{"title":"Orange Rugs","description":"\u003cp\u003e\u003cstrong\u003eAn orange rug is a floor covering woven or dyed in warm orange tones, from soft terracotta and burnt sienna to deeper rust, achieved in traditional Turkish weaving through natural madder and henna-based dyeing methods.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOrange sits at an interesting crossroads in rug color psychology, bold enough to be a genuine statement, but warm and earthy enough (particularly in its terracotta and rust variations) to feel grounded rather than jarring, which is part of why it's become increasingly popular beyond its traditional Turkish weaving roots.\u003c\/p\u003e\n\u003ch2\u003eNatural Dye Sources Behind Traditional Orange\u003c\/h2\u003e\n\u003cp\u003eWarm orange and rust tones are achieved through natural madder and henna dyeing methods still used by Anatolian weavers, often the same madder root that produces red, but processed or combined differently to shift the resulting tone toward orange and rust rather than true red. This connects orange-toned rugs directly to the same historical dye tradition responsible for Turkish weaving's classic reds.\u003c\/p\u003e\n\u003ch2\u003eThe Range of Orange We Carry\u003c\/h2\u003e\n\u003cp\u003eOur orange collection spans soft terracotta (muted, earthy, currently very popular for its warm-neutral versatility), burnt sienna and rust (mid-depth, traditional), and deeper orange-brown blends that lean toward a spiced, autumnal tone.\u003c\/p\u003e\n\u003ch2\u003eWhy Choose an Orange Rug from Halıcızade\u003c\/h2\u003e\n\u003cp\u003eBecause orange and rust tones connect so directly to traditional madder and henna dye processes, we treat this color family as one of our more historically grounded offerings, not a trend color layered onto traditional weaving, but a natural extension of dye methods that have been in continuous use for generations.\u003c\/p\u003e\n\u003ch2\u003eStyling Orange by Shade\u003c\/h2\u003e\n\u003cp\u003eTerracotta and rust read very differently from a bright, saturated orange, and the styling approach should shift accordingly.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTerracotta: pairs beautifully with cream, sage green and warm wood; reads as an earthy, versatile neutral-adjacent tone.\u003c\/li\u003e\n\u003cli\u003eRust or burnt sienna: pairs well with navy, teal and cream for a rich, warm contrast.\u003c\/li\u003e\n\u003cli\u003eBold, saturated orange: works as a genuine statement piece; pair with simple, largely neutral furniture.\u003c\/li\u003e\n\u003cli\u003eKitchens and living rooms are particularly popular placements for this warm, energetic color family.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eOrange Shade Comparison\u003c\/h2\u003e\n\u003ctable\u003e\u003ctr\u003e\u003cth\u003eShade\u003c\/th\u003e\u003cth\u003eMood\u003c\/th\u003e\u003cth\u003ePairs Well With\u003c\/th\u003e\u003cth\u003eBest Rooms\u003c\/th\u003e\u003c\/tr\u003e\u003ctr\u003e\u003ctd\u003eTerracotta\u003c\/td\u003e\u003ctd\u003eWarm, earthy, versatile\u003c\/td\u003e\u003ctd\u003eCream, sage, natural wood\u003c\/td\u003e\u003ctd\u003eLiving room, kitchen\u003c\/td\u003e\u003c\/tr\u003e\u003ctr\u003e\u003ctd\u003eRust \/ Burnt Sienna\u003c\/td\u003e\u003ctd\u003eRich, warm, traditional\u003c\/td\u003e\u003ctd\u003eNavy, teal, cream\u003c\/td\u003e\u003ctd\u003eLiving room, dining room\u003c\/td\u003e\u003c\/tr\u003e\u003ctr\u003e\u003ctd\u003eBold Orange\u003c\/td\u003e\u003ctd\u003eEnergetic, bold statement\u003c\/td\u003e\u003ctd\u003eNeutral furniture, navy accents\u003c\/td\u003e\u003ctd\u003eLiving room, kitchen\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\n\u003ch2\u003eCare \u0026amp; Maintenance\u003c\/h2\u003e\n\u003cp\u003eOrange and rust dyes from traditional madder and henna sources are generally stable, but as with any color, moderate sun exposure and prompt spill cleanup will help preserve depth and richness over time.\u003c\/p\u003e\n\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\n\u003ch3\u003eWhat wall colors go best with an orange rug?\u003c\/h3\u003e\n\u003cp\u003eCream, white and warm gray walls let an orange rug lead the room's palette; navy or teal walls pair particularly well with rust-toned rugs specifically.\u003c\/p\u003e\n\u003ch3\u003eHow is traditional orange dye achieved in Turkish rugs?\u003c\/h3\u003e\n\u003cp\u003eThrough natural madder and henna dyeing methods, often the same madder root responsible for classic Turkish reds, processed to shift the resulting tone toward orange and rust.\u003c\/p\u003e\n\u003ch3\u003eWhat is the difference between terracotta and rust in rug colors?\u003c\/h3\u003e\n\u003cp\u003eTerracotta is generally softer and more muted, reading as an earthy neutral, while rust is deeper and more saturated, closer to a traditional burnt orange-red.\u003c\/p\u003e\n\u003ch3\u003eIs orange a good rug color for a kitchen?\u003c\/h3\u003e\n\u003cp\u003eYes, warm orange and terracotta tones are particularly popular in kitchens for their energetic yet earthy character.\u003c\/p\u003e\n\u003ch3\u003eWhat Turkish rug patterns are available in orange?\u003c\/h3\u003e\n\u003cp\u003eOrange and rust tones appear across Anatolian geometrics, Oushak-style patterns and kilim designs, both as a dominant ground color and as an accent within a multicolor design.\u003c\/p\u003e\n\u003ch3\u003eDoes orange dye fade in sunlight?\u003c\/h3\u003e\n\u003cp\u003eTraditional madder and henna-based orange and rust dyes are generally quite stable, though as with any color, prolonged intense direct sun exposure can gradually affect depth over many years.\u003c\/p\u003e\n\u003cscript type=\"application\/ld+json\"\u003e{\n  \"@context\": \"https:\/\/schema.org\",\n  \"@type\": \"FAQPage\",\n  \"mainEntity\": [\n    {\n      \"@type\": \"Question\",\n      \"name\": \"What wall colors go best with an orange rug?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"Cream, white and warm gray walls let an orange rug lead the room's palette; navy or teal walls pair particularly well with rust-toned rugs specifically.\"\n      }\n    },\n    {\n      \"@type\": \"Question\",\n      \"name\": \"How is traditional orange dye achieved in Turkish rugs?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"Through natural madder and henna dyeing methods, often the same madder root responsible for classic Turkish reds, processed to shift the resulting tone toward orange and rust.\"\n      }\n    },\n    {\n      \"@type\": \"Question\",\n      \"name\": \"What is the difference between terracotta and rust in rug colors?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"Terracotta is generally softer and more muted, reading as an earthy neutral, while rust is deeper and more saturated, closer to a traditional burnt orange-red.\"\n      }\n    },\n    {\n      \"@type\": \"Question\",\n      \"name\": \"Is orange a good rug color for a kitchen?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"Yes, warm orange and terracotta tones are particularly popular in kitchens for their energetic yet earthy character.\"\n      }\n    },\n    {\n      \"@type\": \"Question\",\n      \"name\": \"What Turkish rug patterns are available in orange?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"Orange and rust tones appear across Anatolian geometrics, Oushak-style patterns and kilim designs, both as a dominant ground color and as an accent within a multicolor design.\"\n      }\n    },\n    {\n      \"@type\": \"Question\",\n      \"name\": \"Does orange dye fade in sunlight?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"Traditional madder and henna-based orange and rust dyes are generally quite stable, though as with any color, prolonged intense direct sun exposure can gradually affect depth over many years.\"\n      }\n    }\n  ]\n}\u003c\/script\u003e","products":[{"product_id":"anadolu-desenli-el-dokuma-sandik-eskisi-tulu-kilim-5654","title":"Multicolor Anatolian Handwoven Tülü Runner Kilim","description":"\u003cp\u003e\u003cstrong\u003eSixty to a hundred years is the age the house puts on this one, which sets it between semi-antique and antique in the trade's own reckoning — conventions the rug business uses with no authority issuing them. A multicolor Anatolian tülü runner, handwoven in wool in Türkiye, 100 × 335 cm (3'3\" × 10'11\"), with orange running through it.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eA tülü is not a kilim and not a knotted rug: it is a long-pile Anatolian weaving in which loops of unspun or barely spun wool are worked into a flatwoven ground and left standing, giving a shaggy, uneven surface with a knot count far below that of a village rug. They were made for sleeping and sitting on rather than for display, which is why the drawing on them is loose and the color arrangement is closer to improvisation than to a pattern. Anatolian motifs appear, but interrupted, and the length of the pile blurs their edges further.\u003c\/p\u003e\n\n\u003cp\u003eSandık eskisi is the Turkish phrase for it — literally chest-old, a piece kept folded in a dowry chest and taken out only for guests, which is how a wool weaving survives this long at all. What comes with that history is real. Expect creases where it was folded for decades, some flattening in the pile, and color that has moved unevenly. A hundred by three hundred and thirty-five centimeters puts it squarely in a corridor, and at this age it should be washed by someone who handles old wool and nobody else. When this goes there is not another with these particular sixty years in it.\u003c\/p\u003e\n\n\u003ch3\u003eWhat is a tülü?\u003c\/h3\u003e\n\u003cp\u003eA tülü is a long-pile Anatolian weaving in which loops of thick, barely spun wool are worked into a flatwoven ground and left standing. The result is shaggy and uneven, with a much lower knot density than a village rug, and it was made to be slept and sat on rather than looked at.\u003c\/p\u003e\n\n\u003ch3\u003eWhat does sandık eskisi mean?\u003c\/h3\u003e\n\u003cp\u003eIt translates as chest-old: a piece that was kept folded away in a dowry chest and brought out only for guests. That is the usual explanation for how a wool weaving reaches sixty or a hundred years in usable condition, and it also explains the fold lines such pieces arrive with.\u003c\/p\u003e\n\n\u003cscript type=\"application\/ld+json\"\u003e{\"@context\":\"https:\/\/schema.org\",\"@type\":\"FAQPage\",\"mainEntity\":[{\"@type\":\"Question\",\"name\":\"What is a tülü?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"A tülü is a long-pile Anatolian weaving in which loops of thick, barely spun wool are worked into a flatwoven ground and left standing. The result is shaggy and uneven, with a much lower knot density than a village rug, and it was made to be slept and sat on rather than looked at.\"}},{\"@type\":\"Question\",\"name\":\"What does sandık eskisi mean?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"It translates as chest-old: a piece that was kept folded away in a dowry chest and brought out only for guests. That is the usual explanation for how a wool weaving reaches sixty or a hundred years in usable condition, and it also explains the fold lines such pieces arrive with.\"}}]}\u003c\/script\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven in wool in Türkiye; the house dates it at 60 to 100 years.\u003c\/li\u003e\n  \u003cli\u003eTülü construction: long loops of thick wool standing on a flatwoven ground.\u003c\/li\u003e\n  \u003cli\u003e100 × 335 cm (3'3\" × 10'11\") — corridor proportions.\u003c\/li\u003e\n  \u003cli\u003eMulticolored with orange dominant, in a loose Anatolian drawing.\u003c\/li\u003e\n  \u003cli\u003eSandık eskisi: kept folded in a chest, which is why it survived.\u003c\/li\u003e\n  \u003cli\u003eFold creases, flattened pile and uneven color come with the age.\u003c\/li\u003e\n  \u003cli\u003eTrade age terms are conventions with no issuing authority behind them.\u003c\/li\u003e\n  \u003cli\u003eWashing by someone who works on old wool.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWhoever wove this was making something to sleep on, and it has outlived every rug that was made to be admired.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Colorful \/ 100 X 335","offer_id":44252128313577,"sku":"HALİKİ000027.01","price":57000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/products\/ikinci-el-anadolu-desenli-el-dokuma-tulu-kilim-25521.jpg?v=1689706227"},{"product_id":"obra-serisi-el-dokuma-anadolu-desenli-kok-boyali-yun-hali","title":"Terracotta Anatolian Handwoven Wool Rug, Obra Series","description":"\u003cp\u003e\u003cstrong\u003eRoot dye first: the terracotta, green and yellow in this Obra Series rug come from plant dyes rather than from a chemical bath, which is why no two areas of the same color sit at exactly the same strength. Handwoven from wool on a cotton foundation, in a classical Anatolian drawing with a medallion at the center.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe field is Anatolian in the older sense — a medallion held in the middle, motifs stepping outward from it, borders repeating the same forms at a smaller scale. Root dyeing, \u003cem\u003ekök boya\u003c\/em\u003e, is the tradition of coloring yarn with madder, indigo and other plant sources, and its signature is a slow drift of tone across a woven field that weavers call abrash. Here the terracotta carries the medallion and the green and yellow work around it, and the drift is most visible where a large area of one color runs unbroken.\u003c\/p\u003e\n\n\u003cp\u003eWool takes the pile; cotton makes the foundation underneath it. The knots were tied by hand and set close together, which is what gives the rug a soft face and a hard-wearing back at the same time. It was woven in India, in the workshops that keep Anatolian drawing alive outside Anatolia, and it is a single piece rather than one of a run. Because plant dye is not fixed the way industrial dye is, keep it out of long direct sun and have a rug cleaner wash it instead of attempting it at home.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven, wool pile on a cotton foundation.\u003c\/li\u003e\n  \u003cli\u003eColored with root dyes — the madder-and-indigo tradition, not synthetic color.\u003c\/li\u003e\n  \u003cli\u003eTerracotta, green and yellow, with tonal drift across large areas.\u003c\/li\u003e\n  \u003cli\u003eA classical Anatolian field with a central medallion.\u003c\/li\u003e\n  \u003cli\u003eWoven in India.\u003c\/li\u003e\n  \u003cli\u003eKeep it out of prolonged direct sunlight.\u003c\/li\u003e\n  \u003cli\u003eWashing is for a rug specialist.\u003c\/li\u003e\n  \u003cli\u003eOne piece, in this size and this coloring.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat does root-dyed mean on a rug?\u003c\/h3\u003e\n\u003cp\u003eRoot dye, \u003cem\u003ekök boya\u003c\/em\u003e in Turkish, means the yarn was colored with plant sources such as madder root and indigo instead of synthetic dye. The tones sit slightly unevenly and shift as they age, and that unevenness is how a plant-dyed rug is recognized.\u003c\/p\u003e\n\n\u003ch3\u003eWhy do the colors change across the field?\u003c\/h3\u003e\n\u003cp\u003eWeavers call it abrash. Dye lots made from plants never match exactly, so as one batch of yarn runs out and the next begins the tone steps very slightly. On this rug it shows most in the terracotta, and it is a mark of hand production rather than a fault.\u003c\/p\u003e\n\n\u003cscript type=\"application\/ld+json\"\u003e\n{\"@context\":\"https:\/\/schema.org\",\"@type\":\"FAQPage\",\"mainEntity\":[{\"@type\":\"Question\",\"name\":\"What does root-dyed mean on a rug?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"Root dye, kök boya in Turkish, means the yarn was colored with plant sources such as madder root and indigo instead of synthetic dye. The tones sit slightly unevenly and shift as they age, and that unevenness is how a plant-dyed rug is recognized.\"}},{\"@type\":\"Question\",\"name\":\"Why do the colors change across the field?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"Weavers call it abrash. Dye lots made from plants never match exactly, so as one batch of yarn runs out and the next begins the tone steps very slightly. On this rug it shows most in the terracotta, and it is a mark of hand production rather than a fault.\"}}]}\n\u003c\/script\u003e\n\n\u003cp\u003ePlant color goes on moving after the rug is finished, and in twenty years the terracotta will be a quieter version of the color that arrived.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Earth \/ 120 X 180","offer_id":44157021225193,"sku":"EKOOBR000002.01","price":105000.0,"currency_code":"TRY","in_stock":true},{"title":"Earth \/ 170 X 240","offer_id":46029638074601,"sku":"EKOOBR000002.02","price":199000.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ObraSerisiElDokumaAnadoluDesenliKokBoyaliYunHali_6_0157fed9-15e6-4256-a5d0-11db32b61a37.jpg?v=1724669114"},{"product_id":"safir-serisi-usak-desenli-el-dokuma-oymali-hali-11","title":"Cream Carved Oushak-Pattern Handwoven Rug, Safir Series","description":"\u003cp\u003e\u003cstrong\u003eThe unusual thing here is that the pattern was cut as well as tied. A cream handwoven rug from the Safir series measuring 120 × 180 cm (3'11\" × 5'11\"), its Oushak ornament carved by hand with shears once the weaving was finished, so every outline stands slightly proud of the ground. Woven in India at high knot density.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eCarving is what gives a flat drawing a shadow. A weaver goes over the finished pile and cuts down the ground around each motif by a few millimeters, so the ornament keeps its own height and the light stops at its edge. On a cream rug this matters more than on a dark one, because cream has no contrast to spare — the relief supplies the definition that color would otherwise have to. The Oushak motifs underneath are the classical ones, handled with a lighter hand than an antique would use.\u003c\/p\u003e\n\n\u003cp\u003eIt is knotted densely, which is the precondition for carving at all: a loose pile collapses under the shears and the line goes ragged. Wool carries the ground and bamboo viscose runs through the ornament, which is why the cut edges catch more light than the field does. Carved rugs need a little care in use — a vacuum with a beater bar drags at the raised outlines, so use suction alone. Have it washed by a specialist, who will know to brush the pile back into its relief afterward.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven in India for Halıcızade.\u003c\/li\u003e\n  \u003cli\u003eThe Oushak pattern is carved by hand with shears after weaving.\u003c\/li\u003e\n  \u003cli\u003eHigh knot density — the relief could not be cut into a loose pile.\u003c\/li\u003e\n  \u003cli\u003eWool and bamboo viscose in the surface.\u003c\/li\u003e\n  \u003cli\u003e120 × 180 cm (3'11\" × 5'11\"), a bedroom or study size.\u003c\/li\u003e\n  \u003cli\u003eVacuum on suction only; a beater bar pulls at the carved edges.\u003c\/li\u003e\n  \u003cli\u003eSpecialist washing, with the pile brushed back into relief.\u003c\/li\u003e\n  \u003cli\u003eThere is one of it.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat does it mean for a rug to be carved?\u003c\/h3\u003e\n\u003cp\u003eOnce the weaving is finished, someone goes over the surface with shears and cuts the pile down around each motif by a few millimeters. The ornament keeps its full height, the ground drops away, and the outline gains a shadow.\u003c\/p\u003e\n\n\u003ch3\u003eDoes the carving wear away with use?\u003c\/h3\u003e\n\u003cp\u003eNot from ordinary walking, because the cut goes into the ground rather than into the motif. What damages it is a vacuum with a rotating beater bar, which drags at the raised edges. Suction alone is safe, and a specialist wash restores the relief.\u003c\/p\u003e\n\n\u003cscript type=\"application\/ld+json\"\u003e{\"@context\":\"https:\/\/schema.org\",\"@type\":\"FAQPage\",\"mainEntity\":[{\"@type\":\"Question\",\"name\":\"What does it mean for a rug to be carved?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"Once the weaving is finished, someone goes over the surface with shears and cuts the pile down around each motif by a few millimeters. The ornament keeps its full height, the ground drops away, and the outline gains a shadow.\"}},{\"@type\":\"Question\",\"name\":\"Does the carving wear away with use?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"Not from ordinary walking, because the cut goes into the ground rather than into the motif. What damages it is a vacuum with a rotating beater bar, which drags at the raised edges. Suction alone is safe, and a specialist wash restores the relief.\"}}]}\u003c\/script\u003e\n\n\u003cp\u003ePhotographs flatten it and showrooms rarely light it properly. The carving is a thing you find with a hand rather than an eye.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Cream \/ 120 X 180","offer_id":44157025911017,"sku":"EKOSAP000002.01","price":65000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/EKOSAP000002_6_SafirSerisiElDokumaUsakDesenliKremHali.jpg?v=1704977936"},{"product_id":"karnaval-serisi-tezgah-dokuma-sal-desenli-turuncu-hali","title":"Orange Shawl-Pattern Loom-Woven Wool Rug, Karnaval Series","description":"\u003cp\u003e\u003cstrong\u003eThe shawl drawing is the one that traveled — the repeating teardrop figure that came off Kashmir shawls and that English ended up naming after Paisley, the Scottish town that copied them — and here it is worked in wool over an orange ground, loom-woven in India, in three sizes: 60 × 90 cm (2' × 2'11\"), 150 × 217 cm (4'11\" × 7'1\") and 197 × 279 cm (6'6\" × 9'2\").\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eOrange asks a lot of a floor. This one earns it by staying warm rather than bright, nearer the color of a clay tile than of a signal. The shawl figures repeat across the field in a way that is ethnic in origin and modern in effect, because the repetition is regular and the ground is left visible between them. In a room of one flat tone it becomes the depth the room does not otherwise have. Where a scheme already has orange or its neighbors in it, the rug reinforces rather than competes. It sits against natural wood, against white, and — surprisingly — against black.\u003c\/p\u003e\n\n\u003cp\u003eWeavers in India work the wool on the loom, and the fringes at each end are tied by hand once the rug comes off it. Wool is what gives the pile its resilience and the color its depth; a synthetic yarn would take this orange much brighter and much flatter. Keeping it is simple: vacuum it on a regular schedule, which is most of what the color needs to stay where it is. Two remain.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eLoom-woven in India, with the fringes tied by hand afterward.\u003c\/li\u003e\n  \u003cli\u003eWool pile; the depth of the orange comes from the fiber taking dye unevenly.\u003c\/li\u003e\n  \u003cli\u003eA repeating shawl figure — what English calls paisley — over an orange ground.\u003c\/li\u003e\n  \u003cli\u003eThree sizes: 60 × 90, 150 × 217 and 197 × 279 cm.\u003c\/li\u003e\n  \u003cli\u003eReads as a single focal object in a room of flat color.\u003c\/li\u003e\n  \u003cli\u003eRegular vacuuming is what keeps the orange from going dull.\u003c\/li\u003e\n  \u003cli\u003eTwo pieces in stock.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eIt is the rug that gets bought for a child's room and ends up in the living room within a year.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Orange \/ 60 X 90","offer_id":46547281084649,"sku":"HALKAR000002.02","price":7500.0,"currency_code":"TRY","in_stock":true},{"title":"Orange \/ 150 X 217","offer_id":44371441025257,"sku":"HALKAR000002.04","price":42500.0,"currency_code":"TRY","in_stock":false},{"title":"Orange \/ 197 X 279","offer_id":46547281117417,"sku":"HALKAR000002.06","price":72000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/KarnavalSerisiElDokumaSalDesenliTuruncuHali_1.jpg?v=1709566430"},{"product_id":"focus-serisi-tezgah-dokuma-sade-terra-hali","title":"Terracotta Plain Loom-Woven Wool Rug, Focus Series","description":"\u003cp\u003e\u003cstrong\u003eTerracotta is the whole design. A plain Focus-series rug, woven on Indian looms from wool, bamboo viscose and cotton, with the color running dark through light and back to dark across the width, so the surface has movement without carrying a single motif. Eight sizes are made, among them an 80 × 300 cm runner and, at the top of the range, 240 × 340 cm, which is 7'10\" by 11'2\".\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe tone gathers orange, brick, red and coral in one place, which is why it does not behave like a flat orange: in daylight it leans brick, under a warm bulb it goes toward coral. What keeps a plain rug from looking industrial is the faint watered shimmer left by the weave, visible when you look along the surface rather than down at it. Against oak or walnut, or with smoke, cream, beige and mink around it, the terracotta holds a neutral room together at exactly one point. In a room already full of color it will fight.\u003c\/p\u003e\n\n\u003cp\u003eWool, bamboo viscose and cotton are worked together on traditional Indian looms, where the loom lays the structure and people do the rest — soft underfoot, and softer than the hours in it might suggest. One instruction from the maker that is worth following: keep it out of long direct sunlight, because a color built out of reds is the kind that fades first. Vacuum it regularly and have it professionally cleaned about once a year; that is the whole regime.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eLoom-woven on traditional looms in India.\u003c\/li\u003e\n  \u003cli\u003eWool, bamboo viscose and cotton in the yarn.\u003c\/li\u003e\n  \u003cli\u003ePlain terracotta, shading dark to light and back across the rug.\u003c\/li\u003e\n  \u003cli\u003eA faint watered movement in the surface, visible along the pile rather than down onto it.\u003c\/li\u003e\n  \u003cli\u003eSits with oak and walnut and with smoke, cream, beige, mink and gray.\u003c\/li\u003e\n  \u003cli\u003eKeep it out of long direct sun; the reds are what fade first.\u003c\/li\u003e\n  \u003cli\u003eEight sizes, 80 × 150 cm to 240 × 340 cm, with runners at 80 × 300, 80 × 400 and 100 × 300 cm.\u003c\/li\u003e\n  \u003cli\u003eVacuum regularly, professional cleaning about once a year.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003ePlain rugs get bought last and kept longest, and this is the warm one in a category that is mostly gray.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Earth \/ 80 X 150","offer_id":44370868928745,"sku":"EKOFOC000270.01","price":16000.0,"currency_code":"TRY","in_stock":true},{"title":"Earth \/ 80 X 300","offer_id":46030842659049,"sku":"EKOFOC000270.02","price":31500.0,"currency_code":"TRY","in_stock":true},{"title":"Earth \/ 130 X 190","offer_id":46030842691817,"sku":"EKOFOC000270.05","price":32500.0,"currency_code":"TRY","in_stock":true},{"title":"Earth \/ 100 X 300","offer_id":46030842724585,"sku":"EKOFOC000270.04","price":39000.0,"currency_code":"TRY","in_stock":false},{"title":"Earth \/ 80 X 400","offer_id":46030842757353,"sku":"EKOFOC000270.03","price":42000.0,"currency_code":"TRY","in_stock":false},{"title":"Earth \/ 160 X 230","offer_id":46030842790121,"sku":"EKOFOC000270.07","price":48000.0,"currency_code":"TRY","in_stock":true},{"title":"Earth \/ 200 X 300","offer_id":46030842822889,"sku":"EKOFOC000270.09","price":78000.0,"currency_code":"TRY","in_stock":false},{"title":"Earth \/ 240 X 340","offer_id":46030842855657,"sku":"EKOFOC000270.10","price":107000.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/FocusSerisiTezgahDokumaSadeTerraHali_1.webp?v=1749905497"},{"product_id":"el-dokuma-anadolu-desenli-rengarenk-pamuk-kilim-1","title":"Orange Cicim Handwoven Wool Kilim, Anatolian Motifs","description":"\u003cp\u003e\u003cstrong\u003eAn orange-leaning ground, and Anatolian motifs brocaded across it in the cicim method: this is a handwoven kilim in wool and cotton, 183 × 315 cm (6'0\" × 10'4\"), old, from Türkiye, and singular. At close to six square meters it is a full room-sized flatweave, which is unusual for a piece worked this way.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eCicim is slow. Every motif thread is laid in by hand as the ground advances, so the technique is normally kept for small pieces, cushion faces and runners where the labor is contained. Carrying it across six square meters means the weaver did the slow thing at scale, and the drawing accordingly does not repeat in the mechanical way a large kilim often does — it accumulates. The orange in the ground is not a single dye laid flat either; it is the temperature the whole field settles at, warm enough to pull a room toward it and broken often enough by the brocaded colors that it never becomes one loud plane.\u003c\/p\u003e\n\n\u003cp\u003eWool over a cotton warp. The cotton is what makes this size possible at all: a six-square-meter all-wool flatweave will not hold a true rectangle under its own weight, and the cotton takes the tension so the piece stays square. The brocading gives the surface a low relief, which means it collects a little more dust in the motif areas than a plain kilim would, and a plain suction head will take that out without dragging at the raised threads. Keep the beater bar away from it. Washing goes to a specialist.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven in Türkiye — cicim brocading in wool over a cotton warp.\u003c\/li\u003e\n  \u003cli\u003e183 × 315 cm (6'0\" × 10'4\"), close to six square meters and room-sized.\u003c\/li\u003e\n  \u003cli\u003eAn orange-leaning ground with Anatolian motifs laid over it in relief.\u003c\/li\u003e\n  \u003cli\u003eCicim at this scale is rare; the labor is normally reserved for small pieces.\u003c\/li\u003e\n  \u003cli\u003eThe cotton warp is what keeps a flatweave this large square.\u003c\/li\u003e\n  \u003cli\u003eDust settles in the raised motif areas; use plain suction, never a beater bar.\u003c\/li\u003e\n  \u003cli\u003eAn older piece from the house's rare stock.\u003c\/li\u003e\n  \u003cli\u003eSpecialist washing. One piece only.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eSix square meters of hand brocading is a decision somebody made once, and nobody in that village is likely to make it again.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Colorful \/ 183 X 315","offer_id":44287541936361,"sku":"HALKLH000009.01","price":83000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaAnadoluDesenliRengarenkPamukKilim_2.jpg?v=1705497057"},{"product_id":"el-dokuma-anadolu-desenli-rengarenk-mersin-mut-kilim","title":"Orange Anatolian Handwoven Wool Mut Kilim","description":"\u003cp\u003e\u003cstrong\u003eLong and narrow — a hundred and thirty-one across and three hundred and thirteen down, which is 4'4\" × 10'3\" — and handwoven entirely in wool in the villages of Mut, in Mersin province. Orange leads the color and the rest of the Anatolian palette answers it. Flat-woven, no pile, old, and one of one.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis is the shape of a corridor and of the strip beside a long kitchen counter, and it is also the shape of half a floor in a house where kilims were laid in pairs. Anything narrower than about a meter forty reads as a runner and behaves like one: it wants a straight run to sit in, and it will look wrong pushed under furniture in the middle of a room. Orange in a piece this shape does something specific — a narrow band of warm color draws the eye along its length, so a corridor treated this way feels longer rather than wider, which may be exactly what you want or exactly what you do not.\u003c\/p\u003e\n\n\u003cp\u003eWool warp and wool weft, woven on a village loom. Mut kilims come from the country between the Mediterranean and the Taurus foothills, and the weaving there has stayed domestic rather than becoming a workshop trade. Long pieces take the most wear at the two ends, where people step onto them, so plan to turn it end for end. Underlay matters more on a narrow piece than a wide one, since there is less mass holding it down. Have it washed by a kilim cleaner and not otherwise.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven in wool in the villages around Mut, Mersin province.\u003c\/li\u003e\n  \u003cli\u003e131 × 313 cm (4'4\" × 10'3\"), a corridor or counter-side proportion.\u003c\/li\u003e\n  \u003cli\u003eOrange-led, multicolored, with the Anatolian motif families across the length.\u003c\/li\u003e\n  \u003cli\u003eA warm narrow band draws the eye along, so a hall reads longer.\u003c\/li\u003e\n  \u003cli\u003eFlat-woven with no pile, and reversible.\u003c\/li\u003e\n  \u003cli\u003eWear concentrates at the two ends; turn it end for end periodically.\u003c\/li\u003e\n  \u003cli\u003eUnderlay is more necessary here than on a wide piece.\u003c\/li\u003e\n  \u003cli\u003eKilim-cleaner washing. A single old piece.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eNarrow kilims were made for houses laid out in corridors, and there are more of those now than there were twenty years ago.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Colorful \/ 131 X 313","offer_id":44290430107881,"sku":"MZTKIL000033.01","price":73000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaAnadoluDesenliRengarenkMersinMutKilim_1.jpg?v=1705998289"},{"product_id":"el-dokuma-anadolu-desenli-rengarenk-sivrihisar-yun-kilim","title":"Multicolor Anatolian Handwoven Wool Kilim, Sivrihisar","description":"\u003cp\u003e\u003cstrong\u003eSivrihisar kilims carry a registered geographical indication, which ties the name in law to the district that makes them. This is one: handwoven wool, 183 × 391 cm (6'0\" × 12'10\"), multicolored, worked in traditional Anatolian motifs, and forty to fifty years old.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eOrange leads, and red, green and cream answer it in bands and blocks that were never blended into a scheme — that is what the Turkish word rengarenk describes and what the kilim actually looks like. The motifs are the deep Anatolian ones, shapes that carry meaning in village weaving rather than serving as decoration, and they were set down by a weaver who knew them by heart. Nothing on this piece was worked from a paper cartoon, and the drawing wanders a little along its rows because of it.\u003c\/p\u003e\n\n\u003cp\u003eIt was woven in a village, by hand, entirely in wool, and it has spent four or five decades since. That age puts it in what the trade calls vintage — twenty to eighty years, a usage with no issuing authority behind it, unlike the geographical indication on its name. A long narrow piece like this suited a room shape common then, when a floor was laid with two or three kilims rather than one. Anything of this age wants professional washing and nothing improvised.\u003c\/p\u003e\n\n\u003ch3\u003eWhat does a geographical indication mean on a kilim?\u003c\/h3\u003e\n\u003cp\u003eIt is a legal registration binding a product name to the place that produces it, in the way Champagne is bound to Champagne. A Sivrihisar kilim registered this way has to be woven in that district to carry the name at all.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven in the Sivrihisar district, whose kilims hold a registered geographical indication.\u003c\/li\u003e\n  \u003cli\u003eWool throughout, flat-woven, with no pile.\u003c\/li\u003e\n  \u003cli\u003eForty to fifty years old — vintage by trade usage, which no authority issues.\u003c\/li\u003e\n  \u003cli\u003eOrange-led multicolored bands carrying traditional Anatolian motifs.\u003c\/li\u003e\n  \u003cli\u003eWorked from memory rather than from a drawing, so the motifs shift slightly along their rows.\u003c\/li\u003e\n  \u003cli\u003e183 × 391 cm (6'0\" × 12'10\"): long and narrow, made for a corridor or a floor laid with more than one piece.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eForty years of use are already inside it, which is the reason it will take forty more without changing much.\u003c\/p\u003e\n\n\u003cscript type=\"application\/ld+json\"\u003e{\"@context\": \"https:\/\/schema.org\", \"@type\": \"FAQPage\", \"mainEntity\": [{\"@type\": \"Question\", \"name\": \"What does a geographical indication mean on a kilim?\", \"acceptedAnswer\": {\"@type\": \"Answer\", \"text\": \"It is a legal registration binding a product name to the place that produces it, in the way Champagne is bound to Champagne. A Sivrihisar kilim registered this way has to be woven in that district to carry the name at all.\"}}]}\u003c\/script\u003e","brand":"HALICIZADE","offers":[{"title":"Colorful \/ 183 X 391","offer_id":44318178476265,"sku":"MZTKIL000041.01","price":114000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaAnadoluDesenliRengarenkSivrihisarYunKilim_1.jpg?v=1705998458"},{"product_id":"el-dokuma-anadolu-cicim-desenli-turuncu-kilim","title":"Orange Anatolian Handwoven Wool Cicim Kilim","description":"\u003cp\u003e\u003cstrong\u003eThis handwoven wool cicim kilim is orange before it is anything else: a multicolored Anatolian flatweave, 160 × 280 cm (5'3\" × 9'2\"), woven in Türkiye and stored in a chest rather than walked on. Cicim means the motifs were worked with supplementary yarn as the ground went down, so they stand a little above the flat surface.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eOrange is the color the store records first for this piece, and it is the one deciding how the kilim behaves in a room: warm under lamplight, noticeably redder in late afternoon sun, quiet by day. The Anatolian motif vocabulary underneath it — hooks, lozenges, stepped rows — is drawn by the raised threads rather than by a change of ground color, which is why the design is legible from directly above and half-disappears when you look across it.\u003c\/p\u003e\n\n\u003cp\u003eWoven by hand in Türkiye, wool throughout, ground and pattern threads alike. Sandık eskisi is the label the piece carries: it was made, folded into a chest, and left there, which is why nothing has faded and also why nothing has softened. If you want a kilim that already drapes over a step or lies dead flat on the first day, this is not that kilim. Cleaning is a job for a specialist washer.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven in Türkiye; wool ground, wool pattern threads.\u003c\/li\u003e\n  \u003cli\u003eCicim technique — pattern yarn added above the weave, not knotted through it.\u003c\/li\u003e\n  \u003cli\u003eOrange dominant, with green and cream in the motif rows.\u003c\/li\u003e\n  \u003cli\u003eAnatolian geometry: hooks, lozenges and stepped repeats.\u003c\/li\u003e\n  \u003cli\u003e160 × 280 cm (5'3\" × 9'2\") — a sofa front, or a dining table where the chairs need clearance.\u003c\/li\u003e\n  \u003cli\u003eChest-stored rather than used; unfaded, and stiff to begin with.\u003c\/li\u003e\n  \u003cli\u003eKilim washing by a specialist.\u003c\/li\u003e\n  \u003cli\u003eOne piece only.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eOrange is the hardest color to live with and the easiest to love, and the floor is the safest place in a room to put it.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Orange \/ 160 X 280","offer_id":44401033314537,"sku":"MZTKIL000053.01","price":85000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaAnadoluCicimDesenliTuruncuKilim_1.jpg?v=1705998684"},{"product_id":"el-dokuma-sandik-eskisi-anadolu-desenli-burdur-cicim-kilim","title":"Orange Cicim Handwoven Wool Kilim, Burdur","description":"\u003cp\u003e\u003cstrong\u003eIt was folded in a chest for decades and barely walked on. A handwoven wool kilim from Burdur in southwestern Anatolia, worked in the cicim technique, 114 × 161 cm (3'9\" × 5'3\"), in orange, green and red. Cicim is flatweaving with extra threads laid in over the ground, so the motifs sit slightly proud of the surface.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eOrange leads and the green and red answer it, giving the piece an energy older kilims usually have had washed out of them. The motifs follow the traditional Burdur drawing, raised above the flat ground by the cicim threads so their edges catch light and throw a small shadow. None of the colors has gone soft with age, because this kilim spent its whole life away from the light.\u003c\/p\u003e\n\n\u003cp\u003eWoven entirely in wool, by hand, in the Burdur district. In Turkish a piece kept like this is called sandık eskisi, chest-old: made, put away, and taken out again looking close to new. There is no wear to point at, and the trade-off runs the opposite way to the usual one, since what it lacks is the softening that use gives a kilim. It is thin and firm. Send it to a professional rather than washing it at home.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven in Burdur, southwestern Anatolia, in wool throughout.\u003c\/li\u003e\n  \u003cli\u003eCicim technique: supplementary threads laid over the flatweave so motifs stand slightly raised.\u003c\/li\u003e\n  \u003cli\u003eOrange, green and red, none of them faded.\u003c\/li\u003e\n  \u003cli\u003eKept folded in a chest instead of used, which is why the colors held.\u003c\/li\u003e\n  \u003cli\u003e114 × 161 cm (3'9\" × 5'3\") — an entryway, a kitchen, or beside a desk.\u003c\/li\u003e\n  \u003cli\u003eThin, firm and light; it wants a pad on a polished floor.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eThe colors are the ones the weaver chose rather than the ones fifty years of sun would have left, and that is unusual enough to be the reason to own it.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Colorful \/ 114 X 161","offer_id":44401357619433,"sku":"MZTKIL000048.01","price":23000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaRengarenkAnadoluCicimDesenliBurdurKilim_1.jpg?v=1705998603"},{"product_id":"el-dokuma-anadolu-cicim-desenli-rengarenk-burdur-kilim","title":"Multicolor Burdur Handwoven Wool Cicim Kilim","description":"\u003cp\u003e\u003cstrong\u003eThe name Burdur on a cicim is not loose description — the district holds a registered geographical indication for its kilims, so the word is legally tied to the place. This handwoven wool cicim kilim measures 196 × 354 cm (6'5\" × 11'7\"), is multicolored, is forty to fifty years old, and spent nearly all of that time folded in a chest.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eWhat comes out of a chest after half a century looks wrong at first, because it looks new. The reds have not gone to rose, the greens have not gone gray, and the cicim motifs still stand off the ground the way they did on the loom. Burdur drawing is dense and small in scale; the raised threads carry it in rows and the ground barely shows between them. The age is in the record and in the wool, not on the surface.\u003c\/p\u003e\n\n\u003cp\u003eHandwoven in the Burdur district, in wool, by weavers working the cicim technique — a plain ground with the motif laid over it in an added yarn. The geographical indication is an intellectual-property registration rather than a quality grade: it governs where a piece may be woven to carry the name, and says nothing about any individual kilim. What is unusual here is not the age, which is common enough in chest-kept weaving, but the size. Send it to a professional washer and leave it at that.\u003c\/p\u003e\n\n\u003ch3\u003eWhy does a fifty-year-old kilim look new?\u003c\/h3\u003e\n\u003cp\u003eBecause it was never used. In Anatolian households a woven piece often went into the dowry chest and stayed there, out of sunlight and off the floor, so neither light nor feet ever reached it. The wool ages, the dyes do not fade, and the piece arrives with its original colors intact.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven in the Burdur district of southwestern Türkiye, in wool.\u003c\/li\u003e\n  \u003cli\u003eCicim: motif threads added above a plain flat ground, so the drawing stands proud.\u003c\/li\u003e\n  \u003cli\u003eBurdur kilims hold a registered geographical indication tying the name to the district.\u003c\/li\u003e\n  \u003cli\u003eForty to fifty years old: vintage in trade usage, which has no issuing body behind it.\u003c\/li\u003e\n  \u003cli\u003eMulticolored and unfaded, having been stored instead of walked on.\u003c\/li\u003e\n  \u003cli\u003e196 × 354 cm (6'5\" × 11'7\"): long and wide enough for a whole seating group.\u003c\/li\u003e\n  \u003cli\u003eWashing by a specialist in old flatweaves.\u003c\/li\u003e\n  \u003cli\u003eOne piece.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eThe next fifty years are the ones it was actually woven for, and they start whenever it comes out of the wrapping.\u003c\/p\u003e\n\n\u003cscript type=\"application\/ld+json\"\u003e{\"@context\": \"https:\/\/schema.org\", \"@type\": \"FAQPage\", \"mainEntity\": [{\"@type\": \"Question\", \"name\": \"Why does a fifty-year-old kilim look new?\", \"acceptedAnswer\": {\"@type\": \"Answer\", \"text\": \"Because it was never used. In Anatolian households a woven piece often went into the dowry chest and stayed there, out of sunlight and off the floor, so neither light nor feet ever reached it. The wool ages, the dyes do not fade, and the piece arrives with its original colors intact.\"}}]}\u003c\/script\u003e","brand":"HALICIZADE","offers":[{"title":"Colorful \/ 196 X 354","offer_id":44401404510441,"sku":"MZTKIL000046.01","price":95000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaAnadoluCicimDesenliRengarenkBurdurKilim_1.jpg?v=1705998553"},{"product_id":"tezgah-dokuma-patchwork-desenli-rengarenk-hali","title":"Multicolor Patchwork Loom-Woven Wool Rug, Heritage Series","description":"\u003cp\u003e\u003cstrong\u003eNo two squares on this rug are the same. Multicolor Patchwork Loom-Woven Wool Rug, Heritage Series, 170 × 240 cm (5'7\" × 7'10\") — a grid of patches running from pink through peach into lilac and gold, loom-woven around Uşak in western Türkiye from New Zealand wool, cotton and bamboo viscose.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003ePatchwork usually means old rugs cut down and stitched together. This is the woven version of the idea: the squares are drawn and woven as one surface, each carrying its own motif and its own color, and the joins are pattern rather than seams. Traditional figures sit inside modern blocks, so the whole thing can be read two ways — as a grid from standing height, and as a dozen small rugs if you get down to it. The palette stays in the warm half of the wheel, which is what keeps an active design from turning into noise.\u003c\/p\u003e\n\n\u003cp\u003eThe knots are laid down by machine at close density, and every step after the loom is hand work done by women in the villages nearby, which is why a loom-woven piece from here has a hand feel that a fully machine-made rug does not. New Zealand fleece makes the pile, cotton the base, and bamboo viscose the brighter motifs. The pile is low, which suits a pattern this active — a deep pile would blur the block edges. Every rug in the series comes out slightly different from the last. Professional washing when it needs it, and a vacuum in between.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eLoom-woven around Uşak in western Türkiye, then hand-finished.\u003c\/li\u003e\n  \u003cli\u003eNew Zealand fleece and bamboo viscose above a cotton base.\u003c\/li\u003e\n  \u003cli\u003eA woven patchwork: squares in pink, peach, lilac and gold, each with its own motif.\u003c\/li\u003e\n  \u003cli\u003eNot cut and stitched — the patches are drawn and woven as one surface.\u003c\/li\u003e\n  \u003cli\u003eLow pile, which keeps the block edges sharp.\u003c\/li\u003e\n  \u003cli\u003e170 × 240 cm (5'7\" × 7'10\"), a mid-sized living-room or bedroom rug.\u003c\/li\u003e\n  \u003cli\u003eEvery piece in the series differs from the one before it.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eIt is a lot of color for one floor, and the rooms it works in are usually the ones that have been careful about color for years.\u003c\/p\u003e","brand":"EKO HALI","offers":[{"title":"Colorful \/ 170 X 240","offer_id":45174227992809,"sku":"EKOHER000021.01","price":30400.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/patchwork-desenli-makine-dokuma-hali-22190_9475cbef-3dde-411b-9fec-ec904d39d17f.jpg?v=1689933173"},{"product_id":"el-dokuma-anadolu-desenli-yun-turuncu-hali","title":"Orange Anatolian Hand-Knotted Wool Kars Rug","description":"\u003cp\u003e\u003cstrong\u003eOrange Anatolian Hand-Knotted Wool Kars Rug — an orange field carrying angular Anatolian repeats, knotted in wool at Kars in the cold northeast of Türkiye, close to the Caucasus. 121 × 176 cm (4'0\" × 5'9\"). It was stored in a chest instead of being laid on a floor, and there is one of it.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eOrange is rare enough in Anatolian weaving to be worth pausing on. It is not a bright orange but the rust-and-apricot end of the range, and it sits on the field with dark blue and cream drawn over it in the stepped, hooked shapes that the Kars looms share with Caucasian weaving across the border. The border is narrow and the field is generous, which is a northeastern habit and the opposite of what a Konya rug does.\u003c\/p\u003e\n\n\u003cp\u003eWool in the pile, wool in the foundation, knotted by hand. Kars sits high on the plateau and its winters are long, which historically meant heavy fleece and rugs built for cold floors — this one has weight in the hand. What it lacks is fineness: the knot count is low by workshop standards, the shapes are large and the detail is coarse. That is the character of the region, not a shortcoming, but if you came looking for a finely drawn rug you should look elsewhere. Professional washing only.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eKnotted by hand at Kars, in the far northeast of Türkiye.\u003c\/li\u003e\n  \u003cli\u003eWool over wool, with real weight in the hand.\u003c\/li\u003e\n  \u003cli\u003eRust-orange field with dark blue and cream drawing.\u003c\/li\u003e\n  \u003cli\u003eStepped hooked forms shared with Caucasian weaving across the border.\u003c\/li\u003e\n  \u003cli\u003eNarrow border, generous field — a northeastern proportion.\u003c\/li\u003e\n  \u003cli\u003eCoarse rather than fine: large shapes, low knot count.\u003c\/li\u003e\n  \u003cli\u003e121 × 176 cm (4'0\" × 5'9\"), chest-kept.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eRugs from the northeast were made to be sat on in cold rooms, and it still reads as an object built for that rather than for looking at.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Orange \/ 121 X 176","offer_id":46797444382953,"sku":"MZTAND000042.01","price":30000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaAnadoluDesenliYunTuruncuHali_2.jpg?v=1710584923"},{"product_id":"el-dokuma-anadolu-desenli-turuncu-kok-boya-fethiye-yildizli-cicim-kilim","title":"Orange Star-Motif Handwoven Wool Cicim Kilim","description":"\u003cp\u003e\u003cstrong\u003eFethiye sits on the Mediterranean coast of Muğla province, and what comes off its village looms is cicim — a flatweave with the motifs laid in afterward, thread by thread, over the woven ground. This one is orange, wool throughout, 127 × 176 cm (4'2\" × 5'9\"), carrying rows of stars, and there is a single example of it.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eCicim is worth explaining, because the word does not translate. A kilim is built from weft alone: the pattern is the structure. In cicim the ground is woven first and the figures are then wrapped in with an extra yarn that floats over the surface, so the motifs sit slightly proud and you can feel them with a hand. Here the stars run in loose ranks across an orange field, dark reds and blue-greens among them, and none of the ranks quite line up with the next.\u003c\/p\u003e\n\n\u003cp\u003eThe color is \u003cem\u003ekök boya\u003c\/em\u003e — dye taken from roots and other plant matter rather than a chemical bath. Plant dye behaves differently from the start: it never quite saturates, and it fades in a warm direction, so a naturally dyed orange goes toward apricot with age while a synthetic one goes gray. The wool is Anatolian and the whole thing was made by hand in Türkiye. One warning, plainly: brocaded motifs sit on the surface, so a spike heel or a dog's claw can pull a float loose. It is not a rug for a busy corridor.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven in Türkiye, in the cicim technique of the Fethiye villages.\u003c\/li\u003e\n  \u003cli\u003eWool ground and wool motifs, brocaded rather than knotted.\u003c\/li\u003e\n  \u003cli\u003eOrange field with ranks of star figures in dark red and blue-green.\u003c\/li\u003e\n  \u003cli\u003eDyed with root and plant dyes, which age toward warmth rather than gray.\u003c\/li\u003e\n  \u003cli\u003e127 × 176 cm (4'2\" × 5'9\") — a bedside, an entryway, a wall.\u003c\/li\u003e\n  \u003cli\u003eThe wrapped motifs stand above the ground and can be snagged.\u003c\/li\u003e\n  \u003cli\u003eWashing is a job for a specialist, not a domestic machine.\u003c\/li\u003e\n  \u003cli\u003eOne kilim; the arrangement of the stars will not recur.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat is a cicim kilim?\u003c\/h3\u003e\n\u003cp\u003eCicim is a flatweave in which the ground is woven first and the motifs are added with a supplementary yarn wrapped over the surface. The figures stand slightly proud of the weave and can be felt by hand, which is what separates cicim from a plain kilim, where the pattern and the structure are the same thing.\u003c\/p\u003e\n\n\u003ch3\u003eHow can I tell root-dyed wool from chemically dyed wool?\u003c\/h3\u003e\n\u003cp\u003eBy how it ages. Root and plant dyes rarely reach full saturation and they lose color in a warm direction, so an old naturally dyed orange drifts toward apricot. Synthetic dye holds its strength longer and then goes flat and grayish, and it seldom shows the tone bands left by small dye lots.\u003c\/p\u003e\n\n\u003cp\u003eHung on a plain wall it reads as a piece of drawing; on the floor it will slowly lose the last of its sharpness, which is the better ending of the two.\u003c\/p\u003e\n\n\u003cscript type=\"application\/ld+json\"\u003e{\"@context\": \"https:\/\/schema.org\", \"@type\": \"FAQPage\", \"mainEntity\": [{\"@type\": \"Question\", \"name\": \"What is a cicim kilim?\", \"acceptedAnswer\": {\"@type\": \"Answer\", \"text\": \"Cicim is a flatweave in which the ground is woven first and the motifs are added with a supplementary yarn wrapped over the surface. The figures stand slightly proud of the weave and can be felt by hand, which is what separates cicim from a plain kilim, where the pattern and the structure are the same thing.\"}}, {\"@type\": \"Question\", \"name\": \"How can I tell root-dyed wool from chemically dyed wool?\", \"acceptedAnswer\": {\"@type\": \"Answer\", \"text\": \"By how it ages. Root and plant dyes rarely reach full saturation and they lose color in a warm direction, so an old naturally dyed orange drifts toward apricot. Synthetic dye holds its strength longer and then goes flat and grayish, and it seldom shows the tone bands left by small dye lots.\"}}]}\u003c\/script\u003e","brand":"HALICIZADE","offers":[{"title":"Orange \/ 127 X 176","offer_id":47217133093097,"sku":"MZTKIL000117.01","price":49000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaAnadoluDesenliTuruncuKokBoyaFethiyeYildizliCicimKilim_2.jpg?v=1715336056"},{"product_id":"el-dokuma-yun-vintage-desenli-turuncu-hali","title":"Orange Vintage Hand-Knotted Wool Rug","description":"\u003cp\u003e\u003cstrong\u003eCollected, sheared, thinned, dyed again and dried: that sequence is what turned an old Anatolian hand-knotted rug into this orange one, 116 × 197 cm (3'10\" × 6'6\"), with its traditional motifs reinterpreted in a color they were never woven in. Wool pile, and a single piece.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eOrange is the color that decides a room fastest. Here it is warm rather than bright — closer to fired clay than to anything citrus — and the old motifs sitting inside it keep it from reading as a flat modern statement. The effect in a small room is to make it feel occupied. In a large one it works as the single warm object among cooler things, which is the more forgiving way to use it.\u003c\/p\u003e\n\n\u003cp\u003eCotton underneath, wool on top. The shearing that gave the rug its short pile also made it light, which matters more than it sounds: it can be lifted, shaken and put down again without help. A short pile also means a spill has less far to go before it can be lifted. Rugs from this group have gone into living rooms, kitchens, studies, offices and restaurants, which says something about how much wear the original weave still has left. Hand it to a professional washer.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eSelected from older Anatolian hand-knotting, then sheared, thinned, dyed and dried.\u003c\/li\u003e\n  \u003cli\u003eCotton foundation with a wool pile.\u003c\/li\u003e\n  \u003cli\u003eTraditional motifs re-read in a warm, clay-toned orange.\u003c\/li\u003e\n  \u003cli\u003eShort pile, low weight, easy to lift and shake out.\u003c\/li\u003e\n  \u003cli\u003e116 × 197 cm (3'10\" × 6'6\") — a study, a kitchen, a small living room.\u003c\/li\u003e\n  \u003cli\u003eSuited to homes, offices and restaurants alike.\u003c\/li\u003e\n  \u003cli\u003eA professional washer handles it.\u003c\/li\u003e\n  \u003cli\u003eThis is the only one.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eThe rug will outlast the paint on the walls around it, which is a reason to choose the paint second.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Orange \/ 116 X 197","offer_id":47405590348009,"sku":"HALVIN000081.01","price":17500.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaYunVintageDesenliTuruncuHali_1.jpg?v=1718355014"},{"product_id":"el-dokuma-vintage-desenli-turuncu-yun-klasik-hali","title":"Orange Classic Vintage Hand-Knotted Wool Rug","description":"\u003cp\u003e\u003cstrong\u003eA framing border runs the whole way around, and inside it the old Anatolian drawing has been left as it was: this is a hand-knotted wool rug of 140 × 245 cm (4'7\" × 8'0\"), re-dyed a warm orange after being sheared down. One piece, and the process is not repeatable.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe border is what keeps a bright field in order. Without it, orange at this size would spread; with it, the color stops at a line and the rug reads as an object rather than as a spill. The tone is warmer than it looks in a photograph — closer to terracotta than to anything neon — and it does its best work in rooms with cool light, where it carries all the warmth there is. Homes, offices, art spaces and lounges all take it.\u003c\/p\u003e\n\n\u003cp\u003eAbove the foundation, wool. In it, cotton. The shearing has thinned the rug considerably, which is why a piece of this footprint can be moved by one person, and the pile that remains is short enough that dirt sits on top of it. Nothing about this rug is new except its color, and its irregularities are part of what that means. Professional washing when it needs it.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eAn older Anatolian hand-knotted rug: collected, sheared, re-colored, dried.\u003c\/li\u003e\n  \u003cli\u003eCotton in the foundation, wool in everything above it.\u003c\/li\u003e\n  \u003cli\u003eA framing border kept from the original drawing, holding the field in.\u003c\/li\u003e\n  \u003cli\u003eA terracotta-leaning orange that carries the warmth in a cool-lit room.\u003c\/li\u003e\n  \u003cli\u003e140 × 245 cm (4'7\" × 8'0\") — a sitting room, an office, a lounge.\u003c\/li\u003e\n  \u003cli\u003eThinned by the process and light for its size.\u003c\/li\u003e\n  \u003cli\u003eProfessional wash when required.\u003c\/li\u003e\n  \u003cli\u003eOne, with no equivalent.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eOrange is the color people apologize for wanting and then never regret owning.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Orange \/ 140 X 245","offer_id":47427423109353,"sku":"HALVIN000098.01","price":26000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaVintageDesenliTuruncuYunKlasikHali_1.jpg?v=1718893359"},{"product_id":"tempus-serisi-vintage-desenli-gri-turuncu-yun-ozel-tezgah-halisi","title":"Gray and Orange Vintage Loom-Woven Wool Rug, Tempus Series","description":"\u003cp\u003e\u003cstrong\u003eGray and Orange Vintage Loom-Woven Wool Rug from the Tempus series: a gray ground with clearly drawn orange motifs across it, wool from face to foundation, medium pile, tightly packed, woven in Aegean T\u0026uuml;rkiye in ten sizes, none larger than 300 \u0026times; 400 cm (9'10\" \u0026times; 13'1\").\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eUnlike the faded patterns elsewhere in Tempus, the orange here is not softened. The motifs sit sharp against the gray and are meant to be read from the doorway, which makes this a focal rug rather than a background one and explains why it usually goes into rooms that are otherwise neutral. Orange against gray is a cold-warm pairing, and it holds up under daylight and tungsten alike, which not every orange manages.\u003c\/p\u003e\n\u003cp\u003eWool for the surface and wool underneath it, with no cotton in the foundation and nothing synthetic, which is where the density and the hand of it come from. It is woven in the Aegean, where the workshops put the region's old weaving practice on modern looms. Each piece carries the Hal\u0026#305;c\u0026#305;zade tree of life. The dense medium pile gives dust less to settle into and takes a vacuum easily.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLoom-woven in the Aegean region of T\u0026uuml;rkiye.\u003c\/li\u003e\n\u003cli\u003eWool surface on a wool foundation.\u003c\/li\u003e\n\u003cli\u003eSharp orange vintage motifs on a gray ground.\u003c\/li\u003e\n\u003cli\u003eMedium pile, densely set.\u003c\/li\u003e\n\u003cli\u003eMarked with the Hal\u0026#305;c\u0026#305;zade tree of life; produced for this house alone.\u003c\/li\u003e\n\u003cli\u003eTen sizes, 80 \u0026times; 150 cm (2'7\" \u0026times; 4'11\") to 300 \u0026times; 400 cm (9'10\" \u0026times; 13'1\"), with 80 \u0026times; 500 cm runners.\u003c\/li\u003e\n\u003cli\u003eProfessional washing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eIn a room of grays and whites it becomes the only color decision anyone is left to make.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Gray \/ 130 X 190","offer_id":47506576343273,"sku":"HALTEM000002.04","price":21000.0,"currency_code":"TRY","in_stock":true},{"title":"Gray \/ 160 X 230","offer_id":47506576376041,"sku":"HALTEM000002.03","price":31500.0,"currency_code":"TRY","in_stock":true},{"title":"Gray \/ 200 X 300","offer_id":47506576408809,"sku":"HALTEM000002.01","price":51000.0,"currency_code":"TRY","in_stock":true},{"title":"Gray \/ 250 X 350","offer_id":47506576441577,"sku":"HALTEM000002.02","price":74500.0,"currency_code":"TRY","in_stock":true},{"title":"Gray \/ 300 X 400","offer_id":50637230866665,"sku":"HALTEM000002.05","price":102000.0,"currency_code":"TRY","in_stock":true},{"title":"Gray \/ 80 X 150","offer_id":50637230899433,"sku":"HALTEM000002.06","price":10500.0,"currency_code":"TRY","in_stock":true},{"title":"Gray \/ 80 X 200","offer_id":50637230932201,"sku":"HALTEM000002.07","price":14000.0,"currency_code":"TRY","in_stock":true},{"title":"Gray \/ 80 X 300","offer_id":50637244334313,"sku":"HALTEM000002.08","price":20500.0,"currency_code":"TRY","in_stock":true},{"title":"Gray \/ 80 X 400","offer_id":50637244399849,"sku":"HALTEM000002.09","price":27500.0,"currency_code":"TRY","in_stock":true},{"title":"Gray \/ 80 X 500","offer_id":50637244432617,"sku":"HALTEM000002.10","price":34000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/VintageDesenliGriTuruncuYunOzelTezgahHalisi_5.jpg?v=1720015741"},{"product_id":"tempus-serisi-soyut-cerceve-desenli-gri-turuncu-bambu-ozel-tezgah-halisi","title":"Gray and Orange Frame-Pattern Loom-Woven Bamboo Viscose Rug, Tempus Series","description":"\u003cp\u003e\u003cstrong\u003eThis rug is built like a picture frame: light gray held in the middle, orange and terracotta gathering as you move outward, and the abstract drawing concentrated at the edges where a table or a sofa will not cover it. Loom-woven in bamboo viscose on the Aegean side of Türkiye. Six sizes are made, topping out at 250 × 350 cm (8'2\" × 11'6\").\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eFraming is a practical decision more than an aesthetic one. Anything you put in the middle of a rug disappears under the furniture, so a design that keeps its color at the perimeter still reads once the dining table is standing on it — which is why this is the Tempus pattern people buy for a kitchen or a dining room. At 160 × 230 cm (5'3\" × 7'7\") the orange border falls clear of a four-seat table; go smaller and the chairs will sit on it. The gray center is pale enough to keep the room light, and the orange arrives gradually rather than at a hard line.\u003c\/p\u003e\n\n\u003cp\u003eBamboo viscose is the whole surface, and it is a lustrous fiber — the rug is brighter from one side of the room than the other and the orange changes weight accordingly. The Aegean looms lay the structure and hand work completes the finish, the same arrangement across the Tempus series. Medium thickness, closely woven, low lint. The tree of life on it belongs to the house and appears on every Tempus rug. Bamboo viscose does show a footmark on a fresh surface; walking across it or brushing the pile back clears it.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eLoom-woven in the Aegean region of Türkiye, machine structure with hand finishing.\u003c\/li\u003e\n  \u003cli\u003eBamboo viscose surface, with the sheen that comes with the fiber.\u003c\/li\u003e\n  \u003cli\u003eLight gray center, orange and terracotta gathering toward the edges.\u003c\/li\u003e\n  \u003cli\u003eDrawn as a frame, so the pattern survives a table standing on it.\u003c\/li\u003e\n  \u003cli\u003eMedium thickness, closely woven, low lint release.\u003c\/li\u003e\n  \u003cli\u003eCarries the Halıcızade tree of life.\u003c\/li\u003e\n  \u003cli\u003eSix sizes: 80 × 150, 80 × 300, 130 × 190, 160 × 230, 200 × 300 and 250 × 350 cm.\u003c\/li\u003e\n  \u003cli\u003eIt takes footmarks on a fresh surface; brush the pile back, and have it professionally washed for a deep clean.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eMost rugs are ruined by the furniture standing on them, and this one was drawn on the assumption that furniture would.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Orange \/ 80 X 150","offer_id":47506792415465,"sku":"HALTEM000003.04","price":10500.0,"currency_code":"TRY","in_stock":true},{"title":"Orange \/ 80 X 300","offer_id":47506792448233,"sku":"HALTEM000003.05","price":20500.0,"currency_code":"TRY","in_stock":false},{"title":"Orange \/ 130 X 190","offer_id":47506792481001,"sku":"HALTEM000003.06","price":21000.0,"currency_code":"TRY","in_stock":false},{"title":"Orange \/ 160 X 230","offer_id":47506792513769,"sku":"HALTEM000003.02","price":31500.0,"currency_code":"TRY","in_stock":true},{"title":"Orange \/ 200 X 300","offer_id":47506792546537,"sku":"HALTEM000003.01","price":51000.0,"currency_code":"TRY","in_stock":true},{"title":"Orange \/ 250 X 350","offer_id":47506792579305,"sku":"HALTEM000003.03","price":74500.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/SoyutCerceveDesenliGriTuruncuOzelTezgahHalisi_4.jpg?v=1720018056"},{"product_id":"tempus-serisi-memluk-desenli-turuncu-yun-tencel-tezgah-dokuma-hali","title":"Orange Mamluk-Pattern Loom-Woven Wool Rug, Tempus Series","description":"\u003cp\u003e\u003cstrong\u003eThe Mamluk pattern is named for the Cairo workshops that wove it in the fifteenth and sixteenth centuries: stars set inside octagons, small leaves and flower heads packed around them, the whole thing held inside a running frame. Here it arrives in warm orange over cream, woven from wool and bamboo viscose in the Aegean workshops of western Anatolia, at 160 × 230 cm, or 5'3\" by 7'7\", with a smaller and a larger size beside it.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eOrange is the difficult half of this rug and the reason to own it. The lighter orange carries the geometry, the deeper one sits underneath and stops the pattern floating, and cream opens the spaces between so that a dense drawing still reads at walking speed. Mamluk work is radial rather than directional, which means the rug has no top and no bottom and can be turned end for end when one edge starts to wear. Against oak, terracotta tile or an unpainted plaster wall the orange settles down; beside cold blue-gray it will argue, and it is fair to say so.\u003c\/p\u003e\n\n\u003cp\u003eWool and bamboo viscose share the surface: the wool gives the body and the bamboo viscose the small shine that comes up along the leaf shapes when the light is low. The body goes down on a mechanical loom and hands complete it afterwards, the compromise that puts the look of a knotted rug within reach without the year at the loom. The pile is middling in depth and packed tightly, so it gives off very little lint. A tree of life is worked into the frame, small enough that most people never find it.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eLoom-woven in the Aegean region of Türkiye: machine structure, hand finishing.\u003c\/li\u003e\n  \u003cli\u003eWool and bamboo viscose in the surface.\u003c\/li\u003e\n  \u003cli\u003eA Mamluk composition of stars, octagons, leaves and flowers in orange on cream.\u003c\/li\u003e\n  \u003cli\u003eRadially drawn, so it can be turned end for end as it wears.\u003c\/li\u003e\n  \u003cli\u003eMedium pile, tightly packed, with very little lint release.\u003c\/li\u003e\n  \u003cli\u003eThree sizes: 130 × 190 cm, 160 × 230 cm (5'3\" × 7'7\") and 200 × 300 cm.\u003c\/li\u003e\n  \u003cli\u003eCarries the Halıcızade tree of life.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eA pattern that has survived five hundred years of copying is unlikely to date in the ten you keep it.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Orange \/ 130 X 190","offer_id":47511740154089,"sku":"HALTEM000009.03","price":21000.0,"currency_code":"TRY","in_stock":true},{"title":"Orange \/ 160 X 230","offer_id":47511740186857,"sku":"HALTEM000009.02","price":31500.0,"currency_code":"TRY","in_stock":false},{"title":"Orange \/ 200 X 300","offer_id":47511740219625,"sku":"HALTEM000009.01","price":51000.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/MemlukDesenliTuruncuYunOzelTezgahHalisi_6.jpg?v=1720087066"},{"product_id":"tempus-serisi-asimetrik-cicek-kesim-turuncu-terra-tencel-tezgah-dokuma-hali","title":"Orange Flower-Cut Loom-Woven Rug, Tempus Series","description":"\u003cp\u003e\u003cstrong\u003eThis one is not a rectangle and not a circle. The outline is cut to an asymmetric flower — petals of unequal length running out from the center — which makes the shape the first thing about it and the pattern the second. It is loom-woven at the Aegean end of Türkiye in bamboo viscose, in light and dark orange over cream, at 120, 160, 200, 250 and 300 cm across.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eAt 200 × 200 cm (6'7\" × 6'7\") the petal edges reach past a coffee table on every side, and because no two petals are the same length the rug refuses to line up with anything — which is exactly what a cut shape is for. The lighter orange carries the energy and the darker one gives the ground its depth, with cream holding the space between them open. Bamboo viscose takes light the way silk does, so the two oranges are never quite the same tone twice in a day. It suits an entrance, a bedroom or a kitchen floor better than a formal sitting room, and the house says so rather than claiming it works everywhere.\u003c\/p\u003e\n\n\u003cp\u003eBamboo viscose is the whole surface, and the rug is built the way everything in the series is: mechanically at the loom, by hand at the end. The pile is middling and closely set, so it sheds very little and takes a vacuum without trouble — although a cut edge wants the nozzle run along it rather than across. It carries the tree of life that Halıcızade puts on its own designs. A shaped rug is harder to place than a rectangular one and impossible to hide, and anyone who wants a floor covering to be invisible should choose a plain rectangle instead.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eLoom-woven in the Aegean region of Türkiye, machine body and hand finish.\u003c\/li\u003e\n  \u003cli\u003eBamboo viscose surface, with the sheen that comes with it.\u003c\/li\u003e\n  \u003cli\u003eCut to an asymmetric flower outline, with petals of unequal length.\u003c\/li\u003e\n  \u003cli\u003eLight orange, dark orange and cream.\u003c\/li\u003e\n  \u003cli\u003eFive sizes: 120, 160, 200, 250 and 300 cm across.\u003c\/li\u003e\n  \u003cli\u003eSuited to an entrance, a bedroom or a kitchen rather than a formal salon.\u003c\/li\u003e\n  \u003cli\u003eVacuum along the cut edge, not across it; professional washing for a deep clean.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eA shaped rug is a decision you make once and then live with, and it is the only kind that changes the plan of a room rather than the color of it.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Orange \/ 120 X 120","offer_id":47511870472425,"sku":"HALTEM000016.01","price":12500.0,"currency_code":"TRY","in_stock":true},{"title":"Orange \/ 160 X 160","offer_id":47511870505193,"sku":"HALTEM000016.02","price":22000.0,"currency_code":"TRY","in_stock":true},{"title":"Orange \/ 200 X 200","offer_id":47511870537961,"sku":"HALTEM000016.03","price":34000.0,"currency_code":"TRY","in_stock":true},{"title":"Orange \/ 300 X 300","offer_id":47511870570729,"sku":"HALTEM000016.04","price":76500.0,"currency_code":"TRY","in_stock":true},{"title":"Orange \/ 250 X 250","offer_id":50096850239721,"sku":"HALTEM000016.05","price":53500.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/TempusSerisiAsimetrikCicekKesimTuruncuTerraBambuOzelTezgahHalisi_5.jpg?v=1720089290"},{"product_id":"tempus-serisi-vintage-desenli-yun-gri-turuncu-yuvarlak-ozel-tezgah-halisi","title":"Round Gray and Orange Vintage-Pattern Wool Rug, Tempus Series","description":"\u003cp\u003e\u003cstrong\u003eRound, in three sizes across, the middle of them 160 cm (5'3\"). The ground is gray and the vintage motifs on it are orange and unmistakable, the pile is wool throughout with no blend in it, and the whole thing is loom-woven in the Aegean region of Türkiye.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eA circle changes what a pattern has to do. There is no field and no border in the usual sense, so the drawing has to work outward from a center, and the orange motifs are placed to be read from any side of the room rather than from the foot of a sofa. Gray keeps the composition sober; orange stops it from being polite. The pairing is why the rug lands equally in a modern room and a room full of older furniture — the gray answers the first and the orange answers the second.\u003c\/p\u003e\n\n\u003cp\u003eThe pile is medium-height and closely set, which gives it the hand of a knotted rug without the years a knotted rug takes, and the tight setting means dirt sits high in the pile where a vacuum can reach it. A tree-of-life mark woven into the piece says it was made for this house and no other. The 120 cm size is small for a living room and exactly right under a round dining table or in the turn of a stair hall, which is what most of them are bought for.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eLoom-woven in the Aegean region of Türkiye, structure by machine and finishing by hand.\u003c\/li\u003e\n  \u003cli\u003eWool throughout the pile, with nothing blended into it.\u003c\/li\u003e\n  \u003cli\u003eGray ground with strong orange motifs drawn outward from the center.\u003c\/li\u003e\n  \u003cli\u003eThree diameters: 120, 160 and 200 cm.\u003c\/li\u003e\n  \u003cli\u003eMedium pile, set tight, so dirt stays where a vacuum can lift it.\u003c\/li\u003e\n  \u003cli\u003eCarries the Halıcızade tree-of-life mark.\u003c\/li\u003e\n  \u003cli\u003eWashing by a specialist; a round rug is awkward to handle at home.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eRound rugs get walked around rather than across, which is why the middle of one usually outlives the middle of a rectangle.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Gray \/ 160 X 160","offer_id":47512003412201,"sku":"HALTEM000018.01","price":22000.0,"currency_code":"TRY","in_stock":true},{"title":"Gray \/ 200 X 200","offer_id":47512003444969,"sku":"HALTEM000018.02","price":34000.0,"currency_code":"TRY","in_stock":true},{"title":"Gray \/ 120 X 120","offer_id":50637313114345,"sku":"HALTEM000018.03","price":12500.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/TempusSerisiVintageDesenliYunGriTuruncuYuvarlakTezgahDokumaHali_13.webp?v=1760888578"},{"product_id":"memluk-desenli-turuncu-yuvarlak-yun-ozel-tezgah-halisi","title":"Orange Mamluk-Pattern Round Loom-Woven Wool Rug, Tempus Series","description":"\u003cp\u003e\u003cstrong\u003eOctagons, stars and radiating panels rather than flowers: that is what makes a Mamluk drawing recognizable, and it is what this round wool rug carries — orange over warm beige and brown, loom-woven on the Aegean coast of Türkiye, 160 cm across (5'3\"). Mamluk rugs were woven in Cairo under the Mamluk sultans in the fifteenth and sixteenth centuries, and their geometry looks like nothing else made in the period.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe old Mamluks were built in concentric rings out of a small vocabulary of shapes, and the version here keeps that structure while replacing the sombre reds and greens with orange and the browns and beiges around it. Circular format and concentric drawing suit each other, so the pattern finishes where the rug does rather than being cut off at an edge. The warm transitions between orange, beige and brown are what give the surface its movement; there is no strong contrast anywhere in it, and it is easier to live with than the description suggests.\u003c\/p\u003e\n\n\u003cp\u003eThe face is wool alone. A special loom sets the pile at a density close to hand-knotting, which is where the weight comes from and why it passes for a knotted rug at a glance. It is not one. What separates them is the way the body of the rug was built, not the way it sits underfoot. Medium in thickness, closely worked, and easy to keep. The Halıcızade tree of life is worked in, which is how a Tempus piece is identified. One size only.\u003c\/p\u003e\n\n\u003ch3\u003eWhat is a Mamluk rug pattern?\u003c\/h3\u003e\n\u003cp\u003eMamluk rugs were woven in Cairo between the fifteenth and sixteenth centuries, under the Mamluk sultanate. Their designs are geometric and concentric, built from octagons, eight-pointed stars and radiating panels, and they are unusual for using very few colors across a very complex drawing.\u003c\/p\u003e\n\n\u003ch3\u003eIs a round rug harder to place than a rectangular one?\u003c\/h3\u003e\n\u003cp\u003eIt is different rather than harder. A circle has no corners to align with walls or furniture, so it works best in an entrance, under a round table, or as a single object in the middle of a seating group where a rectangle would fight the lines already in the room.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eLoom-woven on the Aegean coast of Türkiye; wool surface throughout.\u003c\/li\u003e\n  \u003cli\u003eA classical Mamluk geometry of octagons, stars and radiating panels.\u003c\/li\u003e\n  \u003cli\u003eOrange with warm beige and brown transitions, and no hard contrast.\u003c\/li\u003e\n  \u003cli\u003eRound, 160 cm across (5'3\") — one size only.\u003c\/li\u003e\n  \u003cli\u003eMedium thickness at a density close to hand-knotting.\u003c\/li\u003e\n  \u003cli\u003eThe Halıcızade tree of life identifies it as a Tempus piece.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eA five-hundred-year-old Cairo geometry in a color the Mamluks never used, which is either a liberty or the reason it works in a modern room.\u003c\/p\u003e\n\n\u003cscript type=\"application\/ld+json\"\u003e{\"@context\":\"https:\/\/schema.org\",\"@type\":\"FAQPage\",\"mainEntity\":[{\"@type\":\"Question\",\"name\":\"What is a Mamluk rug pattern?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"Mamluk rugs were woven in Cairo between the fifteenth and sixteenth centuries, under the Mamluk sultanate. Their designs are geometric and concentric, built from octagons, eight-pointed stars and radiating panels, and they are unusual for using very few colors across a very complex drawing.\"}},{\"@type\":\"Question\",\"name\":\"Is a round rug harder to place than a rectangular one?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"It is different rather than harder. A circle has no corners to align with walls or furniture, so it works best in an entrance, under a round table, or as a single object in the middle of a seating group where a rectangle would fight the lines already in the room.\"}}]}\u003c\/script\u003e","brand":"HALICIZADE","offers":[{"title":"Orange \/ 160 X 160","offer_id":47577843204329,"sku":"HALTEM000024.01","price":22000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/MemlukDesenliTuruncuYunOzelTezgahHalisi_3_4c3a94ad-1179-4c9c-999f-76d918293a9c.jpg?v=1721643686"},{"product_id":"mihman-serisi-el-dokuma-cicek-desenli-turuncu-yun-hali","title":"Orange Floral Hand-Knotted Wool Rug, Mihman Series","description":"\u003cp\u003e\u003cstrong\u003eAround twenty knots to the square centimeter, tied by hand, which is the number that decides everything else about this rug. A hand-knotted wool Mihman rug in orange, made in Afghanistan, with flower and bird motifs across the field; wool pile on a cotton foundation. Every piece has its own exact dimensions, running from 171 × 242 cm (5'7\" × 7'11\") up to 274 × 357 cm (9'0\" × 11'9\").\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eAt that knot density the drawing can be fine, and it is: birds and flowers rendered with edges instead of approximations, in a repeating field rather than around a medallion. The orange is a live, saturated tone that stands for welcome in the tradition the series is named for — \u003cem\u003emihman\u003c\/em\u003e is an old word for a guest, and hospitality is the idea the whole collection is built on. In an entrance hall or a room where people are received, it does what an orange rug is supposed to do and warms the space before anyone speaks.\u003c\/p\u003e\n\n\u003cp\u003eThe surface is entirely wool. The foundation underneath is almost entirely cotton, with a trace of recycled synthetic yarn worked in to strengthen it — the house states this rather than hiding it behind a claim of purity. Weaving time is measured in months, not days, and the density is why. It should be washed by a specialist. There are two pieces of this rug at present, and, being hand-knotted, no two of them are identical.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in Afghanistan, entirely by hand.\u003c\/li\u003e\n  \u003cli\u003eAround twenty knots per square centimeter — the reason the motifs hold their edges.\u003c\/li\u003e\n  \u003cli\u003eWool pile on a foundation that is almost entirely cotton, with a trace of recycled synthetic for strength.\u003c\/li\u003e\n  \u003cli\u003eFlower and bird motifs on a saturated orange ground.\u003c\/li\u003e\n  \u003cli\u003eMonths of weaving per piece.\u003c\/li\u003e\n  \u003cli\u003eSizes vary by piece, 171 × 242 cm to 274 × 357 cm, plus an 80 × 300 cm runner.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing, by someone who handles hand-knotted rugs.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eRugs at this density are usually bought for a hallway and end up being moved into whichever room the owner uses most.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Orange \/ 80 X 300","offer_id":48114147557609,"sku":"BAYMIH000007.10","price":56000.0,"currency_code":"TRY","in_stock":false},{"title":"Orange \/ 174 X 234","offer_id":50000802578665,"sku":"BAYMIH000007.15","price":94000.0,"currency_code":"TRY","in_stock":false},{"title":"Orange \/ 171 X 242","offer_id":48114147361001,"sku":"BAYMIH000007.04","price":96000.0,"currency_code":"TRY","in_stock":false},{"title":"Orange \/ 186 X 276","offer_id":50909611393257,"sku":"BAYMIH000007.19","price":119000.0,"currency_code":"TRY","in_stock":false},{"title":"Orange \/ 200 X 290","offer_id":50820031348969,"sku":"BAYMIH000007.17","price":134000.0,"currency_code":"TRY","in_stock":false},{"title":"Orange \/ 198 X 295","offer_id":50820031381737,"sku":"BAYMIH000007.18","price":135000.0,"currency_code":"TRY","in_stock":false},{"title":"Orange \/ 250 X 300","offer_id":50820031316201,"sku":"BAYMIH000007.16","price":174000.0,"currency_code":"TRY","in_stock":true},{"title":"Orange \/ 274 X 357","offer_id":50000802545897,"sku":"BAYMIH000007.14","price":230000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/MihmanSerisiElDokumaCicekDesenliTuruncuYunHali_7.jpg?v=1739201239"},{"product_id":"anadolu-desenli-turuncu-sandik-eskisi-yun-herki-koy-dokuma-hali","title":"Orange Anatolian Hand-Knotted Wool Herki Runner","description":"\u003cp\u003e\u003cstrong\u003eThree and a half meters of it: a hand-knotted Herki village runner, 80 \u0026times; 346 cm (2'7\" \u0026times; 11'4\"), orange through the ground, a wool pile over cotton, woven in T\u0026uuml;rkiye and put away in a chest instead of laid down.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eA runner is woven to a corridor rather than to a room, and the drawing has to work at that proportion \u0026mdash; small repeating figures stacked up the length instead of one composition to be taken in at once. This one runs a column of Anatolian motifs up the middle with narrow borders holding it on either side. Orange is the thing to notice, and over 346 centimeters it does not hold one exact tone, because village yarn is dyed in batches and no two batches match. The faint banding that results is the most reliable evidence anywhere that a rug was made by hand.\u003c\/p\u003e\n\n\u003cp\u003eCotton underneath, wool above, knotted by hand in a village. \u003cem\u003eSandık eskisi\u003c\/em\u003e describes where it spent its life: folded in a dowry chest, taken out for visitors, folded again, which is why an old wool runner still has pile standing on it. It comes with the creases that come from being kept that way, and they take a while under their own weight to go. At eighty centimeters it is narrow, so the corridor is worth measuring before anyone assumes it will cover the floor. Specialist cleaning.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eA Turkish village piece, knotted by hand, wool above and cotton beneath.\u003c\/li\u003e\n  \u003cli\u003e80 \u0026times; 346 cm (2'7\" \u0026times; 11'4\") \u0026mdash; a corridor length, and narrow with it.\u003c\/li\u003e\n  \u003cli\u003eOrange ground with a column of Anatolian figures and narrow flanking borders.\u003c\/li\u003e\n  \u003cli\u003eFaint tonal banding along the length, from yarn dyed in separate batches.\u003c\/li\u003e\n  \u003cli\u003eChest-kept instead of used, which is why the pile survived.\u003c\/li\u003e\n  \u003cli\u003eFold creases arrive with it and settle out slowly.\u003c\/li\u003e\n  \u003cli\u003eSpecialist cleaning.\u003c\/li\u003e\n  \u003cli\u003eOne piece, and a runner this long is not an easy thing to find.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eCorridors give a rug the most walking and the least attention, so a piece folded away for decades is arguably the wrong candidate \u0026mdash; which is also the argument for putting it where it will be seen.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Orange \/ 80 X 346","offer_id":48304176234729,"sku":"MZTAND000083.01","price":75000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/AnadoluDesenliTuruncuSandikEskisiYunHerkiKoyDokumaHali_1.webp?v=1744988960"},{"product_id":"ayan-serisi-el-dokuma-soyut-desenli-terra-yun-hali","title":"Terracotta Abstract Handwoven Wool Rug, Ayan Series","description":"\u003cp\u003e\u003cstrong\u003eOnly one of each Ayan design is ever woven, and this is the terracotta one: Ayan Series Handwoven Abstract Terracotta Wool Rug, 275 × 370 cm (9'0\" × 12'2\"), wool pile on a cotton foundation, made in Pakistan. Orange moves through the field in curving bands, anchored by navy and cooled by cream.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe shapes neither repeat nor resolve into anything nameable. They curve and fold across the ground the way paint does while it is still wet, and the orange carries most of the energy while the blue absorbs it. An unusual dyeing method splits every color into several depths of itself, so a single band of orange holds three or four distinct values and shows a different one depending on the angle you take it from.\u003c\/p\u003e\n\n\u003cp\u003eWool over cotton, tied with the Turkish double knot — the symmetrical knot also called the Gördes knot, which grips the foundation on both sides and is the reason rugs made this way outlast the people who buy them. At 275 × 370 cm it is a room-sized piece and it will govern whatever room it is in. Vacuum it; anything beyond that is a job for a professional washer.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven in Pakistan on a cotton foundation, wool pile.\u003c\/li\u003e\n  \u003cli\u003eTied with the Gördes knot — the symmetrical Turkish double knot.\u003c\/li\u003e\n  \u003cli\u003e275 × 370 cm (9'0\" × 12'2\").\u003c\/li\u003e\n  \u003cli\u003eCurving abstract bands in orange, navy and cream, with no repeat.\u003c\/li\u003e\n  \u003cli\u003eSpecial dyeing gives each color several depths of itself.\u003c\/li\u003e\n  \u003cli\u003eOnly one rug is woven from each Ayan design.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing recommended; vacuuming otherwise.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eIt is a floor that will be argued about, which is more than most rugs achieve and exactly what this one was made for.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Orange \/ 275 X 370","offer_id":48510705697001,"sku":"BAYAYN000004.01","price":290000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/AyanSerisiElDokumaSoyutDesenliTerraYunHali_1.webp?v=1751011195"},{"product_id":"aren-serisi-el-dokuma-sade-desenli-yun-turuncu-hali","title":"Orange Plain Hand-Knotted Wool Rug, Aren Series","description":"\u003cp\u003e\u003cstrong\u003eAren is the desert's brightest grain of sand — that is what the word means, and the series takes it. This one is a hand-knotted rug in orange, 249 × 308 cm (8'2\" × 10'1\"), with no pattern to speak of — wool and bamboo viscose knotted at high density so that the color itself is what moves across the surface. Made in India, one piece.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe orange is not a single orange. It runs from full terracotta through pale brick to something close to pomegranate flower, and because the shift happens gradually rather than in blocks, the field behaves like a wash instead of a pattern. Bamboo viscose is what makes that visible: light travels down the fiber and comes back out at an angle, so the same square of rug is warmer from one side of a room and cooler from the other. Beside minimal furniture it holds the floor by color alone. In a room with art on the walls it is the second loudest thing, deliberately.\u003c\/p\u003e\n\n\u003cp\u003eKnotted by hand, and the knot count is the point — a tight, dense pile that gives the rug its weight when you lift a corner and its resistance underfoot. Wool carries the body; bamboo viscose carries the shine. Aren is woven in small numbers, so the color grading of one piece is never the grading of the next. Ordinary upkeep is a vacuum and a wipe, and anything beyond that belongs to a professional washer.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in India for the Aren series.\u003c\/li\u003e\n  \u003cli\u003eWool and bamboo viscose in the pile, tied at high density.\u003c\/li\u003e\n  \u003cli\u003eOrange graded through terracotta, pale brick and pomegranate-flower pink.\u003c\/li\u003e\n  \u003cli\u003eThe word Aren names the single brightest grain of sand a desert holds.\u003c\/li\u003e\n  \u003cli\u003e249 × 308 cm (8'2\" × 10'1\") — a full living room, with the sofa standing on it.\u003c\/li\u003e\n  \u003cli\u003eWoven in limited numbers; the color grading differs piece to piece.\u003c\/li\u003e\n  \u003cli\u003eVacuum and wipe for daily care; professional washing for anything deeper.\u003c\/li\u003e\n  \u003cli\u003eOne piece, and there is no second.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat is bamboo viscose, and why is it in this rug?\u003c\/h3\u003e\n\u003cp\u003eBamboo viscose is a regenerated cellulose fiber spun from bamboo pulp. In a pile it carries light down the length of each strand, which is what produces the shift between warm and cool as you move around the rug. Here it is knotted alongside wool, which supplies the body and the resilience.\u003c\/p\u003e\n\n\u003cp\u003eA plain rug in a strong color is harder to live with than a patterned one, and this is the color to try it in.\u003c\/p\u003e\n\n\u003cscript type=\"application\/ld+json\"\u003e{\"@context\": \"https:\/\/schema.org\", \"@type\": \"FAQPage\", \"mainEntity\": [{\"@type\": \"Question\", \"name\": \"What is bamboo viscose, and why is it in this rug?\", \"acceptedAnswer\": {\"@type\": \"Answer\", \"text\": \"Bamboo viscose is a regenerated cellulose fiber spun from bamboo pulp. In a pile it carries light down the length of each strand, which is what produces the shift between warm and cool as you move around the rug. Here it is knotted alongside wool, which supplies the body and the resilience.\"}}]}\u003c\/script\u003e","brand":"HALICIZADE","offers":[{"title":"Orange \/ 249 X 308","offer_id":49143417340137,"sku":"HALARN000029.01","price":305000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ArenSerisiElDokumaSadeDesenliYunTuruncuHali_1.webp?v=1758887542"},{"product_id":"zade-serisi-memluk-desenli-terra-dogal-tezgah-dokuma-hali","title":"Terracotta Mamluk Loom-Woven Rug, Zade Series","description":"\u003cp\u003e\u003cstrong\u003eAn eight-sided ivory medallion — the Mamluk star — rising out of a terracotta field with fine silver worked inside it: Terracotta Mamluk Loom-Woven Rug, Zade Series. Tencel®, wool and cotton in one surface, woven in Kütahya, 200 × 290 cm (6'7\" × 9'6\"). A single piece.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eSmall round forms ring the medallion and finish the geometry, and thin flowers and leaves spread out from it across the terracotta. The Mamluk drawing is centuries old and it survives here without being artificially aged; the silver inside the medallion is the detail that makes it current, since a cool note dropped into a warm ground keeps the terracotta from turning heavy. Beside wood-toned older furniture it reads authentic, and in a hotel lobby or in front of a rustic bookcase it reads deliberate. Hidden in the frame is a tree of life, the mark this house puts on the designs it draws itself.\u003c\/p\u003e\n\n\u003cp\u003eLoom-woven is the accurate description. In Kütahya the frame of the rug is made by machine; the knots, the ends and the fringes are all done afterward by hand. The house says so rather than borrowing the label of a hand-knotted rug. Once the weaving is finished the rugs are carried to homes nearby, and women there knot the fringes individually. Tencel® carries a fine shine, wool carries the warmth and the wear, cotton is the foundation. Under changing light the surface moves between bright and matt. The pile is short, so dust has little to sink into and a vacuum gets through it fast.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eLoom-woven in Kütahya: machine structure, hand finishing.\u003c\/li\u003e\n  \u003cli\u003eTencel®, wool and cotton together in the surface.\u003c\/li\u003e\n  \u003cli\u003eAn ivory Mamluk star medallion with silver detail on a terracotta ground.\u003c\/li\u003e\n  \u003cli\u003eFringes finished individually by women in the villages around the workshop.\u003c\/li\u003e\n  \u003cli\u003eA tree of life hidden in the frame — the Halıcızade mark.\u003c\/li\u003e\n  \u003cli\u003eShort pile; quick to vacuum.\u003c\/li\u003e\n  \u003cli\u003e200 × 290 cm (6'7\" × 9'6\") — a sitting room, a lobby, a library floor.\u003c\/li\u003e\n  \u003cli\u003eDeep cleaning goes to a professional.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow is a loom-woven rug different from a hand-knotted one?\u003c\/h3\u003e\n\u003cp\u003eOn a loom-woven rug the structure comes off a mechanical loom and the hand work goes into the knots and the finish. That produces much of the weight and feel a knotted rug has, at a fraction of the weaving hours, and this house would rather name the difference than blur it.\u003c\/p\u003e\n\n\u003ch3\u003eWhat is the Mamluk pattern?\u003c\/h3\u003e\n\u003cp\u003eMamluk rugs were woven in Egypt in the fifteenth and sixteenth centuries and are known for centered geometric compositions built around an eight-sided star medallion. This rug takes that arrangement and works it in terracotta and ivory.\u003c\/p\u003e\n\n\u003cscript type=\"application\/ld+json\"\u003e{\"@context\": \"https:\/\/schema.org\", \"@type\": \"FAQPage\", \"mainEntity\": [{\"@type\": \"Question\", \"name\": \"How is a loom-woven rug different from a hand-knotted one?\", \"acceptedAnswer\": {\"@type\": \"Answer\", \"text\": \"On a loom-woven rug the structure comes off a mechanical loom and the hand work goes into the knots and the finish. That produces much of the weight and feel a knotted rug has, at a fraction of the weaving hours, and this house would rather name the difference than blur it.\"}}, {\"@type\": \"Question\", \"name\": \"What is the Mamluk pattern?\", \"acceptedAnswer\": {\"@type\": \"Answer\", \"text\": \"Mamluk rugs were woven in Egypt in the fifteenth and sixteenth centuries and are known for centered geometric compositions built around an eight-sided star medallion. This rug takes that arrangement and works it in terracotta and ivory.\"}}]}\u003c\/script\u003e\n\n\u003cp\u003eTerracotta is the color rooms have been quietly moving toward for a decade, and a Mamluk medallion is the oldest possible way of arriving at it.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Terra \/ 200 X 290","offer_id":50472003436777,"sku":"HALZAD000049.01","price":75500.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ZadeSerisiMemlukDesenliTerraDogalTezgahDokumaHali_1_beca35f4-3bec-44f4-b8bd-ac67a12b3511.webp?v=1773652535"},{"product_id":"gunyolu-serisi-cicek-desenli-terra-tezgah-dokuma-dogal-hali","title":"Terracotta Floral Loom-Woven Rug, Günyolu Series","description":"\u003cp\u003e\u003cstrong\u003ePeacocks, storks and eagles stand in gray and cream among trees that branch across a terracotta ground: this is the Günyolu reading of the Anatolian tree-of-life motif, loom-woven in wool and Tencel® over a cotton foundation in Kütahya and Oushak. Six sizes are made, the largest of them 240 × 340 cm (7'10\" × 11'2\").\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eEach bird keeps to its own corner, so the surface behaves less like a repeat than like a forest seen from above, and the longer it is looked at the more of it there is. The two fibers do different jobs and the pattern comes out of the difference: wool is matt and holds the depth of the terracotta, while Tencel® reflects, which lifts the birds and the branch ends off the ground and makes them move as the light moves. Under dark wood, warm textiles and earth-toned upholstery it does what it was drawn to do; in a large dining room it is the reason the floor is worth looking at.\u003c\/p\u003e\n\n\u003cp\u003eLoom-woven means the ground structure is laid down mechanically and the rest is human: the pattern is set by hand-guided work in workshops around Kütahya and Oushak that are staffed largely by women, and the fringes run out at both ends as evidence of it. Every piece carries its own weave number. It is worth saying that a rug this densely drawn does not sit quietly — put it in a room of patterned upholstery and one of the two will have to give way. The name comes from a mountain village in Kemaliye, in Erzincan.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eLoom-woven in Kütahya and Oushak, in workshops staffed largely by women.\u003c\/li\u003e\n  \u003cli\u003eWool and Tencel® in the surface, on a cotton foundation.\u003c\/li\u003e\n  \u003cli\u003eTerracotta ground with trees, branches, leaves, peacocks, storks and eagles in gray and cream.\u003c\/li\u003e\n  \u003cli\u003eWool carries the matt depth; Tencel® supplies the shine that lifts the figures.\u003c\/li\u003e\n  \u003cli\u003eSix sizes from 90 × 190 cm to 240 × 340 cm, including a 90 × 290 cm runner.\u003c\/li\u003e\n  \u003cli\u003eEach rug carries its own weave number and the Halıcızade tree-of-life figure.\u003c\/li\u003e\n  \u003cli\u003eHave it washed professionally; the Tencel® takes water differently from wool.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eIt is a rug that wants the rest of the room plain, and it repays that by being the only thing anyone comments on.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Terra \/ 200 X 290","offer_id":50564219863273,"sku":"HALGNY000019.01","price":75500.0,"currency_code":"TRY","in_stock":true},{"title":"Terra \/ 240 X 340","offer_id":51730367512809,"sku":"HALGNY000019.02","price":107000.0,"currency_code":"TRY","in_stock":true},{"title":"Terra \/ 90 X 190","offer_id":51730367545577,"sku":"HALGNY000019.03","price":22500.0,"currency_code":"TRY","in_stock":true},{"title":"Terra \/ 90 X 290","offer_id":51730379309289,"sku":"HALGNY000019.04","price":34000.0,"currency_code":"TRY","in_stock":true},{"title":"Terra \/ 130 X 190","offer_id":51774620991721,"sku":"HALGNY000019.05","price":32500.0,"currency_code":"TRY","in_stock":true},{"title":"Terra \/ 200 X 300","offer_id":51774621024489,"sku":"HALGNY000019.06","price":78000.0,"currency_code":"TRY","in_stock":true},{"title":"Terra \/ 170 X 240","offer_id":51821205520617,"sku":"HALGNY000019.07","price":53500.0,"currency_code":"TRY","in_stock":false},{"title":"Terra \/ 90 X 390","offer_id":51821404913897,"sku":"HALGNY000019.08","price":46000.0,"currency_code":"TRY","in_stock":false},{"title":"Terra \/ 90 X 150","offer_id":51822378746089,"sku":"HALGNY000019.09","price":18000.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/GunyoluSerisiCicekDesenliTerraTezgahDokumaDogalHali_1_92bec92a-a08f-4d24-af67-9e061adcc438.webp?v=1773580678"},{"product_id":"zade-serisi-cicek-desenli-terra-tezgah-dokuma-dogal-hali","title":"Terracotta Floral Loom-Woven Tencel Rug, Zade Series","description":"\u003cp\u003e\u003cstrong\u003eTerracotta Floral Loom-Woven Tencel Rug, Zade Series — a terracotta ground carrying a central medallion, with flowering branches arranged around it and a tree of life reading up through the field. It is woven on a loom in Türkiye in Tencel\u0026reg; over cotton. There is no wool in it at all.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe medallion sits at the center and everything else organizes itself around that: flower heads on curving stems, the tree rising through the middle of the field, and a border that repeats the smaller of the two flower motifs. Terracotta is the ground for all of it, a fired-clay orange that deepens and browns under a warm bulb and stays clean and bright in daylight. Beside oak and rush it is the obvious pairing. Beside gray stone it does the more interesting thing and makes the stone look colder than it is.\u003c\/p\u003e\n\n\u003cp\u003eHalıcızade is direct about how the Zade rugs are made: this is not fully hand-woven work — it is a method that puts machine and hand labor together, and the house prefers to say so rather than borrow a word it has not earned. Loom-woven means the loom lays down the structure and the finishing happens afterward in the hand. Tencel\u0026reg; is lyocell — a filament made out of wood pulp — cool against the hand and reflective enough that the terracotta shifts as you walk past it, and cotton runs through the body underneath. A Tencel\u0026reg; face is not a wool one — it marks more readily, and washing it is a job for a rug workshop rather than a bathroom.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eLoom-woven in Türkiye, with the loom carrying the structure and hands closing the ends.\u003c\/li\u003e\n  \u003cli\u003eTencel\u0026reg; face over a cotton body; no wool anywhere in the rug.\u003c\/li\u003e\n  \u003cli\u003eA central medallion with flowering branches, and a tree of life through the field.\u003c\/li\u003e\n  \u003cli\u003eTerracotta, which reads deeper by lamplight and cleaner by day.\u003c\/li\u003e\n  \u003cli\u003eThe house states plainly that Zade is not fully hand-woven.\u003c\/li\u003e\n  \u003cli\u003eTencel\u0026reg; marks more easily than wool does.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing.\u003c\/li\u003e\n  \u003cli\u003eTwo pieces at this size.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eA room can have the classical drawing without the weight that normally arrives with it, and this is one way to get there.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Terra \/ 200 X 290","offer_id":50677031534825,"sku":"HALZAD000046.01","price":75500.0,"currency_code":"TRY","in_stock":false},{"title":"Terra \/ 200 X 300","offer_id":51730379473129,"sku":"HALZAD000046.02","price":78000.0,"currency_code":"TRY","in_stock":true},{"title":"Terra \/ 170 X 240","offer_id":51823051833577,"sku":"HALZAD000046.03","price":53500.0,"currency_code":"TRY","in_stock":false},{"title":"Terra \/ 240 X 340","offer_id":51823051866345,"sku":"HALZAD000046.04","price":107000.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ZadeSerisiCicekDesenliTerraTezgahDokumaDogalHali_1.webp?v=1774444794"},{"product_id":"ayan-serisi-el-dokuma-vintage-desenli-yun-turuncu-hali","title":"Red Vintage Floral Hand-Knotted Wool Rug, Ayan Series","description":"\u003cp\u003e\u003cstrong\u003eNearly ten square meters of it — 274 × 362 cm (9'0\" × 11'11\"), which is a room rather than a rug. Red Vintage Floral Hand-Knotted Wool Rug, Ayan Series: small flowers repeated across a red ground in several shades of red, wool knotted by hand over cotton in Pakistan. There is one.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe flowers are drawn fine and set close, in the way an old Anatolian or Persian field is drawn, and the reds inside them are pitched a little apart from the red of the ground, so the whole surface looks like a classical rug that spent thirty summers in the sun and was then brought back. The border repeats the same flowers at higher density and gives the field a hard edge to stop against. Under a dark wood table with leather chairs it is traditional and heavy; against white walls and plain modern furniture the red does the opposite job and becomes the only decision in the room.\u003c\/p\u003e\n\n\u003cp\u003eEverything on the surface is wool, left matt rather than polished — it warms as it ages instead of wearing shiny. The knot is doubled and dense, which is what allows a rug this size to sit in a passage or under a busy table and hold both its shape and its color. Weaving is by hand in Pakistan. Some of the series is made for Halıcızade alone. Measure the floor before ordering: at this size a rug decides the layout of a room rather than fitting into one. Have it washed professionally.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eKnotted by hand in Pakistan, wool pile over a cotton foundation.\u003c\/li\u003e\n  \u003cli\u003eA densely repeated small-flower field in several reds.\u003c\/li\u003e\n  \u003cli\u003eA border repeating the same flowers at higher density.\u003c\/li\u003e\n  \u003cli\u003eDoubled, dense knots — built for passages and busy rooms.\u003c\/li\u003e\n  \u003cli\u003eMatt wool that warms rather than polishes as it wears.\u003c\/li\u003e\n  \u003cli\u003e274 × 362 cm (9'0\" × 11'11\") — measure the floor first.\u003c\/li\u003e\n  \u003cli\u003eHave it washed professionally.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eAt this scale the rug arrives first and the furniture is arranged afterward, which is the correct order and rarely the one anyone plans for.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Red \/ 274 X 362","offer_id":50694926500073,"sku":"BAYAYN000011.01","price":220000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/AyanSerisiElDokumaVintageDesenliYunTuruncuHali_1.webp?v=1774598404"},{"product_id":"zima-serisi-soyut-desenli-dogal-tencel-gri-tezgah-dokuma-hali","title":"Gray Striped Loom-Woven Wool and Tencel Rug, Zima Series","description":"\u003cp\u003e\u003cstrong\u003eThin orange veins branch across a striped ground of gray and mink, as though a stone slab had been mended with gold: a loom-woven wool and Tencel® rug in the Zima series, cotton beneath, 200 × 300 cm (6'7\" × 9'10\"), from workshops in Kütahya and Uşak.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe stripes are not drawn so much as poured, running the length of the rug in gray and mink, and the orange arrives over them at an entirely different angle: fine, forked, unhurried, more like something that happened to the surface than something planned onto it. Flow rather than arrangement is the whole Zima idea. Gray and anthracite furniture keeps the rug calm. Anything copper or brass in the room pulls the orange up out of the floor and the temperature of the whole thing changes.\u003c\/p\u003e\n\n\u003cp\u003eWool and Tencel® share the pile and cotton holds the foundation. The wool is the matt half and the lyocell the bright half, and because the two take dye and light differently the veins look wet against a dry ground even though the surface is level. Weaving happens on looms worked by women in western Türkiye — machine knots and hand work in the same piece, which is the accurate description of the technique and the reason the rug sits where it does between a knotted rug and a machine one. There is wool in the pile. Every rug is numbered.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eWool and Tencel® pile over cotton.\u003c\/li\u003e\n  \u003cli\u003eGray and mink stripes, crossed by branching orange veins.\u003c\/li\u003e\n  \u003cli\u003eLoom-woven at Kütahya and Uşak: machine structure, hand finishing.\u003c\/li\u003e\n  \u003cli\u003eWool for the matt body, lyocell for the wet look in the veining.\u003c\/li\u003e\n  \u003cli\u003eThe size is 200 × 300 cm, drawn for a large sitting room.\u003c\/li\u003e\n  \u003cli\u003eContains wool; not the right rug if you avoid it.\u003c\/li\u003e\n  \u003cli\u003eEach rug carries its own number and the tree of life the house weaves in.\u003c\/li\u003e\n  \u003cli\u003eA vacuum for the week, a professional washer for the year.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eSet it against industrial fittings and it will keep looking like a repaired thing, which is what it was drawn to be.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Gray \/ 200 X 300","offer_id":50677561753833,"sku":"HALZMA000017.01","price":78000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ZimaSerisiSoyutDesenliDogalTencelGriTezgahDokumaHali_1.webp?v=1774610628"},{"product_id":"i̇kinci-el-hereke-cesmi-bulbul-desenli-el-dokuma-lacivert-yun-hali","title":"Navy Hereke-Pattern Hand-Knotted Wool Rug, Çeşm-i Bülbül","description":"\u003cp\u003e\u003cstrong\u003eÇeşm-i bülbül means the eye of the nightingale, and it is the name of the drawing on this hand-knotted rug — a Hereke pattern on a navy wool ground, 126 × 178 cm (4'2\" × 5'10\"), woven in Türkiye over a cotton foundation. Second-hand: it had a life on a floor before this one. Framed and floral, with burgundy and orange running through the drawing.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe name belongs first to Ottoman glass, where çeşm-i bülbül describes a spiraling stripe worked into the body of a vessel, and it moved across to weaving for a pattern of the same character — small repeated eyes drawn tight enough that the field shimmers rather than reads. On a navy ground with burgundy and orange in the motifs, that shimmer is what the rug is for. Hereke drawing generally refuses empty space, which is only possible at a high knot count, and it is the reason the name carries the weight it does.\u003c\/p\u003e\n\n\u003cp\u003eWool takes the pile and cotton takes the warp and weft, the combination that lets a fine drawing hold its lines without the foundation giving. Being used, the rug arrives with the pile settled and the surface carrying the low sheen that walking produces and no finishing process reproduces. Against that: pile height varies where wear varied, the ends show handling, and colors have moved a shade. Every second-hand rug should be professionally washed before it is laid, and this one is no exception.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in Türkiye; wool pile on a cotton foundation.\u003c\/li\u003e\n  \u003cli\u003eÇeşm-i Bülbül drawing — the eye of the nightingale, a dense repeating eye motif.\u003c\/li\u003e\n  \u003cli\u003eNavy ground with burgundy and orange in the motifs, inside a framing border.\u003c\/li\u003e\n  \u003cli\u003eHereke drawing leaves no empty ground, which requires a high knot count.\u003c\/li\u003e\n  \u003cli\u003e126 × 178 cm (4'2\" × 5'10\"), roughly 2.2 square meters.\u003c\/li\u003e\n  \u003cli\u003eSecond-hand: settled pile, low sheen, uneven pile height and handled ends.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing before use. A single piece.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eA rug named after a bird's eye ought to reward being looked at closely, and this one repays it.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Navy Blue \/ 126 X 178","offer_id":50797865205993,"sku":"HALİKİ000067.01","price":67000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/IkinciElHerekeCesmiBulbulDesenliElDokumaLacivertYunHali_1.webp?v=1775904768"},{"product_id":"bohem-serisi-cizgi-desenli-terra-yun-tezgah-dokuma-kilim","title":"Terracotta Striped Loom-Woven Wool Kilim, Bohem Series","description":"\u003cp\u003e\u003cstrong\u003eBands of terracotta running the width of a flatweave read the way a hand-loomed blanket does, and that is the entire design here: a striped terracotta kilim, loom-woven in Türkiye from wool over cotton, 219 × 301 cm (7'2\" × 9'11\"). No pile, no border, no medallion — stripes and the width they cross. One piece.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eTerracotta is a fired-clay color: warmer than brick, drier than orange, sitting between the reds and the browns without committing to either. Stripes do something specific to a room's proportions that a scattered pattern cannot. Run them across the short axis and a narrow room widens; run them along the length and a long room is pulled longer still. At 219 cm across there is enough width for the bands to be read as bands rather than as texture, and that is what separates a kilim that organizes a floor from one that only covers it.\u003c\/p\u003e\n\n\u003cp\u003eWoven on a loom in Türkiye. The wool takes the color and the cotton takes the strain — in a flatweave those are two separate jobs done by two yarns in the same cloth, and a piece that skips the cotton goes out of true at this width. Flatweaves are thin. That is a virtue under a dining table, where chairs have to slide, and a drawback beside a bed, where most people want something with depth to stand on first thing in the morning. Have it washed professionally.\u003c\/p\u003e\n\n\u003cul\u003e\n\u003cli\u003eLoom-woven in Türkiye; wool for the color, cotton for the structure.\u003c\/li\u003e\n\u003cli\u003eTerracotta bands across the width, with no border and no central figure.\u003c\/li\u003e\n\u003cli\u003e219 × 301 cm (7'2\" × 9'11\"), just under six and a half square meters.\u003c\/li\u003e\n\u003cli\u003eStripes across the short axis widen a narrow room; along the length they lengthen it.\u003c\/li\u003e\n\u003cli\u003eThin underfoot: good under dining chairs, less good beside a bed.\u003c\/li\u003e\n\u003cli\u003eProfessional washing.\u003c\/li\u003e\n\u003cli\u003eOne piece.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eTerracotta is the one warm color that does not date, because it was never fashionable enough to go out.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Terra \/ 219 X 301","offer_id":50971023999209,"sku":"HALBHM000002.01","price":53000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/BohemSerisiCizgiDesenliTerraYunTezgahDokumaKilim_1_06b43284-6378-4e34-99d6-78ff455ac01a.webp?v=1778416530"},{"product_id":"zade-serisi-usak-desenli-turuncu-dogal-tezgah-dokuma-hali","title":"Orange Oushak Loom-Woven Tencel Rug, Zade Series","description":"\u003cp\u003e\u003cstrong\u003eOrange in a rug is almost never orange; it runs to brick, and that is what happens here. Zade series Oushak-pattern rug, loom-woven in Türkiye with Tencel® over cotton, a classical floral field inside a border, 200 × 300 cm, which converts to 6'7\" × 9'10\".\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eColor is what carries this piece. A brick-leaning orange is warm at both ends of the day — it takes tungsten light and goes deeper, and it takes cold morning light without turning pink, which is the failure mode of every orange that has too much red in it. Set against light oak or walnut it agrees with the wood instead of competing; set against a cream sofa it becomes the only source of temperature in the room. The Oushak drawing on top of it is the old one: a repeating arrangement of flowers and leaves held inside a frame, so the field carries the color and the border stops it.\u003c\/p\u003e\n\n\u003cp\u003eThe body of this rug was built by machine and finished by hand, which is what loom-woven describes, and Halıcızade uses the word rather than reaching for a grander one. The surface is Tencel®, a lyocell; the ground beneath it is cotton. Every piece in the series carries a tree of life as the house mark, which is Halıcızade's signature rather than a label sewn on. Worth knowing about a strong ground color: it commits the room. This rug will decide what the curtains can be. Wash it professionally.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eLoom-woven in Türkiye — machine structure, hand finishing.\u003c\/li\u003e\n  \u003cli\u003eTencel® surface on a cotton foundation, with no wool used.\u003c\/li\u003e\n  \u003cli\u003eA classical Oushak floral field inside its border, on a brick-leaning orange ground.\u003c\/li\u003e\n  \u003cli\u003e200 × 300 cm (6'7\" × 9'10\"), two pieces held.\u003c\/li\u003e\n  \u003cli\u003eThe orange holds up under lamplight and does not go pink in cold daylight.\u003c\/li\u003e\n  \u003cli\u003eThe series carries the Halıcızade tree of life as its mark.\u003c\/li\u003e\n  \u003cli\u003eA strong ground color decides the rest of the room — that is the trade-off.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eTen years from now the drawing will have softened and the brick will have gone one shade quieter, which is the direction this color improves in.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Orange \/ 200 X 300","offer_id":50971349254377,"sku":"HALZAD000051.01","price":78000.0,"currency_code":"TRY","in_stock":true},{"title":"Orange \/ 170 X 240","offer_id":51849173237993,"sku":"HALZAD000051.02","price":53500.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ZadeSerisiUsakDesenliTuruncuDogalTezgahDokumaHali_1.webp?v=1778420692"},{"product_id":"el-dokuma-anadolu-desenli-kahverengi-yun-milas-halisi","title":"Brown Anatolian Hand-Knotted Wool Milas Rug","description":"\u003cp\u003e\u003cstrong\u003eMilas lies inland from the Aegean in the Muğla district of southwestern Anatolia, and Turkmen households have been weaving there since they settled the area after 1261: Brown Anatolian Hand-Knotted Wool Milas Rug, 160 × 250 cm (5'3\" × 8'2\"), wool over cotton, in browns and ochres. One piece.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eA Milas is recognized by its border before anything else about it. The band around the outside takes an unusual share of the whole surface, often carrying one small repeated device and sometimes carrying nothing, so the field it encloses reads narrow and the rug looks like a frame with a picture inside. Color is the second mark. Milas weaving works madder for its reds and local plants for a range of yellows, which is where the ochre comes from, while undyed wool supplies the creams and the natural browns with no dye involved at all.\u003c\/p\u003e\n\n\u003cp\u003eBrown is the least demanding ground a patterned rug can have, and on an oak or walnut floor it settles into the wood rather than sitting on top of it — which will be exactly what one room needs and exactly what another cannot afford. Wool makes the pile, and the warp and weft beneath are cotton. The knotting is by hand and the drawing came out of memory, so the border device does not fall the same distance from every corner. Professional washing when it genuinely needs it.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in the Milas manner of southwestern Anatolia.\u003c\/li\u003e\n  \u003cli\u003eWool for the pile and cotton for the structure under it.\u003c\/li\u003e\n  \u003cli\u003eA wide border taking an unusual share of the surface, with a narrow field inside it.\u003c\/li\u003e\n  \u003cli\u003eBrowns and ochres, some of the color from undyed wool rather than dye.\u003c\/li\u003e\n  \u003cli\u003e160 × 250 cm (5'3\" × 8'2\") — a sitting area, a study, or a wide hall.\u003c\/li\u003e\n  \u003cli\u003eMilas weaving dates to Turkmen settlement of the district after 1261.\u003c\/li\u003e\n  \u003cli\u003eThe border device lands unevenly at the corners; nothing was traced.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing. A single piece.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eOn a wooden floor it will be the last thing a visitor notices and the first thing they ask about, which is what a wide border is for.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Brown \/ 160 X 250","offer_id":51511035887849,"sku":"MZTAND000049.01","price":38000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaAnadoluDesenliKahverengiYunMilasHalisi_1.webp?v=1784709958"},{"product_id":"sahzade-serisi-el-dokuma-usak-desenli-yun-turuncu-hali","title":"Orange Oushak Hand-Knotted Wool Rug, Şahzade Series","description":"\u003cp\u003e\u003cstrong\u003eOrange Oushak Hand-Knotted Wool Rug, Şahzade Series — an orange ground carrying curved vine work, stylized flowers and a narrow border, with blue, cream, green and burgundy set into the pattern so the orange does not run away with it. 178 × 245 cm (5'10\" × 8'0\"), knotted by hand in Afghanistan. A single piece.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eOushak drawing on an orange field is not the usual pairing, and it is what makes this a bridge between a classical room and a modern one. The vines travel rather than repeat mechanically, and the border is thin enough to frame without competing. Daylight moves the ground through several tones in a day — deeper in the morning, closer to apricot by late afternoon. Beside light oak or walnut, cream and off-white upholstery, natural linen curtains and black metal detail, the orange warms a room without weighing it down. In a salon built on beige, stone and sand, it is the one element with a pulse in it.\u003c\/p\u003e\n\n\u003cp\u003eAfghan weavers knot it over months, using the double knot, which is what lets a pile take years of use without the pattern losing its edges. The surface is wool throughout. The foundation is cotton in the main, and a trace of recycled synthetic yarn rides in it to add strength — set down here because the house sets it down rather than hiding it. The wool surface neither fluffs nor sheds loose fiber, so it suits a room in daily use as readily as a formal one. Professional washing.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eKnotted by hand in Afghanistan, over months, on the double knot.\u003c\/li\u003e\n  \u003cli\u003eWool surface throughout; the foundation is chiefly cotton, plus a trace of recycled synthetic yarn.\u003c\/li\u003e\n  \u003cli\u003eOrange ground with vine work, stylized flowers and a fine border.\u003c\/li\u003e\n  \u003cli\u003eBlue, cream, green and burgundy hold the orange in balance.\u003c\/li\u003e\n  \u003cli\u003e178 × 245 cm (5'10\" × 8'0\") — in front of a three-seat sofa, or under a wooden dining table.\u003c\/li\u003e\n  \u003cli\u003eThe double knot is what keeps the pattern's edges after years of walking.\u003c\/li\u003e\n  \u003cli\u003eThe surface does not fluff or shed.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eOrange on a floor is the decision most people postpone, and this is the one that four other colors have already argued into balance.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Orange \/ 178 X 245","offer_id":51593025519849,"sku":"BAYSLT000185.01","price":77000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/SahzadeSerisiElDokumaUsakDesenliYunTuruncuHali_1.webp?v=1785498032"},{"product_id":"zade-serisi-vintage-desenli-turuncu-dogal-tezgah-dokuma-hali","title":"Orange Vintage-Pattern Loom-Woven Tencel® Rug, Zade Series","description":"\u003cp\u003e\u003cstrong\u003eThe pattern looks like a print left too long in a sunny window: an orange vintage field, loom-woven in Türkiye, Tencel® over cotton, from the Zade series, the classical drawing softened until the lines break rather than close. There is no wool in the construction.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eOrange is a difficult ground and the fading is what rescues it. At full strength it would take a room over; worn back toward brick and away again across the field, it behaves more like an old wall than like a color decision. The movement comes from the Tencel®: lyocell reflects along the length of the fiber, leaving the same orange hot near a window and dusty on the far side of the room.\u003c\/p\u003e\n\n\u003cp\u003eThe Zade method is loom weaving: a mechanical foundation with the finishing done by hand, which the house says plainly rather than calling it hand-knotting. On a faded pattern what that buys is control, because a deliberate fade has to be even and hand weaving is not even. Cotton in the foundation, Tencel® in the pile, nothing woolen at any point. Each piece carries the tree-of-life mark. Professional washing.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eMade on the loom in Türkiye, with a Tencel® pile over cotton.\u003c\/li\u003e\n  \u003cli\u003eOrange ground, the classical drawing given a worn, vintage treatment.\u003c\/li\u003e\n  \u003cli\u003eThe fade is deliberate and even, which is what a loom is for.\u003c\/li\u003e\n  \u003cli\u003eLyocell shifts the orange between hot and dusty across a room.\u003c\/li\u003e\n  \u003cli\u003eWool-free, and each piece is signed with the house tree of life.\u003c\/li\u003e\n  \u003cli\u003eMade in room sizes; an office floor suits it as well as a living room.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eAn orange floor sounds like a risk until it has been faded, and then it is only warmth.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Turuncu \/ 170 X 240","offer_id":51731780436201,"sku":"HALZAD000059.02","price":53500.0,"currency_code":"TRY","in_stock":true},{"title":"Turuncu \/ 200 X 300","offer_id":51731780403433,"sku":"HALZAD000059.01","price":78000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ZadeSerisiVintageDesenliTuruncuDogalTezgahDokumaHali_1.webp?v=1787994187"},{"product_id":"mihman-serisi-el-dokiuma-cicek-desenli-turuncu-hali","title":"Orange Floral Handwoven Wool Rug, Mihman Series","description":"\u003cp\u003e\u003cstrong\u003eMihman Series, woven by hand in Afghanistan at 152 \u0026times; 203 cm (5'0\" \u0026times; 6'8\"). A floral drawing in the authentic manner, orange across the field, wool in the pile over a cotton foundation carrying a small quantity of synthetic thread. One piece.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eAuthentic, as the house uses the word, means the drawing was not redesigned for a catalog. The flowers are the village repertoire \u0026mdash; angular rather than botanical, repeated across the field the way a weaver working from memory repeats them. Orange is either the reason to buy it or the reason not to. At this size it is a rug for a hall, a kitchen or the foot of a bed, and it will set the color of whatever room it lands in.\u003c\/p\u003e\n\n\u003cp\u003eAfghan weaving culture runs centuries deep, and every knot here was tied by hand inside it. The pile is wool. The foundation is cotton carrying a small quantity of synthetic thread, added for strength and stated rather than glossed over. Professional washing; in the meantime a short pile like this clears in one pass of a vacuum.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eWoven by hand in Afghanistan.\u003c\/li\u003e\n  \u003cli\u003eWool pile over a cotton foundation with a small quantity of synthetic thread.\u003c\/li\u003e\n  \u003cli\u003eOrange field with an authentic floral repeat.\u003c\/li\u003e\n  \u003cli\u003e152 \u0026times; 203 cm (5'0\" \u0026times; 6'8\") \u0026mdash; hall, kitchen or bedside.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing.\u003c\/li\u003e\n  \u003cli\u003eOne piece.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eOrange is a decision, not a background. It works best in a room that has already committed to something.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Turuncu \/ 152 X 203","offer_id":51803531739369,"sku":"BAYMIH000036.01","price":72000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/MihmanSerisiElDokiumaCicekDesenliTuruncuHali_1.webp?v=1788695146"},{"product_id":"sahzade-serisi-el-dokuma-usak-desenli-turuncu-yun-hali","title":"Orange Oushak-Pattern Handwoven Wool Rug, Şahzade Series","description":"\u003cp\u003e\u003cstrong\u003eŞahzade Series, woven by hand in Afghanistan at 213 \u0026times; 293 cm (7'0\" \u0026times; 9'7\"). An Oushak drawing in the classical manner, orange across the field, wool in the pile over a cotton foundation carrying a small quantity of synthetic thread. One piece.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eOushak is the weaving district in western Anatolia whose rugs turn up in European paintings from the fifteenth century onward, and what separates those drawings from what came later is scale: large motifs, generous spacing, a border that frames rather than crowds. That is what the Şahzade drawing takes. Worked in orange the effect is warm and open, the field doing most of the talking and the motifs large enough to read from across a room.\u003c\/p\u003e\n\n\u003cp\u003eThis is Afghan work in the Anatolian repertoire, which is an old arrangement rather than a new one. The pile is wool. The foundation is cotton with a small quantity of synthetic thread added for durability. At 213 \u0026times; 293 cm it takes a sitting-room floor with the furniture standing on it rather than around it. Professional washing.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eWoven by hand in Afghanistan.\u003c\/li\u003e\n  \u003cli\u003eWool pile over a cotton foundation with a small quantity of synthetic thread.\u003c\/li\u003e\n  \u003cli\u003eOrange field with a large-scale Oushak repeat and a framing border.\u003c\/li\u003e\n  \u003cli\u003e213 \u0026times; 293 cm (7'0\" \u0026times; 9'7\") \u0026mdash; sitting room.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing.\u003c\/li\u003e\n  \u003cli\u003eOne piece.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eA rug this size settles a room before anything is placed on it.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Turuncu \/ 213 X 293","offer_id":51803532296425,"sku":"BAYSLT000196.01","price":110000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/SahzadeSerisiElDokumaYunUsakDesenliTuruncuHali_1.webp?v=1788767836"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/collections\/turuncu-1920x650-tikla.png?v=1784440630","url":"https:\/\/www.halicizade.com\/en\/collections\/orange-rugs.oembed?page=2","provider":"HALICIZADE","version":"1.0","type":"link"}