\/li\u003e\n  \u003cli\u003eDamp cloth on the surface, a specialist for the rest. One piece.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat makes Azeri silk different?\u003c\/h3\u003e\n\u003cp\u003eŞeki has raised its own silkworms since the sixteenth century and milled silk industrially since 1829, dyeing with natural dyes throughout. Rugs woven there carry a mark on the underside stating that the silk is Azeri, because the material is scarce enough to be worth naming.\u003c\/p\u003e\n\n\u003ch3\u003eIs six by six a low knot count for a silk rug?\u003c\/h3\u003e\n\u003cp\u003eIt is sparser than most. Thirty-six knots per square centimeter gives a looser structure than a densely packed silk rug, and the result is softer and more pliable with a heavier drape. The fine detail is carried by the drawing rather than by density.\u003c\/p\u003e\n\n\u003ch3\u003eWhat is a Heriz pattern?\u003c\/h3\u003e\n\u003cp\u003eHeriz is a weaving town in Iranian Azerbaijan, known for large angular medallions, broad corner pieces and wide borders. The drawing works at scale, which is why it is used on big rugs; this one adds spacing habits borrowed from Oushak in western Anatolia.\u003c\/p\u003e\n\n\u003cscript type=\"application\/ld+json\"\u003e\n{\"@context\":\"https:\/\/schema.org\",\"@type\":\"FAQPage\",\"mainEntity\":[{\"@type\":\"Question\",\"name\":\"What makes Azeri silk different?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"Şeki has raised its own silkworms since the sixteenth century and milled silk industrially since 1829, dyeing with natural dyes throughout. Rugs woven there carry a mark on the underside stating that the silk is Azeri, because the material is scarce enough to be worth naming.\"}},{\"@type\":\"Question\",\"name\":\"Is six by six a low knot count for a silk rug?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"It is sparser than most. Thirty-six knots per square centimeter gives a looser structure than a densely packed silk rug, and the result is softer and more pliable with a heavier drape. The fine detail is carried by the drawing rather than by density.\"}},{\"@type\":\"Question\",\"name\":\"What is a Heriz pattern?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"Heriz is a weaving town in Iranian Azerbaijan, known for large angular medallions, broad corner pieces and wide borders. The drawing works at scale, which is why it is used on big rugs; this one adds spacing habits borrowed from Oushak in western Anatolia.\"}}]}\n\u003c\/script\u003e\n\n\u003cp\u003ePure silk rugs of this size get harder to find every year, and a large one out of Şeki is not something that comes around often.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Red \/ 250 X 337","offer_id":45127797965033,"sku":"SARIPE000006.01","price":1600000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/SafIpekElDokumaKlasikAzerbaycanHalisi_1.jpg?v=1709556144"},{"product_id":"zade-serisi-el-dokuma-ipek-hali","title":"Cream Medallion Hand-Knotted Silk and Wool Rug, Nahar Series","description":"\u003cp\u003e\u003cstrong\u003eNinety percent silk, ten percent wool: that ratio is what the Nahar Series is. Cream Medallion Hand-Knotted Silk and Wool Rug, 126 × 182 cm (4'2\" × 6'0\"), tied by hand in China, with a circular motif at the center opening like the layers of a flower and leaf-and-vine work running out from it.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe ten percent matters more than it sounds. Pure silk is beautiful and slack; wool at that proportion gives the fabric enough spine to lie flat and take weight without the pile crushing, while the silk keeps the shine and the fineness. Cream is the ground, and it is a warm cream rather than a white one, so the rug lights a room without cooling it. The central medallion is the whole composition — everything else is subordinate to it, a spiral of leaves and vines from the classical Anatolian and Central Asian repertoire, spreading outward until the border stops it.\u003c\/p\u003e\n\n\u003cp\u003eHundreds of thousands of knots, tied by hand, over months. Silk rugs at this ratio are a shrinking category and the workshops producing them are fewer every year; the house is candid that this is one of the last examples of a craft nobody is replacing. At 126 × 182 cm it is a reception-room size rather than a living-room one — a small formal room, a study, the space in front of a fireplace. Professional cleaning only, and not often.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in China from 90% silk and 10% wool.\u003c\/li\u003e\n  \u003cli\u003eThe wool content is what keeps a silk pile from crushing under weight.\u003c\/li\u003e\n  \u003cli\u003eA circular central medallion opening in layers, with leaf and vine work around it.\u003c\/li\u003e\n  \u003cli\u003eClassical Anatolian and Central Asian motifs.\u003c\/li\u003e\n  \u003cli\u003eHundreds of thousands of knots; months of work.\u003c\/li\u003e\n  \u003cli\u003e126 × 182 cm (4'2\" × 6'0\") — a study, a small formal room, a hearth.\u003c\/li\u003e\n  \u003cli\u003eProduced in very small numbers.\u003c\/li\u003e\n  \u003cli\u003eProfessional cleaning only. One piece.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eThe kind of rug that outlasts several rooms and gets moved into each of them.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Cream \/ 126 X 182","offer_id":45231125168361,"sku":"SARZAD000021.01","price":148000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/SARZAD000021-4_03c275be-06fb-4cfb-b4af-40850642a7c7.jpg?v=1709405694"},{"product_id":"fresco-serisi-cerceve-desenli-yuvarlak-hali","title":"Black Frame-Pattern Round Machine-Woven Viscose Rug, Fresco Series","description":"\u003cp\u003e\u003cstrong\u003eThe frame pattern is the oldest idea in rug drawing — a border holding a field — and here it has been put into a circle, where there are no corners for it to turn. Black Frame-Pattern Round Machine-Woven Viscose Rug, Fresco Series: a 200 cm circle, 6'7\" across, in black and silver, machine-woven in Türkiye.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eSixty to seventy percent of the yarn is viscose and the remainder is acrylic, and that mix is why the surface shimmers slightly instead of presenting a matt face — viscose reflects, acrylic keeps the shape. Black absorbs a room's light, so this is a rug for a pale floor: over light boards or a stone-toned tile the silver in the border separates and the whole circle lifts. Over a dark floor it disappears, and that is worth knowing before it arrives.\u003c\/p\u003e\n\n\u003cp\u003eMachine-woven, and the house says so rather than reaching for a better-sounding word: it is neither knotted nor loom-woven, and the price follows from that. What a round rug does that a rectangle cannot is make its own footprint look wider, which is most of the argument for one in an entrance hall or beside a bed. Regular vacuuming keeps it; a professional wash rather than anything heavy at home.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eMade on a machine in Türkiye, to a house design.\u003c\/li\u003e\n  \u003cli\u003eSixty to seventy percent viscose, the rest acrylic.\u003c\/li\u003e\n  \u003cli\u003eRound, 200 cm across.\u003c\/li\u003e\n  \u003cli\u003eA frame drawing in black and silver, set into a circle.\u003c\/li\u003e\n  \u003cli\u003eThe viscose gives a faint shimmer that shifts as you cross the room.\u003c\/li\u003e\n  \u003cli\u003eLay it on a light floor; over a dark one the pattern is lost.\u003c\/li\u003e\n  \u003cli\u003eVacuum regularly, professional wash for anything deeper.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eIt is a black circle with a silver edge, and in the right room that is a complete idea.\u003c\/p\u003e","brand":"EKO HALI","offers":[{"title":"Black \/ 200 X 200","offer_id":45324097224937,"sku":"EKOFSC000001.01","price":26400.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/EKOFSC000142.07_1.jpg?v=1705750546"},{"product_id":"nostalji-serisi-afgan-turkmen-desenli-yuvarlak-ozel-tezgah-halisi","title":"Round Burgundy Afghan Turkmen Loom-Woven Rug, Nostalji Series","description":"\u003cp\u003e\u003cstrong\u003eRound, and that is the whole reason to want it: a circular loom-woven rug in burgundy with Afghan Turkmen motifs, made at 160 \u0026times; 160 cm (5'3\" \u0026times; 5'3\"), 190 \u0026times; 190 cm (6'3\" \u0026times; 6'3\") and 200 \u0026times; 200 cm (6'7\" \u0026times; 6'7\"), with a smaller 120 \u0026times; 120 cm (3'11\" \u0026times; 3'11\") also on the size list. Tencel\u0026reg; face, cotton foundation, woven in T\u0026uuml;rkiye.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFitting a rectangular tribal drawing into a circle is not automatic. The solution here is to let the border curve and to keep the field repeating right out to the edge, so the motifs are cut by the circumference rather than squeezed to fit it. Burgundy and navy carry the color, with gold scattered through them. A circle does something a rectangle cannot in an entrance hall: it takes the corners out of the room and gives a door somewhere to swing.\u003c\/p\u003e\n\u003cp\u003eMachine and hand divide the work: the loom builds, the weaver closes. On a round rug the fringe is a continuous edge rather than two ends, and it is finished by women in Oushak. The pile is Tencel\u0026reg;; the warp and weft underneath are cotton. Have it washed by a specialist rather than at home.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRound, loom-woven in T\u0026uuml;rkiye.\u003c\/li\u003e\n\u003cli\u003eTencel\u0026reg; surface on a cotton foundation.\u003c\/li\u003e\n\u003cli\u003eAfghan Turkmen motifs in burgundy and navy with gold.\u003c\/li\u003e\n\u003cli\u003e160 \u0026times; 160 cm (5'3\"), 190 \u0026times; 190 cm (6'3\") and 200 \u0026times; 200 cm (6'7\") circles; a 120 \u0026times; 120 cm (3'11\") size is also listed.\u003c\/li\u003e\n\u003cli\u003eSuits an entrance hall, a bay window, or the middle of a square room.\u003c\/li\u003e\n\u003cli\u003eProfessional washing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eUnder a round table it is the only shape that makes sense, and that is what most people who buy one came looking for.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThis rug belongs to the \u003ca href=\"\/en\/collections\/nostalji-series-rugs\"\u003eNostalji Series\u003c\/a\u003e.\u003c\/em\u003e\u003c\/p\u003e","brand":"EKO HALI","offers":[{"title":"Burgundy \/ 160 X 160","offer_id":45324469108969,"sku":"EKONOS000002.01","price":21800.0,"currency_code":"TRY","in_stock":true},{"title":"Burgundy \/ 190 X 190","offer_id":46968629002473,"sku":"EKONOS000002.02","price":30700.0,"currency_code":"TRY","in_stock":false},{"title":"Burgundy \/ 200 X 200","offer_id":48004917133545,"sku":"EKONOS000002.03","price":34000.0,"currency_code":"TRY","in_stock":false},{"title":"Burgundy \/ 120 X 120","offer_id":50637296304361,"sku":"EKONOS000002.04","price":12300.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/NostaljiSerisiAfganTurkmenDesenliYuvarlakTezgahDokumaHali_2.webp?v=1751112935"},{"product_id":"cizgi-desenli-gri-yuvarlak-hali","title":"Gray Striped Machine-Woven Round Rug","description":"\u003cp\u003e\u003cstrong\u003eA round rug, which is the point of it: gray, striped, made by machine in Türkiye from viscose and acrylic over a cotton ground, at a hundred-reed density. A circle has no corners to curl and no long edge to line up against a wall, so it lands under a table or in the middle of a small room.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eReed count is the density grade Turkish mills quote, measured across the warp, and a hundred sits in the middle of the range for weaving of this kind — dense enough that the stripe edges stay crisp instead of feathering into one another. The gray is unsaturated, which matters more on a circle than on a rectangle, because a round rug already draws the eye and a strong color would turn it into a target.\u003c\/p\u003e\n\n\u003cp\u003eViscose gives the pile its shine and acrylic gives it recovery, so the surface springs back after a chair leg has stood on it. Both sit on a cotton foundation. The shine has a cost worth stating plainly: a circle is walked across from every direction, and a viscose pile records each of those directions as a slightly different value of gray until you brush it out. A professional wash when required, and a vacuum in between.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eWoven by machine in Türkiye; the density is quoted at a hundred reed.\u003c\/li\u003e\n  \u003cli\u003eA viscose and acrylic pile, set on a cotton foundation.\u003c\/li\u003e\n  \u003cli\u003eRound, gray, with a striped drawing and nothing else on it.\u003c\/li\u003e\n  \u003cli\u003eSized for an entrance, a bedside, or under a small dining table.\u003c\/li\u003e\n  \u003cli\u003eThe pile shows the direction it was last walked on.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eRound rugs fail when they are treated as decoration; this one works because it is doing a job a rectangle cannot.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Gray \/ 160 X 160","offer_id":45331544080617,"sku":"WKNMON000014.01","price":15400.0,"currency_code":"TRY","in_stock":true},{"title":"Gray \/ 200 X 200","offer_id":45331544113385,"sku":"WKNMON000014.02","price":24000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/CizgiDesenliMakineDokumaHali_1_f2c838ef-4009-4799-8b37-2c8bb3bc0bac.jpg?v=1705580730"},{"product_id":"el-dokuma-cerceve-desen-ipekli-salon-ofis-halisi","title":"Burgundy Bordered Hand-Knotted Silk-Blend Rug","description":"\u003cp\u003e\u003cstrong\u003eThe frame is the first thing you see: a wide cream-and-beige border holding a burgundy field packed with small motifs. Burgundy Bordered Hand-Knotted Silk-Blend Rug, 171 × 243 cm (5'7\" × 8'0\"), tied by hand in China from cotton, viscose and silk.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eInside the frame the drawing is fine-scaled — classical figures repeated small and close together, in the manner of an old piece meant to be read from a chair rather than from a doorway. Burgundy carries them, and burgundy is the color that changes most across a day: deep and nearly brown in the morning, lit and red under a lamp, with the pale border holding steady behind it. That contrast is doing structural work. Without the cream frame the field would close in on itself; with it, the rug has a middle and an edge.\u003c\/p\u003e\n\n\u003cp\u003eCotton underneath, viscose and silk on top, and a knot count that runs into the hundreds of thousands. The blend is the point. It gets close to the hand and the shine of a pure silk rug without the price or the fragility of one, and it takes daily use in a living room or an office in a way a pure silk piece would not. The weave is thin and the pile short, so it lies flat and stays out of a door's way. A vacuum for the week, and a rug cleaner for anything more.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in China from cotton, viscose and silk.\u003c\/li\u003e\n  \u003cli\u003eA wide cream and beige border around a burgundy field of small classical motifs.\u003c\/li\u003e\n  \u003cli\u003eThe burgundy reads brown in daylight and red under a lamp.\u003c\/li\u003e\n  \u003cli\u003eHundreds of thousands of knots.\u003c\/li\u003e\n  \u003cli\u003eThin weave, short pile — it lies flat and clears a door.\u003c\/li\u003e\n  \u003cli\u003eSturdier than pure silk and closer to it than wool.\u003c\/li\u003e\n  \u003cli\u003e171 × 243 cm (5'7\" × 8'0\"), for a living room or an office.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing. One piece.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eIt is what an office floor looks like when somebody decided the office should not look like one.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Burgundy \/ 171 X 243","offer_id":45712191750377,"sku":"SARBIT000286.01","price":230000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaCerceveDesenSalonOfisHalisi_1.jpg?v=1706087738"},{"product_id":"cerceve-desenli-krem-el-dokuma-ipekli-hali","title":"Cream Floral Bordered Hand-Knotted Silk-Blend Rug","description":"\u003cp\u003e\u003cstrong\u003eCream Floral Bordered Hand-Knotted Silk-Blend Rug, 157 × 243 cm (5'2\" × 8'0\"), looks like a mosaic floor in a walled garden: fine flower forms in green and earth tones set into a cream ground, with the border standing around them like a run of columns. Knotted by hand in China from viscose and silk.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eLight blue and gold run through the drawing and give it a depth the cream alone would not have. The flowers are small and evenly placed, the border repeats a heavier version of the same motifs, and the change of scale between the two is what keeps the middle from looking crowded. Across a day the surface moves between two states — a mother-of-pearl brightness when the light comes at it sideways, and a flat pastel clarity when it comes from above. Neither state is the rug's real appearance, and both are.\u003c\/p\u003e\n\n\u003cp\u003eViscose and silk together, knotted by hand in China, with the knot count in six figures. Cellulose fibers of this kind are what make a rug shine, and they are also softer than wool underfoot and less resilient under a chair leg. The pile is short and the weave fine, so there is little for dust to work into and daily cleaning is straightforward. Give it a room where it will be looked at more than it is crossed. Professional washing, and let the professionals decide how often.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in China from viscose and silk.\u003c\/li\u003e\n  \u003cli\u003eFine floral motifs in green and earth tones on a cream ground.\u003c\/li\u003e\n  \u003cli\u003eLight blue and gold worked through the pattern for depth.\u003c\/li\u003e\n  \u003cli\u003eA heavier version of the same motifs in the border.\u003c\/li\u003e\n  \u003cli\u003eThe surface alternates between a pearly shine and a flat pastel.\u003c\/li\u003e\n  \u003cli\u003eSofter than wool underfoot and less resilient under furniture.\u003c\/li\u003e\n  \u003cli\u003e157 × 243 cm (5'2\" × 8'0\") — a living room, a bedroom, a wide entrance.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing. A single piece.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003ePut a chair on it and the chair will leave its mark. Put it where people look and it earns the space.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Cream \/ 157 X 243","offer_id":45461575991529,"sku":"SARBIT000349.01","price":210000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/CerceveDesenliKremElDokumaHali_1.jpg?v=1706089025"},{"product_id":"safir-serisi-usak-desenli-el-dokuma-oymali-mor-yuvarlak-hali","title":"Purple Oushak Carved Handwoven Round Rug, Safir Series","description":"\u003cp\u003e\u003cstrong\u003eSafir is the Turkish word for sapphire; the rug itself is lilac-purple rather than blue, and the name belongs to the series, not to the color. Purple Oushak Carved Handwoven Round Rug from the Safir series \u0026mdash; round, with every motif edge cut in by hand, woven in India from cotton, wool, bamboo viscose and viscose, at 150 \u0026times; 150 cm and 200 \u0026times; 200 cm.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eCarving is the technique the series is built on. After the pile is set, a weaver takes shears to the surface and cuts a channel along the outline of every motif, so the drawing sits in its own relief and throws a shadow. On a round rug that matters more than on a rectangle, because there is no straight border to tell you where the pattern begins. The Oushak figures \u0026mdash; the medallion families of western Anatolia \u0026mdash; have been reworked here at a scale and in a palette with nothing classical about it: lilac shading to a deeper purple, with cream and gray coming through.\u003c\/p\u003e\n\n\u003cp\u003ePurple is not a neutral and this rug does not pretend to be one. It sits well with gray and cream and it fights almost anything warm, which is worth settling before it arrives. The knot count is high, since a loose pile will not hold a cut edge, and the four yarns in the surface give it both softness and a light sheen. A round rug also asks something of the room: it wants space around it and will look like a mistake pushed against a wall. Cleaning is professional.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven in India from cotton, wool, bamboo viscose and viscose.\u003c\/li\u003e\n  \u003cli\u003eEvery motif outline is carved by hand with shears, so the drawing stands in relief.\u003c\/li\u003e\n  \u003cli\u003eOushak medallion figures redrawn in lilac and purple, with cream and gray.\u003c\/li\u003e\n  \u003cli\u003eRound, at 150 \u0026times; 150 cm (4'11\" \u0026times; 4'11\") and 200 \u0026times; 200 cm (6'7\" \u0026times; 6'7\").\u003c\/li\u003e\n  \u003cli\u003eHigh knot density \u0026mdash; carving will not hold on a loose pile.\u003c\/li\u003e\n  \u003cli\u003eReads well with gray and cream; awkward beside warm colors.\u003c\/li\u003e\n  \u003cli\u003eA round rug needs clear floor around it.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eRound rugs are usually chosen to soften a corner; this one is strong enough to be the reason for the corner.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Purple \/ 150 X 150","offer_id":45712210002153,"sku":"EKOSAP000014.01","price":67500.0,"currency_code":"TRY","in_stock":true},{"title":"Purple \/ 200 X 200","offer_id":45712210034921,"sku":"EKOSAP000014.02","price":120000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/EKOSAP000018.02_5_SafirSerisiUsakDesenliElDokumaHali.jpg?v=1704979315"},{"product_id":"safir-serisi-usak-desenli-el-dokuma-oymali-mavi-yuvarlak-hali","title":"Blue Oushak-Pattern Handwoven Carved Round Rug, Safir Series","description":"\u003cp\u003e\u003cstrong\u003eA round handwoven rug in pastel blue, worked in Oushak motifs and finished by carving: once the pile is tied, the outline of every motif is cut back with shears so that the pattern stands above its ground in relief. Wool and cotton carry the body of it, bamboo viscose carries the drawing. Woven in India for this house. One piece only.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eOushak drawing is normally large and open. Here it has been reduced and softened until it sits inside a circle with no corner to anchor it. The blues are pastel rather than saturated, so the outer band reads as a ring of pale flowers rather than as a border, and the relief does the work that color would otherwise have to do — under a ceiling light the cut edges throw a shadow a millimeter or two deep and the motifs lift away from the field. Seen from directly above, which is how a round rug in an entrance is actually seen, that shadow is the pattern.\u003c\/p\u003e\n\n\u003cp\u003eCotton runs through the foundation, wool makes the surface, and the motifs alone are picked out in bamboo viscose, a cellulose yarn spun to take light the way silk does; it is why the drawing looks wet against a matt ground. Knot density is high enough that the carver can follow a curve without stepping it. Carving is a second pass and a slow one, carried out by hand with shears once the rug is off the loom. Being round, it has no straight edge to set against a wall, so it needs floor it can sit in the middle of. Cleaning belongs to a rug workshop.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven in India, in a workshop that supplies this house.\u003c\/li\u003e\n  \u003cli\u003eWool surface on a cotton foundation, with bamboo viscose in the motifs.\u003c\/li\u003e\n  \u003cli\u003eOushak motifs redrawn at pastel scale, in blues.\u003c\/li\u003e\n  \u003cli\u003eEvery motif is cut back by hand with shears after weaving.\u003c\/li\u003e\n  \u003cli\u003eDense knotting holds the curves of the drawing without stepping them.\u003c\/li\u003e\n  \u003cli\u003eRound format — an entrance hall, a bedroom, or beneath a round table.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing.\u003c\/li\u003e\n  \u003cli\u003eOne piece; carving is never repeated in exactly the same way.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat does it mean that the rug is carved?\u003c\/h3\u003e\n\u003cp\u003eCarving is a hand operation performed after weaving. A worker follows the outline of each motif with shears and cuts the surrounding pile shorter, so the pattern sits in relief above the field and throws a small shadow across the pile beside it.\u003c\/p\u003e\n\n\u003ch3\u003eWhy does a carved rug need a dense weave?\u003c\/h3\u003e\n\u003cp\u003eShears open a loose pile. The knot count has to be high enough that the cut edge stays sharp and does not fray, which is why carving is only done on rugs tied densely enough to hold the line.\u003c\/p\u003e\n\n\u003cp\u003eIn a hallway it will be the first thing anyone stands on and the last thing they look at, which is the correct order for a rug.\u003c\/p\u003e\n\n\u003cscript type=\"application\/ld+json\"\u003e\n{\n  \"@context\": \"https:\/\/schema.org\",\n  \"@type\": \"FAQPage\",\n  \"mainEntity\": [\n    {\n      \"@type\": \"Question\",\n      \"name\": \"What does it mean that the rug is carved?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"Carving is a hand operation performed after weaving. A worker follows the outline of each motif with shears and cuts the surrounding pile shorter, so the pattern sits in relief above the field and throws a small shadow across the pile beside it.\"\n      }\n    },\n    {\n      \"@type\": \"Question\",\n      \"name\": \"Why does a carved rug need a dense weave?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"Shears open a loose pile. The knot count has to be high enough that the cut edge stays sharp and does not fray, which is why carving is only done on rugs tied densely enough to hold the line.\"\n      }\n    }\n  ]\n}\n\u003c\/script\u003e\n\u003cp\u003e\u003cem\u003eThis rug belongs to the \u003ca href=\"\/en\/collections\/safir-series-rugs\"\u003eSafir Series\u003c\/a\u003e.\u003c\/em\u003e\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Blue \/ 150 X 150","offer_id":45712211214569,"sku":"EKOSAP000017.02","price":67500.0,"currency_code":"TRY","in_stock":true},{"title":"Blue \/ 200 X 200","offer_id":45712211247337,"sku":"EKOSAP000017.01","price":120000.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/EKOSAP000017_5_SafirSerisiUsakDesenliElDokumaHali.jpg?v=1704981228"},{"product_id":"safir-serisi-usak-desenli-el-dokuma-oymali-yesil-yuvarlak-hali","title":"Sea-Green Oushak-Pattern Handwoven Carved Round Rug, Safir Series","description":"\u003cp\u003e\u003cstrong\u003eWool over cotton, with viscose and bamboo viscose held back for the pattern alone: this is a round Safir Series rug in sea-green, its Oushak motifs cut into relief by hand once the weaving was done. A high knot count is what makes that possible — a drawing has to be dense before it can be sculpted. Made in India for this house, and only one was woven.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eSea-green holds most of the field, pale enough to sit between burgundy wood and gray upholstery without arguing with either. The Oushak motifs are classical in origin and modern in scale, and because the shears have taken a fraction off the ground around each one, the pattern stays legible even where the light is flat. Cream and soft gray run through the drawing. Against dark walnut the green warms; against gray stone it cools and goes almost silver.\u003c\/p\u003e\n\n\u003cp\u003eFour yarns do four jobs. Cotton is the foundation, wool is the surface a foot meets, and viscose and bamboo viscose appear only in the motifs, where their sheen separates the pattern from the wool around it. Carving is done with shears, motif by motif, and it takes longer than weaving an equivalent flat-faced rug would. The tight knotting is not ornament; a loose weave cannot be carved at all without fraying at the cut. A rug washer should do the washing.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eWoven by hand in India for the Safir Series.\u003c\/li\u003e\n  \u003cli\u003eCotton foundation, wool surface, with viscose and bamboo viscose reserved for the pattern.\u003c\/li\u003e\n  \u003cli\u003eSea-green field with cream and gray in the drawing.\u003c\/li\u003e\n  \u003cli\u003eMotifs cut into relief with shears once the weaving is done.\u003c\/li\u003e\n  \u003cli\u003eRound — for an entrance, the center of a sitting room, or a bedside.\u003c\/li\u003e\n  \u003cli\u003eSits with burgundy woods as easily as with gray and cream.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing.\u003c\/li\u003e\n  \u003cli\u003eSingle piece.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eGreen takes longest to choose and longest to tire of, and this one is quiet enough to be lived with rather than admired.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Green \/ 210 X 210","offer_id":45712210591977,"sku":"EKOSAP000021.01","price":133000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/EKOSAP000021_1_SafirSerisiUsakDesenliElDokumaHali.jpg?v=1704983840"},{"product_id":"safir-serisi-usak-desenli-el-dokuma-oymali-mor-yuvarlak-hali-2","title":"Purple Oushak-Pattern Hand-Knotted Round Rug, Safir Series","description":"\u003cp\u003e\u003cstrong\u003eEvery motif on this rug has been cut around with shears after knotting, so the pattern stands slightly above the ground instead of sitting flush with it. Purple Oushak-Pattern Hand-Knotted Round Rug, Safir Series — hand-knotted in India, round, from 155 × 155 cm (5'1\" × 5'1\") to 200 × 200 cm (6'7\" × 6'7\").\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eOushak — Uşak in Turkish — is a town and a weaving district in the Anatolian west, whose medallion-and-border drawing has been imitated since the sixteenth century. Here the motifs are redrawn at a modern scale and carried on a purple that sits close to lilac — a color that behaves oddly and usefully, going gray under a north window and warming toward wine under a filament bulb. The carving is what you notice second: run a hand across the surface and the border edges catch, because the pile has been trimmed down between the figures and left standing inside them.\u003c\/p\u003e\n\n\u003cp\u003eA dense knot count is what makes the carving possible; a loose weave would blur the moment the shears touched it. Cotton, wool, bamboo viscose and viscose are used together, and the shine in the motifs comes from the two cellulose yarns rather than from any finish. A round rug is unforgiving about placement, so measure the circle against the furniture before it arrives. Professional washing only, and carving of this kind should never meet a stiff brush.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in India from cotton, wool, bamboo viscose and viscose.\u003c\/li\u003e\n  \u003cli\u003eThe motifs are cut in relief with shears after weaving, one figure at a time.\u003c\/li\u003e\n  \u003cli\u003eClassical Oushak drawing, redrawn at a contemporary scale.\u003c\/li\u003e\n  \u003cli\u003ePurple running toward lilac, which settles well next to gray and cream.\u003c\/li\u003e\n  \u003cli\u003eA high knot count holds the detail the carving depends on.\u003c\/li\u003e\n  \u003cli\u003eRound, from 155 × 155 cm (5'1\" × 5'1\") to 200 × 200 cm (6'7\" × 6'7\").\u003c\/li\u003e\n  \u003cli\u003eProfessional washing; never brush the carved edges.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat does a carved rug mean?\u003c\/h3\u003e\n\u003cp\u003eCarving is a finishing operation. After the rug is knotted, a weaver cuts down the pile around each motif with hand shears so the figures stand proud of the ground. It adds depth to the drawing and it can only be done on a densely knotted rug.\u003c\/p\u003e\n\n\u003cp\u003eIn a room of gray upholstery and cream walls the purple is the only strong note on the floor, and the relief keeps it interesting long after the color has stopped being a surprise.\u003c\/p\u003e\n\n\u003cscript type=\"application\/ld+json\"\u003e{\"@context\": \"https:\/\/schema.org\", \"@type\": \"FAQPage\", \"mainEntity\": [{\"@type\": \"Question\", \"name\": \"What does a carved rug mean?\", \"acceptedAnswer\": {\"@type\": \"Answer\", \"text\": \"Carving is a finishing operation. After the rug is knotted, a weaver cuts down the pile around each motif with hand shears so the figures stand proud of the ground. It adds depth to the drawing and it can only be done on a densely knotted rug.\"}}]}\u003c\/script\u003e","brand":"HALICIZADE","offers":[{"title":"Purple \/ 155 X 155","offer_id":45712210198761,"sku":"EKOSAP000016.03","price":72500.0,"currency_code":"TRY","in_stock":false},{"title":"Purple \/ 190 X 190","offer_id":45712210231529,"sku":"EKOSAP000016.01","price":109000.0,"currency_code":"TRY","in_stock":true},{"title":"Purple \/ 200 X 200","offer_id":45712210264297,"sku":"EKOSAP000016.02","price":120000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/EKOSAP000016SafirSerisiUsakDesenliElDokumaHali_1.jpg?v=1704980787"},{"product_id":"zade-serisi-cicek-desenli-el-dokuma-krem-ipek-hali","title":"Cream Floral Handwoven Silk Rug, Nahar Series","description":"\u003cp\u003e\u003cstrong\u003eNine parts silk to one part wool: that ratio is the argument of this handwoven cream rug, 162 × 240 cm (5'4\" × 7'10\"), knotted in China across several months and drawn with symmetrical flower motifs running the length of its frame. The wool is in it for body; everything you see is silk. The pattern is no longer being made.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eCream is a difficult ground because it gives a pattern nothing to push against, so the drawing here is symmetrical and thin rather than bold — a repeating flower held inside a frame, with the field left open between repeats. In daylight the silk returns light instead of absorbing it and the ground looks lit from beneath. Toward evening it goes ivory, and the flowers, barely a tone darker, all but disappear. It behaves the way a pale silk shawl behaves, for the same reason.\u003c\/p\u003e\n\n\u003cp\u003eKnots in the hundreds of thousands, set by hand in China, over a production counted in months rather than weeks. About ninety percent of the yarn is silk and roughly ten percent wool, and the wool gives the pile enough spring to stand up under a chair leg, which silk at this fineness will not do on its own. The workshop has stopped weaving this design, so the pieces in circulation are the pieces that exist. It is fine and thin and it wants a floor without heavy traffic. Cleaning: professional only.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eRoughly 90% silk with about 10% wool, hand-knotted in China.\u003c\/li\u003e\n  \u003cli\u003eMonths at the loom; hundreds of thousands of knots.\u003c\/li\u003e\n  \u003cli\u003eCream ground with symmetrical flower motifs set along the frame.\u003c\/li\u003e\n  \u003cli\u003e162 × 240 cm (5'4\" × 7'10\") — a dining room, a seating corner, a bedroom.\u003c\/li\u003e\n  \u003cli\u003eVery fine and thin; better away from a busy route through the house.\u003c\/li\u003e\n  \u003cli\u003eOut of production; this design is not being rewoven.\u003c\/li\u003e\n  \u003cli\u003eProfessional cleaning only.\u003c\/li\u003e\n  \u003cli\u003eA single piece.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eRugs like this were once ordinary in the trade and are now scarce, which changes nothing about how it looks and everything about how it should be treated.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Cream \/ 162 X 240","offer_id":45556597784809,"sku":"SARZAD000009.01","price":250000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ZadeSerisiCicekDesenliElDokumaKremIpekliHali_1.jpg?v=1705491692"},{"product_id":"usak-cerceve-desenli-el-dokuma-krem-ipek-hali","title":"Cream Oushak Frame-Pattern Hand-Knotted Pure Silk Rug","description":"\u003cp\u003e\u003cstrong\u003eThe Oushak frame — a wide bordered rectangle with the field left comparatively open — is the pattern here, worked in cream and closed by red borders on a rug of 171 × 242 cm (5'7\" × 7'11\") woven in pure silk from warp to weft. Fine leaves and flower forms are scattered through the field. Made by hand in China. One piece.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eMost of the drawing happens at the edges. The red borders are the strongest color on the rug and they hold a field that has been kept deliberately quiet, with leaf and flower forms distributed rather than repeated. Just inside the fringes at either end the knotting tightens and a band of raised flower heads appears, the densest work on the piece and the place to look if you want to see what the weaver could do. Silk shifts color with the angle of the light, so the cream travels from bone to honey depending on where you stand.\u003c\/p\u003e\n\n\u003cp\u003eSilk in the warp, silk in the weft, silk in the pile: there is no cotton anywhere in it, which is unusual, and it is why the rug is so thin and so heavy for its thickness. It was woven by hand in China, where silk rug weaving has run continuously for centuries. A rug with no cotton in the structure is more delicate than one with, so it should not sit under a door that sweeps and should never be dragged. Walnut and maple sit well beside it; brass fittings push it toward the formal. Take it to a rug washer, never a home machine.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003ePure silk throughout, warp and weft included.\u003c\/li\u003e\n  \u003cli\u003eWoven by hand in China in the traditional silk technique.\u003c\/li\u003e\n  \u003cli\u003eCream field with red borders and scattered leaf and flower forms.\u003c\/li\u003e\n  \u003cli\u003eA band of raised, tightly knotted flower heads inside each fringe.\u003c\/li\u003e\n  \u003cli\u003e171 × 242 cm (5'7\" × 7'11\") — a sitting room, a study, an office.\u003c\/li\u003e\n  \u003cli\u003eDelicate: it wants a quiet floor and careful handling.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing only.\u003c\/li\u003e\n  \u003cli\u003eOne example; the design is not rewoven to order.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat does it mean that a rug is pure silk in the warp and weft?\u003c\/h3\u003e\n\u003cp\u003eMost silk rugs are silk only in the pile and use cotton for the structure underneath. Here the warp and weft are silk as well, which makes the rug thinner, heavier in the hand for its thickness, and more delicate at the edges.\u003c\/p\u003e\n\n\u003ch3\u003eWhere is the finest work on this rug?\u003c\/h3\u003e\n\u003cp\u003eJust inside the fringe at each end, where the knot count rises and a band of raised flower heads is worked. That band took longer than an equivalent area of the open field and is the clearest evidence of the weaver's skill.\u003c\/p\u003e\n\n\u003cp\u003eIt reads formal beside walnut and brass, and modern on a bare pale floor with nothing else in the room competing.\u003c\/p\u003e\n\n\u003cscript type=\"application\/ld+json\"\u003e\n{\n  \"@context\": \"https:\/\/schema.org\",\n  \"@type\": \"FAQPage\",\n  \"mainEntity\": [\n    {\n      \"@type\": \"Question\",\n      \"name\": \"What does it mean that a rug is pure silk in the warp and weft?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"Most silk rugs are silk only in the pile and use cotton for the structure underneath. Here the warp and weft are silk as well, which makes the rug thinner, heavier in the hand for its thickness, and more delicate at the edges.\"\n      }\n    },\n    {\n      \"@type\": \"Question\",\n      \"name\": \"Where is the finest work on this rug?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"Just inside the fringe at each end, where the knot count rises and a band of raised flower heads is worked. That band took longer than an equivalent area of the open field and is the clearest evidence of the weaver's skill.\"\n      }\n    }\n  ]\n}\n\u003c\/script\u003e","brand":"HALICIZADE","offers":[{"title":"Cream \/ 171 X 242","offer_id":45556609450217,"sku":"SARIPE000004.01","price":775000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/UsakCerceveDesenliElDokumaKremIpekHali_1.jpg?v=1709384603"},{"product_id":"humayun-serisi-anadolu-desenli-yuvarlak-el-dokuma-hali","title":"Blue Anatolian-Pattern Handwoven Round Wool Rug, Hümayun Series","description":"\u003cp\u003e\u003cstrong\u003eA circle 196 cm across (6'5\"): this is a round handwoven rug from the Hümayun Series, with a central medallion drawn in modern blues over Anatolian and Middle Eastern motifs, wool on the surface and cotton beneath it. The relief in the pattern is cut by hand with shears. Woven in India for Halıcızade, and there is one.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eA medallion is the oldest way of organizing a rug and the only one that makes sense in a circle, since everything radiates from the center and nothing has to resolve in a corner. The blues are contemporary rather than historical — mid-tone, slightly gray, closer to denim than to indigo — and they carry motifs whose lineage runs back through Anatolia into the Middle East. Bamboo viscose appears in the drawing alone, so the motifs keep a faint sheen while the wool ground around them stays matt.\u003c\/p\u003e\n\n\u003cp\u003eThe base is cotton and the face is wool, tied at a knot density high enough for the pattern to hold a curve. After weaving, a carver works over the motifs with shears and cuts the pile back around them, which is the step that gives the design its depth in a photograph and its shadow in a room. This series is made in India for this house and is not sold under another name. A circle of this diameter needs floor around it; pushed against a wall it will look like a mistake. Have a professional wash it.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003e196 × 196 cm (6'5\" × 6'5\"), a true circle.\u003c\/li\u003e\n  \u003cli\u003eHandwoven in India, exclusive to Halıcızade.\u003c\/li\u003e\n  \u003cli\u003eWool surface on a cotton base, with bamboo viscose in the motifs.\u003c\/li\u003e\n  \u003cli\u003eAnatolian and Middle Eastern motifs arranged around a central medallion.\u003c\/li\u003e\n  \u003cli\u003eBlues in modern, slightly gray tones rather than historical indigo.\u003c\/li\u003e\n  \u003cli\u003eThe pattern is carved into relief with shears after weaving.\u003c\/li\u003e\n  \u003cli\u003eBest in an entrance hall, a study, or a room it can occupy the middle of.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing. A single piece.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003ePut a round table on it and it turns into furniture; leave it bare and it turns into the floor plan.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Navy blue \/ 196 X 196","offer_id":45612275171561,"sku":"EKOHUM000002.01","price":96500.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/HumayunSerisiAnadoluDesenliYuvarlakElDokumaHali_1.jpg?v=1705760600"},{"product_id":"nahar-serisi-cerceve-desenli-krem-el-dokuma-ipekli-hali","title":"Cream Frame-Pattern Handwoven Silk and Wool Rug, Nahar Series","description":"\u003cp\u003e\u003cstrong\u003eSilk in the drawing, wool in the knots — the Nahar Series works two fibers against each other, and this cream rug with a blue frame pattern is a clear case of it. Classical Seljuk motifs run through the field and around the border. It was knotted by hand, several hundred thousand times, and there is one piece in this coloring.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eSeljuk drawing is angular where Ottoman drawing is floral, and the motifs here keep that hardness: stars, hooks and interlace rather than vines. Cream carries the field and blue does the framing, the reverse of the usual arrangement, and the reason the rug reads light from across a room. Silk is concentrated in the pattern, so the blue catches light where the cream ground does not, and the frame appears to sit above the field rather than around it.\u003c\/p\u003e\n\n\u003cp\u003eWool takes the knots and silk takes the drawing. That division gives the piece two qualities at once — a wool rug's resistance underfoot and a silk rug's shine in the motifs — and it is the technique the whole series is built on. The knot count runs to several hundred thousand, every one set by hand. Because so much of the surface is pale, it will show a spill more readily than a dark rug would, which is worth knowing before it goes under a dining table. Washing: professional, and no shortcuts.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted from wool and silk; several hundred thousand knots.\u003c\/li\u003e\n  \u003cli\u003eSilk concentrated in the motifs, wool through the knotted ground.\u003c\/li\u003e\n  \u003cli\u003eCream field with a blue frame, in classical Seljuk motifs.\u003c\/li\u003e\n  \u003cli\u003ePale enough to lift a dark room and pale enough to show a spill.\u003c\/li\u003e\n  \u003cli\u003eSits with solid wood furniture and with cream, blue and red textiles.\u003c\/li\u003e\n  \u003cli\u003ePart of the Nahar Series, which is built on the wool-and-silk pairing.\u003c\/li\u003e\n  \u003cli\u003eProfessional cleaning only.\u003c\/li\u003e\n  \u003cli\u003eOne piece in this coloring.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eThe geometry belongs to the thirteenth-century Seljuk rugs found at the Alâeddin Mosque in Konya, and it still looks more modern than most of what came after it.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Cream \/ 167 X 242","offer_id":45638723371241,"sku":"SARZAD000030.01","price":260000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ZadeSerisiCerceveDesenliKremElDokumaIpekliHali_1.jpg?v=1705500080"},{"product_id":"cerceve-desenli-el-dokuma-krem-pamuk-viskon-iplikli-hali","title":"Cream Frame-Pattern Hand-Knotted Silk and Viscose Rug","description":"\u003cp\u003e\u003cstrong\u003eMother-of-pearl is the nearest thing to how this rug behaves: a cream ground in silk and viscose that turns nacreous from one angle and soft and matt from another, with a turquoise-centered medallion and a black outer frame. Hand-knotted in China, 171 × 243 cm (5'7\" × 8'0\"). A single piece.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe medallion is small for the field it sits in, and its turquoise is the only cool color on the rug, which is what lets it hold the center. Around it, floral motifs in cream and beige interlock closely enough that ground and drawing are nearly the same value, so you read them by sheen rather than by contrast. Then the black frame arrives and does what black always does, which is draw a hard line and make everything inside it look more deliberate. Turquoise against black is a pairing borrowed from tilework, and it still holds.\u003c\/p\u003e\n\n\u003cp\u003eSilk and viscose together, knotted by hand in China at a count in the hundreds of thousands. Both fibers are filament-smooth, which is why the pile is so thin and why the face reflects rather than absorbs. Thinness has a practical side: a low pile leaves dust little depth to settle into, and the rug is easy to lift and shake out. It also gives less cushioning underfoot than a wool rug of the same footprint. Take it to a rug cleaner when it needs more than a vacuum.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in China at a very high knot count.\u003c\/li\u003e\n  \u003cli\u003eSilk and viscose in the surface.\u003c\/li\u003e\n  \u003cli\u003eCream and beige floral field around a turquoise-centered medallion.\u003c\/li\u003e\n  \u003cli\u003eBlack outer frame drawing a hard edge around the pattern.\u003c\/li\u003e\n  \u003cli\u003eThe ground shifts between a pearl sheen and a soft matt with the light.\u003c\/li\u003e\n  \u003cli\u003eLow pile — light to handle, with little depth for dust to sit in.\u003c\/li\u003e\n  \u003cli\u003e171 × 243 cm (5'7\" × 8'0\") — a sitting room, a bedroom, a wide hall.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing. One only.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eThe turquoise is the detail people notice last and remember first.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Cream \/ 171 X 243","offer_id":45638740803817,"sku":"SARBIT000350.01","price":230000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/CerceveDesenliElDokumaKremPamukViskonIplikliHali_1.jpg?v=1706089135"},{"product_id":"el-dokuma-krem-viskon-iplikli-klasik-hali","title":"Cream Classic Hand-Knotted Viscose Rug","description":"\u003cp\u003e\u003cstrong\u003eThis looks like a silk rug and is not one. The pile is viscose, with a small proportion of synthetic yarn worked in for strength, and the house prefers to say so outright. Cream ground, gold and blue Anatolian motifs, knotted by hand in China over a run of months. Thin, bright, and made once.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eGold and blue is a pairing classical weaving uses sparingly, because gold turns brassy against the wrong ground; on cream it stays warm. The Anatolian motifs are drawn small and repeated over the field instead of collecting into a medallion, so the rug has no single center and can be turned in a room without looking wrong. Viscose returns light strongly, which is why the gold reads as metal from standing height and as ordinary yellow when you crouch beside it.\u003c\/p\u003e\n\n\u003cp\u003eMost of the yarn is viscose, a fiber spun from cellulose that takes dye brilliantly and takes light the way silk does; the remainder is synthetic, added for tensile strength, because viscose on its own is weak when wet. The knots run into the hundreds of thousands, all set by hand in China over months. The trade-off is the honest part: viscose delivers the sheen and the thinness of silk at a different level of the market, and in exchange it marks more easily and dislikes standing water. It should be washed by hands that know what they are doing, and by no others.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eTied in China by hand, across months of work.\u003c\/li\u003e\n  \u003cli\u003eMostly viscose, with a small share of synthetic yarn for strength.\u003c\/li\u003e\n  \u003cli\u003eCream ground with gold and blue Anatolian motifs across the field.\u003c\/li\u003e\n  \u003cli\u003eThin and bright, with a silk-like return of light.\u003c\/li\u003e\n  \u003cli\u003eMarks more readily than wool and does not like standing water.\u003c\/li\u003e\n  \u003cli\u003eNo central medallion, so it can be laid in either direction.\u003c\/li\u003e\n  \u003cli\u003eWashing by a specialist only.\u003c\/li\u003e\n  \u003cli\u003eA single piece.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eIs viscose the same thing as silk?\u003c\/h3\u003e\n\u003cp\u003eNo. Viscose is spun from cellulose and silk is spun by an insect. Viscose reflects light in a similar way and can be woven just as fine, but it is weaker, particularly when wet, and it will not wear as long as silk or wool.\u003c\/p\u003e\n\n\u003ch3\u003eWhy is there synthetic yarn in a hand-knotted rug?\u003c\/h3\u003e\n\u003cp\u003eViscose has low tensile strength on its own. A small proportion of synthetic yarn is worked in to keep the structure sound under weight, and this house states the content rather than describing the rug as entirely plant-based.\u003c\/p\u003e\n\n\u003cp\u003eWhat it gives up in ruggedness it returns in light, which is a fair exchange in a room with enough furniture to hold the floor down.\u003c\/p\u003e\n\n\u003cscript type=\"application\/ld+json\"\u003e\n{\n  \"@context\": \"https:\/\/schema.org\",\n  \"@type\": \"FAQPage\",\n  \"mainEntity\": [\n    {\n      \"@type\": \"Question\",\n      \"name\": \"Is viscose the same thing as silk?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"No. Viscose is spun from cellulose and silk is spun by an insect. Viscose reflects light in a similar way and can be woven just as fine, but it is weaker, particularly when wet, and it will not wear as long as silk or wool.\"\n      }\n    },\n    {\n      \"@type\": \"Question\",\n      \"name\": \"Why is there synthetic yarn in a hand-knotted rug?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"Viscose has low tensile strength on its own. A small proportion of synthetic yarn is worked in to keep the structure sound under weight, and this house states the content rather than describing the rug as entirely plant-based.\"\n      }\n    }\n  ]\n}\n\u003c\/script\u003e","brand":"HALICIZADE","offers":[{"title":"Cream \/ 169 X 240","offer_id":45638761644265,"sku":"SARBIT000331.01","price":225000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaKremViskonIplikliKlasikHali_1.jpg?v=1706088252"},{"product_id":"zade-serisi-cicek-desenli-ipek-el-dokuma-krem-hali","title":"Cream Floral Handwoven Silk Rug with Geometric Border, Nahar Series","description":"\u003cp\u003e\u003cstrong\u003eThin branches and small flowers spread over a cream ground the way a garden looks at seven in the morning, before the color has come up in it. This is a handwoven Nahar Series rug, roughly nine-tenths silk and one-tenth wool, made in China across several months, with a geometric border closing the composition. The design has gone out of production.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eNothing in the field announces itself. The branches are drawn thin and the flowers small, in pastel tones a single step away from the ground they sit on, and from the doorway the whole rug reads as one pale surface. Walk onto it and the drawing resolves. The border follows the opposite instinct — geometric, firm, traditional in shape — putting a hard edge around a soft field and stopping the composition from drifting. The motifs themselves belong to the Anatolian and Central Asian flower repertoire.\u003c\/p\u003e\n\n\u003cp\u003eSilk makes up about ninety percent of the yarn and wool about ten. The wool is not filler: a pile of pure silk at this fineness collapses under weight, and the wool is what lets it recover. Weaving took months in a Chinese workshop, and that workshop no longer produces the design, so what is in circulation is what there is. It is fine, low in pile, and better suited to a quiet room than a busy one. For anything beyond dust, use a rug washer.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eRoughly 90% silk and 10% wool, woven by hand in China.\u003c\/li\u003e\n  \u003cli\u003eMonths of work; the design is no longer produced.\u003c\/li\u003e\n  \u003cli\u003eCream ground with thin branches and small flowers in pastel tones.\u003c\/li\u003e\n  \u003cli\u003eA geometric border framing a deliberately soft field.\u003c\/li\u003e\n  \u003cli\u003eAnatolian and Central Asian flower motifs.\u003c\/li\u003e\n  \u003cli\u003eFine and low in pile; a quiet room suits it better than a busy one.\u003c\/li\u003e\n  \u003cli\u003eProfessional cleaning only.\u003c\/li\u003e\n  \u003cli\u003eOne piece.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eIt is a rug for people who like being the only ones who notice something, and it stays that way for years.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Cream \/ 216 X 307","offer_id":45687437361385,"sku":"SARZAD000016.01","price":430000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ZadeSerisiCicekDesenliIpekliElDokumaKremHali_1.jpg?v=1705498931"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/collections\/cerceve-800x500-tiksiz.png?v=1784440593","url":"https:\/\/www.halicizade.com\/en\/collections\/framed-rugs.oembed?page=6","provider":"HALICIZADE","version":"1.0","type":"link"}