{"title":"Red Rugs","description":"\u003cp\u003e\u003cstrong\u003eA red rug is the default ground of Anatolian weaving. Red carried the pattern from the nomad camp to the palace and stayed in the drawing through every change of taste, and it is still the color most Turkish rugs are built around — plain, floral, geometric or modern, hand-knotted or machine-woven, in every size the loom makes.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis page covers why red holds that position, which designs and fibers it comes in, how to combine it with the colors around it, which room takes which shade, and how a red rug is looked after.\u003c\/p\u003e\n\n\u003ch2\u003eWhy red runs through Anatolian weaving\u003c\/h2\u003e\n\u003cp\u003eBecause it was the color the land could make. Madder root gives a red that runs from brick to deep wine depending on the mordant and the wool, and it was available to village dyers across Anatolia for centuries. A dye that reliable becomes a habit, and the habit became the tradition: red is the field a weaver starts from, and everything else is placed on it.\u003c\/p\u003e\n\u003cp\u003eThe color survived the change in technology intact. Machine-woven rugs today reproduce the same red grounds and the same motif families — Afghan-pattern rugs among them — which is why a machine-made piece can look continuous with a village rug two centuries older. For the handwoven end of the same tradition, see \u003ca href=\"\/en\/collections\/turkish-rugs\"\u003eTurkish rugs\u003c\/a\u003e.\u003c\/p\u003e\n\n\u003ch2\u003eWhat red comes in\u003c\/h2\u003e\n\u003cp\u003eFour drawing families, and they behave differently in a room.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003ePlain.\u003c\/strong\u003e Nothing but the tone, which puts the whole weight on the shade itself. Plain red suits minimal interiors and modern furniture, and it comes in the widest size range of the four.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eFloral.\u003c\/strong\u003e The oldest of the patterned reds and the one that reads as vintage, especially against wooden furniture. See \u003ca href=\"\/en\/collections\/floral-rug\"\u003efloral pattern rugs\u003c\/a\u003e.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eGeometric.\u003c\/strong\u003e Sharp-edged and formal; it holds its composure in a room where a floral would soften. The same forms appear in framed and round layouts.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eModern.\u003c\/strong\u003e Red used as one color among several rather than as the field, often with cream, and the easiest of the four to place in a contemporary room.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe same motifs cross into flat weave. Both machine-woven and handwoven kilims carry them, worked in weft rather than pile.\u003c\/p\u003e\n\n\u003ch2\u003eRed with other colors\u003c\/h2\u003e\n\u003ctable\u003e\n\u003ctr\u003e\u003cth\u003eCombination\u003c\/th\u003e\u003cth\u003eWhat it does\u003c\/th\u003e\u003cth\u003eWhere it works\u003c\/th\u003e\u003c\/tr\u003e\n\u003ctr\u003e\u003ctd\u003eRed and cream\u003c\/td\u003e\u003ctd\u003eLowers the contrast and lets the red read as warm rather than loud\u003c\/td\u003e\u003ctd\u003eBedrooms, modern living rooms\u003c\/td\u003e\u003c\/tr\u003e\n\u003ctr\u003e\u003ctd\u003eRed and gray\u003c\/td\u003e\u003ctd\u003eTwo light tones meeting; the calmest of the pairings\u003c\/td\u003e\u003ctd\u003eRooms with mixed furniture and no fixed scheme\u003c\/td\u003e\u003c\/tr\u003e\n\u003ctr\u003e\u003ctd\u003eRed and navy\u003c\/td\u003e\u003ctd\u003eDeep against deep; formal, and the classic handwoven pairing\u003c\/td\u003e\u003ctd\u003eDark, furnished rooms; dining rooms\u003c\/td\u003e\u003c\/tr\u003e\n\u003ctr\u003e\u003ctd\u003eRed and black\u003c\/td\u003e\u003ctd\u003eThe highest contrast of the four; graphic rather than traditional\u003c\/td\u003e\u003ctd\u003eModern interiors with hard surfaces\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003cp\u003eRed and navy is the combination with the longest history behind it, and it appears in handwoven work as often as in machine production.\u003c\/p\u003e\n\n\u003ch2\u003eWhere to put which shade\u003c\/h2\u003e\n\u003cp\u003eLight and dark reds want different rooms. A lighter red opens up a living room or a corridor and takes daylight well; a deeper red holds its own against the hard surfaces of a bathroom or a kitchen, where tile and ceramic would drain a paler tone. Runners are one of the strongest uses of the color, because a corridor is short on furniture and the floor is what a visitor sees; see \u003ca href=\"\/en\/collections\/hallway-runners\"\u003ehallway runners\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003eBeyond that, red is not confined to formal rooms. It is used for children's and babies' rooms, where the cheerful drawing suits the space, and for kitchens, where a small piece takes the standing wear in front of the counter. Plush and long-pile reds are made specifically for bathrooms and children's rooms, and behave the same way as any other soft-pile rug.\u003c\/p\u003e\n\n\u003ch2\u003eChoosing one\u003c\/h2\u003e\n\u003cp\u003eSize first, and it is not close. If the rug and the floor do not agree, no other quality of the piece will rescue it, and the design cannot come forward in a room where the proportions are wrong. After that:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eChoose a construction you will actually maintain — synthetic, viscose and acrylic rugs are the least demanding to clean.\u003c\/li\u003e\n\u003cli\u003eCompare prices across the models you are considering rather than within one construction, since fiber and weave move the figure more than pattern does.\u003c\/li\u003e\n\u003cli\u003eWork from the furniture already in the room — a table, a mirror, a sofa group, the cabinets — rather than from the rug alone.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003ePrice follows design, size, shade, fiber and construction. The gap between a hand-knotted \u003ca href=\"\/en\/collections\/pure-silk-rugs\"\u003epure silk rug\u003c\/a\u003e and a machine-woven cotton rug is visible at a glance, and it is a difference in loom hours before it is anything else.\u003c\/p\u003e\n\n\u003ch2\u003eCare\u003c\/h2\u003e\n\u003cp\u003eRed hides marks that other grounds show, and it does nothing at all about dust. That is the practical argument for a fixed routine: the pattern will forgive a spot, and it will not forgive a season of grit worked into the base of the pile.\u003c\/p\u003e\n\u003cp\u003eWool, silk, bamboo and leather rugs should be kept away from chemical cleaners entirely. Regular vacuuming and prompt attention to a soiled area do more to preserve the original color than any product, and a red field in particular shows the difference between a rug that has been maintained and one that has been rescued.\u003c\/p\u003e\n\n\u003ch2\u003eFrequently asked questions\u003c\/h2\u003e\n\u003ch3\u003eWhy is red so common in traditional Turkish rugs?\u003c\/h3\u003e\n\u003cp\u003eMadder root was the reliable red dye available to village dyers across Anatolia, and a dye that dependable becomes the ground a weaver starts from. Red carried the pattern from nomad camps to palaces, and it remained the field on which other colors were placed.\u003c\/p\u003e\n\u003ch3\u003eWhat patterns do red rugs come in?\u003c\/h3\u003e\n\u003cp\u003eFour families: plain, floral, geometric and modern. Plain suits minimal rooms, floral reads as vintage against wooden furniture, geometric is the most formal, and modern designs use red alongside other colors rather than as the whole field.\u003c\/p\u003e\n\u003ch3\u003eWhich colors go with a red rug?\u003c\/h3\u003e\n\u003cp\u003eCream lowers the contrast and keeps the red warm, gray gives the calmest pairing, navy is the traditional deep-against-deep combination, and black gives the most graphic result. Red and navy has the longest history in handwoven work.\u003c\/p\u003e\n\u003ch3\u003eShould a red rug be light or dark?\u003c\/h3\u003e\n\u003cp\u003eIt depends on the floor it lands on. Lighter reds open up living rooms and corridors and take daylight well; darker reds hold their own against the tile and ceramic of a kitchen or a bathroom, which would drain a paler tone.\u003c\/p\u003e\n\u003ch3\u003eAre red rugs suitable for a child's room?\u003c\/h3\u003e\n\u003cp\u003eYes, and they are made for it. The cheerful drawing suits the space, and plush and long-pile reds are produced specifically for children's rooms and bathrooms. They behave the same way as any other soft-pile rug in use and cleaning.\u003c\/p\u003e\n\u003ch3\u003eHow is a red rug cleaned?\u003c\/h3\u003e\n\u003cp\u003eVacuum on a regular schedule, because a red ground disguises marks but not dust. Deal with a soiled area promptly rather than strongly, and keep chemical cleaners away from wool, silk, bamboo and leather rugs entirely.\u003c\/p\u003e\n\n\u003cscript type=\"application\/ld+json\"\u003e{\"@context\":\"https:\/\/schema.org\",\"@type\":\"FAQPage\",\"mainEntity\":[{\"@type\":\"Question\",\"name\":\"Why is red so common in traditional Turkish rugs?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"Madder root was the reliable red dye available to village dyers across Anatolia, and a dye that dependable becomes the ground a weaver starts from. Red carried the pattern from nomad camps to palaces, and it remained the field on which other colors were placed.\"}},{\"@type\":\"Question\",\"name\":\"What patterns do red rugs come in?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"Four families: plain, floral, geometric and modern. Plain suits minimal rooms, floral reads as vintage against wooden furniture, geometric is the most formal, and modern designs use red alongside other colors rather than as the whole field.\"}},{\"@type\":\"Question\",\"name\":\"Which colors go with a red rug?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"Cream lowers the contrast and keeps the red warm, gray gives the calmest pairing, navy is the traditional deep-against-deep combination, and black gives the most graphic result. Red and navy has the longest history in handwoven work.\"}},{\"@type\":\"Question\",\"name\":\"Should a red rug be light or dark?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"It depends on the floor it lands on. Lighter reds open up living rooms and corridors and take daylight well; darker reds hold their own against the tile and ceramic of a kitchen or a bathroom, which would drain a paler tone.\"}},{\"@type\":\"Question\",\"name\":\"Are red rugs suitable for a child's room?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"Yes, and they are made for it. The cheerful drawing suits the space, and plush and long-pile reds are produced specifically for children's rooms and bathrooms. They behave the same way as any other soft-pile rug in use and cleaning.\"}},{\"@type\":\"Question\",\"name\":\"How is a red rug cleaned?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"Vacuum on a regular schedule, because a red ground disguises marks but not dust. Deal with a soiled area promptly rather than strongly, and keep chemical cleaners away from wool, silk, bamboo and leather rugs entirely.\"}}]}\u003c\/script\u003e\n\n\u003cp\u003e\u003cstrong\u003eRelated collections:\u003c\/strong\u003e \u003ca href=\"\/en\/collections\/burgundy-rug\"\u003eburgundy rugs\u003c\/a\u003e · \u003ca href=\"\/en\/collections\/floral-rug\"\u003efloral pattern rugs\u003c\/a\u003e · \u003ca href=\"\/en\/collections\/hallway-runners\"\u003ehallway runners\u003c\/a\u003e · \u003ca href=\"\/en\/collections\/kilim-rugs\"\u003ehandwoven kilims\u003c\/a\u003e\u003c\/p\u003e\n","products":[{"product_id":"zara-serisi-otantik-desenli-ozel-tezgah-halisi","title":"Red Cypress-Motif Loom-Woven Rug, Zara Series","description":"\u003cp\u003e\u003cstrong\u003eRed Cypress-Motif Loom-Woven Rug, Zara Series: a light red ground turning toward brick orange, carrying ranks of slim cypress trees, woven in Oushak on a cotton foundation with a Tencel\u0026reg; and viscose face. It is made in twelve sizes, up to 300 \u0026times; 380 cm (9'10\" \u0026times; 12'6\").\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe cypress is one of the oldest figures in Anatolian weaving, and here it is drawn plain: a narrow trunk, a tapered body, repeated in rows across the field rather than gathered into a medallion. The ground beneath is not a flat red. It leans to brick orange in daylight and settles into something closer to earth under a lamp. The surface has a direction to it, so the same rug reads bright from one end of a room and quiet from the other.\u003c\/p\u003e\n\u003cp\u003eWoven on old-pattern looms rather than knotted by hand, which is why the field runs so evenly. Cotton holds the structure and Tencel\u0026reg; makes the face; Tencel\u0026reg; is a lyocell spun from wood cellulose, and it is where the sheen comes from. The looms are in Oushak \u0026mdash; U\u0026#351;ak, the weaving district of western Anatolia \u0026mdash; and most of the people at them are women. The fringes are done afterwards, by hand, with no machine going near them.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLoom-woven in Oushak, T\u0026uuml;rkiye.\u003c\/li\u003e\n\u003cli\u003eTencel\u0026reg; and viscose surface on a cotton foundation.\u003c\/li\u003e\n\u003cli\u003eCypress trees in ranks on a light red, brick-leaning ground.\u003c\/li\u003e\n\u003cli\u003eThe sheen shifts from bright to calm depending on which end of the room you stand at.\u003c\/li\u003e\n\u003cli\u003eTwelve sizes, 90 \u0026times; 150 cm (2'11\" \u0026times; 4'11\") to 300 \u0026times; 380 cm (9'10\" \u0026times; 12'6\"), including 90 \u0026times; 490 cm (2'11\" \u0026times; 16'1\") runners.\u003c\/li\u003e\n\u003cli\u003eProfessional washing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eLaid against pale oak it stays warm; against leather and dark wood the red goes deeper and the cypresses come forward.\u003c\/p\u003e","brand":"EKO HALI","offers":[{"title":"Red \/ 90 X 150","offer_id":47298648899817,"sku":"EKOZAR000017.03","price":12200.0,"currency_code":"TRY","in_stock":true},{"title":"Red \/ 80 X 290","offer_id":45581789397225,"sku":"EKOZAR000017.07","price":21000.0,"currency_code":"TRY","in_stock":false},{"title":"Red \/ 130 X 190","offer_id":40809424191682,"sku":"EKOZAR000017.01","price":22400.0,"currency_code":"TRY","in_stock":false},{"title":"Red \/ 90 X 290","offer_id":47298606366953,"sku":"EKOZAR000017.04","price":23500.0,"currency_code":"TRY","in_stock":false},{"title":"Red \/ 170 X 240","offer_id":44372012925161,"sku":"EKOZAR000017.02","price":36800.0,"currency_code":"TRY","in_stock":false},{"title":"Red \/ 200 X 290","offer_id":44372013023465,"sku":"EKOZAR000017.05","price":52200.0,"currency_code":"TRY","in_stock":false},{"title":"Red \/ 90 X 490","offer_id":50952618442985,"sku":"EKOZAR000017.08","price":39800.0,"currency_code":"TRY","in_stock":true},{"title":"Red \/ 90 X 390","offer_id":47982997438697,"sku":"EKOZAR000017.09","price":31600.0,"currency_code":"TRY","in_stock":false},{"title":"Red \/ 90 X 190","offer_id":47994454343913,"sku":"EKOZAR000017.10","price":15400.0,"currency_code":"TRY","in_stock":false},{"title":"Red \/ 240 X 340","offer_id":48114051023081,"sku":"EKOZAR000017.11","price":73500.0,"currency_code":"TRY","in_stock":true},{"title":"Red \/ 300 X 380","offer_id":48114051055849,"sku":"EKOZAR000017.12","price":103000.0,"currency_code":"TRY","in_stock":false},{"title":"Red \/ 250 X 250","offer_id":50639759180009,"sku":"EKOZAR000017.13","price":56400.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ZaraSerisiOtantikDesenliKirmiziHali_7.jpg?v=1751030869"},{"product_id":"saf-ipek-anadolu-el-dokuma-klasik-hali","title":"Burgundy Anatolian Hand-Knotted Pure Silk Rug","description":"\u003cp\u003e\u003cstrong\u003eTwo weavers, and between a year and a half and two years of work: Burgundy Anatolian Hand-Knotted Pure Silk Rug — 202 × 284 cm (6'8\" × 9'4\") in Bursa silk throughout, a burgundy ground carrying gold and navy Anatolian drawing, with an open center and a deep classical border. One piece.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe center is left empty on purpose, which is why a low table can stand on it without ruining the composition; the drawing is concentrated in the border and the corners, and the field exists to be crossed. Gold gives the pattern its light and navy gives it its edges, and against the burgundy the two behave differently at different hours — the gold flattens in daylight and comes up under lamps. Silver-toned furniture suits it, and so does light oak or maple flooring, which stops the burgundy from sinking into a dark floor.\u003c\/p\u003e\n\n\u003cp\u003eThe silk comes from Bursa, the Ottoman silk city, where mulberry has been grown and silk reeled for centuries. Very little Bursa silk now goes into rugs at all, so pieces like this are bought as collected objects at least as much as floor covering. The weave is a 6 × 6 knot density, which is what allows the fine detail in the border to be drawn rather than suggested, and which is also why two people needed close to two years to finish it. It is fragile by construction: lift spills at once, keep it out of direct sun, be careful with it around animals, vacuum on the lowest setting, and have it washed away from the house.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in Bursa, Türkiye, from pure Bursa silk.\u003c\/li\u003e\n  \u003cli\u003eBurgundy ground with gold and navy Anatolian drawing, and an open center.\u003c\/li\u003e\n  \u003cli\u003e6 × 6 knot density, tied by two weavers over a year and a half to two years.\u003c\/li\u003e\n  \u003cli\u003e202 × 284 cm, with the pattern held in the border and the corners.\u003c\/li\u003e\n  \u003cli\u003eSuits silver-toned furniture and pale maple or oak flooring.\u003c\/li\u003e\n  \u003cli\u003eDelicate: low-suction vacuuming, no direct sun, care around pets.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing only.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat is Bursa silk?\u003c\/h3\u003e\n\u003cp\u003eBursa, in northwest Türkiye, was the center of Ottoman silk production and reels silk still. Very little of it now goes into rug weaving, so a rug knotted entirely from Bursa silk is bought as a collected object at least as much as a floor covering.\u003c\/p\u003e\n\n\u003ch3\u003eWhy did this rug take two years to weave?\u003c\/h3\u003e\n\u003cp\u003eIt follows from the knot density. At 6 × 6 the number of individually tied knots in a piece of 202 × 284 cm is very large, and two weavers working together needed between a year and a half and two years to complete it.\u003c\/p\u003e\n\n\u003cp\u003eIt is the sort of rug that gets moved from house to house rather than replaced, and the reason to buy the open center is that a table will not spoil it.\u003c\/p\u003e\n\n\u003cscript type=\"application\/ld+json\"\u003e{\"@context\": \"https:\/\/schema.org\", \"@type\": \"FAQPage\", \"mainEntity\": [{\"@type\": \"Question\", \"name\": \"What is Bursa silk?\", \"acceptedAnswer\": {\"@type\": \"Answer\", \"text\": \"Bursa, in northwest Türkiye, was the center of Ottoman silk production and reels silk still. Very little of it now goes into rug weaving, so a rug knotted entirely from Bursa silk is bought as a collected object at least as much as a floor covering.\"}}, {\"@type\": \"Question\", \"name\": \"Why did this rug take two years to weave?\", \"acceptedAnswer\": {\"@type\": \"Answer\", \"text\": \"It follows from the knot density. At 6 × 6 the number of individually tied knots in a piece of 202 × 284 cm is very large, and two weavers working together needed between a year and a half and two years to complete it.\"}}]}\u003c\/script\u003e","brand":"HALICIZADE","offers":[{"title":"Red \/ 202 X 284","offer_id":40809470722242,"sku":"HADIPE000007.01","price":1450000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/BursaIpekElDokumaKlasikHali_8.jpg?v=1711282627"},{"product_id":"harem-serisi-el-dokuma-usak-desenli-ipek-hali","title":"Oushak-Pattern Handwoven Wool and Silk Rug, Harem Series","description":"\u003cp\u003e\u003cstrong\u003eFirst-shearing oily fleece from Erzurum and real Bursa silk, knotted together by hand into an Oushak-pattern rug from the Harem series — wool carrying the ground, silk laid in where the drawing has to catch light. Woven in Türkiye for Halıcızade by the Çınhar workshop, on the Anatolian double knot. There is one of it.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eOushak — a weaving town out in the west of Anatolia — has been supplying this kind of drawing for five centuries: broad medallions, a field left generous rather than crowded, borders that frame instead of compete. The Harem reading keeps that architecture and loosens the rest, so the ornament sits apart with air around it. Where the silk runs through the motifs it answers light differently from the wool beside it, and the pattern seems to float a knot's height above its own ground when you cross the room.\u003c\/p\u003e\n\n\u003cp\u003eThe fleece is Erzurum \u003cem\u003eyağlı yapağı\u003c\/em\u003e, the oily first-shearing wool that keeps most of its lanolin and therefore most of its shine. The silk is reeled in Bursa, which has been a silk town since the Ottomans made it one. Çınhar ties the pile on the double knot, the Anatolian method, and the piece was made for this house rather than bought in. Silk and wool take water differently, so this one goes to a specialist and to nobody with a bottle of shampoo.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven in Türkiye by Çınhar, made for Halıcızade.\u003c\/li\u003e\n  \u003cli\u003eWool pile with real Bursa silk worked through the motifs.\u003c\/li\u003e\n  \u003cli\u003eThe fleece is Erzurum first-shearing oily wool, chosen for its shine.\u003c\/li\u003e\n  \u003cli\u003eTied on the Anatolian double knot.\u003c\/li\u003e\n  \u003cli\u003eClassical Oushak drawing, opened out and read for a modern room.\u003c\/li\u003e\n  \u003cli\u003eSpecialist washing only — never a home shampoo on the silk.\u003c\/li\u003e\n  \u003cli\u003eOne piece, and it will not be woven again.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eThe silk announces itself only to somebody moving past it, which makes this a rug for the part of a house where people walk slowly.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"burgundy \/ 165X243","offer_id":45803626103017,"sku":"ÇINHAR000120.01","price":197000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/HaremSerisiElDokumaUsakDesenliIpekHali_1.jpg?v=1709558693"},{"product_id":"mahal-serisi-el-dokuma-usak-desenli-kirmizi-hali","title":"Red Oushak-Pattern Handwoven Wool Runner, Mahal Series","description":"\u003cp\u003e\u003cstrong\u003eThe yarn was dyed by hand, which is the first thing to know: no two dye pots ever match, so the red shifts from lighter to deeper down the length. A handwoven wool runner from the Mahal series, 76 × 310 cm (2'6\" × 10'2\"), knotted in Pakistan on a cotton foundation, cream Oushak flowers ranked along a red field.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe flowers run in rows the length of the piece, curling into one another as they go, so the drawing pulls the eye along the corridor rather than stopping it. A wide cream border takes the heat out of the red and gives the pattern an edge to end at. The Oushak motifs are the traditional ones. What the hand-dyeing adds is a horizontal banding that weavers call abrash — a visible change of tone where one batch of yarn ran out and the next began, and the surest sign that the color was not applied by machine.\u003c\/p\u003e\n\n\u003cp\u003eWool on the surface and cotton in the foundation, where a little synthetic yarn is present to keep the piece from stretching; the house says so rather than calling the rug pure anything. The double knot keeps its shape under traffic, which is what a corridor rug is asked to do. Seventy-six centimeters is narrow — it will not tuck under furniture and it needs a pad or it will creep on a hard floor. Wash it professionally.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven in Pakistan, on the double knot.\u003c\/li\u003e\n  \u003cli\u003eWool surface, cotton foundation, a trace of synthetic yarn for strength.\u003c\/li\u003e\n  \u003cli\u003eYarn dyed by hand — the red bands lighter and darker down its length.\u003c\/li\u003e\n  \u003cli\u003eCream Oushak flowers in rows, held by a wide cream border.\u003c\/li\u003e\n  \u003cli\u003e76 × 310 cm (2'6\" × 10'2\"), for a hallway or a long kitchen galley.\u003c\/li\u003e\n  \u003cli\u003eNarrow enough that it needs an anti-slip pad on a hard floor.\u003c\/li\u003e\n  \u003cli\u003eWashing by a professional; keep detergent off the hand-dyed red.\u003c\/li\u003e\n  \u003cli\u003eA single runner.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhy does the red change tone along the runner?\u003c\/h3\u003e\n\u003cp\u003eThe yarn was dyed in batches by hand, and no two pots come out identical. Where one batch ran out and another began, the tone steps lighter or darker across the width. Weavers call this abrash, and it is evidence of hand dyeing.\u003c\/p\u003e\n\n\u003ch3\u003eIs 76 cm a workable width for a hallway?\u003c\/h3\u003e\n\u003cp\u003eIt suits a corridor of roughly 100 to 140 cm across, which leaves a margin of floor on either side. In a wider hall it reads as a stripe rather than a runner, and two pieces laid end to end look better.\u003c\/p\u003e\n\n\u003cscript type=\"application\/ld+json\"\u003e{\"@context\":\"https:\/\/schema.org\",\"@type\":\"FAQPage\",\"mainEntity\":[{\"@type\":\"Question\",\"name\":\"Why does the red change tone along the runner?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"The yarn was dyed in batches by hand, and no two pots come out identical. Where one batch ran out and another began, the tone steps lighter or darker across the width. Weavers call this abrash, and it is evidence of hand dyeing.\"}},{\"@type\":\"Question\",\"name\":\"Is 76 cm a workable width for a hallway?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"It suits a corridor of roughly 100 to 140 cm across, which leaves a margin of floor on either side. In a wider hall it reads as a stripe rather than a runner, and two pieces laid end to end look better.\"}}]}\u003c\/script\u003e\n\n\u003cp\u003eCorridor rugs take more footfall per square meter than anything else in a house, and this one was built knowing it.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Red \/ 76 X 310","offer_id":44689909973225,"sku":"KERMAH000024.01","price":50000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/MahalSerisiElDokumaUsakDesenliKirmiziHali_1.jpg?v=1709631731"},{"product_id":"tezgah-dokuma-soyut-desenli-kirmizi-hali","title":"Red and Anthracite Abstract Loom-Woven Wool Rug, Heritage Series","description":"\u003cp\u003e\u003cstrong\u003eRed against anthracite is the loudest pairing in the Heritage series and the only one in it that raises its voice. The rug is abstract and borderless, three meters long by two wide (200 × 300 cm, or 6'7\" × 9'10\"). Wool from New Zealand flocks and bamboo viscose share the surface; cotton carries them from below. Made near Oushak, in western Türkiye.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe two colors are not divided into zones. They wash across and through one another so that no edge announces where red ends, and the dark gray acts less as a second color than as the shadow the red throws. Viscose threads run through the brighter passages and lift them, so the red reads hot from one side of the room and banked from the other. There is no medallion, no field, no border — the composition refuses all three, and at this size that refusal is the design.\u003c\/p\u003e\n\n\u003cp\u003eProduction begins semi-industrially on a loom and is completed by women weavers by hand, which is how the Heritage rugs are made. The knots are set close, so the surface has the density of hand work without the years. Two limitations are worth stating: a red this saturated will sit badly next to another strong color, and viscose shows the direction the pile was last brushed in. Neither is a fault; both are facts. Send it out for washing.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eLoom-woven in the Oushak region, finished by hand by women weavers.\u003c\/li\u003e\n  \u003cli\u003eNew Zealand wool and bamboo viscose in the surface, cotton foundation.\u003c\/li\u003e\n  \u003cli\u003eRed and anthracite washed through one another, with no border anywhere.\u003c\/li\u003e\n  \u003cli\u003eViscose lifts the brighter passages; the red changes weight as you move.\u003c\/li\u003e\n  \u003cli\u003e200 × 300 cm (6'7\" × 9'10\"), enough to hold a whole seating group.\u003c\/li\u003e\n  \u003cli\u003eIt will not share a room with a second strong color.\u003c\/li\u003e\n  \u003cli\u003eBrush marks stay visible in the viscose passages.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing; part of a limited Heritage run.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eA red floor changes what people wear in a room, which is either the reason to buy it or the reason not to.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Red \/ 200 X 300","offer_id":45811511492841,"sku":"EKOHER000599.01","price":54000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/MakineDokumaSoyutDesenliKirmiziHali_1.jpg?v=1705759812"},{"product_id":"el-dokuma-ipek-osmanli-desenli-kirmizi-hali","title":"Red Framed Hand-Knotted Silk Rug","description":"\u003cp\u003e\u003cstrong\u003eSixty-four knots in a single square centimeter \u0026mdash; 6,400 to the square decimeter \u0026mdash; is what allows a rug this small to carry a full Ottoman drawing without losing a line of it. A hand-knotted silk rug, silk knots on a silk foundation, 63 \u0026times; 93 cm (2'1\" \u0026times; 3'1\"), red-grounded inside a drawn frame, woven in China. One of one.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe pattern belongs to the court repertoire that came down from the Ottoman palaces: a framed field, the frame itself filled with a running ornament, the red inside it worked with fine floral and scrolling work in gold and deeper burgundy. At this knot density the drawing does not have to simplify. Curves stay curved, a stem stays a stem, and the smallest elements in the border are still legible at reading distance rather than dissolving into steps, which is what happens to the same design on a coarser weave.\u003c\/p\u003e\n\n\u003cp\u003eSilk both above and below: the knots are silk and so is the foundation they are tied onto, which is why the piece is light in the hand and why it shifts between bright and dark as you turn it. Silk weaving in China long predates the pattern on it, and what you have here is a Chinese workshop's reading of a Turkish court design rather than a Turkish rug. At 63 \u0026times; 93 cm it is the size of a cushion, and Halıcızade suggests framing it as a panel or laying it on a desk or a glass table rather than putting it on a floor. That is the honest use for it. Washing is a specialist's job and no one else's.\u003c\/p\u003e\n\n\u003ch3\u003eWhat does 64 knots per square centimeter mean?\u003c\/h3\u003e\n\u003cp\u003eIt is a density measurement: sixty-four separate hand-tied knots occupy each square centimeter of the surface, or 6,400 to the square decimeter. A higher count buys a finer line, which is why the curves hold their shape here and the smallest border elements do not break down into steps.\u003c\/p\u003e\n\n\u003ch3\u003eWhy is a silk rug this size not meant for the floor?\u003c\/h3\u003e\n\u003cp\u003eSilk pile is fine and takes light rather than traffic, and at 63 \u0026times; 93 cm this piece is closer to a panel than to a floor covering. The house suggests framing it, or setting it on a desk or a glass table, where the sheen is what you see rather than footmarks.\u003c\/p\u003e\n\n\u003cscript type=\"application\/ld+json\"\u003e{\"@context\":\"https:\/\/schema.org\",\"@type\":\"FAQPage\",\"mainEntity\":[{\"@type\":\"Question\",\"name\":\"What does 64 knots per square centimeter mean?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"It is a density measurement: sixty-four separate hand-tied knots occupy each square centimeter of the surface, or 6,400 to the square decimeter. A higher count buys a finer line, which is why the curves hold their shape here and the smallest border elements do not break down into steps.\"}},{\"@type\":\"Question\",\"name\":\"Why is a silk rug this size not meant for the floor?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"Silk pile is fine and takes light rather than traffic, and at 63 × 93 cm this piece is closer to a panel than to a floor covering. The house suggests framing it, or setting it on a desk or a glass table, where the sheen is what you see rather than footmarks.\"}}]}\u003c\/script\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in China, in silk throughout \u0026mdash; silk knots on a silk foundation.\u003c\/li\u003e\n  \u003cli\u003e64 knots per square centimeter, or 6,400 per square decimeter.\u003c\/li\u003e\n  \u003cli\u003eAn Ottoman court pattern: a framed field with floral and scrolling work in red, gold and burgundy.\u003c\/li\u003e\n  \u003cli\u003e63 \u0026times; 93 cm (2'1\" \u0026times; 3'1\"), which is cushion size.\u003c\/li\u003e\n  \u003cli\u003eIntended for framing, a desk or a glass table rather than a floor.\u003c\/li\u003e\n  \u003cli\u003eOften bought as a gift for a person or an institution.\u003c\/li\u003e\n  \u003cli\u003eSpecialist washing only.\u003c\/li\u003e\n  \u003cli\u003eOne piece only, at this size and this count.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eSilk of this fineness reads as two different rugs depending on which end you stand at, and framing it fixes the better of the two.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Red \/ 63 X 93","offer_id":44158199660777,"sku":"SARIPE000174.01","price":88000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/SARIPE000174-13_727d1a62-ced6-40d6-be02-1c07438fe685.jpg?v=1709405446"},{"product_id":"el-dokuma-afgan-desenli-klasik-hali","title":"Burgundy Afghan Bukhara Hand-Knotted Wool Rug","description":"\u003cp\u003e\u003cstrong\u003eThis is a large rug — large enough for a hotel lobby or a school hall, and uncommon at the size — hand-knotted in Afghanistan with Turkmen Bukhara motifs on a burgundy ground. Wool pile over a cotton foundation, cream and navy carried through the drawing. A single piece; rugs at this scale are not woven often.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eBukhara is the Turkmen design family: rows of repeating octagonal motifs, geometric before anything else, with vegetal work filling the spaces between them. Here the ground is burgundy, deep and even; cream does the outlining, and navy supplies the third depth. The composition has no single center, which is exactly what a very large rug needs, because a medallion at this scale would swallow the room. Walnut and brown-to-orange furnishings pick it up, and so does black or tan leather.\u003c\/p\u003e\n\n\u003cp\u003eThe pile is wool of the first grade, soft enough that the rug reads lighter than its weight; cotton sits underneath, and it is the only thing keeping a rug of this size from becoming unmanageable. Afghanistan is now among the few places where hand-knotting at this quality and this scale still happens at all, and the weaving is slow. It should be professionally washed; a rug this size is not a home job in any sense of the phrase.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in Afghanistan.\u003c\/li\u003e\n  \u003cli\u003eWool pile on a cotton foundation.\u003c\/li\u003e\n  \u003cli\u003eTurkmen and Afghan Bukhara motifs — geometric, with vegetal filling between them.\u003c\/li\u003e\n  \u003cli\u003eBurgundy ground, cream outlining, navy for depth.\u003c\/li\u003e\n  \u003cli\u003eLarge format, suited to hotel entrances, halls and big rooms.\u003c\/li\u003e\n  \u003cli\u003eNo central medallion, so the pattern holds at any viewing distance.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing only.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eRugs this big tend to outlast the buildings they were bought for.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Burgundy \/ 357 X 522","offer_id":44158292820201,"sku":"HALAFG000001.01","price":500000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/el-dokuma-klasik-tasarim-bordo-afgan-khamyap-hali-37994.jpg?v=1697203381"},{"product_id":"karnaval-serisi-sal-desenli-tezgah-dokuma-etnik-genc-odasi-halisi","title":"Red Shawl-Pattern Loom-Woven Wool Rug, Karnaval Series","description":"\u003cp\u003e\u003cstrong\u003eThe drawing is taken from a shawl: bands of yellow, green, blue and orange laid one inside the next across a red ground, with a plain red border holding them in. Red Shawl-Pattern Loom-Woven Wool Rug, Karnaval Series — wool, worked on the loom in India, and made in more than one size.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eNothing in the field repeats exactly. Each band shifts its width and the order of its colors, so the eye travels the length of the rug instead of settling in the middle, and the border is left bare on purpose to keep the whole surface from vibrating. Against white walls the reds run hot; on wood, in a room with a lot of daylight, they cool toward something nearer a kilim. The rug was drawn for a young person's room and it behaves like one. It is loud, and in a space that already carries pattern on the walls it will argue rather than agree.\u003c\/p\u003e\n\n\u003cp\u003eOn a loom-woven rug the frame does the structural work and a weaver does the rest; here the rest means the fringes, which are tied on afterward at both ends, one at a time. The pile is wool throughout. Nobody should put water through this at home — hand it to a workshop that cleans rugs, and only when a vacuum has stopped being enough.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eWoven in wool on the loom, in India.\u003c\/li\u003e\n  \u003cli\u003eRed ground with yellow, green, blue and orange bands drawn from Anatolian shawl patterning.\u003c\/li\u003e\n  \u003cli\u003eA plain red border frames the field and keeps the color count legible.\u003c\/li\u003e\n  \u003cli\u003eThe fringes are knotted by hand at both ends after the rug leaves the frame.\u003c\/li\u003e\n  \u003cli\u003eSeveral sizes are woven; the pattern is redrawn to fit each one.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing, with regular vacuuming in between.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003ePut it in a plain room and it supplies all the color the room will need for the next ten years.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Red \/ 60 X 90","offer_id":44158311137513,"sku":"HALKAR000001.01","price":7500.0,"currency_code":"TRY","in_stock":false},{"title":"Red \/ 150 X 217","offer_id":44371439255785,"sku":"HALKAR000001.05","price":42500.0,"currency_code":"TRY","in_stock":false},{"title":"Red \/ 153 X 217","offer_id":45588870660329,"sku":"HALKAR000001.06","price":43500.0,"currency_code":"TRY","in_stock":true},{"title":"Red \/ 121 X 181","offer_id":45589280096489,"sku":"HALKAR000001.07","price":28500.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/KarnavalSerisiSalDesenliElDokumaEtnikGencOdasiHalisi_6.jpg?v=1719749009"},{"product_id":"el-dokuma-yagcibedir-desenli-kirmizi-klasik-hali","title":"Red Yağcıbedir Hand-Knotted Wool Rug","description":"\u003cp\u003e\u003cstrong\u003eYağcıbedir is one of the Yörük patterns still being knotted today, and its palette is fixed rather than chosen: burgundy, navy and white, in that order. This is a hand-knotted wool Yağcıbedir rug made in Türkiye, 120 \u0026times; 220 cm (3'11\" \u0026times; 7'3\"), red-grounded and drawn the traditional way. Single piece.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eWhat makes a Yağcıbedir recognizable across a room is that restriction. Three colors, no more, so the drawing has to carry everything \u0026mdash; the field is dark and dense with small geometric figures, the navy border encloses it, and the white appears only in the outlines and in the smallest elements, doing a job a fourth color would otherwise have to be brought in for. Set against walnut or any warm timber the burgundy deepens; put it in a room of pale furniture and the navy is what you notice first.\u003c\/p\u003e\n\n\u003cp\u003eWool from end to end, tied by hand in Türkiye. A Yörük pattern is a nomadic one, carried by weavers rather than by workshops, which is why the same design comes out slightly differently every time and why no two of these line up motif for motif. Everyday cleaning is a wipe with white soapy water; beyond that it goes to a professional. At 120 \u0026times; 220 cm it is a useful shape rather than a grand one \u0026mdash; a hallway, a bedroom side, or the space in a sitting room between two chairs.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in wool in Türkiye, 120 \u0026times; 220 cm (3'11\" \u0026times; 7'3\").\u003c\/li\u003e\n  \u003cli\u003eYağcıbedir, one of the Yörük pattern groups, in its fixed burgundy, navy and white.\u003c\/li\u003e\n  \u003cli\u003eDense geometric field inside a navy border, with white used only for outlines.\u003c\/li\u003e\n  \u003cli\u003eSuits walnut and other warm timber; the navy leads in a pale room.\u003c\/li\u003e\n  \u003cli\u003eWipe with white soapy water; professional washing for anything more.\u003c\/li\u003e\n  \u003cli\u003eNomadic patterns vary weaver by weaver, so no two examples match exactly.\u003c\/li\u003e\n  \u003cli\u003eLiving room, entrance hall or bedroom, on the house's own reading.\u003c\/li\u003e\n  \u003cli\u003eOne piece.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWalking on wool polishes it, and a Yağcıbedir is one of the few drawings that gains from the sheen instead of dissolving into it.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Red \/ 120 X 220","offer_id":44158315331817,"sku":"MZTYAB000002.01","price":64000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/products\/yagcibedir-desenli-el-dokuma-hali-20414.jpg?v=1689701087"},{"product_id":"el-dokuma-cicek-desenli-bordo-yun-hali","title":"Burgundy Floral Hand-Knotted Wool Rug","description":"\u003cp\u003e\u003cstrong\u003eA burgundy hand-knotted wool rug, 124 \u0026times; 180 cm (4'1\" \u0026times; 5'11\"), knotted by hand in India over a cotton foundation, carrying a classical floral field held inside a drawn frame. The weave is close and firm enough that you feel it before you see it, and there is one of it.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eBurgundy is a ground that decides a room rather than fitting into one. The flowers sit on it in lighter tones and the frame closes them in on all four sides, which is what keeps a classical pattern from spilling and is why the piece reads as finished rather than as a section cut out of something larger. Under a lamp the red moves toward brown; in daylight it comes back to red, and the pale floral work is what changes least between the two.\u003c\/p\u003e\n\n\u003cp\u003eHand-knotted in India: the pile is wool and the foundation beneath it is cotton. Tight, firm weaving is the whole of the argument for this one \u0026mdash; press a thumb into it and it barely gives, which is what a rug needs if it is going to be walked on for twenty years rather than five. The straight caution: at 124 \u0026times; 180 cm this is not a rug that will fill a living room, and it works best where it can be seen whole, in front of a fireplace, beside a bed, or in an entrance. Professional washing.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in India, 124 \u0026times; 180 cm (4'1\" \u0026times; 5'11\").\u003c\/li\u003e\n  \u003cli\u003eWool pile on a cotton foundation.\u003c\/li\u003e\n  \u003cli\u003eClassical floral field inside a drawn frame, in burgundy with lighter flowers.\u003c\/li\u003e\n  \u003cli\u003eDense, firm weave that gives very little under a thumb.\u003c\/li\u003e\n  \u003cli\u003eThe red darkens toward brown under lamplight and returns in daylight.\u003c\/li\u003e\n  \u003cli\u003eA size to be seen whole: a fireplace, a bedside, an entrance.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing.\u003c\/li\u003e\n  \u003cli\u003eOne piece.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eA cotton foundation is what decides whether a rug is still lying flat in twenty years, and this one has the right thing underneath it.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Burgundy \/ 124 X 180","offer_id":44184338104553,"sku":"EKO01K000001.01","price":49000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaCicekDesenliBordoYunHali_5_7b66cf5b-9334-490d-b940-8436c6d1425d.jpg?v=1713448443"},{"product_id":"el-dokuma-hoca-rosnai-afgan-desenli-hali","title":"Burgundy Hoca Roşnai Hand-Knotted Afghan Wool Rug","description":"\u003cp\u003e\u003cstrong\u003eTwo named patterns run through it: Buhara, the star, and Kel İsa. Both were set down from memory — no cartoon, no template — by weavers in northern Afghanistan, most of them women working at home. A hand-knotted rug in burgundy and navy, wool on cotton, 200 × 290 cm (6'7\" × 9'6\"). One of one.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eGeometric forms interlock across the whole field, and because the drawing came out of the weaver's head rather than off a page, the repeats shift by a knot here and there. That drift is the rug. Burgundy dominates and navy holds the structure beneath it, the traditional Afghan pairing and the reason these pieces sit so easily beside wood and cream. Nothing in the composition is centered; the pattern simply continues, and it can be cut at any edge without looking cut.\u003c\/p\u003e\n\n\u003cp\u003eHoca Roşnai is a quality designation rather than a place — within Afghan weaving it names the highest grade for both yarn and knot density, and this rug is one. Wool pile, cotton foundation, hundreds of thousands of knots. A piece of roughly six square metres at this grade takes months of continuous work. It has to be washed by a professional. In a modern room it is the one traditional object; in a traditional one it disappears usefully into the whole.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in northern Afghanistan, largely by women working at home.\u003c\/li\u003e\n  \u003cli\u003eHoca Roşnai grade — the finest yarn and knot density in Afghan weaving.\u003c\/li\u003e\n  \u003cli\u003eWool pile on a cotton foundation.\u003c\/li\u003e\n  \u003cli\u003eBuhara star and Kel İsa motifs, set down from memory without a cartoon.\u003c\/li\u003e\n  \u003cli\u003eBurgundy and navy, the traditional Afghan pairing.\u003c\/li\u003e\n  \u003cli\u003e200 × 290 cm (6'7\" × 9'6\"), and months of work at this grade.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat does Hoca Roşnai mean on an Afghan rug?\u003c\/h3\u003e\n\u003cp\u003eIt is a quality grade rather than a region. Within Afghan weaving it designates the finest yarn and the highest knot density available, and rugs carrying it are among the most valued the country produces.\u003c\/p\u003e\n\u003ch3\u003eWhat are the Buhara and Kel İsa patterns?\u003c\/h3\u003e\n\u003cp\u003eBuhara is the Turkmen star, an octagonal motif repeated in rows across the field. Kel İsa is a second traditional Afghan design worked alongside it. Both are geometric, and both were woven here from memory rather than from a drawn cartoon.\u003c\/p\u003e\n\u003ch3\u003eWhy is the pattern slightly irregular?\u003c\/h3\u003e\n\u003cp\u003eBecause no template was used. The weaver carried the design in her head and set it down knot by knot, so the repeats shift a little from row to row. In an Afghan rug that drift is evidence of the method, not a flaw in it.\u003c\/p\u003e\n\n\u003cscript type=\"application\/ld+json\"\u003e{\"@context\":\"https:\/\/schema.org\",\"@type\":\"FAQPage\",\"mainEntity\":[{\"@type\":\"Question\",\"name\":\"What does Hoca Roşnai mean on an Afghan rug?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"It is a quality grade rather than a region. Within Afghan weaving it designates the finest yarn and the highest knot density available, and rugs carrying it are among the most valued the country produces.\"}},{\"@type\":\"Question\",\"name\":\"What are the Buhara and Kel İsa patterns?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"Buhara is the Turkmen star, an octagonal motif repeated in rows across the field. Kel İsa is a second traditional Afghan design worked alongside it. Both are geometric, and both were woven here from memory rather than from a drawn cartoon.\"}},{\"@type\":\"Question\",\"name\":\"Why is the pattern slightly irregular?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"Because no template was used. The weaver carried the design in her head and set it down knot by knot, so the repeats shift a little from row to row. In an Afghan rug that drift is evidence of the method, not a flaw in it.\"}}]}\u003c\/script\u003e\n\n\u003cp\u003eRugs woven from memory are the only ones that cannot be reproduced, and in a hundred years that will be the whole of their value.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"burgundy \/ 200X290","offer_id":45752267505897,"sku":"HALHOC000001.01","price":157000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/HALHOC1_2_ElDokumaHocaRosnaiAfganDesenliHali.jpg?v=1705483949"},{"product_id":"el-dokuma-cerceve-desenli-krem-ipekli-hali","title":"Cream Frame-Pattern Hand-Knotted Silk and Viscose Rug","description":"\u003cp\u003e\u003cstrong\u003eAt 76 × 122 cm (2'6\" × 4'0\") this is a small rug carrying a full classical composition: a detailed medallion on a red ground at the center, layered in blue and beige, held inside a cream frame drawn with turquoise and gold. Hand-knotted in cotton, viscose and silk in China. One of one.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe center reads like a garden seen from above — the layers of blue and beige interleave closely enough that the pattern keeps opening the longer it is looked at. The frame around it does more than close the edge: the turquoise and gold worked into the cream set the character of the whole piece, and without them the red would simply be loud. Symmetry holds everything in place. The surface plays with light through the day and moves between bright and matt as the sun does.\u003c\/p\u003e\n\n\u003cp\u003eCotton, viscose and silk together, tied entirely by hand — hundreds of thousands of knots in a rug this size, which is what fine drawing at small scale requires. The pile is thin and the whole piece is light. Red on the floor brings warmth into a room, and the blue and beige stop it short of dominating. At this size it works in an entrance, in front of a cabinet, or as something to give. Professional washing suits it, and the thin pile makes routine cleaning straightforward.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in China in cotton, viscose and silk.\u003c\/li\u003e\n  \u003cli\u003eRed-ground medallion layered in blue and beige.\u003c\/li\u003e\n  \u003cli\u003eCream frame worked with turquoise and gold.\u003c\/li\u003e\n  \u003cli\u003eThin, light pile with hundreds of thousands of knots in it.\u003c\/li\u003e\n  \u003cli\u003e76 × 122 cm (2'6\" × 4'0\") — an entrance, or the floor in front of a cabinet.\u003c\/li\u003e\n  \u003cli\u003eThe surface moves between bright and matt with the light.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eSmall classical rugs are what people buy for other people, and this is one of the few categories where that counts as a compliment.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Red \/ 76 X 122","offer_id":44224679837929,"sku":"SARBIT000355.01","price":50500.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaCerceveDesenliKremIpekliHali_7.jpg?v=1709630130"},{"product_id":"el-dokuma-usak-desenli-taba-pamuk-hali","title":"Orange Oushak Hand-Knotted Wool Rug","description":"\u003cp\u003e\u003cstrong\u003eHand-knotted Oushak rug in orange: tobacco brown and orange through the field, beige holding the light passages, and a navy so dark it reads black at the edges. Manchester cotton in the foundation, wool above it. The pattern has been woven in western Anatolia for centuries; this piece was tied in India, and there is one of it.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eTan and orange is the oldest Oushak palette there is, and it survives because it does something no other combination manages — it puts warmth on a floor without going red. Beige lifts the passages that need lifting, and the near-black navy provides the outline that keeps the whole thing from blurring. Among modern furniture it is the only warm object in the room; in a classical setting it becomes the connecting tissue.\u003c\/p\u003e\n\n\u003cp\u003eThe wool has the shine that comes from a good clip, and the Manchester cotton underneath, a higher grade than standard cotton and brighter, carries the structure. Density is high, which a design with this much small drawing requires. It moves from sitting rooms to dining rooms to large offices without looking out of place in any of them. Professional cleaning, and it is the color range that is worth protecting.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in India with Manchester cotton and lustrous wool.\u003c\/li\u003e\n  \u003cli\u003eTobacco brown, orange and beige, with near-black navy for the outline.\u003c\/li\u003e\n  \u003cli\u003eThe classical Oushak palette, woven in western Anatolia for centuries.\u003c\/li\u003e\n  \u003cli\u003eHigh knot density, which the fine drawing requires.\u003c\/li\u003e\n  \u003cli\u003eSuits sitting rooms, dining rooms and large offices.\u003c\/li\u003e\n  \u003cli\u003eOne piece.\u003c\/li\u003e\n  \u003cli\u003eProfessional cleaning.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eOrange is the color that dates fastest in a room and slowest in a rug, and the Oushak weavers worked that out five hundred years ago.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Red \/ 360 X 276","offer_id":44659645055209,"sku":"BOZSAL000009.01","price":380000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaUsakDesenliTabaYunHali_1.jpg?v=1709629128"},{"product_id":"el-dokuma-usak-desenli-bordo-pamuk-hali","title":"Burgundy Oushak-Pattern Hand-Knotted Wool Rug","description":"\u003cp\u003e\u003cstrong\u003eBurgundy over tan, with cream drawing spread right across the field: a hand-knotted wool rug in the Oushak manner, 272 × 367 cm (8'11\" × 12'0\"). Oushak — Uşak in Turkish — is the weaving district of western Anatolia whose large, openly spaced patterns have been copied for four centuries. This one was tied in India, and there is exactly one.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe pattern is the Oushak kind rather than the Persian one: motifs drawn big, spaced generously, and a border that repeats a simplified version of whatever the field is doing. Burgundy holds the middle and tan carries the edges, while cream runs between them as outline rather than as a color of its own. The surface has a definite sheen. Manchester yarn was used in the weaving and it takes light along the pile, so the burgundy goes deep and almost brown from one end of the room and lifts back to red from the other.\u003c\/p\u003e\n\n\u003cp\u003eIt came off an Indian loom, since that is where most Oushak-pattern weaving now happens — production of the pattern in Uşak itself has thinned to very little. The weave is packed tight, and that density is what keeps a field this open from looking thin. One practical thing is worth saying before anything else: 272 × 367 cm is close to nine feet by twelve, so it takes two people to lay it and a specialist to wash it. This is not a rug anyone moves on a whim.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in India, in the Oushak pattern of western Anatolia.\u003c\/li\u003e\n  \u003cli\u003eWool pile, closely packed, with Manchester yarn giving the surface its sheen.\u003c\/li\u003e\n  \u003cli\u003eBurgundy field over tan, with the drawing outlined in cream.\u003c\/li\u003e\n  \u003cli\u003eLarge motifs widely spaced, in the Oushak manner rather than the Persian one.\u003c\/li\u003e\n  \u003cli\u003e272 × 367 cm (8'11\" × 12'0\") — a full living-room size, or a dining room with the chairs pulled out.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing only.\u003c\/li\u003e\n  \u003cli\u003eOne piece, at these exact dimensions, and no second one behind it.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eUnder dark walnut it settles and reads brown; in a white room on pale boards the red comes up and takes the whole floor.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Red \/ 272 X 367","offer_id":44659648135401,"sku":"BOZSAL000046.01","price":385000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaUsakDesenliBordoTabaYunHali_1_f23627c4-5569-4481-8747-5f92b0785b3c.jpg?v=1709628706"},{"product_id":"i̇kinci-el-anadolu-desenli-el-dokuma-yahyali-rengarenk-hali","title":"Red Yahyalı Pattern Hand-Knotted Wool Rug","description":"\u003cp\u003e\u003cstrong\u003eThis rug has been owned before, and the house says so on the label rather than in the small print. A hand-knotted Yahyalı, wool throughout, 112 × 210 cm (3'8\" × 6'11\"), red-led and multicolored, from the Yahyalı district of Kayseri in central Anatolia. It is offered as a second-hand piece, and there is exactly one.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eYahyalı rugs are among the better-known Anatolian village types, worked in a dense geometric field with red as the dominant ground, and they were made in quantity for domestic use rather than for export, which is why so many turn up used. Red here is not decorative — in the Anatolian palette it is the ground color that everything else is judged against, and a Yahyalı with a weak red is a Yahyalı that has spent too long in the sun. This one still carries the field at strength, with the rest of the colors reading as figures on it rather than as a competing scheme.\u003c\/p\u003e\n\n\u003cp\u003eHand-knotted wool pile, wool foundation, made in Türkiye. A used rug should be bought for what it is: the pile is shorter than it left the loom, and it is shorter unevenly, along the lines people walked. What that buys is a surface with no plushness left to lose and a drawing that has come closer to the foundation and therefore reads sharper. Check the fringes and the selvedges, which are where a used rug shows its history first. It should be professionally washed before it goes down, and after that it wants nothing but a vacuum.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in Yahyalı, Kayseri province, central Türkiye; wool throughout.\u003c\/li\u003e\n  \u003cli\u003e112 × 210 cm (3'8\" × 6'11\"), about two and a third square meters.\u003c\/li\u003e\n  \u003cli\u003eA red-led Anatolian field with the other colors set as figures on it.\u003c\/li\u003e\n  \u003cli\u003eOffered as a second-hand rug, stated plainly.\u003c\/li\u003e\n  \u003cli\u003ePile shortened unevenly by use, which makes the drawing read sharper.\u003c\/li\u003e\n  \u003cli\u003eFringes and selvedges carry the visible history; inspect them first.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing before use, then vacuuming only.\u003c\/li\u003e\n  \u003cli\u003eA single piece.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eA rug that has already been lived on has done the part of its life that takes the longest.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Colorful \/ 112 X 210","offer_id":44290702573801,"sku":"MZTİKİ000004.01","price":47000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/IkinciElAnadoluDesenliElDokumaYahyaliRengarenkHali_1.jpg?v=1705997516"},{"product_id":"el-dokuma-etnik-tasarimli-yagcibedir-desenli-kirmizi-hali","title":"Red Yağcıbedir Hand-Knotted Wool Rug","description":"\u003cp\u003e\u003cstrong\u003eBurgundy, navy and white, in that order of dominance — the Yağcıbedir triad, one of the most recognizable color signatures in Anatolian weaving. It is carried here by a hand-knotted wool rug, 106 × 184 cm (3'6\" × 6'0\"), made in Türkiye, in the Yörük motif repertoire the house traces to the Taurus. A single piece.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThree colors is a discipline. A weaver with a wide palette can cover an error with another shade; a weaver with burgundy, navy and white has nowhere to put a mistake, and every motif has to be legible on the strength of its outline alone. That is why Yağcıbedir drawing is angular and closed — hooked forms, stepped edges, small enclosed figures — and why the white is used sparingly, as the element that separates the two dark colors from each other. In a room the effect is graphic rather than soft, and the rug will hold its own against strong furniture instead of sitting quietly beneath it.\u003c\/p\u003e\n\n\u003cp\u003eWool pile, hand-knotted, from Türkiye. Under two square meters it is an entrance rug, a bedside rug, or the piece that goes in front of a single chair; the Turkish source proposes a sitting room, an entrance, or a bedroom, and at this size each of those is honest. Walnut and mid-brown wood sit with the burgundy without argument, and so do the same colors repeated in small objects. The house's own guidance allows wiping with mild soapy water for a local mark, with a professional wash for anything more than that.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in wool in Türkiye, in the Yağcıbedir pattern family.\u003c\/li\u003e\n  \u003cli\u003eBurgundy, navy and white — three colors, used in that order of weight.\u003c\/li\u003e\n  \u003cli\u003e106 × 184 cm (3'6\" × 6'0\"), under two square meters.\u003c\/li\u003e\n  \u003cli\u003eAngular closed drawing: hooks, stepped edges, small enclosed figures.\u003c\/li\u003e\n  \u003cli\u003eWhite is used sparingly, as the separator between the two dark colors.\u003c\/li\u003e\n  \u003cli\u003eReads graphic rather than soft; it will not disappear under strong furniture.\u003c\/li\u003e\n  \u003cli\u003eA local mark can be wiped with mild soapy water; anything larger goes out for washing.\u003c\/li\u003e\n  \u003cli\u003eOne of one.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eA three-color rug is the hardest kind to weave badly without it showing, which is most of what recommends this one.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Red \/ 106 X 184","offer_id":44318214947049,"sku":"MZTYAB000004.01","price":47000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaEtnikTasarimliYagcibedirDesenliKirmiziHali_1.jpg?v=1706021345"},{"product_id":"el-dokuma-cicek-desenli-rengarenk-gocmen-kilimi","title":"Multicolor Floral Handwoven Wool Karabagh Kilim","description":"\u003cp\u003e\u003cstrong\u003eA handwoven wool kilim from Karabagh, 209 × 312 cm (6'10\" × 10'3\"), flat-woven with a floral field led by red and black across better than six and a half square meters. The Turkish calls it a \u003cem\u003egöçmen\u003c\/em\u003e kilim — an émigré kilim, one that traveled with the household that owned it. There is one.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eFloral drawing in a flatweave is a contradiction the weaver has to solve. A kilim builds its pattern from wefts meeting along vertical lines, which produces steps and angles naturally and curves only with difficulty, so a flower in this technique is assembled out of small stepped blocks that resolve into a petal at a distance and dissolve into geometry up close. Karabagh weaving has a long habit of doing this, and the red and black here give the flowers a ground dark enough that the stepping does not read as roughness. Stand back and it is a garden; kneel down and it is arithmetic.\u003c\/p\u003e\n\n\u003cp\u003eAll wool, flat-woven, with the same face on both sides. Six and a half square meters of kilim is a full living-room floor and it weighs a fraction of what a knotted rug that size would, which is the practical reason kilims traveled with people at all. Age and travel leave marks: expect repairs at the ends, a seam where two halves were joined if the loom was narrower than the piece, and edges that have been rebound. None of that is damage in a weaving of this kind, and all of it is worth looking at closely before deciding. Washing by someone who works on old flatweaves.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven in wool in Karabagh, flat-woven with no pile.\u003c\/li\u003e\n  \u003cli\u003e209 × 312 cm (6'10\" × 10'3\"), over six and a half square meters.\u003c\/li\u003e\n  \u003cli\u003eA floral field led by red and black, built from stepped blocks rather than curves.\u003c\/li\u003e\n  \u003cli\u003eA \u003cem\u003egöçmen\u003c\/em\u003e or émigré kilim — it moved with the household that owned it.\u003c\/li\u003e\n  \u003cli\u003eReversible, and light for its size; kilims traveled because of that.\u003c\/li\u003e\n  \u003cli\u003eExpect end repairs, rebound edges, and possibly a center seam.\u003c\/li\u003e\n  \u003cli\u003eWashing by someone experienced with old flatweaves.\u003c\/li\u003e\n  \u003cli\u003eOne piece, and no other like it.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eKilims of this size were the one large thing a family could roll up and carry, and this one has the marks of having been carried.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Colorful \/ 209 X 312","offer_id":44332187648233,"sku":"HALKLH000001.01","price":74000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaCicekDesenliRengarenkGocmenKilimi_2.jpg?v=1705492879"},{"product_id":"nadide-serisi-el-dokuma-geometrik-desenli-hali","title":"Red Geometric Handwoven Naturally Dyed Wool Rug, Nadide Series","description":"\u003cp\u003e\u003cstrong\u003eThe yarn came from somewhere else first. This Nadide-series rug is handwoven in Türkiye from unraveled wool, colored with root dyes, and drawn in blocks of geometry across 230 × 248 cm (7'7\" × 8'2\") in red and blue. Only one was made, because only one could be.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe geometry is large and squared off, red carrying most of the field and blue set against it in bands and blocks. Root-dyed wool never gives a flat color — plant dye takes differently on yarn that has already been spun once and pulled apart again — so the red arrives in several values and the blue moves between something near indigo and something much lighter. Those variations are what the trade calls abrash, and here nobody tried to avoid them.\u003c\/p\u003e\n\n\u003cp\u003eSöküntü yarn, meaning wool unraveled from finished weaving and spun back into usable thread, is the reason this exists as a single piece: the supply of any one color ends when it ends. It was woven by hand in Türkiye and colored with plant roots rather than synthetic dyestuff, which is a fact about the color and not a claim about anything else. The tones will move slowly over years of daylight. That is what plant dye does, and most people who buy these consider it an improvement rather than a fault.\u003c\/p\u003e\n\n\u003ch3\u003eWhat is söküntü yarn?\u003c\/h3\u003e\n\u003cp\u003eIt is wool unraveled from finished weaving and spun back into thread that can be knotted again. Because the supply of any single color is limited to whatever was pulled apart, a rug built from it cannot be reproduced a second time.\u003c\/p\u003e\n\n\u003ch3\u003eWhat are root dyes?\u003c\/h3\u003e\n\u003cp\u003eRoot dyes are colors drawn from plants — madder for reds, indigo for blues — rather than from synthetic dyestuff. They take unevenly, which is why a root-dyed rug shows several values of the same color across a single surface.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven in Türkiye; one piece only, and not repeatable.\u003c\/li\u003e\n  \u003cli\u003eWoven from söküntü yarn — wool unraveled from earlier weaving and respun.\u003c\/li\u003e\n  \u003cli\u003eColored with root dyes, which yield several values of each color rather than one flat tone.\u003c\/li\u003e\n  \u003cli\u003eLarge squared geometry in red and blue.\u003c\/li\u003e\n  \u003cli\u003e230 × 248 cm (7'7\" × 8'2\"), close to square, which suits a room arranged around a center.\u003c\/li\u003e\n  \u003cli\u003eRoot-dyed wool shifts tone slowly in daylight.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eA rug that could not be made twice ends up in the middle of a room rather than at the edge of one.\u003c\/p\u003e\n\n\u003cscript type=\"application\/ld+json\"\u003e{\"@context\": \"https:\/\/schema.org\", \"@type\": \"FAQPage\", \"mainEntity\": [{\"@type\": \"Question\", \"name\": \"What is söküntü yarn?\", \"acceptedAnswer\": {\"@type\": \"Answer\", \"text\": \"It is wool unraveled from finished weaving and spun back into thread that can be knotted again. Because the supply of any single color is limited to whatever was pulled apart, a rug built from it cannot be reproduced a second time.\"}}, {\"@type\": \"Question\", \"name\": \"What are root dyes?\", \"acceptedAnswer\": {\"@type\": \"Answer\", \"text\": \"Root dyes are colors drawn from plants — madder for reds, indigo for blues — rather than from synthetic dyestuff. They take unevenly, which is why a root-dyed rug shows several values of the same color across a single surface.\"}}]}\u003c\/script\u003e","brand":"HALICIZADE","offers":[{"title":"Red \/ 230 X 248","offer_id":44400653271273,"sku":"MZTNAD000001.01","price":400000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/NadideSerisiElDokumaGeometrikDesenliHali_1.jpg?v=1706020212"},{"product_id":"sahzade-serisi-el-dokuma-cicek-desenli-kirmiz-hali","title":"Red Floral Hand-Knotted Wool Runner, Şahzade Series","description":"\u003cp\u003e\u003cstrong\u003eEighty-six centimeters across and more than two and a half meters long — 86 × 261 cm (2'10\" × 8'7\") — a hand-knotted wool runner from the Şahzade series, with flowers worked over a red ground in gold, green, blue and turquoise. Every knot in it was closed twice, and there is one of it.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eSometimes the flowers open along fine stems and sometimes they arrive as large single forms, and that alternation is what stops a long narrow rug turning into a repeating strip. Red carries all of it and does what red does in Anatolian weaving, which is make every other color warmer than it actually is — the turquoise in particular stops reading as cool and begins reading as fresh. Along a corridor the pattern is met a section at a time, and this drawing suits that better than being seen all at once.\u003c\/p\u003e\n\n\u003cp\u003eWool on the surface, cotton in the skeleton, with a trace of recycled synthetic yarn added for strength and named here rather than hidden behind the word wool. Closing every knot twice is what the double knot means, and a piece this long took artisans months of steady work. Because everything was worked by hand, the drawing shifts a little between one end and the other. Vacuum and wipe it for daily care and send it to a professional for a real wash.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted with the double knot, in wool over a cotton skeleton.\u003c\/li\u003e\n  \u003cli\u003eA trace of recycled synthetic yarn is used in the foundation for strength; the pile is wool.\u003c\/li\u003e\n  \u003cli\u003eRed ground with floral drawing in gold, green, blue and turquoise.\u003c\/li\u003e\n  \u003cli\u003eFlowers alternate between fine stemmed sprays and large single forms.\u003c\/li\u003e\n  \u003cli\u003e86 × 261 cm (2'10\" × 8'7\") — a corridor, an entrance, or a long narrow room.\u003c\/li\u003e\n  \u003cli\u003eMonths of work, and the drawing shifts slightly along the length because of it.\u003c\/li\u003e\n  \u003cli\u003eVacuum for daily care; professional washing for a deep clean.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eA runner is the one rug people walk the whole length of every day, which is the argument for putting the knots where the feet are.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Red \/ 86 X 261","offer_id":48094888165609,"sku":"BAYSLT000021.01","price":39500.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/SahzadeSerisiElDokumaCicekDesenliKirmiziHali_1.jpg?v=1738504747"},{"product_id":"madalyon-desenli-kirmizi-el-dokuma-viskon-hali","title":"Red Medallion Hand-Knotted Viscose Rug","description":"\u003cp\u003e\u003cstrong\u003eThe medallion at the center is blue and green, and everything around it is red. Red Medallion Hand-Knotted Viscose Rug, 123 × 183 cm (4'0\" × 6'0\"), tied by hand in China, viscose over cotton, with gold and cream running through the borders that hold the field.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eRed first, then the detail. From across a room the rug is one saturated color and nothing else; two steps closer, the medallion resolves into blue and green and the borders turn out to be carrying classical frame motifs in gold and cream. The arrangement is deliberate — a warm field needs a cool center, or it flattens. Light finishes the job. Under a window the red goes bright and faintly orange; after dark it settles toward brick and stays there.\u003c\/p\u003e\n\n\u003cp\u003eCotton in the foundation, viscose in the pile, and hundreds of thousands of hand-tied knots between the two. Viscose is the reason the surface has the fall and the shine people associate with silk, and at close range it is genuinely difficult to say which of them you are looking at. The weave is fine and the pile low, so the rug lies flat and clears a door swing. Send it out for washing; a home shampoo will crush the pile and dull the sheen it was bought for.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in China: viscose above, cotton below.\u003c\/li\u003e\n  \u003cli\u003eA large central medallion in blue and green on a red ground.\u003c\/li\u003e\n  \u003cli\u003eGold and cream borders that stop the red from taking the whole field.\u003c\/li\u003e\n  \u003cli\u003eBright and orange-leaning in daylight; brick-toned once the lamps are on.\u003c\/li\u003e\n  \u003cli\u003eFine weave and a low pile, so it sits flat under a door.\u003c\/li\u003e\n  \u003cli\u003e123 × 183 cm (4'0\" × 6'0\") — a hall, a bedside, a landing.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing. There is one of this rug.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eRed on a floor is either the loudest thing in the room or the reason everything else looks calm. Here it is the second.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Red \/ 123 X 183","offer_id":45111485530345,"sku":"SARBIT000207.01","price":122000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/MadalyonDesenliKirmiziElDokumaIpekHali_10.jpg?v=1709557016"},{"product_id":"saf-ipek-el-dokuma-klasik-azerbaycan-halisi","title":"Red Heriz Hand-Knotted Pure Silk Azerbaijani Rug","description":"\u003cp\u003e\u003cstrong\u003eŞeki, in northern Azerbaijan, has raised silkworms since the sixteenth century and built its first silk mill in 1829. This rug was knotted there: a pure silk Azerbaijani rug, 250 × 337 cm (8'2\" × 11'1\"), in a Heriz drawing with Oushak inflections, cream at the center and red around the edges, and between eight and fourteen months on the loom.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe Heriz layout is large-scale by nature — big angular medallions, broad corner pieces, borders wide enough to carry a pattern of their own — and at this size it has the room to be what it is. Cream holds the middle. Red runs the edge and does most of the shouting. Between them the palette opens into gold, burgundy, a water-green and a soft gray that keeps the whole from settling into a single loud statement. The Oushak influence shows in how the motifs are spaced rather than in any one figure, which is the sort of borrowing that only appears on a close reading.\u003c\/p\u003e\n\n\u003cp\u003eSilk warp, silk weft, silk pile, tied with the single-knot technique at six by six, which is thirty-six knots in a square centimeter. That is sparser than most silk rugs, and it is a choice rather than a shortcut: the looser structure gives the fabric a softer hand and a heavier drape than a tightly packed silk piece has. The silk is Azeri, rare enough that a woven statement on the underside says so. Surface marks come off with a damp cloth; anything deeper goes to a specialist, and never to an attempt at home.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in Şeki, Azerbaijan, in pure Azeri silk throughout.\u003c\/li\u003e\n  \u003cli\u003eThirty-six knots in a square centimeter, six by six — sparser than most silk rugs, and softer for it.\u003c\/li\u003e\n  \u003cli\u003eTied with the single-knot technique, silk wefts over a silk warp.\u003c\/li\u003e\n  \u003cli\u003eBetween eight and fourteen months at the loom.\u003c\/li\u003e\n  \u003cli\u003eA woven mark on the underside states that the silk is Azeri.\u003c\/li\u003e\n  \u003cli\u003eHeriz drawing with Oushak influence: cream center, red border, gold, burgundy, water-green and gray between.\u003c\/li\u003e\n  \u003cli\u003e250 × 337 cm (8'2\" × 11'1\") — a salon size that will take a seating group standing inside it.\u003c\/li\u003e\n  \u003cli\u003eDamp cloth on the surface, a specialist for the rest. One piece.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat makes Azeri silk different?\u003c\/h3\u003e\n\u003cp\u003eŞeki has raised its own silkworms since the sixteenth century and milled silk industrially since 1829, dyeing with natural dyes throughout. Rugs woven there carry a mark on the underside stating that the silk is Azeri, because the material is scarce enough to be worth naming.\u003c\/p\u003e\n\n\u003ch3\u003eIs six by six a low knot count for a silk rug?\u003c\/h3\u003e\n\u003cp\u003eIt is sparser than most. Thirty-six knots per square centimeter gives a looser structure than a densely packed silk rug, and the result is softer and more pliable with a heavier drape. The fine detail is carried by the drawing rather than by density.\u003c\/p\u003e\n\n\u003ch3\u003eWhat is a Heriz pattern?\u003c\/h3\u003e\n\u003cp\u003eHeriz is a weaving town in Iranian Azerbaijan, known for large angular medallions, broad corner pieces and wide borders. The drawing works at scale, which is why it is used on big rugs; this one adds spacing habits borrowed from Oushak in western Anatolia.\u003c\/p\u003e\n\n\u003cscript type=\"application\/ld+json\"\u003e\n{\"@context\":\"https:\/\/schema.org\",\"@type\":\"FAQPage\",\"mainEntity\":[{\"@type\":\"Question\",\"name\":\"What makes Azeri silk different?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"Şeki has raised its own silkworms since the sixteenth century and milled silk industrially since 1829, dyeing with natural dyes throughout. Rugs woven there carry a mark on the underside stating that the silk is Azeri, because the material is scarce enough to be worth naming.\"}},{\"@type\":\"Question\",\"name\":\"Is six by six a low knot count for a silk rug?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"It is sparser than most. Thirty-six knots per square centimeter gives a looser structure than a densely packed silk rug, and the result is softer and more pliable with a heavier drape. The fine detail is carried by the drawing rather than by density.\"}},{\"@type\":\"Question\",\"name\":\"What is a Heriz pattern?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"Heriz is a weaving town in Iranian Azerbaijan, known for large angular medallions, broad corner pieces and wide borders. The drawing works at scale, which is why it is used on big rugs; this one adds spacing habits borrowed from Oushak in western Anatolia.\"}}]}\n\u003c\/script\u003e\n\n\u003cp\u003ePure silk rugs of this size get harder to find every year, and a large one out of Şeki is not something that comes around often.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Red \/ 250 X 337","offer_id":45127797965033,"sku":"SARIPE000006.01","price":1600000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/SafIpekElDokumaKlasikAzerbaycanHalisi_1.jpg?v=1709556144"},{"product_id":"el-dokuma-anadolu-desenli-kirmizi-hali","title":"Red Anatolian Hand-Knotted Wool Adana Yörük Rug","description":"\u003cp\u003e\u003cstrong\u003eAdana sits on the Çukurova plain in southern Türkiye, and the Yörük — the tent-dwelling herders of Anatolia — wove on horizontal looms that could be rolled up and carried. This is one of their rugs: hand-knotted in wool, red-ground, drawn in the angular Anatolian manner, 138 × 235 cm (4'6\" × 7'9\"), and old enough that Halıcızade files it with the rare pieces.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eRed is the ground, and village reds are rarely one flat tone. Yarn dyed in small lots takes color a little differently from batch to batch, and the horizontal bands of shifting shade this produces have a name in the trade: abrash. The drawing over it is angular rather than curved, because a pattern counted out in knotted rows cannot make a smooth arc. Every figure is a shape a weaver could carry in memory and set down again a hundred rows later.\u003c\/p\u003e\n\n\u003cp\u003eWool, knotted by hand, made in Türkiye. Old is what the house says, and old is all anyone can honestly say — in the trade, antique starts at a hundred years, semi-antique covers fifty up to a hundred, and vintage runs from twenty to eighty, with nobody anywhere issuing a certificate for any of it. What can be seen is the wear: a rug that has been walked on has a pile that lies down and a sheen new wool does not have. It is listed among the rare pieces because there is one of it, because it is not being made again, and because Yörük weaving of this kind has been leaving Anatolia for two generations. Professional washing, and nothing improvised.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in wool on the Çukurova plain around Adana, in southern Türkiye.\u003c\/li\u003e\n  \u003cli\u003eRed ground with angular Anatolian figures, drawn in the Yörük manner.\u003c\/li\u003e\n  \u003cli\u003e138 × 235 cm (4'6\" × 7'9\").\u003c\/li\u003e\n  \u003cli\u003eListed by the house as old and as one of its rare pieces; no date is claimed.\u003c\/li\u003e\n  \u003cli\u003eTrade age words — antique, semi-antique, vintage — have no issuing authority behind them.\u003c\/li\u003e\n  \u003cli\u003eAbrash, the shift of tone between dye lots, is the mark of hand-dyed village wool.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing only.\u003c\/li\u003e\n  \u003cli\u003eA single rug, with nothing else like it in the catalog.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eOne life on a southern floor is already behind it, and a second will not finish it off either.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Red \/ 138 X 235","offer_id":45146837385449,"sku":"MZTADN000001.01","price":64000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/AnadoluDesenliElDokumaHali_1.jpg?v=1705931487"},{"product_id":"nostalji-serisi-afgan-turkmen-desenli-yuvarlak-ozel-tezgah-halisi","title":"Round Burgundy Afghan Turkmen Loom-Woven Rug, Nostalji Series","description":"\u003cp\u003e\u003cstrong\u003eRound, and that is the whole reason to want it: a circular loom-woven rug in burgundy with Afghan Turkmen motifs, made at 160 \u0026times; 160 cm (5'3\" \u0026times; 5'3\"), 190 \u0026times; 190 cm (6'3\" \u0026times; 6'3\") and 200 \u0026times; 200 cm (6'7\" \u0026times; 6'7\"), with a smaller 120 \u0026times; 120 cm (3'11\" \u0026times; 3'11\") also on the size list. Tencel\u0026reg; face, cotton foundation, woven in T\u0026uuml;rkiye.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFitting a rectangular tribal drawing into a circle is not automatic. The solution here is to let the border curve and to keep the field repeating right out to the edge, so the motifs are cut by the circumference rather than squeezed to fit it. Burgundy and navy carry the color, with gold scattered through them. A circle does something a rectangle cannot in an entrance hall: it takes the corners out of the room and gives a door somewhere to swing.\u003c\/p\u003e\n\u003cp\u003eMachine and hand divide the work: the loom builds, the weaver closes. On a round rug the fringe is a continuous edge rather than two ends, and it is finished by women in Oushak. The pile is Tencel\u0026reg;; the warp and weft underneath are cotton. Have it washed by a specialist rather than at home.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRound, loom-woven in T\u0026uuml;rkiye.\u003c\/li\u003e\n\u003cli\u003eTencel\u0026reg; surface on a cotton foundation.\u003c\/li\u003e\n\u003cli\u003eAfghan Turkmen motifs in burgundy and navy with gold.\u003c\/li\u003e\n\u003cli\u003e160 \u0026times; 160 cm (5'3\"), 190 \u0026times; 190 cm (6'3\") and 200 \u0026times; 200 cm (6'7\") circles; a 120 \u0026times; 120 cm (3'11\") size is also listed.\u003c\/li\u003e\n\u003cli\u003eSuits an entrance hall, a bay window, or the middle of a square room.\u003c\/li\u003e\n\u003cli\u003eProfessional washing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eUnder a round table it is the only shape that makes sense, and that is what most people who buy one came looking for.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThis rug belongs to the \u003ca href=\"\/en\/collections\/nostalji-series-rugs\"\u003eNostalji Series\u003c\/a\u003e.\u003c\/em\u003e\u003c\/p\u003e","brand":"EKO HALI","offers":[{"title":"Burgundy \/ 160 X 160","offer_id":45324469108969,"sku":"EKONOS000002.01","price":20500.0,"currency_code":"TRY","in_stock":true},{"title":"Burgundy \/ 190 X 190","offer_id":46968629002473,"sku":"EKONOS000002.02","price":29000.0,"currency_code":"TRY","in_stock":false},{"title":"Burgundy \/ 200 X 200","offer_id":48004917133545,"sku":"EKONOS000002.03","price":32000.0,"currency_code":"TRY","in_stock":false},{"title":"Burgundy \/ 120 X 120","offer_id":50637296304361,"sku":"EKONOS000002.04","price":11600.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/NostaljiSerisiAfganTurkmenDesenliYuvarlakTezgahDokumaHali_2.webp?v=1751112935"},{"product_id":"zara-serisi-cicek-desenli-daire-ozel-tezgah-halisi","title":"Red Floral Round Loom-Woven Tencel® Rug, Zara Series","description":"\u003cp\u003e\u003cstrong\u003eRound, in three diameters — 120 cm (3'11\"), 160 cm (5'3\") and 200 cm (6'7\") — with floral motifs worked over a red ground. Zara is Halıcızade's loom-woven line, made in Oushak, the old weaving town of western Anatolia; this piece is Tencel® on a cotton foundation, with no wool in it.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eA circle changes what a rug does in a room. There are no corners to line up with the furniture, so it sits under a coffee table or in the middle of a seating group and softens the geometry instead of reinforcing it. The red is a full, warm red rather than a brick or a rust, and the flowers on it are drawn from Anatolian village weaving rather than from a European floral. At 120 cm it is a spot under one chair; at 200 cm it takes the whole center of a small room.\u003c\/p\u003e\n\n\u003cp\u003eA loom sets the warp and the pile; women in and around Oushak knot the fringes one at a time, which is why no two Zara rugs finish identically. Tencel® over cotton gives the surface a soft, faintly bright hand rather than a woolly one, and it wears well for a rug of this price. The technique sits between the two things buyers usually compare: it has the hand of a knotted rug and the cost of a woven one.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eLoom-woven in Oushak, Türkiye, with the fringes hand-knotted one at a time.\u003c\/li\u003e\n  \u003cli\u003eTencel® pile on a cotton foundation; no wool content.\u003c\/li\u003e\n  \u003cli\u003eFloral motifs on a red ground, drawn from Anatolian weaving.\u003c\/li\u003e\n  \u003cli\u003eRound: 120, 160 and 200 cm across.\u003c\/li\u003e\n  \u003cli\u003eLargely produced by women weavers in the Oushak district.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing; the Tencel® pile does not take a home shampoo well.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eIt is the shape to choose when the room is already full of straight lines.\u003c\/p\u003e","brand":"EKO HALI","offers":[{"title":"Red \/ 160 X 160","offer_id":45324547555561,"sku":"EKOZAR000011.01","price":23200.0,"currency_code":"TRY","in_stock":false},{"title":"Red \/ 200 X 200","offer_id":47952120053993,"sku":"EKOZAR000011.02","price":36000.0,"currency_code":"TRY","in_stock":true},{"title":"Red \/ 120 X 120","offer_id":48113563271401,"sku":"EKOZAR000011.03","price":13000.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/EKOZAR000011_2.jpg?v=1751030986"},{"product_id":"cerceve-desenli-el-dokuma-hali-kirmizi-klasik-ipek-hali","title":"Red Frame-Pattern Hand-Knotted Pure Silk Rug","description":"\u003cp\u003e\u003cstrong\u003eAt 218 × 302 cm (7'2\" × 9'11\") this is a room-sized rug, and it is pure silk throughout — warp, weft, pile and fringe. Red carries the field, beige carries the drawing, and a plain frame runs around the outside to keep the pattern from crowding the edge. Woven by hand in China. One piece.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe center is built on repetition rather than on a medallion: a regular rhythm of red and beige forms that reads as texture from standing height and as drawing from a chair. The frame is deliberately plain, which is a harder decision than it sounds, since a busy border would have doubled the information and halved the effect. Silk at this scale gives the red two lives. Lit from the side it is close to lacquer; lit from above it drops to a deep matt and the beige comes forward.\u003c\/p\u003e\n\n\u003cp\u003eThere is no cotton anywhere in it. Chinese silk was used for the warp and the weft as well as the pile, which is the traditional method and the expensive one, and the fringes are the warp threads themselves rather than a band sewn on afterwards. Months went into the weaving. A rug built this way is strong along its length and fragile at its edges, so it needs a floor where furniture is not dragged across it. Send it to a specialist for washing.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003e100% pure silk — warp, weft and pile.\u003c\/li\u003e\n  \u003cli\u003eWoven by hand in China by the traditional silk method.\u003c\/li\u003e\n  \u003cli\u003eRed field in a repeating rhythm with beige, inside a plain frame.\u003c\/li\u003e\n  \u003cli\u003eThe fringes are the warp threads, not a sewn-on addition.\u003c\/li\u003e\n  \u003cli\u003e218 × 302 cm (7'2\" × 9'11\") — a salon, a formal room, a large office.\u003c\/li\u003e\n  \u003cli\u003eFragile at the edges; not a rug to drag furniture over.\u003c\/li\u003e\n  \u003cli\u003eBeige borders sit well with walnut and with brass fittings.\u003c\/li\u003e\n  \u003cli\u003eProfessional cleaning. A single example.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eRed is the color the Anatolian and Persian trades keep returning to, and at this size it decides what the room is before anything else in it gets a vote.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Red \/ 218 X 302","offer_id":45712193159401,"sku":"SARIPE000317.01","price":1000000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/CerceveDesenliElDokumaKirmiziKlasikIpekHali_1.jpg?v=1706095402"},{"product_id":"otantik-desenli-el-dokuma-kirmizi-yun-hali","title":"Red Hand-Knotted Wool Konya Karapınar Rug","description":"\u003cp\u003e\u003cstrong\u003eKarapınar is a district on the southern edge of the Konya plain, and its weaving is known for red grounds and a hard, dry wool. This is a hand-knotted Karapınar rug in that tradition: wool surface, wool foundation, 138 × 205 cm (4'6\" × 6'9\"), red-dominant, listed by the house under rare pieces. It is not new work.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eWool over wool is the older construction and the less common one now. A cotton foundation gives a flatter, more regular back and is cheaper to build, which is why nearly everything made today uses one; wool over wool gives a rug that flexes, lies a little unevenly, and wears down slowly. The Konya plain is high, dry sheep country, and the fleece off it is coarse and lustrous rather than soft — the reason a Karapınar piece feels firm underfoot rather than plush.\u003c\/p\u003e\n\n\u003cp\u003eVillage work of this kind carries no signature and no weave number, so all the evidence is in the rug itself: the knotting, the wool, and the way the red has moved across the field. Expect abrash, the tonal drift you get when one dye lot runs out mid-rug and the next is a shade off, and read it as the record of the weaving rather than as a fault. A rug of this age should be cleaned by somebody who washes rugs for a living and by nobody else.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in the Karapınar district of Konya, central Anatolia.\u003c\/li\u003e\n  \u003cli\u003eWool pile over a wool foundation, which is the older village construction.\u003c\/li\u003e\n  \u003cli\u003eRed-dominant field in the authentic Anatolian drawing.\u003c\/li\u003e\n  \u003cli\u003e138 × 205 cm (4'6\" × 6'9\") — an entrance hall, a study, or a wide landing.\u003c\/li\u003e\n  \u003cli\u003eOlder work, and part of the house's rare-pieces holding.\u003c\/li\u003e\n  \u003cli\u003eAbrash across the ground is expected and is part of how the piece is read.\u003c\/li\u003e\n  \u003cli\u003eSpecialist washing only.\u003c\/li\u003e\n  \u003cli\u003eOne rug. There is no second.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eIt has already outlasted the room it was woven for, and it will outlast this one.\u003c\/p\u003e\n","brand":"HALICIZADE","offers":[{"title":"Red \/ 138 X 205","offer_id":47352494751977,"sku":"MZTKON000010.01","price":76000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/OtantikDesenliElDokumaKirmiziYunHali_1.jpg?v=1706017249"},{"product_id":"el-dokuma-anadolu-desenli-rengarenk-yun-kars-sevan-kilimi","title":"Multicolor Handwoven Wool Kars Sevan Kilim","description":"\u003cp\u003e\u003cstrong\u003eKars sits in the far northeast of Türkiye, high and cold, on the old Caucasian frontier, and its flatweaving shares a vocabulary with the weaving on the other side of that border. This is a Kars Sevan kilim: handwoven in wool, multicolored with red leading, 184 × 316 cm (6'0\" × 10'4\"), and one piece only.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eKars is a long way from the Aegean workshops, and the flatweaving of the northeast has always been the more angular tradition — figures built out of straight edges and steps, with the palettes running darker. Red carries this one, and the rest of the colors are arranged around it. It is recorded as an old piece and sits in the house's rare-pieces holding, which is how things of this kind come in: singly, and not to order.\u003c\/p\u003e\n\n\u003cp\u003eWool for the warp, the weft and the pattern, worked weft-faced so the colored threads are packed down until the foundation vanishes and the design belongs to the cloth rather than to a layer on top of it. At 184 × 316 cm it will cover the floor of an ordinary sitting room at a fraction of the weight of a knotted rug the same size. Two honest limits go with that. A kilim slides on a hard floor and needs a pad, and with no pile it has no capacity to absorb anything at all — a virtue when you sweep it and a problem when a glass goes over.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven in wool in Kars, northeastern Türkiye.\u003c\/li\u003e\n  \u003cli\u003eWeft-faced kilim: the colored wefts are packed down until the warp disappears.\u003c\/li\u003e\n  \u003cli\u003eRed-led multicolor, in the angular drawing of the northeast.\u003c\/li\u003e\n  \u003cli\u003e184 × 316 cm (6'0\" × 10'4\") covers an ordinary sitting-room floor at a fraction of a knotted rug's weight.\u003c\/li\u003e\n  \u003cli\u003eRecorded as an older piece, and kept in the house's rare-pieces group.\u003c\/li\u003e\n  \u003cli\u003eUse a pad; a kilim slides on hard floors.\u003c\/li\u003e\n  \u003cli\u003eNo pile means no absorbency, and a spill goes through.\u003c\/li\u003e\n  \u003cli\u003eCleaning goes to a kilim specialist. One piece.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eKars kilims were made for stone floors and long winters, and they behave the same way in a centrally heated room.\u003c\/p\u003e\n","brand":"HALICIZADE","offers":[{"title":"Colorful \/ 184 X 316","offer_id":46178845819113,"sku":"MZTKIL000099.01","price":92000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaAnadoluDesenliRengarenkYunKarsSevanKilimi_1.jpg?v=1706015791"},{"product_id":"el-dokuma-anadolu-desenli-kirmizi-yun-hali","title":"Red Natural-Dye Hand-Knotted Wool Konya Karapınar Rug","description":"\u003cp\u003e\u003cstrong\u003eEvery thread in this rug was spun on a kirmen, a hand spindle, before it was colored with plant roots and knotted. A hand-knotted wool rug from Karapınar on the Konya plain, 162 × 252 cm (5'4\" × 8'3\"), red-dominant, carrying the older Anatolian motif vocabulary. Karapınar weaving holds a Turkish geographical indication, and this is a registered example of it.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eA geographical indication is a legal protection rather than a marketing phrase. It fixes where a thing may be made and by what method, in the way the names Champagne and Parma are fixed, and for Karapınar it covers the district, the material and the technique together. Spindle-spun yarn is part of what that protects. A hand spindle turns out thread of slightly uneven thickness, and the unevenness carries into the finished pile as a fine variation across the whole surface that no machine-spun yarn produces.\u003c\/p\u003e\n\n\u003cp\u003eRoot dyeing is the other half of it. The color comes from plant roots rather than from synthetic dye, and it behaves differently across decades — dulling toward its own hue instead of drifting away from it, and producing abrash, the small tonal steps that appear at the join between two dye lots. The Turkish title calls the piece a sandık eskisi: stored rather than used. What storage buys is color, and this rug has the color it left the loom with. There is no wear to describe and no repair to declare, which is uncommon in Anatolian village work and is the reason to take it seriously.\u003c\/p\u003e\n\n\u003ch3\u003eWhat does a geographical indication on a Karapınar rug cover?\u003c\/h3\u003e\n\u003cp\u003eIt is a registered protection under Turkish law that ties the name to a defined area and a defined method. For Karapınar it covers where the rug is woven, the wool it is woven from, and the techniques used, in the same way a geographical indication protects a regional food or wine.\u003c\/p\u003e\n\n\u003ch3\u003eWhat is kirmen-spun wool?\u003c\/h3\u003e\n\u003cp\u003eA kirmen is a hand spindle, the tool used to turn fleece into yarn before mechanical spinning. Yarn made this way varies slightly in thickness along its length, and that variation carries into the pile as a fine irregularity across the surface of the finished rug.\u003c\/p\u003e\n\n\u003cscript type=\"application\/ld+json\"\u003e{\"@context\":\"https:\/\/schema.org\",\"@type\":\"FAQPage\",\"mainEntity\":[{\"@type\":\"Question\",\"name\":\"What does a geographical indication on a Karapınar rug cover?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"It is a registered protection under Turkish law that ties the name to a defined area and a defined method. For Karapınar it covers where the rug is woven, the wool it is woven from, and the techniques used, in the same way a geographical indication protects a regional food or wine.\"}},{\"@type\":\"Question\",\"name\":\"What is kirmen-spun wool?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"A kirmen is a hand spindle, the tool used to turn fleece into yarn before mechanical spinning. Yarn made this way varies slightly in thickness along its length, and that variation carries into the pile as a fine irregularity across the surface of the finished rug.\"}}]}\u003c\/script\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in the Karapınar district, central Anatolia.\u003c\/li\u003e\n  \u003cli\u003eRegistered under the Turkish geographical indication for Karapınar weaving.\u003c\/li\u003e\n  \u003cli\u003eWool spun by hand on a kirmen spindle, throughout.\u003c\/li\u003e\n  \u003cli\u003eColored with root dyes rather than synthetics.\u003c\/li\u003e\n  \u003cli\u003eRed-dominant, in the Anatolian motif vocabulary.\u003c\/li\u003e\n  \u003cli\u003eThe rug measures 162 × 252 cm (5'4\" × 8'3\").\u003c\/li\u003e\n  \u003cli\u003eStored rather than walked on, so the color is close to what came off the loom.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing only. One rug.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eMost old rugs tell you about the room they came from. This one mostly tells you about the chest.\u003c\/p\u003e\n","brand":"HALICIZADE","offers":[{"title":"Colorful \/ 162 X 252","offer_id":46186941776105,"sku":"MZTKON000011.01","price":122000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaAnadoluDesenliKirmiziYunHali_1.jpg?v=1706019605"},{"product_id":"el-dokuma-turkmen-desenli-bordo-hali","title":"Burgundy Turkmen Bukhara Hand-Knotted Wool Rug","description":"\u003cp\u003e\u003cstrong\u003eThe yarn was spun by hand on a spindle before a single knot was tied. Burgundy Turkmen Bukhara Hand-Knotted Wool Rug, 131 × 184 cm (4'4\" × 6'0\"), woven in Afghanistan in wool from end to end, with cream and black motifs repeating across a burgundy field. There is one, and the spinning is why it feels as it does.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eHand-spun wool is uneven along its length, and that unevenness is what gives an old rug its life: the dye takes differently at every thick and thin place, so the burgundy is never quite one burgundy. The motifs are the Turkmen repeat, ordered in columns instead of around a medallion — the drawing that nomadic weavers of Central Asia carried on their migrations and kept unchanged over generations. Cream outlines each figure; black anchors it.\u003c\/p\u003e\n\n\u003cp\u003eWool front and back, at a fine and close knot count. A piece this size goes under a coffee table or in front of a bed rather than beneath a whole seating group. Burgundy wants company: with gray upholstery and dark timber it settles immediately, while in a room of cool blues it will look as though it wandered in from somewhere else. Halıcızade chose this one out of a run rather than ordering it made. Send it to a rug-washing workshop when the time comes.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in Afghanistan by Turkmen weavers, wool throughout.\u003c\/li\u003e\n  \u003cli\u003eYarn spun by hand on a spindle before weaving.\u003c\/li\u003e\n  \u003cli\u003eCream and black motifs in columns on a burgundy field.\u003c\/li\u003e\n  \u003cli\u003eFine, close knotting — light to lift and slow to show wear.\u003c\/li\u003e\n  \u003cli\u003e131 × 184 cm (4'4\" × 6'0\") — a bedside, an entrance or a coffee-table rug.\u003c\/li\u003e\n  \u003cli\u003eThe burgundy varies slightly wherever the hand-spun yarn thickens.\u003c\/li\u003e\n  \u003cli\u003eWashing by a rug professional.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWool like this gets brighter the more it is walked on, which is the opposite of what most people expect a rug to do.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Burgundy \/ 131 X 184","offer_id":46201481036009,"sku":"OZLKOL000006.01","price":85000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaTurkmenDesenliBordoHali_1.jpg?v=1706023547"},{"product_id":"el-dokuma-turkmen-desenli-bordo-yun-hali","title":"Burgundy Tekke Bukhara Hand-Knotted Wool Rug","description":"\u003cp\u003e\u003cstrong\u003eThe Tekke are one of the Turkmen tribal groups, and their repeating field motif is what the rug trade has long sold under the name Bukhara. Burgundy Tekke Bukhara Hand-Knotted Wool Rug, 133 × 187 cm (4'4\" × 6'2\"), hand-knotted in Afghanistan in wool, with cream and yellow drawing on a burgundy ground. Single piece.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eWhat holds it together is the discipline of the repeat. The same motif occupies the field at the same interval from edge to edge, and because nothing is emphasized the eye reads rhythm rather than picture. Yellow is the unexpected note — most burgundy Turkmen weaving stays with cream and black — and it warms the ground by a shade. Beside classical furniture the rug looks its age; against modern gray it looks graphic.\u003c\/p\u003e\n\n\u003cp\u003eWool throughout, spun on the spindle in the manner that predates mill yarn, and knotted fine and tight enough that the reverse reads nearly as clearly as the face. It stands out as one of the rarer things in the house's collection, for the plain reason that fewer weavers work this way each year. A rug at this knot count is bought as much for looking at as for walking on, and it will not thank you for a hallway. Only a professional washer should take it.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in Afghanistan in the Tekke Turkmen tradition.\u003c\/li\u003e\n  \u003cli\u003eWool pile, from yarn hand-spun rather than mill-spun.\u003c\/li\u003e\n  \u003cli\u003eA single motif repeated at even intervals across a burgundy field.\u003c\/li\u003e\n  \u003cli\u003eCream and yellow in the drawing, warmer than the usual cream and black.\u003c\/li\u003e\n  \u003cli\u003eKnotted finely enough to read from the reverse.\u003c\/li\u003e\n  \u003cli\u003e133 × 187 cm (4'4\" × 6'2\") — a study, a bedside or a small sitting area.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing only.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eRugs of this kind used to line the walls of a tent, and they still look better where they will be seen from a chair than where they will be crossed at speed.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Burgundy \/ 133 X 187","offer_id":46201560891625,"sku":"OZLKOL000007.01","price":87000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaTurkmenDesenliBordoYunHali_1.jpg?v=1706023578"},{"product_id":"zara-serisi-anadolu-desenli-ozel-tezgah-halisi-2","title":"Red Anatolian-Pattern Loom-Woven Rug, Zara Series","description":"\u003cp\u003e\u003cstrong\u003eLike a wool blanket folded away in a chest for thirty years, this Red Anatolian-Pattern Loom-Woven Rug in the Zara series carries its warmth quietly: a soft red field, slim tree figures worked into it, a Tencel\u0026reg; face over a cotton foundation, woven in Oushak. Nine sizes, none larger than 200 \u0026times; 290 cm (6'7\" \u0026times; 9'6\").\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe red here is warmer and less orange than elsewhere in the series, and the drawing is spare \u0026mdash; motifs set against open ground, with nothing crowding them. That restraint is what makes it work under a dining table or in a corner given over to reading, where a busy field would be tiring to sit above. In daylight the tone lifts; by evening it sinks toward brown and the figures read as shadow rather than as pattern.\u003c\/p\u003e\n\u003cp\u003eThe technique is loom weaving: mechanical structure, hand finish, and a surface closer to a knotted rug than to a printed one. Cotton below, Tencel\u0026reg; above. Oushak is the weaving district in western Anatolia that gives the English word its spelling, and most of the hands at these looms belong to women; the fringes are theirs alone.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLoom-woven in the Oushak region of T\u0026uuml;rkiye.\u003c\/li\u003e\n\u003cli\u003eTencel\u0026reg; and viscose on a cotton foundation.\u003c\/li\u003e\n\u003cli\u003eA soft red ground with sparse tree figures \u0026mdash; an open field rather than a crowded one.\u003c\/li\u003e\n\u003cli\u003eNine sizes from 80 \u0026times; 140 cm (2'7\" \u0026times; 4'7\") to 200 \u0026times; 290 cm (6'7\" \u0026times; 9'6\"), with 90 \u0026times; 390 cm and 90 \u0026times; 490 cm runners.\u003c\/li\u003e\n\u003cli\u003eFringes knotted by hand after the rug leaves the loom.\u003c\/li\u003e\n\u003cli\u003eProfessional washing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eIt sits well beside travertine and pale wood, and it will not fight a room that already has one strong color in it.\u003c\/p\u003e","brand":"EKO HALI","offers":[{"title":"Red \/ 80 X 140","offer_id":46262946529513,"sku":"EKOZAR000005.07","price":10200.0,"currency_code":"TRY","in_stock":false},{"title":"Red \/ 90 X 150","offer_id":47298645917929,"sku":"EKOZAR000005.02","price":12200.0,"currency_code":"TRY","in_stock":false},{"title":"Red \/ 130 X 190","offer_id":46262946595049,"sku":"EKOZAR000005.01","price":22400.0,"currency_code":"TRY","in_stock":true},{"title":"Red \/ 90 X 290","offer_id":47298645950697,"sku":"EKOZAR000005.03","price":23500.0,"currency_code":"TRY","in_stock":false},{"title":"Red \/ 170 X 240","offer_id":46262946660585,"sku":"EKOZAR000005.04","price":36800.0,"currency_code":"TRY","in_stock":true},{"title":"Red \/ 200 X 290","offer_id":46262946693353,"sku":"EKOZAR000005.05","price":52200.0,"currency_code":"TRY","in_stock":true},{"title":"Red \/ 90 X 390","offer_id":48078765916393,"sku":"EKOZAR000005.09","price":31600.0,"currency_code":"TRY","in_stock":false},{"title":"Red \/ 90 X 490","offer_id":50776036049129,"sku":"EKOZAR000005.10","price":39800.0,"currency_code":"TRY","in_stock":true},{"title":"Red \/ 90 X 190","offer_id":48078765981929,"sku":"EKOZAR000005.11","price":15400.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ZaraSerisiOtantikDesenliTezgahDokumaHali_1.webp?v=1752655398"},{"product_id":"makine-dokuma-hereke-desenli-kirmizi-bordo-hali","title":"Burgundy Hereke-Pattern Machine-Woven Viscose Rug, Efsun Series","description":"\u003cp\u003e\u003cstrong\u003eThe Hereke drawing comes from the imperial workshop founded at Hereke in 1843, east of İstanbul, to weave for the Ottoman court, and this is that drawing rendered in viscose: a burgundy field inside a deep border, machine-woven in Türkiye from viscose and acrylic, classical throughout.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eWhat a Hereke pattern gives a machine weave is incident. The field is filled edge to edge with fine floral and arabesque work and there is no open ground anywhere on it, which suits a reflective fiber — a busy drawing on viscose changes character as light travels across the room rather than sitting still. Burgundy is the traditional ground for the pattern and it holds all of that together. One thing should be said plainly: this is a machine-woven rug carrying a hand-knotted rug's drawing. The pattern is genuine; the construction is not the one the pattern was invented for, and Halıcızade does not conflate the two.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eMachine-woven in Türkiye from viscose and acrylic, comb count 100.\u003c\/li\u003e\n  \u003cli\u003eHereke pattern — after the workshop founded at Hereke in 1843 to weave for the Ottoman court.\u003c\/li\u003e\n  \u003cli\u003eBurgundy field, fine floral and arabesque filling, a deep border around it.\u003c\/li\u003e\n  \u003cli\u003eViscose, so the surface moves between bright and matt as you cross the room.\u003c\/li\u003e\n  \u003cli\u003eA machine weave carrying a hand-knotted drawing, and said so here.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing.\u003c\/li\u003e\n  \u003cli\u003eTwo in stock.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"HALICIZADE","offers":[{"title":"Burgundy \/ 160 X 230","offer_id":48231645217001,"sku":"MEREFS000001.04","price":25800.0,"currency_code":"TRY","in_stock":false},{"title":"Burgundy \/ 200 X 300","offer_id":48231645249769,"sku":"MEREFS000001.01","price":42000.0,"currency_code":"TRY","in_stock":true},{"title":"Burgundy \/ 240 X 340","offer_id":48231645282537,"sku":"MEREFS000001.02","price":57200.0,"currency_code":"TRY","in_stock":false},{"title":"Burgundy \/ 300 X 400","offer_id":50072753242345,"sku":"MEREFS000001.03","price":25800.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/MakineDokumaHerekeDesenliKirmiziViskonHali_7.jpg?v=1706717566"},{"product_id":"el-dokuma-cerceve-desenli-ipekli-kirmizi-hali","title":"Red Bordered Hand-Knotted Silk-Blend Rug","description":"\u003cp\u003e\u003cstrong\u003eMorning light does one thing to it and evening light does another: a red bordered hand-knotted silk-blend rug, made in China from a cotton, viscose and silk blend, with a classical frame pattern drawn around a red field. Under a low sun it goes bright; late in the day it deepens and quiets down. A single piece.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eRed is the most demanding ground a weaver can pick, because every other color in the rug has to survive it. The frame drawing solves that by keeping to traditional motifs at a small scale, repeated the whole way round, so the pattern never competes with the field for attention — it encloses it. Depending on where you are standing, the same square inch is either vivid and glossy or dark and matt.\u003c\/p\u003e\n\n\u003cp\u003eIt is knotted by hand, one knot at a time, in a cotton, viscose and silk mixture: the cotton is the strength, the viscose and the silk are the light. The pile is fine and shallow, which makes it quick to vacuum and easy to keep, and also means it is not the rug to put where chairs scrape. Red is not a neutral. It sets the temperature of any room it enters, and it is worth being certain about that before it is unrolled. Professional cleaning keeps the pile standing.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eKnotted by hand in China; cotton for strength, viscose and silk for light.\u003c\/li\u003e\n  \u003cli\u003eA classical frame pattern repeated around a red field.\u003c\/li\u003e\n  \u003cli\u003eThe surface reads glossy from one side of a room and matt from the other.\u003c\/li\u003e\n  \u003cli\u003eFine, shallow pile — quick to vacuum, not built for scraping chairs.\u003c\/li\u003e\n  \u003cli\u003eSuits an entrance, a hall, a bedroom or the front of a desk.\u003c\/li\u003e\n  \u003cli\u003eRed will set the temperature of the room it goes into.\u003c\/li\u003e\n  \u003cli\u003eProfessional cleaning.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eRugs like this were once the first thing a house showed a visitor, and a red one still behaves that way in a hallway.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Red \/ 125 X 186","offer_id":46426045874409,"sku":"SARBIT000122.01","price":126000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaCerceveDesenliKirmiziHali_3.jpg?v=1705665253"},{"product_id":"el-dokuma-anadolu-desenli-kirmizi-yun-karapinar-hali","title":"Navy Medallion Hand-Knotted Wool Karapınar Rug","description":"\u003cp\u003e\u003cstrong\u003eA rug of 187 × 298 cm (6'2\" × 9'9\") settles a room before any other object in it gets a say, and that is the first honest thing to note about this one. Navy holds the ground, red runs through the drawing, and a central medallion sits at the middle of the field. Hand-knotted in wool at Karapınar, on the Konya plain in central Türkiye.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eKarapınar rugs are built around the \u003cem\u003egöbek\u003c\/em\u003e — literally the navel, the medallion at the center — with the rest of the field kept relatively quiet so the eye goes straight to it. The border is deep and repeats a single figure the whole way round. Navy in hand-dyed wool refuses to hold still. Under a window it is blue; four steps further into the room it goes almost black, and the change comes from the lie of the pile rather than from the dye. No photograph catches both states together.\u003c\/p\u003e\n\n\u003cp\u003eThe real objection to a medallion rug is that furniture covers the best part of it. In a room this size the coffee table lands exactly where the göbek is, and the rug spends its life with its own subject hidden. Push the seating out to the edges, leave the middle bare, and the rug finally gets to show the drawing it was built around. Wool throughout, knotted by hand, and washed by a professional — rarely.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted at Karapınar, Konya province, central Türkiye.\u003c\/li\u003e\n  \u003cli\u003eWool pile, wool foundation.\u003c\/li\u003e\n  \u003cli\u003eNavy ground with red through the drawing and a central göbek medallion.\u003c\/li\u003e\n  \u003cli\u003eDeep border repeating one figure all the way round.\u003c\/li\u003e\n  \u003cli\u003e187 × 298 cm (6'2\" × 9'9\") — sized for a whole sitting room.\u003c\/li\u003e\n  \u003cli\u003eThe medallion disappears under a coffee table; plan the furniture around it.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing.\u003c\/li\u003e\n  \u003cli\u003eOne piece.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eIt is a rug that rewards an empty middle, and there are not many pieces of furniture worth putting on top of it.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Navy blue \/ 187 X 298","offer_id":46620988014825,"sku":"MZTKON000013.01","price":106000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaAnadoluDesenliKirmiziYunKarapinarHali_4.jpg?v=1707144344"},{"product_id":"el-dokuma-anadolu-desenli-rengarenk-yun-isiklar-hali","title":"Multicolor Anatolian Hand-Knotted Wool Konya Işıklar Rug","description":"\u003cp\u003e\u003cstrong\u003eFifty years is the age the house records for this rug, which puts it at the near edge of what the trade calls semi-antique — fifty to a hundred years, a convention nobody issues or enforces. Hand-knotted in wool at Işıklar, in Konya province, multicolored, 158 × 263 cm (5'2\" × 8'8\").\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eAnatolian village drawing does not do curves. The field is assembled from stepped and hooked repeats, one above the next, in reds and blues with yellow used sparingly as a highlight, and a border that keeps its own separate rhythm. The scale is small enough that the whole rug reads as a texture from the doorway and only breaks into individual motifs when you are standing on it.\u003c\/p\u003e\n\n\u003cp\u003eThe Turkish label says \u003cem\u003esandık yenisi\u003c\/em\u003e: this spent its fifty years folded in a dowry chest rather than under furniture. The consequence shows in the color, which has not been through five decades of window light, and it shows in the handle, which is stiffer than a rug walked into softness. A year of use will loosen it. Washing is specialist work.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted at Işıklar, Konya province, Türkiye.\u003c\/li\u003e\n  \u003cli\u003eWool, about fifty years old — semi-antique by trade usage.\u003c\/li\u003e\n  \u003cli\u003eStepped and hooked repeats in red and blue, yellow used as highlight.\u003c\/li\u003e\n  \u003cli\u003eChest-kept rather than used, so the dyes never took full sun.\u003c\/li\u003e\n  \u003cli\u003e158 × 263 cm (5'2\" × 8'8\").\u003c\/li\u003e\n  \u003cli\u003eStiff in the hand at first; it softens with walking.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing.\u003c\/li\u003e\n  \u003cli\u003eOne of one.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWhat it has instead of patina is fifty years of unspent life, and that is the harder thing to find.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Colorful \/ 158 X 263","offer_id":46627630776553,"sku":"MZTAND000030.01","price":92000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaAnadoluDesenliRengarenkYunIsiklarHali_6.jpg?v=1707569142"},{"product_id":"el-dokuma-seccade-desenli-kirmizi-hali","title":"Red Hand-Knotted Wool Selendi Prayer Rug","description":"\u003cp\u003e\u003cstrong\u003eA prayer rug points. One end carries the mihrab niche and the other does not, so everything between them is drawn to be read from a single direction — which is what \u003cem\u003eseccade\u003c\/em\u003e means, and why the shape is always nearer a door than a square. This one is knotted in red wool on cotton at Selendi, in Manisa province, western Türkiye, at 113 × 167 cm (3'8\" × 5'6\").\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eRed fills the niche and the field around it, deep enough that the drawing inside has to be worked in cream and dark blue to be seen at all. Above the arch sit the small filler motifs that Anatolian weavers put there almost without exception — a lamp form, a comb, sometimes a pair of ewers — and the spandrels at the shoulders are filled with a different figure again, so the top third of the rug carries more incident than the rest of it.\u003c\/p\u003e\n\n\u003cp\u003eWool pile on cotton warps, knotted by hand in a village rather than a workshop, and old enough that the house holds it among its rare pieces. The directional composition is the practical catch: laid as a floor rug it only looks right from one end of the room, and a sofa placed across the niche will make it look wrong from every seat. Cleaning is professional work.\u003c\/p\u003e\n\n\u003ch3\u003eCan a prayer rug be used as an ordinary floor rug?\u003c\/h3\u003e\n\u003cp\u003eYes, and many are. The only thing to plan for is the direction: a seccade composition has a top and a bottom, so it reads correctly from one end of a room and upside down from the other. Orient it toward the seating rather than across it.\u003c\/p\u003e\n\n\u003ch3\u003eWhat is the niche at one end of the rug?\u003c\/h3\u003e\n\u003cp\u003eIt is a mihrab, the arched form that marks the direction of prayer in a mosque wall, reproduced in miniature on the rug. On a village prayer rug the arch is drawn in steps rather than as a curve, because a knotted pile builds shapes out of squares.\u003c\/p\u003e\n\n\u003cscript type=\"application\/ld+json\"\u003e{\"@context\":\"https:\/\/schema.org\",\"@type\":\"FAQPage\",\"mainEntity\":[{\"@type\":\"Question\",\"name\":\"Can a prayer rug be used as an ordinary floor rug?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"Yes, and many are. The only thing to plan for is the direction: a seccade composition has a top and a bottom, so it reads correctly from one end of a room and upside down from the other. Orient it toward the seating rather than across it.\"}},{\"@type\":\"Question\",\"name\":\"What is the niche at one end of the rug?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"It is a mihrab, the arched form that marks the direction of prayer in a mosque wall, reproduced in miniature on the rug. On a village prayer rug the arch is drawn in steps rather than as a curve, because a knotted pile builds shapes out of squares.\"}}]}\u003c\/script\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted at Selendi, Manisa province, western Türkiye.\u003c\/li\u003e\n  \u003cli\u003ePile of wool, carried on cotton warps.\u003c\/li\u003e\n  \u003cli\u003eRed ground with a stepped mihrab niche, drawn in cream and dark blue.\u003c\/li\u003e\n  \u003cli\u003eFiller motifs above the arch and figured spandrels at the shoulders.\u003c\/li\u003e\n  \u003cli\u003e113 × 167 cm (3'8\" × 5'6\") — the standard single prayer size.\u003c\/li\u003e\n  \u003cli\u003eDirectional: it reads from one end of the room only.\u003c\/li\u003e\n  \u003cli\u003eProfessional cleaning.\u003c\/li\u003e\n  \u003cli\u003eAn older village weaving, one of one.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003ePlenty of these end up on a wall rather than a floor, where nobody has to walk on the niche and the drawing gets read the way it was set out.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Red \/ 113 X 167","offer_id":46714344702185,"sku":"MZTSEC000005.01","price":36000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaSeccadeDesenliKirmiziHali_2.jpg?v=1712235711"},{"product_id":"el-dokuma-cicek-desenli-kirmizi-yun-karapinar-hali","title":"Red Floral Hand-Knotted Wool Karapınar Rug","description":"\u003cp\u003e\u003cstrong\u003eFlowers on a red ground, knotted rather than drawn: a wool rug knotted by hand at Karapınar, on the Konya plain, 133 × 225 cm (4'4\" × 7'5\"), with a floral field carried in a palette that red dominates. Anatolian flowers are geometric flowers, built out of knots instead of curves. One of one.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eA knot is a square. That is the constraint every pile weaver works inside, and it is why an Anatolian rose has corners — the weaver approximates the curve in steps, and the steps become the style. On this rug the flowers are large and few rather than small and many, which suits red: a crowded floral on a red ground turns to noise at two paces, while a sparse one stays legible from the far side of a room. One figure runs round the border, unvaried, the whole perimeter.\u003c\/p\u003e\n\n\u003cp\u003eWool pile, knotted by hand at Karapınar in central Türkiye, on the flat treeless plain southeast of Konya. Red in hand-dyed wool never sits at one value: the strength changes when the dyer makes the next batch, and the change shows as horizontal banding across the field. The trade calls that abrash, and it is the plainest evidence that the color was mixed on site rather than bought. It should be washed professionally, and rarely.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in wool at Karapınar, Konya province, central Türkiye.\u003c\/li\u003e\n  \u003cli\u003e133 × 225 cm (4'4\" × 7'5\") — a sitting-room or bedroom size.\u003c\/li\u003e\n  \u003cli\u003eLarge, sparse floral figures on a red ground, drawn in steps rather than curves.\u003c\/li\u003e\n  \u003cli\u003eOne border figure repeated the whole way round.\u003c\/li\u003e\n  \u003cli\u003eAbrash — horizontal banding where the dye strength changed.\u003c\/li\u003e\n  \u003cli\u003eWool pile throughout.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing, and not often.\u003c\/li\u003e\n  \u003cli\u003eA single piece.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eA red rug is the one people talk themselves out of and then keep thinking about, and this one is large enough to justify the argument.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Red \/ 133 X 225","offer_id":47167728320745,"sku":"MZTKON000014.01","price":67000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaCicekDesenliKirmiziYunKarapinarHali_2_31243b28-78e6-4348-90c6-480fadb6334e.jpg?v=1714468765"},{"product_id":"lori-baft-serisi-el-dokuma-sade-desenli-kirmizi-hali","title":"Red Plain Handwoven Wool Runner, Lori Baft Series","description":"\u003cp\u003e\u003cstrong\u003eLori Baft takes its name from the Lori tribes of the Zagros mountains and their gabbeh weaving, where the point was always to leave the ground alone. This runner keeps that argument: handwoven in wool on a cotton foundation, 76 × 301 cm (2'6\" × 9'11\"), a brick-red field with a handful of small black marks on it and nothing else. One of it.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe marks are cross-shaped, scattered, and separated by many times their own width. What crowds the piece is the border — mustard and cream, geometric, far busier than anything inside it. That inversion is deliberate: a full edge makes an empty middle look emptier. Nine feet of unbroken red running down a corridor does something a patterned runner cannot do, which is lengthen the corridor rather than narrow it.\u003c\/p\u003e\n\n\u003cp\u003eHandwoven in India, where the Lori vocabulary has been taken up and is sold under the same name. Wool carries the pile and cotton carries the structure. An empty field is harder to weave than a full one, not easier — there is no motif to hide behind, so a wobble in knot density, a change of yarn lot or a slackening of warp tension shows up on the open ground where anyone can see it. Over three meters of warp, holding that tension even is most of the work. The plain honest drawback: nothing on this rug conceals a stain either.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven in India in the Lori Baft manner, after the gabbeh weaving of the Zagros.\u003c\/li\u003e\n  \u003cli\u003eWool pile on a cotton foundation.\u003c\/li\u003e\n  \u003cli\u003eBrick-red open field with sparse black cross marks; mustard and cream border.\u003c\/li\u003e\n  \u003cli\u003eThe border carries nearly all the color changes; the field carries almost none.\u003c\/li\u003e\n  \u003cli\u003e76 × 301 cm (2'6\" × 9'11\") — a narrow hall, a galley kitchen, one side of a bed.\u003c\/li\u003e\n  \u003cli\u003eAn open ground hides neither weaving faults nor marks.\u003c\/li\u003e\n  \u003cli\u003eUse a pad underneath in a passage; wool pile springs back where synthetic will not.\u003c\/li\u003e\n  \u003cli\u003eHave it washed professionally; the fringes want combing out by hand.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat does Lori Baft mean?\u003c\/h3\u003e\n\u003cp\u003eLori Baft refers to the weaving of the Lori tribes of the Zagros mountains, the gabbeh tradition: an open ground, few and large motifs, and a short list of colors. It is the opposite instinct to the crowded symmetry of city workshop rugs, and the name now also covers pieces woven in that manner elsewhere.\u003c\/p\u003e\n\n\u003ch3\u003eIs an open-field rug easier to weave?\u003c\/h3\u003e\n\u003cp\u003eNo. A field with no pattern on it gives the weaver nothing to hide behind, so any variation in knot density, yarn lot or warp tension appears directly on the surface. On a runner three meters long, keeping the width and the tension constant from one end to the other is the greater part of the job.\u003c\/p\u003e\n\n\u003cp\u003eCorridors are where rugs die young, and this one at least will show its wear evenly, all the way down.\u003c\/p\u003e\n\n\u003cscript type=\"application\/ld+json\"\u003e{\"@context\": \"https:\/\/schema.org\", \"@type\": \"FAQPage\", \"mainEntity\": [{\"@type\": \"Question\", \"name\": \"What does Lori Baft mean?\", \"acceptedAnswer\": {\"@type\": \"Answer\", \"text\": \"Lori Baft refers to the weaving of the Lori tribes of the Zagros mountains, the gabbeh tradition: an open ground, few and large motifs, and a short list of colors. It is the opposite instinct to the crowded symmetry of city workshop rugs, and the name now also covers pieces woven in that manner elsewhere.\"}}, {\"@type\": \"Question\", \"name\": \"Is an open-field rug easier to weave?\", \"acceptedAnswer\": {\"@type\": \"Answer\", \"text\": \"No. A field with no pattern on it gives the weaver nothing to hide behind, so any variation in knot density, yarn lot or warp tension appears directly on the surface. On a runner three meters long, keeping the width and the tension constant from one end to the other is the greater part of the job.\"}}]}\u003c\/script\u003e","brand":"HALICIZADE","offers":[{"title":"Red \/ 76 X 301","offer_id":47236005593321,"sku":"EKOLOR000007.01","price":37000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/LoriBaftSerisiElDokumaSadeDesenliKirmiziHali_6.jpg?v=1716210444"},{"product_id":"mahal-serisi-el-dokuma-usak-desenli-kirmizi-yun-hali","title":"Red Floral Oushak-Pattern Handwoven Wool Runner, Mahal Series","description":"\u003cp\u003e\u003cstrong\u003eRed Floral Oushak-Pattern Handwoven Wool Runner, Mahal Series — a red ground with large flower heads through the middle of it, picked out in yellow and orange, and a border of red and gold closing both long edges. It measures 86 × 231 cm (2'10\" × 7'7\"), was knotted in Pakistan, and there is one of it.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe drawing is the old western Anatolian Oushak: flowers large enough to read from standing height, arranged along the length rather than around a center, because a runner has no center to speak of. Cream opens the field up between the blooms and keeps the red from closing in. The yarn was dyed by hand rather than in an industrial vat, so no two meters of the ground hold quite the same red: it sinks toward tile at one end and lifts toward rust at the other. The shift is easiest to see where daylight crosses the pile at an angle.\u003c\/p\u003e\n\n\u003cp\u003eWeavers in Pakistan who work the double knot made it, tying each knot around two warp threads instead of one, which is slower work and the reason the flower outlines stay sharp at this scale. Wool makes the whole surface. Below that, cotton does the structural work, helped by a modest amount of synthetic yarn — which the house would rather name than hide. The pile is medium in height and firm rather than soft, and at 86 cm across the rug is narrow enough for the strip of floor between a door and a stair. Professional washing.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven in Pakistan on the double knot, two warps to a knot.\u003c\/li\u003e\n  \u003cli\u003eWool pile. The foundation is cotton, and there is some synthetic yarn in it.\u003c\/li\u003e\n  \u003cli\u003eLarge Oushak flower heads in yellow and orange on red, cream between them.\u003c\/li\u003e\n  \u003cli\u003eBorder in red and gold, running the full length on both sides.\u003c\/li\u003e\n  \u003cli\u003eHand-dyed yarn, which is why the red drifts toward brick and rust in places.\u003c\/li\u003e\n  \u003cli\u003e86 × 231 cm (2'10\" × 7'7\") — an entrance, a landing, the run beside a bed.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing.\u003c\/li\u003e\n  \u003cli\u003eOne piece. It was not made in a run and will not be repeated.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eA narrow rug in a strong color settles an entrance the way a picture settles a wall, and it takes about as long to notice.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Red \/ 86 X 231","offer_id":47353029394665,"sku":"KERMAH000043.01","price":42000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/MahalSerisiElDokumaUsakDesenliKirmiziYunHali_2.jpg?v=1715850047"},{"product_id":"mahal-serisi-usak-desenli-el-dokuma-hali","title":"Red and Cream Oushak-Pattern Handwoven Wool Runner, Mahal Series","description":"\u003cp\u003e\u003cstrong\u003eSixty centimeters across and just over two meters long — 60 × 202 cm (2'0\" × 6'8\") — this is a Mahal series runner in handwoven wool, cream and beige flowers scattered over a red ground, with a traditional Oushak border down both edges. It was knotted in Pakistan, and it is a single piece.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eNarrow rugs have to earn their width, and this one does it by keeping the ornament small. The flowers are drawn at a scale that suits a strip of floor, so nothing is cut off by the border and the eye runs the length instead of stopping. Cream does most of the drawing; the red beneath it is uneven on purpose, because the yarn was colored by hand and takes dye at different rates. In places the ground drops to tile and rust, and those patches are what stop a small rug from looking printed.\u003c\/p\u003e\n\n\u003cp\u003eThe knot is the double knot the Anatolian weavers use, carried into Pakistan by workshops that learned it there, and it wraps two warps at a time. Wool for the pile, cotton for the frame beneath, with a very small share of synthetic yarn in the foundation to hold the shape — stated here because it is true. It is thin enough to sit under a door that opens onto it. Send it out for cleaning rather than washing it at home.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eKnotted by hand in Pakistan on the Anatolian double knot.\u003c\/li\u003e\n  \u003cli\u003eCotton and a small share of synthetic below; wool everywhere above.\u003c\/li\u003e\n  \u003cli\u003eCream and beige flower motifs on red, inside a traditional Oushak border.\u003c\/li\u003e\n  \u003cli\u003eHand-dyed yarn gives the red its uneven depth.\u003c\/li\u003e\n  \u003cli\u003e60 × 202 cm (2'0\" × 6'8\") — a galley kitchen, a hallway, the side of a bed.\u003c\/li\u003e\n  \u003cli\u003eThin enough to clear most interior doors.\u003c\/li\u003e\n  \u003cli\u003eCleaning by a rug washer.\u003c\/li\u003e\n  \u003cli\u003eOne only.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eIt is the size of rug that gets bought for one spot and then moved four times, and it survives that.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Red \/ 64 X 194","offer_id":47239107936489,"sku":"KERMAH000089.01","price":26500.0,"currency_code":"TRY","in_stock":false},{"title":"Red \/ 60 X 202","offer_id":47239107969257,"sku":"KERMAH000089.02","price":26000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/MahalSerisiUsakDesenliElDokumaHali_2_fe3a5ee0-f5bc-409f-845e-06666dc975e2.jpg?v=1715851993"},{"product_id":"anadolu-desenli-kirmizi-ortakoy-sandik-eskisi-koy-dokuma-hali","title":"Red Anatolian Hand-Knotted Wool Ortaköy Rug","description":"\u003cp\u003e\u003cstrong\u003eWool above, cotton below: the pile of this rug is wool and the warp and weft under it are cotton, which is the combination village weavers reach for when they want a piece to hold its shape. It was knotted by hand at Ortaköy, in Aksaray province, measures 117 × 246 cm (3'10\" × 8'1\"), and carries Anatolian drawing on a red ground. There is one.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eCotton in the foundation changes the rug's behavior more than most buyers expect. It stretches less than wool does, so the rectangle stays a rectangle and the rug lies flat from the first day instead of needing a season under furniture to give up its curl. What sits on top is ordinary village work in the best sense — reds, a darker frame, figures drawn in straight lines because the loom will not permit any other kind.\u003c\/p\u003e\n\n\u003cp\u003eMade in Türkiye. On the Turkish label it is \u003cem\u003esandık eskisi\u003c\/em\u003e — chest-old, meaning it stayed folded in storage instead of going down on a floor, which is why the surface shows none of the flattening a rug of its years would otherwise carry. No date has ever been attached to it and the house does not invent one. Anything past a century is called antique in the trade, and the bands below that are semi-antique and vintage; nobody certifies any of the three. Have it washed by a professional before it goes on a floor.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted at Ortaköy, Aksaray province, in central Türkiye.\u003c\/li\u003e\n  \u003cli\u003eWool pile with a cotton warp and weft, which keeps the rug square and flat.\u003c\/li\u003e\n  \u003cli\u003eRed ground with a darker frame and straight-drawn Anatolian figures.\u003c\/li\u003e\n  \u003cli\u003eNever used: it came out of a chest, not off a floor.\u003c\/li\u003e\n  \u003cli\u003e117 × 246 cm (3'10\" × 8'1\") — a hall, a landing, a run of floor beside a sofa.\u003c\/li\u003e\n  \u003cli\u003eNo date is given, and the trade's age labels are certified by nobody.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing before use, and after that as needed.\u003c\/li\u003e\n  \u003cli\u003eOne rug, and the drawing on it was never repeated.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eEverything that has happened to it so far happened in a chest, so whatever it becomes now, someone will be able to say when it started.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Red \/ 117 X 246","offer_id":47239496335593,"sku":"MZTAND000061.01","price":43000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/AnadoluDesenliKirmiziOrtakoySandikEskisiKoyDokumaHali_2.jpg?v=1715863420"},{"product_id":"cicek-desenli-kirmizi-i̇pekli-hali","title":"Red Floral Machine-Woven Silk and Viscose Rug","description":"\u003cp\u003e\u003cstrong\u003eRed Floral Machine-Woven Silk and Viscose Rug: a brick-coral red ground with a round medallion at its center, the whole field filled with fine flowering scrollwork in cream, green and blue, made on a mechanical loom in Türkiye from silk and viscose yarn. It measures 200 × 300 cm (6'7\" × 9'10\"), and one is in stock.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThere is almost no empty ground anywhere on it. In the classical rug tradition that density is a statement about the loom rather than about taste — a field is left open when the weave is not fine enough to carry detail, and it is filled when the weave is. Here the flowers run right to the border, which is wide and layered and repeats the same floral vocabulary at a larger scale, and a plain red band closes the whole thing at the outer edge.\u003c\/p\u003e\n\n\u003cp\u003eSilk and viscose together are what make the red look deep rather than flat. Both fibers reflect, so a single dyed color arrives on the surface in two brightnesses depending on which yarn carries it, and the eye reads that as depth. Filling a saturated ground with pale motifs is also a contrast problem: if cream and green do not separate far enough from the red, the drawing dissolves into one surface. That it does not dissolve is the visible evidence that palette and weave density were worked out against each other. What will happen with time is that direct sun opens the red, so rotate it annually and keep it clear of a south-facing window where that is possible.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eWoven by machine in Türkiye; silk with viscose.\u003c\/li\u003e\n  \u003cli\u003eBrick-coral red ground with a round central medallion.\u003c\/li\u003e\n  \u003cli\u003eFine flowering scrollwork in cream, green and blue, filling the entire field.\u003c\/li\u003e\n  \u003cli\u003eWide layered border repeating the floral drawing at a larger scale.\u003c\/li\u003e\n  \u003cli\u003eTwo reflective fibers give the same dyed red two brightnesses.\u003c\/li\u003e\n  \u003cli\u003e200 × 300 cm (6'7\" × 9'10\") — a sofa group, or a table seating four.\u003c\/li\u003e\n  \u003cli\u003eRed opens in direct sun; rotate the rug annually.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing, and a first wash by someone who will test the color.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eA saturated ground pulls a small room in on itself, so give it the space it was drawn for and it will hold a room together instead.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Red \/ 200 X 300","offer_id":47401697870057,"sku":"HALSAH000001.01","price":57000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/CicekDesenliKirmiziIpekliHali_8.jpg?v=1718362222"},{"product_id":"el-dokuma-vintage-desenli-kirmizi-yun-modern-hali","title":"Red Floral Vintage Hand-Knotted Wool Rug","description":"\u003cp\u003e\u003cstrong\u003eRed Floral Vintage Hand-Knotted Wool Rug — a red field with flower motifs worked into the corners rather than the center, 158 × 278 cm (5'2\" × 9'1\"), knotted by hand in Anatolia years ago and brought back with a shorter pile and a new color. One piece.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003ePutting the flowers in the corners changes how the rug is read. The middle stays open, so furniture standing on it does not cover the drawing, and the ornament appears at the edges where a room's traffic actually goes. Red at this scale is not a neutral choice — it warms everything near it and cools nothing — but the dye has taken unevenly across the old pile, so the field moves between deeper and lighter reds instead of holding one tone, and that unevenness is what makes it livable.\u003c\/p\u003e\n\n\u003cp\u003eEverything visible is wool; everything structural is cotton. The rug was sheared before dyeing, which is why the pile is short and why the surface takes marks less readily than a deep one — a question of depth, not of any treatment. At just under three meters it covers a living-room floor properly, and it is still light enough for two people to move without rolling it. Professional washing, and nothing at home.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eA hand-knotted Anatolian piece of some age, taken down and dyed red.\u003c\/li\u003e\n  \u003cli\u003eEverything visible is wool; the foundation is cotton.\u003c\/li\u003e\n  \u003cli\u003eFlower motifs in the corners, with the field left open in the middle.\u003c\/li\u003e\n  \u003cli\u003eUneven dye uptake gives the red its range instead of a single flat tone.\u003c\/li\u003e\n  \u003cli\u003e158 × 278 cm (5'2\" × 9'1\") — a living room, a dining room, a large office.\u003c\/li\u003e\n  \u003cli\u003eShort pile: easier to keep than a deep one.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing only.\u003c\/li\u003e\n  \u003cli\u003eOne rug, not a run.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eRed floors get talked about at dinner, which is either the reason to buy one or the reason not to.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Red \/ 158 X 278","offer_id":47405839745257,"sku":"HALVIN000083.01","price":33000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaVintageDesenliKirmiziYunModernHali_1.jpg?v=1718363201"},{"product_id":"el-dokuma-yun-vintage-desenli-kirmizi-hali","title":"Red Vintage Hand-Knotted Wool Rug","description":"\u003cp\u003e\u003cstrong\u003eSmall enough to sit in front of a single chair — 120 × 175 cm (3'11\" × 5'9\") — and red enough to be the reason for the chair: an Anatolian hand-knotted wool rug taken from an older piece, sheared, dyed again and dried. Plain field, no border of consequence, and one of it.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eAt this size a color has to be right, because there is not enough surface for a pattern to rescue it. The red is strong and slightly variable, deeper in patches where the old pile held more dye, and it does what small red rugs do: it marks a corner as somewhere to sit rather than somewhere to pass. Boutiques and small studies use them for exactly that. In a large room it will look like an accident.\u003c\/p\u003e\n\n\u003cp\u003eWool for the pile, cotton for the structure, as the original weaver made it. Shearing has left the piece thin and light, so it can be lifted, shaken and relaid in a minute, and the shortened pile gives dirt nowhere much to go. It has already had one life and shows it in small ways: an edge that is not quite straight, a tone that shifts across the width. Washing goes to a specialist.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eAn earlier Anatolian hand-knotting, sheared thin, re-dyed and dried out.\u003c\/li\u003e\n  \u003cli\u003eWool pile on a cotton structure.\u003c\/li\u003e\n  \u003cli\u003eA strong red with patchy depth where the old pile took more dye.\u003c\/li\u003e\n  \u003cli\u003e120 × 175 cm (3'11\" × 5'9\") — a reading chair, a small study, a shop corner.\u003c\/li\u003e\n  \u003cli\u003eToo small to carry a large room; it is meant to mark one spot.\u003c\/li\u003e\n  \u003cli\u003eThin and light: liftable and relayable in a minute.\u003c\/li\u003e\n  \u003cli\u003eWashing goes out to a specialist.\u003c\/li\u003e\n  \u003cli\u003eA single rug, and no twin.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eSmall rugs are the ones people take with them when they move, which is the best thing that can be said about any object.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Red \/ 120 X 175","offer_id":47427349774569,"sku":"HALVIN000096.01","price":16000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaYunVintageDesenliKirmiziHali_1.jpg?v=1718891871"},{"product_id":"anadolu-madalyon-desenli-kirmizi-yun-ozel-tezgah-halisi","title":"Red Anatolian Medallion Loom-Woven Wool Rug, Tempus Series","description":"\u003cp\u003e\u003cstrong\u003eEight sizes: the smallest is 80 × 150 cm, the largest 300 × 400 cm — that is 9'10\" by 13'1\" — and an 80 × 300 cm runner sits between them. What they all carry is an Anatolian medallion drawing in wool over a cotton warp, red throughout, with the symmetrical figure at its center worked in white and blue, woven on Aegean looms in Türkiye.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eAround the medallion the field fills with flower motifs of the Anatolian kind, mirrored across both axes so that the halves answer each other exactly — the symmetry is the point, and it is what lets a busy pattern stay orderly at four square meters and at twelve. White is doing the drawing, blue is doing the cooling, red is doing everything else. In a room of dark wood and older furniture the rug looks like something that came with the house. Put it on pale boards under steel and glass and the red becomes the only warm thing in the space, which is a harder and better trick.\u003c\/p\u003e\n\n\u003cp\u003eWool in the surface over a cotton warp, in a district whose grandmothers knotted by hand and whose workshops now do the structural work with mechanical help. Medium thickness, packed tightly, so the piece has real weight in the hand without the year of knotting behind it — and it sheds very little. Halıcızade has been deciding which patterns stay in Tempus for twenty years, and this is one of the survivors rather than one of the additions. The house tree of life goes into every piece. At the largest size it takes two to move it.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eLoom-woven in the Aegean region of Türkiye.\u003c\/li\u003e\n  \u003cli\u003eWool surface on a cotton warp, medium thickness, densely packed.\u003c\/li\u003e\n  \u003cli\u003eA symmetrical Anatolian medallion in white and blue on red, with flower motifs filling the field.\u003c\/li\u003e\n  \u003cli\u003eVery low lint release in daily use.\u003c\/li\u003e\n  \u003cli\u003eBears the Halıcızade tree of life.\u003c\/li\u003e\n  \u003cli\u003eEight sizes: 80 × 150, 100 × 150, 80 × 300, 130 × 190, 160 × 230, 200 × 300, 250 × 350 and 300 × 400 cm.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing; the salon size is a two-person lift.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eSymmetry is what makes an old pattern legible from a doorway, and this one was drawn to be read from the far side of a big room.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Red \/ 80 X 150","offer_id":47506149507305,"sku":"HALTEM000001.06","price":10500.0,"currency_code":"TRY","in_stock":false},{"title":"Red \/ 100 X 150","offer_id":47506149343465,"sku":"HALTEM000001.01","price":13000.0,"currency_code":"TRY","in_stock":true},{"title":"Red \/ 80 X 300","offer_id":47506149540073,"sku":"HALTEM000001.07","price":20500.0,"currency_code":"TRY","in_stock":true},{"title":"Red \/ 130 X 190","offer_id":47506149605609,"sku":"HALTEM000001.08","price":21000.0,"currency_code":"TRY","in_stock":true},{"title":"Red \/ 160 X 230","offer_id":47506149474537,"sku":"HALTEM000001.05","price":31500.0,"currency_code":"TRY","in_stock":true},{"title":"Red \/ 200 X 300","offer_id":47506149441769,"sku":"HALTEM000001.04","price":51000.0,"currency_code":"TRY","in_stock":true},{"title":"Red \/ 250 X 350","offer_id":47506149409001,"sku":"HALTEM000001.03","price":74500.0,"currency_code":"TRY","in_stock":true},{"title":"Red \/ 300 X 400","offer_id":47506149376233,"sku":"HALTEM000001.02","price":102000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/AnadoluMadalyonDesenliKirmiziYunOzelTezgahHalisi_11.jpg?v=1720011584"},{"product_id":"tempus-serisi-madalyon-desenli-kirmizi-yun-ozel-tezgah-halisi","title":"Red Medallion Loom-Woven Wool Rug, Tempus Series","description":"\u003cp\u003e\u003cstrong\u003eRed Medallion Loom-Woven Wool Rug, Tempus Series — a traditional medallion of the old Anatolian kind set at the center of a red field, drawn in navy and blue, with the same two colors carried out to the border. The surface is wool over a cotton warp, woven on Aegean looms in western Türkiye, at four sizes: 160 × 230 cm (5'3\" × 7'7\"), 200 × 300 cm, 250 × 350 cm and a 300 × 400 cm (9'10\" × 13'1\") salon piece.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eA medallion is the single large figure at the middle of a classical rug, and its job is to organize everything else; the corner pieces are quarters of the same figure, which is how you can tell one was drawn properly. Red carries the heat and the two blues cool it back down — a cold-warm pairing that holds under daylight and under tungsten alike, which is not true of every red. Beside walnut, brass and a dark leather chair the rug reads as inherited. In a white room with steel and glass it reads as the one deliberate thing on the floor. It is not a quiet rug, and anyone who wants a floor to disappear should be looking at a plain one.\u003c\/p\u003e\n\n\u003cp\u003eThe pile is wool on a cotton warp, set on the loom at a middling depth and packed closely, so the rug has the weight of a knotted piece in the hand and the evenness a knotted piece never has. Halıcızade has spent twenty years choosing which patterns to keep in Tempus — a handful out of several hundred, picked rather than accepted. Every piece has the house tree of life worked into it. At the largest size it takes two people to move.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eLoom-woven on the Aegean side of Türkiye.\u003c\/li\u003e\n  \u003cli\u003eWool surface on a cotton warp, medium depth, closely packed.\u003c\/li\u003e\n  \u003cli\u003eA traditional central medallion in navy and blue on a red ground.\u003c\/li\u003e\n  \u003cli\u003eBears the Halıcızade tree of life, woven into every piece.\u003c\/li\u003e\n  \u003cli\u003eFour sizes: 160 × 230 cm, 200 × 300 cm, 250 × 350 cm and the 300 × 400 cm salon piece.\u003c\/li\u003e\n  \u003cli\u003eTempus is also made in other patterns and colors.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing; the largest size needs two people to lift.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eGiven a dining room it will outlast the table it sits under.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Red \/ 160 X 230","offer_id":47511776624873,"sku":"HALTEM000010.04","price":31500.0,"currency_code":"TRY","in_stock":false},{"title":"Red \/ 200 X 300","offer_id":47511776755945,"sku":"HALTEM000010.01","price":51000.0,"currency_code":"TRY","in_stock":false},{"title":"Red \/ 250 X 350","offer_id":47511776821481,"sku":"HALTEM000010.03","price":74500.0,"currency_code":"TRY","in_stock":true},{"title":"Red \/ 300 X 400","offer_id":47511776919785,"sku":"HALTEM000010.02","price":102000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/MadalyonDesenliKirmiziYunOzelTezgahHalisi_2.jpg?v=1720089357"},{"product_id":"tempus-serisi-anadolu-desenli-kirmizi-yun-yuvarlak-ozel-tezgah-halisi","title":"Red Anatolian-Pattern Round Loom-Woven Wool Rug, Tempus Series","description":"\u003cp\u003e\u003cstrong\u003eRound rugs are rare in Anatolian weaving, and this is one: a round loom-woven wool rug in red, with white and blue detail gathered into a symmetrical floral medallion at the center and a frame of the same drawing around the rim. It comes off looms in the Aegean, made for Halıcızade, and carries the house tree-of-life mark.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eRed is the traditional ground of Anatolian village weaving and it carries the pattern differently from a neutral — the white reads as bright rather than pale, and the blue, which would look cold on cream, sits warm against it. The medallion is drawn symmetrically, four ways from the middle, so a round rug has no wrong side to enter from. Whichever chair you come to it from, the pattern arrives the same way up.\u003c\/p\u003e\n\n\u003cp\u003eTempus is loom-woven, which puts a machine behind the structure and a person at the finish: the pile is set on the loom at a density that comes close to knotting, and the ends are closed by hand afterwards. The yarn is wool through the surface, over a cotton warp. The weave is of medium thickness and packed tightly, which gives dust less room to settle and makes it straightforward to vacuum. We should say plainly that this is not a hand-knotted rug and it is not sold as one — what it offers is the surface of one at a fraction of the hours.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eLoom-woven in the Aegean region of Türkiye, machine structure with hand finishing.\u003c\/li\u003e\n  \u003cli\u003eWool surface on a cotton warp.\u003c\/li\u003e\n  \u003cli\u003eRed ground with a white and blue symmetrical floral medallion and a matching rim.\u003c\/li\u003e\n  \u003cli\u003eRound format, so the drawing reads the same from any approach.\u003c\/li\u003e\n  \u003cli\u003eMedium thickness, densely packed; dust has little to settle into.\u003c\/li\u003e\n  \u003cli\u003eCarries the Halıcızade tree-of-life mark and is woven for this house alone.\u003c\/li\u003e\n  \u003cli\u003eNot hand-knotted, and not offered as such.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing keeps the reds where they are.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eA round rug fixes the center of a room the way a square one never does, and this one puts a piece of Anatolia there.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Red \/ 160 X 160","offer_id":47511919624425,"sku":"HALTEM000017.01","price":22000.0,"currency_code":"TRY","in_stock":false},{"title":"Red \/ 200 X 200","offer_id":47511919657193,"sku":"HALTEM000017.02","price":34000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/tempus-serisi-anadolu-desenli-kirmizi-yun-yuvarlak-ozel-tezgah-halisi-46994.jpg?v=1736584359"},{"product_id":"nostalji-serisi-afgan-turkmen-desenli-tezgah-dokuma-tencel-yuvarlak-hali","title":"Burgundy Turkmen-Pattern Loom-Woven Round Rug, Nostalji Series","description":"\u003cp\u003e\u003cstrong\u003eThe pattern belongs to the Turkmen tribes of Afghanistan, who have been weaving these repeating octagonal figures for centuries; the rug itself is made in Türkiye. Burgundy Turkmen-Pattern Loom-Woven Round Rug, Nostalji Series — a Tencel® surface on a cotton foundation, burgundy and navy with gold-yellow scattered through, and round rather than rectangular.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eTurkmen drawing is built on repetition: one figure, set out in rows, filling the field to the border. Made round, that grid has to be cut by the circle, which is why the pattern reads as a fragment of something larger rather than as a composition with a middle. Burgundy and navy hold each other in place and the gold breaks up what would otherwise be a very dark floor. The rug carries no wool at all, which matters if a wool pile is something you have had trouble with before.\u003c\/p\u003e\n\n\u003cp\u003eLoom-woven describes a middle method — the pile is set at a density that approaches knotting, and then people finish what the frame cannot. Here that means the fringes, which women in Oushak plait individually once the rug is off the frame. Tencel® is a cellulose fiber made under licence, and it is the reason the surface both stays soft and holds a shine. Use a professional washer; a round rug is awkward to dry flat and worse to dry badly.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eLoom-woven in Türkiye, with hand finishing after the rug leaves the frame.\u003c\/li\u003e\n  \u003cli\u003eTencel® on the surface over a cotton foundation; no wool in the rug.\u003c\/li\u003e\n  \u003cli\u003eRepeating Turkmen tribal figures, drawn from Afghan weaving.\u003c\/li\u003e\n  \u003cli\u003eBurgundy and navy grounds with gold-yellow worked through the pattern.\u003c\/li\u003e\n  \u003cli\u003eRound, and the pattern is set to be cut by the circle rather than centered in it.\u003c\/li\u003e\n  \u003cli\u003eWomen in Oushak finish the fringes, plaiting each one separately.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eIt suits an office or a study better than most round rugs do, because the pattern gives a desk chair somewhere to sit without landing on a medallion.\u003c\/p\u003e","brand":"EKO HALI","offers":[{"title":"Burgundy \/ 190 X 190","offer_id":47657063678185,"sku":"EKONOS000003.01","price":29000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/NostaljiSerisiAfganTurkmenDesenliYuvarlakOzelTezgahHalisi_3.jpg?v=1748099911"},{"product_id":"tempus-serisi-madalyon-desenli-kirmizi-yuvarlak-yun-ozel-tezgah-halisi","title":"Red Medallion Round Loom-Woven Wool Rug, Tempus Series","description":"\u003cp\u003e\u003cstrong\u003eA circle two meters across, 200 cm (6'7\"), which is a rare shape for a rug to take. A wool rug loom-woven for the Tempus series, carrying a fourteenth-century Oushak medallion in navy and gold on a deep red ground. Set at the middle of a room it becomes the point everything else arranges itself around, because a circle faces no particular way.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe medallion sits dead center and repeats outward in rings, so the drawing reads the same from every chair in the room — the reason the round format was used for medallion patterns in the first place. Red is doing the heavy work here: it holds the older Oushak forms up and keeps them from looking archaeological. Navy pins the outlines and gold picks out the small hooks and rosettes inside them. Under a warm bulb the ground deepens toward burgundy; in daylight the gold separates and the pattern gains a step of relief.\u003c\/p\u003e\n\n\u003cp\u003eLoom-woven in the Aegean, which is the middle construction between a knotted rug and a machine-made one — the ground is built on a powered loom, then the ends and fringes are closed by hand. The pile is wool over a cotton warp, medium in height and packed tightly enough to keep the circle from going oval underfoot. The house tree-of-life is woven into every Tempus piece, not stitched on afterwards. Have it washed by a rug specialist rather than at home; a round rug is harder to block back into shape than a rectangle, and a wash house knows that.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eLoom-woven in Türkiye's Aegean region; powered loom, hand finishing.\u003c\/li\u003e\n  \u003cli\u003eWool pile on a cotton warp, medium height, densely set.\u003c\/li\u003e\n  \u003cli\u003eRound: 200 cm (6'7\") in diameter.\u003c\/li\u003e\n  \u003cli\u003eFourteenth-century Oushak medallion in navy and gold on a deep red ground.\u003c\/li\u003e\n  \u003cli\u003eMarked with the house tree-of-life.\u003c\/li\u003e\n  \u003cli\u003eSuits an entrance hall, a study, or the center of a seating group with the sofas set around it.\u003c\/li\u003e\n  \u003cli\u003eSend it to a specialist wash house rather than cleaning it at home.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhy choose a round rug over a rectangle?\u003c\/h3\u003e\n\u003cp\u003eThere are no corners on a circle to line up against the walls, so it never argues with the geometry of a room. It suits furniture arranged inward — around a coffee table, beneath a round dining table, or at an entrance approached from several directions.\u003c\/p\u003e\n\n\u003ch3\u003eWhat is an Oushak medallion pattern?\u003c\/h3\u003e\n\u003cp\u003eOushak, in western Anatolia, is a weaving town whose workshops have been drawing large central medallions since the fourteenth century. The medallion is one dominant figure at the middle of the field, ringed by smaller repeating forms, with the border echoing those shapes at a reduced scale.\u003c\/p\u003e\n\n\u003cscript type=\"application\/ld+json\"\u003e{\"@context\":\"https:\/\/schema.org\",\"@type\":\"FAQPage\",\"mainEntity\":[{\"@type\":\"Question\",\"name\":\"Why choose a round rug over a rectangle?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"There are no corners on a circle to line up against the walls, so it never argues with the geometry of a room. 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The medallion is one dominant figure at the middle of the field, ringed by smaller repeating forms, with the border echoing those shapes at a reduced scale.\"}}]}\u003c\/script\u003e\n\n\u003cp\u003eRolled out on bare boards with nothing else in the room, it would still look finished.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Red \/ 200 X 200","offer_id":47657714417897,"sku":"HALTEM000023.01","price":34000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/TempusSerisiMadalyonDesenliKirmiziYuvarlakYunOzelTezgahHalisi_3.jpg?v=1723636570"},{"product_id":"zade-serisi-rengarenk-geometrik-desenli-ozel-tezgah-halisi","title":"Multicolor Geometric Loom-Woven Tencel® and Cotton Rug, Zade Series","description":"\u003cp\u003e\u003cstrong\u003eTencel® decides how this rug behaves: a plant-based cellulosic filament, cool to the touch and reflective in a way wool never is. Zade Series Multicolor Geometric Loom-Woven Rug — Tencel® and cotton, 200 × 300 cm (6'7\" × 9'10\"), woven on looms in the Oushak region of Türkiye, its geometric field changing color with the light.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe geometry is broken up rather than regimented — blocks and bars in reds, burgundy and a scatter of cooler tones, none of them holding a straight run long enough to become a stripe. Because Tencel® reflects, the same block reads saturated from one end of the room and washed-out from the other, and walking across it sets the whole surface moving. There is no wool in it at all, which is worth knowing if you have been sold on wool as the only serious fiber: this is a different proposition, cooler underfoot and brighter in color than wool will go.\u003c\/p\u003e\n\n\u003cp\u003eThe structure is laid down on a loom and the rug is then sent out into the villages around Oushak, where the women who live there finish each fringe by hand, knot after knot. That division — machine for the ground, hand for the ends — is what loom-weaving means, and Halıcızade does not describe these as hand-knotted. The pile is low, which leaves dust little to work down into, and a vacuum lifts it off easily. Professional washing is still the right call for anything deeper than routine cleaning.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eLoom-woven around Oushak in western Türkiye; fringes knotted by hand afterwards.\u003c\/li\u003e\n  \u003cli\u003eTencel® and cotton — contains no wool.\u003c\/li\u003e\n  \u003cli\u003e200 × 300 cm (6'7\" × 9'10\").\u003c\/li\u003e\n  \u003cli\u003eMulticolor geometric blocks that shift in tone as the light changes.\u003c\/li\u003e\n  \u003cli\u003eLow pile, cool and smooth underfoot.\u003c\/li\u003e\n  \u003cli\u003eVacuums easily; send it out for a full wash.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat is Tencel® and how does it differ from wool in a rug?\u003c\/h3\u003e\n\u003cp\u003eTencel® is a cellulosic fiber made from wood pulp under a Lenzing license. In a rug it produces a smooth, cool, light-reflecting surface with stronger color than wool takes, but it has none of wool's natural spring, so the pile sits lower and flatter.\u003c\/p\u003e\n\n\u003ch3\u003eIs a loom-woven rug the same as a hand-knotted one?\u003c\/h3\u003e\n\u003cp\u003eNo. A loom-woven rug has its structure built on a mechanical loom, with the finishing and the fringes done by hand. A hand-knotted rug is tied knot by knot by a weaver. The house states the difference rather than blurring it.\u003c\/p\u003e\n\n\u003cscript type=\"application\/ld+json\"\u003e{\"@context\":\"https:\/\/schema.org\",\"@type\":\"FAQPage\",\"mainEntity\":[{\"@type\":\"Question\",\"name\":\"What is Tencel® and how does it differ from wool in a rug?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"Tencel® is a cellulosic fiber made from wood pulp under a Lenzing license. 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The house states the difference rather than blurring it.\"}}]}\u003c\/script\u003e\n\n\u003cp\u003ePut it in a room of gray and oak and nothing else in there will have an opinion.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Colorful \/ 200 X 300","offer_id":47704499454185,"sku":"HALZAD000001.01","price":78000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ZadeSerisiRengarenkGeometrikDesenliOzelTezgahHalisi_2.jpg?v=1724331101"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/collections\/kirmizi-800x500-tikla_9ab444ce-5884-4ce0-998e-53e5768e3f70.png?v=1784440609","url":"https:\/\/www.halicizade.com\/en\/collections\/red-rug.oembed?page=7","provider":"HALICIZADE","version":"1.0","type":"link"}