{"title":"Fine Hand-Knotted Rugs — Upper Price Tier","description":"\u003cp\u003e\u003cstrong\u003eThis collection gathers Halıcızade's upper price tier: rugs in which the cost is going into hand work rather than machine time — denser wool pile, room-size and oversize formats, silk and bamboo-viscose accents, and old Anatolian village weavings that exist in a single example and cannot be reordered.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBrowsing by price is a different act from browsing by pattern, and the filter is only useful once you know what the money is buying. This page explains what pushes a rug into this tier, what you will find here, and how to read the age language on the listings. Only rugs currently in stock appear, so the contents turn over.\u003c\/p\u003e\n\n\u003ch2\u003eWhat moves a rug into this tier\u003c\/h2\u003e\n\u003cp\u003eThree things, and none of them is the pattern.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabor.\u003c\/strong\u003e A hand-knotted rug is tied one knot at a time; a room-size piece is months of a weaver's work, and that time is most of the price. \u003cstrong\u003eSize.\u003c\/strong\u003e Area scales the labor directly — a 250 x 340 cm (8'2\" x 11'2\") rug holds nearly twice the knots of a 170 x 240 cm (5'7\" x 7'10\") one. \u003cstrong\u003eFiber.\u003c\/strong\u003e Highland wool costs more than lowland wool, and silk and bamboo-viscose accents cost more again, because they are finer and slower to work.\u003c\/p\u003e\n\n\u003ch2\u003eWhat you actually find here\u003c\/h2\u003e\n\u003cp\u003eFour groups, sharing a price band and very little else.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eIndian hand-knotted series\u003c\/strong\u003e — classical drawing worked in wool and bamboo-viscose, including Hereke-style framed fields and Oushak medallions at room size.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eAfghan and Pakistani wool\u003c\/strong\u003e — dense, all-wool pile in Karabakh, Mamluk and tree-of-life layouts.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eOld Anatolian village weavings\u003c\/strong\u003e — Taşpınar and Döşemealtı from the Aksaray and Antalya country, Çanakkale and Kırşehir pieces, Yağcıbedir rugs from near Balıkesir, most of them one-offs out of household storage.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eFlat weaves and patchwork\u003c\/strong\u003e — cicim kilims and shawl-rug patchwork, which reach this tier at runner and room sizes.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe construction pages sit at \u003ca href=\"\/en\/collections\/hand-knotted-rugs\"\u003ehand-knotted rugs\u003c\/a\u003e, and the single-example pieces at \u003ca href=\"\/en\/collections\/rare-rugs\"\u003erare rugs\u003c\/a\u003e.\u003c\/p\u003e\n\n\u003ch2\u003eDensity buys drawing, not durability\u003c\/h2\u003e\n\u003cp\u003eThe most useful thing to understand at this level is what knot count does and does not do.\u003c\/p\u003e\n\u003cp\u003eKnots are counted across the back of a rug, per square decimeter. A high count lets a weaver resolve a curve, a face, a line of script or a bird's feathers; a low count cannot hold that detail at any price. Durability is a different question, answered by wool quality, dye and how the rug is treated. A coarse Anatolian village rug tied in springy highland wool will outlast a fine one made from poor fleece. Buy density when you want the drawing, not when you want the years.\u003c\/p\u003e\n\n\u003ch2\u003eHow to read the age words\u003c\/h2\u003e\n\u003cp\u003eThese are trade conventions with no issuing body behind them, and the house uses them consistently.\u003c\/p\u003e\n\u003ctable\u003e\n\u003ctr\u003e\u003cth\u003eTerm\u003c\/th\u003e\u003cth\u003eAge\u003c\/th\u003e\u003cth\u003eWhat to expect\u003c\/th\u003e\u003c\/tr\u003e\n\u003ctr\u003e\u003ctd\u003eAntique\u003c\/td\u003e\u003ctd\u003e100 years or more\u003c\/td\u003e\u003ctd\u003eNatural dyes throughout, wear, repairs, strong abrash; each piece unique\u003c\/td\u003e\u003c\/tr\u003e\n\u003ctr\u003e\u003ctd\u003eSemi-antique\u003c\/td\u003e\u003ctd\u003e50 to 100 years\u003c\/td\u003e\u003ctd\u003eSoftened color, settled pile, generally still in daily-use condition\u003c\/td\u003e\u003c\/tr\u003e\n\u003ctr\u003e\u003ctd\u003eVintage\u003c\/td\u003e\u003ctd\u003e20 to 80 years\u003c\/td\u003e\u003ctd\u003eOverlaps semi-antique; often washed or overdyed for a contemporary palette\u003c\/td\u003e\u003c\/tr\u003e\n\u003ctr\u003e\u003ctd\u003eNew\u003c\/td\u003e\u003ctd\u003eUnder 20 years\u003c\/td\u003e\u003ctd\u003eCurrent weaving, full pile, sizes and colorways repeatable\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003cp\u003eOlder pieces are gathered at \u003ca href=\"\/en\/collections\/vintage-rugs\"\u003evintage rugs\u003c\/a\u003e, and the Aksaray weaving tradition at \u003ca href=\"\/en\/collections\/taspinar-rugs\"\u003eTaşpınar rugs\u003c\/a\u003e.\u003c\/p\u003e\n\n\u003ch2\u003eJudging one before you buy\u003c\/h2\u003e\n\u003cp\u003eTurn it over first, then check four things.\u003c\/p\u003e\n\u003cp\u003eThe back of a hand-knotted rug shows the pattern almost as clearly as the front, in slightly uneven rows, and the fringe is the warp itself rather than a strip sewn on. Fold a tuft of pile back: madder red and indigo blue shift gradually down the fiber, while a flat, identical color from tip to root indicates a chemical dye — a different thing, not a fault. A band of color running across the field is \u003cstrong\u003eabrash\u003c\/strong\u003e, the mark of one dye lot ending and another beginning. Finally, look at the selvedge and the ends, which is where an old rug shows its repairs.\u003c\/p\u003e\n\n\u003ch2\u003eLiving with one\u003c\/h2\u003e\n\u003cp\u003eThe habits are the same as for any wool rug, applied more consistently.\u003c\/p\u003e\n\u003cp\u003eVacuum with the beater bar off, in the direction of the pile. Rotate twice a year so light and traffic move around, and keep the rug out of a full south window. Blot spills at once and never rub. A hand-knotted wool rug in daily use is worth a professional wash every twelve to eighteen months, and an old or fragile piece should be handled only by a washer who works on hand-knotted rugs.\u003c\/p\u003e\n\n\u003ch2\u003eFrequently asked questions\u003c\/h2\u003e\n\u003ch3\u003eWhat kind of rugs are in this tier?\u003c\/h3\u003e\n\u003cp\u003eMostly hand-knotted wool: Indian series drawn from Hereke and Oushak sources, Afghan and Pakistani weavings, and old Anatolian village rugs bought one at a time. Flat-woven cicim kilims and patchwork shawl rugs also reach it at larger sizes.\u003c\/p\u003e\n\u003ch3\u003eWhat am I paying for at this level?\u003c\/h3\u003e\n\u003cp\u003eTime, size and fiber, in that order. A hand-knotted rug of 200 x 300 cm (6'7\" x 9'10\") represents months of work at the loom, and doubling the area of a rug roughly doubles the labor in it.\u003c\/p\u003e\n\u003ch3\u003eDoes a higher price mean a more durable rug?\u003c\/h3\u003e\n\u003cp\u003eNo. Knot density buys finer drawing, not longer life; a coarse village rug can outlast a fine one. What price reliably buys is drawing quality, size, better wool and, in older pieces, scarcity.\u003c\/p\u003e\n\u003ch3\u003eAre these rugs one of a kind?\u003c\/h3\u003e\n\u003cp\u003eMany are. The old Anatolian pieces exist in a single example, and the collection only shows rugs currently in stock, so a piece that sells does not come back. The series rugs can be rewoven; the village weavings cannot.\u003c\/p\u003e\n\u003ch3\u003eAre rugs at this level a good investment?\u003c\/h3\u003e\n\u003cp\u003eA well-made hand-knotted wool rug is built to be used for decades and to be worth repairing, which is a different claim from an expectation of financial return. Buy it as a floor you intend to keep.\u003c\/p\u003e\n\u003ch3\u003eWhat does antique mean on these listings?\u003c\/h3\u003e\n\u003cp\u003eTrade usage, with no issuing authority behind it: antique means 100 years or more, semi-antique 50 to 100, vintage 20 to 80, and anything newer is simply new. Individual listings state the age the house attributes to the piece.\u003c\/p\u003e\n\u003ch3\u003eHow should a rug at this level be cared for?\u003c\/h3\u003e\n\u003cp\u003eVacuum with the beater bar off, rotate the rug twice a year, and blot spills instead of rubbing them. Deep cleaning belongs with a professional rug washer who handles hand-knotted work; machine washing will damage the foundation.\u003c\/p\u003e\n\n\u003cscript type=\"application\/ld+json\"\u003e{\"@context\": \"https:\/\/schema.org\", \"@type\": \"FAQPage\", \"mainEntity\": [{\"@type\": \"Question\", \"name\": \"What kind of rugs are in this tier?\", \"acceptedAnswer\": {\"@type\": \"Answer\", \"text\": \"Mostly hand-knotted wool: Indian series drawn from Hereke and Oushak sources, Afghan and Pakistani weavings, and old Anatolian village rugs bought one at a time. Flat-woven cicim kilims and patchwork shawl rugs also reach it at larger sizes.\"}}, {\"@type\": \"Question\", \"name\": \"What am I paying for at this level?\", \"acceptedAnswer\": {\"@type\": \"Answer\", \"text\": \"Time, size and fiber, in that order. A hand-knotted rug of 200 x 300 cm (6'7\\\" x 9'10\\\") represents months of work at the loom, and doubling the area of a rug roughly doubles the labor in it.\"}}, {\"@type\": \"Question\", \"name\": \"Does a higher price mean a more durable rug?\", \"acceptedAnswer\": {\"@type\": \"Answer\", \"text\": \"No. Knot density buys finer drawing, not longer life; a coarse village rug can outlast a fine one. What price reliably buys is drawing quality, size, better wool and, in older pieces, scarcity.\"}}, {\"@type\": \"Question\", \"name\": \"Are these rugs one of a kind?\", \"acceptedAnswer\": {\"@type\": \"Answer\", \"text\": \"Many are. The old Anatolian pieces exist in a single example, and the collection only shows rugs currently in stock, so a piece that sells does not come back. The series rugs can be rewoven; the village weavings cannot.\"}}, {\"@type\": \"Question\", \"name\": \"Are rugs at this level a good investment?\", \"acceptedAnswer\": {\"@type\": \"Answer\", \"text\": \"A well-made hand-knotted wool rug is built to be used for decades and to be worth repairing, which is a different claim from an expectation of financial return. Buy it as a floor you intend to keep.\"}}, {\"@type\": \"Question\", \"name\": \"What does antique mean on these listings?\", \"acceptedAnswer\": {\"@type\": \"Answer\", \"text\": \"Trade usage, with no issuing authority behind it: antique means 100 years or more, semi-antique 50 to 100, vintage 20 to 80, and anything newer is simply new. Individual listings state the age the house attributes to the piece.\"}}, {\"@type\": \"Question\", \"name\": \"How should a rug at this level be cared for?\", \"acceptedAnswer\": {\"@type\": \"Answer\", \"text\": \"Vacuum with the beater bar off, rotate the rug twice a year, and blot spills instead of rubbing them. Deep cleaning belongs with a professional rug washer who handles hand-knotted work; machine washing will damage the foundation.\"}}]}\u003c\/script\u003e\n\n\u003cp\u003e\u003cstrong\u003eRelated collections:\u003c\/strong\u003e \u003ca href=\"\/en\/collections\/anatolian-rugs\"\u003eAnatolian rugs\u003c\/a\u003e \u0026middot; \u003ca href=\"\/en\/collections\/silk-rugs\"\u003esilk rugs\u003c\/a\u003e\u003c\/p\u003e","products":[{"product_id":"humayun-serisi-anadolu-desenli-mavi-el-dokuma-hali","title":"Blue Anatolian Medallion Hand-Knotted Wool Rug, Hümayun Series","description":"\u003cp\u003e\u003cstrong\u003eA medallion sits at the center and holds the whole rug together, drawn from Anatolian and Middle Eastern sources and worked in modern blues rather than the old ones. Hand-knotted in India: wool and cotton in the ground, viscose through the motifs where it shines like silk, and the pattern cut into relief by hand with shears. Five sizes, and the biggest of them is 250 × 350 cm (8'2\" × 11'6\").\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eTwo traditions meet in the drawing and neither wins. The Anatolian half supplies the medallion and the framing bands; the Middle Eastern half supplies the density of the small ornament between them. The blues are current rather than antique — a cooler, cleaner range than a nineteenth-century rug would use — and the effect is that an old composition reads as a new object. Where the viscose runs, the pattern catches light and lifts off the wool around it, so the medallion appears to sit slightly above its own ground.\u003c\/p\u003e\n\n\u003cp\u003eKnot density is high, which is the only reason ornament this fine survives being woven at all, and the carving afterward is what gives the relief. Both are hand operations and both take time. The rug does its best work where people arrive rather than where they settle — an entrance hall, a study, a room where one object is expected to carry the space.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in India for Halıcızade.\u003c\/li\u003e\n  \u003cli\u003eWool and cotton in the ground, viscose worked through the motifs for shine.\u003c\/li\u003e\n  \u003cli\u003eAnatolian medallion with Middle Eastern ornament, in contemporary blues.\u003c\/li\u003e\n  \u003cli\u003eThe pattern is carved into relief by hand with shears after weaving.\u003c\/li\u003e\n  \u003cli\u003eHigh knot density, which is what keeps the fine ornament readable.\u003c\/li\u003e\n  \u003cli\u003eFive sizes, from 125 × 185 cm to 250 × 350 cm.\u003c\/li\u003e\n  \u003cli\u003eWashing by a specialist, and no home shampoo on the viscose.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eRugs built around a single medallion get harder to move as the years pass, because a room ends up arranged around the middle of them.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Navy blue \/ 125 X 185","offer_id":44370998526185,"sku":"EKOHUM000001.05","price":58000.0,"currency_code":"TRY","in_stock":false},{"title":"Navy blue \/ 170 X 240","offer_id":46029630243049,"sku":"EKOHUM000001.02","price":102000.0,"currency_code":"TRY","in_stock":true},{"title":"Navy blue \/ 200 X 270","offer_id":46029630275817,"sku":"EKOHUM000001.06","price":135000.0,"currency_code":"TRY","in_stock":true},{"title":"Navy blue \/ 250 X 300","offer_id":46029630308585,"sku":"EKOHUM000001.01","price":188000.0,"currency_code":"TRY","in_stock":true},{"title":"Navy blue \/ 250 X 350","offer_id":46029630341353,"sku":"EKOHUM000001.04","price":220000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/HumayunSerisiAnadoluDesenliMaviElDokumaHali_1.jpg?v=1709564090"},{"product_id":"nostalji-serisi-yagcibedir-desenli-tezgah-dokuma-bordo-hali","title":"Burgundy Yağcıbedir-Pattern Loom-Woven Rug, Nostalji Series","description":"\u003cp\u003e\u003cstrong\u003eNavy against burgundy, and very little else: the Burgundy Ya\u0026#287;c\u0026#305;bedir-Pattern Loom-Woven Rug from the Nostalji series takes the characteristic drawing of the Ya\u0026#287;c\u0026#305;bedir rugs of western Anatolia and works it in Tencel\u0026reg; over a cotton foundation. Six sizes, ending at 240 \u0026times; 340 cm (7'10\" \u0026times; 11'2\").\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eYa\u0026#287;c\u0026#305;bedir weaving is known for exactly this pairing \u0026mdash; deep navy in the field with red or burgundy holding the borders \u0026mdash; and for a drawing that is angular rather than curved, because the original was knotted and not painted. The version here keeps that geometry and adds gold in small amounts, which lifts the two dark colors apart. Against light furniture it is a hard, clean contrast; beside gray and anthracite it goes sober and formal.\u003c\/p\u003e\n\u003cp\u003eA loom lays the ground, and the fringes are the part no machine touches: they are tied one at a time by women in Oushak. The surface is Tencel\u0026reg; and the foundation is cotton, which is what gives the pile its shine and the rug its stability. It is not a hand-knotted Ya\u0026#287;c\u0026#305;bedir and is not offered as one. The pattern is the inheritance here, not the construction.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLoom-woven in T\u0026uuml;rkiye, in the Ya\u0026#287;c\u0026#305;bedir pattern of western Anatolia.\u003c\/li\u003e\n\u003cli\u003eTencel\u0026reg; surface on a cotton foundation.\u003c\/li\u003e\n\u003cli\u003eDeep navy and burgundy with small gold accents.\u003c\/li\u003e\n\u003cli\u003eFringes tied by hand, individually, in Oushak.\u003c\/li\u003e\n\u003cli\u003eSix sizes, 90 \u0026times; 150 cm (2'11\" \u0026times; 4'11\") to 240 \u0026times; 340 cm (7'10\" \u0026times; 11'2\").\u003c\/li\u003e\n\u003cli\u003eThe pattern is traditional; the construction is not hand-knotting.\u003c\/li\u003e\n\u003cli\u003eProfessional washing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eIt belongs in a room with books and one good lamp, and the angular drawing is what will still hold the eye there in ten years.\u003c\/p\u003e","brand":"EKO HALI","offers":[{"title":"Burgundy \/ 90 X 150","offer_id":44372108837097,"sku":"EKONOS000043.03","price":11500.0,"currency_code":"TRY","in_stock":true},{"title":"Burgundy \/ 130 X 190","offer_id":46029054935273,"sku":"EKONOS000043.01","price":21000.0,"currency_code":"TRY","in_stock":false},{"title":"Burgundy \/ 90 X 300","offer_id":46029054968041,"sku":"EKONOS000043.07","price":23000.0,"currency_code":"TRY","in_stock":true},{"title":"Burgundy \/ 160 X 230","offer_id":46029055000809,"sku":"EKONOS000043.05","price":31300.0,"currency_code":"TRY","in_stock":true},{"title":"Burgundy \/ 200 X 300","offer_id":46029055033577,"sku":"EKONOS000043.06","price":51000.0,"currency_code":"TRY","in_stock":true},{"title":"Burgundy \/ 240 X 340","offer_id":46029055066345,"sku":"EKONOS000043.08","price":69400.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/EKONOS000043NostaljiSerisiMakineDokumaYagcibedirDesenliBordoHali_6.jpg?v=1704888195"},{"product_id":"taftan-serisi-vintage-desenli-tezgah-dokuma-gri-hali","title":"Gray Vintage-Pattern Loom-Woven Tencel® Rug, Taftan Series","description":"\u003cp\u003e\u003cstrong\u003eRead across a room this looks like one flat gray; read from a meter away it turns out to hold mink and silver as well, which is why a plain-looking Taftan rug is worth a second look. A loom-woven Tencel® and cotton rug from Kütahya, vintage-patterned, made in twelve sizes: 260 × 370 cm (8'6\" × 12'2\") is the large salon piece and 90 × 390 cm (2'11\" × 12'10\") the long runner.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eFine motifs are worked over the gray ground and behave differently depending on where the light is coming from. In full daylight they wash out; as the room dims in the evening they come forward and the rug picks up an outline it did not have at noon. Turn it end for end and the effect inverts — one direction of the pile runs lighter and brighter, the other darker and more defined. That is the pile catching light, not a printed trick, and it is the reason a gray rug does not go dead in a plain interior.\u003c\/p\u003e\n\n\u003cp\u003eThe foundation goes onto a mechanical loom; the finishing is set by hand afterward, in workshops in Kütahya staffed largely by women. Tencel® gives the yarn its natural gloss and its softness underfoot. Because the pile is short and dense, it drops very little lint and is easy to run a vacuum over. Take it to a professional cleaner rather than washing it yourself.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eWoven on looms in Kütahya, Türkiye — machine power for the body, hand labor for the finish.\u003c\/li\u003e\n  \u003cli\u003eTencel® yarns; a wool-free rug.\u003c\/li\u003e\n  \u003cli\u003eMink and silver tones carried inside a gray ground, with faint vintage motifs over it.\u003c\/li\u003e\n  \u003cli\u003eLighter and glossier from one end, darker and sharper from the other.\u003c\/li\u003e\n  \u003cli\u003eShort dense pile, so it sheds very little.\u003c\/li\u003e\n  \u003cli\u003eTwelve sizes: 80 × 140 cm at the smallest, 300 × 390 cm at the largest, with 90 cm runners at 290 and 390 cm.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing keeps the Tencel® sheen intact.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eIt is the rug you buy when you want the floor to be the quietest surface in the room and still not be boring.\u003c\/p\u003e","brand":"EKO HALI","offers":[{"title":"Gray \/ 80 X 140","offer_id":44396972376297,"sku":"EKOTAF000098.01","price":10800.0,"currency_code":"TRY","in_stock":false},{"title":"Gray \/ 80 X 300","offer_id":46030185201897,"sku":"EKOTAF000098.02","price":23100.0,"currency_code":"TRY","in_stock":false},{"title":"Gray \/ 130 X 190","offer_id":46030185234665,"sku":"EKOTAF000098.03","price":23800.0,"currency_code":"TRY","in_stock":true},{"title":"Gray \/ 80 X 390","offer_id":46030185267433,"sku":"EKOTAF000098.04","price":30000.0,"currency_code":"TRY","in_stock":true},{"title":"Gray \/ 170 X 240","offer_id":46030185300201,"sku":"EKOTAF000098.05","price":39200.0,"currency_code":"TRY","in_stock":true},{"title":"Gray \/ 200 X 300","offer_id":46030185332969,"sku":"EKOTAF000098.06","price":57600.0,"currency_code":"TRY","in_stock":true},{"title":"Gray \/ 240 X 340","offer_id":46030185365737,"sku":"EKOTAF000098.07","price":78400.0,"currency_code":"TRY","in_stock":true},{"title":"Gray \/ 260 X 370","offer_id":46030185398505,"sku":"EKOTAF000098.08","price":92400.0,"currency_code":"TRY","in_stock":true},{"title":"Gray \/ 300 X 390","offer_id":46030185431273,"sku":"EKOTAF000098.10","price":112400.0,"currency_code":"TRY","in_stock":true},{"title":"Gray \/ 90 X 150","offer_id":48162598486249,"sku":"EKOTAF000098.11","price":13000.0,"currency_code":"TRY","in_stock":true},{"title":"Gray \/ 90 X 390","offer_id":48162598519017,"sku":"EKOTAF000098.12","price":33700.0,"currency_code":"TRY","in_stock":true},{"title":"Gray \/ 90 X 290","offer_id":48259737649385,"sku":"EKOTAF000098.13","price":25100.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/TaftanSerisiVintageDesenliTezgahDokumaHali_3_1c448e60-82f2-41e5-890a-46b11207b2df.webp?v=1741612372"},{"product_id":"zara-serisi-geometrik-desenli-ozel-tezgah-halisi","title":"Blue Scandinavian Geometric Loom-Woven Rug, Zara Series","description":"\u003cp\u003e\u003cstrong\u003eThe blue is the point. A soft, unsaturated blue holds the entire field of this Blue Scandinavian Geometric Loom-Woven Rug from the Zara series, with Scandinavian-modern figures drawn across it, a Tencel\u0026reg; and viscose face carried on cotton, from looms in Oushak. Ten sizes, the smallest 80 \u0026times; 140 cm (2'7\" \u0026times; 4'7\").\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIt is a blue with no green and no violet in it, which is why it sits beside warm colors \u0026mdash; orange, red \u0026mdash; as easily as beside cool ones. The geometry is spare: straight-sided figures, plenty of ground left empty, nothing that would read as ornament. That restraint makes it a floor for a minimal room rather than a feature in a busy one, and it is why the design has stayed in the range for years.\u003c\/p\u003e\n\u003cp\u003eThese are old-pattern looms, and the only operation they perform is the knotting; every other step on this rug was done by hand in Oushak, the fringes worked one at a time. Cotton runs through the foundation with Tencel\u0026reg; and viscose at the face.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLoom-woven on old-pattern looms in Oushak, T\u0026uuml;rkiye.\u003c\/li\u003e\n\u003cli\u003eTencel\u0026reg; and viscose surface on a cotton foundation.\u003c\/li\u003e\n\u003cli\u003eScandinavian-modern geometry on a soft blue ground.\u003c\/li\u003e\n\u003cli\u003eEverything except the knotting is done by hand; fringes worked individually.\u003c\/li\u003e\n\u003cli\u003eTen sizes, 80 \u0026times; 140 cm (2'7\" \u0026times; 4'7\") to 200 \u0026times; 290 cm (6'7\" \u0026times; 9'6\"), with 90 \u0026times; 390 and 90 \u0026times; 490 cm runners.\u003c\/li\u003e\n\u003cli\u003eProfessional washing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eNobody will comment on it, which in a small room is usually the whole job of a floor.\u003c\/p\u003e","brand":"EKO HALI","offers":[{"title":"Blue \/ 80 X 140","offer_id":44811150590185,"sku":"EKOZAR000013.07","price":10800.0,"currency_code":"TRY","in_stock":false},{"title":"Blue \/ 90 X 150","offer_id":44372002013417,"sku":"EKOZAR000013.02","price":13000.0,"currency_code":"TRY","in_stock":true},{"title":"Blue \/ 90 X 190","offer_id":48074490151145,"sku":"EKOZAR000013.11","price":16500.0,"currency_code":"TRY","in_stock":false},{"title":"Blue \/ 80 X 290","offer_id":46261722939625,"sku":"EKOZAR000013.08","price":22300.0,"currency_code":"TRY","in_stock":false},{"title":"Blue \/ 130 X 190","offer_id":44372002046185,"sku":"EKOZAR000013.03","price":23800.0,"currency_code":"TRY","in_stock":false},{"title":"Blue \/ 90 X 290","offer_id":47300965433577,"sku":"EKOZAR000013.04","price":25100.0,"currency_code":"TRY","in_stock":true},{"title":"Blue \/ 90 X 390","offer_id":48046793916649,"sku":"EKOZAR000013.09","price":33700.0,"currency_code":"TRY","in_stock":true},{"title":"Blue \/ 170 X 240","offer_id":40809424126146,"sku":"EKOZAR000013.01","price":39200.0,"currency_code":"TRY","in_stock":true},{"title":"Blue \/ 90 X 490","offer_id":50945189642473,"sku":"EKOZAR000013.10","price":42400.0,"currency_code":"TRY","in_stock":true},{"title":"Blue \/ 200 X 290","offer_id":44372002111721,"sku":"EKOZAR000013.05","price":55700.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ZaraSerisiGeometrikDesenliModernHali_1.jpg?v=1751030849"},{"product_id":"zara-serisi-otantik-desenli-ozel-tezgah-halisi","title":"Red Cypress-Motif Loom-Woven Rug, Zara Series","description":"\u003cp\u003e\u003cstrong\u003eRed Cypress-Motif Loom-Woven Rug, Zara Series: a light red ground turning toward brick orange, carrying ranks of slim cypress trees, woven in Oushak on a cotton foundation with a Tencel\u0026reg; and viscose face. It is made in twelve sizes, up to 300 \u0026times; 380 cm (9'10\" \u0026times; 12'6\").\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe cypress is one of the oldest figures in Anatolian weaving, and here it is drawn plain: a narrow trunk, a tapered body, repeated in rows across the field rather than gathered into a medallion. The ground beneath is not a flat red. It leans to brick orange in daylight and settles into something closer to earth under a lamp. The surface has a direction to it, so the same rug reads bright from one end of a room and quiet from the other.\u003c\/p\u003e\n\u003cp\u003eWoven on old-pattern looms rather than knotted by hand, which is why the field runs so evenly. Cotton holds the structure and Tencel\u0026reg; makes the face; Tencel\u0026reg; is a lyocell spun from wood cellulose, and it is where the sheen comes from. The looms are in Oushak \u0026mdash; U\u0026#351;ak, the weaving district of western Anatolia \u0026mdash; and most of the people at them are women. The fringes are done afterwards, by hand, with no machine going near them.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLoom-woven in Oushak, T\u0026uuml;rkiye.\u003c\/li\u003e\n\u003cli\u003eTencel\u0026reg; and viscose surface on a cotton foundation.\u003c\/li\u003e\n\u003cli\u003eCypress trees in ranks on a light red, brick-leaning ground.\u003c\/li\u003e\n\u003cli\u003eThe sheen shifts from bright to calm depending on which end of the room you stand at.\u003c\/li\u003e\n\u003cli\u003eTwelve sizes, 90 \u0026times; 150 cm (2'11\" \u0026times; 4'11\") to 300 \u0026times; 380 cm (9'10\" \u0026times; 12'6\"), including 90 \u0026times; 490 cm (2'11\" \u0026times; 16'1\") runners.\u003c\/li\u003e\n\u003cli\u003eProfessional washing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eLaid against pale oak it stays warm; against leather and dark wood the red goes deeper and the cypresses come forward.\u003c\/p\u003e","brand":"EKO HALI","offers":[{"title":"Red \/ 90 X 150","offer_id":47298648899817,"sku":"EKOZAR000017.03","price":13000.0,"currency_code":"TRY","in_stock":true},{"title":"Red \/ 80 X 290","offer_id":45581789397225,"sku":"EKOZAR000017.07","price":22300.0,"currency_code":"TRY","in_stock":false},{"title":"Red \/ 130 X 190","offer_id":40809424191682,"sku":"EKOZAR000017.01","price":23800.0,"currency_code":"TRY","in_stock":false},{"title":"Red \/ 90 X 290","offer_id":47298606366953,"sku":"EKOZAR000017.04","price":25100.0,"currency_code":"TRY","in_stock":false},{"title":"Red \/ 170 X 240","offer_id":44372012925161,"sku":"EKOZAR000017.02","price":39200.0,"currency_code":"TRY","in_stock":false},{"title":"Red \/ 200 X 290","offer_id":44372013023465,"sku":"EKOZAR000017.05","price":55700.0,"currency_code":"TRY","in_stock":false},{"title":"Red \/ 90 X 490","offer_id":50952618442985,"sku":"EKOZAR000017.08","price":42400.0,"currency_code":"TRY","in_stock":true},{"title":"Red \/ 90 X 390","offer_id":47982997438697,"sku":"EKOZAR000017.09","price":33700.0,"currency_code":"TRY","in_stock":false},{"title":"Red \/ 90 X 190","offer_id":47994454343913,"sku":"EKOZAR000017.10","price":16500.0,"currency_code":"TRY","in_stock":false},{"title":"Red \/ 240 X 340","offer_id":48114051023081,"sku":"EKOZAR000017.11","price":78400.0,"currency_code":"TRY","in_stock":true},{"title":"Red \/ 300 X 380","offer_id":48114051055849,"sku":"EKOZAR000017.12","price":109500.0,"currency_code":"TRY","in_stock":false},{"title":"Red \/ 250 X 250","offer_id":50639759180009,"sku":"EKOZAR000017.13","price":60000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ZaraSerisiOtantikDesenliKirmiziHali_7.jpg?v=1751030869"},{"product_id":"hanzade-serisi-el-dokuma-cerceve-desenli-krem-hali","title":"Cream Bordered Hand-Knotted Silk-Blend Rug, Hanzade Series","description":"\u003cp\u003e\u003cstrong\u003eIt handles like dress fabric rather than floor covering: Cream Bordered Hand-Knotted Silk-Blend Rug, Hanzade Series — 122 × 177 cm (4'0\" × 5'10\"), knotted in Türkiye, a cream field inside a classical border of earth and honey tones, with enough silk in the pile to make the surface move under the hand.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe cream is not one cream. Warm milk, faint beige and the thin lines of the weave itself come and go depending on where you stand, and the border — curved, classical, drawn in earth and honey — closes the field without hardening it. At this size the rug does not cover a room, it marks a place in one: under a bergère, along a reading corner, at the foot of a bed. That is what it was drawn to do, and it does it without asking for attention.\u003c\/p\u003e\n\n\u003cp\u003eMonths of knotting go into a rug worked this finely, and the fringes at both ends are tied individually by hand after the pile is finished, which is the visible signature of that labor. The pile is heavy in silk, and that is where the fluidity comes from; rugs woven this way are made in smaller numbers every year. Underfoot it is light, warm and faintly slippery — worth knowing before it goes at the bottom of a staircase. It is a single piece, and washing is a specialist's job.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in Türkiye, with a silk-heavy pile.\u003c\/li\u003e\n  \u003cli\u003eCream field with a curved classical border in earth and honey tones.\u003c\/li\u003e\n  \u003cli\u003eFringes tied one at a time by hand, after the knotting is finished.\u003c\/li\u003e\n  \u003cli\u003eMeasures 122 × 177 cm, drawn to define a corner rather than fill a room.\u003c\/li\u003e\n  \u003cli\u003eLight and faintly slippery underfoot; think twice about stair bottoms and thresholds.\u003c\/li\u003e\n  \u003cli\u003eMonths of work in a single piece.\u003c\/li\u003e\n  \u003cli\u003eA specialist washer, and no one else.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eSit in the chair it goes under and you will end up touching it with a bare foot, which is the honest reason to own it.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Cream \/ 122 X 177","offer_id":40809443229890,"sku":"HALHAN000011.01","price":130000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/HanzadeSerisiElDokumaCerceveDesenliKremHali_1.jpg?v=1709566338"},{"product_id":"el-dokuma-cerceve-desenli-klasik-krem-hali","title":"Cream Frame-Pattern Hand-Knotted Wool and Viscose Rug","description":"\u003cp\u003e\u003cstrong\u003eCream Frame-Pattern Hand-Knotted Wool and Viscose Rug — the effect is a room in an old house at about eight in the morning: gold hidden inside cream, patterns you half-see, and a frame running the whole way round. Worked by hand on Pakistani looms in wool and viscose, 204 × 280 cm (6'8\" × 9'2\"). One piece.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe frame is the pattern. Motifs run the border in a steady repeat while the field inside stays nearly empty, so the rug organizes a large space by outlining it instead of by filling it. Cream with gold underneath changes through the day — bright and faintly yellow at noon, deeper and browner after dark. At this size it takes a full seating group with room left over, and it is quiet enough to leave the furniture as the loudest thing in the room.\u003c\/p\u003e\n\n\u003cp\u003eIt is knotted by hand in Pakistan, motif by motif, and a rug of this width is months of work. Wool gives the pile its resilience and viscose gives the border its sheen, which matters here because the border is where all the drawing is and where light does the most work. The open field is honest about what it is: an expanse of pale wool that will mark, and that has no coating on it to prevent marking. Vacuum it often, and let a professional washer handle anything more than that.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eKnotted by hand on looms in Pakistan; wool and viscose in the pile.\u003c\/li\u003e\n  \u003cli\u003eA steady repeating frame around a nearly empty cream field.\u003c\/li\u003e\n  \u003cli\u003eGold undertones that read yellow by day and brown by lamplight.\u003c\/li\u003e\n  \u003cli\u003e204 × 280 cm, which will take a full seating group.\u003c\/li\u003e\n  \u003cli\u003eBorder sheen from the viscose, pile resilience from the wool.\u003c\/li\u003e\n  \u003cli\u003eUntreated pale wool: it will mark, and there is no coating on it.\u003c\/li\u003e\n  \u003cli\u003eFrequent vacuuming, and washing away from home.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eRugs that outline a room instead of filling it are rarer than they should be, and this is one at a size that can actually do it.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Cream \/ 204 X 280","offer_id":40809472098498,"sku":"HADASI000101.01","price":50400.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaCerceveDesenliYunKremHali_3.jpg?v=1708167564"},{"product_id":"zara-serisi-patchwork-desenli-ozel-tezgah-halisi","title":"Multicolor Patchwork Loom-Woven Rug, Zara Series","description":"\u003cp\u003e\u003cstrong\u003eBuilt like a quilt, with squares of unrelated pattern set edge to edge, the Multicolor Patchwork Loom-Woven Rug from the Zara series holds red, yellow and green blocks at pastel strength across one field. Cotton and Tencel\u0026reg;, woven in Oushak, in six sizes, topping out at 200 \u0026times; 290 cm (6'7\" \u0026times; 9'6\").\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEach block carries its own drawing, geometric in some panels and tribal in others, and the joins are left visible instead of blended away. What holds the whole together is the pastel register: nothing sits at full saturation, so a design that would be chaotic in strong color stays calm. It works beside leather and wood, and equally beside plain modern furniture, for the same reason \u0026mdash; it supplies the pattern so nothing else in the room has to.\u003c\/p\u003e\n\u003cp\u003eIts structure is laid down on the loom and everything at the edges was done by a person, in Oushak, where the series is finished. Cotton and Tencel\u0026reg; are the fibers, with no wool in it at all.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLoom-woven in Oushak, T\u0026uuml;rkiye.\u003c\/li\u003e\n\u003cli\u003eCotton and Tencel\u0026reg;; wool-free.\u003c\/li\u003e\n\u003cli\u003ePatchwork blocks of geometric and tribal drawing, all in pastel tones.\u003c\/li\u003e\n\u003cli\u003eSix sizes, 90 \u0026times; 150 cm (2'11\" \u0026times; 4'11\") to 200 \u0026times; 290 cm (6'7\" \u0026times; 9'6\").\u003c\/li\u003e\n\u003cli\u003eIt supplies the pattern in a plain room.\u003c\/li\u003e\n\u003cli\u003eRegular vacuuming, and professional washing when it is needed.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eChildren's rooms and hallways are where most of these end up, and the pastel register is the reason they survive both.\u003c\/p\u003e","brand":"EKO HALI","offers":[{"title":"Colorful \/ 90 X 150","offer_id":47300958945513,"sku":"EKOZAR000001.02","price":13000.0,"currency_code":"TRY","in_stock":true},{"title":"Colorful \/ 80 X 290","offer_id":46031310651625,"sku":"EKOZAR000001.07","price":22300.0,"currency_code":"TRY","in_stock":true},{"title":"Colorful \/ 130 X 190","offer_id":46031310684393,"sku":"EKOZAR000001.04","price":23800.0,"currency_code":"TRY","in_stock":true},{"title":"Colorful \/ 90 X 290","offer_id":47300959142121,"sku":"EKOZAR000001.03","price":25100.0,"currency_code":"TRY","in_stock":true},{"title":"Colorful \/ 170 X 240","offer_id":46031310749929,"sku":"EKOZAR000001.01","price":39200.0,"currency_code":"TRY","in_stock":false},{"title":"Colorful \/ 200 X 290","offer_id":46031310782697,"sku":"EKOZAR000001.05","price":55700.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/EKOZAR000001ZaraSerisiPatchworkDesenliOzelTezgahHalisi_3.jpg?v=1751030887"},{"product_id":"el-dokuma-anadolu-desenli-rengarenk-van-kok-boya-kilim","title":"Multicolor Anatolian Handwoven Wool Van Kilim, Natural Dyes","description":"\u003cp\u003e\u003cstrong\u003eMadder root for the reds and indigo for the blues: kök boya is the Turkish term for dye taken from plants, and this kilim is colored with it. Handwoven wool, Anatolian in drawing, from Van in the far east of Türkiye, 158 × 208 cm (5'2\" × 6'10\"), and there is one.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003ePlant dye behaves differently from the synthetic kind in a way anyone can see. It does not sit at one exact value — madder from two different diggings gives two slightly different reds, and the difference stays visible in the finished piece as horizontal banding, which the trade calls abrash. It also ages by going quieter rather than by going gray, so a naturally dyed kilim at fifty years old looks like a softer version of itself instead of a faded one. The drawing carrying that color is the eastern Anatolian repertoire: stepped and hooked geometry, a strong border, and several color fields rather than one.\u003c\/p\u003e\n\n\u003cp\u003eVan lies on the eastern lake of the same name, about as far from the Aegean workshops as Anatolian weaving goes. A flatweave asks for a wool that will pack hard under the beater without felting, and that is the demand this construction makes of the fiber. The house lists the piece among its older and rarer stock, and it carries the slight crookedness and softening that go with that. What natural dye cannot do is take strong sunlight indefinitely, so keep it off the patch of floor that gets four hours of afternoon sun. Clean it through a specialist who knows plant dyes, since some solvents will move them. One of one.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven in wool in Van, eastern Türkiye.\u003c\/li\u003e\n  \u003cli\u003eColored with kök boya — plant dyes, madder for red and indigo for blue.\u003c\/li\u003e\n  \u003cli\u003e158 × 208 cm (5'2\" × 6'10\"), one piece.\u003c\/li\u003e\n  \u003cli\u003eAbrash banding is the signature of dye lots that were never identical.\u003c\/li\u003e\n  \u003cli\u003eEastern Anatolian geometry: stepped and hooked forms inside a firm border.\u003c\/li\u003e\n  \u003cli\u003ePlant color fades in direct sun; keep it out of a hot afternoon window.\u003c\/li\u003e\n  \u003cli\u003eAn older piece, carrying the softening that goes with age.\u003c\/li\u003e\n  \u003cli\u003eCleaning by a specialist who knows plant dyes.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003ePlant dye goes on changing after the loom is finished with it, which is the reason old kilims look better than new ones.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Colorful \/ 158 X 208","offer_id":42971753251049,"sku":"HALKIL000021.01","price":58000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaAnadoluDesenliRengarenkVanKokBoyaKilim_1_359612c5-001c-4d3b-b6e3-350796544340.jpg?v=1714742669"},{"product_id":"anadolu-desenli-el-dokuma-sandik-eskisi-tulu-kilim-5654","title":"Multicolor Anatolian Handwoven Tülü Runner Kilim","description":"\u003cp\u003e\u003cstrong\u003eSixty to a hundred years is the age the house puts on this one, which sets it between semi-antique and antique in the trade's own reckoning — conventions the rug business uses with no authority issuing them. A multicolor Anatolian tülü runner, handwoven in wool in Türkiye, 100 × 335 cm (3'3\" × 10'11\"), with orange running through it.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eA tülü is not a kilim and not a knotted rug: it is a long-pile Anatolian weaving in which loops of unspun or barely spun wool are worked into a flatwoven ground and left standing, giving a shaggy, uneven surface with a knot count far below that of a village rug. They were made for sleeping and sitting on rather than for display, which is why the drawing on them is loose and the color arrangement is closer to improvisation than to a pattern. Anatolian motifs appear, but interrupted, and the length of the pile blurs their edges further.\u003c\/p\u003e\n\n\u003cp\u003eSandık eskisi is the Turkish phrase for it — literally chest-old, a piece kept folded in a dowry chest and taken out only for guests, which is how a wool weaving survives this long at all. What comes with that history is real. Expect creases where it was folded for decades, some flattening in the pile, and color that has moved unevenly. A hundred by three hundred and thirty-five centimeters puts it squarely in a corridor, and at this age it should be washed by someone who handles old wool and nobody else. When this goes there is not another with these particular sixty years in it.\u003c\/p\u003e\n\n\u003ch3\u003eWhat is a tülü?\u003c\/h3\u003e\n\u003cp\u003eA tülü is a long-pile Anatolian weaving in which loops of thick, barely spun wool are worked into a flatwoven ground and left standing. The result is shaggy and uneven, with a much lower knot density than a village rug, and it was made to be slept and sat on rather than looked at.\u003c\/p\u003e\n\n\u003ch3\u003eWhat does sandık eskisi mean?\u003c\/h3\u003e\n\u003cp\u003eIt translates as chest-old: a piece that was kept folded away in a dowry chest and brought out only for guests. That is the usual explanation for how a wool weaving reaches sixty or a hundred years in usable condition, and it also explains the fold lines such pieces arrive with.\u003c\/p\u003e\n\n\u003cscript type=\"application\/ld+json\"\u003e{\"@context\":\"https:\/\/schema.org\",\"@type\":\"FAQPage\",\"mainEntity\":[{\"@type\":\"Question\",\"name\":\"What is a tülü?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"A tülü is a long-pile Anatolian weaving in which loops of thick, barely spun wool are worked into a flatwoven ground and left standing. The result is shaggy and uneven, with a much lower knot density than a village rug, and it was made to be slept and sat on rather than looked at.\"}},{\"@type\":\"Question\",\"name\":\"What does sandık eskisi mean?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"It translates as chest-old: a piece that was kept folded away in a dowry chest and brought out only for guests. That is the usual explanation for how a wool weaving reaches sixty or a hundred years in usable condition, and it also explains the fold lines such pieces arrive with.\"}}]}\u003c\/script\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven in wool in Türkiye; the house dates it at 60 to 100 years.\u003c\/li\u003e\n  \u003cli\u003eTülü construction: long loops of thick wool standing on a flatwoven ground.\u003c\/li\u003e\n  \u003cli\u003e100 × 335 cm (3'3\" × 10'11\") — corridor proportions.\u003c\/li\u003e\n  \u003cli\u003eMulticolored with orange dominant, in a loose Anatolian drawing.\u003c\/li\u003e\n  \u003cli\u003eSandık eskisi: kept folded in a chest, which is why it survived.\u003c\/li\u003e\n  \u003cli\u003eFold creases, flattened pile and uneven color come with the age.\u003c\/li\u003e\n  \u003cli\u003eTrade age terms are conventions with no issuing authority behind them.\u003c\/li\u003e\n  \u003cli\u003eWashing by someone who works on old wool.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWhoever wove this was making something to sleep on, and it has outlived every rug that was made to be admired.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Colorful \/ 100 X 335","offer_id":44252128313577,"sku":"HALİKİ000027.01","price":74000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/products\/ikinci-el-anadolu-desenli-el-dokuma-tulu-kilim-25521.jpg?v=1689706227"},{"product_id":"harem-serisi-bursa-ipegi-el-dokuma-modern-usak-desenli-bordu-hali","title":"Burgundy Oushak Hand-Knotted Wool and Silk Rug, Harem Series","description":"\u003cp\u003e\u003cstrong\u003eÇınhar Halı wove this one for Halıcızade — a Turkish house whose rug designs have taken international awards, working to its own patterns. Burgundy Oushak Hand-Knotted Wool and Silk Rug, Harem Series, made in Türkiye from Erzurum wool and Bursa silk, in sizes from 131 × 186 cm (4'4\" × 6'1\") to 241 × 323 cm (7'11\" × 10'7\").\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe drawing comes from Uşak in the Turkish west — Oushak in English — and it goes back to that town's fourteenth- and fifteenth-century patterns, redrawn at a modern scale rather than reproduced. Burgundy carries them. It is a color that behaves completely differently by daylight and by lamp: flat and almost brown at noon, deep and lit from within after dark, and the silk in the pile is what does the second half of that. Rugs from this series have been laid in government buildings for years, which tells you more about how they wear than any description of them will.\u003c\/p\u003e\n\n\u003cp\u003eTwo materials are worth naming separately. The wool is taken from Erzurum fleece, which is oily and therefore both strong and bright; the silk is real Bursa silk, and there is not much of it left in commercial weaving. They are knotted together with the double knot — the symmetrical Turkish knot, worked around two warps — which is slower than the alternative and holds the pattern edges sharper. Washing goes to a specialist and nowhere else.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in Türkiye by Çınhar Halı, to designs made for Halıcızade.\u003c\/li\u003e\n  \u003cli\u003eErzurum fleece wool blended with genuine Bursa silk.\u003c\/li\u003e\n  \u003cli\u003eClassical Oushak motifs of the fourteenth and fifteenth centuries, redrawn.\u003c\/li\u003e\n  \u003cli\u003eKnotted with the double knot, the symmetrical knot used across Anatolia.\u003c\/li\u003e\n  \u003cli\u003eBurgundy ground that changes character between daylight and lamplight.\u003c\/li\u003e\n  \u003cli\u003eSizes from 131 × 186 cm (4'4\" × 6'1\") to 241 × 323 cm (7'11\" × 10'7\").\u003c\/li\u003e\n  \u003cli\u003eAward-winning designs in international rug design competition.\u003c\/li\u003e\n  \u003cli\u003eSpecialist washing only.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat is the double knot?\u003c\/h3\u003e\n\u003cp\u003eThe double knot, also called the symmetrical or Gördes knot, wraps the pile yarn around two warp threads instead of one. It takes longer to tie and produces a firmer pile with cleaner pattern edges, and it is the knot used across most of Anatolia.\u003c\/p\u003e\n\n\u003ch3\u003eWhy does Bursa silk matter?\u003c\/h3\u003e\n\u003cp\u003eBursa has been the center of Turkish silk production since the Ottoman period, and very little of it now goes into rugs. Silk from there is used here for the highlights in the pattern, where it reflects light the wool cannot and gives the burgundy its depth after dark.\u003c\/p\u003e\n\n\u003cp\u003eIt is a rug bought once, and the reason to buy the larger size is that the pattern was drawn for it.\u003c\/p\u003e\n\n\u003cscript type=\"application\/ld+json\"\u003e{\"@context\": \"https:\/\/schema.org\", \"@type\": \"FAQPage\", \"mainEntity\": [{\"@type\": \"Question\", \"name\": \"What is the double knot?\", \"acceptedAnswer\": {\"@type\": \"Answer\", \"text\": \"The double knot, also called the symmetrical or Gördes knot, wraps the pile yarn around two warp threads instead of one. It takes longer to tie and produces a firmer pile with cleaner pattern edges, and it is the knot used across most of Anatolia.\"}}, {\"@type\": \"Question\", \"name\": \"Why does Bursa silk matter?\", \"acceptedAnswer\": {\"@type\": \"Answer\", \"text\": \"Bursa has been the center of Turkish silk production since the Ottoman period, and very little of it now goes into rugs. Silk from there is used here for the highlights in the pattern, where it reflects light the wool cannot and gives the burgundy its depth after dark.\"}}]}\u003c\/script\u003e","brand":"HALICIZADE","offers":[{"title":"Burgundy \/ 131 X 186","offer_id":44370573787369,"sku":"ÇINHAR000032.03","price":120000.0,"currency_code":"TRY","in_stock":true},{"title":"Burgundy \/ 241 X 323","offer_id":46029511295209,"sku":"ÇINHAR000032.04","price":385000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/HaremSerisiBursaIpegiElDokumaModernUsakDesenliBordoHali_1.jpg?v=1709557918"},{"product_id":"el-dokuma-soyut-desenli-gri-yun-hali","title":"Gray Abstract Hand-Knotted Wool Rug","description":"\u003cp\u003e\u003cstrong\u003eThe pattern was drawn to be indistinct, and that is the point of it: Gray Abstract Hand-Knotted Wool Rug — 168 × 223 cm (5'6\" × 7'4\"), knotted by hand in Türkiye from wool alone, with soft forms across a gray ground that lean toward blue in some lights and silver in others.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eNothing on the surface resolves into a shape you could name. The forms sit where morning fog sits, present but unfixed, and each time you look at the rug they have organized themselves slightly differently. Gray of this kind is the least demanding floor in a room — it takes a minimal interior, a contemporary one or an industrial one without arguing with any of them, and it puts everything else in the space forward rather than competing.\u003c\/p\u003e\n\n\u003cp\u003eAll wool, and nothing else, knotted by hand in Türkiye. A wool pile with no blend in it is warmer underfoot than any mixed one and holds its color longer, though it will shed a little in its first months, which is normal for a new wool rug and stops. The blue-leaning grays keep the surface from going flat and the silver passages lift the light in a dark room. Vacuum it regularly. Professional washing for anything more than a vacuum.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in Türkiye, wool pile, no blend.\u003c\/li\u003e\n  \u003cli\u003eSoft abstract forms on gray, unresolved on purpose.\u003c\/li\u003e\n  \u003cli\u003eBlue-leaning tones with silver passages that lift a dark room.\u003c\/li\u003e\n  \u003cli\u003e168 × 223 cm, a mid-sized rug for a sitting room or a bedroom.\u003c\/li\u003e\n  \u003cli\u003eWarm underfoot, and it will shed a little at first, as new wool does.\u003c\/li\u003e\n  \u003cli\u003eSuits minimal, contemporary and industrial interiors.\u003c\/li\u003e\n  \u003cli\u003eRegular vacuuming; professional washing beyond that.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eRugs that stay out of the way are harder to make than rugs that do not, and this is one that was made on purpose.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Gray \/ 168 X 223","offer_id":44156598714601,"sku":"CALUSK000003.01","price":98000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaSoyutDesenliGriYunHali_1.jpg?v=1709557214"},{"product_id":"harem-serisi-usak-desenli-el-dokuma-krem-renk-yun-ipek-hali-315","title":"Cream Oushak Hand-Knotted Wool and Silk Rug, Harem Series","description":"\u003cp\u003e\u003cstrong\u003eErzurum fleece and genuine Bursa silk, worked into the same pile: Cream Oushak Hand-Knotted Rug in Wool and Silk, Harem Series — 144 × 193 cm (4'9\" × 6'4\"), knotted in Türkiye, a cream ground carrying fourteenth- and fifteenth-century Uşak drawing in brown and honey.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eCream is the hardest ground to draw an Oushak on, because the pattern has nowhere dark to hide against. Everything here is legible: the branch turns, the flower heads, the way the border repeats without quite repeating. The silk sits in the highlights, so the rug is one thing under a window and another under a lamp, and the wool holds the rest steady while the silk moves. Beside walnut and unbleached linen it looks domestic; beside anything painted it looks considerably older than it is.\u003c\/p\u003e\n\n\u003cp\u003eÇınhar Halı in Türkiye weaves the Harem series to patterns drawn for this shop, and the firm's own designs have taken prizes outside the country. Its fleece comes out of Erzurum, where enough natural oil stays in the wool to make it strong and bright at once. Its silk is Bursa silk, which now reaches very few looms anywhere. Both are tied with the Anatolian double knot, one knot wrapped around a pair of warp threads — slower to work than the alternative, and cleaner wherever a motif turns a corner. Send it to a washer who takes silk.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eWoven by Çınhar Halı in Türkiye, to drawings commissioned by this shop.\u003c\/li\u003e\n  \u003cli\u003eErzurum fleece wool with genuine Bursa silk in the highlights.\u003c\/li\u003e\n  \u003cli\u003eFourteenth- and fifteenth-century Uşak drawing, redrawn for a modern room.\u003c\/li\u003e\n  \u003cli\u003eTied with the Anatolian double knot, around a pair of warp threads.\u003c\/li\u003e\n  \u003cli\u003eCream ground with brown and honey drawing, 144 × 193 cm.\u003c\/li\u003e\n  \u003cli\u003eThe silk changes the rug between daylight and lamplight.\u003c\/li\u003e\n  \u003cli\u003eSpecialist washing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eA cream Oushak is the one that ends up in the room people are actually shown into.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Cream \/ 144 X 193","offer_id":44156943466729,"sku":"ÇINHAR000024.01","price":137000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/HaremSerisiUsakDesenliElDokumaKremRenkYunIpekHali_1.jpg?v=1709557770"},{"product_id":"el-dokuma-karabag-desenli-beyaz-kilim","title":"White Karabagh-Pattern Handwoven Wool Kilim","description":"\u003cp\u003e\u003cstrong\u003eOut of Karabagh, in the south Caucasus, comes a drawing that has traveled a great deal further than the weavers who invented it: stepped medallions, hooked edges, small ornament packed close together. This handwoven wool kilim carries that pattern on a white ground, flat-woven in India, and it measures 200 × 300 cm; in feet and inches, 6'7\" by 9'10\".\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eA kilim is flat-woven, which means warp and weft and nothing else: no pile, no knots, and a pattern that is the structure rather than something raised on top of it. That is why Karabagh motifs come out sharp at the corners here and stepped along every diagonal, since a weft can only travel in straight lines and small increments. It is also why the piece is thin, cool to the touch and light enough to lift with one hand. Both faces are worked, so it can be turned over.\u003c\/p\u003e\n\n\u003cp\u003eWool throughout, woven by hand in India, where Caucasian drawings are part of the workshop repertory. White is the most demanding ground a kilim can be given, and it should be said plainly: with no pile there is nothing to conceal a mark, and a white flatweave laid in a hallway will report honestly on the hallway. Under a dining table or in a bedroom it has an easier life. Cleaning is a specialist's job, and a white flatweave is not the thing to experiment on.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eIs a wool flatweave, woven by hand in India.\u003c\/li\u003e\n  \u003cli\u003eCarries the Karabagh drawing — angular, stepped, densely ornamented — on a white ground.\u003c\/li\u003e\n  \u003cli\u003eMeasures out to a full sitting-room size at 200 × 300 cm.\u003c\/li\u003e\n  \u003cli\u003eHas no pile, so it lies thin under furniture and doors.\u003c\/li\u003e\n  \u003cli\u003eIs worked on both faces and can be reversed.\u003c\/li\u003e\n  \u003cli\u003eShows marks readily on white; specialist cleaning only.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eA kilim gives a room its pattern without giving it any thickness, which is the reason people keep putting them where a rug would be too much.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"White \/ 200 X 300","offer_id":44156945105129,"sku":"CARKIL000082.01","price":55500.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaKarabagDesenliBeyazKilim_1.webp?v=1762937051"},{"product_id":"harem-serisi-usak-desenli-el-dokuma-yun-krem-hali","title":"Cream Oushak Hand-Knotted Wool Rug, Harem Series","description":"\u003cp\u003e\u003cstrong\u003eAt 132 × 168 cm (4'4\" × 5'6\") this one is close to square, which is rare in a knotted rug and useful in a room that is: Cream Oushak Hand-Knotted Wool Rug, Harem Series — knotted in Türkiye from Erzurum wool, cream ground, classical Uşak drawing worked at a modern scale.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eA near-square rug behaves differently. Nothing about it points anywhere, so it will not tell you which way the furniture should face, and under a round table or in a square hall it settles where a long rug would look stranded. The drawing helps: the Oushak motifs are set out symmetrically, so there is no head and no foot to the piece. Cream keeps it light. The pattern is carried in warmer tones and is easiest to read from directly above, which is the angle a square rug is usually seen from anyway.\u003c\/p\u003e\n\n\u003cp\u003eErzurum wool is what goes into it, bright and soft and strong at once, which is a combination that rarely turns up in one fleece. The knotting is the Anatolian double knot, worked symmetrically around two warp threads, which takes longer per row and holds the drawing crisper at the turns. The whole rug was made in Türkiye. Contemporary readings of fourteenth- and fifteenth-century Uşak motifs are what the Harem series is for, and this is one of the plainer ones. Professional washing.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in Türkiye from Erzurum wool.\u003c\/li\u003e\n  \u003cli\u003eNearly square at 132 × 168 cm, with no direction to the drawing.\u003c\/li\u003e\n  \u003cli\u003eSymmetrical Uşak motifs on a cream ground, drawn at a modern scale.\u003c\/li\u003e\n  \u003cli\u003eDouble-knotted around two warps, which sharpens the turns in the pattern.\u003c\/li\u003e\n  \u003cli\u003eErzurum fleece: bright, soft and strong at once.\u003c\/li\u003e\n  \u003cli\u003eSuits a square hall, a round table or a room without a long axis.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eSquare rooms are usually furnished as though they were rectangular; this is the rug that lets them stop.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Cream \/ 132 X 168","offer_id":44156946252009,"sku":"ÇINHAR000064.01","price":110000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/HaremSerisiUsakDesenliElDokumaYunKremHali_1.jpg?v=1709558552"},{"product_id":"harem-serisi-usak-desenli-kahverengi-el-dokuma-hali","title":"Brown Oushak Hand-Knotted Wool Rug, Harem Series","description":"\u003cp\u003e\u003cstrong\u003eUşak, in western Türkiye, has been drawing the same family of patterns since the fifteenth century; this is a present-day reading of them: Brown Oushak Hand-Knotted Wool Rug, Harem Series — 130 × 165 cm (4'3\" × 5'5\"), knotted in Türkiye from Erzurum wool, in browns and natural tones.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eBrown is the color the Oushak drawing was probably always closest to, and on this ground the motifs read as structure rather than as decoration — you notice the geometry of the branches before you notice the flowers on them. The palette stays inside the natural range, which means the rug does not compete with wood and does not fight leather. In a study or a small hall it does the thing a brown rug is bought to do: it makes the floor feel finished and then stops asking for attention.\u003c\/p\u003e\n\n\u003cp\u003eÇınhar Halı wove it for Halıcızade — a house with international awards in rug design — and the series is theirs to make and ours to draw. Erzurum wool gives the pile its softness and its shine. The knot is the Anatolian double knot, two warps at a time, which is the slower method and the one that keeps a pattern edge from blurring. Genuine Bursa silk turns up in some pieces from the Harem series. Erzurum wool is what is named for this one. Professional washing.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in Türkiye by Çınhar Halı for Halıcızade.\u003c\/li\u003e\n  \u003cli\u003eErzurum wool in the pile; Bursa silk appears in some Harem pieces but is not named for this one.\u003c\/li\u003e\n  \u003cli\u003eOushak drawing in browns and natural tones, read as structure.\u003c\/li\u003e\n  \u003cli\u003eThe Anatolian double knot, tied around two warps at a time.\u003c\/li\u003e\n  \u003cli\u003e130 × 165 cm, a near-square size for a study or a small hall.\u003c\/li\u003e\n  \u003cli\u003eSits with wood and leather without competing with either.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eBuy it when the floor is the thing that keeps looking unfinished, and it will go on solving that for twenty years.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Brown \/ 130 X 165","offer_id":44156949659881,"sku":"ÇINHAR000053.01","price":106000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/HaremSerisiUsakDesenliKahverengiElDokumaHali_1.jpg?v=1709558225"},{"product_id":"el-dokuma-cizgi-desenli-kahverengi-yun-hali-1","title":"Brown Striped Hand-Knotted Wool Rug","description":"\u003cp\u003e\u003cstrong\u003eStripes are the least forgiving pattern a hand-knotted rug can carry, since every row of knots either lines up with the last or does not. This brown wool rug from India carries them anyway, ruled lengthwise in bamboo viscose over a matt wool ground, on a cotton foundation. Two pieces exist, at 163 × 240 cm (5'4\" × 7'10\") and 174 × 244 cm (5'9\" × 8'0\").\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe interest is in the contrast between the two yarns rather than between two colors. Wool absorbs light and gives back a flat, warm brown; bamboo viscose returns it, so each stripe reads as a band of shine crossing a band of matt. Walk the length of the room and the stripes brighten. Walk back and they go quiet. It is a single-color rug that does not behave like one, and it needs nothing else in the room to explain it.\u003c\/p\u003e\n\n\u003cp\u003eEvery knot was tied by hand, close together, which is what keeps thin stripes straight over more than two meters of length. The face is wool and bamboo viscose together, over a foundation of cotton. That the two pieces are not the same size is not an oversight — hand-knotted rugs are measured after they come off the loom, not cut to a specification, and eleven centimeters of difference is ordinary. It goes to a professional cleaner, never into a bath.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in India, knot by knot, on a cotton foundation.\u003c\/li\u003e\n  \u003cli\u003eCombines a wool ground with bamboo viscose in the striping.\u003c\/li\u003e\n  \u003cli\u003eReads as shine against matt rather than as one color against another.\u003c\/li\u003e\n  \u003cli\u003eRuns its stripes lengthwise, which draws a room longer.\u003c\/li\u003e\n  \u003cli\u003eComes as two individually measured pieces, 163 × 240 cm and 174 × 244 cm.\u003c\/li\u003e\n  \u003cli\u003eRequires professional washing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eBrown gets called safe until someone puts a striped one down and the floor turns out to have a direction.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Brown \/ 174 X 244","offer_id":44370587844841,"sku":"DEHJPR000001.02","price":60000.0,"currency_code":"TRY","in_stock":true},{"title":"Brown \/ 163 X 240","offer_id":46029541703913,"sku":"DEHJPR000001.01","price":55000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaCizgiDesenliKahverengiPamukHali_1.jpg?v=1705837745"},{"product_id":"harem-serisi-usak-desenli-el-dokuma-krem-hali-340","title":"Cream Oushak-Pattern Handwoven Wool Rug, Harem Series","description":"\u003cp\u003e\u003cstrong\u003eThe motifs come first here: fourteenth- and fifteenth-century Oushak drawing, redrawn rather than copied, carried on a cream ground. It is a handwoven wool rug, 133 × 197 cm (4'4\" × 6'6\"), tied on the Anatolian double knot in Türkiye and made for Halıcızade by Çınhar, a workshop whose designs have won prizes at international rug competitions.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eCream is the hardest ground to weave well, because nothing hides in it. Every knot of the ornament reads at full strength, and the border has to hold the field without darkening it. What the Oushak drawing gives at this scale is proportion — a small rug with a large rug's sense of interval, so the pattern never looks shrunk to fit. Silk appears in some Harem pieces where a motif needs lift; in a cream ground its work is subtle, and you find it by turning your head rather than by looking.\u003c\/p\u003e\n\n\u003cp\u003eThe wool is Erzurum fleece, soft and bright and hard-wearing in that order. The double knot is the Anatolian technique the workshop uses throughout the series, and it is what holds the pile upright under a chair leg. A cream field is honest about a house: it will show a spill sooner than a dark rug does, and it should not go under a dining table for that reason. Have it washed by a professional and it comes back the color it started.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven in Türkiye by Çınhar for Halıcızade.\u003c\/li\u003e\n  \u003cli\u003eWool pile from Erzurum fleece, on the Anatolian double knot.\u003c\/li\u003e\n  \u003cli\u003eDrawing taken from fourteenth- and fifteenth-century Oushak motifs.\u003c\/li\u003e\n  \u003cli\u003e133 × 197 cm (4'4\" × 6'6\") — a bedside, study or hallway size.\u003c\/li\u003e\n  \u003cli\u003eSome rugs in the Harem series carry real Bursa silk in the motifs.\u003c\/li\u003e\n  \u003cli\u003eA cream ground shows marks that a dark ground hides; keep it away from the dining table.\u003c\/li\u003e\n  \u003cli\u003eSend it out to be washed.\u003c\/li\u003e\n  \u003cli\u003eA single piece.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eIn ten years the cream will have warmed by a shade or two, which is the one change in it that nobody minds.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Cream \/ 133 X 197","offer_id":44156952445161,"sku":"ÇINHAR000179.01","price":130000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/HaremSerisiUsakDesenliElDokumaKremHali_1.jpg?v=1709559233"},{"product_id":"harem-serisi-usak-desenli-el-dokuma-bordo-hali-344","title":"Burgundy Oushak-Pattern Handwoven Wool Rug, Harem Series","description":"\u003cp\u003e\u003cstrong\u003eWestern Anatolia is where this pattern comes from. Oushak has been sending out medallion-and-border drawings since the fifteenth century, and this is a handwoven wool rug in burgundy that takes the old composition and reads it for a room built now. Tied on the Anatolian double knot in a Turkish workshop, made for Halıcızade by Çınhar.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eBurgundy behaves like two colors depending on where the light comes from. Under a warm bulb it goes red and forward; in daylight from a north window it settles back toward brown and lets the ornament do the talking. The Oushak scrollwork sits on top of that shift without being disturbed by it, because the drawing is built from outlines rather than from washes of color. Green appears in the smaller motifs, which is the note that keeps the whole thing from reading as one deep tone.\u003c\/p\u003e\n\n\u003cp\u003eErzurum wool again, bright and strong, and the same double knot the workshop has used throughout the Harem series. Real Bursa silk turns up in a few pieces of the series — it is rare enough now that even the textile trade sees little of it. What burgundy will not do is disappear: this is a rug that decides the temperature of a room, and if you want the floor to stay quiet you want a different one. Professional cleaning; no bleach near it, ever.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven in a Turkish workshop by Çınhar, for Halıcızade.\u003c\/li\u003e\n  \u003cli\u003eErzurum wool pile, tied on the Anatolian double knot.\u003c\/li\u003e\n  \u003cli\u003eClassical Oushak motifs, redrawn rather than reproduced.\u003c\/li\u003e\n  \u003cli\u003eBurgundy ground with green in the smaller ornament.\u003c\/li\u003e\n  \u003cli\u003eReal Bursa silk appears in some Harem pieces — it has become scarce.\u003c\/li\u003e\n  \u003cli\u003eIt sets the temperature of a room rather than following it.\u003c\/li\u003e\n  \u003cli\u003eClean professionally; keep bleach away from the pile.\u003c\/li\u003e\n  \u003cli\u003eA single rug, not part of a run.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eIt sits well beside walnut and old leather, and it will outlast both if the double knot does its job.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Green \/ 131 X 172","offer_id":44156953133289,"sku":"ÇINHAR000213.01","price":111000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/HaremSerisiUsakDesenliElDokumaBordoHali_1.jpg?v=1709559433"},{"product_id":"maison-serisi-el-dokuma-soyut-desenli-bambu-hali","title":"Purple Abstract Hand-Knotted Bamboo Viscose Rug, Maison Series","description":"\u003cp\u003e\u003cstrong\u003eA cotton warp underneath; wool across the surface, with bamboo viscose kept back for the motifs — which is why the pattern stands at a slightly different height from the ground it sits on. Purple Abstract Hand-Knotted Bamboo Viscose Rug, Maison Series, knotted in India, in cream, lilac and purple running through one another.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe relief is the point. Raising the motifs a few millimeters gives an abstract drawing something to cast a shadow with, and the surface reads as layered rather than printed. Cream, lilac and purple are used at close values, so the effect is soft instead of graphic. It goes into a gray room without effort and holds its own beside a yellow sofa or a white sectional, which is an unusual pair of jobs for one rug to do.\u003c\/p\u003e\n\n\u003cp\u003eHand-knotted in India at a close density, which is what makes a raised motif possible at all: a loose weave cannot hold two heights. The fibers are separate facts — cotton in the warp, wool in the field, bamboo viscose in the figures. Bamboo viscose has a shine to it and no tolerance for improvisation: a rug washer, not a machine and not a hose. Maison is carried in a small number of places in Türkiye and abroad, which is a fact about distribution rather than a promise about scarcity.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in India, tightly enough to hold two pile heights.\u003c\/li\u003e\n  \u003cli\u003eCotton warp, wool field, bamboo viscose in the motifs.\u003c\/li\u003e\n  \u003cli\u003eMotifs raised in relief so the drawing casts its own shadow.\u003c\/li\u003e\n  \u003cli\u003eCream, lilac and purple at close values, intertwined rather than blocked.\u003c\/li\u003e\n  \u003cli\u003eSits in a gray room, beside a yellow sofa, or against a white sectional.\u003c\/li\u003e\n  \u003cli\u003eSuits living rooms, dining rooms, entrances and bedrooms.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing; bamboo viscose does not tolerate home cleaning.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eIt suits a room that wants texture more than it wants color.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Mr \/ 135 X 190","offer_id":44157008314601,"sku":"EKOMAI000001.01","price":77000.0,"currency_code":"TRY","in_stock":true},{"title":"Mr \/ 180 X 240","offer_id":46030857076969,"sku":"EKOMAI000001.03","price":130000.0,"currency_code":"TRY","in_stock":true},{"title":"Mr \/ 240 X 340","offer_id":46030857109737,"sku":"EKOMAI000001.04","price":246000.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/MaisonSerisiElDokumaSoyutDesenliBambuHali_2_06b780f4-436f-48d1-9344-f7cb65498f50.jpg?v=1715778357"},{"product_id":"obra-serisi-el-dokuma-anadolu-desenli-kok-boyali-yun-hali","title":"Terracotta Anatolian Handwoven Wool Rug, Obra Series","description":"\u003cp\u003e\u003cstrong\u003eRoot dye first: the terracotta, green and yellow in this Obra Series rug come from plant dyes rather than from a chemical bath, which is why no two areas of the same color sit at exactly the same strength. Handwoven from wool on a cotton foundation, in a classical Anatolian drawing with a medallion at the center.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe field is Anatolian in the older sense — a medallion held in the middle, motifs stepping outward from it, borders repeating the same forms at a smaller scale. Root dyeing, \u003cem\u003ekök boya\u003c\/em\u003e, is the tradition of coloring yarn with madder, indigo and other plant sources, and its signature is a slow drift of tone across a woven field that weavers call abrash. Here the terracotta carries the medallion and the green and yellow work around it, and the drift is most visible where a large area of one color runs unbroken.\u003c\/p\u003e\n\n\u003cp\u003eWool takes the pile; cotton makes the foundation underneath it. The knots were tied by hand and set close together, which is what gives the rug a soft face and a hard-wearing back at the same time. It was woven in India, in the workshops that keep Anatolian drawing alive outside Anatolia, and it is a single piece rather than one of a run. Because plant dye is not fixed the way industrial dye is, keep it out of long direct sun and have a rug cleaner wash it instead of attempting it at home.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven, wool pile on a cotton foundation.\u003c\/li\u003e\n  \u003cli\u003eColored with root dyes — the madder-and-indigo tradition, not synthetic color.\u003c\/li\u003e\n  \u003cli\u003eTerracotta, green and yellow, with tonal drift across large areas.\u003c\/li\u003e\n  \u003cli\u003eA classical Anatolian field with a central medallion.\u003c\/li\u003e\n  \u003cli\u003eWoven in India.\u003c\/li\u003e\n  \u003cli\u003eKeep it out of prolonged direct sunlight.\u003c\/li\u003e\n  \u003cli\u003eWashing is for a rug specialist.\u003c\/li\u003e\n  \u003cli\u003eOne piece, in this size and this coloring.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat does root-dyed mean on a rug?\u003c\/h3\u003e\n\u003cp\u003eRoot dye, \u003cem\u003ekök boya\u003c\/em\u003e in Turkish, means the yarn was colored with plant sources such as madder root and indigo instead of synthetic dye. The tones sit slightly unevenly and shift as they age, and that unevenness is how a plant-dyed rug is recognized.\u003c\/p\u003e\n\n\u003ch3\u003eWhy do the colors change across the field?\u003c\/h3\u003e\n\u003cp\u003eWeavers call it abrash. Dye lots made from plants never match exactly, so as one batch of yarn runs out and the next begins the tone steps very slightly. On this rug it shows most in the terracotta, and it is a mark of hand production rather than a fault.\u003c\/p\u003e\n\n\u003cscript type=\"application\/ld+json\"\u003e\n{\"@context\":\"https:\/\/schema.org\",\"@type\":\"FAQPage\",\"mainEntity\":[{\"@type\":\"Question\",\"name\":\"What does root-dyed mean on a rug?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"Root dye, kök boya in Turkish, means the yarn was colored with plant sources such as madder root and indigo instead of synthetic dye. The tones sit slightly unevenly and shift as they age, and that unevenness is how a plant-dyed rug is recognized.\"}},{\"@type\":\"Question\",\"name\":\"Why do the colors change across the field?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"Weavers call it abrash. Dye lots made from plants never match exactly, so as one batch of yarn runs out and the next begins the tone steps very slightly. On this rug it shows most in the terracotta, and it is a mark of hand production rather than a fault.\"}}]}\n\u003c\/script\u003e\n\n\u003cp\u003ePlant color goes on moving after the rug is finished, and in twenty years the terracotta will be a quieter version of the color that arrived.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Earth \/ 120 X 180","offer_id":44157021225193,"sku":"EKOOBR000002.01","price":135000.0,"currency_code":"TRY","in_stock":true},{"title":"Earth \/ 170 X 240","offer_id":46029638074601,"sku":"EKOOBR000002.02","price":255000.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ObraSerisiElDokumaAnadoluDesenliKokBoyaliYunHali_6_0157fed9-15e6-4256-a5d0-11db32b61a37.jpg?v=1724669114"},{"product_id":"safir-serisi-usak-desenli-el-dokuma-oymali-hali-11","title":"Cream Carved Oushak-Pattern Handwoven Rug, Safir Series","description":"\u003cp\u003e\u003cstrong\u003eThe unusual thing here is that the pattern was cut as well as tied. A cream handwoven rug from the Safir series measuring 120 × 180 cm (3'11\" × 5'11\"), its Oushak ornament carved by hand with shears once the weaving was finished, so every outline stands slightly proud of the ground. Woven in India at high knot density.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eCarving is what gives a flat drawing a shadow. A weaver goes over the finished pile and cuts down the ground around each motif by a few millimeters, so the ornament keeps its own height and the light stops at its edge. On a cream rug this matters more than on a dark one, because cream has no contrast to spare — the relief supplies the definition that color would otherwise have to. The Oushak motifs underneath are the classical ones, handled with a lighter hand than an antique would use.\u003c\/p\u003e\n\n\u003cp\u003eIt is knotted densely, which is the precondition for carving at all: a loose pile collapses under the shears and the line goes ragged. Wool carries the ground and bamboo viscose runs through the ornament, which is why the cut edges catch more light than the field does. Carved rugs need a little care in use — a vacuum with a beater bar drags at the raised outlines, so use suction alone. Have it washed by a specialist, who will know to brush the pile back into its relief afterward.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven in India for Halıcızade.\u003c\/li\u003e\n  \u003cli\u003eThe Oushak pattern is carved by hand with shears after weaving.\u003c\/li\u003e\n  \u003cli\u003eHigh knot density — the relief could not be cut into a loose pile.\u003c\/li\u003e\n  \u003cli\u003eWool and bamboo viscose in the surface.\u003c\/li\u003e\n  \u003cli\u003e120 × 180 cm (3'11\" × 5'11\"), a bedroom or study size.\u003c\/li\u003e\n  \u003cli\u003eVacuum on suction only; a beater bar pulls at the carved edges.\u003c\/li\u003e\n  \u003cli\u003eSpecialist washing, with the pile brushed back into relief.\u003c\/li\u003e\n  \u003cli\u003eThere is one of it.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat does it mean for a rug to be carved?\u003c\/h3\u003e\n\u003cp\u003eOnce the weaving is finished, someone goes over the surface with shears and cuts the pile down around each motif by a few millimeters. The ornament keeps its full height, the ground drops away, and the outline gains a shadow.\u003c\/p\u003e\n\n\u003ch3\u003eDoes the carving wear away with use?\u003c\/h3\u003e\n\u003cp\u003eNot from ordinary walking, because the cut goes into the ground rather than into the motif. What damages it is a vacuum with a rotating beater bar, which drags at the raised edges. Suction alone is safe, and a specialist wash restores the relief.\u003c\/p\u003e\n\n\u003cscript type=\"application\/ld+json\"\u003e{\"@context\":\"https:\/\/schema.org\",\"@type\":\"FAQPage\",\"mainEntity\":[{\"@type\":\"Question\",\"name\":\"What does it mean for a rug to be carved?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"Once the weaving is finished, someone goes over the surface with shears and cuts the pile down around each motif by a few millimeters. The ornament keeps its full height, the ground drops away, and the outline gains a shadow.\"}},{\"@type\":\"Question\",\"name\":\"Does the carving wear away with use?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"Not from ordinary walking, because the cut goes into the ground rather than into the motif. What damages it is a vacuum with a rotating beater bar, which drags at the raised edges. Suction alone is safe, and a specialist wash restores the relief.\"}}]}\u003c\/script\u003e\n\n\u003cp\u003ePhotographs flatten it and showrooms rarely light it properly. The carving is a thing you find with a hand rather than an eye.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Cream \/ 120 X 180","offer_id":44157025911017,"sku":"EKOSAP000002.01","price":65000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/EKOSAP000002_6_SafirSerisiElDokumaUsakDesenliKremHali.jpg?v=1704977936"},{"product_id":"el-dokuma-anadolu-desenli-rengarenk-hali","title":"Multicolor Anatolian-Pattern Hand-Knotted Wool Rug","description":"\u003cp\u003e\u003cstrong\u003eIt was woven in Afghanistan, on hand looms, by weavers working a motif vocabulary that runs from Anatolia across Central Asia. A hand-knotted rug, 172 × 244 cm (5'8\" × 8'0\"), with a wool surface on a cotton foundation and red, yellow, blue and green banded across the field in repeating rows.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe rows are the pattern. Each band carries a different set of small geometric figures, and the colors change from band to band so the rug reads as an accumulation rather than a single composition — closer to a woven record than to a design. Those figures come from the saddlebags carried on horseback across this region for centuries, where a motif had to be small, high-contrast and repeatable. Nothing about the palette is muted. Red and yellow do most of the work; blue and green cool the intervals between them.\u003c\/p\u003e\n\n\u003cp\u003eThe surface is entirely wool. Underneath it the foundation is cotton, carrying a very small proportion of synthetic yarn for strength — a detail the house prefers to state rather than round up into something purer. A rug this loud has an obvious limitation: it will not sit quietly under a room that already has pattern in it, and it fights curtains. Run a vacuum the way the pile lies; a wash every few years, done professionally, keeps the reds from going dusty.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted on hand looms in Afghanistan.\u003c\/li\u003e\n  \u003cli\u003eWool surface over a cotton foundation that carries a little synthetic yarn for strength.\u003c\/li\u003e\n  \u003cli\u003eBanded geometric figures from the saddlebag motif tradition of the region.\u003c\/li\u003e\n  \u003cli\u003eRed, yellow, blue and green, changing band by band.\u003c\/li\u003e\n  \u003cli\u003e172 × 244 cm (5'8\" × 8'0\").\u003c\/li\u003e\n  \u003cli\u003eIt will not share a room with other patterns; give it plain walls.\u003c\/li\u003e\n  \u003cli\u003eVacuum with the pile; a professional wash every few years.\u003c\/li\u003e\n  \u003cli\u003eOne rug; the next one will not be identical.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eRugs like this get inherited more often than they get replaced, mostly because nobody can agree on what would go in its place.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Colorful \/ 172 X 244","offer_id":44157080273129,"sku":"BAYKNO000004.01","price":74000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaAnadoluDesenliRengarenkHali_1.jpg?v=1705752923"},{"product_id":"versace-serisi-el-dokuma-versace-desenli-saf-ipek-kahverengi-hali","title":"Brown Versace-Pattern Handwoven Silk Rug, Versace Series","description":"\u003cp\u003e\u003cstrong\u003eTwo hundred by three hundred centimeters — 6'7\" × 9'10\" — makes this a full salon rug, and it was drawn as one: a handwoven piece in brown and gold whose medallion and framing bands are worked in pure silk over a wool ground. The symmetry comes from Roman architecture, which is where the pattern family gets its measured intervals. Woven in small numbers for this house.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eA central medallion holds the field and the border repeats its logic at a smaller scale, so the composition reads the same from three meters away and from arm's length. Gold sits inside brown rather than beside it, and the two only separate under direct light — which is exactly when the silk declares itself, because silk and wool reflect at different angles and the motifs come forward while the ground stays put. The surface is smooth to the hand, thick without being spongy.\u003c\/p\u003e\n\n\u003cp\u003eThe silk in the motifs is pure silk and does the shining; the wool underneath does the wearing. That division has a consequence worth stating plainly: silk-worked motifs mark more readily than the wool around them, and they must never meet a household shampoo. This is a rug for a room with a table in the middle of it and chairs at the edges, not for a corridor. Specialist washing, and a pad underneath so the foundation is not ground against the floor.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven for Halıcızade in small numbers.\u003c\/li\u003e\n  \u003cli\u003ePure silk through the motifs, wool through the ground.\u003c\/li\u003e\n  \u003cli\u003eCentral medallion with a border that repeats the drawing at smaller scale.\u003c\/li\u003e\n  \u003cli\u003eBrown and gold, separating only under direct light.\u003c\/li\u003e\n  \u003cli\u003e200 × 300 cm (6'7\" × 9'10\") — a salon, dining room or wide entrance.\u003c\/li\u003e\n  \u003cli\u003eSilk motifs mark more easily than wool; no home shampoo.\u003c\/li\u003e\n  \u003cli\u003eSpecialist washing, and a pad beneath it.\u003c\/li\u003e\n  \u003cli\u003eOne of one.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eIt was built to sit under bronze, gilt and carved wood, and it looks slightly underemployed anywhere else.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Cream \/ 200 X 300","offer_id":44659146916073,"sku":"ABAKOL000007.01","price":72000.0,"currency_code":"TRY","in_stock":true},{"title":"Cream \/ 250 X 300","offer_id":46029474824425,"sku":"ABAKOL000007.02","price":90000.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/VersaceSerisiElDokumaVersaceDesenliSafIpekliKahverengiHali_1.jpg?v=1709555471"},{"product_id":"fiber-serisi-el-dokuma-damask-desenli-turkuaz-hali","title":"Turquoise Damask Hand-Knotted Bamboo Viscose Rug, Fiber Series","description":"\u003cp\u003e\u003cstrong\u003eBamboo viscose over a cotton foundation, knotted by hand in India: the Fiber Series rug carries a damask drawing held inside a frame, on a turquoise ground with a shine that comes from the fiber rather than from any finish. Eleven sizes are made, from 90 × 150 cm (2'11\" × 4'11\") to 270 × 375 cm (8'10\" × 12'4\"), including 80 cm runners at 300, 310 and 400 cm.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eDamask takes its name from Damascus, and in weaving it means a figured drawing of stems and stylized blossoms that reads as one surface changing rather than as pattern laid on ground. Here it is worked half classical and half avant-garde, which is Halıcızade's own description and an accurate one: the stems are drawn in the old manner, the way they are cut off at the border is not. Turquoise behaves like a mineral under light — flat and slightly green in the middle of the day, deeper and closer to blue by lamp. A color this saturated settles the question of what else goes in the room, and anyone who wants a floor that stays out of the argument should look at the cream or mink version of the same design instead.\u003c\/p\u003e\n\n\u003cp\u003eIndian weavers knot every row by hand. The pile is bamboo viscose, spun from cellulose, which is where the light on the surface comes from; the foundation under it is cotton, and the two do separate jobs — one carries the look, the other carries the weight. Fiber has been in the Halıcızade catalog for years and is made in three colors only: cream, mink and this turquoise. Washing is a job for a specialist rather than for anything at home.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in India, row by row.\u003c\/li\u003e\n  \u003cli\u003eBamboo viscose pile on a cotton foundation.\u003c\/li\u003e\n  \u003cli\u003eA damask field of stems and stylized blossoms, closed by a frame.\u003c\/li\u003e\n  \u003cli\u003eTurquoise that reads green in daylight and blue under a lamp.\u003c\/li\u003e\n  \u003cli\u003eMade in three colorways: cream, mink and turquoise.\u003c\/li\u003e\n  \u003cli\u003eEleven sizes, 90 × 150 cm through 270 × 375 cm, with 80 cm runners at 300, 310 and 400 cm.\u003c\/li\u003e\n  \u003cli\u003eWashing by a specialist; the viscose pile will not take a home shampoo.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003ePut it in a room of pale walls and dark wood and it stops being a colored rug and starts being the only decision in the room that had to be made.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Turquoise \/ 90 X 150","offer_id":44666005684457,"sku":"EKOFIB000007.05","price":6800.0,"currency_code":"TRY","in_stock":false},{"title":"Turquoise \/ 80 X 300","offer_id":46030183137513,"sku":"EKOFIB000007.01","price":12000.0,"currency_code":"TRY","in_stock":false},{"title":"Turquoise \/ 130 X 190","offer_id":46030183170281,"sku":"EKOFIB000007.06","price":12400.0,"currency_code":"TRY","in_stock":false},{"title":"Turquoise \/ 80 X 310","offer_id":46030183203049,"sku":"EKOFIB000007.02","price":12400.0,"currency_code":"TRY","in_stock":false},{"title":"Turquoise \/ 80 X 400","offer_id":46030183235817,"sku":"EKOFIB000007.03","price":16000.0,"currency_code":"TRY","in_stock":false},{"title":"Turquoise \/ 170 X 240","offer_id":46030183268585,"sku":"EKOFIB000007.07","price":20000.0,"currency_code":"TRY","in_stock":false},{"title":"Turquoise \/ 200 X 300","offer_id":46030183301353,"sku":"EKOFIB000007.08","price":29600.0,"currency_code":"TRY","in_stock":true},{"title":"Turquoise \/ 200 X 310","offer_id":46030183334121,"sku":"EKOFIB000007.09","price":30400.0,"currency_code":"TRY","in_stock":true},{"title":"Turquoise \/ 220 X 330","offer_id":46030183366889,"sku":"EKOFIB000007.10","price":35600.0,"currency_code":"TRY","in_stock":true},{"title":"Turquoise \/ 230 X 330","offer_id":46030183399657,"sku":"EKOFIB000007.11","price":37200.0,"currency_code":"TRY","in_stock":true},{"title":"Turquoise \/ 270 X 375","offer_id":46030183432425,"sku":"EKOFIB000007.12","price":57200.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/FiberSerisiElDokumaDamaskDesenliTurkuazHali_2.jpg?v=1705740819"},{"product_id":"focus-serisi-tezgah-dokuma-sade-desenli-gri-hali","title":"Anthracite Plain Loom-Woven Wool Rug, Focus Series","description":"\u003cp\u003e\u003cstrong\u003eWool, cotton and viscose, and no pattern of any kind: a plain anthracite rug from the Focus series, loom-woven in India. Eight sizes exist; the hallway runner measures 100 × 300 cm (3'3\" × 9'10\"), the smallest mat is 80 × 150 cm and the largest floor is 240 × 340 cm.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eAnthracite is a shade deeper than charcoal and a shade short of black, and on a floor it does the job people usually hire black for without swallowing the light in the room. The colors in the Focus series were taken from earth, plants and hills, and this is the mineral end of that list. It belongs in a plain room: minimal furniture, one or two textures, nothing else asking for attention. The wool underneath is what you feel; the viscose is what you see, in the low shine that moves as you cross the rug.\u003c\/p\u003e\n\n\u003cp\u003eLoom-woven in India, which means a loom lays the structure down and the finishing is hand work — a technique that is getting rarer rather than more common, and one the Focus series exists to keep going. There is no pattern to hide anything, so an anthracite rug will show pale lint and light pet hair in a way a mid-tone rug does not; a weekly vacuum keeps it looking as it should. Professional washing when it needs a proper clean.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eLoom-woven in India, machine structure and hand finishing.\u003c\/li\u003e\n  \u003cli\u003eWool, cotton and viscose yarns.\u003c\/li\u003e\n  \u003cli\u003ePlain anthracite, with a low shine from the viscose content.\u003c\/li\u003e\n  \u003cli\u003eEight sizes, 80 × 150 cm to 240 × 340 cm, with runners at 80 × 300, 80 × 400 and 100 × 300 cm.\u003c\/li\u003e\n  \u003cli\u003eA dark plain surface: pale lint and light pet hair will show.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eDark plain rugs are what people buy when they have finally decided the floor is not the interesting part of the room.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Anthracite \/ 80 X 150","offer_id":47352478728425,"sku":"EKOFOC000204.01","price":16000.0,"currency_code":"TRY","in_stock":false},{"title":"Anthracite \/ 80 X 300","offer_id":47360498696425,"sku":"EKOFOC000204.02","price":31500.0,"currency_code":"TRY","in_stock":false},{"title":"Anthracite \/ 80 X 400","offer_id":47352478761193,"sku":"EKOFOC000204.03","price":42000.0,"currency_code":"TRY","in_stock":false},{"title":"Anthracite \/ 100 X 300","offer_id":47352478793961,"sku":"EKOFOC000204.04","price":39000.0,"currency_code":"TRY","in_stock":true},{"title":"Anthracite \/ 130 X 190","offer_id":47352478826729,"sku":"EKOFOC000204.05","price":32500.0,"currency_code":"TRY","in_stock":true},{"title":"Anthracite \/ 160 X 230","offer_id":47352478859497,"sku":"EKOFOC000204.07","price":48000.0,"currency_code":"TRY","in_stock":false},{"title":"Anthracite \/ 200 X 300","offer_id":47352478892265,"sku":"EKOFOC000204.09","price":78000.0,"currency_code":"TRY","in_stock":true},{"title":"Anthracite \/ 240 X 340","offer_id":47352478925033,"sku":"EKOFOC000204.10","price":107000.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/FocusSerisiTezgahDokumaSadeDesenliAntrasitHali_1.webp?v=1749905491"},{"product_id":"focus-serisi-sade-desenli-tezgah-dokuma-hali-925","title":"Green Plain Loom-Woven Rug, Focus Series","description":"\u003cp\u003e\u003cstrong\u003eIndia is where this one is made, on traditional looms, and the whole design is a green that will not stay still. A plain rug from the Focus series, woven from wool, cotton and viscose, in six sizes; the largest measures 240 × 340 cm, or 7'10\" by 11'2\".\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe green runs from dark to light across the rug, the way sunlight does on a forest floor when it comes through leaves — that is the comparison the Turkish description makes, and it is a fair one. There is no motif anywhere. What the rug offers instead is a moiré, a faint watered movement in the surface, produced by the cotton and viscose lying together in the weave. It is for the room that does not want a pattern and would still be bored by a flat one.\u003c\/p\u003e\n\n\u003cp\u003eWool, cotton and viscose in the yarn; the sheen belongs to the cotton and viscose. Loom-woven is the technique, meaning a loom lays down the structure and hands do the finishing, and it is worth being clear about that, because the softness underfoot can suggest more hand work than there is. It runs from sitting rooms and studies through to entrance halls and conservatories, and at its largest it will cover most of a living room floor.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eLoom-woven on traditional looms in India.\u003c\/li\u003e\n  \u003cli\u003eWool, cotton and viscose yarns.\u003c\/li\u003e\n  \u003cli\u003ePlain, with green running from dark to light and a faint watered texture.\u003c\/li\u003e\n  \u003cli\u003eSoft underfoot with a slight sheen.\u003c\/li\u003e\n  \u003cli\u003eSix sizes, 80 × 150 cm to 240 × 340 cm, plus an 80 × 300 cm runner.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing for a deep clean.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eGreen is the color people avoid on a floor, and the reason to break the rule is that this one behaves like a texture rather than a color.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Green \/ 80 X 150","offer_id":44157544431849,"sku":"EKOFOC000328.01","price":16000.0,"currency_code":"TRY","in_stock":true},{"title":"Green \/ 80 X 300","offer_id":46030844985577,"sku":"EKOFOC000328.02","price":31500.0,"currency_code":"TRY","in_stock":true},{"title":"Green \/ 130 X 190","offer_id":46030845018345,"sku":"EKOFOC000328.03","price":32500.0,"currency_code":"TRY","in_stock":true},{"title":"Green \/ 160 X 230","offer_id":46030845051113,"sku":"EKOFOC000328.05","price":48000.0,"currency_code":"TRY","in_stock":false},{"title":"Green \/ 200 X 300","offer_id":46030845083881,"sku":"EKOFOC000328.06","price":78000.0,"currency_code":"TRY","in_stock":true},{"title":"Green \/ 240 X 340","offer_id":46030845116649,"sku":"EKOFOC000328.08","price":107000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/FocusSerisiTezgahDokumaSadeDesenliYesilHali_1.webp?v=1749906198"},{"product_id":"fresco-serisi-cerceve-desenli-makine-dokuma-hali","title":"Black Frame-Pattern Machine-Woven Viscose Rug, Lapis Series","description":"\u003cp\u003e\u003cstrong\u003eOne hundred is the comb count this rug is woven at — the figure a machine rug is measured by, standing where knots per square decimeter stand on a hand-knotted one. What it carries is a plain frame around a black field with nothing inside it, acrylic and viscose together, made in Türkiye for the Lapis series.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eAcrylic and viscose, woven on a machine in Türkiye at comb count 100.\u003c\/li\u003e\n  \u003cli\u003eA single drawn frame; the field inside it is left empty.\u003c\/li\u003e\n  \u003cli\u003eModern in register — a floor for furniture to sit on rather than a pattern to look at.\u003c\/li\u003e\n  \u003cli\u003eBlack grounds show lint and pale dust more than any other color does.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing.\u003c\/li\u003e\n  \u003cli\u003eTwenty-three in stock across the sizes.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"EKO HALI","offers":[{"title":"Black \/ 80 X 150","offer_id":44157550952681,"sku":"EKOFSC000142.01","price":7950.0,"currency_code":"TRY","in_stock":true},{"title":"Black \/ 80 X 300","offer_id":44370923454697,"sku":"EKOFSC000142.02","price":15850.0,"currency_code":"TRY","in_stock":true},{"title":"Black \/ 80 X 400","offer_id":44370923487465,"sku":"EKOFSC000142.03","price":21200.0,"currency_code":"TRY","in_stock":true},{"title":"Black \/ 120 X 180","offer_id":44370923520233,"sku":"EKOFSC000142.04","price":14300.0,"currency_code":"TRY","in_stock":true},{"title":"Black \/ 160 X 230","offer_id":44370923553001,"sku":"EKOFSC000142.05","price":24300.0,"currency_code":"TRY","in_stock":true},{"title":"Black \/ 200 X 290","offer_id":44370923585769,"sku":"EKOFSC000142.06","price":38300.0,"currency_code":"TRY","in_stock":true},{"title":"Black \/ 240 X 340","offer_id":44370923651305,"sku":"EKOFSC000142.08","price":53900.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/FrescoSerisiMakineDokumaCerceveDesenliSiyahHali_2.webp?v=1741776261"},{"product_id":"heritage-serisi-tezgah-dokuma-krem-renkli-vintage-desenli-hali","title":"Cream Vintage-Pattern Loom-Woven Wool Rug, Heritage Series","description":"\u003cp\u003e\u003cstrong\u003eThe fleece comes from New Zealand. That, with viscose, makes the surface of this cream Heritage-series rug, knotted densely onto a cotton foundation on the looms at Kütahya, and carrying a vintage pattern so lightly drawn it works more like shadow than like ornament. Six sizes are made, the longest of them 260 × 370 cm (8'6\" × 12'2\"), the narrowest an 80 × 300 cm runner.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eAt 230 × 330 cm — 7'7\" by 10'10\" — the pattern has room to do what it was drawn for: pale transitions that settle across the surface and shift as the light in the room changes, so the rug looks slightly different at breakfast and at dusk. Cream is the neutral that makes a corridor feel wider and a small bedroom feel finished, and the design is quiet enough to run from a hallway into a kitchen without arguing with either. The viscose is where the soft shine comes from, and it is what stops a plain-ish cream rug reading as a blank.\u003c\/p\u003e\n\n\u003cp\u003eThe process starts on machines in Kütahya and ends in hands — the knots are set closely at the loom and the finish is human work, and that is what accounts for how near it comes to a knotted rug. New Zealand fleece is long in the staple and springs back well, which is why the pile stays upright under furniture instead of matting. Very little lint comes off it. The series is made in limited numbers across the size range, so the piece you get will not be identical to the next one off the loom.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eLoom-woven in Kütahya: machine knotting, hand finishing.\u003c\/li\u003e\n  \u003cli\u003eNew Zealand wool and viscose on a cotton foundation.\u003c\/li\u003e\n  \u003cli\u003eA faint vintage pattern that reads as shadow across a cream ground.\u003c\/li\u003e\n  \u003cli\u003eLong-staple wool that springs back rather than matting under furniture.\u003c\/li\u003e\n  \u003cli\u003eLow lint release; a soft shine from the viscose.\u003c\/li\u003e\n  \u003cli\u003eSix sizes: 80 × 300, 100 × 300, 160 × 230, 200 × 300, 230 × 330 and 260 × 370 cm.\u003c\/li\u003e\n  \u003cli\u003eMade in limited numbers, so pieces differ slightly.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWool from the southern hemisphere on a Kütahya loom is an odd sentence, and the springiness underfoot is where you find out it is true.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Cream \/ 80 X 300","offer_id":44157566550249,"sku":"EKOHER000482.01","price":21600.0,"currency_code":"TRY","in_stock":true},{"title":"Cream \/ 100 X 300","offer_id":46030184481001,"sku":"EKOHER000482.02","price":27000.0,"currency_code":"TRY","in_stock":true},{"title":"Cream \/ 160 X 230","offer_id":46030184513769,"sku":"EKOHER000482.03","price":33500.0,"currency_code":"TRY","in_stock":false},{"title":"Cream \/ 200 X 300","offer_id":46030184546537,"sku":"EKOHER000482.04","price":54000.0,"currency_code":"TRY","in_stock":true},{"title":"Cream \/ 230 X 330","offer_id":46030184579305,"sku":"EKOHER000482.05","price":68500.0,"currency_code":"TRY","in_stock":true},{"title":"Cream \/ 260 X 370","offer_id":46030184612073,"sku":"EKOHER000482.06","price":87000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/HeritageSerisiMakineDokumaKremRenkliVintageDesenliHali_5_f725ff9b-aa5d-47a1-a3cc-59d13b4baf9a.jpg?v=1725190331"},{"product_id":"soyut-desenli-tezgah-dokuma-hali-1041","title":"Gray Abstract-Pattern Loom-Woven Wool Rug, Heritage Series","description":"\u003cp\u003e\u003cstrong\u003eTwo meters by three is a room-defining size, and this piece uses it as a canvas — grays shifting like brushwork across the whole field, with no border anywhere to contain them. The surface pairs New Zealand wool with viscose and the foundation beneath is cotton. Loom-woven in the Oushak region.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThere is no repeat to find. The grays move through warm and cool without a seam, and the edges of each passage are soft enough that the pattern seems to have been laid on wet. Viscose runs through the lighter areas and blurs their boundaries further, so from a standing height the surface has depth it does not physically possess. At floor level, sitting on it, you can see the individual knots and the illusion collapses — which is a fair trade, since most rugs work the other way round.\u003c\/p\u003e\n\n\u003cp\u003eKnots are set densely on the loom and the finish is hand work, so the surface approaches the density of a knotted rug at a fraction of the hours. Pile is low. Gray at this scale carries a risk worth naming: a borderless field with no motif in it has nothing to argue with a patterned sofa, and in a busy room it will read as flooring. It wants plain furniture around it. Because of the viscose, washing is specialist work.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eLoom-woven in the Oushak region, finished by hand.\u003c\/li\u003e\n  \u003cli\u003eNew Zealand wool and viscose over a cotton foundation.\u003c\/li\u003e\n  \u003cli\u003eAbstract gray passages, borderless, with no repeat anywhere in the field.\u003c\/li\u003e\n  \u003cli\u003eDense knotting for a loom-woven rug; low pile.\u003c\/li\u003e\n  \u003cli\u003e200 × 300 cm (6'7\" × 9'10\") — a full salon or living-room floor.\u003c\/li\u003e\n  \u003cli\u003eIt needs plain furniture around it, or it reads as flooring.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing only; the viscose will not take home cleaners.\u003c\/li\u003e\n  \u003cli\u003eA short Heritage run; this is one of them.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eTen years from now the grays will have settled a half-tone warmer, and the brushwork will look more deliberate than it does today.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Gray \/ 200 X 300","offer_id":44157567467753,"sku":"EKOHER000494.01","price":54000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/HeritageSerisiSoyutDesenliMakineDokumaHali_1.jpg?v=1705759490"},{"product_id":"tezgah-dokuma-soyut-desenli-kirmizi-hali","title":"Red and Anthracite Abstract Loom-Woven Wool Rug, Heritage Series","description":"\u003cp\u003e\u003cstrong\u003eRed against anthracite is the loudest pairing in the Heritage series and the only one in it that raises its voice. The rug is abstract and borderless, three meters long by two wide (200 × 300 cm, or 6'7\" × 9'10\"). Wool from New Zealand flocks and bamboo viscose share the surface; cotton carries them from below. Made near Oushak, in western Türkiye.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe two colors are not divided into zones. They wash across and through one another so that no edge announces where red ends, and the dark gray acts less as a second color than as the shadow the red throws. Viscose threads run through the brighter passages and lift them, so the red reads hot from one side of the room and banked from the other. There is no medallion, no field, no border — the composition refuses all three, and at this size that refusal is the design.\u003c\/p\u003e\n\n\u003cp\u003eProduction begins semi-industrially on a loom and is completed by women weavers by hand, which is how the Heritage rugs are made. The knots are set close, so the surface has the density of hand work without the years. Two limitations are worth stating: a red this saturated will sit badly next to another strong color, and viscose shows the direction the pile was last brushed in. Neither is a fault; both are facts. Send it out for washing.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eLoom-woven in the Oushak region, finished by hand by women weavers.\u003c\/li\u003e\n  \u003cli\u003eNew Zealand wool and bamboo viscose in the surface, cotton foundation.\u003c\/li\u003e\n  \u003cli\u003eRed and anthracite washed through one another, with no border anywhere.\u003c\/li\u003e\n  \u003cli\u003eViscose lifts the brighter passages; the red changes weight as you move.\u003c\/li\u003e\n  \u003cli\u003e200 × 300 cm (6'7\" × 9'10\"), enough to hold a whole seating group.\u003c\/li\u003e\n  \u003cli\u003eIt will not share a room with a second strong color.\u003c\/li\u003e\n  \u003cli\u003eBrush marks stay visible in the viscose passages.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing; part of a limited Heritage run.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eA red floor changes what people wear in a room, which is either the reason to buy it or the reason not to.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Red \/ 200 X 300","offer_id":45811511492841,"sku":"EKOHER000599.01","price":54000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/MakineDokumaSoyutDesenliKirmiziHali_1.jpg?v=1705759812"},{"product_id":"eko-hali-nostalji-afgan-desenli-makine-dokuma-hali-1356","title":"Burgundy Afghan Turkmen Loom-Woven Rug, Nostalji Series","description":"\u003cp\u003e\u003cstrong\u003eThe Turkmen of Afghanistan have woven this family of repeating motifs for centuries; the Nostalji series takes the drawing and puts it on a Turkish loom. Burgundy Afghan Turkmen Loom-Woven Rug \u0026mdash; burgundy and navy with gold running through it, a Tencel\u0026reg; surface on a cotton foundation, made in eleven sizes, the largest 240 \u0026times; 340 cm (7'10\" \u0026times; 11'2\").\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBurgundy holds the field and navy edges it, and the small amounts of gold are what keep the two deep colors from closing into one. The motifs repeat in rows the way Turkmen weaving does, without a central medallion to organize them, so the effect is dense and even: pattern from standing height, separate figures once you sit down on it. Against light furniture it makes a hard contrast; beside gray and anthracite it turns sober.\u003c\/p\u003e\n\u003cp\u003eThe loom carries the body of the rug and a person closes the ends. Fringes are knotted individually by the women of Oushak, where the finishing for this series is done. Surface fiber: Tencel\u0026reg;. Foundation: cotton. The house does not call it hand-knotted, and that candor is the point \u0026mdash; the appeal is how close it gets to the look of one for a fraction of the labor.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLoom-woven in T\u0026uuml;rkiye, from motifs of the Afghan Turkmen tradition.\u003c\/li\u003e\n\u003cli\u003eTencel\u0026reg; pile on a cotton foundation.\u003c\/li\u003e\n\u003cli\u003eBurgundy ground, navy border, gold detail.\u003c\/li\u003e\n\u003cli\u003eFringes knotted individually by women in Oushak.\u003c\/li\u003e\n\u003cli\u003eEleven sizes, 90 \u0026times; 150 cm (2'11\" \u0026times; 4'11\") to 240 \u0026times; 340 cm (7'10\" \u0026times; 11'2\"), including 90 \u0026times; 490 cm runners.\u003c\/li\u003e\n\u003cli\u003eNot hand-knotted, and not offered as such.\u003c\/li\u003e\n\u003cli\u003eProfessional washing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eIn a study, or a room lined with books, it will look as though it has been there longer than it has.\u003c\/p\u003e","brand":"EKO HALI","offers":[{"title":"Burgundy \/ 90 X 150","offer_id":44157632545001,"sku":"EKONOS000033.01","price":11500.0,"currency_code":"TRY","in_stock":false},{"title":"Burgundy \/ 90 X 190","offer_id":47994426753257,"sku":"EKONOS000033.12","price":14600.0,"currency_code":"TRY","in_stock":false},{"title":"Burgundy \/ 130 X 190","offer_id":46031331557609,"sku":"EKONOS000033.02","price":21000.0,"currency_code":"TRY","in_stock":false},{"title":"Burgundy \/ 90 X 300","offer_id":46031331590377,"sku":"EKONOS000033.06","price":23000.0,"currency_code":"TRY","in_stock":true},{"title":"Burgundy \/ 90 X 390","offer_id":47944755839209,"sku":"EKONOS000033.10","price":29900.0,"currency_code":"TRY","in_stock":false},{"title":"Burgundy \/ 160 X 230","offer_id":46031331623145,"sku":"EKONOS000033.03","price":31300.0,"currency_code":"TRY","in_stock":false},{"title":"Burgundy \/ 170 X 240","offer_id":47994426720489,"sku":"EKONOS000033.11","price":34700.0,"currency_code":"TRY","in_stock":false},{"title":"Burgundy \/ 90 X 490","offer_id":50958614954217,"sku":"EKONOS000033.09","price":37500.0,"currency_code":"TRY","in_stock":true},{"title":"Burgundy \/ 200 X 290","offer_id":47925792375017,"sku":"EKONOS000033.08","price":49300.0,"currency_code":"TRY","in_stock":false},{"title":"Burgundy \/ 200 X 300","offer_id":46031331655913,"sku":"EKONOS000033.04","price":51000.0,"currency_code":"TRY","in_stock":true},{"title":"Burgundy \/ 240 X 340","offer_id":46031331688681,"sku":"EKONOS000033.05","price":69400.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/NostaljiSerisiAfganTurkmenDesenliBordoOzelTezgahHalisi_1_f5a9bd3a-3cca-43ea-b013-8fbb31263617.jpg?v=1737547561"},{"product_id":"safir-serisi-el-dokuma-mavi-usak-desenli-hali","title":"Blue Oushak-Pattern Hand-Knotted Carved Rug, Safir Series","description":"\u003cp\u003e\u003cstrong\u003eBlue Oushak-Pattern Hand-Knotted Carved Rug, Safir Series: blue and mink held against each other across a densely knotted field, with the motifs carved down at their edges so the drawing stands above the ground. Made in India, running from 90 × 150 cm up to 135 × 200 cm — 2'11\" × 4'11\" to 4'5\" × 6'7\".\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eMink is the color doing the quiet work. Blue on its own would be flat; blue against a warm gray-brown gains depth, and where the two meet the carving cuts a shadow line that neither color could produce alone. The Oushak motifs are the classical ones of western Anatolia, redrawn to a contemporary weight — narrower, less crowded, with more ground left visible than a nineteenth-century original would allow. At these sizes it is a bedside or entrance rug rather than a room-sized one, which is the scale at which the carved detail actually gets looked at.\u003c\/p\u003e\n\n\u003cp\u003eThe knot structure is dense and the density is the point: it is what carries the depth of the detail and what lets the shears cut cleanly. Wool, cotton, bamboo viscose and viscose are used together — the wool for body, the two cellulose yarns for the lasting shine in the motifs. Hand knotting means each piece varies slightly from the next, and on a rug this small the variation is visible. Professional washing, and never a stiff brush across the carved edges.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in India in wool, cotton, bamboo viscose and viscose.\u003c\/li\u003e\n  \u003cli\u003eBlue and mink, with the motifs carved in relief after weaving.\u003c\/li\u003e\n  \u003cli\u003eClassical Oushak drawing at a contemporary weight.\u003c\/li\u003e\n  \u003cli\u003eA dense knot structure that holds the detail and takes the carving.\u003c\/li\u003e\n  \u003cli\u003eWoven between 90 × 150 cm and 135 × 200 cm, or 2'11\" × 4'11\" to 4'5\" × 6'7\".\u003c\/li\u003e\n  \u003cli\u003eEach piece differs slightly from the last, as hand knotting requires.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing; no stiff brushes.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eSmall rugs are usually bought to fill a gap; this one is worth putting where somebody will stand still and look down.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Blue \/ 90 X 150","offer_id":45811513458921,"sku":"EKOSAP000012.01","price":40500.0,"currency_code":"TRY","in_stock":false},{"title":"Blue \/ 80 X 290","offer_id":46029642662121,"sku":"EKOSAP000012.02","price":70000.0,"currency_code":"TRY","in_stock":true},{"title":"Blue \/ 80 X 310","offer_id":46029642694889,"sku":"EKOSAP000012.03","price":74500.0,"currency_code":"TRY","in_stock":true},{"title":"Blue \/ 135 X 200","offer_id":46029642727657,"sku":"EKOSAP000012.04","price":81000.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/EKOSAP000012YOLLUK_5_SafirSerisiElDokumaMaviUsakDesenliHali.jpg?v=1704978542"},{"product_id":"safir-serisi-el-dokuma-usak-desenli-krem-mor-hali","title":"Cream and Purple Oushak-Pattern Hand-Knotted Rug, Safir Series","description":"\u003cp\u003e\u003cstrong\u003eOushak is a weaving town in western Anatolia whose big, loose floral drawing has been copied for four hundred years, and this is that drawing carried in cream and purple on a hand-knotted rug from India. Wool, cotton and bamboo viscose in the surface, a cotton foundation underneath, and a knot count fine enough to hold the small scrollwork. The largest piece measures 265 × 355 cm (8'8\" × 11'8\").\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eCream holds the ground and the purple does the drawing — palmettes, hooked leaves and a scrolling vine that runs the border without quite repeating. What separates it from a printed version is the relief: after the rug comes off the loom a weaver cuts around every motif with hand shears, dropping the ground a few millimeters so the pattern stands up off it. Run a hand across the surface and you can feel where the outline is before you can see it. Bamboo viscose in the motifs takes light the way silk does, which is why the purple reads violet from one end of a room and near-plum from the other.\u003c\/p\u003e\n\n\u003cp\u003eKnotted by hand in India. The shine that makes the pattern legible also picks up footmarks, and on a cream ground they will show until the pile is brushed back the other way — worth knowing before this goes in a hallway. Seven sizes exist, from a small mat up to the salon piece, and two of them are proper corridor runners rather than rugs cut short.\u003c\/p\u003e\n\n\u003ch3\u003eWhat does carving mean on a hand-knotted rug?\u003c\/h3\u003e\n\u003cp\u003eCarving is a finishing operation. After weaving, a worker trims the pile along the outline of each motif with hand shears, so the ground sits lower than the pattern. The result is a relief you can feel with a palm, and it is done piece by piece rather than by machine.\u003c\/p\u003e\n\n\u003ch3\u003eDoes an Oushak-pattern rug have to come from Oushak?\u003c\/h3\u003e\n\u003cp\u003eNo. Oushak names both a town in western Anatolia and the family of large-scale floral and medallion drawings that came out of it from the sixteenth century onward. This rug carries the Oushak pattern and was hand-knotted in India, which the description states rather than hides.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in India, with the pattern carved by hand after weaving.\u003c\/li\u003e\n  \u003cli\u003eWool, cotton, bamboo viscose and viscose in the surface, on a cotton foundation.\u003c\/li\u003e\n  \u003cli\u003eCream ground with purple palmettes, hooked leaves and a scrolling vine border.\u003c\/li\u003e\n  \u003cli\u003eDense knotting, which is what lets the small scrollwork stay readable.\u003c\/li\u003e\n  \u003cli\u003eSeven sizes from 90 × 150 cm to 265 × 355 cm, including two long runners.\u003c\/li\u003e\n  \u003cli\u003eThe bamboo viscose shines, and shine shows footmarks.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing only.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cscript type=\"application\/ld+json\"\u003e\n{\"@context\":\"https:\/\/schema.org\",\"@type\":\"FAQPage\",\"mainEntity\":[{\"@type\":\"Question\",\"name\":\"What does carving mean on a hand-knotted rug?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"Carving is a finishing operation. After weaving, a worker trims the pile along the outline of each motif with hand shears, so the ground sits lower than the pattern. The result is a relief you can feel with a palm, and it is done piece by piece rather than by machine.\"}},{\"@type\":\"Question\",\"name\":\"Does an Oushak-pattern rug have to come from Oushak?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"No. Oushak names both a town in western Anatolia and the family of large-scale floral and medallion drawings that came out of it from the sixteenth century onward. This rug carries the Oushak pattern and was hand-knotted in India, which the description states rather than hides.\"}}]}\n\u003c\/script\u003e\n\n\u003cp\u003eCream grounds get lighter with washing and purple gets quieter with light, so in twenty years it will be a paler rug than the one that arrives.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThis rug belongs to the \u003ca href=\"\/en\/collections\/safir-series-rugs\"\u003eSafir Series\u003c\/a\u003e.\u003c\/em\u003e\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Purple \/ 90 X 150","offer_id":45811514245353,"sku":"EKOSAP000018.01","price":40500.0,"currency_code":"TRY","in_stock":true},{"title":"Purple \/ 80 X 390","offer_id":46029645119721,"sku":"EKOSAP000018.04","price":94000.0,"currency_code":"TRY","in_stock":true},{"title":"Purple \/ 170 X 240","offer_id":46029645152489,"sku":"EKOSAP000018.06","price":123000.0,"currency_code":"TRY","in_stock":true},{"title":"Purple \/ 170 X 250","offer_id":46029645185257,"sku":"EKOSAP000018.07","price":128000.0,"currency_code":"TRY","in_stock":true},{"title":"Purple \/ 200 X 285","offer_id":46029645218025,"sku":"EKOSAP000018.08","price":171000.0,"currency_code":"TRY","in_stock":true},{"title":"Purple \/ 200 X 295","offer_id":46029645250793,"sku":"EKOSAP000018.09","price":177000.0,"currency_code":"TRY","in_stock":true},{"title":"Purple \/ 265 X 355","offer_id":46029645283561,"sku":"EKOSAP000018.10","price":285000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/EKOSAP000018YOLLUK_17_SafirSerisiElDokumaUsakDesenliKremMorHali.jpg?v=1709378642"},{"product_id":"safir-serisi-el-dokuma-usak-desenli-mor-hali","title":"Purple Oushak-Pattern Hand-Knotted Carved Wool Rug, Safir Series","description":"\u003cp\u003e\u003cstrong\u003eEvery motif on this rug was cut around by hand with shears after it came off the loom, one at a time, so the pattern stands a few millimeters above its own ground. Hand-knotted in India in purple, in the Oushak family of large floral drawings, over a surface of wool, cotton and bamboo viscose. Six sizes are made, up to 255 × 380 cm (8'4\" × 12'6\").\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003ePurple is a hard color to keep from going flat, and the carving is what stops it: the trimmed outline throws a shadow of its own, so the field reads as two purples rather than one, and the depth changes as you walk past. Dense knotting is the second half of the answer, because the Oushak drawing depends on thin scroll lines that a loose weave simply loses. Against walnut, brass and unbleached linen it looks its age; in a white room it is the whole argument.\u003c\/p\u003e\n\n\u003cp\u003eKnotted in India, on a cotton foundation, with bamboo viscose worked through the pattern for its shine. Two of the six sizes are long runners, one of them 85 × 400 cm (2'9\" × 13'1\"), cut for corridors rather than shortened from a rug. The relief has a cost worth naming: a carved surface is not flat, and a chair leg dragged across it finds the low channels. Lift furniture rather than sliding it.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in India; each motif carved around by hand with shears.\u003c\/li\u003e\n  \u003cli\u003eWool, cotton and bamboo viscose in the surface, on a cotton foundation.\u003c\/li\u003e\n  \u003cli\u003ePurple Oushak drawing, held by a dense knot count that keeps the thin scrollwork legible.\u003c\/li\u003e\n  \u003cli\u003eThe carved outline gives the field a shadow, so the purple shifts as you cross the room.\u003c\/li\u003e\n  \u003cli\u003eSix sizes, including 80 × 390 cm and 85 × 400 cm corridor runners.\u003c\/li\u003e\n  \u003cli\u003eDo not drag furniture over a carved surface.\u003c\/li\u003e\n  \u003cli\u003eWashing is a job for a specialist.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eThe carved channels are where the wear will show first, and in thirty years they will be the reason anyone can date it.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThis rug belongs to the \u003ca href=\"\/en\/collections\/safir-series-rugs\"\u003eSafir Series\u003c\/a\u003e.\u003c\/em\u003e\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Purple \/ 90 X 150","offer_id":45811516473577,"sku":"EKOSAP000023.01","price":40500.0,"currency_code":"TRY","in_stock":true},{"title":"Purple \/ 80 X 290","offer_id":46029648593129,"sku":"EKOSAP000023.04","price":70000.0,"currency_code":"TRY","in_stock":false},{"title":"Purple \/ 80 X 390","offer_id":46029648625897,"sku":"EKOSAP000023.06","price":94000.0,"currency_code":"TRY","in_stock":true},{"title":"Purple \/ 85 X 400","offer_id":46029648658665,"sku":"EKOSAP000023.07","price":102000.0,"currency_code":"TRY","in_stock":true},{"title":"Purple \/ 230 X 330","offer_id":46029648691433,"sku":"EKOSAP000023.10","price":230000.0,"currency_code":"TRY","in_stock":true},{"title":"Purple \/ 255 X 380","offer_id":46029648724201,"sku":"EKOSAP000023.11","price":295000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/SafirSerisiElDokumaUsakDesenliOymaliKremYunHali_1.webp?v=1767540505"},{"product_id":"cicek-desenli-el-dokuma-hali-1660","title":"Gray Floral Handwoven Wool Rug, Sultanahmet Series","description":"\u003cp\u003e\u003cstrong\u003eA handwoven rug from the Sultanahmet series with fine floral drawing worked over a gray ground, in wool, cotton and bamboo viscose. It measures 174 × 247 cm (5'9\" × 8'1\") and was woven in India across tens of thousands of knots. Cream and earth tones carry the flowers; the viscose is what makes them move under light.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eClassical floral motifs on a modern gray is an uncommon pairing, and the house says so plainly rather than pretending it is standard. Gray removes the historical weight from the drawing without altering a line of it, so the flowers read as ornament rather than as period. Bamboo viscose picks out the petals and the fine stems; because cellulose fiber reflects at a different angle from wool, the pattern brightens and settles according to where the light falls and where you happen to be standing.\u003c\/p\u003e\n\n\u003cp\u003eThe knot count runs into the tens of thousands and it is all hand labor, which is what allows drawing this fine to survive being tied at all. Wool and cotton do the structural work, viscose does none. In practice that means the flowers wear differently from the ground — viscose is softer than wool and should not take a chair leg. Vacuum on suction, keep furniture feet off the motifs, and have it washed by someone who knows what viscose does when it is wet.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven in India, over tens of thousands of knots.\u003c\/li\u003e\n  \u003cli\u003eWool, cotton and bamboo viscose in the surface.\u003c\/li\u003e\n  \u003cli\u003eFine classical floral drawing on a gray ground, in cream and earth tones.\u003c\/li\u003e\n  \u003cli\u003eThe viscose petals brighten and settle as the light shifts.\u003c\/li\u003e\n  \u003cli\u003e174 × 247 cm (5'9\" × 8'1\"), for a living room, entrance or bedroom.\u003c\/li\u003e\n  \u003cli\u003eViscose is softer than wool — keep furniture feet off the motifs.\u003c\/li\u003e\n  \u003cli\u003eWashing by someone experienced with viscose.\u003c\/li\u003e\n  \u003cli\u003eOne rug, and one only.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eIt sits best against solid walnut, where the gray stops the wood from looking heavy and the wood stops the gray from looking cold.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Gray \/ 174 X 247","offer_id":45145787531497,"sku":"HALSLT000019.01","price":91000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/SultanahmetSerisiCicekDesenliGriElDokumaYunHali_1.jpg?v=1709630713"},{"product_id":"zara-serisi-etnik-desenli-ozel-tezgah-halisi","title":"Off-White Ethnic-Pattern Loom-Woven Rug, Zara Series","description":"\u003cp\u003e\u003cstrong\u003eThis one is off-white, and that is worth weighing before anything else: the Off-White Ethnic-Pattern Loom-Woven Rug from the Zara series is the wrong rug for a kitchen and the right one for a bedroom. Soft ethnic figures on a broken-white ground, cotton and Tencel\u0026reg; worked together, woven in Oushak; the sizes begin at 80 \u0026times; 140 cm (2'7\" \u0026times; 4'7\").\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe figures are modern in their spacing and traditional in their shape, set in tones only a step or two from the ground itself, so the pattern stays legible without being loud. What a ground this pale actually does is return light: in a living room facing away from the sun, or in a study with one small window, it lifts the entire floor. Beside cream and white furniture it merges; beside dark wood it becomes the brightest thing in the room.\u003c\/p\u003e\n\u003cp\u003eCotton and Tencel\u0026reg; are worked together here, and the house calls the construction hybrid: a loom does the repeating work and the finishing is where the hands come in. The twisting and knotting of the fringes happens after the rug leaves the loom, by women in Oushak. A pale rug asks for the vacuum more often than a dark one, and for a professional wash sooner.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLoom-woven in T\u0026uuml;rkiye and finished by hand in Oushak.\u003c\/li\u003e\n\u003cli\u003eCotton and Tencel\u0026reg; in the surface.\u003c\/li\u003e\n\u003cli\u003eModern ethnic figures in soft tones on an off-white ground.\u003c\/li\u003e\n\u003cli\u003eNot recommended for a kitchen or anywhere that gets dirty quickly.\u003c\/li\u003e\n\u003cli\u003eTen sizes, 80 \u0026times; 140 cm (2'7\" \u0026times; 4'7\") to 200 \u0026times; 290 cm (6'7\" \u0026times; 9'6\"), with 90 \u0026times; 390 and 90 \u0026times; 490 cm runners.\u003c\/li\u003e\n\u003cli\u003eFringes twisted and knotted by hand.\u003c\/li\u003e\n\u003cli\u003eProfessional washing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eIn the darkest room of a house it does more than any lamp standing in the same room.\u003c\/p\u003e","brand":"EKO HALI","offers":[{"title":"Cream \/ 80 X 140","offer_id":44702529421545,"sku":"EKOZAR000004.06","price":10800.0,"currency_code":"TRY","in_stock":false},{"title":"Cream \/ 90 X 150","offer_id":47071533760745,"sku":"EKOZAR000004.01","price":13000.0,"currency_code":"TRY","in_stock":true},{"title":"Cream \/ 90 X 190","offer_id":48074471997673,"sku":"EKOZAR000004.10","price":16500.0,"currency_code":"TRY","in_stock":false},{"title":"Cream \/ 80 X 290","offer_id":46030245888233,"sku":"EKOZAR000004.07","price":22300.0,"currency_code":"TRY","in_stock":false},{"title":"Cream \/ 130 X 190","offer_id":46030245757161,"sku":"EKOZAR000004.02","price":23800.0,"currency_code":"TRY","in_stock":false},{"title":"Cream \/ 90 X 290","offer_id":47300961730793,"sku":"EKOZAR000004.03","price":25100.0,"currency_code":"TRY","in_stock":false},{"title":"Cream \/ 90 X 390","offer_id":48036921409769,"sku":"EKOZAR000004.08","price":33700.0,"currency_code":"TRY","in_stock":true},{"title":"Cream \/ 170 X 240","offer_id":46030245822697,"sku":"EKOZAR000004.04","price":39200.0,"currency_code":"TRY","in_stock":true},{"title":"Cream \/ 90 X 490","offer_id":50989519831273,"sku":"EKOZAR000004.09","price":42400.0,"currency_code":"TRY","in_stock":true},{"title":"Cream \/ 200 X 290","offer_id":46030245855465,"sku":"EKOZAR000004.05","price":55700.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ZaraSerisiEtnikDesenliTezgahDokumaHali_1_48db67f3-f5cf-491e-aab1-ebbda1be677c.webp?v=1768831291"},{"product_id":"taftan-serisi-sade-desenli-tezgah-dokuma-hali","title":"Gray Plain Loom-Woven Tencel® Rug, Taftan Series","description":"\u003cp\u003e\u003cstrong\u003eA plain gray loom-woven rug in Tencel® and cotton from the Taftan series, woven in Kütahya, in nine sizes, with 240 × 340 cm (7'10\" × 11'2\") in the middle of the range and 300 × 390 cm at the top of it — plain being relative, because the gray moves in soft bands as the angle changes, the way watered silk does. Only one is left.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eStand over it and the surface is calm. Move, and shadowed transitions run across the field, following a faint striped structure in the weave that never resolves into a stripe you could point at. That is the whole design, and it is why the rug behaves differently in a north-facing room than in a south-facing one, and differently again after dark. In a wide, empty space it is the calm; under a heavy console in an entrance hall it does the opposite job and completes the first impression without asking for any of it. Wood, metal and pastel objects all sit well on top of it.\u003c\/p\u003e\n\n\u003cp\u003eTencel® supplies the natural low shine, cotton the softness and the body, and the two are worked together on the looms at Kütahya, largely by women. Halıcızade is direct about what this construction is for: it is the affordable way to a knotted rug's appearance, and nobody at the house pretends the two are the same object. The pile is short and dense, so it holds little dust and takes a vacuum easily. Send it out for a proper clean rather than washing it at home.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eLoom-woven in Kütahya, Türkiye, largely by women weavers.\u003c\/li\u003e\n  \u003cli\u003eTencel® and cotton; no wool in the rug.\u003c\/li\u003e\n  \u003cli\u003ePlain gray with a moiré movement that follows the angle you look from.\u003c\/li\u003e\n  \u003cli\u003eA faint striped structure in the weave rather than a printed pattern.\u003c\/li\u003e\n  \u003cli\u003eShort dense pile; very little dust and lint.\u003c\/li\u003e\n  \u003cli\u003eNine sizes: 80 × 140, 130 × 190, 170 × 240, 200 × 300, 240 × 340, 260 × 370, 300 × 320 and 300 × 390 cm, with an 80 × 300 cm runner.\u003c\/li\u003e\n  \u003cli\u003eSend it out to be washed.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003ePlain rugs are chosen for what they will not do, and the surprise with this one is how much it does anyway.\u003c\/p\u003e","brand":"EKO HALI","offers":[{"title":"Gray \/ 80 X 140","offer_id":44252123300073,"sku":"EKOTAF000101.01","price":10800.0,"currency_code":"TRY","in_stock":false},{"title":"Gray \/ 80 X 300","offer_id":46029418266857,"sku":"EKOTAF000101.02","price":23100.0,"currency_code":"TRY","in_stock":false},{"title":"Gray \/ 130 X 190","offer_id":46029418299625,"sku":"EKOTAF000101.04","price":23800.0,"currency_code":"TRY","in_stock":false},{"title":"Gray \/ 170 X 240","offer_id":46029418332393,"sku":"EKOTAF000101.05","price":39200.0,"currency_code":"TRY","in_stock":false},{"title":"Gray \/ 200 X 300","offer_id":46029418397929,"sku":"EKOTAF000101.06","price":57600.0,"currency_code":"TRY","in_stock":false},{"title":"Gray \/ 240 X 340","offer_id":46029418430697,"sku":"EKOTAF000101.03","price":78400.0,"currency_code":"TRY","in_stock":false},{"title":"Gray \/ 260 X 370","offer_id":46029418463465,"sku":"EKOTAF000101.08","price":92400.0,"currency_code":"TRY","in_stock":false},{"title":"Gray \/ 300 X 390","offer_id":46029418496233,"sku":"EKOTAF000101.09","price":112400.0,"currency_code":"TRY","in_stock":false},{"title":"Gray \/ 300 X 320","offer_id":48462484340969,"sku":"EKOTAF000101.10","price":92200.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/EKOTAF000101_1.jpg?v=1706011242"},{"product_id":"el-dokuma-sine-rengarenk-kilim","title":"Multicolor Handwoven Senneh Kilim","description":"\u003cp\u003e\u003cstrong\u003eSenneh is the old name of Sanandaj, the town in the Kurdish region of western Iran whose weavers gave their name to a whole family of finely drawn flatweaves. This is a handwoven Senneh kilim in wool on cotton, multicolor, made in the Middle East, and it is not a new piece.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThere is no pile on a kilim. The weft is packed hard against the warp until the cloth itself is the pattern, and the same drawing comes up on both faces. Senneh work is known for fineness — a tighter weft and smaller motifs than most village flatweaves — and the color here runs across the whole register rather than settling into a scheme. Reds meet greens meet blues, and because the piece has age on it the dyes have already done most of their moving, so the tones now sit together in a way a new kilim's do not.\u003c\/p\u003e\n\n\u003cp\u003eWool takes the weft and the color; cotton takes the warp and the strength. It is listed among the house's rare pieces, and rare here describes supply rather than urgency — older kilims in this condition come out of the trade a few at a time. Being old, it carries the wear of use: a flatweave has no pile to disguise thinning, so the honest description is that this is a used textile, not an unused one. Professional washing, and no household cleaning at all.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven flatweave — wool weft on a cotton warp.\u003c\/li\u003e\n  \u003cli\u003eSenneh drawing: fine weave, small motifs, no pile.\u003c\/li\u003e\n  \u003cli\u003eMulticolor, with the tones already settled by age.\u003c\/li\u003e\n  \u003cli\u003eWoven in the Middle East; an older piece, not new production.\u003c\/li\u003e\n  \u003cli\u003eReversible — the pattern reads on both faces.\u003c\/li\u003e\n  \u003cli\u003eShows the wear that comes with age; a flatweave cannot hide it.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing only.\u003c\/li\u003e\n  \u003cli\u003eA single rare piece.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat makes a kilim a Senneh kilim?\u003c\/h3\u003e\n\u003cp\u003eSenneh, now Sanandaj in western Iran, produced flatweaves woven finer than most village work, with small motifs and a tightly packed weft. The name describes that standard of weaving rather than a single pattern, and it has been used in the rug trade for well over a century.\u003c\/p\u003e\n\n\u003ch3\u003eHow is a kilim different from a knotted rug?\u003c\/h3\u003e\n\u003cp\u003eA kilim has no pile. The weft threads are packed down over the warp so the pattern is built into the structure itself, which makes the textile thin, light, reversible and considerably harder to weave without the drawing going crooked.\u003c\/p\u003e\n\n\u003cscript type=\"application\/ld+json\"\u003e\n{\"@context\":\"https:\/\/schema.org\",\"@type\":\"FAQPage\",\"mainEntity\":[{\"@type\":\"Question\",\"name\":\"What makes a kilim a Senneh kilim?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"Senneh, now Sanandaj in western Iran, produced flatweaves woven finer than most village work, with small motifs and a tightly packed weft. The name describes that standard of weaving rather than a single pattern, and it has been used in the rug trade for well over a century.\"}},{\"@type\":\"Question\",\"name\":\"How is a kilim different from a knotted rug?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"A kilim has no pile. The weft threads are packed down over the warp so the pattern is built into the structure itself, which makes the textile thin, light, reversible and considerably harder to weave without the drawing going crooked.\"}}]}\n\u003c\/script\u003e\n\n\u003cp\u003eIt has already outlasted the household it was woven for, which is the only recommendation a textile like this needs.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Colorful \/ 145 X 257","offer_id":44157757587689,"sku":"HALKIL000016.01","price":66000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaIranSineRengarenkKilim_1.jpg?v=1705490301"},{"product_id":"karnaval-serisi-tezgah-dokuma-sal-desenli-turuncu-hali","title":"Orange Shawl-Pattern Loom-Woven Wool Rug, Karnaval Series","description":"\u003cp\u003e\u003cstrong\u003eThe shawl drawing is the one that traveled — the repeating teardrop figure that came off Kashmir shawls and that English ended up naming after Paisley, the Scottish town that copied them — and here it is worked in wool over an orange ground, loom-woven in India, in three sizes: 60 × 90 cm (2' × 2'11\"), 150 × 217 cm (4'11\" × 7'1\") and 197 × 279 cm (6'6\" × 9'2\").\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eOrange asks a lot of a floor. This one earns it by staying warm rather than bright, nearer the color of a clay tile than of a signal. The shawl figures repeat across the field in a way that is ethnic in origin and modern in effect, because the repetition is regular and the ground is left visible between them. In a room of one flat tone it becomes the depth the room does not otherwise have. Where a scheme already has orange or its neighbors in it, the rug reinforces rather than competes. It sits against natural wood, against white, and — surprisingly — against black.\u003c\/p\u003e\n\n\u003cp\u003eWeavers in India work the wool on the loom, and the fringes at each end are tied by hand once the rug comes off it. Wool is what gives the pile its resilience and the color its depth; a synthetic yarn would take this orange much brighter and much flatter. Keeping it is simple: vacuum it on a regular schedule, which is most of what the color needs to stay where it is. Two remain.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eLoom-woven in India, with the fringes tied by hand afterward.\u003c\/li\u003e\n  \u003cli\u003eWool pile; the depth of the orange comes from the fiber taking dye unevenly.\u003c\/li\u003e\n  \u003cli\u003eA repeating shawl figure — what English calls paisley — over an orange ground.\u003c\/li\u003e\n  \u003cli\u003eThree sizes: 60 × 90, 150 × 217 and 197 × 279 cm.\u003c\/li\u003e\n  \u003cli\u003eReads as a single focal object in a room of flat color.\u003c\/li\u003e\n  \u003cli\u003eRegular vacuuming is what keeps the orange from going dull.\u003c\/li\u003e\n  \u003cli\u003eTwo pieces in stock.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eIt is the rug that gets bought for a child's room and ends up in the living room within a year.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Orange \/ 60 X 90","offer_id":46547281084649,"sku":"HALKAR000002.02","price":7500.0,"currency_code":"TRY","in_stock":true},{"title":"Orange \/ 150 X 217","offer_id":44371441025257,"sku":"HALKAR000002.04","price":42500.0,"currency_code":"TRY","in_stock":false},{"title":"Orange \/ 197 X 279","offer_id":46547281117417,"sku":"HALKAR000002.06","price":72000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/KarnavalSerisiElDokumaSalDesenliTuruncuHali_1.jpg?v=1709566430"},{"product_id":"versace-serisi-saf-ipek-el-dokuma-versace-desenli-hali","title":"Cream Medallion Versace-Pattern Handwoven Silk Rug, Versace Series","description":"\u003cp\u003e\u003cstrong\u003eOnly the motifs are silk. Everything holding them is wool, and that division is the reason this rug can be walked on at all: a handwoven piece from the Versace series with a central medallion and a wide frame drawn in pure silk over a wool ground, in cream, brown and copper. Made in small numbers for Halıcızade.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe medallion is the fixed point and the border answers it, with the space between filled by ornament fine enough that most looms would not attempt it at this scale. Silk carries the drawing because silk holds a thinner line than wool can — a wool motif of the same width would blur at the edges. Cream keeps the field open, copper warms it, and the brown outlines everything so the pattern stays readable from standing height. At close range the silk shows its own color shift, brighter along one axis than the other.\u003c\/p\u003e\n\n\u003cp\u003eWork of this fineness in a floor textile is rare, and the house is honest about why it exists in small numbers: it is slow to weave and there is a limit to how many a workshop will take on. The consequence for an owner is straightforward. Silk motifs mark faster than the wool ground; they do not take home cleaning products, and they want a pad and a low-traffic room. Specialist washing, and nothing else.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eWoven by hand for Halıcızade, in small numbers.\u003c\/li\u003e\n  \u003cli\u003ePure silk through the motifs; wool through the ground that carries them.\u003c\/li\u003e\n  \u003cli\u003eA central medallion with a wide framing border, in cream, brown and copper.\u003c\/li\u003e\n  \u003cli\u003eSilk holds a finer line than wool — that is why the drawing stays sharp.\u003c\/li\u003e\n  \u003cli\u003eSuited to a salon, a wide entrance or a dining room rather than a corridor.\u003c\/li\u003e\n  \u003cli\u003ePairs with bronze and gilt accents and with carved classical furniture.\u003c\/li\u003e\n  \u003cli\u003eSilk marks faster than wool and rejects home cleaners; specialist washing only.\u003c\/li\u003e\n  \u003cli\u003eMade in very small numbers, and this is one of them.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eRugs with a medallion end up governing the furniture around them, and the furniture stops moving after about a year.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Cream \/ 200 X 300","offer_id":44655582511337,"sku":"ABAKOL000023.01","price":72000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/VersaceSerisiSafIpekliElDokumaVersaceDesenliHali_1.jpg?v=1709555685"},{"product_id":"mahal-serisi-el-dokuma-cizgi-desenli-hali","title":"Yellow Striped Handwoven Wool Rug, Mahal Series","description":"\u003cp\u003e\u003cstrong\u003eThin red lines run the length of a warm yellow ground, evenly spaced and never quite parallel — the horizon where sunlight meets earth is how the house describes them. Yellow Striped Handwoven Wool Rug, Mahal Series, 190 × 265 cm (6'3\" × 8'8\"), woven in Afghanistan and Pakistan with the Anatolian double knot. One piece.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eBecause the yarn was dyed in small lots the yellow is not one yellow. It moves half a tone across the width, and the red lines shift with it, which is the difference between a woven stripe and a printed one. Pastel and earth tones sit under both colors and keep the whole thing from going bright. A rug this size can hold a full seating group or run the length of an office, and in either place the stripes pull the eye down the long axis instead of into the middle.\u003c\/p\u003e\n\n\u003cp\u003eThe double knot — two loops around a pair of warps, the technique Anatolia gave the trade — is what makes the surface firm. Wool covers all of it. Underneath, the foundation is cotton, plus a little synthetic yarn to stop the structure stretching, and the house names that content instead of leaving it out. The hand is hard rather than plush, which is why the rug keeps its shape and why the pile leaves so little depth for anything to work into. A rug washer, never a domestic machine.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eWoven in Afghanistan and Pakistan with the Anatolian double knot.\u003c\/li\u003e\n  \u003cli\u003eWool across the whole surface, over a cotton foundation carrying a little synthetic yarn.\u003c\/li\u003e\n  \u003cli\u003eWarm yellow ground, thin red lines, tonal shift from the small-lot dyeing.\u003c\/li\u003e\n  \u003cli\u003eFirm and shallow rather than plush — it holds its shape.\u003c\/li\u003e\n  \u003cli\u003e190 × 265 cm (6'3\" × 8'8\") — a salon, a study, a director's office.\u003c\/li\u003e\n  \u003cli\u003eYellow at this warmth reads gold by lamplight and closer to lemon in the morning.\u003c\/li\u003e\n  \u003cli\u003eAnything beyond a vacuum belongs to a professional.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eYellow is a color that most people reason themselves out of buying, and this is the one that survives the second look.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Yellow \/ 190 X 265","offer_id":44158139433193,"sku":"KERMAH000101.01","price":106000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/MahalSerisiElDokumaCizgiDesenliHali_1_1d45d278-073e-4d73-99d1-37ed5cd8bbc8.jpg?v=1726920981"},{"product_id":"geometrik-desenli-el-dokuma-hali-2098","title":"Cream and Brown Geometric Hand-Knotted Wool Rug","description":"\u003cp\u003e\u003cstrong\u003eNo dye was used on it at all. The cream, brown and gray in this 175 × 242 cm (5'9\" × 7'11\") rug are the fleece's own colors, sorted by shade before spinning and then hand-knotted in Türkiye into a geometric field on a cotton foundation.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eWorking without dye means working with what the sheep provided, which restricts the palette to the range between white and near-black and makes the sorting as important as the weaving. The geometry is drawn in those natural tones alone, so the pattern separates by value rather than by color — a quieter effect than a dyed rug gives, and one that does not date, because there is no fashion in undyed wool. It is ethnic drawing rather than classical: angular forms, repeated at a small scale, with no medallion and no floral element.\u003c\/p\u003e\n\n\u003cp\u003eWool through the pile, cotton in the foundation. The colors will not fade because there is nothing in them to fade, which is the practical advantage of undyed yarn and the reason a rug like this can sit in a sunlit room without being turned twice a year. The limitation is the other side of the same fact: what you see is the whole range available, and it cannot be matched to a color scheme that needs a red or a blue. Wipe it as marks appear; a rug washer for anything more.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eKnotted by hand in Türkiye — wool pile, cotton foundation.\u003c\/li\u003e\n  \u003cli\u003eUndyed — cream, brown and gray are the fleece's natural shades.\u003c\/li\u003e\n  \u003cli\u003e175 × 242 cm (5'9\" × 7'11\").\u003c\/li\u003e\n  \u003cli\u003eSmall-scale ethnic geometry with no medallion and no border.\u003c\/li\u003e\n  \u003cli\u003eNothing in the color to fade, so direct light is not a problem.\u003c\/li\u003e\n  \u003cli\u003eThe palette cannot be extended; undyed wool has the range it has.\u003c\/li\u003e\n  \u003cli\u003eA damp cloth for marks, a rug washer once every few years.\u003c\/li\u003e\n  \u003cli\u003eOne piece.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eUndyed rugs get better rather than worse, because the only thing that changes about them is the light in the room.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Brown \/ 175x242","offer_id":45752284512489,"sku":"KOYNAT000006.01","price":62000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/GeometrikDesenliElDokumaHali_1_128cd784-df81-4694-a192-04818ebf8d82.jpg?v=1705242565"},{"product_id":"etnik-desenli-el-dokuma-yun-anadolu-halisi","title":"Multicolor Sivas Zara Handwoven Wool Rug, Anadolu Şal Series","description":"\u003cp\u003e\u003cstrong\u003eZara is a district of Sivas province, high in central Anatolia, and it gives this rug its drawing. Handwoven from wool in Türkiye, 121 × 170 cm (4'0\" × 5'7\"), multicolor, from the Anadolu Şal series — \u003cem\u003eAnadolu Şal\u003c\/em\u003e means Anatolian shawl, after the woven shawls the series takes its patterning from.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eSivas sits high and cold, and its weaving is correspondingly firm: angular motifs, strong outlines, colors used at full strength rather than blended. The Zara drawing works in repeated bands and small filled forms, the shawl logic of a pattern that has to work at arm's length on cloth as well as at walking distance on a floor. Reds, greens and blues sit directly beside one another without a transitional tone, which is how Anatolian village weaving has always handled color and why it survives being copied badly so often.\u003c\/p\u003e\n\n\u003cp\u003eWool throughout, and the knots were set by hand. At 121 × 170 cm it is a bedside or a study size rather than a sitting-room one, and a small rug carrying this much color is best given a plain floor and left alone. Because it was worked by hand rather than from a printed cartoon, the motifs drift slightly out of alignment from row to row — that drift is the identifying mark of a hand-woven Anatolian piece and the first thing to look for. Professional washing, and no household attempt at it.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven from wool in Türkiye.\u003c\/li\u003e\n  \u003cli\u003e121 × 170 cm (4'0\" × 5'7\") — bedside, study or entrance.\u003c\/li\u003e\n  \u003cli\u003eThe pattern is named for Zara, in Sivas province.\u003c\/li\u003e\n  \u003cli\u003eAnadolu Şal — Anatolian shawl — is the series the drawing belongs to.\u003c\/li\u003e\n  \u003cli\u003eFull-strength color with no transitional tones between fields.\u003c\/li\u003e\n  \u003cli\u003eThe motifs drift row to row; that is hand weaving, not a defect.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing.\u003c\/li\u003e\n  \u003cli\u003eOne piece.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhere does the Sivas Zara pattern come from?\u003c\/h3\u003e\n\u003cp\u003eZara lies in Sivas province, in the central Anatolian highlands. Rugs woven there use angular, repeated motifs and unblended color, and the drawing sits closer to the geometry of Anatolian shawls than to the floral field of a workshop rug.\u003c\/p\u003e\n\n\u003ch3\u003eWhat does Anadolu Şal mean?\u003c\/h3\u003e\n\u003cp\u003eAnadolu Şal is Turkish for Anatolian shawl. Halıcızade uses it as the name of a series whose patterning is drawn from woven shawl cloth rather than from classical rug design, and the series name is never translated on the product itself.\u003c\/p\u003e\n\n\u003cscript type=\"application\/ld+json\"\u003e\n{\"@context\":\"https:\/\/schema.org\",\"@type\":\"FAQPage\",\"mainEntity\":[{\"@type\":\"Question\",\"name\":\"Where does the Sivas Zara pattern come from?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"Zara lies in Sivas province, in the central Anatolian highlands. Rugs woven there use angular, repeated motifs and unblended color, and the drawing sits closer to the geometry of Anatolian shawls than to the floral field of a workshop rug.\"}},{\"@type\":\"Question\",\"name\":\"What does Anadolu Şal mean?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"Anadolu Şal is Turkish for Anatolian shawl. Halıcızade uses it as the name of a series whose patterning is drawn from woven shawl cloth rather than from classical rug design, and the series name is never translated on the product itself.\"}}]}\n\u003c\/script\u003e\n\n\u003cp\u003eSmall Anatolian rugs move around a house for fifty years and end up wherever they are needed, which is not true of most furniture.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Colorful \/ 121 X 170","offer_id":44158152999145,"sku":"HALSAL000005.01","price":75000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/AnadoluSalSerisiSivasZaraDesenliElDokumaYunHali_1_29880ef1-99f0-4b1d-8ab4-dcbcacefdd13.jpg?v=1709566925"},{"product_id":"mahal-serisi-el-dokuma-klasik-yun-hali","title":"Cream Oushak Handwoven Wool Rug, Mahal Series","description":"\u003cp\u003e\u003cstrong\u003eAt 210 × 309 cm (6'11\" × 10'2\") this is a salon rug, big enough to carry a whole seating group. Cream Oushak Handwoven Wool Rug, Mahal Series: a cream field drawn as a garden — curling branches, leaves and small flowers — closed by a red border of much larger blooms. Woven in Pakistan. One piece.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe contrast between border and field does the work. Large flowers around the edge, fine ones in the middle, so the eye enters at the frame and travels inward instead of stopping at the center. The yarn was dyed by hand, and the cream drifts through ivory, beige and a faint honey across the width — a variation weavers call abrash, and one no industrial dye lot produces. Red at the border warms the whole thing and stops a pale field from reading cold.\u003c\/p\u003e\n\n\u003cp\u003ePakistani weavers using the double knot made it, tying across two warps at a time, which is what holds a drawing this fine together. The surface is wool throughout. Under it sits a cotton foundation stiffened by a small share of synthetic yarn, and the house declares that share instead of calling the piece wholly natural. At this size it wants a room where it can lie flat and be seen — folded under a sofa it loses the garden. Professional washing, and no home remedies on a spill.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven in Pakistan using the double knot.\u003c\/li\u003e\n  \u003cli\u003eWool surface; cotton foundation stiffened by a small share of synthetic yarn.\u003c\/li\u003e\n  \u003cli\u003eCream field of curling branches and small flowers; a red border of large blooms.\u003c\/li\u003e\n  \u003cli\u003eHand-dyed yarn gives an abrash of ivory, beige and honey across the field.\u003c\/li\u003e\n  \u003cli\u003e210 × 309 cm (6'11\" × 10'2\") — a living room, a salon, an executive office.\u003c\/li\u003e\n  \u003cli\u003eLarge enough to take the front legs of every seat in the room.\u003c\/li\u003e\n  \u003cli\u003eSpecialist washing only. There is one of it.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eRugs this size are usually bought for a room; this one is more likely to decide what the room does next.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Cream \/ 210 X 309","offer_id":44252119761129,"sku":"KERMAH000008.01","price":137000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/MahalSerisiElDokumaUsakDesenliKremYunHali_2.jpg?v=1725891922"},{"product_id":"sultan-serisi-el-dokuma-usak-desenli-krem-hali","title":"Beige Oushak Handwoven Wool and Silk Rug, Sultan Series","description":"\u003cp\u003e\u003cstrong\u003eHeld at arm's length it could be an old Anatolian rug; underfoot it is plainly new. Beige Oushak Handwoven Wool and Silk Rug, Sultan Series was made in Türkiye, its wool ground carrying cocoon silk through an Oushak drawing that runs gold-yellow, green and brown over beige. A single piece.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe illusion is entirely in the palette. Gold-yellow and brown are the colors an old rug arrives at after decades, and putting them into a new one makes it look inherited. Nothing about the surface supports the impression: the pile is even, the drawing unbroken, the fringes clean. Beige in the ground keeps the whole thing calm enough to live under furniture without competing with it, and burgundy shows up only in the smallest elements of the pattern.\u003c\/p\u003e\n\n\u003cp\u003eWool through the body, cocoon silk in the drawing, both woven in Türkiye by weavers working in the local tradition. The rug is meant to be used rather than protected — the house puts it in bedrooms, living rooms and under dining tables without hesitation. Set against classical furniture it agrees; set against a single-color black modern piece it argues, in the useful way. Professional washing, and no household machine at any point.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eMade in Türkiye: a wool ground with cocoon silk through the pattern.\u003c\/li\u003e\n  \u003cli\u003eAn Oushak drawing carried on beige, with Anatolian motifs alongside it.\u003c\/li\u003e\n  \u003cli\u003eBurgundy appears only in the smallest elements of the design.\u003c\/li\u003e\n  \u003cli\u003eA new rug wearing the palette old rugs take decades to reach.\u003c\/li\u003e\n  \u003cli\u003eMeant for daily use — a bedroom, a sitting room, a dining floor.\u003c\/li\u003e\n  \u003cli\u003eQuiet beside carved classical pieces, sharp beside plain black modern ones.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing, and no household machine at any point.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eThe point of a rug like this is that nobody asks where it came from, and that is the compliment it was built for.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"bey \/ 166 X 241","offer_id":47907178381545,"sku":"RENSUL000179.01","price":141000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/SultanSerisiElDokumaUsakDesenliKremHali_15.jpg?v=1709633733"},{"product_id":"mahal-serisi-el-dokuma-usak-desenli-pamuk-yun-hali","title":"Black Oushak-Pattern Handwoven Wool Rug, Mahal Series","description":"\u003cp\u003e\u003cstrong\u003eMahal Series handwoven wool rug, 182 × 265 cm (6'0\" × 8'8\"): cream and earth-toned flowers opening across a black ground, inside a wide border drawn in warm red. Wool surface, cotton foundation, tied in Pakistan with the Anatolian double knot. A single piece, and the size is its own.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eBlack is the hardest ground to read, and this one is not a single black. The dyeing is not industrial, so the ground carries several tones at once and the flowers sit on a surface that moves rather than a flat one. In low light the black closes and the composition reduces to the red border; by day the pale work in the field comes up and the rug looks lighter than it is. The border is wide enough to pull the eye inward, which is the whole job of an Oushak border and the reason the center holds.\u003c\/p\u003e\n\n\u003cp\u003eEverything you touch is wool. Underneath, the foundation is cotton with a small proportion of synthetic yarn added for strength — the house states that rather than calling the rug all-natural. The weavers in Pakistan work the Anatolian double knot, the tighter of the two, and it gives the rug a firm, not-quite-thick handle. That firmness is what keeps a rug this size flat under furniture for decades. It cleans easily and it should be cleaned by a rug washer.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in Pakistan using the Anatolian double knot.\u003c\/li\u003e\n  \u003cli\u003eWool across the entire surface, over a cotton foundation stiffened with a little synthetic yarn.\u003c\/li\u003e\n  \u003cli\u003eCream and earth-tone flowers on black, framed by a warm red border.\u003c\/li\u003e\n  \u003cli\u003eNon-industrial dyeing, which is why the black holds more than one tone.\u003c\/li\u003e\n  \u003cli\u003e182 × 265 cm (6'0\" × 8'8\"); one piece at this size.\u003c\/li\u003e\n  \u003cli\u003eFirm rather than thick, so it stays flat under weight.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003ePut it in a study with walnut and it belongs to the room; put it under white walls and it becomes the only dark thing in sight.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Black \/ 182 X 265","offer_id":44158220140777,"sku":"KERMAH000020.01","price":102000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/MahalSerisiElDokumaUsakDesenliYunHali_1_82992e1c-df52-4ef5-b0af-89706ac93ae9.jpg?v=1726914853"},{"product_id":"cicek-desenli-el-dokuma-hali-2539","title":"White Floral Hand-Knotted Wool Rug","description":"\u003cp\u003e\u003cstrong\u003eWool with synthetic yarn worked in beside it \u0026mdash; the house states both rather than the flattering one. A hand-knotted floral rug made in Türkiye, 172 \u0026times; 250 cm (5'8\" \u0026times; 8'2\"), cream and white throughout, with a classical flower drawing across the field. There is one of it.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eA pale rug carries a classical pattern differently from a dark one. With no strong ground color to hold them apart, the flowers are read by the difference between cream and white and by the shadow the pile itself throws, so the whole design turns on pile direction rather than on contrast. Brush the surface one way and the drawing lifts; brush it the other and the field goes almost plain. It is the same rug both times, and it does not look it.\u003c\/p\u003e\n\n\u003cp\u003eMade by hand in Türkiye, knot by knot. The synthetic yarn sits alongside the wool in the pile, and the house lists it on the label instead of calling the rug all wool; a fiber content is a fact and it belongs on the page. The plain caution is the color: white and cream show everything, and this wants a room with low traffic \u0026mdash; a bedroom, or a sitting room kept for guests \u0026mdash; and not a hall people cross in shoes. Professional washing, and sooner rather than later when something happens to it.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in Türkiye, 172 \u0026times; 250 cm (5'8\" \u0026times; 8'2\").\u003c\/li\u003e\n  \u003cli\u003eWool with synthetic yarn in the pile; the house declares both.\u003c\/li\u003e\n  \u003cli\u003eA classical floral drawing read by tone, cream against white.\u003c\/li\u003e\n  \u003cli\u003eThe pattern strengthens or disappears depending on which way the pile lies.\u003c\/li\u003e\n  \u003cli\u003ePale ground: it shows marks, and it wants a low-traffic room.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing.\u003c\/li\u003e\n  \u003cli\u003eOne piece at this size and drawing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eIn a room with cream walls it disappears into the floor, and in a room with dark walls it becomes the light in the middle of it.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Cream \/ 172 X 250","offer_id":44158232363241,"sku":"TERHAN000055.01","price":51600.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaCicekDesenliBeyazYunHali_1_28e6e164-5922-486c-a0ae-d3b6ec6fadcd.jpg?v=1731679511"},{"product_id":"mohair-serisi-el-dokuma-cicek-desenli-hali","title":"Green Floral Oushak Handwoven Mohair Rug","description":"\u003cp\u003e\u003cstrong\u003eMohair is angora goat hair, and it is almost never used for rugs; this handwoven one is mohair throughout. Green ground, Oushak motifs and flowers together, 203 × 291 cm (6'8\" × 9'7\"), woven in Türkiye. Mohair is softer and stronger than sheep's wool at the same weight, which is why a floor made of it behaves differently underfoot.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe palette is light green with pastel burgundy set into it, and the two are close enough in value that neither takes over. Oushak motifs supply the frame and the flowers fill it. The combination is old and the softness of the color is not, and the result sits against oak and walnut without going heavy. In a traditionally furnished sitting room it does what a classical rug is meant to do: it holds the floor and lets everything above it stay quieter.\u003c\/p\u003e\n\n\u003cp\u003eMade by hand in Türkiye, at a moment when hand weaving here is shrinking rather than growing. Mohair is the point of the series. The fiber takes dye brilliantly and keeps its resilience, so the pile springs back instead of flattening under furniture, and that is also why the surface has more shine than plain wool of the same construction would. It should be professionally washed, and mohair rewards not being cleaned too often.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven in Türkiye, entirely in mohair.\u003c\/li\u003e\n  \u003cli\u003eMohair is angora goat hair, rarely used in rugs and stronger than sheep's wool at the same weight.\u003c\/li\u003e\n  \u003cli\u003eLight green with pastel burgundy, in Oushak and floral motifs.\u003c\/li\u003e\n  \u003cli\u003eThe pile springs back rather than flattening under furniture.\u003c\/li\u003e\n  \u003cli\u003e203 × 291 cm (6'8\" × 9'7\") — a full sitting-room size.\u003c\/li\u003e\n  \u003cli\u003eMore surface shine than plain wool of the same construction.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing, and not too often.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eThis is a rug the soles register before the eyes do.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Green \/ 203 X 291","offer_id":44158260740329,"sku":"UGUUSA000034.01","price":84000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/MohairSerisiElDokumaCicekDesenliKremHali_6.jpg?v=1708081845"},{"product_id":"retro-serisi-el-dokuma-yun-vintage-desenli-yesil-hali","title":"Dark Green Vintage-Pattern Handwoven Wool Rug, Retro Series","description":"\u003cp\u003e\u003cstrong\u003eIts surface carries a sheen that knotted wool does not usually have, and the tones beneath it are dark rather than faded; that is what separates this Retro Series piece from the pastel ones. A handwoven wool rug, classical Oushak motifs in a modern green, worked by hand in Afghanistan and Pakistan. Single piece.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eWhere the series normally softens a traditional design, this one deepens it. The green sits at the dark end of the range and the drawing lives inside it rather than on top, so the pattern arrives after the color does. The shine comes from the wool itself and from how tightly the rug is woven, and it changes with the angle you stand at, which gives a flat floor some depth. In a room of dark furniture it adds weight instead of contrast, and that is the harder thing for a rug to do.\u003c\/p\u003e\n\n\u003cp\u003eDense weaving is the characteristic of this quality — the knots are packed close, which is why the rug feels solid rather than yielding. Wool is the whole of the surface. Underneath it, cotton takes the structure, and a trace of recycled synthetic yarn is spun into that foundation to strengthen it — stated here rather than left out. Small enough for a study or a bedside, hard-wearing enough for a corridor. Cleaning is a job for a rug washer.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in Afghanistan and Pakistan.\u003c\/li\u003e\n  \u003cli\u003eWool surface, over cotton with a little recycled synthetic yarn spun in.\u003c\/li\u003e\n  \u003cli\u003eClassical Oushak motifs redrawn in a dark green range.\u003c\/li\u003e\n  \u003cli\u003eTightly woven, which is where the sheen and the solidity come from.\u003c\/li\u003e\n  \u003cli\u003eSuits a study, a bedside or a corridor.\u003c\/li\u003e\n  \u003cli\u003eOne piece.\u003c\/li\u003e\n  \u003cli\u003eCleaning by a rug washer.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eDark rugs hide more than pale ones, which is a practical argument and rarely the one anybody makes out loud.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Green \/ 125 X 183","offer_id":44158262444265,"sku":"SAROVR000004.01","price":58000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/RetroSerisiVintageDesenliElDokumaHali_1.jpg?v=1706095508"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/collections\/ElDokumaKarabagDesenliSiyahYunHali_12_150154e0-9a89-4c3b-9871-1c2ed3ebc53d.jpg?v=1784440665","url":"https:\/\/www.halicizade.com\/en\/collections\/investment-grade-rugs.oembed?page=23","provider":"HALICIZADE","version":"1.0","type":"link"}