{"title":"Halıcızade House Collection","description":"\u003cp\u003e\u003cstrong\u003eThe Halıcızade collection holds every in-stock rug the house produces under its own name — hand-knotted wool from Anatolia, Afghanistan and India, loom-woven series in wool, tencel and viscose, machine-woven rugs, flat-woven kilims and rug-faced cushions — as distinct from the guest labels and outside pattern lines the store also carries.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis is a production filter rather than a style. Roughly a thousand pieces sit inside it, and they have nothing in common except who stands behind them. What follows is how the house builds a rug, what the named series are, and how to cut a collection this size down to something you can actually look through.\u003c\/p\u003e\n\n\u003ch2\u003eWhat the house makes, and what it only sells\u003c\/h2\u003e\n\u003cp\u003eEverything on this page is the house's own; two guest labels and one outside pattern line are not.\u003c\/p\u003e\n\u003cp\u003eCaché Istanbul and Studio Potato are independent design studios whose work the store carries, and the Versace-pattern rugs are an outside pattern line. They appear in the full catalog but not here. Anything on this page was drawn, specified or commissioned by the house and is sold under its name, which is the only thing the collection asserts.\u003c\/p\u003e\n\n\u003ch2\u003eFour ways a rug gets made\u003c\/h2\u003e\n\u003cp\u003eThe house works in all four, and the difference is one of method and time rather than of quality.\u003c\/p\u003e\n\u003ctable\u003e\n\u003ctr\u003e\u003cth\u003eConstruction\u003c\/th\u003e\u003cth\u003eHow it is made\u003c\/th\u003e\u003cth\u003eFeel\u003c\/th\u003e\u003cth\u003eSuits\u003c\/th\u003e\u003c\/tr\u003e\n\u003ctr\u003e\u003ctd\u003eHand-knotted\u003c\/td\u003e\u003ctd\u003eKnot by knot on a vertical loom; months for one rug\u003c\/td\u003e\u003ctd\u003eDense, heavy, deep pile\u003c\/td\u003e\u003ctd\u003eFine drawing, long ownership, pieces meant to be kept\u003c\/td\u003e\u003c\/tr\u003e\n\u003ctr\u003e\u003ctd\u003eLoom-woven\u003c\/td\u003e\u003ctd\u003eRow by row on a hand-operated loom, with a controlled weave structure\u003c\/td\u003e\u003ctd\u003eEven, medium weight, consistent sizing\u003c\/td\u003e\u003ctd\u003ePattern and density at well under a hand-knotted price\u003c\/td\u003e\u003c\/tr\u003e\n\u003ctr\u003e\u003ctd\u003eFlat-woven (kilim)\u003c\/td\u003e\u003ctd\u003eWeft-faced, no pile, reversible\u003c\/td\u003e\u003ctd\u003eThin, light, packable\u003c\/td\u003e\u003ctd\u003eLayering, entries, warm months, walls\u003c\/td\u003e\u003c\/tr\u003e\n\u003ctr\u003e\u003ctd\u003eMachine-woven\u003c\/td\u003e\u003ctd\u003ePower loom, patterns reproduced at scale\u003c\/td\u003e\u003ctd\u003eUniform, light to medium\u003c\/td\u003e\u003ctd\u003eCorridors, kitchens, children's rooms, first apartments\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003cp\u003eEach has its own page: \u003ca href=\"\/en\/collections\/hand-knotted-rugs\"\u003ehand-knotted rugs\u003c\/a\u003e, \u003ca href=\"\/en\/collections\/power-loomed-rugs\"\u003eloom-woven rugs\u003c\/a\u003e, \u003ca href=\"\/en\/collections\/kilim-rugs\"\u003ehandwoven kilims\u003c\/a\u003e and \u003ca href=\"\/en\/collections\/machine-rugs\"\u003emachine-woven rugs\u003c\/a\u003e.\u003c\/p\u003e\n\n\u003ch2\u003eThe named series\u003c\/h2\u003e\n\u003cp\u003eMost of the collection is organized into series, each with its own fiber, palette and size range.\u003c\/p\u003e\n\u003cp\u003eZade and Tempus work classical drawing — medallions, tree-of-life fields, Mamluk and framed layouts — in tencel and viscose or in wool. Nika and Zara run quiet and Scandinavian, in plain grounds and light geometry. Nova is machine-woven viscose in abstract drawing, made in the widest spread of sizes including runners up to 400 cm. Maison is hand-knotted in India in wool, viscose and bamboo yarn; Mihman and Şahzade are hand-knotted wool from Afghanistan. Urkum is loom-woven wool on cotton. The series pages carry the detail; this one carries all of them at once.\u003c\/p\u003e\n\n\u003ch2\u003eThe village weavings\u003c\/h2\u003e\n\u003cp\u003eAlongside the series, the house buys and sells old Anatolian rugs one at a time.\u003c\/p\u003e\n\u003cp\u003eThese are the pieces listed with a place name — Kırşehir, Taşpınar, Döşemealtı, Çanakkale, Yağcıbedir — and often with the phrase for a rug that came out of a household chest rather than a shop. They are wool, dyed with madder and indigo, drawn from memory rather than from a cartoon, and each exists once. Age is described using trade convention, which has no issuing authority behind it: antique means 100 years or more, semi-antique 50 to 100, vintage 20 to 80, and anything under that is new.\u003c\/p\u003e\n\n\u003ch2\u003eNarrowing it down\u003c\/h2\u003e\n\u003cp\u003eA thousand rugs is not a page you browse; it is a page you filter.\u003c\/p\u003e\n\u003cp\u003eStart with the room, then the size. A standard living room begins around 200 x 300 cm (6'7\" x 9'10\") with the front legs of the seating on the rug, and a large one wants 250 x 340 cm (8'2\" x 11'2\") or more with everything on. A corridor takes an 80 to 100 cm width in whatever length the hall runs. From there, filter by fiber — wool for warmth and resilience, viscose and tencel for sheen and a cooler hand, cotton for flat weaves — and by color last, since the size decision is the one that cannot be undone.\u003c\/p\u003e\n\n\u003ch2\u003eLiving with one\u003c\/h2\u003e\n\u003cp\u003eWool rugs want the same handful of habits, whatever the construction.\u003c\/p\u003e\n\u003cp\u003eVacuum without the beater bar, in the direction of the pile. Rotate twice a year so that light and traffic land somewhere new, and keep a rug out of a full south window, which fades madder faster than feet wear it. Blot spills rather than rubbing them. A hand-knotted wool rug in daily use is worth a professional wash every twelve to eighteen months; a machine-woven rug can go longer.\u003c\/p\u003e\n\n\u003ch2\u003eFrequently asked questions\u003c\/h2\u003e\n\u003ch3\u003eWhat is in the Halıcızade collection?\u003c\/h3\u003e\n\u003cp\u003eEvery rug in stock that the house makes or commissions under its own name — hand-knotted, loom-woven, machine-woven and flat-woven, across roughly a thousand listings. Labels the store carries but does not produce sit outside it.\u003c\/p\u003e\n\u003ch3\u003eWhich brands are not included here?\u003c\/h3\u003e\n\u003cp\u003eThe guest labels Caché Istanbul and Studio Potato, and the Versace-pattern line. Those are designed elsewhere and carried by the store; this page is limited to the house's own production.\u003c\/p\u003e\n\u003ch3\u003eIs this a single style?\u003c\/h3\u003e\n\u003cp\u003eNo. It is a production filter, not a look. It holds Anatolian village weavings, Afghan and Indian hand-knotted rugs, Scandinavian-drawn loom-woven series and machine-woven rugs, unified only by whose name is on them.\u003c\/p\u003e\n\u003ch3\u003eWhat is the difference between hand-knotted and loom-woven here?\u003c\/h3\u003e\n\u003cp\u003eA hand-knotted rug is tied knot by knot on a vertical loom and takes months. A loom-woven rug is built row by row on a hand-operated loom, which is faster and costs less while keeping a dense pile and consistent sizing.\u003c\/p\u003e\n\u003ch3\u003eWhere are the rugs woven?\u003c\/h3\u003e\n\u003cp\u003eTürkiye, India, Afghanistan and Pakistan, depending on the series. Village weavings and the flat-woven pieces are largely Anatolian; the modern loom-woven and hand-knotted series are woven in India; the dense figurative wool rugs come from Afghanistan.\u003c\/p\u003e\n\u003ch3\u003eHow do I narrow a collection this large?\u003c\/h3\u003e\n\u003cp\u003eFilter by room, by size in square meters, by color or by fiber rather than scrolling. A living room usually starts at 200 x 300 cm (6'7\" x 9'10\"), and the size collections list which dimensions land in each area band.\u003c\/p\u003e\n\u003ch3\u003eCan a rug be woven to a size that is not stocked?\u003c\/h3\u003e\n\u003cp\u003eYes, for several of the hand-knotted and loom-woven series. Custom dimensions are made to order for both homes and contract projects, and lead time depends on the series and the size.\u003c\/p\u003e\n\n\u003cscript type=\"application\/ld+json\"\u003e{\"@context\": \"https:\/\/schema.org\", \"@type\": \"FAQPage\", \"mainEntity\": [{\"@type\": \"Question\", \"name\": \"What is in the Halıcızade collection?\", \"acceptedAnswer\": {\"@type\": \"Answer\", \"text\": \"Every rug in stock that the house makes or commissions under its own name — hand-knotted, loom-woven, machine-woven and flat-woven, across roughly a thousand listings. Labels the store carries but does not produce sit outside it.\"}}, {\"@type\": \"Question\", \"name\": \"Which brands are not included here?\", \"acceptedAnswer\": {\"@type\": \"Answer\", \"text\": \"The guest labels Caché Istanbul and Studio Potato, and the Versace-pattern line. Those are designed elsewhere and carried by the store; this page is limited to the house's own production.\"}}, {\"@type\": \"Question\", \"name\": \"Is this a single style?\", \"acceptedAnswer\": {\"@type\": \"Answer\", \"text\": \"No. It is a production filter, not a look. It holds Anatolian village weavings, Afghan and Indian hand-knotted rugs, Scandinavian-drawn loom-woven series and machine-woven rugs, unified only by whose name is on them.\"}}, {\"@type\": \"Question\", \"name\": \"What is the difference between hand-knotted and loom-woven here?\", \"acceptedAnswer\": {\"@type\": \"Answer\", \"text\": \"A hand-knotted rug is tied knot by knot on a vertical loom and takes months. A loom-woven rug is built row by row on a hand-operated loom, which is faster and costs less while keeping a dense pile and consistent sizing.\"}}, {\"@type\": \"Question\", \"name\": \"Where are the rugs woven?\", \"acceptedAnswer\": {\"@type\": \"Answer\", \"text\": \"Türkiye, India, Afghanistan and Pakistan, depending on the series. Village weavings and the flat-woven pieces are largely Anatolian; the modern loom-woven and hand-knotted series are woven in India; the dense figurative wool rugs come from Afghanistan.\"}}, {\"@type\": \"Question\", \"name\": \"How do I narrow a collection this large?\", \"acceptedAnswer\": {\"@type\": \"Answer\", \"text\": \"Filter by room, by size in square meters, by color or by fiber rather than scrolling. A living room usually starts at 200 x 300 cm (6'7\\\" x 9'10\\\"), and the size collections list which dimensions land in each area band.\"}}, {\"@type\": \"Question\", \"name\": \"Can a rug be woven to a size that is not stocked?\", \"acceptedAnswer\": {\"@type\": \"Answer\", \"text\": \"Yes, for several of the hand-knotted and loom-woven series. Custom dimensions are made to order for both homes and contract projects, and lead time depends on the series and the size.\"}}]}\u003c\/script\u003e\n\n\u003cp\u003e\u003cstrong\u003eRelated collections:\u003c\/strong\u003e \u003ca href=\"\/en\/collections\/custom-rugs\"\u003ecustom-woven rugs\u003c\/a\u003e \u0026middot; \u003ca href=\"\/en\/collections\/new-arrivals\"\u003enew arrivals\u003c\/a\u003e\u003c\/p\u003e","products":[{"product_id":"humayun-serisi-anadolu-desenli-mavi-el-dokuma-hali","title":"Blue Anatolian Medallion Hand-Knotted Wool Rug, Hümayun Series","description":"\u003cp\u003e\u003cstrong\u003eA medallion sits at the center and holds the whole rug together, drawn from Anatolian and Middle Eastern sources and worked in modern blues rather than the old ones. Hand-knotted in India: wool and cotton in the ground, viscose through the motifs where it shines like silk, and the pattern cut into relief by hand with shears. Five sizes, and the biggest of them is 250 × 350 cm (8'2\" × 11'6\").\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eTwo traditions meet in the drawing and neither wins. The Anatolian half supplies the medallion and the framing bands; the Middle Eastern half supplies the density of the small ornament between them. The blues are current rather than antique — a cooler, cleaner range than a nineteenth-century rug would use — and the effect is that an old composition reads as a new object. Where the viscose runs, the pattern catches light and lifts off the wool around it, so the medallion appears to sit slightly above its own ground.\u003c\/p\u003e\n\n\u003cp\u003eKnot density is high, which is the only reason ornament this fine survives being woven at all, and the carving afterward is what gives the relief. Both are hand operations and both take time. The rug does its best work where people arrive rather than where they settle — an entrance hall, a study, a room where one object is expected to carry the space.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in India for Halıcızade.\u003c\/li\u003e\n  \u003cli\u003eWool and cotton in the ground, viscose worked through the motifs for shine.\u003c\/li\u003e\n  \u003cli\u003eAnatolian medallion with Middle Eastern ornament, in contemporary blues.\u003c\/li\u003e\n  \u003cli\u003eThe pattern is carved into relief by hand with shears after weaving.\u003c\/li\u003e\n  \u003cli\u003eHigh knot density, which is what keeps the fine ornament readable.\u003c\/li\u003e\n  \u003cli\u003eFive sizes, from 125 × 185 cm to 250 × 350 cm.\u003c\/li\u003e\n  \u003cli\u003eWashing by a specialist, and no home shampoo on the viscose.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eRugs built around a single medallion get harder to move as the years pass, because a room ends up arranged around the middle of them.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Navy blue \/ 125 X 185","offer_id":44370998526185,"sku":"EKOHUM000001.05","price":58000.0,"currency_code":"TRY","in_stock":false},{"title":"Navy blue \/ 170 X 240","offer_id":46029630243049,"sku":"EKOHUM000001.02","price":102000.0,"currency_code":"TRY","in_stock":true},{"title":"Navy blue \/ 200 X 270","offer_id":46029630275817,"sku":"EKOHUM000001.06","price":135000.0,"currency_code":"TRY","in_stock":true},{"title":"Navy blue \/ 250 X 300","offer_id":46029630308585,"sku":"EKOHUM000001.01","price":188000.0,"currency_code":"TRY","in_stock":true},{"title":"Navy blue \/ 250 X 350","offer_id":46029630341353,"sku":"EKOHUM000001.04","price":220000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/HumayunSerisiAnadoluDesenliMaviElDokumaHali_1.jpg?v=1709564090"},{"product_id":"lori-baft-serisi-el-dokuma-sade-desenli-krem-yun-hali","title":"Cream Plain Handwoven Wool Rug, Lori Baft Series","description":"\u003cp\u003e\u003cstrong\u003eBaft is the Persian word for woven, and Lori Baft is the name a whole family of thick, plainly drawn handwoven rugs goes by. This one is cream with brown in it, handwoven in wool on cotton in India, 120 × 180 cm (3'11\" × 5'11\"). There is one of it.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003ePlain is the hardest thing to weave well, because there is no pattern to hide behind and every irregularity in the yarn shows. What you get in exchange is abrash — the faint horizontal banding that appears where wool from two dye lots meets in one field, a shade apart and no more. On a patterned rug abrash is a flaw. On a plain cream field it is the whole visual event, and the brown here is what it has to play against.\u003c\/p\u003e\n\n\u003cp\u003eIt was woven in India, wool over cotton, and the wool is thick enough that the pile stands rather than lying flat. At 120 × 180 cm this is a rug for one specific job: in front of a sofa, beside a bed, or under a small dining table for two. It is not big enough to organize a living room and it should not be asked to. Cream wool at floor level is honest work — it will need vacuuming more often than a dark rug and it will look worse than a dark rug between cleans. A professional wash restores it; nothing at home does. One piece, at this size, in this arrangement of tone.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven in India, wool pile on a cotton foundation.\u003c\/li\u003e\n  \u003cli\u003ePlain drawing in cream, with brown running through the field.\u003c\/li\u003e\n  \u003cli\u003e120 × 180 cm (3'11\" × 5'11\"), one piece only.\u003c\/li\u003e\n  \u003cli\u003eAbrash — the soft banding left by separate dye lots — is visible and is not a defect.\u003c\/li\u003e\n  \u003cli\u003eA thick pile that stands up rather than lying down.\u003c\/li\u003e\n  \u003cli\u003eSized for a sofa front, a bedside, or a small table.\u003c\/li\u003e\n  \u003cli\u003eBaft means woven in Persian; the series keeps its name untranslated.\u003c\/li\u003e\n  \u003cli\u003eRestore it with a professional wash rather than a home method.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003ePlain rugs get bought to disappear, and the good ones turn out to be the thing people put a hand down to touch.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Cream \/ 120 X 180","offer_id":40742938673346,"sku":"EKOLOR000027.01","price":35000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/LoriBaftSerisiElDokumaSadeDesenliKremYunHali_1.jpg?v=1709565473"},{"product_id":"tezgah-dokuma-cizgi-desenli-kahverengi-yun-hali","title":"Brown Striped Loom-Woven Wool Rug","description":"\u003cp\u003e\u003cstrong\u003eNo two stripes on it are the same width. Brown Striped Loom-Woven Wool Rug — brown ground crossed by uneven lines in cinnamon, yellow and red, made in India at 120 × 180 cm (3'11\" × 5'11\"), at 90 × 300 cm (2'11\" × 9'10\") and at 200 × 300 cm, six foot seven by nine foot ten.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eRegular stripes calm a floor down; irregular ones keep it awake, and this rug is deliberately on the second side of that line. The lines wander in thickness and spacing, so the surface has movement in it without ever arriving at a pattern you could name. Brown carries the whole thing — the color of soil, more or less, and the reason the yellow and the red read as warm rather than as bright. There is a faint sheen across it, and it is worth knowing where that comes from: not from a finish, but from the bamboo viscose worked in among the wool.\u003c\/p\u003e\n\n\u003cp\u003eLoom-woven in India: the frame builds what you walk on, and a weaver does everything that shows at the edges. Wool, bamboo viscose and cotton share the surface, giving a hand that is soft without going slack, and the pile is woven at the familiar mid-height that wears for years rather than seasons. The 90 × 300 cm size exists for corridors and is the one most people overlook. Professional washing; brown hides more than it should, which is not an excuse to leave it.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eLoom-woven in India in wool, bamboo viscose and cotton.\u003c\/li\u003e\n  \u003cli\u003eUneven stripes in cinnamon, yellow and red on a brown ground.\u003c\/li\u003e\n  \u003cli\u003eThe sheen comes from the bamboo viscose, not from any treatment.\u003c\/li\u003e\n  \u003cli\u003eMid-height pile, thick and firm underfoot.\u003c\/li\u003e\n  \u003cli\u003eThree sizes, including a 90 × 300 cm (2'11\" × 9'10\") runner for a corridor.\u003c\/li\u003e\n  \u003cli\u003eA faded, vintage-patterned version of the same construction is also made.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eIn a minimal room it is the one thing with a temperature; in a crowded one it is the thing that stops the argument.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Brown \/ 120 X 180","offer_id":44157935812841,"sku":"HALHDL000005.01","price":17400.0,"currency_code":"TRY","in_stock":true},{"title":"Brown \/ 90X300","offer_id":45794918105321,"sku":"HALHDL000005.02","price":21600.0,"currency_code":"TRY","in_stock":true},{"title":"Brown \/ 200 X 300","offer_id":46209786380521,"sku":"HALHDL000005.03","price":48000.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaCizgiDesenliKahverengiYunHali_6.jpg?v=1718349544"},{"product_id":"anadolu-desenli-el-dokuma-kirmizi-ipek-klasik-hali","title":"Navy Anatolian Hand-Knotted Pure Silk Rug","description":"\u003cp\u003e\u003cstrong\u003eAt 82 × 119 cm (2'8\" × 3'11\") this is a rug for one specific place — in front of a chair, at a bedside, on a wall: Navy Anatolian Hand-Knotted Pure Silk Rug, knotted in Türkiye entirely in silk, with classical Anatolian drawing worked in red, navy and cream. There is one of it.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eSilk is what makes a size this small worth doing. A wool rug of the same dimensions would read as a mat, whereas silk holds detail at a scale wool cannot, so the motifs stay legible from standing height and the piece behaves more like a framed object than a floor covering. Navy carries the field. Red and cream do the drawing. Because silk reflects along the direction of the pile, the rug is bright from one end and dark from the other, and turning it around changes the color of that corner of the room.\u003c\/p\u003e\n\n\u003cp\u003eIt was knotted by hand in Türkiye, in silk throughout, pile and detail both, which has become uncommon at any size. The finer the yarn, the more knots go into a square decimeter and the longer the weaving takes; that is the whole economics of a silk rug and the reason so few are made now. Direct sun will take the color out of it over years. Spilled liquid needs lifting immediately rather than eventually. Cleaning is specialist work. One piece, and there is not a second.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in Türkiye from silk alone, with no wool or cotton in the pile.\u003c\/li\u003e\n  \u003cli\u003eClassical Anatolian drawing in red, navy and cream on a navy field.\u003c\/li\u003e\n  \u003cli\u003eSmall at 82 × 119 cm, sized for a chair, a bedside or a wall.\u003c\/li\u003e\n  \u003cli\u003eSilk reflects along the lay of the pile, so the rug is light from one end and dark from the other.\u003c\/li\u003e\n  \u003cli\u003eSunlight is what will damage it; place it away from an unshaded window.\u003c\/li\u003e\n  \u003cli\u003eLift spills at once; cleaning is specialist work.\u003c\/li\u003e\n  \u003cli\u003eA single piece. There is no second one behind it.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eMost rugs are bought for a room; this one is bought for a square meter of it, and will outlast the room.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Navy blue \/ 82 X 119","offer_id":44252113764585,"sku":"HADIPE000001.01","price":250000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/AnadoluDesenliElDokumaKirmiziIpekKlasikHali_2.jpg?v=1706092127"},{"product_id":"hanzade-serisi-el-dokuma-cerceve-desenli-krem-hali","title":"Cream Bordered Hand-Knotted Silk-Blend Rug, Hanzade Series","description":"\u003cp\u003e\u003cstrong\u003eIt handles like dress fabric rather than floor covering: Cream Bordered Hand-Knotted Silk-Blend Rug, Hanzade Series — 122 × 177 cm (4'0\" × 5'10\"), knotted in Türkiye, a cream field inside a classical border of earth and honey tones, with enough silk in the pile to make the surface move under the hand.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe cream is not one cream. Warm milk, faint beige and the thin lines of the weave itself come and go depending on where you stand, and the border — curved, classical, drawn in earth and honey — closes the field without hardening it. At this size the rug does not cover a room, it marks a place in one: under a bergère, along a reading corner, at the foot of a bed. That is what it was drawn to do, and it does it without asking for attention.\u003c\/p\u003e\n\n\u003cp\u003eMonths of knotting go into a rug worked this finely, and the fringes at both ends are tied individually by hand after the pile is finished, which is the visible signature of that labor. The pile is heavy in silk, and that is where the fluidity comes from; rugs woven this way are made in smaller numbers every year. Underfoot it is light, warm and faintly slippery — worth knowing before it goes at the bottom of a staircase. It is a single piece, and washing is a specialist's job.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in Türkiye, with a silk-heavy pile.\u003c\/li\u003e\n  \u003cli\u003eCream field with a curved classical border in earth and honey tones.\u003c\/li\u003e\n  \u003cli\u003eFringes tied one at a time by hand, after the knotting is finished.\u003c\/li\u003e\n  \u003cli\u003eMeasures 122 × 177 cm, drawn to define a corner rather than fill a room.\u003c\/li\u003e\n  \u003cli\u003eLight and faintly slippery underfoot; think twice about stair bottoms and thresholds.\u003c\/li\u003e\n  \u003cli\u003eMonths of work in a single piece.\u003c\/li\u003e\n  \u003cli\u003eA specialist washer, and no one else.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eSit in the chair it goes under and you will end up touching it with a bare foot, which is the honest reason to own it.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Cream \/ 122 X 177","offer_id":40809443229890,"sku":"HALHAN000011.01","price":130000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/HanzadeSerisiElDokumaCerceveDesenliKremHali_1.jpg?v=1709566338"},{"product_id":"anadolu-desenli-el-dokuma-turkuaz-ipek-hali","title":"Turquoise Anatolian Hand-Knotted Pure Silk Rug","description":"\u003cp\u003e\u003cstrong\u003eTurquoise and midnight blue run into each other through the center and the borders answer them in yellow and a warm red-brown: Turquoise Anatolian Hand-Knotted Pure Silk Rug — 84 × 125 cm (2'9\" × 4'1\"), knotted in Türkiye in silk alone, symmetrical in its drawing, with fringes at both ends. A single piece.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eTurquoise is a difficult color in a rug and it works here because it is never left alone. The midnight blue keeps it from going sweet, the yellow in the border keeps it from going cold, and the red-brown grounds the whole arrangement. Silk does the rest. The pile catches light along its lay, so the turquoise comes up bright from one direction and goes nearly gray from the other, and the pattern appears to lift and settle again as you walk past it.\u003c\/p\u003e\n\n\u003cp\u003eIt was knotted by hand in Türkiye from silk yarn only, which is what allows drawing this fine at a size this small. Rugs of this kind are often laid on a table or hung on a wall rather than walked on, and that is a reasonable thing to do with this one. Keep it away from direct sun or the color will go. Cleaning is a job for someone who handles silk, not a domestic one. It is a single piece, and it was not made as part of a run.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eKnotted by hand in Türkiye from silk yarn and nothing else.\u003c\/li\u003e\n  \u003cli\u003eTurquoise and midnight blue at the center; yellow and red-brown in the borders.\u003c\/li\u003e\n  \u003cli\u003eSymmetrical drawing, with fringes finished at both ends.\u003c\/li\u003e\n  \u003cli\u003e84 × 125 cm — table, wall or a small stretch of floor.\u003c\/li\u003e\n  \u003cli\u003eBright from one direction and gray from the other, along the lay of the pile.\u003c\/li\u003e\n  \u003cli\u003eDirect sunlight will fade it; keep it out of a south window.\u003c\/li\u003e\n  \u003cli\u003eCleaning by someone who handles silk.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eHang it and it stops being a rug; walk on it and it stops being a picture. Either use is defensible.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Blue \/ 84 X 125","offer_id":44252113895657,"sku":"HADIPE000003.01","price":265000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/AnadoluDesenliElDokumaTurkuazIpekHali_2.jpg?v=1706092212"},{"product_id":"saf-ipek-anadolu-el-dokuma-klasik-hali","title":"Burgundy Anatolian Hand-Knotted Pure Silk Rug","description":"\u003cp\u003e\u003cstrong\u003eTwo weavers, and between a year and a half and two years of work: Burgundy Anatolian Hand-Knotted Pure Silk Rug — 202 × 284 cm (6'8\" × 9'4\") in Bursa silk throughout, a burgundy ground carrying gold and navy Anatolian drawing, with an open center and a deep classical border. One piece.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe center is left empty on purpose, which is why a low table can stand on it without ruining the composition; the drawing is concentrated in the border and the corners, and the field exists to be crossed. Gold gives the pattern its light and navy gives it its edges, and against the burgundy the two behave differently at different hours — the gold flattens in daylight and comes up under lamps. Silver-toned furniture suits it, and so does light oak or maple flooring, which stops the burgundy from sinking into a dark floor.\u003c\/p\u003e\n\n\u003cp\u003eThe silk comes from Bursa, the Ottoman silk city, where mulberry has been grown and silk reeled for centuries. Very little Bursa silk now goes into rugs at all, so pieces like this are bought as collected objects at least as much as floor covering. The weave is a 6 × 6 knot density, which is what allows the fine detail in the border to be drawn rather than suggested, and which is also why two people needed close to two years to finish it. It is fragile by construction: lift spills at once, keep it out of direct sun, be careful with it around animals, vacuum on the lowest setting, and have it washed away from the house.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in Bursa, Türkiye, from pure Bursa silk.\u003c\/li\u003e\n  \u003cli\u003eBurgundy ground with gold and navy Anatolian drawing, and an open center.\u003c\/li\u003e\n  \u003cli\u003e6 × 6 knot density, tied by two weavers over a year and a half to two years.\u003c\/li\u003e\n  \u003cli\u003e202 × 284 cm, with the pattern held in the border and the corners.\u003c\/li\u003e\n  \u003cli\u003eSuits silver-toned furniture and pale maple or oak flooring.\u003c\/li\u003e\n  \u003cli\u003eDelicate: low-suction vacuuming, no direct sun, care around pets.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing only.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat is Bursa silk?\u003c\/h3\u003e\n\u003cp\u003eBursa, in northwest Türkiye, was the center of Ottoman silk production and reels silk still. Very little of it now goes into rug weaving, so a rug knotted entirely from Bursa silk is bought as a collected object at least as much as a floor covering.\u003c\/p\u003e\n\n\u003ch3\u003eWhy did this rug take two years to weave?\u003c\/h3\u003e\n\u003cp\u003eIt follows from the knot density. At 6 × 6 the number of individually tied knots in a piece of 202 × 284 cm is very large, and two weavers working together needed between a year and a half and two years to complete it.\u003c\/p\u003e\n\n\u003cp\u003eIt is the sort of rug that gets moved from house to house rather than replaced, and the reason to buy the open center is that a table will not spoil it.\u003c\/p\u003e\n\n\u003cscript type=\"application\/ld+json\"\u003e{\"@context\": \"https:\/\/schema.org\", \"@type\": \"FAQPage\", \"mainEntity\": [{\"@type\": \"Question\", \"name\": \"What is Bursa silk?\", \"acceptedAnswer\": {\"@type\": \"Answer\", \"text\": \"Bursa, in northwest Türkiye, was the center of Ottoman silk production and reels silk still. Very little of it now goes into rug weaving, so a rug knotted entirely from Bursa silk is bought as a collected object at least as much as a floor covering.\"}}, {\"@type\": \"Question\", \"name\": \"Why did this rug take two years to weave?\", \"acceptedAnswer\": {\"@type\": \"Answer\", \"text\": \"It follows from the knot density. At 6 × 6 the number of individually tied knots in a piece of 202 × 284 cm is very large, and two weavers working together needed between a year and a half and two years to complete it.\"}}]}\u003c\/script\u003e","brand":"HALICIZADE","offers":[{"title":"Red \/ 202 X 284","offer_id":40809470722242,"sku":"HADIPE000007.01","price":1450000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/BursaIpekElDokumaKlasikHali_8.jpg?v=1711282627"},{"product_id":"el-dokuma-anadolu-desenli-rengarenk-kayseri-kilim","title":"Multicolor Anatolian Handwoven Wool Kayseri Kilim","description":"\u003cp\u003e\u003cstrong\u003eKayseri sits at the foot of Erciyes in central Anatolia and has been weaving for as long as the records go back. This is a handwoven wool kilim from there: flat, pileless, multicolored, worked in the Anatolian motif repertoire, 114 × 199 cm (3'9\" × 6'6\"). A single piece, and an older one.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eA kilim is weft-faced, which is the technical way of saying that the horizontal threads are beaten down so tightly that the vertical ones vanish under them. Nothing is knotted, nothing stands proud, and the pattern exists only as the meeting of colored wefts — which is why kilim motifs are always angular, why the piece weighs so little, and why the reverse is as finished as the front. Where two colors meet along a vertical line the weaver leaves a slit, and holding one of these up to a window shows those slits as a row of small bright lines. That is correct construction, not damage.\u003c\/p\u003e\n\n\u003cp\u003eThe motifs are the standard Anatolian vocabulary — hooked forms, stepped diamonds, running borders — and the color is what marks it out, several strong dyes at once rather than a single dominant field. It was woven by hand, in wool, in Türkiye, and the house lists it among its older and rarer stock. Expect what that implies: a corner that has curled, a color that has moved a shade, an edge that is not perfectly straight. Have it washed by a kilim specialist before it goes down, and put a pad under it, because a flatweave with nothing beneath it wanders. One of one.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven in wool in Kayseri, central Türkiye.\u003c\/li\u003e\n  \u003cli\u003eWeft-faced flatweave: no pile, no knots, and the same face on both sides.\u003c\/li\u003e\n  \u003cli\u003e114 × 199 cm (3'9\" × 6'6\"), a single piece.\u003c\/li\u003e\n  \u003cli\u003eAnatolian motifs — hooked forms, stepped diamonds and running borders.\u003c\/li\u003e\n  \u003cli\u003eSlits along the vertical color joins are part of the technique.\u003c\/li\u003e\n  \u003cli\u003eLight enough to hang, and it is often the better use of one.\u003c\/li\u003e\n  \u003cli\u003eAn older piece, with the small irregularities that follow from that.\u003c\/li\u003e\n  \u003cli\u003eWashing by a kilim specialist, and a pad underneath.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eHung on a wall a kilim stops being furniture and starts being the drawing it always was.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Colorful \/ 114 X 199","offer_id":44251797389545,"sku":"HALKIL000008.01","price":29000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaAnadoluDesenliRengarenkKayseriKilim_1.jpg?v=1705490100"},{"product_id":"siyah-beyaz-post-tasarim-deri-post-hali-3577","title":"White and Black Cowhide Rug","description":"\u003cp\u003e\u003cstrong\u003eNo two of these have the same outline, because the outline is an animal. A white cowhide rug with black markings, from South America, 170 × 188 cm (5'7\" × 6'2\") at its widest points — the drawing is whatever that particular hide happened to carry, which is why it counts as abstract.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eA hide is not a rectangle and should not be treated as one. It is widest across the back, narrows to the neck and the legs, and its edges curve; laid down, it breaks up the geometry of a room in a way no woven rug can, and it is usually best set at an angle rather than squared to a wall. The markings sit where they sit. Black over white in irregular fields, hard-edged, with no repeat and no symmetry — the closest thing in nature to a modern painting, and the reason hides ended up in rooms full of steel and glass rather than in period ones.\u003c\/p\u003e\n\n\u003cp\u003eThis is a genuine hide and South America is where it came from. The hair lies in one direction and always will, so it looks different from either end of a room, and it takes a few days flat to lose the memory of how it was rolled. Cleaning is dry: brush along the lie of the hair, and hand it to a professional cleaner instead of putting it in water. A hide will not tolerate being soaked. There is one of this, with these markings, at these dimensions.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eA genuine cowhide from South America, white with black markings.\u003c\/li\u003e\n  \u003cli\u003e170 × 188 cm (5'7\" × 6'2\") at the widest points; the shape is irregular by nature.\u003c\/li\u003e\n  \u003cli\u003eThe markings belong to the animal, so no second hide matches them.\u003c\/li\u003e\n  \u003cli\u003eBest laid on the diagonal, where the curved edge does its work.\u003c\/li\u003e\n  \u003cli\u003eThe hair lies one way — the color reads differently from each end.\u003c\/li\u003e\n  \u003cli\u003eGive it a few days flat to forget the roll it arrived in.\u003c\/li\u003e\n  \u003cli\u003eBrush with the hair and clean dry; never soak it.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eEvery other rug in a house is a design somebody drew, and this is the one that was simply found.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"White \/ 170X188","offer_id":45803627675881,"sku":"EKODAN000047.01","price":19800.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/DeriSoyutDesenliBeyazPostHali_2.jpg?v=1714394377"},{"product_id":"el-dokuma-anadolu-desenli-rengarenk-van-kok-boya-kilim","title":"Multicolor Anatolian Handwoven Wool Van Kilim, Natural Dyes","description":"\u003cp\u003e\u003cstrong\u003eMadder root for the reds and indigo for the blues: kök boya is the Turkish term for dye taken from plants, and this kilim is colored with it. Handwoven wool, Anatolian in drawing, from Van in the far east of Türkiye, 158 × 208 cm (5'2\" × 6'10\"), and there is one.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003ePlant dye behaves differently from the synthetic kind in a way anyone can see. It does not sit at one exact value — madder from two different diggings gives two slightly different reds, and the difference stays visible in the finished piece as horizontal banding, which the trade calls abrash. It also ages by going quieter rather than by going gray, so a naturally dyed kilim at fifty years old looks like a softer version of itself instead of a faded one. The drawing carrying that color is the eastern Anatolian repertoire: stepped and hooked geometry, a strong border, and several color fields rather than one.\u003c\/p\u003e\n\n\u003cp\u003eVan lies on the eastern lake of the same name, about as far from the Aegean workshops as Anatolian weaving goes. A flatweave asks for a wool that will pack hard under the beater without felting, and that is the demand this construction makes of the fiber. The house lists the piece among its older and rarer stock, and it carries the slight crookedness and softening that go with that. What natural dye cannot do is take strong sunlight indefinitely, so keep it off the patch of floor that gets four hours of afternoon sun. Clean it through a specialist who knows plant dyes, since some solvents will move them. One of one.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven in wool in Van, eastern Türkiye.\u003c\/li\u003e\n  \u003cli\u003eColored with kök boya — plant dyes, madder for red and indigo for blue.\u003c\/li\u003e\n  \u003cli\u003e158 × 208 cm (5'2\" × 6'10\"), one piece.\u003c\/li\u003e\n  \u003cli\u003eAbrash banding is the signature of dye lots that were never identical.\u003c\/li\u003e\n  \u003cli\u003eEastern Anatolian geometry: stepped and hooked forms inside a firm border.\u003c\/li\u003e\n  \u003cli\u003ePlant color fades in direct sun; keep it out of a hot afternoon window.\u003c\/li\u003e\n  \u003cli\u003eAn older piece, carrying the softening that goes with age.\u003c\/li\u003e\n  \u003cli\u003eCleaning by a specialist who knows plant dyes.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003ePlant dye goes on changing after the loom is finished with it, which is the reason old kilims look better than new ones.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Colorful \/ 158 X 208","offer_id":42971753251049,"sku":"HALKIL000021.01","price":58000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaAnadoluDesenliRengarenkVanKokBoyaKilim_1_359612c5-001c-4d3b-b6e3-350796544340.jpg?v=1714742669"},{"product_id":"anadolu-desenli-el-dokuma-sandik-eskisi-tulu-kilim-5654","title":"Multicolor Anatolian Handwoven Tülü Runner Kilim","description":"\u003cp\u003e\u003cstrong\u003eSixty to a hundred years is the age the house puts on this one, which sets it between semi-antique and antique in the trade's own reckoning — conventions the rug business uses with no authority issuing them. A multicolor Anatolian tülü runner, handwoven in wool in Türkiye, 100 × 335 cm (3'3\" × 10'11\"), with orange running through it.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eA tülü is not a kilim and not a knotted rug: it is a long-pile Anatolian weaving in which loops of unspun or barely spun wool are worked into a flatwoven ground and left standing, giving a shaggy, uneven surface with a knot count far below that of a village rug. They were made for sleeping and sitting on rather than for display, which is why the drawing on them is loose and the color arrangement is closer to improvisation than to a pattern. Anatolian motifs appear, but interrupted, and the length of the pile blurs their edges further.\u003c\/p\u003e\n\n\u003cp\u003eSandık eskisi is the Turkish phrase for it — literally chest-old, a piece kept folded in a dowry chest and taken out only for guests, which is how a wool weaving survives this long at all. What comes with that history is real. Expect creases where it was folded for decades, some flattening in the pile, and color that has moved unevenly. A hundred by three hundred and thirty-five centimeters puts it squarely in a corridor, and at this age it should be washed by someone who handles old wool and nobody else. When this goes there is not another with these particular sixty years in it.\u003c\/p\u003e\n\n\u003ch3\u003eWhat is a tülü?\u003c\/h3\u003e\n\u003cp\u003eA tülü is a long-pile Anatolian weaving in which loops of thick, barely spun wool are worked into a flatwoven ground and left standing. The result is shaggy and uneven, with a much lower knot density than a village rug, and it was made to be slept and sat on rather than looked at.\u003c\/p\u003e\n\n\u003ch3\u003eWhat does sandık eskisi mean?\u003c\/h3\u003e\n\u003cp\u003eIt translates as chest-old: a piece that was kept folded away in a dowry chest and brought out only for guests. That is the usual explanation for how a wool weaving reaches sixty or a hundred years in usable condition, and it also explains the fold lines such pieces arrive with.\u003c\/p\u003e\n\n\u003cscript type=\"application\/ld+json\"\u003e{\"@context\":\"https:\/\/schema.org\",\"@type\":\"FAQPage\",\"mainEntity\":[{\"@type\":\"Question\",\"name\":\"What is a tülü?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"A tülü is a long-pile Anatolian weaving in which loops of thick, barely spun wool are worked into a flatwoven ground and left standing. The result is shaggy and uneven, with a much lower knot density than a village rug, and it was made to be slept and sat on rather than looked at.\"}},{\"@type\":\"Question\",\"name\":\"What does sandık eskisi mean?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"It translates as chest-old: a piece that was kept folded away in a dowry chest and brought out only for guests. That is the usual explanation for how a wool weaving reaches sixty or a hundred years in usable condition, and it also explains the fold lines such pieces arrive with.\"}}]}\u003c\/script\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven in wool in Türkiye; the house dates it at 60 to 100 years.\u003c\/li\u003e\n  \u003cli\u003eTülü construction: long loops of thick wool standing on a flatwoven ground.\u003c\/li\u003e\n  \u003cli\u003e100 × 335 cm (3'3\" × 10'11\") — corridor proportions.\u003c\/li\u003e\n  \u003cli\u003eMulticolored with orange dominant, in a loose Anatolian drawing.\u003c\/li\u003e\n  \u003cli\u003eSandık eskisi: kept folded in a chest, which is why it survived.\u003c\/li\u003e\n  \u003cli\u003eFold creases, flattened pile and uneven color come with the age.\u003c\/li\u003e\n  \u003cli\u003eTrade age terms are conventions with no issuing authority behind them.\u003c\/li\u003e\n  \u003cli\u003eWashing by someone who works on old wool.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWhoever wove this was making something to sleep on, and it has outlived every rug that was made to be admired.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Colorful \/ 100 X 335","offer_id":44252128313577,"sku":"HALİKİ000027.01","price":57000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/products\/ikinci-el-anadolu-desenli-el-dokuma-tulu-kilim-25521.jpg?v=1689706227"},{"product_id":"el-dokuma-patchwork-desenli-rengarenk-sal-hali","title":"Multicolor Patchwork Hand-Knotted Wool Rug, Anadolu Şal Series","description":"\u003cp\u003e\u003cstrong\u003eSix months and more of knotting go into one of these: Multicolor Patchwork Hand-Knotted Wool Rug, Anadolu Şal Series — 208 × 307 cm (6'10\" × 10'1\") in Anatolian wool, built from panels that each take their drawing from a different weaving town. This is the single piece at this size.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eHereke, Uşak, Bünyan, Isparta and Sivas Zara all appear on it: five towns with five separate drawing traditions, set beside each other in one field. Nothing lines up, and it is not meant to — the seams between the panels are where the interest is, and the differences between one tradition's flower and the next are easier to see here than they would ever be on five separate rugs. It works under a monochrome room and equally under a room with six colors in it, because one of its own tones will always be somewhere on the wall.\u003c\/p\u003e\n\n\u003cp\u003eThe wool is Anatolian and the rug is knotted by hand, knot by knot, on Turkish looms, which is where those six months go. Wool with its natural oils still in it takes a low sheen and improves rather than degrades underfoot. One thing to expect: the colors will read differently in your room than they do on a screen, because the direction the pile lies in changes the tone as much as the light does. Wipe anything spilled straight away, and send it out for washing.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in Anatolian wool on Turkish looms.\u003c\/li\u003e\n  \u003cli\u003ePanels drawn from the Hereke, Uşak, Bünyan, Isparta and Sivas Zara traditions.\u003c\/li\u003e\n  \u003cli\u003eMore than six months of knotting for a single rug.\u003c\/li\u003e\n  \u003cli\u003e208 × 307 cm — a large sitting-room or dining-room size.\u003c\/li\u003e\n  \u003cli\u003eWool with its oils left in, which takes a low sheen with use.\u003c\/li\u003e\n  \u003cli\u003ePile direction changes the tone; the rug will not look like its photograph.\u003c\/li\u003e\n  \u003cli\u003eWipe spills immediately; professional washing for anything deeper.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eIt is the rug that will still be interesting on the day you stop noticing the furniture.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Colorful \/ 81 X 122","offer_id":44372084785385,"sku":"CALSAL000053.05","price":36000.0,"currency_code":"TRY","in_stock":false},{"title":"Colorful \/ 127 X 177","offer_id":46030152597737,"sku":"CALSAL000053.04","price":81000.0,"currency_code":"TRY","in_stock":false},{"title":"Colorful \/ 167 X 241","offer_id":46030152663273,"sku":"CALSAL000053.07","price":146000.0,"currency_code":"TRY","in_stock":false},{"title":"Colorful \/ 208 X 307","offer_id":46030152728809,"sku":"CALSAL000053.02","price":235000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/AnadoluSalSerisiPatchworkDesenliElDokumaYunHali_1_e0bec547-2b2b-4418-a63d-6c0fbce938af.jpg?v=1713194068"},{"product_id":"harem-serisi-bursa-ipegi-el-dokuma-modern-usak-desenli-bordu-hali","title":"Burgundy Oushak Hand-Knotted Wool and Silk Rug, Harem Series","description":"\u003cp\u003e\u003cstrong\u003eÇınhar Halı wove this one for Halıcızade — a Turkish house whose rug designs have taken international awards, working to its own patterns. Burgundy Oushak Hand-Knotted Wool and Silk Rug, Harem Series, made in Türkiye from Erzurum wool and Bursa silk, in sizes from 131 × 186 cm (4'4\" × 6'1\") to 241 × 323 cm (7'11\" × 10'7\").\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe drawing comes from Uşak in the Turkish west — Oushak in English — and it goes back to that town's fourteenth- and fifteenth-century patterns, redrawn at a modern scale rather than reproduced. Burgundy carries them. It is a color that behaves completely differently by daylight and by lamp: flat and almost brown at noon, deep and lit from within after dark, and the silk in the pile is what does the second half of that. Rugs from this series have been laid in government buildings for years, which tells you more about how they wear than any description of them will.\u003c\/p\u003e\n\n\u003cp\u003eTwo materials are worth naming separately. The wool is taken from Erzurum fleece, which is oily and therefore both strong and bright; the silk is real Bursa silk, and there is not much of it left in commercial weaving. They are knotted together with the double knot — the symmetrical Turkish knot, worked around two warps — which is slower than the alternative and holds the pattern edges sharper. Washing goes to a specialist and nowhere else.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in Türkiye by Çınhar Halı, to designs made for Halıcızade.\u003c\/li\u003e\n  \u003cli\u003eErzurum fleece wool blended with genuine Bursa silk.\u003c\/li\u003e\n  \u003cli\u003eClassical Oushak motifs of the fourteenth and fifteenth centuries, redrawn.\u003c\/li\u003e\n  \u003cli\u003eKnotted with the double knot, the symmetrical knot used across Anatolia.\u003c\/li\u003e\n  \u003cli\u003eBurgundy ground that changes character between daylight and lamplight.\u003c\/li\u003e\n  \u003cli\u003eSizes from 131 × 186 cm (4'4\" × 6'1\") to 241 × 323 cm (7'11\" × 10'7\").\u003c\/li\u003e\n  \u003cli\u003eAward-winning designs in international rug design competition.\u003c\/li\u003e\n  \u003cli\u003eSpecialist washing only.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat is the double knot?\u003c\/h3\u003e\n\u003cp\u003eThe double knot, also called the symmetrical or Gördes knot, wraps the pile yarn around two warp threads instead of one. It takes longer to tie and produces a firmer pile with cleaner pattern edges, and it is the knot used across most of Anatolia.\u003c\/p\u003e\n\n\u003ch3\u003eWhy does Bursa silk matter?\u003c\/h3\u003e\n\u003cp\u003eBursa has been the center of Turkish silk production since the Ottoman period, and very little of it now goes into rugs. Silk from there is used here for the highlights in the pattern, where it reflects light the wool cannot and gives the burgundy its depth after dark.\u003c\/p\u003e\n\n\u003cp\u003eIt is a rug bought once, and the reason to buy the larger size is that the pattern was drawn for it.\u003c\/p\u003e\n\n\u003cscript type=\"application\/ld+json\"\u003e{\"@context\": \"https:\/\/schema.org\", \"@type\": \"FAQPage\", \"mainEntity\": [{\"@type\": \"Question\", \"name\": \"What is the double knot?\", \"acceptedAnswer\": {\"@type\": \"Answer\", \"text\": \"The double knot, also called the symmetrical or Gördes knot, wraps the pile yarn around two warp threads instead of one. It takes longer to tie and produces a firmer pile with cleaner pattern edges, and it is the knot used across most of Anatolia.\"}}, {\"@type\": \"Question\", \"name\": \"Why does Bursa silk matter?\", \"acceptedAnswer\": {\"@type\": \"Answer\", \"text\": \"Bursa has been the center of Turkish silk production since the Ottoman period, and very little of it now goes into rugs. Silk from there is used here for the highlights in the pattern, where it reflects light the wool cannot and gives the burgundy its depth after dark.\"}}]}\u003c\/script\u003e","brand":"HALICIZADE","offers":[{"title":"Burgundy \/ 131 X 186","offer_id":44370573787369,"sku":"ÇINHAR000032.03","price":120000.0,"currency_code":"TRY","in_stock":true},{"title":"Burgundy \/ 241 X 323","offer_id":46029511295209,"sku":"ÇINHAR000032.04","price":385000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/HaremSerisiBursaIpegiElDokumaModernUsakDesenliBordoHali_1.jpg?v=1709557918"},{"product_id":"el-dokuma-soyut-desenli-gri-yun-hali","title":"Gray Abstract Hand-Knotted Wool Rug","description":"\u003cp\u003e\u003cstrong\u003eThe pattern was drawn to be indistinct, and that is the point of it: Gray Abstract Hand-Knotted Wool Rug — 168 × 223 cm (5'6\" × 7'4\"), knotted by hand in Türkiye from wool alone, with soft forms across a gray ground that lean toward blue in some lights and silver in others.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eNothing on the surface resolves into a shape you could name. The forms sit where morning fog sits, present but unfixed, and each time you look at the rug they have organized themselves slightly differently. Gray of this kind is the least demanding floor in a room — it takes a minimal interior, a contemporary one or an industrial one without arguing with any of them, and it puts everything else in the space forward rather than competing.\u003c\/p\u003e\n\n\u003cp\u003eAll wool, and nothing else, knotted by hand in Türkiye. A wool pile with no blend in it is warmer underfoot than any mixed one and holds its color longer, though it will shed a little in its first months, which is normal for a new wool rug and stops. The blue-leaning grays keep the surface from going flat and the silver passages lift the light in a dark room. Vacuum it regularly. Professional washing for anything more than a vacuum.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in Türkiye, wool pile, no blend.\u003c\/li\u003e\n  \u003cli\u003eSoft abstract forms on gray, unresolved on purpose.\u003c\/li\u003e\n  \u003cli\u003eBlue-leaning tones with silver passages that lift a dark room.\u003c\/li\u003e\n  \u003cli\u003e168 × 223 cm, a mid-sized rug for a sitting room or a bedroom.\u003c\/li\u003e\n  \u003cli\u003eWarm underfoot, and it will shed a little at first, as new wool does.\u003c\/li\u003e\n  \u003cli\u003eSuits minimal, contemporary and industrial interiors.\u003c\/li\u003e\n  \u003cli\u003eRegular vacuuming; professional washing beyond that.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eRugs that stay out of the way are harder to make than rugs that do not, and this is one that was made on purpose.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Gray \/ 168 X 223","offer_id":44156598714601,"sku":"CALUSK000003.01","price":98000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaSoyutDesenliGriYunHali_1.jpg?v=1709557214"},{"product_id":"el-dokuma-patchwork-desenli-rengarenk-hali","title":"Patchwork Anatolian Hand-Knotted Wool Rug, Anadolu Şal Series","description":"\u003cp\u003e\u003cstrong\u003eLook at it twice and you find something you missed: an evil-eye figure in one panel, a whole small story folded inside a flower in another. Patchwork Anatolian Hand-Knotted Wool Rug, Anadolu Şal Series — 205 × 302 cm (6'9\" × 9'11\"), knotted in wool in Anatolia, in orange, yellow, navy and burgundy.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe panels are drawn from towns that each weave differently — Hereke, Bünyan, Ladik, Isparta — so the rug is a survey rather than a repeat. Vivid oranges and warm yellows push against deep navy and burgundy without any of them winning, and because the colors were mixed for different traditions, no two of the reds are quite the same red. That mismatch is the thing to look for. Laid in front of a plain gray sofa the rug does all the talking and the room does none, and that is the setting it was drawn for.\u003c\/p\u003e\n\n\u003cp\u003eIt is knotted over months, row by row, by Anatolian women for whom weaving is still a trade. The wool is first-grade, which is why the surface has a natural luster to it and why it will improve rather than degrade with walking — wool with lanolin left in it responds to use. This is one of the last generations of a weaving tradition several hundred years old, and it is worth saying plainly that pieces like this get harder to find each year. Professional washing.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eKnotted in wool by Anatolian women weavers.\u003c\/li\u003e\n  \u003cli\u003ePanels drawn from the Hereke, Bünyan, Ladik and Isparta traditions.\u003c\/li\u003e\n  \u003cli\u003eOrange, yellow, navy and burgundy, with color that varies panel to panel.\u003c\/li\u003e\n  \u003cli\u003eFirst-grade wool with a natural luster that deepens with use.\u003c\/li\u003e\n  \u003cli\u003e205 × 302 cm (6'9\" × 9'11\") — a large sitting-room size.\u003c\/li\u003e\n  \u003cli\u003eMonths of weaving per piece.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003ePut it under modern furniture and it will make the furniture look deliberate, which is not what most people expect a patchwork rug to do.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Colorful \/ 205 X 302","offer_id":46030164394217,"sku":"CALSAL000211.06","price":225000.0,"currency_code":"TRY","in_stock":true},{"title":"Colorful \/ 211 X 301","offer_id":46030164426985,"sku":"CALSAL000211.07","price":230000.0,"currency_code":"TRY","in_stock":true},{"title":"Colorful \/ 120 X 180","offer_id":46633257795817,"sku":"CALSAL000211.09","price":78000.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/AnadoluSalSerisiPatchworkDesenliElDokumaYunHali_1_eec701d5-ac8c-478b-be2f-216d72d52abd.jpg?v=1713256502"},{"product_id":"harem-serisi-usak-desenli-el-dokuma-krem-renk-yun-ipek-hali-315","title":"Cream Oushak Hand-Knotted Wool and Silk Rug, Harem Series","description":"\u003cp\u003e\u003cstrong\u003eErzurum fleece and genuine Bursa silk, worked into the same pile: Cream Oushak Hand-Knotted Rug in Wool and Silk, Harem Series — 144 × 193 cm (4'9\" × 6'4\"), knotted in Türkiye, a cream ground carrying fourteenth- and fifteenth-century Uşak drawing in brown and honey.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eCream is the hardest ground to draw an Oushak on, because the pattern has nowhere dark to hide against. Everything here is legible: the branch turns, the flower heads, the way the border repeats without quite repeating. The silk sits in the highlights, so the rug is one thing under a window and another under a lamp, and the wool holds the rest steady while the silk moves. Beside walnut and unbleached linen it looks domestic; beside anything painted it looks considerably older than it is.\u003c\/p\u003e\n\n\u003cp\u003eÇınhar Halı in Türkiye weaves the Harem series to patterns drawn for this shop, and the firm's own designs have taken prizes outside the country. Its fleece comes out of Erzurum, where enough natural oil stays in the wool to make it strong and bright at once. Its silk is Bursa silk, which now reaches very few looms anywhere. Both are tied with the Anatolian double knot, one knot wrapped around a pair of warp threads — slower to work than the alternative, and cleaner wherever a motif turns a corner. Send it to a washer who takes silk.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eWoven by Çınhar Halı in Türkiye, to drawings commissioned by this shop.\u003c\/li\u003e\n  \u003cli\u003eErzurum fleece wool with genuine Bursa silk in the highlights.\u003c\/li\u003e\n  \u003cli\u003eFourteenth- and fifteenth-century Uşak drawing, redrawn for a modern room.\u003c\/li\u003e\n  \u003cli\u003eTied with the Anatolian double knot, around a pair of warp threads.\u003c\/li\u003e\n  \u003cli\u003eCream ground with brown and honey drawing, 144 × 193 cm.\u003c\/li\u003e\n  \u003cli\u003eThe silk changes the rug between daylight and lamplight.\u003c\/li\u003e\n  \u003cli\u003eSpecialist washing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eA cream Oushak is the one that ends up in the room people are actually shown into.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Cream \/ 144 X 193","offer_id":44156943466729,"sku":"ÇINHAR000024.01","price":137000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/HaremSerisiUsakDesenliElDokumaKremRenkYunIpekHali_1.jpg?v=1709557770"},{"product_id":"el-dokuma-karabag-desenli-beyaz-kilim","title":"White Karabagh-Pattern Handwoven Wool Kilim","description":"\u003cp\u003e\u003cstrong\u003eOut of Karabagh, in the south Caucasus, comes a drawing that has traveled a great deal further than the weavers who invented it: stepped medallions, hooked edges, small ornament packed close together. This handwoven wool kilim carries that pattern on a white ground, flat-woven in India, and it measures 200 × 300 cm; in feet and inches, 6'7\" by 9'10\".\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eA kilim is flat-woven, which means warp and weft and nothing else: no pile, no knots, and a pattern that is the structure rather than something raised on top of it. That is why Karabagh motifs come out sharp at the corners here and stepped along every diagonal, since a weft can only travel in straight lines and small increments. It is also why the piece is thin, cool to the touch and light enough to lift with one hand. Both faces are worked, so it can be turned over.\u003c\/p\u003e\n\n\u003cp\u003eWool throughout, woven by hand in India, where Caucasian drawings are part of the workshop repertory. White is the most demanding ground a kilim can be given, and it should be said plainly: with no pile there is nothing to conceal a mark, and a white flatweave laid in a hallway will report honestly on the hallway. Under a dining table or in a bedroom it has an easier life. Cleaning is a specialist's job, and a white flatweave is not the thing to experiment on.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eIs a wool flatweave, woven by hand in India.\u003c\/li\u003e\n  \u003cli\u003eCarries the Karabagh drawing — angular, stepped, densely ornamented — on a white ground.\u003c\/li\u003e\n  \u003cli\u003eMeasures out to a full sitting-room size at 200 × 300 cm.\u003c\/li\u003e\n  \u003cli\u003eHas no pile, so it lies thin under furniture and doors.\u003c\/li\u003e\n  \u003cli\u003eIs worked on both faces and can be reversed.\u003c\/li\u003e\n  \u003cli\u003eShows marks readily on white; specialist cleaning only.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eA kilim gives a room its pattern without giving it any thickness, which is the reason people keep putting them where a rug would be too much.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"White \/ 200 X 300","offer_id":44156945105129,"sku":"CARKIL000082.01","price":55500.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaKarabagDesenliBeyazKilim_1.webp?v=1762937051"},{"product_id":"harem-serisi-usak-desenli-el-dokuma-yun-krem-hali","title":"Cream Oushak Hand-Knotted Wool Rug, Harem Series","description":"\u003cp\u003e\u003cstrong\u003eAt 132 × 168 cm (4'4\" × 5'6\") this one is close to square, which is rare in a knotted rug and useful in a room that is: Cream Oushak Hand-Knotted Wool Rug, Harem Series — knotted in Türkiye from Erzurum wool, cream ground, classical Uşak drawing worked at a modern scale.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eA near-square rug behaves differently. Nothing about it points anywhere, so it will not tell you which way the furniture should face, and under a round table or in a square hall it settles where a long rug would look stranded. The drawing helps: the Oushak motifs are set out symmetrically, so there is no head and no foot to the piece. Cream keeps it light. The pattern is carried in warmer tones and is easiest to read from directly above, which is the angle a square rug is usually seen from anyway.\u003c\/p\u003e\n\n\u003cp\u003eErzurum wool is what goes into it, bright and soft and strong at once, which is a combination that rarely turns up in one fleece. The knotting is the Anatolian double knot, worked symmetrically around two warp threads, which takes longer per row and holds the drawing crisper at the turns. The whole rug was made in Türkiye. Contemporary readings of fourteenth- and fifteenth-century Uşak motifs are what the Harem series is for, and this is one of the plainer ones. Professional washing.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in Türkiye from Erzurum wool.\u003c\/li\u003e\n  \u003cli\u003eNearly square at 132 × 168 cm, with no direction to the drawing.\u003c\/li\u003e\n  \u003cli\u003eSymmetrical Uşak motifs on a cream ground, drawn at a modern scale.\u003c\/li\u003e\n  \u003cli\u003eDouble-knotted around two warps, which sharpens the turns in the pattern.\u003c\/li\u003e\n  \u003cli\u003eErzurum fleece: bright, soft and strong at once.\u003c\/li\u003e\n  \u003cli\u003eSuits a square hall, a round table or a room without a long axis.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eSquare rooms are usually furnished as though they were rectangular; this is the rug that lets them stop.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Cream \/ 132 X 168","offer_id":44156946252009,"sku":"ÇINHAR000064.01","price":110000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/HaremSerisiUsakDesenliElDokumaYunKremHali_1.jpg?v=1709558552"},{"product_id":"harem-serisi-usak-desenli-kahverengi-el-dokuma-hali","title":"Brown Oushak Hand-Knotted Wool Rug, Harem Series","description":"\u003cp\u003e\u003cstrong\u003eUşak, in western Türkiye, has been drawing the same family of patterns since the fifteenth century; this is a present-day reading of them: Brown Oushak Hand-Knotted Wool Rug, Harem Series — 130 × 165 cm (4'3\" × 5'5\"), knotted in Türkiye from Erzurum wool, in browns and natural tones.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eBrown is the color the Oushak drawing was probably always closest to, and on this ground the motifs read as structure rather than as decoration — you notice the geometry of the branches before you notice the flowers on them. The palette stays inside the natural range, which means the rug does not compete with wood and does not fight leather. In a study or a small hall it does the thing a brown rug is bought to do: it makes the floor feel finished and then stops asking for attention.\u003c\/p\u003e\n\n\u003cp\u003eÇınhar Halı wove it for Halıcızade — a house with international awards in rug design — and the series is theirs to make and ours to draw. Erzurum wool gives the pile its softness and its shine. The knot is the Anatolian double knot, two warps at a time, which is the slower method and the one that keeps a pattern edge from blurring. Genuine Bursa silk turns up in some pieces from the Harem series. Erzurum wool is what is named for this one. Professional washing.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in Türkiye by Çınhar Halı for Halıcızade.\u003c\/li\u003e\n  \u003cli\u003eErzurum wool in the pile; Bursa silk appears in some Harem pieces but is not named for this one.\u003c\/li\u003e\n  \u003cli\u003eOushak drawing in browns and natural tones, read as structure.\u003c\/li\u003e\n  \u003cli\u003eThe Anatolian double knot, tied around two warps at a time.\u003c\/li\u003e\n  \u003cli\u003e130 × 165 cm, a near-square size for a study or a small hall.\u003c\/li\u003e\n  \u003cli\u003eSits with wood and leather without competing with either.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eBuy it when the floor is the thing that keeps looking unfinished, and it will go on solving that for twenty years.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Brown \/ 130 X 165","offer_id":44156949659881,"sku":"ÇINHAR000053.01","price":106000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/HaremSerisiUsakDesenliKahverengiElDokumaHali_1.jpg?v=1709558225"},{"product_id":"el-dokuma-cizgi-desenli-kahverengi-yun-hali-1","title":"Brown Striped Hand-Knotted Wool Rug","description":"\u003cp\u003e\u003cstrong\u003eStripes are the least forgiving pattern a hand-knotted rug can carry, since every row of knots either lines up with the last or does not. This brown wool rug from India carries them anyway, ruled lengthwise in bamboo viscose over a matt wool ground, on a cotton foundation. Two pieces exist, at 163 × 240 cm (5'4\" × 7'10\") and 174 × 244 cm (5'9\" × 8'0\").\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe interest is in the contrast between the two yarns rather than between two colors. Wool absorbs light and gives back a flat, warm brown; bamboo viscose returns it, so each stripe reads as a band of shine crossing a band of matt. Walk the length of the room and the stripes brighten. Walk back and they go quiet. It is a single-color rug that does not behave like one, and it needs nothing else in the room to explain it.\u003c\/p\u003e\n\n\u003cp\u003eEvery knot was tied by hand, close together, which is what keeps thin stripes straight over more than two meters of length. The face is wool and bamboo viscose together, over a foundation of cotton. That the two pieces are not the same size is not an oversight — hand-knotted rugs are measured after they come off the loom, not cut to a specification, and eleven centimeters of difference is ordinary. It goes to a professional cleaner, never into a bath.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in India, knot by knot, on a cotton foundation.\u003c\/li\u003e\n  \u003cli\u003eCombines a wool ground with bamboo viscose in the striping.\u003c\/li\u003e\n  \u003cli\u003eReads as shine against matt rather than as one color against another.\u003c\/li\u003e\n  \u003cli\u003eRuns its stripes lengthwise, which draws a room longer.\u003c\/li\u003e\n  \u003cli\u003eComes as two individually measured pieces, 163 × 240 cm and 174 × 244 cm.\u003c\/li\u003e\n  \u003cli\u003eRequires professional washing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eBrown gets called safe until someone puts a striped one down and the floor turns out to have a direction.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Brown \/ 174 X 244","offer_id":44370587844841,"sku":"DEHJPR000001.02","price":60000.0,"currency_code":"TRY","in_stock":true},{"title":"Brown \/ 163 X 240","offer_id":46029541703913,"sku":"DEHJPR000001.01","price":55000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaCizgiDesenliKahverengiPamukHali_1.jpg?v=1705837745"},{"product_id":"harem-serisi-el-dokuma-usak-desenli-ipek-hali","title":"Oushak-Pattern Handwoven Wool and Silk Rug, Harem Series","description":"\u003cp\u003e\u003cstrong\u003eFirst-shearing oily fleece from Erzurum and real Bursa silk, knotted together by hand into an Oushak-pattern rug from the Harem series — wool carrying the ground, silk laid in where the drawing has to catch light. Woven in Türkiye for Halıcızade by the Çınhar workshop, on the Anatolian double knot. There is one of it.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eOushak — a weaving town out in the west of Anatolia — has been supplying this kind of drawing for five centuries: broad medallions, a field left generous rather than crowded, borders that frame instead of compete. The Harem reading keeps that architecture and loosens the rest, so the ornament sits apart with air around it. Where the silk runs through the motifs it answers light differently from the wool beside it, and the pattern seems to float a knot's height above its own ground when you cross the room.\u003c\/p\u003e\n\n\u003cp\u003eThe fleece is Erzurum \u003cem\u003eyağlı yapağı\u003c\/em\u003e, the oily first-shearing wool that keeps most of its lanolin and therefore most of its shine. The silk is reeled in Bursa, which has been a silk town since the Ottomans made it one. Çınhar ties the pile on the double knot, the Anatolian method, and the piece was made for this house rather than bought in. Silk and wool take water differently, so this one goes to a specialist and to nobody with a bottle of shampoo.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven in Türkiye by Çınhar, made for Halıcızade.\u003c\/li\u003e\n  \u003cli\u003eWool pile with real Bursa silk worked through the motifs.\u003c\/li\u003e\n  \u003cli\u003eThe fleece is Erzurum first-shearing oily wool, chosen for its shine.\u003c\/li\u003e\n  \u003cli\u003eTied on the Anatolian double knot.\u003c\/li\u003e\n  \u003cli\u003eClassical Oushak drawing, opened out and read for a modern room.\u003c\/li\u003e\n  \u003cli\u003eSpecialist washing only — never a home shampoo on the silk.\u003c\/li\u003e\n  \u003cli\u003eOne piece, and it will not be woven again.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eThe silk announces itself only to somebody moving past it, which makes this a rug for the part of a house where people walk slowly.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"burgundy \/ 165X243","offer_id":45803626103017,"sku":"ÇINHAR000120.01","price":197000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/HaremSerisiElDokumaUsakDesenliIpekHali_1.jpg?v=1709558693"},{"product_id":"harem-serisi-usak-desenli-el-dokuma-krem-hali-340","title":"Cream Oushak-Pattern Handwoven Wool Rug, Harem Series","description":"\u003cp\u003e\u003cstrong\u003eThe motifs come first here: fourteenth- and fifteenth-century Oushak drawing, redrawn rather than copied, carried on a cream ground. It is a handwoven wool rug, 133 × 197 cm (4'4\" × 6'6\"), tied on the Anatolian double knot in Türkiye and made for Halıcızade by Çınhar, a workshop whose designs have won prizes at international rug competitions.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eCream is the hardest ground to weave well, because nothing hides in it. Every knot of the ornament reads at full strength, and the border has to hold the field without darkening it. What the Oushak drawing gives at this scale is proportion — a small rug with a large rug's sense of interval, so the pattern never looks shrunk to fit. Silk appears in some Harem pieces where a motif needs lift; in a cream ground its work is subtle, and you find it by turning your head rather than by looking.\u003c\/p\u003e\n\n\u003cp\u003eThe wool is Erzurum fleece, soft and bright and hard-wearing in that order. The double knot is the Anatolian technique the workshop uses throughout the series, and it is what holds the pile upright under a chair leg. A cream field is honest about a house: it will show a spill sooner than a dark rug does, and it should not go under a dining table for that reason. Have it washed by a professional and it comes back the color it started.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven in Türkiye by Çınhar for Halıcızade.\u003c\/li\u003e\n  \u003cli\u003eWool pile from Erzurum fleece, on the Anatolian double knot.\u003c\/li\u003e\n  \u003cli\u003eDrawing taken from fourteenth- and fifteenth-century Oushak motifs.\u003c\/li\u003e\n  \u003cli\u003e133 × 197 cm (4'4\" × 6'6\") — a bedside, study or hallway size.\u003c\/li\u003e\n  \u003cli\u003eSome rugs in the Harem series carry real Bursa silk in the motifs.\u003c\/li\u003e\n  \u003cli\u003eA cream ground shows marks that a dark ground hides; keep it away from the dining table.\u003c\/li\u003e\n  \u003cli\u003eSend it out to be washed.\u003c\/li\u003e\n  \u003cli\u003eA single piece.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eIn ten years the cream will have warmed by a shade or two, which is the one change in it that nobody minds.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Cream \/ 133 X 197","offer_id":44156952445161,"sku":"ÇINHAR000179.01","price":130000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/HaremSerisiUsakDesenliElDokumaKremHali_1.jpg?v=1709559233"},{"product_id":"harem-serisi-usak-desenli-el-dokuma-bordo-hali-344","title":"Burgundy Oushak-Pattern Handwoven Wool Rug, Harem Series","description":"\u003cp\u003e\u003cstrong\u003eWestern Anatolia is where this pattern comes from. Oushak has been sending out medallion-and-border drawings since the fifteenth century, and this is a handwoven wool rug in burgundy that takes the old composition and reads it for a room built now. Tied on the Anatolian double knot in a Turkish workshop, made for Halıcızade by Çınhar.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eBurgundy behaves like two colors depending on where the light comes from. Under a warm bulb it goes red and forward; in daylight from a north window it settles back toward brown and lets the ornament do the talking. The Oushak scrollwork sits on top of that shift without being disturbed by it, because the drawing is built from outlines rather than from washes of color. Green appears in the smaller motifs, which is the note that keeps the whole thing from reading as one deep tone.\u003c\/p\u003e\n\n\u003cp\u003eErzurum wool again, bright and strong, and the same double knot the workshop has used throughout the Harem series. Real Bursa silk turns up in a few pieces of the series — it is rare enough now that even the textile trade sees little of it. What burgundy will not do is disappear: this is a rug that decides the temperature of a room, and if you want the floor to stay quiet you want a different one. Professional cleaning; no bleach near it, ever.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven in a Turkish workshop by Çınhar, for Halıcızade.\u003c\/li\u003e\n  \u003cli\u003eErzurum wool pile, tied on the Anatolian double knot.\u003c\/li\u003e\n  \u003cli\u003eClassical Oushak motifs, redrawn rather than reproduced.\u003c\/li\u003e\n  \u003cli\u003eBurgundy ground with green in the smaller ornament.\u003c\/li\u003e\n  \u003cli\u003eReal Bursa silk appears in some Harem pieces — it has become scarce.\u003c\/li\u003e\n  \u003cli\u003eIt sets the temperature of a room rather than following it.\u003c\/li\u003e\n  \u003cli\u003eClean professionally; keep bleach away from the pile.\u003c\/li\u003e\n  \u003cli\u003eA single rug, not part of a run.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eIt sits well beside walnut and old leather, and it will outlast both if the double knot does its job.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Green \/ 131 X 172","offer_id":44156953133289,"sku":"ÇINHAR000213.01","price":111000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/HaremSerisiUsakDesenliElDokumaBordoHali_1.jpg?v=1709559433"},{"product_id":"colorful-serisi-el-dokuma-vintage-desenli-mor-hali","title":"Purple Vintage-Pattern Handwoven Wool Rug, Colorful Series","description":"\u003cp\u003e\u003cstrong\u003eThe wool on this rug was never dyed. All of the color — purple, lilac, gray, cream — sits in the bamboo viscose worked through the vintage drawing, and the surface underneath is wool left unprocessed and undyed. It is a handwoven rug from the Colorful Series, knotted by hand in India, and it measures 200 × 290 cm — call it 6'7\" by 9'6\".\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eIt is a thick rug, and deliberately so. The pile stands high enough that a foot goes down into it rather than resting on top, which is the reason the series exists and also its one real limitation: at this height it will not clear a door that sits close to the floor, and a dining chair pushed back across it drags rather than slides. The vintage drawing is authentic in character rather than reproduced from any single region, and it works two ways — beside minimal modern furniture it supplies all the ornament in the room, and inside an already colorful scheme it holds its place without competing.\u003c\/p\u003e\n\n\u003cp\u003eCotton in the foundation, undyed wool across the face, bamboo viscose for the figures, and every knot tied by hand. The Colorful series is one of our own favorites in the catalog and is not a series you will find in many places. Leaving the ground wool undyed is what gives the purple somewhere to sit: strong color against raw fleece looks different from strong color against dyed fleece, warmer and less flat. Have it washed professionally.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven in India, with the knots tied by hand.\u003c\/li\u003e\n  \u003cli\u003eUses undyed, unprocessed wool for the surface and cotton for the foundation.\u003c\/li\u003e\n  \u003cli\u003eCarries the purple, lilac and cream pattern in bamboo viscose.\u003c\/li\u003e\n  \u003cli\u003eHas a thick, deep pile — chosen for people who want the foot to sink.\u003c\/li\u003e\n  \u003cli\u003eMeasures 200 × 290 cm; a 170 × 240 cm (5'7\" × 7'10\") size is also made.\u003c\/li\u003e\n  \u003cli\u003eWill not fit under a low-clearing door, and furniture drags on it.\u003c\/li\u003e\n  \u003cli\u003eNeeds professional washing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eUndyed wool ages toward honey rather than toward gray, so the ground will warm up over the years while the viscose stays where it is.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Purple \/ 170 X 240","offer_id":44370742673641,"sku":"EKOCLR000006.02","price":25500.0,"currency_code":"TRY","in_stock":false},{"title":"Purple \/ 200 X 290","offer_id":46029585842409,"sku":"EKOCLR000006.03","price":36000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ColorfulSerisiElDokumaVintageDesenliMorHali_1.jpg?v=1705917259"},{"product_id":"drop-serisi-el-dokuma-soyut-desenli-rengarenk-kilim","title":"Multicolor Abstract Handwoven Wool Kilim, Drop Series","description":"\u003cp\u003e\u003cstrong\u003eMulticolor Abstract Handwoven Wool Kilim, Drop Series — a flatweave in wool over cotton, handwoven in Indian workshops for Halıcızade, its color arriving in loose blocks and wandering bands rather than in a repeat. A kilim carries no pile: the pattern is made by the weft alone, so both faces show it.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe transitions look like accidents and are not. One tone runs into the next, a color turns up where nothing prepared for it, and the weight of each has been judged against the ones on either side — which is the difference between a kilim that is busy and a kilim that is alive. From across a room the whole thing reads as one field of color; walk up to it and it separates into a few dozen decisions.\u003c\/p\u003e\n\n\u003cp\u003eWool takes the dye and cotton holds the structure, the two meeting on the loom in workshops that weave this series for one buyer. Because there is no pile the surface stands only a few millimeters off the floor, which is why a kilim passes under a door where a knotted rug will not. Wipe a spill while it is still a spill; anything worse than that belongs to a rug washer.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven in India, in traditional workshops weaving this series for Halıcızade alone.\u003c\/li\u003e\n  \u003cli\u003eWool in the surface, cotton in the foundation.\u003c\/li\u003e\n  \u003cli\u003eFlat-woven with no pile, so the drawing appears on both sides.\u003c\/li\u003e\n  \u003cli\u003eAbstract color blocks graded against one another rather than scattered at random.\u003c\/li\u003e\n  \u003cli\u003eMade in several sizes, from a corner piece up to a room-sized one.\u003c\/li\u003e\n  \u003cli\u003eOnly millimeters thick — it clears most interior doors.\u003c\/li\u003e\n  \u003cli\u003eMarks can be wiped from the surface; send it out for a full wash.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eA flatweave shows you its own construction, and that is most of the reason to want one: what you walk on is the structure itself, not a surface laid over it.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Colorful \/ 120 X 180","offer_id":44302731477225,"sku":"EKODRO000009.01","price":12000.0,"currency_code":"TRY","in_stock":true},{"title":"Colorful \/ 140 X 200","offer_id":46029618020585,"sku":"EKODRO000009.02","price":15500.0,"currency_code":"TRY","in_stock":true},{"title":"Colorful \/ 170 X 240","offer_id":46029618053353,"sku":"EKODRO000009.03","price":22500.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/DropSerisiElDokumaSoyutDesenliYunRengarenkKilim_2.jpg?v=1710512195"},{"product_id":"maison-serisi-el-dokuma-soyut-desenli-bambu-hali","title":"Purple Abstract Hand-Knotted Bamboo Viscose Rug, Maison Series","description":"\u003cp\u003e\u003cstrong\u003eA cotton warp underneath; wool across the surface, with bamboo viscose kept back for the motifs — which is why the pattern stands at a slightly different height from the ground it sits on. Purple Abstract Hand-Knotted Bamboo Viscose Rug, Maison Series, knotted in India, in cream, lilac and purple running through one another.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe relief is the point. Raising the motifs a few millimeters gives an abstract drawing something to cast a shadow with, and the surface reads as layered rather than printed. Cream, lilac and purple are used at close values, so the effect is soft instead of graphic. It goes into a gray room without effort and holds its own beside a yellow sofa or a white sectional, which is an unusual pair of jobs for one rug to do.\u003c\/p\u003e\n\n\u003cp\u003eHand-knotted in India at a close density, which is what makes a raised motif possible at all: a loose weave cannot hold two heights. The fibers are separate facts — cotton in the warp, wool in the field, bamboo viscose in the figures. Bamboo viscose has a shine to it and no tolerance for improvisation: a rug washer, not a machine and not a hose. Maison is carried in a small number of places in Türkiye and abroad, which is a fact about distribution rather than a promise about scarcity.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in India, tightly enough to hold two pile heights.\u003c\/li\u003e\n  \u003cli\u003eCotton warp, wool field, bamboo viscose in the motifs.\u003c\/li\u003e\n  \u003cli\u003eMotifs raised in relief so the drawing casts its own shadow.\u003c\/li\u003e\n  \u003cli\u003eCream, lilac and purple at close values, intertwined rather than blocked.\u003c\/li\u003e\n  \u003cli\u003eSits in a gray room, beside a yellow sofa, or against a white sectional.\u003c\/li\u003e\n  \u003cli\u003eSuits living rooms, dining rooms, entrances and bedrooms.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing; bamboo viscose does not tolerate home cleaning.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eIt suits a room that wants texture more than it wants color.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Mr \/ 135 X 190","offer_id":44157008314601,"sku":"EKOMAI000001.01","price":77000.0,"currency_code":"TRY","in_stock":true},{"title":"Mr \/ 180 X 240","offer_id":46030857076969,"sku":"EKOMAI000001.03","price":130000.0,"currency_code":"TRY","in_stock":true},{"title":"Mr \/ 240 X 340","offer_id":46030857109737,"sku":"EKOMAI000001.04","price":246000.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/MaisonSerisiElDokumaSoyutDesenliBambuHali_2_06b780f4-436f-48d1-9344-f7cb65498f50.jpg?v=1715778357"},{"product_id":"obra-serisi-el-dokuma-anadolu-desenli-kok-boyali-yun-hali","title":"Terracotta Anatolian Handwoven Wool Rug, Obra Series","description":"\u003cp\u003e\u003cstrong\u003eRoot dye first: the terracotta, green and yellow in this Obra Series rug come from plant dyes rather than from a chemical bath, which is why no two areas of the same color sit at exactly the same strength. Handwoven from wool on a cotton foundation, in a classical Anatolian drawing with a medallion at the center.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe field is Anatolian in the older sense — a medallion held in the middle, motifs stepping outward from it, borders repeating the same forms at a smaller scale. Root dyeing, \u003cem\u003ekök boya\u003c\/em\u003e, is the tradition of coloring yarn with madder, indigo and other plant sources, and its signature is a slow drift of tone across a woven field that weavers call abrash. Here the terracotta carries the medallion and the green and yellow work around it, and the drift is most visible where a large area of one color runs unbroken.\u003c\/p\u003e\n\n\u003cp\u003eWool takes the pile; cotton makes the foundation underneath it. The knots were tied by hand and set close together, which is what gives the rug a soft face and a hard-wearing back at the same time. It was woven in India, in the workshops that keep Anatolian drawing alive outside Anatolia, and it is a single piece rather than one of a run. Because plant dye is not fixed the way industrial dye is, keep it out of long direct sun and have a rug cleaner wash it instead of attempting it at home.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven, wool pile on a cotton foundation.\u003c\/li\u003e\n  \u003cli\u003eColored with root dyes — the madder-and-indigo tradition, not synthetic color.\u003c\/li\u003e\n  \u003cli\u003eTerracotta, green and yellow, with tonal drift across large areas.\u003c\/li\u003e\n  \u003cli\u003eA classical Anatolian field with a central medallion.\u003c\/li\u003e\n  \u003cli\u003eWoven in India.\u003c\/li\u003e\n  \u003cli\u003eKeep it out of prolonged direct sunlight.\u003c\/li\u003e\n  \u003cli\u003eWashing is for a rug specialist.\u003c\/li\u003e\n  \u003cli\u003eOne piece, in this size and this coloring.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat does root-dyed mean on a rug?\u003c\/h3\u003e\n\u003cp\u003eRoot dye, \u003cem\u003ekök boya\u003c\/em\u003e in Turkish, means the yarn was colored with plant sources such as madder root and indigo instead of synthetic dye. The tones sit slightly unevenly and shift as they age, and that unevenness is how a plant-dyed rug is recognized.\u003c\/p\u003e\n\n\u003ch3\u003eWhy do the colors change across the field?\u003c\/h3\u003e\n\u003cp\u003eWeavers call it abrash. Dye lots made from plants never match exactly, so as one batch of yarn runs out and the next begins the tone steps very slightly. On this rug it shows most in the terracotta, and it is a mark of hand production rather than a fault.\u003c\/p\u003e\n\n\u003cscript type=\"application\/ld+json\"\u003e\n{\"@context\":\"https:\/\/schema.org\",\"@type\":\"FAQPage\",\"mainEntity\":[{\"@type\":\"Question\",\"name\":\"What does root-dyed mean on a rug?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"Root dye, kök boya in Turkish, means the yarn was colored with plant sources such as madder root and indigo instead of synthetic dye. The tones sit slightly unevenly and shift as they age, and that unevenness is how a plant-dyed rug is recognized.\"}},{\"@type\":\"Question\",\"name\":\"Why do the colors change across the field?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"Weavers call it abrash. Dye lots made from plants never match exactly, so as one batch of yarn runs out and the next begins the tone steps very slightly. On this rug it shows most in the terracotta, and it is a mark of hand production rather than a fault.\"}}]}\n\u003c\/script\u003e\n\n\u003cp\u003ePlant color goes on moving after the rug is finished, and in twenty years the terracotta will be a quieter version of the color that arrived.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Earth \/ 120 X 180","offer_id":44157021225193,"sku":"EKOOBR000002.01","price":105000.0,"currency_code":"TRY","in_stock":true},{"title":"Earth \/ 170 X 240","offer_id":46029638074601,"sku":"EKOOBR000002.02","price":199000.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ObraSerisiElDokumaAnadoluDesenliKokBoyaliYunHali_6_0157fed9-15e6-4256-a5d0-11db32b61a37.jpg?v=1724669114"},{"product_id":"safir-serisi-usak-desenli-el-dokuma-oymali-hali-11","title":"Cream Carved Oushak-Pattern Handwoven Rug, Safir Series","description":"\u003cp\u003e\u003cstrong\u003eThe unusual thing here is that the pattern was cut as well as tied. A cream handwoven rug from the Safir series measuring 120 × 180 cm (3'11\" × 5'11\"), its Oushak ornament carved by hand with shears once the weaving was finished, so every outline stands slightly proud of the ground. Woven in India at high knot density.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eCarving is what gives a flat drawing a shadow. A weaver goes over the finished pile and cuts down the ground around each motif by a few millimeters, so the ornament keeps its own height and the light stops at its edge. On a cream rug this matters more than on a dark one, because cream has no contrast to spare — the relief supplies the definition that color would otherwise have to. The Oushak motifs underneath are the classical ones, handled with a lighter hand than an antique would use.\u003c\/p\u003e\n\n\u003cp\u003eIt is knotted densely, which is the precondition for carving at all: a loose pile collapses under the shears and the line goes ragged. Wool carries the ground and bamboo viscose runs through the ornament, which is why the cut edges catch more light than the field does. Carved rugs need a little care in use — a vacuum with a beater bar drags at the raised outlines, so use suction alone. Have it washed by a specialist, who will know to brush the pile back into its relief afterward.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven in India for Halıcızade.\u003c\/li\u003e\n  \u003cli\u003eThe Oushak pattern is carved by hand with shears after weaving.\u003c\/li\u003e\n  \u003cli\u003eHigh knot density — the relief could not be cut into a loose pile.\u003c\/li\u003e\n  \u003cli\u003eWool and bamboo viscose in the surface.\u003c\/li\u003e\n  \u003cli\u003e120 × 180 cm (3'11\" × 5'11\"), a bedroom or study size.\u003c\/li\u003e\n  \u003cli\u003eVacuum on suction only; a beater bar pulls at the carved edges.\u003c\/li\u003e\n  \u003cli\u003eSpecialist washing, with the pile brushed back into relief.\u003c\/li\u003e\n  \u003cli\u003eThere is one of it.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat does it mean for a rug to be carved?\u003c\/h3\u003e\n\u003cp\u003eOnce the weaving is finished, someone goes over the surface with shears and cuts the pile down around each motif by a few millimeters. The ornament keeps its full height, the ground drops away, and the outline gains a shadow.\u003c\/p\u003e\n\n\u003ch3\u003eDoes the carving wear away with use?\u003c\/h3\u003e\n\u003cp\u003eNot from ordinary walking, because the cut goes into the ground rather than into the motif. What damages it is a vacuum with a rotating beater bar, which drags at the raised edges. Suction alone is safe, and a specialist wash restores the relief.\u003c\/p\u003e\n\n\u003cscript type=\"application\/ld+json\"\u003e{\"@context\":\"https:\/\/schema.org\",\"@type\":\"FAQPage\",\"mainEntity\":[{\"@type\":\"Question\",\"name\":\"What does it mean for a rug to be carved?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"Once the weaving is finished, someone goes over the surface with shears and cuts the pile down around each motif by a few millimeters. The ornament keeps its full height, the ground drops away, and the outline gains a shadow.\"}},{\"@type\":\"Question\",\"name\":\"Does the carving wear away with use?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"Not from ordinary walking, because the cut goes into the ground rather than into the motif. What damages it is a vacuum with a rotating beater bar, which drags at the raised edges. Suction alone is safe, and a specialist wash restores the relief.\"}}]}\u003c\/script\u003e\n\n\u003cp\u003ePhotographs flatten it and showrooms rarely light it properly. The carving is a thing you find with a hand rather than an eye.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Cream \/ 120 X 180","offer_id":44157025911017,"sku":"EKOSAP000002.01","price":65000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/EKOSAP000002_6_SafirSerisiElDokumaUsakDesenliKremHali.jpg?v=1704977936"},{"product_id":"harem-serisi-usak-desenli-el-dokuma-yun-klasik-hali-2679","title":"Cream Classic Oushak-Pattern Handwoven Wool Rug, Harem Series","description":"\u003cp\u003e\u003cstrong\u003eA handwoven wool rug from the Harem series, cream through the ground and beige in the ornament, with fifteenth-century Oushak motifs handled in a modern register. Erzurum fleece, the Anatolian double knot, and real Bursa silk of the kind that has become hard to source at all. Woven in Türkiye by Çınhar for Halıcızade.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eFifteenth-century Oushak weaving is one of the reference points of the whole craft — the rugs that turn up underfoot in Renaissance paintings came out of that region — and what it contributes here is interval rather than incident. The motifs are spaced so the eye rests between them. Cream and beige sit a half-step apart, which means the pattern is legible in daylight and almost dissolves under a low lamp. That gap between the two readings is the piece's best trick and it costs nothing to enjoy.\u003c\/p\u003e\n\n\u003cp\u003eErzurum produces wool that is soft, bright and durable, and the workshop uses the first shearing. The double knot is Anatolian practice; Çınhar has taken prizes for its drawing at international competitions, which is a fact about the design rather than about this rug's construction, and worth separating. Bursa silk goes into Harem pieces where a motif needs to lift. A pale rug in a pale room asks something of you in return: it wants shoes off, and it wants a professional wash rather than a bucket.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eWoven by hand in Türkiye at the Çınhar workshop.\u003c\/li\u003e\n  \u003cli\u003eErzurum first-shearing wool, on the Anatolian double knot.\u003c\/li\u003e\n  \u003cli\u003eOrnament drawn from fifteenth-century Oushak motifs.\u003c\/li\u003e\n  \u003cli\u003eCream ground with beige ornament — a half-step apart, so the pattern shifts with the light.\u003c\/li\u003e\n  \u003cli\u003eReal Bursa silk, now genuinely scarce, appears in the Harem series.\u003c\/li\u003e\n  \u003cli\u003ePale ground: it asks for shoes off and rewards it.\u003c\/li\u003e\n  \u003cli\u003eCleaning by a professional, and rarely.\u003c\/li\u003e\n  \u003cli\u003eOne rug only.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eRugs like this are usually bought for a living room and end up in a bedroom, where the low light suits them better.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Cream \/ 190 X 216","offer_id":44157042262249,"sku":"ÇINHAR000160.01","price":205000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/HaremSerisiUsakDesenliElDokumaYunKlasikHali_1.jpg?v=1709559030"},{"product_id":"el-dokuma-anadolu-desenli-rengarenk-hali","title":"Multicolor Anatolian-Pattern Hand-Knotted Wool Rug","description":"\u003cp\u003e\u003cstrong\u003eIt was woven in Afghanistan, on hand looms, by weavers working a motif vocabulary that runs from Anatolia across Central Asia. A hand-knotted rug, 172 × 244 cm (5'8\" × 8'0\"), with a wool surface on a cotton foundation and red, yellow, blue and green banded across the field in repeating rows.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe rows are the pattern. Each band carries a different set of small geometric figures, and the colors change from band to band so the rug reads as an accumulation rather than a single composition — closer to a woven record than to a design. Those figures come from the saddlebags carried on horseback across this region for centuries, where a motif had to be small, high-contrast and repeatable. Nothing about the palette is muted. Red and yellow do most of the work; blue and green cool the intervals between them.\u003c\/p\u003e\n\n\u003cp\u003eThe surface is entirely wool. Underneath it the foundation is cotton, carrying a very small proportion of synthetic yarn for strength — a detail the house prefers to state rather than round up into something purer. A rug this loud has an obvious limitation: it will not sit quietly under a room that already has pattern in it, and it fights curtains. Run a vacuum the way the pile lies; a wash every few years, done professionally, keeps the reds from going dusty.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted on hand looms in Afghanistan.\u003c\/li\u003e\n  \u003cli\u003eWool surface over a cotton foundation that carries a little synthetic yarn for strength.\u003c\/li\u003e\n  \u003cli\u003eBanded geometric figures from the saddlebag motif tradition of the region.\u003c\/li\u003e\n  \u003cli\u003eRed, yellow, blue and green, changing band by band.\u003c\/li\u003e\n  \u003cli\u003e172 × 244 cm (5'8\" × 8'0\").\u003c\/li\u003e\n  \u003cli\u003eIt will not share a room with other patterns; give it plain walls.\u003c\/li\u003e\n  \u003cli\u003eVacuum with the pile; a professional wash every few years.\u003c\/li\u003e\n  \u003cli\u003eOne rug; the next one will not be identical.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eRugs like this get inherited more often than they get replaced, mostly because nobody can agree on what would go in its place.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Colorful \/ 172 X 244","offer_id":44157080273129,"sku":"BAYKNO000004.01","price":74000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaAnadoluDesenliRengarenkHali_1.jpg?v=1705752923"},{"product_id":"el-dokuma-soyut-desenli-rengarenk-yun-hali","title":"Multicolor Abstract-Pattern Handwoven Wool Rug, Nazar Series","description":"\u003cp\u003e\u003cstrong\u003eSix months at the loom, and often longer, is what one of these takes. It is a handwoven rug in all wool, 173 × 223 cm (5'8\" × 7'4\"), from the Nazar series — colored rings scattered across the field in an abstract arrangement, knotted in Türkiye to a drawing made for Halıcızade alone.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe rings are the whole design: circles of different sizes and colors set down without a grid, so the field has movement but no center. Behind that modern surface is an older inheritance, because the Turkish weaving regions each contributed something to how a motif is set on a ground — Isparta its fineness, Hereke its precision, Sivas Zara its warmth, Bünyan its steadiness. The Nazar drawing takes the placement instinct from all four and abandons the figures. What is left is color and interval.\u003c\/p\u003e\n\n\u003cp\u003eAll wool, front to back, knotted by hand in Türkiye. More than six months of weaving goes into a single rug at this size, which is why no two of them come off the loom quite alike — the colors shift by a fraction where one dye lot ended and another began. That drift is not a flaw and should not be corrected out of the pictures. Because it is wool throughout, it will shed for the first few months. Vacuum lightly at first and let a professional handle a full wash.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven in Türkiye, entirely from wool yarn.\u003c\/li\u003e\n  \u003cli\u003eColored rings on an open field, drawn for the Nazar series and made for Halıcızade only.\u003c\/li\u003e\n  \u003cli\u003eMore than six months of weaving per rug.\u003c\/li\u003e\n  \u003cli\u003eColor drifts slightly where dye lots change — a mark of the hand, not a fault.\u003c\/li\u003e\n  \u003cli\u003e173 × 223 cm (5'8\" × 7'4\"), a living-room or bedroom size.\u003c\/li\u003e\n  \u003cli\u003eNew wool sheds for a season; vacuum gently until it settles.\u003c\/li\u003e\n  \u003cli\u003eFull cleaning by a professional.\u003c\/li\u003e\n  \u003cli\u003eOne piece.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eChildren read the rings as a game board within about four minutes of meeting the rug, which is worth knowing before you buy it.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Colorful \/ 173 X 223","offer_id":44659680411881,"sku":"CALNAZ000001.01","price":150000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/NazarSerisiElDokumaSoyutDesenliRengarenkYunHali_1.webp?v=1758883974"},{"product_id":"el-dokuma-soyut-desenli-rengarenk-hali","title":"Multicolor Circle-Pattern Handwoven Wool Rug, Nazar Series","description":"\u003cp\u003e\u003cstrong\u003e\u003cem\u003eNazar\u003c\/em\u003e is the Turkish word for the look that carries envy, and for the blue eye hung up to catch it. The series takes the name and not the emblem: this is a handwoven wool rug, 167 × 232 cm (5'6\" × 7'7\"), with multicolor circles across the ground, knotted loop by loop in Türkiye and drawn for Halıcızade alone.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eCircles overlap here rather than sit apart, and the colors change where they cross, so the field has depth without any shading having been woven into it. It is a flat design that behaves like a layered one. The palette is warm on one diagonal and cool on the other, which means the rug looks like a different object from the two ends of a long room. Beside minimal furniture it supplies the only movement in the space; against a classical arrangement it is the thing that makes the room current.\u003c\/p\u003e\n\n\u003cp\u003eWool yarn, traditional technique, every loop set by hand. The regional inheritance behind the placement runs through Isparta, Hereke and Sivas Zara, though none of those figures survive into the drawing — what came across is the sense of where to put a shape. Weaving one takes upward of half a year. Strong color on wool holds for decades, but direct afternoon sun is the exception: give it a rug pad, turn it end for end once a year, and keep it out of a window's line.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven in Türkiye from wool yarn, loop by loop.\u003c\/li\u003e\n  \u003cli\u003eOverlapping multicolor circles, drawn exclusively for Halıcızade.\u003c\/li\u003e\n  \u003cli\u003eWarm on one diagonal, cool on the other — it changes with your position in the room.\u003c\/li\u003e\n  \u003cli\u003eOver half a year of weaving per piece.\u003c\/li\u003e\n  \u003cli\u003e167 × 232 cm (5'6\" × 7'7\").\u003c\/li\u003e\n  \u003cli\u003eKeep it out of direct afternoon sun and turn it once a year.\u003c\/li\u003e\n  \u003cli\u003eProfessional cleaning.\u003c\/li\u003e\n  \u003cli\u003eA single rug.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eThe circles are the first thing a room notices and the last thing anyone gets tired of, which is an unusual order for a pattern.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Colorful \/ 167 X 232","offer_id":44659680641257,"sku":"CALNAZ000002.01","price":150000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/NazarSerisiElDokumaSoyutDesenliRengarenkHali_1.webp?v=1759680726"},{"product_id":"mahal-serisi-el-dokuma-usak-desenli-kirmizi-hali","title":"Red Oushak-Pattern Handwoven Wool Runner, Mahal Series","description":"\u003cp\u003e\u003cstrong\u003eThe yarn was dyed by hand, which is the first thing to know: no two dye pots ever match, so the red shifts from lighter to deeper down the length. A handwoven wool runner from the Mahal series, 76 × 310 cm (2'6\" × 10'2\"), knotted in Pakistan on a cotton foundation, cream Oushak flowers ranked along a red field.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe flowers run in rows the length of the piece, curling into one another as they go, so the drawing pulls the eye along the corridor rather than stopping it. A wide cream border takes the heat out of the red and gives the pattern an edge to end at. The Oushak motifs are the traditional ones. What the hand-dyeing adds is a horizontal banding that weavers call abrash — a visible change of tone where one batch of yarn ran out and the next began, and the surest sign that the color was not applied by machine.\u003c\/p\u003e\n\n\u003cp\u003eWool on the surface and cotton in the foundation, where a little synthetic yarn is present to keep the piece from stretching; the house says so rather than calling the rug pure anything. The double knot keeps its shape under traffic, which is what a corridor rug is asked to do. Seventy-six centimeters is narrow — it will not tuck under furniture and it needs a pad or it will creep on a hard floor. Wash it professionally.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven in Pakistan, on the double knot.\u003c\/li\u003e\n  \u003cli\u003eWool surface, cotton foundation, a trace of synthetic yarn for strength.\u003c\/li\u003e\n  \u003cli\u003eYarn dyed by hand — the red bands lighter and darker down its length.\u003c\/li\u003e\n  \u003cli\u003eCream Oushak flowers in rows, held by a wide cream border.\u003c\/li\u003e\n  \u003cli\u003e76 × 310 cm (2'6\" × 10'2\"), for a hallway or a long kitchen galley.\u003c\/li\u003e\n  \u003cli\u003eNarrow enough that it needs an anti-slip pad on a hard floor.\u003c\/li\u003e\n  \u003cli\u003eWashing by a professional; keep detergent off the hand-dyed red.\u003c\/li\u003e\n  \u003cli\u003eA single runner.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhy does the red change tone along the runner?\u003c\/h3\u003e\n\u003cp\u003eThe yarn was dyed in batches by hand, and no two pots come out identical. Where one batch ran out and another began, the tone steps lighter or darker across the width. Weavers call this abrash, and it is evidence of hand dyeing.\u003c\/p\u003e\n\n\u003ch3\u003eIs 76 cm a workable width for a hallway?\u003c\/h3\u003e\n\u003cp\u003eIt suits a corridor of roughly 100 to 140 cm across, which leaves a margin of floor on either side. In a wider hall it reads as a stripe rather than a runner, and two pieces laid end to end look better.\u003c\/p\u003e\n\n\u003cscript type=\"application\/ld+json\"\u003e{\"@context\":\"https:\/\/schema.org\",\"@type\":\"FAQPage\",\"mainEntity\":[{\"@type\":\"Question\",\"name\":\"Why does the red change tone along the runner?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"The yarn was dyed in batches by hand, and no two pots come out identical. Where one batch ran out and another began, the tone steps lighter or darker across the width. Weavers call this abrash, and it is evidence of hand dyeing.\"}},{\"@type\":\"Question\",\"name\":\"Is 76 cm a workable width for a hallway?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"It suits a corridor of roughly 100 to 140 cm across, which leaves a margin of floor on either side. In a wider hall it reads as a stripe rather than a runner, and two pieces laid end to end look better.\"}}]}\u003c\/script\u003e\n\n\u003cp\u003eCorridor rugs take more footfall per square meter than anything else in a house, and this one was built knowing it.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Red \/ 76 X 310","offer_id":44689909973225,"sku":"KERMAH000024.01","price":50000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/MahalSerisiElDokumaUsakDesenliKirmiziHali_1.jpg?v=1709631731"},{"product_id":"colorful-serisi-el-dokuma-vintage-desenli-turkuaz-hali","title":"Turquoise Vintage-Pattern Hand-Knotted Wool Rug, Colorful Series","description":"\u003cp\u003e\u003cstrong\u003eThe wool on this one was never dyed and never treated: it is a hand-knotted rug from the Colorful series, made in India, carrying a turquoise, cream and gray vintage drawing worked in bamboo viscose over a cotton foundation. The pile is deep enough that a foot sinks into it. There is one of it.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eVintage here means what the trade means by it — a worn, softened field instead of a crisp one, with color arriving in patches rather than in outlines. Turquoise carries most of the surface, cream opens the ground beneath it, and gray sits between the two and keeps the turquoise from shouting. Bamboo viscose takes light differently from the wool around it, so the colored parts lift very slightly off a matt ground; the difference shows from standing height and disappears when you crouch down to look.\u003c\/p\u003e\n\n\u003cp\u003eEvery knot was tied by hand. Wool does the surface, cotton runs through the foundation, and bamboo viscose is held back for the colored drawing — three fibers doing three jobs, named separately because they behave separately. This is one of the rugs the people here like best, and the reason is simply the thickness: at this depth the surface gives under weight instead of resisting it. The thickness has a cost. Grit works down between the knots and stays there, so a low vacuum setting, used often, is the whole of the daily answer. Anything deeper goes to a specialist washer.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in India, knot by knot.\u003c\/li\u003e\n  \u003cli\u003eUndyed, untreated wool at the surface.\u003c\/li\u003e\n  \u003cli\u003eCotton through the foundation; bamboo viscose reserved for the colored motifs.\u003c\/li\u003e\n  \u003cli\u003eA faded vintage field in turquoise, cream and gray.\u003c\/li\u003e\n  \u003cli\u003eDeep, soft pile — closer to a shaggy rug than a flat one underfoot.\u003c\/li\u003e\n  \u003cli\u003eAt this depth grit settles down between the knots; vacuum low and vacuum often.\u003c\/li\u003e\n  \u003cli\u003eSpecialist washing when the time comes.\u003c\/li\u003e\n  \u003cli\u003eA single piece, with no second one behind it.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eSet against plain modern furniture it supplies all the color a room gets, and dropped into a room that is already colorful it holds the floor down under everything else.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Turquoise \/ 145 X 200","offer_id":44157504815337,"sku":"EKOCLR000016.01","price":18000.0,"currency_code":"TRY","in_stock":false},{"title":"Turquoise \/ 170 X 200","offer_id":46029587611881,"sku":"EKOCLR000016.02","price":21500.0,"currency_code":"TRY","in_stock":true},{"title":"Turquoise \/ 170 X 240","offer_id":46029587644649,"sku":"EKOCLR000016.03","price":25500.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ColorfulSerisiElDokumaVintageDesenliTurkuazHali_1_34465e5a-bfdd-4477-a93b-0d7eab4c55be.jpg?v=1738513796"},{"product_id":"soyut-desenli-tezgah-dokuma-hali-726","title":"Powder Pink Striped Loom-Woven Wool Rug","description":"\u003cp\u003e\u003cstrong\u003eThink of a still pond with one stone dropped into it: curved lines repeating outward at even intervals, raised slightly above the ground so you can feel them underfoot. A loom-woven rug in powder pink, 200 × 290 cm (6'7\" × 9'6\"), made in India from wool with cotton and bamboo viscose.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe pink is not fixed. In full daylight it is a pale powder tone; as the light drops it moves toward rose, and by lamplight it is nearly dusty. Nothing was printed onto the rug to make that happen. Bamboo viscose is a cellulose fiber, and cellulose reflects roughly the way silk reflects, so one dye reads as several depending on the angle. The stripes are curved rather than straight and the relief between them is shallow, which keeps a large rug from looking like a large stripe.\u003c\/p\u003e\n\n\u003cp\u003eLoom-woven puts the structure down mechanically and leaves a person to complete it; it stands between the machine-made rug and the knotted one, and the house is direct about which of the three this is. The pile is at ordinary rug thickness, so it goes under a door without trimming. One caution about the viscose: it shows a footmark until the pile is brushed back, and it does not take a home shampoo. Vacuum on suction; professional cleaning when it needs it.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eLoom-woven in India — structure on the loom, finishing by hand.\u003c\/li\u003e\n  \u003cli\u003eCotton, bamboo viscose and wool in the surface.\u003c\/li\u003e\n  \u003cli\u003eCurved stripes raised in low relief across the field.\u003c\/li\u003e\n  \u003cli\u003ePowder pink by day, rose by lamplight — the viscose does that, not a dye trick.\u003c\/li\u003e\n  \u003cli\u003e200 × 290 cm (6'7\" × 9'6\"), a full living-room size.\u003c\/li\u003e\n  \u003cli\u003eViscose takes footmarks; brush the pile back to clear them.\u003c\/li\u003e\n  \u003cli\u003eProfessional cleaning; no home shampoo.\u003c\/li\u003e\n  \u003cli\u003eJust the one.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003ePink of this weight stops registering as a color after a week and starts registering as light, which is why it survives in rooms that reject brighter ones.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Horns \/ 200 X 290","offer_id":44157526671593,"sku":"HALHDL000012.01","price":46400.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaCizgiDesenliPembeHali_2.jpg?v=1715179267"},{"product_id":"drop-serisi-el-dokuma-soyut-desenli-mavi-kilim","title":"Blue Abstract-Pattern Handwoven Wool Kilim, Drop Series","description":"\u003cp\u003e\u003cstrong\u003eA kilim is a flat weave with no pile, so any relief in it has to be built out of the weave itself — which is what happens here. A handwoven kilim from the Drop series in blue and cream, woven on traditional looms in India from cotton and wool for Halıcızade, with the abstract motifs standing slightly above the flat ground.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eBlue and cream pass into one another in soft steps instead of meeting at a hard line, and the raised sections catch light while the flat ground stays matt. The effect is close to sky reflected on water, which is the comparison the house itself reaches for and which the surface earns. Because the relief is structural rather than printed, it reads from directly above as texture and from across a room as pattern — two different rugs depending on where you stand.\u003c\/p\u003e\n\n\u003cp\u003eCotton and wool are worked together on the loom; the cotton gives the flat weave its stability and the wool gives it its hand. A kilim has no pile to hide anything in, so it wipes down and it dries fast, which suits a room where a glass occasionally goes over. What it will not do is soften a floor the way a knotted rug does — it is thin by nature, and on a hard floor it wants a pad under it. A professional wash restores what daily use takes out of the blues.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven in India on traditional looms, for Halıcızade.\u003c\/li\u003e\n  \u003cli\u003eCotton and wool worked together in a flat kilim weave.\u003c\/li\u003e\n  \u003cli\u003eAbstract motifs raised above the ground by the weave, not printed on it.\u003c\/li\u003e\n  \u003cli\u003eBlue passing into cream in soft steps.\u003c\/li\u003e\n  \u003cli\u003eReads as texture from above and as pattern from across the room.\u003c\/li\u003e\n  \u003cli\u003eFlat and thin: it wipes clean easily but needs a pad for underfoot comfort.\u003c\/li\u003e\n  \u003cli\u003eWashed professionally, the blues keep their depth.\u003c\/li\u003e\n  \u003cli\u003eOne kilim only.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat is the difference between a kilim and a knotted rug?\u003c\/h3\u003e\n\u003cp\u003eA kilim is woven flat, with the pattern formed by the weft threads themselves and no pile standing above the surface. A knotted rug has yarn tied onto the warp to build that pile. A kilim is thinner and lighter as a result.\u003c\/p\u003e\n\n\u003ch3\u003eHow is a raised pattern made in a weave with no pile?\u003c\/h3\u003e\n\u003cp\u003eThe relief comes out of the weaving. Denser passages of weft are packed in where the motif sits, so those areas stand slightly above the flat ground around them. Nothing is printed on, glued down or cut in afterward.\u003c\/p\u003e\n\n\u003cscript type=\"application\/ld+json\"\u003e{\"@context\":\"https:\/\/schema.org\",\"@type\":\"FAQPage\",\"mainEntity\":[{\"@type\":\"Question\",\"name\":\"What is the difference between a kilim and a knotted rug?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"A kilim is woven flat, with the pattern formed by the weft threads themselves and no pile standing above the surface. A knotted rug has yarn tied onto the warp to build that pile. A kilim is thinner and lighter as a result.\"}},{\"@type\":\"Question\",\"name\":\"How is a raised pattern made in a weave with no pile?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"The relief comes out of the weaving. Denser passages of weft are packed in where the motif sits, so those areas stand slightly above the flat ground around them. Nothing is printed on, glued down or cut in afterward.\"}}]}\u003c\/script\u003e\n\n\u003cp\u003eKilims move house well. They roll into nothing, weigh little, and come out of the tube looking the same as they went in.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Blue \/ 170 X 240","offer_id":44665953190121,"sku":"EKODRO000031.01","price":22500.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/DropSerisiElDokumaSoyutDesenliYunMaviKilim_2.jpg?v=1710577948"},{"product_id":"focus-serisi-tezgah-dokuma-sade-desenli-gri-hali","title":"Anthracite Plain Loom-Woven Wool Rug, Focus Series","description":"\u003cp\u003e\u003cstrong\u003eWool, cotton and viscose, and no pattern of any kind: a plain anthracite rug from the Focus series, loom-woven in India. Eight sizes exist; the hallway runner measures 100 × 300 cm (3'3\" × 9'10\"), the smallest mat is 80 × 150 cm and the largest floor is 240 × 340 cm.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eAnthracite is a shade deeper than charcoal and a shade short of black, and on a floor it does the job people usually hire black for without swallowing the light in the room. The colors in the Focus series were taken from earth, plants and hills, and this is the mineral end of that list. It belongs in a plain room: minimal furniture, one or two textures, nothing else asking for attention. The wool underneath is what you feel; the viscose is what you see, in the low shine that moves as you cross the rug.\u003c\/p\u003e\n\n\u003cp\u003eLoom-woven in India, which means a loom lays the structure down and the finishing is hand work — a technique that is getting rarer rather than more common, and one the Focus series exists to keep going. There is no pattern to hide anything, so an anthracite rug will show pale lint and light pet hair in a way a mid-tone rug does not; a weekly vacuum keeps it looking as it should. Professional washing when it needs a proper clean.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eLoom-woven in India, machine structure and hand finishing.\u003c\/li\u003e\n  \u003cli\u003eWool, cotton and viscose yarns.\u003c\/li\u003e\n  \u003cli\u003ePlain anthracite, with a low shine from the viscose content.\u003c\/li\u003e\n  \u003cli\u003eEight sizes, 80 × 150 cm to 240 × 340 cm, with runners at 80 × 300, 80 × 400 and 100 × 300 cm.\u003c\/li\u003e\n  \u003cli\u003eA dark plain surface: pale lint and light pet hair will show.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eDark plain rugs are what people buy when they have finally decided the floor is not the interesting part of the room.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Anthracite \/ 80 X 150","offer_id":47352478728425,"sku":"EKOFOC000204.01","price":16000.0,"currency_code":"TRY","in_stock":false},{"title":"Anthracite \/ 80 X 300","offer_id":47360498696425,"sku":"EKOFOC000204.02","price":31500.0,"currency_code":"TRY","in_stock":false},{"title":"Anthracite \/ 80 X 400","offer_id":47352478761193,"sku":"EKOFOC000204.03","price":42000.0,"currency_code":"TRY","in_stock":false},{"title":"Anthracite \/ 100 X 300","offer_id":47352478793961,"sku":"EKOFOC000204.04","price":39000.0,"currency_code":"TRY","in_stock":true},{"title":"Anthracite \/ 130 X 190","offer_id":47352478826729,"sku":"EKOFOC000204.05","price":32500.0,"currency_code":"TRY","in_stock":true},{"title":"Anthracite \/ 160 X 230","offer_id":47352478859497,"sku":"EKOFOC000204.07","price":48000.0,"currency_code":"TRY","in_stock":false},{"title":"Anthracite \/ 200 X 300","offer_id":47352478892265,"sku":"EKOFOC000204.09","price":78000.0,"currency_code":"TRY","in_stock":true},{"title":"Anthracite \/ 240 X 340","offer_id":47352478925033,"sku":"EKOFOC000204.10","price":107000.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/FocusSerisiTezgahDokumaSadeDesenliAntrasitHali_1.webp?v=1749905491"},{"product_id":"focus-serisi-sade-desenli-tezgah-dokuma-hali-925","title":"Green Plain Loom-Woven Rug, Focus Series","description":"\u003cp\u003e\u003cstrong\u003eIndia is where this one is made, on traditional looms, and the whole design is a green that will not stay still. A plain rug from the Focus series, woven from wool, cotton and viscose, in six sizes; the largest measures 240 × 340 cm, or 7'10\" by 11'2\".\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe green runs from dark to light across the rug, the way sunlight does on a forest floor when it comes through leaves — that is the comparison the Turkish description makes, and it is a fair one. There is no motif anywhere. What the rug offers instead is a moiré, a faint watered movement in the surface, produced by the cotton and viscose lying together in the weave. It is for the room that does not want a pattern and would still be bored by a flat one.\u003c\/p\u003e\n\n\u003cp\u003eWool, cotton and viscose in the yarn; the sheen belongs to the cotton and viscose. Loom-woven is the technique, meaning a loom lays down the structure and hands do the finishing, and it is worth being clear about that, because the softness underfoot can suggest more hand work than there is. It runs from sitting rooms and studies through to entrance halls and conservatories, and at its largest it will cover most of a living room floor.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eLoom-woven on traditional looms in India.\u003c\/li\u003e\n  \u003cli\u003eWool, cotton and viscose yarns.\u003c\/li\u003e\n  \u003cli\u003ePlain, with green running from dark to light and a faint watered texture.\u003c\/li\u003e\n  \u003cli\u003eSoft underfoot with a slight sheen.\u003c\/li\u003e\n  \u003cli\u003eSix sizes, 80 × 150 cm to 240 × 340 cm, plus an 80 × 300 cm runner.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing for a deep clean.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eGreen is the color people avoid on a floor, and the reason to break the rule is that this one behaves like a texture rather than a color.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Green \/ 80 X 150","offer_id":44157544431849,"sku":"EKOFOC000328.01","price":16000.0,"currency_code":"TRY","in_stock":true},{"title":"Green \/ 80 X 300","offer_id":46030844985577,"sku":"EKOFOC000328.02","price":31500.0,"currency_code":"TRY","in_stock":true},{"title":"Green \/ 130 X 190","offer_id":46030845018345,"sku":"EKOFOC000328.03","price":32500.0,"currency_code":"TRY","in_stock":true},{"title":"Green \/ 160 X 230","offer_id":46030845051113,"sku":"EKOFOC000328.05","price":48000.0,"currency_code":"TRY","in_stock":false},{"title":"Green \/ 200 X 300","offer_id":46030845083881,"sku":"EKOFOC000328.06","price":78000.0,"currency_code":"TRY","in_stock":true},{"title":"Green \/ 240 X 340","offer_id":46030845116649,"sku":"EKOFOC000328.08","price":107000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/FocusSerisiTezgahDokumaSadeDesenliYesilHali_1.webp?v=1749906198"},{"product_id":"geometrik-desenli-el-dokuma-hali-995","title":"Blue Geometric Handwoven Wool Rug","description":"\u003cp\u003e\u003cstrong\u003eFelted wool loops, set in by hand and left standing: that is the whole construction of this blue geometric rug, made in India in wool, with the pattern raised off the ground rather than drawn onto it. You register the relief through a sock before you ever see it.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eFelting mats the fibers together so a loop holds its shape instead of collapsing, and placing those loops by hand at different heights is how the geometry gets its edge. The blue takes both levels: raised work catches the light while the ground below stays in shadow, so the pattern remains legible in a room with one lamp burning. It is a modern drawing arrived at by an old method.\u003c\/p\u003e\n\n\u003cp\u003eWool throughout, woven by hand in India. A raised surface makes a genuinely good floor for a child's room, because there is something to sit on and something to look at, and wool is warm underfoot in a way no flatweave manages. The cost of relief is that it collects: crumbs and grit settle into the low ground between the loops and want a vacuum with real suction behind it. Spills wipe off the felted surface, and anything worse goes to a professional.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven in India, in wool.\u003c\/li\u003e\n  \u003cli\u003eFelted wool loops set by hand, so the geometry is raised rather than printed.\u003c\/li\u003e\n  \u003cli\u003eBlue, with the pattern read by shadow instead of by color contrast.\u003c\/li\u003e\n  \u003cli\u003eWarm and soft enough to sit on — it suits a child's room or a bedroom.\u003c\/li\u003e\n  \u003cli\u003eGrit settles between the loops and wants a vacuum with real suction.\u003c\/li\u003e\n  \u003cli\u003eWipeable for spills; professional washing beyond that.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eMost rugs are pictures of something. This one is a surface, and it was built to be walked on barefoot.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Blue \/ 90 X 160","offer_id":44157559046377,"sku":"EKOGRA000102.01","price":8000.0,"currency_code":"TRY","in_stock":false},{"title":"Blue \/ 170 X 240","offer_id":46029627687145,"sku":"EKOGRA000102.02","price":22500.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaGeometrikDesenliMaviHali_6.jpg?v=1705756819"},{"product_id":"heritage-serisi-tezgah-dokuma-vintage-mavi-hali","title":"Blue Vintage-Pattern Loom-Woven Wool Rug, Heritage Series","description":"\u003cp\u003e\u003cstrong\u003eThe fleece is New Zealand wool, chosen for a long even staple, and the motifs are picked out in viscose that sits brighter than the ground around them. A loom-woven rug from the Heritage series: hazy blue drawing scattered over a cream field, faded as though the pattern had been left out in the weather. Woven in the Oushak region of western Anatolia.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe fading is deliberate and it is woven in, not applied afterward. Edges of the motifs are softened so the blue never fully resolves, and the field keeps more cream than pattern — an old rug's proportions rather than a new one's. Blue on cream is the coolest combination in the series and it behaves accordingly: in a south-facing room it warms up and reads almost gray-green; in a north-facing one it stays clean and slightly severe.\u003c\/p\u003e\n\n\u003cp\u003eOushak has been weaving for five hundred years, and the Heritage rugs are made there by combining a modern loom with hand finishing — the structure is laid down mechanically, the ends are closed by hand, and the workforce doing it is largely women. Pile is low, which gives dust less to settle into and makes the rug easy to run a vacuum over. Low pile also means less give underfoot than a thick rug: this one is for looking at and walking on, not for sitting on the floor. Professional washing.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eLoom-woven in the Oushak region of western Anatolia, finished by hand.\u003c\/li\u003e\n  \u003cli\u003eNew Zealand wool in the surface, viscose through the motifs.\u003c\/li\u003e\n  \u003cli\u003eBlue vintage drawing on cream, faded in the weaving rather than afterward.\u003c\/li\u003e\n  \u003cli\u003eLow pile — quick to vacuum, with little for dust to settle into.\u003c\/li\u003e\n  \u003cli\u003eCooler in a north-facing room; warmer and greener facing south.\u003c\/li\u003e\n  \u003cli\u003eLess give underfoot than a deep-pile rug.\u003c\/li\u003e\n  \u003cli\u003eMade in limited numbers within the Heritage series.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eA faded pattern has one advantage over a crisp one: it never dates, because it already looks as though it has.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Blue \/ 80 X 140","offer_id":44666354237673,"sku":"EKOHER000244.02","price":8400.0,"currency_code":"TRY","in_stock":false},{"title":"Blue \/ 130 X 190","offer_id":44666354270441,"sku":"EKOHER000244.03","price":18400.0,"currency_code":"TRY","in_stock":false},{"title":"Blue \/ 160 X 230","offer_id":44666354204905,"sku":"EKOHER000244.01","price":27400.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/HeritageSerisiMakineDokumaVintageMaviHali_1.jpg?v=1708675093"},{"product_id":"heritage-serisi-tezgah-dokuma-vintage-desenli-mavi-hali","title":"Cream and Blue Vintage Loom-Woven Wool Rug, Heritage Series","description":"\u003cp\u003e\u003cstrong\u003eKütahya, in western Anatolia, is where this was made — a town better known for its tiles than for its looms, and where the Heritage rugs are woven by putting semi-industrial precision and hand finishing side by side. A loom-woven wool rug: blue drawing scattered over a cream field, New Zealand wool in the surface, viscose in the motifs, cotton in the foundation.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eHalf the pattern is stated and half is withheld. Some motifs are drawn at full strength, others fade almost into the cream, and they are distributed without a repeating grid, so the surface looks composed rather than printed. There is a lot of empty ground and that is the point — the rug leaves room for the eye the way a sparsely hung wall does. Details you did not see on the first day keep arriving for a month.\u003c\/p\u003e\n\n\u003cp\u003eKnot density is high for a loom-woven piece, which is why the surface has some of the weight of a knotted rug in the hand. Wool takes the wear, cotton holds the shape underneath, and the viscose does nothing structural at all — it is there because it reflects. Pale ground and low pile together mean this rug shows a crumb and hides a footprint, the opposite of most. Vacuum it often, which is easy, and send it out for washing rather than trying it at home.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eLoom-woven in Kütahya, western Anatolia, with hand finishing.\u003c\/li\u003e\n  \u003cli\u003eNew Zealand wool surface, viscose motifs, cotton foundation.\u003c\/li\u003e\n  \u003cli\u003eBlue pattern scattered over cream, some motifs full strength and some nearly faded out.\u003c\/li\u003e\n  \u003cli\u003eDense knotting for a loom-woven rug — you feel it in the hand.\u003c\/li\u003e\n  \u003cli\u003eLow pile on a pale ground: crumbs show, footprints do not.\u003c\/li\u003e\n  \u003cli\u003eProduced in limited numbers within the Heritage series.\u003c\/li\u003e\n  \u003cli\u003eVacuum regularly; washing by a professional.\u003c\/li\u003e\n  \u003cli\u003eA single rug from a short run.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eIt is the rug people notice on their third visit to a room rather than their first, and then ask about every time after.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Blue \/ 130 X 190","offer_id":45811510444265,"sku":"EKOHER000298.01","price":18400.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/heritage-serisi-vintage-desenli-makine-dokuma-hali-35923.jpg?v=1691503517"},{"product_id":"heritage-serisi-tezgah-dokuma-vintage-desenli-gumus-hali","title":"Silver and Gold Vintage-Pattern Loom-Woven Rug, Heritage Series","description":"\u003cp\u003e\u003cstrong\u003eSmall golden flowers, drawn fine and set close, are the first thing you see. They sit on a silver ground and dissolve in waves toward the lower end, as though the pattern were being forgotten. A loom-woven rug, 160 × 230 cm (5'3\" × 7'7\"), New Zealand wool with viscose in the flowers and cotton beneath, made in Kütahya.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eSilver is a cool gray and gold is a warm yellow, and putting them together is the whole gamble of the design. It works because the gold is used sparingly — as line rather than as area — so the flowers register as warmth without turning the rug yellow. The dissolving passage at one end is woven in, not worn: the motifs thin out row by row until only the ground is left. That gives the piece a direction, which most rugs do not have, and it is worth laying so the dense end meets the room's entrance.\u003c\/p\u003e\n\n\u003cp\u003eViscose is spun from cellulose and takes light like silk; here it carries the flowers, so the gold brightens and dims as you cross the room while the wool ground stays constant. The construction starts on a loom in Kütahya and is completed by hand. Viscose does not tolerate home cleaning products and will mark under a wet glass, so use a coaster and send it out to be washed. Vacuum on suction only.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eLoom-woven in Kütahya and finished by hand.\u003c\/li\u003e\n  \u003cli\u003eNew Zealand wool and viscose in the surface, cotton in the foundation.\u003c\/li\u003e\n  \u003cli\u003eGolden floral motifs on a silver ground, thinning away toward one end.\u003c\/li\u003e\n  \u003cli\u003eThe viscose flowers brighten and dim with your position; the wool ground does not.\u003c\/li\u003e\n  \u003cli\u003eThe pattern has a direction — lay the dense end toward the door.\u003c\/li\u003e\n  \u003cli\u003e160 × 230 cm (5'3\" × 7'7\") — a standard living-room size.\u003c\/li\u003e\n  \u003cli\u003eViscose marks under a wet glass and rejects home cleaners; wash professionally.\u003c\/li\u003e\n  \u003cli\u003eA limited Heritage piece.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eSilver floors read as expensive in photographs and as calm in person, and only the second of those matters after the first week.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Silver \/ 160 X 230","offer_id":44157563961577,"sku":"EKOHER000310.01","price":27400.0,"currency_code":"TRY","in_stock":true},{"title":"Silver \/ 200 X 300","offer_id":46028278661353,"sku":"EKOHER000310.02","price":44600.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/HeritageSerisiMakineDokumaVintageDesenliGumusHali_2.jpg?v=1705758673"},{"product_id":"heritage-serisi-tezgah-dokuma-krem-renkli-vintage-desenli-hali","title":"Cream Vintage-Pattern Loom-Woven Wool Rug, Heritage Series","description":"\u003cp\u003e\u003cstrong\u003eThe fleece comes from New Zealand. That, with viscose, makes the surface of this cream Heritage-series rug, knotted densely onto a cotton foundation on the looms at Kütahya, and carrying a vintage pattern so lightly drawn it works more like shadow than like ornament. Six sizes are made, the longest of them 260 × 370 cm (8'6\" × 12'2\"), the narrowest an 80 × 300 cm runner.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eAt 230 × 330 cm — 7'7\" by 10'10\" — the pattern has room to do what it was drawn for: pale transitions that settle across the surface and shift as the light in the room changes, so the rug looks slightly different at breakfast and at dusk. Cream is the neutral that makes a corridor feel wider and a small bedroom feel finished, and the design is quiet enough to run from a hallway into a kitchen without arguing with either. The viscose is where the soft shine comes from, and it is what stops a plain-ish cream rug reading as a blank.\u003c\/p\u003e\n\n\u003cp\u003eThe process starts on machines in Kütahya and ends in hands — the knots are set closely at the loom and the finish is human work, and that is what accounts for how near it comes to a knotted rug. New Zealand fleece is long in the staple and springs back well, which is why the pile stays upright under furniture instead of matting. Very little lint comes off it. The series is made in limited numbers across the size range, so the piece you get will not be identical to the next one off the loom.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eLoom-woven in Kütahya: machine knotting, hand finishing.\u003c\/li\u003e\n  \u003cli\u003eNew Zealand wool and viscose on a cotton foundation.\u003c\/li\u003e\n  \u003cli\u003eA faint vintage pattern that reads as shadow across a cream ground.\u003c\/li\u003e\n  \u003cli\u003eLong-staple wool that springs back rather than matting under furniture.\u003c\/li\u003e\n  \u003cli\u003eLow lint release; a soft shine from the viscose.\u003c\/li\u003e\n  \u003cli\u003eSix sizes: 80 × 300, 100 × 300, 160 × 230, 200 × 300, 230 × 330 and 260 × 370 cm.\u003c\/li\u003e\n  \u003cli\u003eMade in limited numbers, so pieces differ slightly.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWool from the southern hemisphere on a Kütahya loom is an odd sentence, and the springiness underfoot is where you find out it is true.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Cream \/ 80 X 300","offer_id":44157566550249,"sku":"EKOHER000482.01","price":18000.0,"currency_code":"TRY","in_stock":true},{"title":"Cream \/ 100 X 300","offer_id":46030184481001,"sku":"EKOHER000482.02","price":22400.0,"currency_code":"TRY","in_stock":true},{"title":"Cream \/ 160 X 230","offer_id":46030184513769,"sku":"EKOHER000482.03","price":27400.0,"currency_code":"TRY","in_stock":false},{"title":"Cream \/ 200 X 300","offer_id":46030184546537,"sku":"EKOHER000482.04","price":44600.0,"currency_code":"TRY","in_stock":true},{"title":"Cream \/ 230 X 330","offer_id":46030184579305,"sku":"EKOHER000482.05","price":56400.0,"currency_code":"TRY","in_stock":true},{"title":"Cream \/ 260 X 370","offer_id":46030184612073,"sku":"EKOHER000482.06","price":71600.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/HeritageSerisiMakineDokumaKremRenkliVintageDesenliHali_5_f725ff9b-aa5d-47a1-a3cc-59d13b4baf9a.jpg?v=1725190331"},{"product_id":"soyut-desenli-tezgah-dokuma-hali-1041","title":"Gray Abstract-Pattern Loom-Woven Wool Rug, Heritage Series","description":"\u003cp\u003e\u003cstrong\u003eTwo meters by three is a room-defining size, and this piece uses it as a canvas — grays shifting like brushwork across the whole field, with no border anywhere to contain them. The surface pairs New Zealand wool with viscose and the foundation beneath is cotton. Loom-woven in the Oushak region.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThere is no repeat to find. The grays move through warm and cool without a seam, and the edges of each passage are soft enough that the pattern seems to have been laid on wet. Viscose runs through the lighter areas and blurs their boundaries further, so from a standing height the surface has depth it does not physically possess. At floor level, sitting on it, you can see the individual knots and the illusion collapses — which is a fair trade, since most rugs work the other way round.\u003c\/p\u003e\n\n\u003cp\u003eKnots are set densely on the loom and the finish is hand work, so the surface approaches the density of a knotted rug at a fraction of the hours. Pile is low. Gray at this scale carries a risk worth naming: a borderless field with no motif in it has nothing to argue with a patterned sofa, and in a busy room it will read as flooring. It wants plain furniture around it. Because of the viscose, washing is specialist work.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eLoom-woven in the Oushak region, finished by hand.\u003c\/li\u003e\n  \u003cli\u003eNew Zealand wool and viscose over a cotton foundation.\u003c\/li\u003e\n  \u003cli\u003eAbstract gray passages, borderless, with no repeat anywhere in the field.\u003c\/li\u003e\n  \u003cli\u003eDense knotting for a loom-woven rug; low pile.\u003c\/li\u003e\n  \u003cli\u003e200 × 300 cm (6'7\" × 9'10\") — a full salon or living-room floor.\u003c\/li\u003e\n  \u003cli\u003eIt needs plain furniture around it, or it reads as flooring.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing only; the viscose will not take home cleaners.\u003c\/li\u003e\n  \u003cli\u003eA short Heritage run; this is one of them.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eTen years from now the grays will have settled a half-tone warmer, and the brushwork will look more deliberate than it does today.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Gray \/ 200 X 300","offer_id":44157567467753,"sku":"EKOHER000494.01","price":44600.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/HeritageSerisiSoyutDesenliMakineDokumaHali_1.jpg?v=1705759490"},{"product_id":"heritage-serisi-tezgah-dokuma-soyut-desenli-vizon-hali","title":"Mink Abstract-Pattern Loom-Woven Wool Rug, Heritage Series","description":"\u003cp\u003e\u003cstrong\u003eIf you want a rug to be the event of a room, this is not the one. A loom-woven rug in mink — a gray-brown neutral — 160 × 230 cm (5'3\" × 7'7\"), carrying abstract marks so faint they read as shadows on the surface. Cotton foundation, with a surface of New Zealand wool lifted in places by viscose. Woven around Oushak.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eMink is the color that sits between gray and brown without committing to either, and it is the reason this piece works under almost anything. The abstract marks are drawn at low contrast, a tone or two away from the ground, so they appear and vanish as the light moves across the day. Nothing here fights a sofa, a floor or a wall. That restraint is the design decision, and it took more discipline than a loud rug would have.\u003c\/p\u003e\n\n\u003cp\u003eThe loom lays down a dense knot structure and hand work closes it, which is why a piece made this quickly still has weight in the hand. Wool takes the traffic and viscose supplies what shine there is. The honest limitation: at low contrast the pattern will not photograph, so it is a rug you have to see in a room. It is also pale enough to want a doormat between it and the street. Vacuum weekly; wash it through a specialist.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eLoom-woven in the Oushak region with hand finishing.\u003c\/li\u003e\n  \u003cli\u003eNew Zealand wool and viscose in the surface, cotton beneath.\u003c\/li\u003e\n  \u003cli\u003eMink ground — gray-brown, neutral, and deliberate about it.\u003c\/li\u003e\n  \u003cli\u003eLow-contrast abstract marks that come and go with the light.\u003c\/li\u003e\n  \u003cli\u003e160 × 230 cm (5'3\" × 7'7\"), for a bedroom or a study.\u003c\/li\u003e\n  \u003cli\u003eIt does not photograph; the contrast is too low to survive a camera.\u003c\/li\u003e\n  \u003cli\u003eVacuum weekly; specialist washing when it needs it.\u003c\/li\u003e\n  \u003cli\u003eOne of a limited Heritage run.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eThe rugs that stay in a house longest are usually the ones nobody can quite describe afterward, and this is built to be one of those.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Visa \/ 160 X 230","offer_id":44157568254185,"sku":"EKOHER000578.01","price":27400.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/HeritageSerisiMakineDokumaSoyutDesenliVizonHali_7.jpg?v=1705759694"},{"product_id":"tezgah-dokuma-soyut-desenli-kirmizi-hali","title":"Red and Anthracite Abstract Loom-Woven Wool Rug, Heritage Series","description":"\u003cp\u003e\u003cstrong\u003eRed against anthracite is the loudest pairing in the Heritage series and the only one in it that raises its voice. The rug is abstract and borderless, three meters long by two wide (200 × 300 cm, or 6'7\" × 9'10\"). Wool from New Zealand flocks and bamboo viscose share the surface; cotton carries them from below. Made near Oushak, in western Türkiye.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe two colors are not divided into zones. They wash across and through one another so that no edge announces where red ends, and the dark gray acts less as a second color than as the shadow the red throws. Viscose threads run through the brighter passages and lift them, so the red reads hot from one side of the room and banked from the other. There is no medallion, no field, no border — the composition refuses all three, and at this size that refusal is the design.\u003c\/p\u003e\n\n\u003cp\u003eProduction begins semi-industrially on a loom and is completed by women weavers by hand, which is how the Heritage rugs are made. The knots are set close, so the surface has the density of hand work without the years. Two limitations are worth stating: a red this saturated will sit badly next to another strong color, and viscose shows the direction the pile was last brushed in. Neither is a fault; both are facts. Send it out for washing.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eLoom-woven in the Oushak region, finished by hand by women weavers.\u003c\/li\u003e\n  \u003cli\u003eNew Zealand wool and bamboo viscose in the surface, cotton foundation.\u003c\/li\u003e\n  \u003cli\u003eRed and anthracite washed through one another, with no border anywhere.\u003c\/li\u003e\n  \u003cli\u003eViscose lifts the brighter passages; the red changes weight as you move.\u003c\/li\u003e\n  \u003cli\u003e200 × 300 cm (6'7\" × 9'10\"), enough to hold a whole seating group.\u003c\/li\u003e\n  \u003cli\u003eIt will not share a room with a second strong color.\u003c\/li\u003e\n  \u003cli\u003eBrush marks stay visible in the viscose passages.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing; part of a limited Heritage run.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eA red floor changes what people wear in a room, which is either the reason to buy it or the reason not to.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Red \/ 200 X 300","offer_id":45811511492841,"sku":"EKOHER000599.01","price":44600.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/MakineDokumaSoyutDesenliKirmiziHali_1.jpg?v=1705759812"},{"product_id":"el-dokuma-kilim-1232","title":"Pink Abstract-Pattern Handwoven Wool Kilim","description":"\u003cp\u003e\u003cstrong\u003eOne person can pick this up, and that is most of its argument: a handwoven kilim of 120 × 180 cm (3'11\" × 5'11\") in soft pink passing into neutral tones, woven in India from cotton and wool by traditional flat-weave methods, with the wool surface worked by hand and the whole thing thin enough to roll under an arm.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe design is minimal — bands of pink stepping down through paler and grayer tones, with no motif to speak of. What holds the eye is the transition itself: where two tones meet the weave shows both for a row or two, so the change reads as a blend rather than a line. In a young person's room, where the walls tend to be plain and the furniture tends to move, a rug that supplies color and nothing else earns its place quickly.\u003c\/p\u003e\n\n\u003cp\u003eCotton in the structure, wool on the surface. A kilim has no pile, so nothing lodges in it and a damp cloth takes most of what lands on it. The trade-off is that a flat weave gives almost no cushioning: barefoot on a wood floor, you will feel the wood. It also slides on anything smooth and wants a pad. Wipe it as needed and let a professional wash it once every few years.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven in India using traditional flat-weave technique.\u003c\/li\u003e\n  \u003cli\u003eCotton in the structure with the wool surface worked by hand.\u003c\/li\u003e\n  \u003cli\u003ePink stepping down through neutral tones, with no motif.\u003c\/li\u003e\n  \u003cli\u003e120 × 180 cm (3'11\" × 5'11\") — a bedside, desk or teenager's room.\u003c\/li\u003e\n  \u003cli\u003eLight enough to lift, roll and shake out without help.\u003c\/li\u003e\n  \u003cli\u003eFlat weave: it wipes clean, and it gives no cushioning on a hard floor.\u003c\/li\u003e\n  \u003cli\u003eUse an anti-slip pad on wood or tile.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing every few years.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eRugs bought for a teenager get moved four times before they get replaced, and a flat weave is the only kind that survives the process.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Horns \/ 120 X 180","offer_id":44157599875305,"sku":"EKOETN000005.01","price":9000.0,"currency_code":"TRY","in_stock":true},{"title":"Horns \/ 140 X 200","offer_id":46028987105513,"sku":"EKOETN000005.02","price":11500.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/SoyutDesenliElDokumaPembeGencOdasiKilim_6.jpg?v=1705739746"},{"product_id":"safir-serisi-el-dokuma-mavi-usak-desenli-hali","title":"Blue Oushak-Pattern Hand-Knotted Carved Rug, Safir Series","description":"\u003cp\u003e\u003cstrong\u003eBlue Oushak-Pattern Hand-Knotted Carved Rug, Safir Series: blue and mink held against each other across a densely knotted field, with the motifs carved down at their edges so the drawing stands above the ground. Made in India, running from 90 × 150 cm up to 135 × 200 cm — 2'11\" × 4'11\" to 4'5\" × 6'7\".\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eMink is the color doing the quiet work. Blue on its own would be flat; blue against a warm gray-brown gains depth, and where the two meet the carving cuts a shadow line that neither color could produce alone. The Oushak motifs are the classical ones of western Anatolia, redrawn to a contemporary weight — narrower, less crowded, with more ground left visible than a nineteenth-century original would allow. At these sizes it is a bedside or entrance rug rather than a room-sized one, which is the scale at which the carved detail actually gets looked at.\u003c\/p\u003e\n\n\u003cp\u003eThe knot structure is dense and the density is the point: it is what carries the depth of the detail and what lets the shears cut cleanly. Wool, cotton, bamboo viscose and viscose are used together — the wool for body, the two cellulose yarns for the lasting shine in the motifs. Hand knotting means each piece varies slightly from the next, and on a rug this small the variation is visible. Professional washing, and never a stiff brush across the carved edges.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in India in wool, cotton, bamboo viscose and viscose.\u003c\/li\u003e\n  \u003cli\u003eBlue and mink, with the motifs carved in relief after weaving.\u003c\/li\u003e\n  \u003cli\u003eClassical Oushak drawing at a contemporary weight.\u003c\/li\u003e\n  \u003cli\u003eA dense knot structure that holds the detail and takes the carving.\u003c\/li\u003e\n  \u003cli\u003eWoven between 90 × 150 cm and 135 × 200 cm, or 2'11\" × 4'11\" to 4'5\" × 6'7\".\u003c\/li\u003e\n  \u003cli\u003eEach piece differs slightly from the last, as hand knotting requires.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing; no stiff brushes.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eSmall rugs are usually bought to fill a gap; this one is worth putting where somebody will stand still and look down.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Blue \/ 90 X 150","offer_id":45811513458921,"sku":"EKOSAP000012.01","price":40500.0,"currency_code":"TRY","in_stock":false},{"title":"Blue \/ 80 X 290","offer_id":46029642662121,"sku":"EKOSAP000012.02","price":70000.0,"currency_code":"TRY","in_stock":true},{"title":"Blue \/ 80 X 310","offer_id":46029642694889,"sku":"EKOSAP000012.03","price":74500.0,"currency_code":"TRY","in_stock":true},{"title":"Blue \/ 135 X 200","offer_id":46029642727657,"sku":"EKOSAP000012.04","price":81000.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/EKOSAP000012YOLLUK_5_SafirSerisiElDokumaMaviUsakDesenliHali.jpg?v=1704978542"},{"product_id":"safir-serisi-el-dokuma-usak-desenli-krem-mor-hali","title":"Cream and Purple Oushak-Pattern Hand-Knotted Rug, Safir Series","description":"\u003cp\u003e\u003cstrong\u003eOushak is a weaving town in western Anatolia whose big, loose floral drawing has been copied for four hundred years, and this is that drawing carried in cream and purple on a hand-knotted rug from India. Wool, cotton and bamboo viscose in the surface, a cotton foundation underneath, and a knot count fine enough to hold the small scrollwork. The largest piece measures 265 × 355 cm (8'8\" × 11'8\").\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eCream holds the ground and the purple does the drawing — palmettes, hooked leaves and a scrolling vine that runs the border without quite repeating. What separates it from a printed version is the relief: after the rug comes off the loom a weaver cuts around every motif with hand shears, dropping the ground a few millimeters so the pattern stands up off it. Run a hand across the surface and you can feel where the outline is before you can see it. Bamboo viscose in the motifs takes light the way silk does, which is why the purple reads violet from one end of a room and near-plum from the other.\u003c\/p\u003e\n\n\u003cp\u003eKnotted by hand in India. The shine that makes the pattern legible also picks up footmarks, and on a cream ground they will show until the pile is brushed back the other way — worth knowing before this goes in a hallway. Seven sizes exist, from a small mat up to the salon piece, and two of them are proper corridor runners rather than rugs cut short.\u003c\/p\u003e\n\n\u003ch3\u003eWhat does carving mean on a hand-knotted rug?\u003c\/h3\u003e\n\u003cp\u003eCarving is a finishing operation. After weaving, a worker trims the pile along the outline of each motif with hand shears, so the ground sits lower than the pattern. The result is a relief you can feel with a palm, and it is done piece by piece rather than by machine.\u003c\/p\u003e\n\n\u003ch3\u003eDoes an Oushak-pattern rug have to come from Oushak?\u003c\/h3\u003e\n\u003cp\u003eNo. Oushak names both a town in western Anatolia and the family of large-scale floral and medallion drawings that came out of it from the sixteenth century onward. This rug carries the Oushak pattern and was hand-knotted in India, which the description states rather than hides.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in India, with the pattern carved by hand after weaving.\u003c\/li\u003e\n  \u003cli\u003eWool, cotton, bamboo viscose and viscose in the surface, on a cotton foundation.\u003c\/li\u003e\n  \u003cli\u003eCream ground with purple palmettes, hooked leaves and a scrolling vine border.\u003c\/li\u003e\n  \u003cli\u003eDense knotting, which is what lets the small scrollwork stay readable.\u003c\/li\u003e\n  \u003cli\u003eSeven sizes from 90 × 150 cm to 265 × 355 cm, including two long runners.\u003c\/li\u003e\n  \u003cli\u003eThe bamboo viscose shines, and shine shows footmarks.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing only.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cscript type=\"application\/ld+json\"\u003e\n{\"@context\":\"https:\/\/schema.org\",\"@type\":\"FAQPage\",\"mainEntity\":[{\"@type\":\"Question\",\"name\":\"What does carving mean on a hand-knotted rug?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"Carving is a finishing operation. After weaving, a worker trims the pile along the outline of each motif with hand shears, so the ground sits lower than the pattern. The result is a relief you can feel with a palm, and it is done piece by piece rather than by machine.\"}},{\"@type\":\"Question\",\"name\":\"Does an Oushak-pattern rug have to come from Oushak?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"No. Oushak names both a town in western Anatolia and the family of large-scale floral and medallion drawings that came out of it from the sixteenth century onward. This rug carries the Oushak pattern and was hand-knotted in India, which the description states rather than hides.\"}}]}\n\u003c\/script\u003e\n\n\u003cp\u003eCream grounds get lighter with washing and purple gets quieter with light, so in twenty years it will be a paler rug than the one that arrives.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThis rug belongs to the \u003ca href=\"\/en\/collections\/safir-series-rugs\"\u003eSafir Series\u003c\/a\u003e.\u003c\/em\u003e\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Purple \/ 90 X 150","offer_id":45811514245353,"sku":"EKOSAP000018.01","price":40500.0,"currency_code":"TRY","in_stock":true},{"title":"Purple \/ 80 X 390","offer_id":46029645119721,"sku":"EKOSAP000018.04","price":94000.0,"currency_code":"TRY","in_stock":true},{"title":"Purple \/ 170 X 240","offer_id":46029645152489,"sku":"EKOSAP000018.06","price":123000.0,"currency_code":"TRY","in_stock":true},{"title":"Purple \/ 170 X 250","offer_id":46029645185257,"sku":"EKOSAP000018.07","price":128000.0,"currency_code":"TRY","in_stock":true},{"title":"Purple \/ 200 X 285","offer_id":46029645218025,"sku":"EKOSAP000018.08","price":171000.0,"currency_code":"TRY","in_stock":true},{"title":"Purple \/ 200 X 295","offer_id":46029645250793,"sku":"EKOSAP000018.09","price":177000.0,"currency_code":"TRY","in_stock":true},{"title":"Purple \/ 265 X 355","offer_id":46029645283561,"sku":"EKOSAP000018.10","price":285000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/EKOSAP000018YOLLUK_17_SafirSerisiElDokumaUsakDesenliKremMorHali.jpg?v=1709378642"},{"product_id":"safir-serisi-el-dokuma-usak-desenli-mor-hali","title":"Purple Oushak-Pattern Hand-Knotted Carved Wool Rug, Safir Series","description":"\u003cp\u003e\u003cstrong\u003eEvery motif on this rug was cut around by hand with shears after it came off the loom, one at a time, so the pattern stands a few millimeters above its own ground. Hand-knotted in India in purple, in the Oushak family of large floral drawings, over a surface of wool, cotton and bamboo viscose. Six sizes are made, up to 255 × 380 cm (8'4\" × 12'6\").\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003ePurple is a hard color to keep from going flat, and the carving is what stops it: the trimmed outline throws a shadow of its own, so the field reads as two purples rather than one, and the depth changes as you walk past. Dense knotting is the second half of the answer, because the Oushak drawing depends on thin scroll lines that a loose weave simply loses. Against walnut, brass and unbleached linen it looks its age; in a white room it is the whole argument.\u003c\/p\u003e\n\n\u003cp\u003eKnotted in India, on a cotton foundation, with bamboo viscose worked through the pattern for its shine. Two of the six sizes are long runners, one of them 85 × 400 cm (2'9\" × 13'1\"), cut for corridors rather than shortened from a rug. The relief has a cost worth naming: a carved surface is not flat, and a chair leg dragged across it finds the low channels. Lift furniture rather than sliding it.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in India; each motif carved around by hand with shears.\u003c\/li\u003e\n  \u003cli\u003eWool, cotton and bamboo viscose in the surface, on a cotton foundation.\u003c\/li\u003e\n  \u003cli\u003ePurple Oushak drawing, held by a dense knot count that keeps the thin scrollwork legible.\u003c\/li\u003e\n  \u003cli\u003eThe carved outline gives the field a shadow, so the purple shifts as you cross the room.\u003c\/li\u003e\n  \u003cli\u003eSix sizes, including 80 × 390 cm and 85 × 400 cm corridor runners.\u003c\/li\u003e\n  \u003cli\u003eDo not drag furniture over a carved surface.\u003c\/li\u003e\n  \u003cli\u003eWashing is a job for a specialist.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eThe carved channels are where the wear will show first, and in thirty years they will be the reason anyone can date it.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThis rug belongs to the \u003ca href=\"\/en\/collections\/safir-series-rugs\"\u003eSafir Series\u003c\/a\u003e.\u003c\/em\u003e\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Purple \/ 90 X 150","offer_id":45811516473577,"sku":"EKOSAP000023.01","price":40500.0,"currency_code":"TRY","in_stock":true},{"title":"Purple \/ 80 X 290","offer_id":46029648593129,"sku":"EKOSAP000023.04","price":70000.0,"currency_code":"TRY","in_stock":false},{"title":"Purple \/ 80 X 390","offer_id":46029648625897,"sku":"EKOSAP000023.06","price":94000.0,"currency_code":"TRY","in_stock":true},{"title":"Purple \/ 85 X 400","offer_id":46029648658665,"sku":"EKOSAP000023.07","price":102000.0,"currency_code":"TRY","in_stock":true},{"title":"Purple \/ 230 X 330","offer_id":46029648691433,"sku":"EKOSAP000023.10","price":230000.0,"currency_code":"TRY","in_stock":true},{"title":"Purple \/ 255 X 380","offer_id":46029648724201,"sku":"EKOSAP000023.11","price":295000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/SafirSerisiElDokumaUsakDesenliOymaliKremYunHali_1.webp?v=1767540505"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/collections\/Halicizade_Yeni_Logo_-Pazarama_db8faaf4-a367-4e13-8feb-afff3a06f4fd.jpg?v=1784440647","url":"https:\/\/www.halicizade.com\/en\/collections\/halicizade-rugs.oembed?page=27","provider":"HALICIZADE","version":"1.0","type":"link"}