{"title":"Kök Boya Halı","description":"\u003cdiv style=\"background:#f7f0ee;border-left:4px solid #9a2a2a;padding:16px 20px;margin:0 0 24px 0\"\u003e\u003cp style=\"margin:0\"\u003e\u003cstrong\u003eKısa cevap:\u003c\/strong\u003e Kök boya halı, yünü bitki, kök ya da böcek kaynaklı boyalarla renklendirilmiş halıdır. Kök boya gözle kanıtlanamaz; tek dayanak üreticinin ya da satıcının kayıtlı beyanıdır. Halıcızade'de bu sayfadaki her halının boya bilgisi kendi ürün sayfasında yazar; bazılarında kök boya ile sentetik boya birlikte kullanılmıştır.\u003c\/p\u003e\u003c\/div\u003e\n\u003cp style=\"color:#8a8a8a;font-size:14px;margin:0 0 24px\"\u003e\u003cem\u003eSon güncelleme: Eylül 2026\u003c\/em\u003e\u003c\/p\u003e\n\n\u003ch2\u003eKök boya nasıl anlaşılır?\u003c\/h2\u003e\n\u003cp\u003eGözle anlaşılmaz.\u003c\/p\u003e\n\u003cp\u003ePiyasada üç test dolaşır ve üçü de kanıt değildir.\u003c\/p\u003e\n\u003ctable\u003e\n\u003cthead\u003e\u003ctr\u003e\n\u003cth\u003eSöylenen\u003c\/th\u003e\n\u003cth\u003eNeden kanıt değil\u003c\/th\u003e\n\u003c\/tr\u003e\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\"Islatınca renk aktı, demek sentetik.\"\u003c\/td\u003e\n\u003ctd\u003eKök boyalar da ilk yıkamada akar.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\"Havın ucu dibinden parlak, demek sentetik.\"\u003c\/td\u003e\n\u003ctd\u003eTek başına bir şey göstermez; kök boyalar da zamanla solar.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\"Rengi çok canlı, demek sentetik.\"\u003c\/td\u003e\n\u003ctd\u003eCanlılık boya sınıfını göstermez.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003eAbraş da kök boya kanıtı sayılmaz. Abraş, aynı rengin halı boyunca farklı tonlarda bantlar hâlinde görünmesidir ve sentetik boya partileri de birbirini tutmaz. Ayrıntısı \u003ca href=\"\/en\/blogs\/news\/abraj-nedir\"\u003eabraş yazımızda\u003c\/a\u003e ve \u003ca href=\"\/en\/blogs\/news\/kok-boyalar-ile-sentetik-boyalar-nasil-ayirt-edilir\"\u003ekök boya ile sentetik boya yazımızda\u003c\/a\u003e.\u003c\/p\u003e\n\n\u003ch2\u003eKök boya halı solar mı?\u003c\/h2\u003e\n\u003cp\u003eSolar. Her boya ışıkta değişir.\u003c\/p\u003e\n\u003cp\u003eKök boyada solma yumuşak ve eşit olur.\u003c\/p\u003e\n\n\u003ch2\u003eBu sayfadaki halıların hepsi tamamen kök boyalı mı?\u003c\/h2\u003e\n\u003cp\u003eHayır, ve bunu saklamıyoruz.\u003c\/p\u003e\n\u003cp\u003eUşak'ta 2023'te dokunmuş madalyonlu bir halımızın ipliklerinde kök boya ile kimyasal boya birlikte kullanıldı. Nadide Serisi'nin halısı ise tamamen kök boyayla renklendirildi. İkisi de bu sayfada; farkı ürün sayfalarında yazıyor.\u003c\/p\u003e\n\u003cp\u003eKök boya oranını bilmediğimiz halıda oran yazmıyoruz.\u003c\/p\u003e\n\u003cp\u003eBu sayfadaki kök boya bilgisi halıcılarımızın değerlendirmesine dayanır; bir laboratuvar analizi değildir.\u003c\/p\u003e\n\n\u003ch2\u003eHalıcızade'de kök boya halılar hangileri?\u003c\/h2\u003e\n\u003cp\u003eBu sayfadaki halıların çoğu \u003ca href=\"\/en\/collections\/nadir-hali-modelleri\"\u003enâdir parçalar\u003c\/a\u003e arasındadır: Türkiye'de dokunmuş, tek adet el dokuma halılar ve kilimler.\u003c\/p\u003e\n\u003cp\u003eÜrün adlarında Karapınar, Derbent, Develi, Yahyalı, Ayvacık, Dazkırı gibi yöre adları geçer. Yanlarında birkaç yeni el dokuma da var: Nadide Serisi ve Hindistan'da dokunan Obra Serisi.\u003c\/p\u003e\n\u003cp\u003eKök boyayı marka düzeyinde iddia etmiyoruz. \"Bütün halılarımız kök boyalı\" diyen bir Halıcızade cümlesi göremezsiniz.\u003c\/p\u003e","products":[{"product_id":"el-dokuma-anadolu-desenli-rengarenk-van-kok-boya-kilim","title":"Multicolor Anatolian Handwoven Wool Van Kilim, Natural Dyes","description":"\u003cp\u003e\u003cstrong\u003eMadder root for the reds and indigo for the blues: kök boya is the Turkish term for dye taken from plants, and this kilim is colored with it. Handwoven wool, Anatolian in drawing, from Van in the far east of Türkiye, 158 × 208 cm (5'2\" × 6'10\"), and there is one.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003ePlant dye behaves differently from the synthetic kind in a way anyone can see. It does not sit at one exact value — madder from two different diggings gives two slightly different reds, and the difference stays visible in the finished piece as horizontal banding, which the trade calls abrash. It also ages by going quieter rather than by going gray, so a naturally dyed kilim at fifty years old looks like a softer version of itself instead of a faded one. The drawing carrying that color is the eastern Anatolian repertoire: stepped and hooked geometry, a strong border, and several color fields rather than one.\u003c\/p\u003e\n\n\u003cp\u003eVan lies on the eastern lake of the same name, about as far from the Aegean workshops as Anatolian weaving goes. A flatweave asks for a wool that will pack hard under the beater without felting, and that is the demand this construction makes of the fiber. The house lists the piece among its older and rarer stock, and it carries the slight crookedness and softening that go with that. What natural dye cannot do is take strong sunlight indefinitely, so keep it off the patch of floor that gets four hours of afternoon sun. Clean it through a specialist who knows plant dyes, since some solvents will move them. One of one.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven in wool in Van, eastern Türkiye.\u003c\/li\u003e\n  \u003cli\u003eColored with kök boya — plant dyes, madder for red and indigo for blue.\u003c\/li\u003e\n  \u003cli\u003e158 × 208 cm (5'2\" × 6'10\"), one piece.\u003c\/li\u003e\n  \u003cli\u003eAbrash banding is the signature of dye lots that were never identical.\u003c\/li\u003e\n  \u003cli\u003eEastern Anatolian geometry: stepped and hooked forms inside a firm border.\u003c\/li\u003e\n  \u003cli\u003ePlant color fades in direct sun; keep it out of a hot afternoon window.\u003c\/li\u003e\n  \u003cli\u003eAn older piece, carrying the softening that goes with age.\u003c\/li\u003e\n  \u003cli\u003eCleaning by a specialist who knows plant dyes.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003ePlant dye goes on changing after the loom is finished with it, which is the reason old kilims look better than new ones.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Colorful \/ 158 X 208","offer_id":42971753251049,"sku":"HALKIL000021.01","price":58000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaAnadoluDesenliRengarenkVanKokBoyaKilim_1_359612c5-001c-4d3b-b6e3-350796544340.jpg?v=1714742669"},{"product_id":"obra-serisi-el-dokuma-anadolu-desenli-kok-boyali-yun-hali","title":"Terracotta Anatolian Handwoven Wool Rug, Obra Series","description":"\u003cp\u003e\u003cstrong\u003eRoot dye first: the terracotta, green and yellow in this Obra Series rug come from plant dyes rather than from a chemical bath, which is why no two areas of the same color sit at exactly the same strength. Handwoven from wool on a cotton foundation, in a classical Anatolian drawing with a medallion at the center.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe field is Anatolian in the older sense — a medallion held in the middle, motifs stepping outward from it, borders repeating the same forms at a smaller scale. Root dyeing, \u003cem\u003ekök boya\u003c\/em\u003e, is the tradition of coloring yarn with madder, indigo and other plant sources, and its signature is a slow drift of tone across a woven field that weavers call abrash. Here the terracotta carries the medallion and the green and yellow work around it, and the drift is most visible where a large area of one color runs unbroken.\u003c\/p\u003e\n\n\u003cp\u003eWool takes the pile; cotton makes the foundation underneath it. The knots were tied by hand and set close together, which is what gives the rug a soft face and a hard-wearing back at the same time. It was woven in India, in the workshops that keep Anatolian drawing alive outside Anatolia, and it is a single piece rather than one of a run. Because plant dye is not fixed the way industrial dye is, keep it out of long direct sun and have a rug cleaner wash it instead of attempting it at home.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven, wool pile on a cotton foundation.\u003c\/li\u003e\n  \u003cli\u003eColored with root dyes — the madder-and-indigo tradition, not synthetic color.\u003c\/li\u003e\n  \u003cli\u003eTerracotta, green and yellow, with tonal drift across large areas.\u003c\/li\u003e\n  \u003cli\u003eA classical Anatolian field with a central medallion.\u003c\/li\u003e\n  \u003cli\u003eWoven in India.\u003c\/li\u003e\n  \u003cli\u003eKeep it out of prolonged direct sunlight.\u003c\/li\u003e\n  \u003cli\u003eWashing is for a rug specialist.\u003c\/li\u003e\n  \u003cli\u003eOne piece, in this size and this coloring.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat does root-dyed mean on a rug?\u003c\/h3\u003e\n\u003cp\u003eRoot dye, \u003cem\u003ekök boya\u003c\/em\u003e in Turkish, means the yarn was colored with plant sources such as madder root and indigo instead of synthetic dye. The tones sit slightly unevenly and shift as they age, and that unevenness is how a plant-dyed rug is recognized.\u003c\/p\u003e\n\n\u003ch3\u003eWhy do the colors change across the field?\u003c\/h3\u003e\n\u003cp\u003eWeavers call it abrash. Dye lots made from plants never match exactly, so as one batch of yarn runs out and the next begins the tone steps very slightly. On this rug it shows most in the terracotta, and it is a mark of hand production rather than a fault.\u003c\/p\u003e\n\n\u003cscript type=\"application\/ld+json\"\u003e\n{\"@context\":\"https:\/\/schema.org\",\"@type\":\"FAQPage\",\"mainEntity\":[{\"@type\":\"Question\",\"name\":\"What does root-dyed mean on a rug?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"Root dye, kök boya in Turkish, means the yarn was colored with plant sources such as madder root and indigo instead of synthetic dye. The tones sit slightly unevenly and shift as they age, and that unevenness is how a plant-dyed rug is recognized.\"}},{\"@type\":\"Question\",\"name\":\"Why do the colors change across the field?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"Weavers call it abrash. Dye lots made from plants never match exactly, so as one batch of yarn runs out and the next begins the tone steps very slightly. On this rug it shows most in the terracotta, and it is a mark of hand production rather than a fault.\"}}]}\n\u003c\/script\u003e\n\n\u003cp\u003ePlant color goes on moving after the rug is finished, and in twenty years the terracotta will be a quieter version of the color that arrived.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Earth \/ 120 X 180","offer_id":44157021225193,"sku":"EKOOBR000002.01","price":105000.0,"currency_code":"TRY","in_stock":true},{"title":"Earth \/ 170 X 240","offer_id":46029638074601,"sku":"EKOOBR000002.02","price":199000.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ObraSerisiElDokumaAnadoluDesenliKokBoyaliYunHali_6_0157fed9-15e6-4256-a5d0-11db32b61a37.jpg?v=1724669114"},{"product_id":"nadide-serisi-el-dokuma-geometrik-desenli-hali","title":"Red Geometric Handwoven Naturally Dyed Wool Rug, Nadide Series","description":"\u003cp\u003e\u003cstrong\u003eThe yarn came from somewhere else first. This Nadide-series rug is handwoven in Türkiye from unraveled wool, colored with root dyes, and drawn in blocks of geometry across 230 × 248 cm (7'7\" × 8'2\") in red and blue. Only one was made, because only one could be.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe geometry is large and squared off, red carrying most of the field and blue set against it in bands and blocks. Root-dyed wool never gives a flat color — plant dye takes differently on yarn that has already been spun once and pulled apart again — so the red arrives in several values and the blue moves between something near indigo and something much lighter. Those variations are what the trade calls abrash, and here nobody tried to avoid them.\u003c\/p\u003e\n\n\u003cp\u003eSöküntü yarn, meaning wool unraveled from finished weaving and spun back into usable thread, is the reason this exists as a single piece: the supply of any one color ends when it ends. It was woven by hand in Türkiye and colored with plant roots rather than synthetic dyestuff, which is a fact about the color and not a claim about anything else. The tones will move slowly over years of daylight. That is what plant dye does, and most people who buy these consider it an improvement rather than a fault.\u003c\/p\u003e\n\n\u003ch3\u003eWhat is söküntü yarn?\u003c\/h3\u003e\n\u003cp\u003eIt is wool unraveled from finished weaving and spun back into thread that can be knotted again. Because the supply of any single color is limited to whatever was pulled apart, a rug built from it cannot be reproduced a second time.\u003c\/p\u003e\n\n\u003ch3\u003eWhat are root dyes?\u003c\/h3\u003e\n\u003cp\u003eRoot dyes are colors drawn from plants — madder for reds, indigo for blues — rather than from synthetic dyestuff. They take unevenly, which is why a root-dyed rug shows several values of the same color across a single surface.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven in Türkiye; one piece only, and not repeatable.\u003c\/li\u003e\n  \u003cli\u003eWoven from söküntü yarn — wool unraveled from earlier weaving and respun.\u003c\/li\u003e\n  \u003cli\u003eColored with root dyes, which yield several values of each color rather than one flat tone.\u003c\/li\u003e\n  \u003cli\u003eLarge squared geometry in red and blue.\u003c\/li\u003e\n  \u003cli\u003e230 × 248 cm (7'7\" × 8'2\"), close to square, which suits a room arranged around a center.\u003c\/li\u003e\n  \u003cli\u003eRoot-dyed wool shifts tone slowly in daylight.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eA rug that could not be made twice ends up in the middle of a room rather than at the edge of one.\u003c\/p\u003e\n\n\u003cscript type=\"application\/ld+json\"\u003e{\"@context\": \"https:\/\/schema.org\", \"@type\": \"FAQPage\", \"mainEntity\": [{\"@type\": \"Question\", \"name\": \"What is söküntü yarn?\", \"acceptedAnswer\": {\"@type\": \"Answer\", \"text\": \"It is wool unraveled from finished weaving and spun back into thread that can be knotted again. Because the supply of any single color is limited to whatever was pulled apart, a rug built from it cannot be reproduced a second time.\"}}, {\"@type\": \"Question\", \"name\": \"What are root dyes?\", \"acceptedAnswer\": {\"@type\": \"Answer\", \"text\": \"Root dyes are colors drawn from plants — madder for reds, indigo for blues — rather than from synthetic dyestuff. They take unevenly, which is why a root-dyed rug shows several values of the same color across a single surface.\"}}]}\u003c\/script\u003e","brand":"HALICIZADE","offers":[{"title":"Red \/ 230 X 248","offer_id":44400653271273,"sku":"MZTNAD000001.01","price":400000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/NadideSerisiElDokumaGeometrikDesenliHali_1.jpg?v=1706020212"},{"product_id":"el-dokuma-anadolu-desenli-yun-kilim","title":"Multicolor Handwoven Wool Konya Nuzumla Kilim Runner","description":"\u003cp\u003e\u003cstrong\u003eAt 91 × 190 cm (3'0\" × 6'3\") this is a runner, and it was woven as one — a handwoven wool village kilim from Nuzumla in the Konya region, colored with root dyes, multicolored, with no second piece behind it. Flatweave: no pile, patterned on both faces, thin enough to lie under a door.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eVillage kilims were woven to the loom a household owned, and a narrow loom produced narrow cloth, which is how so much Anatolian flatweave ended up in corridor proportions. Root dyeing was the ordinary practice before synthetic dyes reached the villages in the later nineteenth century, and it ages differently: color made from plant roots dulls toward its own hue rather than shifting away from it, so an old madder red goes rustier instead of turning pink.\u003c\/p\u003e\n\n\u003cp\u003eWool throughout, spun and woven by hand. A flatweave of this weight is honest about what it lacks — there is no pile to absorb sound or liquid, and anything spilled goes straight through to the floor beneath. Slip is the other consideration in a corridor, so it wants a pad. Expect the piece to be slightly out of true as well: a handwoven kilim is never quite rectangular, and forcing it flat under furniture is how the edges go.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven in wool at Nuzumla, in the Konya region of Türkiye.\u003c\/li\u003e\n  \u003cli\u003eColored with root dyes rather than synthetics.\u003c\/li\u003e\n  \u003cli\u003eKilim flatweave, reversible in effect, with no pile.\u003c\/li\u003e\n  \u003cli\u003e91 × 190 cm (3'0\" × 6'3\") — runner proportions, for a hall or a galley kitchen.\u003c\/li\u003e\n  \u003cli\u003eA flatweave absorbs nothing; a spill reaches the floor.\u003c\/li\u003e\n  \u003cli\u003eUse a pad. A light kilim slides.\u003c\/li\u003e\n  \u003cli\u003eSlightly out of true, as hand looms make them.\u003c\/li\u003e\n  \u003cli\u003eWashing goes to a professional. One piece, and the drawing does not repeat.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eHallways usually get the rug nobody thought about, and this is the argument for thinking about it.\u003c\/p\u003e\n","brand":"HALICIZADE","offers":[{"title":"Colorful \/ 91 X 190","offer_id":45962706944233,"sku":"MZTKIL000082.01","price":38000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaAnadoluDesenliYunKilim_1.jpg?v=1706013877"},{"product_id":"el-dokuma-anadolu-desenli-kirmizi-yun-hali","title":"Red Natural-Dye Hand-Knotted Wool Konya Karapınar Rug","description":"\u003cp\u003e\u003cstrong\u003eEvery thread in this rug was spun on a kirmen, a hand spindle, before it was colored with plant roots and knotted. A hand-knotted wool rug from Karapınar on the Konya plain, 162 × 252 cm (5'4\" × 8'3\"), red-dominant, carrying the older Anatolian motif vocabulary. Karapınar weaving holds a Turkish geographical indication, and this is a registered example of it.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eA geographical indication is a legal protection rather than a marketing phrase. It fixes where a thing may be made and by what method, in the way the names Champagne and Parma are fixed, and for Karapınar it covers the district, the material and the technique together. Spindle-spun yarn is part of what that protects. A hand spindle turns out thread of slightly uneven thickness, and the unevenness carries into the finished pile as a fine variation across the whole surface that no machine-spun yarn produces.\u003c\/p\u003e\n\n\u003cp\u003eRoot dyeing is the other half of it. The color comes from plant roots rather than from synthetic dye, and it behaves differently across decades — dulling toward its own hue instead of drifting away from it, and producing abrash, the small tonal steps that appear at the join between two dye lots. The Turkish title calls the piece a sandık eskisi: stored rather than used. What storage buys is color, and this rug has the color it left the loom with. There is no wear to describe and no repair to declare, which is uncommon in Anatolian village work and is the reason to take it seriously.\u003c\/p\u003e\n\n\u003ch3\u003eWhat does a geographical indication on a Karapınar rug cover?\u003c\/h3\u003e\n\u003cp\u003eIt is a registered protection under Turkish law that ties the name to a defined area and a defined method. For Karapınar it covers where the rug is woven, the wool it is woven from, and the techniques used, in the same way a geographical indication protects a regional food or wine.\u003c\/p\u003e\n\n\u003ch3\u003eWhat is kirmen-spun wool?\u003c\/h3\u003e\n\u003cp\u003eA kirmen is a hand spindle, the tool used to turn fleece into yarn before mechanical spinning. Yarn made this way varies slightly in thickness along its length, and that variation carries into the pile as a fine irregularity across the surface of the finished rug.\u003c\/p\u003e\n\n\u003cscript type=\"application\/ld+json\"\u003e{\"@context\":\"https:\/\/schema.org\",\"@type\":\"FAQPage\",\"mainEntity\":[{\"@type\":\"Question\",\"name\":\"What does a geographical indication on a Karapınar rug cover?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"It is a registered protection under Turkish law that ties the name to a defined area and a defined method. For Karapınar it covers where the rug is woven, the wool it is woven from, and the techniques used, in the same way a geographical indication protects a regional food or wine.\"}},{\"@type\":\"Question\",\"name\":\"What is kirmen-spun wool?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"A kirmen is a hand spindle, the tool used to turn fleece into yarn before mechanical spinning. Yarn made this way varies slightly in thickness along its length, and that variation carries into the pile as a fine irregularity across the surface of the finished rug.\"}}]}\u003c\/script\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in the Karapınar district, central Anatolia.\u003c\/li\u003e\n  \u003cli\u003eRegistered under the Turkish geographical indication for Karapınar weaving.\u003c\/li\u003e\n  \u003cli\u003eWool spun by hand on a kirmen spindle, throughout.\u003c\/li\u003e\n  \u003cli\u003eColored with root dyes rather than synthetics.\u003c\/li\u003e\n  \u003cli\u003eRed-dominant, in the Anatolian motif vocabulary.\u003c\/li\u003e\n  \u003cli\u003eThe rug measures 162 × 252 cm (5'4\" × 8'3\").\u003c\/li\u003e\n  \u003cli\u003eStored rather than walked on, so the color is close to what came off the loom.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing only. One rug.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eMost old rugs tell you about the room they came from. This one mostly tells you about the chest.\u003c\/p\u003e\n","brand":"HALICIZADE","offers":[{"title":"Colorful \/ 162 X 252","offer_id":46186941776105,"sku":"MZTKON000011.01","price":122000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaAnadoluDesenliKirmiziYunHali_1.jpg?v=1706019605"},{"product_id":"usak-uretim-madalyon-desenli-kok-boyali-yun-hali","title":"Multicolor Oushak Medallion Hand-Knotted Wool Rug","description":"\u003cp\u003e\u003cstrong\u003eThe medallion came first and the rug was built around it: a hand-knotted wool rug woven in Uşak in 2023, 204 × 349 cm (6'8\" × 11'5\"), copying an old Uşak drawing of the kind held in museum collections. Brick, mustard, blue and navy, all of it in wool, with plant dyes and synthetic dyes both used to get there.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eA central medallion anchors the field and the corner pieces answer it — the classical Anatolian arrangement, where the corners are quarters of the same medallion cut by the border. Brick red carries the ground. Mustard picks out the interior drawing and reads almost gold where daylight crosses it, then settles back to ochre in a lamplit room. Blue and navy are held for the outlines and the border, so the pattern keeps its edges from a standing height instead of dissolving into warm color.\u003c\/p\u003e\n\n\u003cp\u003eIt was knotted in Uşak in 2023, in wool throughout, from a drawing taken line for line off a documented historical example rather than adapted from one. The yarn was colored with a mix: madder and other plant dyes for some of it, synthetic dyes for the rest, and rather than describe the whole rug as plant-dyed, the house names both. Plant-dyed yarn moves in tone from batch to batch, so expect the field to shift a little in bands across its width — that is abrash, and on a rug this size it is the difference between a weaving and a print. Skilled hands only for washing.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in Uşak, western Anatolia, in 2023.\u003c\/li\u003e\n  \u003cli\u003eWool throughout — surface and drawing both.\u003c\/li\u003e\n  \u003cli\u003eThe design is a line-for-line copy of a historical Uşak pattern of museum type.\u003c\/li\u003e\n  \u003cli\u003eDyed with a combination of plant dyes, madder among them, and synthetic dyes.\u003c\/li\u003e\n  \u003cli\u003eCentral medallion with matching corner quarters, in brick, mustard, blue and navy.\u003c\/li\u003e\n  \u003cli\u003eExpect abrash — tonal banding across the field where dye lots changed.\u003c\/li\u003e\n  \u003cli\u003e204 × 349 cm (6'8\" × 11'5\"), large enough to carry a full seating group.\u003c\/li\u003e\n  \u003cli\u003eWashing by an experienced hand only.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003ePut it in a room with old wood and it argues its case; put it in a white one and the medallion does all the talking.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Colorful \/ 204 X 349","offer_id":46761319137513,"sku":"HALANA000003.01","price":215000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/UsakKoseliMadalyonDesenliKokBoyaElDokumaYunHali_1.jpg?v=1714985157"},{"product_id":"el-dokuma-kirmizi-anadolu-desenli-yun-hali","title":"Red Madder-Dyed Hand-Knotted Wool Karakeçili Rug","description":"\u003cp\u003e\u003cstrong\u003e\u003cem\u003eKök boya\u003c\/em\u003e — root dye — is on this rug's label, which means the red came out of madder root rather than out of a chemical drum. Hand-knotted in wool by Karakeçili weavers in Balıkesir, western Türkiye, 153 × 251 cm (5'0\" × 8'3\"). Chest-kept: it was woven, folded and stored rather than laid down.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eMadder does not behave like a synthetic red. It goes into the wool at slightly different strengths from fleece to fleece and lot to lot, so a madder ground is never one flat field — it bands, it warms and cools, and over decades it moves toward brick rather than toward gray. That is the argument for it, and it is why a naturally dyed rug looks better at fifty years old than a chemically dyed one does at ten.\u003c\/p\u003e\n\n\u003cp\u003eThe Karakeçili are a Turkmen group whose weaving is found across western Anatolia, and their drawing is bold rather than fine: large hooked forms, generous spacing, borders that do not fuss. Wool in the pile and wool in the foundation. Natural dyes are not colorfast in the way modern ones are, and this is the honest limitation — keep it out of direct afternoon sun or it will fade, and fade unevenly, on the side that gets the light. Professional washing, and tell the cleaner it is madder-dyed.\u003c\/p\u003e\n\n\u003ch3\u003eWhat is kök boya?\u003c\/h3\u003e\n\u003cp\u003eKök boya means root dye and refers to natural dyestuffs, principally madder root for reds and indigo for blues. It was the standard across Anatolia before synthetic dyes arrived in the late nineteenth century, and it is still used for village weaving where the yarn is dyed at home.\u003c\/p\u003e\n\n\u003ch3\u003eDo natural dyes fade?\u003c\/h3\u003e\n\u003cp\u003eYes, and more readily than synthetic ones. A madder red loses intensity in direct sunlight and shifts toward a warmer brick tone as it does. Rotating the rug end for end once or twice a year keeps the fading even, which is what makes an old naturally dyed rug look aged rather than damaged.\u003c\/p\u003e\n\n\u003cscript type=\"application\/ld+json\"\u003e{\"@context\":\"https:\/\/schema.org\",\"@type\":\"FAQPage\",\"mainEntity\":[{\"@type\":\"Question\",\"name\":\"What is kök boya?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"Kök boya means root dye and refers to natural dyestuffs, principally madder root for reds and indigo for blues. It was the standard across Anatolia before synthetic dyes arrived in the late nineteenth century, and it is still used for village weaving where the yarn is dyed at home.\"}},{\"@type\":\"Question\",\"name\":\"Do natural dyes fade?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"Yes, and more readily than synthetic ones. A madder red loses intensity in direct sunlight and shifts toward a warmer brick tone as it does. Rotating the rug end for end once or twice a year keeps the fading even, which is what makes an old naturally dyed rug look aged rather than damaged.\"}}]}\u003c\/script\u003e\n\n\u003cul\u003e\n  \u003cli\u003eKnotted by hand by Karakeçili weavers in Balıkesir, western Türkiye.\u003c\/li\u003e\n  \u003cli\u003eWool in the pile and wool underneath it — no cotton in the build.\u003c\/li\u003e\n  \u003cli\u003eMadder-root red, banding slightly from lot to lot.\u003c\/li\u003e\n  \u003cli\u003eBold hooked drawing with generous spacing and plain borders.\u003c\/li\u003e\n  \u003cli\u003e153 × 251 cm (5'0\" × 8'3\").\u003c\/li\u003e\n  \u003cli\u003eKeep it out of direct sun; natural dye fades where the light falls.\u003c\/li\u003e\n  \u003cli\u003eChest-kept rather than used.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eA madder rug is the only kind that looks better in twenty years than it does on the day it arrives, and it gets there by being used.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Red \/ 153 X 251","offer_id":46797257343209,"sku":"MZTAND000039.01","price":123000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaKirmiziAnadoluDesenliYunHali_2.jpg?v=1710583118"},{"product_id":"el-dokuma-anadolu-desenli-antep-kok-boya-sertifikali-80-yillik-turuncu-yun-hali","title":"Orange Anatolian Hand-Knotted Wool Antep Rug, 80 Years Old","description":"\u003cp\u003e\u003cstrong\u003eEighty years old by the house's reckoning, and sold with a certificate for its plant dyes: a hand-knotted orange wool rug from Antep in southeastern Türkiye, 78 × 165 cm (2'7\" × 5'5\"), with Anatolian figures across an orange ground. One of one.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eEighty years puts it in the band the trade calls semi-antique, which runs from fifty to a hundred years. Those bands are trade usage and nothing more — no authority issues them, no register records them, and a dealer reading age off wear and color is offering a judgment rather than a date. What is documented here is the color. \u003cem\u003eKök boya\u003c\/em\u003e is the Turkish for dye taken from roots and plants, and the certificate that comes with this rug states that the color in it was made that way rather than in a synthetic bath.\u003c\/p\u003e\n\n\u003cp\u003ePlant dye is identifiable without paperwork once you know what to look for. It does not hold one exact value across a field, because two diggings of the same root give two slightly different strengths, and the difference appears as horizontal bands of tone. It also ages by growing quieter instead of going gray. Orange is the hardest of these colors to keep, and eighty years have settled this one somewhere between apricot and rust depending on where the light falls. Wool throughout, knotted by hand. Keep it away from an afternoon window, because sunlight is what takes plant color.\u003c\/p\u003e\n\n\u003ch3\u003eWhat does a natural dye certificate cover?\u003c\/h3\u003e\n\u003cp\u003eIt records that the colors in the rug were made from plant sources rather than synthetic ones. It is a statement about the dyestuff, not about the age or the region of the rug, and it does not come from a government body.\u003c\/p\u003e\n\n\u003ch3\u003eHow old is a semi-antique rug?\u003c\/h3\u003e\n\u003cp\u003eBetween fifty and a hundred years, in the trade's own usage. Antique means a hundred years or more, and vintage covers roughly twenty to eighty. No authority issues these categories, so they describe a dealer's judgment rather than a documented date.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in wool at Antep, southeastern Türkiye.\u003c\/li\u003e\n  \u003cli\u003e78 × 165 cm (2'7\" × 5'5\"), a narrow rug for a passage or a bedside.\u003c\/li\u003e\n  \u003cli\u003eAround eighty years old — semi-antique in trade usage, which no authority issues.\u003c\/li\u003e\n  \u003cli\u003eSold with a certificate for its \u003cem\u003ekök boya\u003c\/em\u003e, its plant dyes.\u003c\/li\u003e\n  \u003cli\u003eAn orange that reads apricot in one light and rust in another.\u003c\/li\u003e\n  \u003cli\u003eHorizontal banding where the dye strength differed between lots.\u003c\/li\u003e\n  \u003cli\u003eSunlight is what takes plant color; keep it clear of an afternoon window.\u003c\/li\u003e\n  \u003cli\u003eWashing by someone who handles natural dyes. One piece.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cscript type=\"application\/ld+json\"\u003e{\"@context\": \"https:\/\/schema.org\", \"@type\": \"FAQPage\", \"mainEntity\": [{\"@type\": \"Question\", \"name\": \"What does a natural dye certificate cover?\", \"acceptedAnswer\": {\"@type\": \"Answer\", \"text\": \"It records that the colors in the rug were made from plant sources rather than synthetic ones. It is a statement about the dyestuff, not about the age or the region of the rug, and it does not come from a government body.\"}}, {\"@type\": \"Question\", \"name\": \"How old is a semi-antique rug?\", \"acceptedAnswer\": {\"@type\": \"Answer\", \"text\": \"Between fifty and a hundred years, in the trade's own usage. Antique means a hundred years or more, and vintage covers roughly twenty to eighty. No authority issues these categories, so they describe a dealer's judgment rather than a documented date.\"}}]}\u003c\/script\u003e\n\n\u003cp\u003eSynthetic color of the same age would look tired by now, and this is what the alternative looks like after the same eighty years.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Orange \/ 78 X 165","offer_id":47198883512553,"sku":"MZTAND000054.01","price":77000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaAnadoluDesenliAntepKokBoyaSertifikali80YillikTuruncuYunHali_1.jpg?v=1715006424"},{"product_id":"el-dokuma-anadolu-desenli-keci-muhsine-kirmizi-kok-boya-hali","title":"Red Anatolian Hand-Knotted Wool Rug, Keçi Muhsine","description":"\u003cp\u003e\u003cstrong\u003eKeçi Muhsine is the name this rug carries, and the house does not translate it — which is the right call. It is hand-knotted wool, red, 117 × 192 cm (3'10\" × 6'4\"), colored with \u003cem\u003ekök boya\u003c\/em\u003e and drawn in the Anatolian repertoire. Made in Türkiye, and there is one of it.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eRed from a plant and red from a synthetic bath are two different objects. The synthetic version holds a single value across a whole field and stays there; the plant version arrives in slightly different strengths from batch to batch, so the field carries faint horizontal bands, and it moves toward brown rather than toward pink as it ages. Look along the rug rather than down at it and the bands appear. Look down and mostly they do not.\u003c\/p\u003e\n\n\u003cp\u003eWool, knotted by hand in Türkiye. The house also files this piece under \u003cem\u003eseccade\u003c\/em\u003e, among its prayer rugs, and the proportion supports that — a little under two meters long and a little over a meter wide is the size a single person kneels on. Used that way or not, it is a size that works: too small to need a room built round it, large enough not to look lost. Plant dye and strong sun are a bad combination over years rather than months, so keep it off the brightest patch of floor.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in wool in Türkiye.\u003c\/li\u003e\n  \u003cli\u003e117 × 192 cm (3'10\" × 6'4\") — a prayer-rug proportion, and the house lists it as one.\u003c\/li\u003e\n  \u003cli\u003eColored with \u003cem\u003ekök boya\u003c\/em\u003e, dye taken from plants.\u003c\/li\u003e\n  \u003cli\u003eFaint horizontal banding where the dye strength changed between batches.\u003c\/li\u003e\n  \u003cli\u003ePlant red ages toward brown rather than toward pink.\u003c\/li\u003e\n  \u003cli\u003eAnatolian drawing across the field.\u003c\/li\u003e\n  \u003cli\u003eKeep it out of the brightest floor light.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing. One of one.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eA rug this size ends up somewhere different every few years, and it is the kind that looks intentional in all of them.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Red \/ 117 X 192","offer_id":47198894981353,"sku":"MZTAND000055.01","price":56000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaAnadoluDesenliKeciMuhsineKirmiziKokBoyaHali_1.jpg?v=1715006841"},{"product_id":"el-dokuma-anadolu-desenli-turuncu-kok-boya-fethiye-yildizli-cicim-kilim","title":"Orange Star-Motif Handwoven Wool Cicim Kilim","description":"\u003cp\u003e\u003cstrong\u003eFethiye sits on the Mediterranean coast of Muğla province, and what comes off its village looms is cicim — a flatweave with the motifs laid in afterward, thread by thread, over the woven ground. This one is orange, wool throughout, 127 × 176 cm (4'2\" × 5'9\"), carrying rows of stars, and there is a single example of it.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eCicim is worth explaining, because the word does not translate. A kilim is built from weft alone: the pattern is the structure. In cicim the ground is woven first and the figures are then wrapped in with an extra yarn that floats over the surface, so the motifs sit slightly proud and you can feel them with a hand. Here the stars run in loose ranks across an orange field, dark reds and blue-greens among them, and none of the ranks quite line up with the next.\u003c\/p\u003e\n\n\u003cp\u003eThe color is \u003cem\u003ekök boya\u003c\/em\u003e — dye taken from roots and other plant matter rather than a chemical bath. Plant dye behaves differently from the start: it never quite saturates, and it fades in a warm direction, so a naturally dyed orange goes toward apricot with age while a synthetic one goes gray. The wool is Anatolian and the whole thing was made by hand in Türkiye. One warning, plainly: brocaded motifs sit on the surface, so a spike heel or a dog's claw can pull a float loose. It is not a rug for a busy corridor.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven in Türkiye, in the cicim technique of the Fethiye villages.\u003c\/li\u003e\n  \u003cli\u003eWool ground and wool motifs, brocaded rather than knotted.\u003c\/li\u003e\n  \u003cli\u003eOrange field with ranks of star figures in dark red and blue-green.\u003c\/li\u003e\n  \u003cli\u003eDyed with root and plant dyes, which age toward warmth rather than gray.\u003c\/li\u003e\n  \u003cli\u003e127 × 176 cm (4'2\" × 5'9\") — a bedside, an entryway, a wall.\u003c\/li\u003e\n  \u003cli\u003eThe wrapped motifs stand above the ground and can be snagged.\u003c\/li\u003e\n  \u003cli\u003eWashing is a job for a specialist, not a domestic machine.\u003c\/li\u003e\n  \u003cli\u003eOne kilim; the arrangement of the stars will not recur.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat is a cicim kilim?\u003c\/h3\u003e\n\u003cp\u003eCicim is a flatweave in which the ground is woven first and the motifs are added with a supplementary yarn wrapped over the surface. The figures stand slightly proud of the weave and can be felt by hand, which is what separates cicim from a plain kilim, where the pattern and the structure are the same thing.\u003c\/p\u003e\n\n\u003ch3\u003eHow can I tell root-dyed wool from chemically dyed wool?\u003c\/h3\u003e\n\u003cp\u003eBy how it ages. Root and plant dyes rarely reach full saturation and they lose color in a warm direction, so an old naturally dyed orange drifts toward apricot. Synthetic dye holds its strength longer and then goes flat and grayish, and it seldom shows the tone bands left by small dye lots.\u003c\/p\u003e\n\n\u003cp\u003eHung on a plain wall it reads as a piece of drawing; on the floor it will slowly lose the last of its sharpness, which is the better ending of the two.\u003c\/p\u003e\n\n\u003cscript type=\"application\/ld+json\"\u003e{\"@context\": \"https:\/\/schema.org\", \"@type\": \"FAQPage\", \"mainEntity\": [{\"@type\": \"Question\", \"name\": \"What is a cicim kilim?\", \"acceptedAnswer\": {\"@type\": \"Answer\", \"text\": \"Cicim is a flatweave in which the ground is woven first and the motifs are added with a supplementary yarn wrapped over the surface. The figures stand slightly proud of the weave and can be felt by hand, which is what separates cicim from a plain kilim, where the pattern and the structure are the same thing.\"}}, {\"@type\": \"Question\", \"name\": \"How can I tell root-dyed wool from chemically dyed wool?\", \"acceptedAnswer\": {\"@type\": \"Answer\", \"text\": \"By how it ages. Root and plant dyes rarely reach full saturation and they lose color in a warm direction, so an old naturally dyed orange drifts toward apricot. Synthetic dye holds its strength longer and then goes flat and grayish, and it seldom shows the tone bands left by small dye lots.\"}}]}\u003c\/script\u003e","brand":"HALICIZADE","offers":[{"title":"Orange \/ 127 X 176","offer_id":47217133093097,"sku":"MZTKIL000117.01","price":49000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaAnadoluDesenliTuruncuKokBoyaFethiyeYildizliCicimKilim_2.jpg?v=1715336056"},{"product_id":"el-dokuma-anadolu-desenli-rengarenk-van-kok-boya-koy-kilimi","title":"Multicolor Handwoven Wool Van Village Kilim","description":"\u003cp\u003e\u003cstrong\u003eAt 77 × 102 cm (2'6\" × 3'4\") this is a kilim you can carry under one arm — a small flatweave from the Van region of eastern Türkiye, woven by hand in wool, dyed with root and plant dyes, and covered edge to edge in color. Nothing about it was made for a showroom. There is one.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eSmall kilims from the eastern provinces were domestic objects: a seat cover, a cradle cloth, a length of weaving done to use up yarn between larger pieces. Because the yarn came from whatever had been dyed that season, the palette is not a scheme — reds, blues, greens and yellows land next to each other at their own strengths, and the bands change width as the weaver's supply of one color gave out. Held to the light the flatweave shows the small slits where two colors meet without interlocking, which is how a kilim is built.\u003c\/p\u003e\n\n\u003cp\u003eWool throughout, worked in Türkiye. Root dyes are the reason the colors sit rather than shout: plant dye rarely reaches full saturation, and it also settles unevenly from batch to batch, so a single red can arrive on the loom three different reds. There is no pile here at all, only weft — which makes it thin, reversible and easy to move, and also means it will slide on a hard floor unless something grips it.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven in wool in the Van region of eastern Türkiye.\u003c\/li\u003e\n  \u003cli\u003eWithout pile of any kind — weft and warp alone, usable either way up.\u003c\/li\u003e\n  \u003cli\u003eColored with root and plant dyes, which vary from batch to batch.\u003c\/li\u003e\n  \u003cli\u003eReds, blues, greens and yellows at full strength, unmatched to each other.\u003c\/li\u003e\n  \u003cli\u003e77 × 102 cm (2'6\" × 3'4\") — a doorway, a seat, a stretch of wall.\u003c\/li\u003e\n  \u003cli\u003eLight enough to slide; use a grip pad on a hard floor.\u003c\/li\u003e\n  \u003cli\u003eHave a professional clean it; a home wash gains nothing.\u003c\/li\u003e\n  \u003cli\u003eA single village weaving; nothing else in the catalog matches it.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eIt cost its weaver a few days and it will outlive most of the furniture it is put beside.\u003c\/p\u003e","brand":"Diğer","offers":[{"title":"Colorful \/ 77 X 102","offer_id":47353032802537,"sku":"MZTKIL000151.01","price":27000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaAnadoluDesenliRengarenkVanKokBoyaKoyKilimi_1.jpg?v=1715865325"},{"product_id":"el-dokuma-anadolu-desenli-kirmizi-kok-boyali-kirmen-65-70-yillik-konya-derbent-halisi","title":"Red Madder-Dyed Handwoven Konya Derbent Rug, 65–70 Years Old","description":"\u003cp\u003e\u003cstrong\u003eThe house dates this at sixty-five to seventy years, which lands it in the semi-antique range dealers use, a convention with nobody behind it. A handwoven wool rug from Derbent in Konya province, red, with a central medallion, root-dyed and woven from wool spun on a hand spindle. It measures 134 × 242 cm (4'5\" × 7'11\").\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eKirmen is the Turkish word for the hand spindle, and yarn spun on one is never perfectly even. The thickness of the strand varies along its length, so the dye takes at different strengths, and the resulting rug shows abrash — bands of slightly different tone crossing the field at every point where a fresh batch of yarn came onto the loom. Machine-spun wool does not do this. On a piece like this the banding is not a defect but the record of how the wool was made, and its absence would be the thing worth questioning.\u003c\/p\u003e\n\n\u003cp\u003eRoot dye, kök boya in Turkish, means madder for red, indigo for blue, and whatever local plant gave up a yellow. Those colors fade rather than shift: after seven decades the red has gone from blood to a warm brick and stayed clean, where a synthetic red of the same age would more likely have gone gray or blue. What comes with the age is honest wear — some flattening in the pile along whatever line the household walked, and edges that have been lived with. It should be washed only by someone who handles old wool.\u003c\/p\u003e\n\n\u003ch3\u003eWhat does kirmen mean on a rug description?\u003c\/h3\u003e\n\u003cp\u003eKirmen is the Turkish hand spindle, a weighted stick turned by hand to spin wool into yarn. Yarn made this way varies in thickness along its length, which makes the dye take unevenly, and that unevenness is what produces the soft tonal banding across an old village rug.\u003c\/p\u003e\n\n\u003ch3\u003eHow old does a rug have to be to count as antique?\u003c\/h3\u003e\n\u003cp\u003eDealers call a rug antique from a hundred years upward, semi-antique from fifty up to a hundred, vintage anywhere between twenty and eighty, and new below that. Nobody issues or audits those terms. At sixty-five to seventy years this piece sits in the semi-antique range.\u003c\/p\u003e\n\n\u003cscript type=\"application\/ld+json\"\u003e{\"@context\":\"https:\/\/schema.org\",\"@type\":\"FAQPage\",\"mainEntity\":[{\"@type\":\"Question\",\"name\":\"What does kirmen mean on a rug description?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"Kirmen is the Turkish hand spindle, a weighted stick turned by hand to spin wool into yarn. Yarn made this way varies in thickness along its length, which makes the dye take unevenly, and that unevenness is what produces the soft tonal banding across an old village rug.\"}},{\"@type\":\"Question\",\"name\":\"How old does a rug have to be to count as antique?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"Dealers call a rug antique from a hundred years upward, semi-antique from fifty up to a hundred, vintage anywhere between twenty and eighty, and new below that. Nobody issues or audits those terms. At sixty-five to seventy years this piece sits in the semi-antique range.\"}}]}\u003c\/script\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven in wool at Derbent, in Konya province, Türkiye.\u003c\/li\u003e\n  \u003cli\u003eThe house dates it at 65 to 70 years — semi-antique by trade usage.\u003c\/li\u003e\n  \u003cli\u003eRoot-dyed: madder reds, with the tonal banding that follows.\u003c\/li\u003e\n  \u003cli\u003eWool spun on a kirmen, the Turkish hand spindle.\u003c\/li\u003e\n  \u003cli\u003eAnatolian drawing with a central medallion.\u003c\/li\u003e\n  \u003cli\u003e134 × 242 cm (4'5\" × 7'11\").\u003c\/li\u003e\n  \u003cli\u003eCarries the wear of seven decades of use, including flattened pile.\u003c\/li\u003e\n  \u003cli\u003eWashing by someone who works on old wool, and nobody else.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eEverything that makes this rug worth having is a consequence of somebody once being unable to buy the industrial version.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Red \/ 134 X 272","offer_id":67610994049257,"sku":"MZTKON000015.01","price":112000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaAnadoluDesenliKirmiziKokBoyaliKirmen65-70YillikKonyaDerbentHalisi_1.jpg?v=1734005586"},{"product_id":"el-dokuma-anadolu-desenli-kirmizi-antep-90-yas-kok-boyali-hali","title":"Antep Handwoven Wool Rug, Root-Dyed, 90+ Years Old","description":"\u003cp\u003e\u003cstrong\u003eIt is more than ninety years old and it looks it, which is worth saying before anything else. A handwoven wool rug from Antep in southeastern Türkiye, root-dyed, red-grounded, drawn with Anatolian motifs across the field, and it measures 4'5\" × 7'11\" — 134 × 241 cm in metric.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eNinety years puts this at the top of the semi-antique band and within sight of antique, which the trade sets at a hundred. None of these terms is issued or checked by anybody; they are shorthand used between dealers and they have never been anything else. What is verifiable is the dyeing. Root dye means madder, indigo and local plant sources rather than synthetics, and the giveaway is how the colors have aged — plant dyes lose intensity while keeping their hue, so a ninety-year-old madder red is paler than it was and still unmistakably red.\u003c\/p\u003e\n\n\u003cp\u003eWool throughout, in the way of Anatolian village weaving, where the sheep, the spinning and the loom were all within a few kilometers of each other. A rug of this age has been walked on for most of a century: expect thinning where the traffic went, unevenness in the pile, and a color balance that has moved further in some places than others. That is the condition of the object, not a complaint about it. Cleaning is for a specialist in old textiles.\u003c\/p\u003e\n\n\u003ch3\u003eDoes root dyeing mean the colors will not fade?\u003c\/h3\u003e\n\u003cp\u003eNo. Plant dyes fade, and this rug has faded. What distinguishes them is the manner of it: madder and indigo lose strength while holding their hue, so an old plant-dyed red stays red as it lightens, where many early synthetic reds drift toward gray or brown instead.\u003c\/p\u003e\n\n\u003cscript type=\"application\/ld+json\"\u003e{\"@context\":\"https:\/\/schema.org\",\"@type\":\"FAQPage\",\"mainEntity\":[{\"@type\":\"Question\",\"name\":\"Does root dyeing mean the colors will not fade?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"No. Plant dyes fade, and this rug has faded. What distinguishes them is the manner of it: madder and indigo lose strength while holding their hue, so an old plant-dyed red stays red as it lightens, where many early synthetic reds drift toward gray or brown instead.\"}}]}\u003c\/script\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven wool, from Antep in southeastern Türkiye.\u003c\/li\u003e\n  \u003cli\u003eDated by the house at ninety years and over.\u003c\/li\u003e\n  \u003cli\u003eRoot-dyed with madder, indigo and local plant sources.\u003c\/li\u003e\n  \u003cli\u003eAnatolian motifs worked across a red ground, in multicolor.\u003c\/li\u003e\n  \u003cli\u003e134 × 241 cm, which converts to 4'5\" × 7'11\".\u003c\/li\u003e\n  \u003cli\u003eThinning, uneven pile and shifted color come with the age.\u003c\/li\u003e\n  \u003cli\u003eTrade age terms are conventions; no authority issues them.\u003c\/li\u003e\n  \u003cli\u003eSpecialist cleaning for old textiles only.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eA textile that has been in use since the 1930s is not going to be improved by anything anyone does to it now, and the right thing is simply to keep it out of strong sun.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Colorful \/ 134 X 241","offer_id":48013323862249,"sku":"MZTAND000075.01","price":133000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaAnadoluDesenliKirmiziAntep90_YasKokBoyaliHali_1.jpg?v=1735117460"},{"product_id":"seccade-desenli-kirmizi-kok-boyali-kirmen-koy-dokuma-ayvacik-halisi","title":"Red Hand-Knotted Wool Ayvacık Prayer Rug","description":"\u003cp\u003e\u003cstrong\u003eAyvacık is a district of Çanakkale on the Turkish Aegean coast, across the strait from Lesbos, and village weaving there never stopped. This is one of its rugs: a hand-knotted wool prayer rug in red, dyed with madder and the other root dyes, its yarn spun on a hand spindle, 81 × 132 cm (2'8\" × 4'4\"). Halıcızade keeps it with the rare pieces.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eA prayer rug is built around one asymmetric figure — the mihrab, a niche that comes to a point at one end and shows the direction of prayer. Everything else on the rug, the borders and the spandrels at the shoulders of the niche and whatever hangs inside it, is arranged around that single direction. It is why a seccade never looks right laid sideways. Eighty-one centimeters is the width of one person kneeling, and that is the measurement it was drawn to.\u003c\/p\u003e\n\n\u003cp\u003eThe wool was spun on a kirmen, the hand spindle Anatolian women use to turn fleece into yarn. It is slower than a wheel and never perfectly even, which is why hand-spindle yarn gives a surface that takes light in bands rather than flatly. Root dyes behave the same way: two lots of madder from two seasons are never the same red, so the ground steps in horizontal stripes from one end to the other. In the trade that is called abrash, and it is read as evidence rather than as a fault. Wool above, cotton beneath, every knot tied by hand in Türkiye. Wash it professionally and improvise nothing on a rug dyed this way.\u003c\/p\u003e\n\n\u003cul\u003e\n\u003cli\u003eHand-knotted in wool in Ayvacık, Çanakkale, on the Turkish Aegean coast.\u003c\/li\u003e\n\u003cli\u003eYarn hand-spun on a kirmen spindle rather than machine-spun.\u003c\/li\u003e\n\u003cli\u003eMadder and other root dyes; the red steps in bands where the lots changed.\u003c\/li\u003e\n\u003cli\u003ePrayer-rug drawing, built around a mihrab niche that points one way.\u003c\/li\u003e\n\u003cli\u003e81 × 132 cm (2'8\" × 4'4\") — the width and length of one person kneeling.\u003c\/li\u003e\n\u003cli\u003eWool pile on a cotton foundation.\u003c\/li\u003e\n\u003cli\u003eWash it professionally, and nothing else.\u003c\/li\u003e\n\u003cli\u003eOne of the house's rare listings, and a single piece.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat makes a rug a prayer rug?\u003c\/h3\u003e\n\u003cp\u003eThe drawing does. A prayer rug carries a mihrab — an arched niche, pointed at one end — and the whole composition is oriented to it, so the rug has a top and a bottom. Size follows from use: it is woven for a single person kneeling.\u003c\/p\u003e\n\n\u003ch3\u003eWhat is kirmen yarn?\u003c\/h3\u003e\n\u003cp\u003eKirmen is the Anatolian hand spindle, and kirmen yarn is fleece spun on it by hand rather than on a wheel or a machine. The thickness varies slightly along the strand, so the yarn takes dye at uneven strengths and the finished pile catches light in bands.\u003c\/p\u003e\n\n\u003cp\u003eIt is small enough to hang, and a great many rugs of this kind finish on a wall instead of a floor — not what they were woven for, but it is what keeps them.\u003c\/p\u003e\n\n\u003cscript type=\"application\/ld+json\"\u003e{\"@context\": \"https:\/\/schema.org\", \"@type\": \"FAQPage\", \"mainEntity\": [{\"@type\": \"Question\", \"name\": \"What makes a rug a prayer rug?\", \"acceptedAnswer\": {\"@type\": \"Answer\", \"text\": \"The drawing does. A prayer rug carries a mihrab — an arched niche, pointed at one end — and the whole composition is oriented to it, so the rug has a top and a bottom. Size follows from use: it is woven for a single person kneeling.\"}}, {\"@type\": \"Question\", \"name\": \"What is kirmen yarn?\", \"acceptedAnswer\": {\"@type\": \"Answer\", \"text\": \"Kirmen is the Anatolian hand spindle, and kirmen yarn is fleece spun on it by hand rather than on a wheel or a machine. The thickness varies slightly along the strand, so the yarn takes dye at uneven strengths and the finished pile catches light in bands.\"}}]}\u003c\/script\u003e","brand":"HALICIZADE","offers":[{"title":"Red \/ 81 X 132","offer_id":48507808809193,"sku":"MZTSEC000016.01","price":34000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/SeccadeDesenliKirmiziKokBoyaliKirmenKoyDokumaAyvacikHalisi_1.webp?v=1750681229"},{"product_id":"el-dokuma-anadolu-desenli-bordo-80-yas-kok-boya-kirmen-hali","title":"Burgundy Anatolian Hand-Knotted Wool Rug, 80 Years Old","description":"\u003cp\u003e\u003cstrong\u003eEighty years is the figure the house puts on it, and eighty years is what a rug looks like when it has been walked on without being ruined: hand-knotted, Anatolian, burgundy, hand-spindle-spun wool over a cotton foundation, dyed with roots, 126 × 243 cm (4'2\" × 8'0\"), woven in Türkiye.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eTrade usage puts eighty in the semi-antique band. Antique starts at a century, semi-antique runs from fifty up to a hundred, vintage from twenty to eighty, and no institution anywhere issues any of those labels. What can be looked at instead of a certificate is the pile: wool that has taken decades of feet lies down, and a laid-down pile has a sheen that new wool has not developed yet. On a rug this old the wear is never even, and the color reads differently along the paths people took.\u003c\/p\u003e\n\n\u003cp\u003eThe Anatolian drawing is angular because it has to be — a motif counted out in knots cannot curve, so village weavers built a vocabulary of hooks, stars, rams' horns and stepped diamonds that a knotted grid can hold exactly. The yarn came off a kirmen, the hand spindle, and the dyes came from roots, and together those two produce abrash: the horizontal shift of tone where one dye lot ran out and the next began. Wool pile, cotton foundation. It has had one life already and shows it, so anyone wanting an unmarked floor should buy something new. Professional washing, by someone who has handled root-dyed wool before.\u003c\/p\u003e\n\n\u003cul\u003e\n\u003cli\u003eHand-knotted in Türkiye; the house records it at eighty years and more.\u003c\/li\u003e\n\u003cli\u003eHand-spindle-spun kirmen wool pile on a cotton foundation.\u003c\/li\u003e\n\u003cli\u003eRoot-dyed, with visible abrash where the dye lots changed.\u003c\/li\u003e\n\u003cli\u003eAngular Anatolian drawing — hooks, stars and stepped diamonds.\u003c\/li\u003e\n\u003cli\u003e126 × 243 cm (4'2\" × 8'0\"), a narrow rectangle for a corridor or the long side of a bed.\u003c\/li\u003e\n\u003cli\u003eTrade age words have no issuing authority; eighty years is the house's own reading.\u003c\/li\u003e\n\u003cli\u003eThe wear is part of it and has not been repaired out.\u003c\/li\u003e\n\u003cli\u003eProfessional washing. One piece, among the rare listings.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat does semi-antique mean on a rug?\u003c\/h3\u003e\n\u003cp\u003eIt is trade usage, not a legal grade. In this house antique means a hundred years or more, semi-antique means fifty to a hundred, and vintage means twenty to eighty. No body anywhere certifies any of them, so the words describe a seller's reading of the piece.\u003c\/p\u003e\n\n\u003ch3\u003eIs abrash a defect?\u003c\/h3\u003e\n\u003cp\u003eNo. Abrash is the horizontal banding that appears when one lot of hand-dyed yarn runs out and the next begins at a slightly different strength. On a root-dyed village rug it is the evidence that the yarn was dyed in small batches rather than bought by the sack.\u003c\/p\u003e\n\n\u003cp\u003eWhatever it was woven for is finished. What it does now is make a new room look as though it had been there considerably longer than it has.\u003c\/p\u003e\n\n\u003cscript type=\"application\/ld+json\"\u003e{\"@context\": \"https:\/\/schema.org\", \"@type\": \"FAQPage\", \"mainEntity\": [{\"@type\": \"Question\", \"name\": \"What does semi-antique mean on a rug?\", \"acceptedAnswer\": {\"@type\": \"Answer\", \"text\": \"It is trade usage, not a legal grade. In this house antique means a hundred years or more, semi-antique means fifty to a hundred, and vintage means twenty to eighty. No body anywhere certifies any of them, so the words describe a seller's reading of the piece.\"}}, {\"@type\": \"Question\", \"name\": \"Is abrash a defect?\", \"acceptedAnswer\": {\"@type\": \"Answer\", \"text\": \"No. Abrash is the horizontal banding that appears when one lot of hand-dyed yarn runs out and the next begins at a slightly different strength. On a root-dyed village rug it is the evidence that the yarn was dyed in small batches rather than bought by the sack.\"}}]}\u003c\/script\u003e","brand":"HALICIZADE","offers":[{"title":"Burgundy \/ 126 X 243","offer_id":48525752500457,"sku":"MZTAND000085.01","price":121000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaAnadoluDesenliBordo80_YasKokBoyaKirmenHali_1.webp?v=1751210540"},{"product_id":"i̇kinci-el-kirmen-el-dokuma-kok-boya-nevsehir-derinkuyu-halisi","title":"Burgundy Anatolian Hand-Knotted Wool Derinkuyu Rug, Second-Hand","description":"\u003cp\u003e\u003cstrong\u003eDerinkuyu is a town in Nevşehir province, in Cappadocia, best known for the underground city cut into the soft tufa beneath it. This rug came from there and has been owned before: hand-knotted in root-dyed wool, spun on a hand spindle, drawn in the Anatolian manner, 136 × 222 cm (4'6\" × 7'3\").\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eSecond-hand is stated plainly, because on a rug of this kind it is not a defect and pretending otherwise would be the only real problem. A knotted wool floor improves across the first twenty or thirty years of use: the pile settles, the surface gains a sheen, and root dyes lose the rawness that a new red has. What it also does over those years is wear, unevenly, in the places people walked. Both of those things are on this rug and neither has been corrected.\u003c\/p\u003e\n\n\u003cp\u003eCappadocian village weaving is wool from end to end and counted rather than copied — the weaver holds the pattern in her head and puts it down knot by knot, which is why the two ends of a piece like this never carry exactly the same width of border. Its yarn was hand-spun on a kirmen spindle, so the thickness varies from meter to meter and takes dye at slightly different strengths along its length. That is what produces abrash, the horizontal banding across the field. Professional washing only, with the dyes tested before any water goes near them.\u003c\/p\u003e\n\n\u003cul\u003e\n\u003cli\u003eHand-knotted in wool in Derinkuyu, Nevşehir, in Cappadocia.\u003c\/li\u003e\n\u003cli\u003eWool throughout — pile, warp and weft.\u003c\/li\u003e\n\u003cli\u003eHand-spindle-spun yarn and root dyes, with abrash across the field.\u003c\/li\u003e\n\u003cli\u003eAnatolian drawing, held in the weaver's head and never put on paper.\u003c\/li\u003e\n\u003cli\u003e136 × 222 cm (4'6\" × 7'3\").\u003c\/li\u003e\n\u003cli\u003ePreviously owned and used; the wear is visible and has been left alone.\u003c\/li\u003e\n\u003cli\u003eProfessional washing, with the dyes tested first.\u003c\/li\u003e\n\u003cli\u003eOne piece, among the house's rare listings.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eRugs like this leave Anatolian villages once and do not go back, which is the whole reason it is here.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Burgundy \/ 136 X 222","offer_id":49114096992489,"sku":"HALİKİ000046.01","price":68500.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/IkinciElKirmenElDokumaKokBoyaNevsehirDerinkuyuHalisi_1.webp?v=1758889385"},{"product_id":"el-dokuma-madalyon-usak-desenli-ozel-i̇malat-kok-boyali-yun-hali","title":"Red Medallion Oushak Hand-Knotted Wool Rug","description":"\u003cp\u003e\u003cstrong\u003eA medallion first, then the rug built outward from it. This is a hand-knotted wool Oushak in red, 177 × 238 cm (5'10\" × 7'10\"), made to commission in Türkiye and colored with kök boya — the root and plant dyeing of Anatolian weaving rather than a synthetic bath. The yarn record lists wool and nothing besides. Classical in drawing. Only one exists.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eOushak is the English name of a weaving town in western Anatolia, which has lent its name to a family of drawing since the sixteenth century: large forms, generous spacing, and a palette that leans on red and soft yellow. The medallion version places one large figure at the center and answers it with quarter-figures in the corners, so the composition has an obvious middle and an obvious top. That is a different proposition from an all-over field, and it decides where furniture goes — a medallion rug wants to be seen whole, which usually means keeping the coffee table off its center or pulling the seating out to the edges.\u003c\/p\u003e\n\n\u003cp\u003ePlant dyeing is the reason the red is not one flat red. Madder root, the classical source of Anatolian red, gives a color that varies from bath to bath and shifts with the mordant, so the ground moves between brick and rose across the length of the rug. Anyone expecting the perfect evenness of a synthetic dye should look elsewhere; anyone who has stood on an old Anatolian rug knows that the variation is the point. This one was commissioned rather than taken from stock, which is what özel imalat means on the Turkish page. Professional washing, and no domestic machine.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in Türkiye, made to commission rather than from stock.\u003c\/li\u003e\n  \u003cli\u003eWool, colored with kök boya — root and plant dyes.\u003c\/li\u003e\n  \u003cli\u003eMedallion Oushak drawing: one central figure with quarter-figures in the corners.\u003c\/li\u003e\n  \u003cli\u003eThe red shifts between brick and rose along the rug, as plant-dyed grounds do.\u003c\/li\u003e\n  \u003cli\u003e177 × 238 cm (5'10\" × 7'10\"), about 4.2 square meters.\u003c\/li\u003e\n  \u003cli\u003eDirectional composition — it reads best seen whole, from one end.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing. A single piece.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eMedallion rugs were drawn for rooms where people sat around the edges and looked inward, and the ones that still work are still doing that.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Red \/ 177 X 238","offer_id":49948455338217,"sku":"MZTAND000089.01","price":210000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaMadalyonUsakDesenliOzelImalatKokBoyaliYunHali_1.webp?v=1766235169"},{"product_id":"el-dokuma-kok-boyali-antika-100-yas-denizli-cal-seccade-hali","title":"Yellow Hand-Knotted Wool Prayer Rug, Antique Denizli Çal","description":"\u003cp\u003e\u003cstrong\u003eOver a hundred years, which is the line at which the trade stops calling a rug old and starts calling it antique. This is a hand-knotted wool prayer rug from Çal, in Denizli, 95 × 132 cm (3'1\" × 4'4\"), colored with kök boya rather than a synthetic bath, on a yellow ground. Nobody issues these age classifications — they are trade usage, and this is how the house applies them.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe house scale runs the other way about: new, then vintage across twenty to eighty years, then semi-antique across fifty to a hundred, and antique once the century is passed. The bands overlap because the trade's do. A prayer rug is drawn to be directional — a niche at one end, an arch that points, and a field kept comparatively plain inside it — and that is why the format has stayed small and portable for as long as it has existed. Yellow is a difficult ground to hold over a century, because plant yellows are the first colors to shift, so a hundred-year-old yellow field is a real thing to have found.\u003c\/p\u003e\n\n\u003cp\u003eWool is the only fiber in the record, pile and foundation both. What a rug of this age carries with it is honest wear: the pile is lower than it was, the ends have been handled a great many times, and the colors have moved with light and washing. Those are not defects in an antique — they are the reasons it costs what it costs — but anyone wanting an even, unmarked surface should look at a new rug instead. Small pieces like this often end up on a wall or over a chest rather than on a floor. Have it washed by someone who washes old rugs, and no one else.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in Çal, Denizli; wool throughout.\u003c\/li\u003e\n  \u003cli\u003eDyed with kök boya — root and plant dyes.\u003c\/li\u003e\n  \u003cli\u003ePrayer-rug format: a directional niche at one end, plain field within.\u003c\/li\u003e\n  \u003cli\u003ePast a hundred years, which is the trade's antique line; there is no issuing authority.\u003c\/li\u003e\n  \u003cli\u003e95 × 132 cm (3'1\" × 4'4\"), about 1.25 square meters.\u003c\/li\u003e\n  \u003cli\u003eAge shows as lowered pile, handled ends and shifted color.\u003c\/li\u003e\n  \u003cli\u003eSpecialist washing only. A single piece.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat makes this a prayer rug rather than a small rug?\u003c\/h3\u003e\n\u003cp\u003eThe drawing does, not the material. A prayer rug carries a niche at one end that gives the piece a direction, and the field inside the niche is usually kept plainer than the border. The format has stayed small because it was made to be carried and laid down anywhere.\u003c\/p\u003e\n\n\u003ch3\u003eAt what age is a rug called antique?\u003c\/h3\u003e\n\u003cp\u003eHere the word antique is applied once a rug passes its century. Semi-antique covers the bracket from fifty years to a hundred, and vintage covers twenty to eighty. These are trade conventions with no issuing body behind them, and dealers draw the lines in slightly different places.\u003c\/p\u003e\n\n\u003cscript type=\"application\/ld+json\"\u003e{\"@context\":\"https:\/\/schema.org\",\"@type\":\"FAQPage\",\"mainEntity\":[{\"@type\":\"Question\",\"name\":\"What makes this a prayer rug rather than a small rug?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"The drawing does, not the material. A prayer rug carries a niche at one end that gives the piece a direction, and the field inside the niche is usually kept plainer than the border. The format has stayed small because it was made to be carried and laid down anywhere.\"}},{\"@type\":\"Question\",\"name\":\"At what age is a rug called antique?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"Here the word antique is applied once a rug passes its century. Semi-antique covers the bracket from fifty years to a hundred, and vintage covers twenty to eighty. These are trade conventions with no issuing body behind them, and dealers draw the lines in slightly different places.\"}}]}\u003c\/script\u003e\n\n\u003cp\u003eA century of use is already in this one, and whatever it does next will be a small addition to a long record.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Yellow \/ 95 X 132","offer_id":50797829259497,"sku":"MZTAND000094.01","price":68000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaKokBoyaliAntika100_YasDenizliCalSeccadeHali_1.webp?v=1775896735"},{"product_id":"koy-dokuma-80-yas-sandik-eskisi-kok-boya-yahyali-seccade-hali","title":"Multicolor Hand-Knotted Wool Prayer Rug, Yahyalı Village Weave","description":"\u003cp\u003e\u003cstrong\u003eUnder a square meter — 78 × 122 cm (2'7\" × 4'0\") — which is roughly the size a prayer rug has always been, being about the ground a kneeling adult takes up. Hand-knotted in Yahyalı, in Kayseri province, from plant-dyed wool over a cotton foundation, and past eighty years old. Multicolored. This one was taken from a chest, not lifted off a floor.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eYahyalı weavings are known by a small set of habits: strong reds and blues, a compact field, and a border that does a lot of work relative to the size of the piece. At eighty-plus years this one falls in the semi-antique band, the fifty-to-hundred bracket the trade uses, and it has the coloring that goes with plant dyeing rather than a chemical bath — reds that vary along the length, blues that go slightly green where the light has reached them. Village weaving of this generation was made for a household and not for a market, which is why the drawing is confident rather than careful.\u003c\/p\u003e\n\n\u003cp\u003eWool sits on top; below it the warp and weft are cotton, a slightly firmer combination than the all-wool foundations of the older village pieces and holds the small format square. Because it was stored rather than used, the pile is fuller than eighty years would suggest, and the fringes have been protected from the wear that usually takes them first. That storage leaves fold lines, and they need a week under furniture to lie down. Wash it professionally, and comb rather than brush the ends.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in Yahyalı, Kayseri; wool pile on a cotton foundation.\u003c\/li\u003e\n  \u003cli\u003ePlant-dyed, with the color variation that follows from it.\u003c\/li\u003e\n  \u003cli\u003ePrayer format at 78 × 122 cm (2'7\" × 4'0\"), under one square meter.\u003c\/li\u003e\n  \u003cli\u003ePast eighty years, which puts it in the semi-antique band of fifty to a hundred.\u003c\/li\u003e\n  \u003cli\u003eChest-stored, so the pile and fringes are fuller than the age implies.\u003c\/li\u003e\n  \u003cli\u003eFold lines are present and take about a week to settle.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing; comb the ends by hand. One piece.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eSmall rugs of this kind usually end up somewhere they can be looked at closely, which is what they were drawn for.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"colorful \/ 78 X 122","offer_id":50797831356649,"sku":"MZTAND000095.01","price":48000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/KoyDokuma80_YasSandikEskisiKokBoyaYahyaliSeccadeHali_2.webp?v=1775897170"},{"product_id":"el-dokuma-kok-boyali-90-yas-afyon-antik-dazkiri-halisi","title":"Green Anatolian Hand-Knotted Wool Rug, Antique Dazkırı","description":"\u003cp\u003e\u003cstrong\u003eDazkırı is a district of Afyonkarahisar in western Anatolia, and it lends its name to the weaving of this piece: a hand-knotted wool rug, green, 98 × 115 cm (3'3\" × 3'9\"), dyed with kök boya and past ninety years old. Nearly square, and small enough to be handled by one person. Anatolian drawing in the ethnic register. One of one.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eGreen is the rarest of the plant-dyed grounds, and there is a technical reason for it. No single plant gives a fast green; the color has to be built in two dyeings — a yellow over an indigo blue, or the reverse — so any green field represents twice the work of a red or a blue one, and twice the opportunity for the two layers to age at different rates. Ninety years on, a plant green usually reads as a soft olive with the blue showing through where the yellow has faded first. That drift is the color's biography and it cannot be faked.\u003c\/p\u003e\n\n\u003cp\u003eWool alone, in the pile and beneath it. At just over a square meter this is a piece for a doorway, a bedside, or a wall, and its near-square proportion makes it awkward in a corridor and comfortable almost anywhere else. A rug that has been on floors for nine decades has thin places and worn ends, which is the usual state of an antique and not a fault of this one — a buyer wanting an even surface is looking for something new. It should be washed by someone used to old rugs.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in Dazkırı, Afyonkarahisar; wool only.\u003c\/li\u003e\n  \u003cli\u003eKök boya dyeing — green built from two dyeings rather than one plant.\u003c\/li\u003e\n  \u003cli\u003eThe green has drifted toward olive as the yellow layer aged faster than the blue.\u003c\/li\u003e\n  \u003cli\u003e98 × 115 cm (3'3\" × 3'9\"), close to square, about 1.1 square meters.\u003c\/li\u003e\n  \u003cli\u003ePast ninety years, at the edge of the trade's antique band.\u003c\/li\u003e\n  \u003cli\u003eWear and thin places are normal in a rug of this age.\u003c\/li\u003e\n  \u003cli\u003eSpecialist washing only. A single piece.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eGreen rugs turn up rarely enough that most collections do not contain one, which is the only argument this piece really needs.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Green \/ 98 X 115","offer_id":50797833060585,"sku":"MZTAND000096.01","price":68000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaKokBoyali90_YasAfyonAntikDazkiriHalisi_1.webp?v=1775897220"},{"product_id":"el-dokuma-kok-boyali-70-yas-sandik-eskisi-kirmizi-antep-halisi","title":"Red Anatolian Hand-Knotted Plant-Dyed Wool Antep Rug","description":"\u003cp\u003e\u003cstrong\u003eThis hand-knotted Antep rug puts an Anatolian drawing on a red ground, 116 × 235 cm (3'10\" × 7'9\"), in wool colored with kök boya. It is past seventy years old and it spent most of that time folded in a chest, which is why the pile has not been worn away down the middle. Long and narrow in proportion: closer to a corridor than a sitting room.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eAntep sits in the southeast, where Anatolian weaving meets the drawing traditions of northern Syria and northern Iraq, and rugs from the area tend to carry that inheritance in their motifs — angular, densely repeated, with a border built from several thin bands rather than one wide one. The red here comes from madder root, the standard source of red in Anatolian plant dyeing, and madder is the reason old Turkish reds settle into brick rather than staying at pillar-box brightness. Held against walnut or against a dark leather chair, that shade belongs; held against a cool gray room it will look like the only warm thing present, which may be exactly the point.\u003c\/p\u003e\n\n\u003cp\u003eWool in the yarn record and nothing else. Seventy years is the vintage band as the trade uses it, and a piece from that period, stored rather than used, arrives in a condition that a seventy-year-old rug off a floor never would: the pile is even and the ends are intact. The trade-off is that the fold lines are set deep and will take a week or two of being walked on before they release. This one wants professional washing before it goes down, and a plain vacuum head afterward.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in Antep; wool throughout, dyed with kök boya.\u003c\/li\u003e\n  \u003cli\u003eMadder red, which ages toward brick rather than staying bright.\u003c\/li\u003e\n  \u003cli\u003eAngular Anatolian drawing with a border built from several narrow bands.\u003c\/li\u003e\n  \u003cli\u003e116 × 235 cm (3'10\" × 7'9\"), a long narrow proportion for a hall or a passage.\u003c\/li\u003e\n  \u003cli\u003ePast seventy years, inside the vintage band as the trade defines it.\u003c\/li\u003e\n  \u003cli\u003eChest-stored: even pile and intact ends, but deep fold lines at first.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing before use. One piece.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eCorridor rugs take more traffic than any other piece in a house, and this one starts that job with almost all of its pile still in place.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Red \/ 116 X 235","offer_id":50797834240233,"sku":"MZTAND000097.01","price":118000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaKokBoyali70_YasSandikEskisiKirmiziAntepHalisi_1.webp?v=1775897555"},{"product_id":"el-dokuma-usak-desenli-kirmizi-kok-boyali-130-yas-yun-hali","title":"Red Oushak Hand-Knotted Plant-Dyed Wool Rug","description":"\u003cp\u003e\u003cstrong\u003eThe house dates this one at a hundred and thirty years, which puts it comfortably inside the antique band as the trade uses that word. A hand-knotted Oushak in red, 118 × 164 cm (3'10\" × 5'5\"), wool throughout, colored with kök boya. Under two square meters, and there is no second one anywhere.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eRugs from that town have been reaching Europe since the fifteenth century, which is why the drawing turns up painted into Renaissance interiors long before anyone in the West was writing about weaving. The characteristic Oushak field is loosely drawn and generously spaced — few motifs, each of them large, on a red or soft yellow ground — and it is the opposite instinct from a court rug, where the ambition is to fill everything. At a hundred and thirty years the plant reds here have gone the whole way toward brick and terracotta, and abrash bands cross the field where one dye bath gave out and another took over.\u003c\/p\u003e\n\n\u003cp\u003eNothing but wool appears in the yarn record — pile and foundation alike, as village and small-town looms worked. There is no way to be delicate about the condition question on a rug of this age: the pile is low, the ends have been repaired or lost at some point in thirteen decades, and the color at one end will not match the other exactly. Those are the terms on which nineteenth-century rugs exist at all. It wants a washer who handles antique pieces, and it wants an underlay, because a thin old rug slides.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in Oushak, western Anatolia; wool pile and wool foundation.\u003c\/li\u003e\n  \u003cli\u003eKök boya dyeing throughout, with the red long since settled toward brick.\u003c\/li\u003e\n  \u003cli\u003eLoosely drawn Oushak field — few motifs, generously spaced.\u003c\/li\u003e\n  \u003cli\u003eAbrash bands cross the field where the dye baths changed.\u003c\/li\u003e\n  \u003cli\u003e118 × 164 cm (3'10\" × 5'5\"), a little under two square meters.\u003c\/li\u003e\n  \u003cli\u003eAbout a hundred and thirty years old, with the low pile and end wear that implies.\u003c\/li\u003e\n  \u003cli\u003eAntique-rug washing only, and use an underlay. One piece.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eRugs like this one are getting harder to find in original condition every year, and that is simply how the world is rather than a reason to hurry.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Red \/ 118 X 164","offer_id":50809551257833,"sku":"MZTAND000086.01","price":110000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaUsakDesenliKirmiziKokBoyali130YasYunHali_3.webp?v=1775909073"},{"product_id":"el-douma-develi-sihli-sandik-eskisi-70-yas-kok-boya-hali","title":"Red Root-Dyed Hand-Knotted Wool Develi Şıhlı Rug","description":"\u003cp\u003e\u003cstrong\u003eMadder root for the red and indigo for the blue, both of them plant sources rather than a chemical bath: Red Root-Dyed Hand-Knotted Wool Develi Şıhlı Rug, 124 × 223 cm (4'1\" × 7'4\"), woven more than seventy years ago in Şıhlı, a village in the Develi district of Kayseri. Wool throughout, and one of it.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003ePlant dye is recognized by what it fails to do, which is stay the same. One batch of madder gives a slightly different value from the batch before it, so a red field laid down over months moves in horizontal passes from brick toward a deeper wine and back again — abrash, in the trade's word for it. On a rug of this age the drift has had decades to settle and now reads as depth rather than as unevenness. Indigo does the outlining, and the drawing is central Anatolian: stepped forms, hooks, a border repeating one figure the whole way round.\u003c\/p\u003e\n\n\u003cp\u003eEverything in it is wool, pile and foundation alike, knotted in a village rather than in a workshop. Age is the thing to weigh here. Seventy-odd years puts it in the semi-antique band the trade uses — fifty to a hundred years — which no body issues or checks, and a rug of that age has thinner places, ends secured at some point by somebody, and a sheen along the walking lines that cannot be manufactured. Keep it out of long direct sun, because plant color goes on moving. Cleaning belongs to a specialist in old rugs.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in Şıhlı, in the Develi district of Kayseri.\u003c\/li\u003e\n  \u003cli\u003eWool throughout, pile and foundation both.\u003c\/li\u003e\n  \u003cli\u003eRoot-dyed: madder for the reds, indigo for the outlining blues.\u003c\/li\u003e\n  \u003cli\u003eThe red moves in horizontal passes across the field, which is abrash.\u003c\/li\u003e\n  \u003cli\u003e124 × 223 cm (4'1\" × 7'4\").\u003c\/li\u003e\n  \u003cli\u003eOver seventy years old — semi-antique in trade usage, certified by nobody.\u003c\/li\u003e\n  \u003cli\u003eExpect thin places, old repairs and a walking sheen.\u003c\/li\u003e\n  \u003cli\u003eKeep it out of a sun path. Cleaning by an old-rug specialist.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow old is a semi-antique rug?\u003c\/h3\u003e\n\u003cp\u003eFifty to a hundred years, in the usage this house follows. Antique means a hundred years or more, vintage covers roughly twenty to eighty, and new means new. No authority issues or checks any of these words, and dealers apply them somewhat differently from one another.\u003c\/p\u003e\n\n\u003ch3\u003eDoes plant dye fade?\u003c\/h3\u003e\n\u003cp\u003eIt changes. Madder and indigo go on moving for the whole life of a rug, drifting quieter and warmer rather than washing out, and strong direct sunlight speeds that along considerably. Keeping the rug out of a sun path is the single most useful thing an owner can do for it.\u003c\/p\u003e\n\n\u003cscript type=\"application\/ld+json\"\u003e\n{\"@context\":\"https:\/\/schema.org\",\"@type\":\"FAQPage\",\"mainEntity\":[{\"@type\":\"Question\",\"name\":\"How old is a semi-antique rug?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"Fifty to a hundred years, in the usage this house follows. Antique means a hundred years or more, vintage covers roughly twenty to eighty, and new means new. No authority issues or checks any of these words, and dealers apply them somewhat differently from one another.\"}},{\"@type\":\"Question\",\"name\":\"Does plant dye fade?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"It changes. Madder and indigo go on moving for the whole life of a rug, drifting quieter and warmer rather than washing out, and strong direct sunlight speeds that along considerably. Keeping the rug out of a sun path is the single most useful thing an owner can do for it.\"}}]}\n\u003c\/script\u003e\n\n\u003cp\u003eThe red it will be in twenty years is already on its way, and there is nothing anybody can do about that except keep the curtains half drawn.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Red \/ 124 X 223","offer_id":51511062298857,"sku":"MZTAND000098.01","price":110000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDoumaDeveliSihliSandikEskisi_70YasKokBoyaHali_1.webp?v=1784710427"}],"url":"https:\/\/www.halicizade.com\/en\/collections\/kok-boya-hali.oembed","provider":"HALICIZADE","version":"1.0","type":"link"}