{"title":"Artisan Collection","description":"\u003cp\u003e\u003cstrong\u003eThe Special Collection is Halıcızade's group of artisan rugs: more than 150 hand-woven pieces, each chosen individually for the quality of the weave, the wool or silk, and the color. It gathers Oushak, Afghan, Yağcıbedir and Damask drawing alongside Anatolian shawl, patchwork and pure-silk work, and every rug exists in one size only.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis is a selection rather than a design line. Nothing here shares a pattern book or a production run, and the only thing the rugs have in common is that each took months of hand work and was judged worth keeping. What follows is what the collection contains, how the pattern families differ, and what to settle before buying a rug that exists once.\u003c\/p\u003e\n\n\u003ch2\u003eWhat puts a rug in the collection\u003c\/h2\u003e\n\u003cp\u003eExecution, and the fact that it cannot be repeated.\u003c\/p\u003e\n\u003cp\u003eEvery piece is hand-woven, and most take months at the loom. Selection turns on the things that are visible at close range and impossible to fake: the density and regularity of the knotting, the depth a dye reaches in the fiber, the accuracy of a border where it turns a corner. Materials run from madder-dyed Anatolian wool to pure silk. Because the work does not scale, the numbers stay small and a rug that sells is not rewoven.\u003c\/p\u003e\n\u003cp\u003eFor the constructions behind the collection, see \u003ca href=\"\/en\/collections\/hand-knotted-rugs\"\u003ehand-knotted rugs\u003c\/a\u003e and \u003ca href=\"\/en\/collections\/pure-silk-rugs\"\u003epure silk rugs\u003c\/a\u003e.\u003c\/p\u003e\n\n\u003ch2\u003eThe pattern families\u003c\/h2\u003e\n\u003cp\u003eFour traditions, four different arguments about what a field should do.\u003c\/p\u003e\n\u003ctable\u003e\n\u003ctr\u003e\u003cth\u003eFamily\u003c\/th\u003e\u003cth\u003eOrigin\u003c\/th\u003e\u003cth\u003eDrawing\u003c\/th\u003e\u003cth\u003ePalette\u003c\/th\u003e\u003c\/tr\u003e\n\u003ctr\u003e\u003ctd\u003eOushak\u003c\/td\u003e\u003ctd\u003eWestern Anatolia, from the fifteenth century\u003c\/td\u003e\u003ctd\u003eLarge medallions on open fields, unhurried floral work\u003c\/td\u003e\u003ctd\u003eApricot, madder red, ivory, soft blue\u003c\/td\u003e\u003c\/tr\u003e\n\u003ctr\u003e\u003ctd\u003eAfghan\u003c\/td\u003e\u003ctd\u003eAfghanistan and the Turkmen tradition\u003c\/td\u003e\u003ctd\u003eRepeated octagonal figures across a dense field\u003c\/td\u003e\u003ctd\u003eDeep red grounds, ivory and navy outlining\u003c\/td\u003e\u003c\/tr\u003e\n\u003ctr\u003e\u003ctd\u003eYağcıbedir\u003c\/td\u003e\u003ctd\u003eVillage weaving near Balıkesir\u003c\/td\u003e\u003ctd\u003eLantern-shaped medallion, dense multi-band borders\u003c\/td\u003e\u003ctd\u003eMadder red, indigo, white\u003c\/td\u003e\u003c\/tr\u003e\n\u003ctr\u003e\u003ctd\u003eDamask\u003c\/td\u003e\u003ctd\u003eAdapted from figured silk and linen cloth\u003c\/td\u003e\u003ctd\u003eSymmetrical floral and geometric repeat, no single center\u003c\/td\u003e\u003ctd\u003eTonal, often one color at two values\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003cp\u003eAlongside these are Anatolian shawl compositions, patchwork pieces assembled from sections of older weaving, and abstract work in wool and silk. See \u003ca href=\"\/en\/collections\/usak-rugs\"\u003eOushak rugs\u003c\/a\u003e, \u003ca href=\"\/en\/collections\/afghan-rugs\"\u003eAfghan rugs\u003c\/a\u003e, \u003ca href=\"\/en\/collections\/yagcibedir-rugs\"\u003eYağcıbedir rugs\u003c\/a\u003e and \u003ca href=\"\/en\/collections\/damask-patterned-rugs\"\u003eDamask-patterned rugs\u003c\/a\u003e for each tradition on its own.\u003c\/p\u003e\n\n\u003ch2\u003eWool or silk\u003c\/h2\u003e\n\u003cp\u003eThe fiber decides how the rug behaves under light and under feet.\u003c\/p\u003e\n\u003cp\u003eWool takes a dye to depth, keeps a matte surface that hides traffic, and springs back after furniture has stood on it. It is the fiber for a room that is lived in. Silk is cold at first touch, changes value completely with the angle you look from, and carries a far higher knot count, which is what allows the fine curvilinear drawing in the Azerbaijani and Anatolian classic pieces here. It belongs in rooms that are looked at more than walked through. Madder-dyed wool from Oushak-region production sits between the two: a natural dyebath, a coarser knot, and a color that will keep shifting for the life of the rug.\u003c\/p\u003e\n\n\u003ch2\u003eWhere they go\u003c\/h2\u003e\n\u003cp\u003eOne rug, one room, chosen in that order.\u003c\/p\u003e\n\u003cp\u003eA piece from this collection is normally the reason a room is arranged the way it is, rather than the last thing added to it. In a living room it sets the palette everything else answers to; in a bedroom a smaller piece works underfoot and out of the main traffic. Modern rooms take the abstract and Damask work most easily, traditional rooms the Oushak and Yağcıbedir drawing, and patchwork sits between the two. See \u003ca href=\"\/en\/collections\/living-room-rugs\"\u003eliving room rugs\u003c\/a\u003e for sizing against seating.\u003c\/p\u003e\n\n\u003ch2\u003eBefore buying, and afterward\u003c\/h2\u003e\n\u003cp\u003eMeasure first, because the size is not a variable here.\u003c\/p\u003e\n\u003cp\u003eSettle six things: the room and the light it gets, the size against the furniture, the color and drawing, the fiber, the standard of weaving you want, and how the rug will be cleaned. Every rug in this collection was woven once, so a size is a particular rug rather than an option to be ordered.\u003c\/p\u003e\n\u003cp\u003eFor care, treat the rug as a textile rather than a floor covering. Daily cleaning is a soft brush, or a vacuum with the beater bar off and the suction low. Air the rug regularly, out of direct sunlight, which fades a natural dye faster than use wears it. Blot spills with a white cloth from the outside in, and use a stain treatment only if it is safe for the fiber. Washing is left to professionals who work on hand-woven rugs.\u003c\/p\u003e\n\n\u003ch2\u003eFrequently asked questions\u003c\/h2\u003e\n\u003ch3\u003eWhat is a special collection rug?\u003c\/h3\u003e\n\u003cp\u003eA special collection rug is a hand-woven piece selected individually for the quality of its weave, its wool or silk and its color, rather than ordered as part of a production run. Halıcızade lists more than 150 of them, and each rug exists in a single size.\u003c\/p\u003e\n\u003ch3\u003eWhich pattern traditions are represented?\u003c\/h3\u003e\n\u003cp\u003eOushak medallion and floral work from western Anatolia, Afghan field designs, Yağcıbedir village drawing in red, blue and white, Damask compositions adapted from silk and linen weaving, and Anatolian shawl, patchwork and abstract pieces.\u003c\/p\u003e\n\u003ch3\u003eWhat is a Damask-pattern rug?\u003c\/h3\u003e\n\u003cp\u003eA rug carrying the symmetrical floral and geometric repeat that first belonged to damask cloth, a figured weave made in silk, wool and linen. Transferred to a rug, the repeat gives a quiet all-over field with no single center to it.\u003c\/p\u003e\n\u003ch3\u003eWhat are Yağcıbedir rugs known for?\u003c\/h3\u003e\n\u003cp\u003eA narrow palette and a fixed vocabulary. The Yağcıbedir tradition works in madder red, indigo blue and white, with dense borders and a lantern-shaped medallion that has passed through generations with very little change.\u003c\/p\u003e\n\u003ch3\u003eWhy are these rugs made in limited numbers?\u003c\/h3\u003e\n\u003cp\u003eEach one takes months of work at the loom, and the wool, silk and dyes used are chosen piece by piece rather than bought to a specification. Neither part of that scales, so the collection grows slowly and pieces are not repeated.\u003c\/p\u003e\n\u003ch3\u003eHow should a rug from this collection be cleaned?\u003c\/h3\u003e\n\u003cp\u003eFor everyday care, use a soft brush rather than a vacuum with a rotating beater bar, and air the rug out of direct sunlight. Blot spills with a white cloth. Full washing is left to professionals who work on hand-woven rugs.\u003c\/p\u003e\n\u003ch3\u003eWhat should be weighed before buying one?\u003c\/h3\u003e\n\u003cp\u003eThe room and the light it gets, the size against the furniture, the fiber, the drawing and the palette, and how the rug will be cleaned. In a collection where each piece is unique, the size is fixed and the room has to be measured first.\u003c\/p\u003e\n\n\u003cscript type=\"application\/ld+json\"\u003e{\"@context\":\"https:\/\/schema.org\",\"@type\":\"FAQPage\",\"mainEntity\":[{\"@type\":\"Question\",\"name\":\"What is a special collection rug?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"A special collection rug is a hand-woven piece selected individually for the quality of its weave, its wool or silk and its color, rather than ordered as part of a production run. Halıcızade lists more than 150 of them, and each rug exists in a single size.\"}},{\"@type\":\"Question\",\"name\":\"Which pattern traditions are represented?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"Oushak medallion and floral work from western Anatolia, Afghan field designs, Yağcıbedir village drawing in red, blue and white, Damask compositions adapted from silk and linen weaving, and Anatolian shawl, patchwork and abstract pieces.\"}},{\"@type\":\"Question\",\"name\":\"What is a Damask-pattern rug?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"A rug carrying the symmetrical floral and geometric repeat that first belonged to damask cloth, a figured weave made in silk, wool and linen. Transferred to a rug, the repeat gives a quiet all-over field with no single center to it.\"}},{\"@type\":\"Question\",\"name\":\"What are Yağcıbedir rugs known for?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"A narrow palette and a fixed vocabulary. The Yağcıbedir tradition works in madder red, indigo blue and white, with dense borders and a lantern-shaped medallion that has passed through generations with very little change.\"}},{\"@type\":\"Question\",\"name\":\"Why are these rugs made in limited numbers?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"Each one takes months of work at the loom, and the wool, silk and dyes used are chosen piece by piece rather than bought to a specification. Neither part of that scales, so the collection grows slowly and pieces are not repeated.\"}},{\"@type\":\"Question\",\"name\":\"How should a rug from this collection be cleaned?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"For everyday care, use a soft brush rather than a vacuum with a rotating beater bar, and air the rug out of direct sunlight. Blot spills with a white cloth. Full washing is left to professionals who work on hand-woven rugs.\"}},{\"@type\":\"Question\",\"name\":\"What should be weighed before buying one?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"The room and the light it gets, the size against the furniture, the fiber, the drawing and the palette, and how the rug will be cleaned. In a collection where each piece is unique, the size is fixed and the room has to be measured first.\"}}]}\u003c\/script\u003e\n\n\u003cp\u003e\u003cstrong\u003eRelated collections:\u003c\/strong\u003e \u003ca href=\"\/en\/collections\/usak-rugs\"\u003eOushak rugs\u003c\/a\u003e · \u003ca href=\"\/en\/collections\/pure-silk-rugs\"\u003epure silk rugs\u003c\/a\u003e · \u003ca href=\"\/en\/collections\/harem-series-rugs\"\u003eHarem Series\u003c\/a\u003e · \u003ca href=\"\/en\/collections\/rare-rugs\"\u003erare rugs\u003c\/a\u003e\u003c\/p\u003e","products":[{"product_id":"anadolu-desenli-el-dokuma-kirmizi-ipek-klasik-hali","title":"Navy Anatolian Hand-Knotted Pure Silk Rug","description":"\u003cp\u003e\u003cstrong\u003eAt 82 × 119 cm (2'8\" × 3'11\") this is a rug for one specific place — in front of a chair, at a bedside, on a wall: Navy Anatolian Hand-Knotted Pure Silk Rug, knotted in Türkiye entirely in silk, with classical Anatolian drawing worked in red, navy and cream. There is one of it.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eSilk is what makes a size this small worth doing. A wool rug of the same dimensions would read as a mat, whereas silk holds detail at a scale wool cannot, so the motifs stay legible from standing height and the piece behaves more like a framed object than a floor covering. Navy carries the field. Red and cream do the drawing. Because silk reflects along the direction of the pile, the rug is bright from one end and dark from the other, and turning it around changes the color of that corner of the room.\u003c\/p\u003e\n\n\u003cp\u003eIt was knotted by hand in Türkiye, in silk throughout, pile and detail both, which has become uncommon at any size. The finer the yarn, the more knots go into a square decimeter and the longer the weaving takes; that is the whole economics of a silk rug and the reason so few are made now. Direct sun will take the color out of it over years. Spilled liquid needs lifting immediately rather than eventually. Cleaning is specialist work. One piece, and there is not a second.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in Türkiye from silk alone, with no wool or cotton in the pile.\u003c\/li\u003e\n  \u003cli\u003eClassical Anatolian drawing in red, navy and cream on a navy field.\u003c\/li\u003e\n  \u003cli\u003eSmall at 82 × 119 cm, sized for a chair, a bedside or a wall.\u003c\/li\u003e\n  \u003cli\u003eSilk reflects along the lay of the pile, so the rug is light from one end and dark from the other.\u003c\/li\u003e\n  \u003cli\u003eSunlight is what will damage it; place it away from an unshaded window.\u003c\/li\u003e\n  \u003cli\u003eLift spills at once; cleaning is specialist work.\u003c\/li\u003e\n  \u003cli\u003eA single piece. There is no second one behind it.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eMost rugs are bought for a room; this one is bought for a square meter of it, and will outlast the room.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Navy blue \/ 82 X 119","offer_id":44252113764585,"sku":"HADIPE000001.01","price":250000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/AnadoluDesenliElDokumaKirmiziIpekKlasikHali_2.jpg?v=1706092127"},{"product_id":"hanzade-serisi-el-dokuma-cerceve-desenli-krem-hali","title":"Cream Bordered Hand-Knotted Silk-Blend Rug, Hanzade Series","description":"\u003cp\u003e\u003cstrong\u003eIt handles like dress fabric rather than floor covering: Cream Bordered Hand-Knotted Silk-Blend Rug, Hanzade Series — 122 × 177 cm (4'0\" × 5'10\"), knotted in Türkiye, a cream field inside a classical border of earth and honey tones, with enough silk in the pile to make the surface move under the hand.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe cream is not one cream. Warm milk, faint beige and the thin lines of the weave itself come and go depending on where you stand, and the border — curved, classical, drawn in earth and honey — closes the field without hardening it. At this size the rug does not cover a room, it marks a place in one: under a bergère, along a reading corner, at the foot of a bed. That is what it was drawn to do, and it does it without asking for attention.\u003c\/p\u003e\n\n\u003cp\u003eMonths of knotting go into a rug worked this finely, and the fringes at both ends are tied individually by hand after the pile is finished, which is the visible signature of that labor. The pile is heavy in silk, and that is where the fluidity comes from; rugs woven this way are made in smaller numbers every year. Underfoot it is light, warm and faintly slippery — worth knowing before it goes at the bottom of a staircase. It is a single piece, and washing is a specialist's job.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in Türkiye, with a silk-heavy pile.\u003c\/li\u003e\n  \u003cli\u003eCream field with a curved classical border in earth and honey tones.\u003c\/li\u003e\n  \u003cli\u003eFringes tied one at a time by hand, after the knotting is finished.\u003c\/li\u003e\n  \u003cli\u003eMeasures 122 × 177 cm, drawn to define a corner rather than fill a room.\u003c\/li\u003e\n  \u003cli\u003eLight and faintly slippery underfoot; think twice about stair bottoms and thresholds.\u003c\/li\u003e\n  \u003cli\u003eMonths of work in a single piece.\u003c\/li\u003e\n  \u003cli\u003eA specialist washer, and no one else.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eSit in the chair it goes under and you will end up touching it with a bare foot, which is the honest reason to own it.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Cream \/ 122 X 177","offer_id":40809443229890,"sku":"HALHAN000011.01","price":130000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/HanzadeSerisiElDokumaCerceveDesenliKremHali_1.jpg?v=1709566338"},{"product_id":"saf-ipek-anadolu-el-dokuma-klasik-hali","title":"Burgundy Anatolian Hand-Knotted Pure Silk Rug","description":"\u003cp\u003e\u003cstrong\u003eTwo weavers, and between a year and a half and two years of work: Burgundy Anatolian Hand-Knotted Pure Silk Rug — 202 × 284 cm (6'8\" × 9'4\") in Bursa silk throughout, a burgundy ground carrying gold and navy Anatolian drawing, with an open center and a deep classical border. One piece.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe center is left empty on purpose, which is why a low table can stand on it without ruining the composition; the drawing is concentrated in the border and the corners, and the field exists to be crossed. Gold gives the pattern its light and navy gives it its edges, and against the burgundy the two behave differently at different hours — the gold flattens in daylight and comes up under lamps. Silver-toned furniture suits it, and so does light oak or maple flooring, which stops the burgundy from sinking into a dark floor.\u003c\/p\u003e\n\n\u003cp\u003eThe silk comes from Bursa, the Ottoman silk city, where mulberry has been grown and silk reeled for centuries. Very little Bursa silk now goes into rugs at all, so pieces like this are bought as collected objects at least as much as floor covering. The weave is a 6 × 6 knot density, which is what allows the fine detail in the border to be drawn rather than suggested, and which is also why two people needed close to two years to finish it. It is fragile by construction: lift spills at once, keep it out of direct sun, be careful with it around animals, vacuum on the lowest setting, and have it washed away from the house.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in Bursa, Türkiye, from pure Bursa silk.\u003c\/li\u003e\n  \u003cli\u003eBurgundy ground with gold and navy Anatolian drawing, and an open center.\u003c\/li\u003e\n  \u003cli\u003e6 × 6 knot density, tied by two weavers over a year and a half to two years.\u003c\/li\u003e\n  \u003cli\u003e202 × 284 cm, with the pattern held in the border and the corners.\u003c\/li\u003e\n  \u003cli\u003eSuits silver-toned furniture and pale maple or oak flooring.\u003c\/li\u003e\n  \u003cli\u003eDelicate: low-suction vacuuming, no direct sun, care around pets.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing only.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat is Bursa silk?\u003c\/h3\u003e\n\u003cp\u003eBursa, in northwest Türkiye, was the center of Ottoman silk production and reels silk still. Very little of it now goes into rug weaving, so a rug knotted entirely from Bursa silk is bought as a collected object at least as much as a floor covering.\u003c\/p\u003e\n\n\u003ch3\u003eWhy did this rug take two years to weave?\u003c\/h3\u003e\n\u003cp\u003eIt follows from the knot density. At 6 × 6 the number of individually tied knots in a piece of 202 × 284 cm is very large, and two weavers working together needed between a year and a half and two years to complete it.\u003c\/p\u003e\n\n\u003cp\u003eIt is the sort of rug that gets moved from house to house rather than replaced, and the reason to buy the open center is that a table will not spoil it.\u003c\/p\u003e\n\n\u003cscript type=\"application\/ld+json\"\u003e{\"@context\": \"https:\/\/schema.org\", \"@type\": \"FAQPage\", \"mainEntity\": [{\"@type\": \"Question\", \"name\": \"What is Bursa silk?\", \"acceptedAnswer\": {\"@type\": \"Answer\", \"text\": \"Bursa, in northwest Türkiye, was the center of Ottoman silk production and reels silk still. Very little of it now goes into rug weaving, so a rug knotted entirely from Bursa silk is bought as a collected object at least as much as a floor covering.\"}}, {\"@type\": \"Question\", \"name\": \"Why did this rug take two years to weave?\", \"acceptedAnswer\": {\"@type\": \"Answer\", \"text\": \"It follows from the knot density. At 6 × 6 the number of individually tied knots in a piece of 202 × 284 cm is very large, and two weavers working together needed between a year and a half and two years to complete it.\"}}]}\u003c\/script\u003e","brand":"HALICIZADE","offers":[{"title":"Red \/ 202 X 284","offer_id":40809470722242,"sku":"HADIPE000007.01","price":1450000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/BursaIpekElDokumaKlasikHali_8.jpg?v=1711282627"},{"product_id":"el-dokuma-patchwork-desenli-rengarenk-sal-hali","title":"Multicolor Patchwork Hand-Knotted Wool Rug, Anadolu Şal Series","description":"\u003cp\u003e\u003cstrong\u003eSix months and more of knotting go into one of these: Multicolor Patchwork Hand-Knotted Wool Rug, Anadolu Şal Series — 208 × 307 cm (6'10\" × 10'1\") in Anatolian wool, built from panels that each take their drawing from a different weaving town. This is the single piece at this size.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eHereke, Uşak, Bünyan, Isparta and Sivas Zara all appear on it: five towns with five separate drawing traditions, set beside each other in one field. Nothing lines up, and it is not meant to — the seams between the panels are where the interest is, and the differences between one tradition's flower and the next are easier to see here than they would ever be on five separate rugs. It works under a monochrome room and equally under a room with six colors in it, because one of its own tones will always be somewhere on the wall.\u003c\/p\u003e\n\n\u003cp\u003eThe wool is Anatolian and the rug is knotted by hand, knot by knot, on Turkish looms, which is where those six months go. Wool with its natural oils still in it takes a low sheen and improves rather than degrades underfoot. One thing to expect: the colors will read differently in your room than they do on a screen, because the direction the pile lies in changes the tone as much as the light does. Wipe anything spilled straight away, and send it out for washing.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in Anatolian wool on Turkish looms.\u003c\/li\u003e\n  \u003cli\u003ePanels drawn from the Hereke, Uşak, Bünyan, Isparta and Sivas Zara traditions.\u003c\/li\u003e\n  \u003cli\u003eMore than six months of knotting for a single rug.\u003c\/li\u003e\n  \u003cli\u003e208 × 307 cm — a large sitting-room or dining-room size.\u003c\/li\u003e\n  \u003cli\u003eWool with its oils left in, which takes a low sheen with use.\u003c\/li\u003e\n  \u003cli\u003ePile direction changes the tone; the rug will not look like its photograph.\u003c\/li\u003e\n  \u003cli\u003eWipe spills immediately; professional washing for anything deeper.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eIt is the rug that will still be interesting on the day you stop noticing the furniture.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Colorful \/ 81 X 122","offer_id":44372084785385,"sku":"CALSAL000053.05","price":36000.0,"currency_code":"TRY","in_stock":false},{"title":"Colorful \/ 127 X 177","offer_id":46030152597737,"sku":"CALSAL000053.04","price":81000.0,"currency_code":"TRY","in_stock":false},{"title":"Colorful \/ 167 X 241","offer_id":46030152663273,"sku":"CALSAL000053.07","price":146000.0,"currency_code":"TRY","in_stock":false},{"title":"Colorful \/ 208 X 307","offer_id":46030152728809,"sku":"CALSAL000053.02","price":235000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/AnadoluSalSerisiPatchworkDesenliElDokumaYunHali_1_e0bec547-2b2b-4418-a63d-6c0fbce938af.jpg?v=1713194068"},{"product_id":"harem-serisi-bursa-ipegi-el-dokuma-modern-usak-desenli-bordu-hali","title":"Burgundy Oushak Hand-Knotted Wool and Silk Rug, Harem Series","description":"\u003cp\u003e\u003cstrong\u003eÇınhar Halı wove this one for Halıcızade — a Turkish house whose rug designs have taken international awards, working to its own patterns. Burgundy Oushak Hand-Knotted Wool and Silk Rug, Harem Series, made in Türkiye from Erzurum wool and Bursa silk, in sizes from 131 × 186 cm (4'4\" × 6'1\") to 241 × 323 cm (7'11\" × 10'7\").\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe drawing comes from Uşak in the Turkish west — Oushak in English — and it goes back to that town's fourteenth- and fifteenth-century patterns, redrawn at a modern scale rather than reproduced. Burgundy carries them. It is a color that behaves completely differently by daylight and by lamp: flat and almost brown at noon, deep and lit from within after dark, and the silk in the pile is what does the second half of that. Rugs from this series have been laid in government buildings for years, which tells you more about how they wear than any description of them will.\u003c\/p\u003e\n\n\u003cp\u003eTwo materials are worth naming separately. The wool is taken from Erzurum fleece, which is oily and therefore both strong and bright; the silk is real Bursa silk, and there is not much of it left in commercial weaving. They are knotted together with the double knot — the symmetrical Turkish knot, worked around two warps — which is slower than the alternative and holds the pattern edges sharper. Washing goes to a specialist and nowhere else.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in Türkiye by Çınhar Halı, to designs made for Halıcızade.\u003c\/li\u003e\n  \u003cli\u003eErzurum fleece wool blended with genuine Bursa silk.\u003c\/li\u003e\n  \u003cli\u003eClassical Oushak motifs of the fourteenth and fifteenth centuries, redrawn.\u003c\/li\u003e\n  \u003cli\u003eKnotted with the double knot, the symmetrical knot used across Anatolia.\u003c\/li\u003e\n  \u003cli\u003eBurgundy ground that changes character between daylight and lamplight.\u003c\/li\u003e\n  \u003cli\u003eSizes from 131 × 186 cm (4'4\" × 6'1\") to 241 × 323 cm (7'11\" × 10'7\").\u003c\/li\u003e\n  \u003cli\u003eAward-winning designs in international rug design competition.\u003c\/li\u003e\n  \u003cli\u003eSpecialist washing only.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat is the double knot?\u003c\/h3\u003e\n\u003cp\u003eThe double knot, also called the symmetrical or Gördes knot, wraps the pile yarn around two warp threads instead of one. It takes longer to tie and produces a firmer pile with cleaner pattern edges, and it is the knot used across most of Anatolia.\u003c\/p\u003e\n\n\u003ch3\u003eWhy does Bursa silk matter?\u003c\/h3\u003e\n\u003cp\u003eBursa has been the center of Turkish silk production since the Ottoman period, and very little of it now goes into rugs. Silk from there is used here for the highlights in the pattern, where it reflects light the wool cannot and gives the burgundy its depth after dark.\u003c\/p\u003e\n\n\u003cp\u003eIt is a rug bought once, and the reason to buy the larger size is that the pattern was drawn for it.\u003c\/p\u003e\n\n\u003cscript type=\"application\/ld+json\"\u003e{\"@context\": \"https:\/\/schema.org\", \"@type\": \"FAQPage\", \"mainEntity\": [{\"@type\": \"Question\", \"name\": \"What is the double knot?\", \"acceptedAnswer\": {\"@type\": \"Answer\", \"text\": \"The double knot, also called the symmetrical or Gördes knot, wraps the pile yarn around two warp threads instead of one. It takes longer to tie and produces a firmer pile with cleaner pattern edges, and it is the knot used across most of Anatolia.\"}}, {\"@type\": \"Question\", \"name\": \"Why does Bursa silk matter?\", \"acceptedAnswer\": {\"@type\": \"Answer\", \"text\": \"Bursa has been the center of Turkish silk production since the Ottoman period, and very little of it now goes into rugs. Silk from there is used here for the highlights in the pattern, where it reflects light the wool cannot and gives the burgundy its depth after dark.\"}}]}\u003c\/script\u003e","brand":"HALICIZADE","offers":[{"title":"Burgundy \/ 131 X 186","offer_id":44370573787369,"sku":"ÇINHAR000032.03","price":120000.0,"currency_code":"TRY","in_stock":true},{"title":"Burgundy \/ 241 X 323","offer_id":46029511295209,"sku":"ÇINHAR000032.04","price":385000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/HaremSerisiBursaIpegiElDokumaModernUsakDesenliBordoHali_1.jpg?v=1709557918"},{"product_id":"el-dokuma-patchwork-desenli-rengarenk-hali","title":"Patchwork Anatolian Hand-Knotted Wool Rug, Anadolu Şal Series","description":"\u003cp\u003e\u003cstrong\u003eLook at it twice and you find something you missed: an evil-eye figure in one panel, a whole small story folded inside a flower in another. Patchwork Anatolian Hand-Knotted Wool Rug, Anadolu Şal Series — 205 × 302 cm (6'9\" × 9'11\"), knotted in wool in Anatolia, in orange, yellow, navy and burgundy.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe panels are drawn from towns that each weave differently — Hereke, Bünyan, Ladik, Isparta — so the rug is a survey rather than a repeat. Vivid oranges and warm yellows push against deep navy and burgundy without any of them winning, and because the colors were mixed for different traditions, no two of the reds are quite the same red. That mismatch is the thing to look for. Laid in front of a plain gray sofa the rug does all the talking and the room does none, and that is the setting it was drawn for.\u003c\/p\u003e\n\n\u003cp\u003eIt is knotted over months, row by row, by Anatolian women for whom weaving is still a trade. The wool is first-grade, which is why the surface has a natural luster to it and why it will improve rather than degrade with walking — wool with lanolin left in it responds to use. This is one of the last generations of a weaving tradition several hundred years old, and it is worth saying plainly that pieces like this get harder to find each year. Professional washing.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eKnotted in wool by Anatolian women weavers.\u003c\/li\u003e\n  \u003cli\u003ePanels drawn from the Hereke, Bünyan, Ladik and Isparta traditions.\u003c\/li\u003e\n  \u003cli\u003eOrange, yellow, navy and burgundy, with color that varies panel to panel.\u003c\/li\u003e\n  \u003cli\u003eFirst-grade wool with a natural luster that deepens with use.\u003c\/li\u003e\n  \u003cli\u003e205 × 302 cm (6'9\" × 9'11\") — a large sitting-room size.\u003c\/li\u003e\n  \u003cli\u003eMonths of weaving per piece.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003ePut it under modern furniture and it will make the furniture look deliberate, which is not what most people expect a patchwork rug to do.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Colorful \/ 205 X 302","offer_id":46030164394217,"sku":"CALSAL000211.06","price":225000.0,"currency_code":"TRY","in_stock":true},{"title":"Colorful \/ 211 X 301","offer_id":46030164426985,"sku":"CALSAL000211.07","price":230000.0,"currency_code":"TRY","in_stock":true},{"title":"Colorful \/ 120 X 180","offer_id":46633257795817,"sku":"CALSAL000211.09","price":78000.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/AnadoluSalSerisiPatchworkDesenliElDokumaYunHali_1_eec701d5-ac8c-478b-be2f-216d72d52abd.jpg?v=1713256502"},{"product_id":"harem-serisi-usak-desenli-el-dokuma-krem-renk-yun-ipek-hali-315","title":"Cream Oushak Hand-Knotted Wool and Silk Rug, Harem Series","description":"\u003cp\u003e\u003cstrong\u003eErzurum fleece and genuine Bursa silk, worked into the same pile: Cream Oushak Hand-Knotted Rug in Wool and Silk, Harem Series — 144 × 193 cm (4'9\" × 6'4\"), knotted in Türkiye, a cream ground carrying fourteenth- and fifteenth-century Uşak drawing in brown and honey.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eCream is the hardest ground to draw an Oushak on, because the pattern has nowhere dark to hide against. Everything here is legible: the branch turns, the flower heads, the way the border repeats without quite repeating. The silk sits in the highlights, so the rug is one thing under a window and another under a lamp, and the wool holds the rest steady while the silk moves. Beside walnut and unbleached linen it looks domestic; beside anything painted it looks considerably older than it is.\u003c\/p\u003e\n\n\u003cp\u003eÇınhar Halı in Türkiye weaves the Harem series to patterns drawn for this shop, and the firm's own designs have taken prizes outside the country. Its fleece comes out of Erzurum, where enough natural oil stays in the wool to make it strong and bright at once. Its silk is Bursa silk, which now reaches very few looms anywhere. Both are tied with the Anatolian double knot, one knot wrapped around a pair of warp threads — slower to work than the alternative, and cleaner wherever a motif turns a corner. Send it to a washer who takes silk.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eWoven by Çınhar Halı in Türkiye, to drawings commissioned by this shop.\u003c\/li\u003e\n  \u003cli\u003eErzurum fleece wool with genuine Bursa silk in the highlights.\u003c\/li\u003e\n  \u003cli\u003eFourteenth- and fifteenth-century Uşak drawing, redrawn for a modern room.\u003c\/li\u003e\n  \u003cli\u003eTied with the Anatolian double knot, around a pair of warp threads.\u003c\/li\u003e\n  \u003cli\u003eCream ground with brown and honey drawing, 144 × 193 cm.\u003c\/li\u003e\n  \u003cli\u003eThe silk changes the rug between daylight and lamplight.\u003c\/li\u003e\n  \u003cli\u003eSpecialist washing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eA cream Oushak is the one that ends up in the room people are actually shown into.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Cream \/ 144 X 193","offer_id":44156943466729,"sku":"ÇINHAR000024.01","price":137000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/HaremSerisiUsakDesenliElDokumaKremRenkYunIpekHali_1.jpg?v=1709557770"},{"product_id":"harem-serisi-usak-desenli-el-dokuma-yun-krem-hali","title":"Cream Oushak Hand-Knotted Wool Rug, Harem Series","description":"\u003cp\u003e\u003cstrong\u003eAt 132 × 168 cm (4'4\" × 5'6\") this one is close to square, which is rare in a knotted rug and useful in a room that is: Cream Oushak Hand-Knotted Wool Rug, Harem Series — knotted in Türkiye from Erzurum wool, cream ground, classical Uşak drawing worked at a modern scale.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eA near-square rug behaves differently. Nothing about it points anywhere, so it will not tell you which way the furniture should face, and under a round table or in a square hall it settles where a long rug would look stranded. The drawing helps: the Oushak motifs are set out symmetrically, so there is no head and no foot to the piece. Cream keeps it light. The pattern is carried in warmer tones and is easiest to read from directly above, which is the angle a square rug is usually seen from anyway.\u003c\/p\u003e\n\n\u003cp\u003eErzurum wool is what goes into it, bright and soft and strong at once, which is a combination that rarely turns up in one fleece. The knotting is the Anatolian double knot, worked symmetrically around two warp threads, which takes longer per row and holds the drawing crisper at the turns. The whole rug was made in Türkiye. Contemporary readings of fourteenth- and fifteenth-century Uşak motifs are what the Harem series is for, and this is one of the plainer ones. Professional washing.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in Türkiye from Erzurum wool.\u003c\/li\u003e\n  \u003cli\u003eNearly square at 132 × 168 cm, with no direction to the drawing.\u003c\/li\u003e\n  \u003cli\u003eSymmetrical Uşak motifs on a cream ground, drawn at a modern scale.\u003c\/li\u003e\n  \u003cli\u003eDouble-knotted around two warps, which sharpens the turns in the pattern.\u003c\/li\u003e\n  \u003cli\u003eErzurum fleece: bright, soft and strong at once.\u003c\/li\u003e\n  \u003cli\u003eSuits a square hall, a round table or a room without a long axis.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eSquare rooms are usually furnished as though they were rectangular; this is the rug that lets them stop.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Cream \/ 132 X 168","offer_id":44156946252009,"sku":"ÇINHAR000064.01","price":110000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/HaremSerisiUsakDesenliElDokumaYunKremHali_1.jpg?v=1709558552"},{"product_id":"harem-serisi-usak-desenli-kahverengi-el-dokuma-hali","title":"Brown Oushak Hand-Knotted Wool Rug, Harem Series","description":"\u003cp\u003e\u003cstrong\u003eUşak, in western Türkiye, has been drawing the same family of patterns since the fifteenth century; this is a present-day reading of them: Brown Oushak Hand-Knotted Wool Rug, Harem Series — 130 × 165 cm (4'3\" × 5'5\"), knotted in Türkiye from Erzurum wool, in browns and natural tones.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eBrown is the color the Oushak drawing was probably always closest to, and on this ground the motifs read as structure rather than as decoration — you notice the geometry of the branches before you notice the flowers on them. The palette stays inside the natural range, which means the rug does not compete with wood and does not fight leather. In a study or a small hall it does the thing a brown rug is bought to do: it makes the floor feel finished and then stops asking for attention.\u003c\/p\u003e\n\n\u003cp\u003eÇınhar Halı wove it for Halıcızade — a house with international awards in rug design — and the series is theirs to make and ours to draw. Erzurum wool gives the pile its softness and its shine. The knot is the Anatolian double knot, two warps at a time, which is the slower method and the one that keeps a pattern edge from blurring. Genuine Bursa silk turns up in some pieces from the Harem series. Erzurum wool is what is named for this one. Professional washing.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in Türkiye by Çınhar Halı for Halıcızade.\u003c\/li\u003e\n  \u003cli\u003eErzurum wool in the pile; Bursa silk appears in some Harem pieces but is not named for this one.\u003c\/li\u003e\n  \u003cli\u003eOushak drawing in browns and natural tones, read as structure.\u003c\/li\u003e\n  \u003cli\u003eThe Anatolian double knot, tied around two warps at a time.\u003c\/li\u003e\n  \u003cli\u003e130 × 165 cm, a near-square size for a study or a small hall.\u003c\/li\u003e\n  \u003cli\u003eSits with wood and leather without competing with either.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eBuy it when the floor is the thing that keeps looking unfinished, and it will go on solving that for twenty years.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Brown \/ 130 X 165","offer_id":44156949659881,"sku":"ÇINHAR000053.01","price":106000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/HaremSerisiUsakDesenliKahverengiElDokumaHali_1.jpg?v=1709558225"},{"product_id":"harem-serisi-el-dokuma-usak-desenli-ipek-hali","title":"Oushak-Pattern Handwoven Wool and Silk Rug, Harem Series","description":"\u003cp\u003e\u003cstrong\u003eFirst-shearing oily fleece from Erzurum and real Bursa silk, knotted together by hand into an Oushak-pattern rug from the Harem series — wool carrying the ground, silk laid in where the drawing has to catch light. Woven in Türkiye for Halıcızade by the Çınhar workshop, on the Anatolian double knot. There is one of it.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eOushak — a weaving town out in the west of Anatolia — has been supplying this kind of drawing for five centuries: broad medallions, a field left generous rather than crowded, borders that frame instead of compete. The Harem reading keeps that architecture and loosens the rest, so the ornament sits apart with air around it. Where the silk runs through the motifs it answers light differently from the wool beside it, and the pattern seems to float a knot's height above its own ground when you cross the room.\u003c\/p\u003e\n\n\u003cp\u003eThe fleece is Erzurum \u003cem\u003eyağlı yapağı\u003c\/em\u003e, the oily first-shearing wool that keeps most of its lanolin and therefore most of its shine. The silk is reeled in Bursa, which has been a silk town since the Ottomans made it one. Çınhar ties the pile on the double knot, the Anatolian method, and the piece was made for this house rather than bought in. Silk and wool take water differently, so this one goes to a specialist and to nobody with a bottle of shampoo.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven in Türkiye by Çınhar, made for Halıcızade.\u003c\/li\u003e\n  \u003cli\u003eWool pile with real Bursa silk worked through the motifs.\u003c\/li\u003e\n  \u003cli\u003eThe fleece is Erzurum first-shearing oily wool, chosen for its shine.\u003c\/li\u003e\n  \u003cli\u003eTied on the Anatolian double knot.\u003c\/li\u003e\n  \u003cli\u003eClassical Oushak drawing, opened out and read for a modern room.\u003c\/li\u003e\n  \u003cli\u003eSpecialist washing only — never a home shampoo on the silk.\u003c\/li\u003e\n  \u003cli\u003eOne piece, and it will not be woven again.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eThe silk announces itself only to somebody moving past it, which makes this a rug for the part of a house where people walk slowly.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"burgundy \/ 165X243","offer_id":45803626103017,"sku":"ÇINHAR000120.01","price":197000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/HaremSerisiElDokumaUsakDesenliIpekHali_1.jpg?v=1709558693"},{"product_id":"harem-serisi-usak-desenli-el-dokuma-krem-hali-340","title":"Cream Oushak-Pattern Handwoven Wool Rug, Harem Series","description":"\u003cp\u003e\u003cstrong\u003eThe motifs come first here: fourteenth- and fifteenth-century Oushak drawing, redrawn rather than copied, carried on a cream ground. It is a handwoven wool rug, 133 × 197 cm (4'4\" × 6'6\"), tied on the Anatolian double knot in Türkiye and made for Halıcızade by Çınhar, a workshop whose designs have won prizes at international rug competitions.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eCream is the hardest ground to weave well, because nothing hides in it. Every knot of the ornament reads at full strength, and the border has to hold the field without darkening it. What the Oushak drawing gives at this scale is proportion — a small rug with a large rug's sense of interval, so the pattern never looks shrunk to fit. Silk appears in some Harem pieces where a motif needs lift; in a cream ground its work is subtle, and you find it by turning your head rather than by looking.\u003c\/p\u003e\n\n\u003cp\u003eThe wool is Erzurum fleece, soft and bright and hard-wearing in that order. The double knot is the Anatolian technique the workshop uses throughout the series, and it is what holds the pile upright under a chair leg. A cream field is honest about a house: it will show a spill sooner than a dark rug does, and it should not go under a dining table for that reason. Have it washed by a professional and it comes back the color it started.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven in Türkiye by Çınhar for Halıcızade.\u003c\/li\u003e\n  \u003cli\u003eWool pile from Erzurum fleece, on the Anatolian double knot.\u003c\/li\u003e\n  \u003cli\u003eDrawing taken from fourteenth- and fifteenth-century Oushak motifs.\u003c\/li\u003e\n  \u003cli\u003e133 × 197 cm (4'4\" × 6'6\") — a bedside, study or hallway size.\u003c\/li\u003e\n  \u003cli\u003eSome rugs in the Harem series carry real Bursa silk in the motifs.\u003c\/li\u003e\n  \u003cli\u003eA cream ground shows marks that a dark ground hides; keep it away from the dining table.\u003c\/li\u003e\n  \u003cli\u003eSend it out to be washed.\u003c\/li\u003e\n  \u003cli\u003eA single piece.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eIn ten years the cream will have warmed by a shade or two, which is the one change in it that nobody minds.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Cream \/ 133 X 197","offer_id":44156952445161,"sku":"ÇINHAR000179.01","price":130000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/HaremSerisiUsakDesenliElDokumaKremHali_1.jpg?v=1709559233"},{"product_id":"harem-serisi-usak-desenli-el-dokuma-bordo-hali-344","title":"Burgundy Oushak-Pattern Handwoven Wool Rug, Harem Series","description":"\u003cp\u003e\u003cstrong\u003eWestern Anatolia is where this pattern comes from. Oushak has been sending out medallion-and-border drawings since the fifteenth century, and this is a handwoven wool rug in burgundy that takes the old composition and reads it for a room built now. Tied on the Anatolian double knot in a Turkish workshop, made for Halıcızade by Çınhar.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eBurgundy behaves like two colors depending on where the light comes from. Under a warm bulb it goes red and forward; in daylight from a north window it settles back toward brown and lets the ornament do the talking. The Oushak scrollwork sits on top of that shift without being disturbed by it, because the drawing is built from outlines rather than from washes of color. Green appears in the smaller motifs, which is the note that keeps the whole thing from reading as one deep tone.\u003c\/p\u003e\n\n\u003cp\u003eErzurum wool again, bright and strong, and the same double knot the workshop has used throughout the Harem series. Real Bursa silk turns up in a few pieces of the series — it is rare enough now that even the textile trade sees little of it. What burgundy will not do is disappear: this is a rug that decides the temperature of a room, and if you want the floor to stay quiet you want a different one. Professional cleaning; no bleach near it, ever.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven in a Turkish workshop by Çınhar, for Halıcızade.\u003c\/li\u003e\n  \u003cli\u003eErzurum wool pile, tied on the Anatolian double knot.\u003c\/li\u003e\n  \u003cli\u003eClassical Oushak motifs, redrawn rather than reproduced.\u003c\/li\u003e\n  \u003cli\u003eBurgundy ground with green in the smaller ornament.\u003c\/li\u003e\n  \u003cli\u003eReal Bursa silk appears in some Harem pieces — it has become scarce.\u003c\/li\u003e\n  \u003cli\u003eIt sets the temperature of a room rather than following it.\u003c\/li\u003e\n  \u003cli\u003eClean professionally; keep bleach away from the pile.\u003c\/li\u003e\n  \u003cli\u003eA single rug, not part of a run.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eIt sits well beside walnut and old leather, and it will outlast both if the double knot does its job.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Green \/ 131 X 172","offer_id":44156953133289,"sku":"ÇINHAR000213.01","price":111000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/HaremSerisiUsakDesenliElDokumaBordoHali_1.jpg?v=1709559433"},{"product_id":"obra-serisi-el-dokuma-anadolu-desenli-kok-boyali-yun-hali","title":"Terracotta Anatolian Handwoven Wool Rug, Obra Series","description":"\u003cp\u003e\u003cstrong\u003eRoot dye first: the terracotta, green and yellow in this Obra Series rug come from plant dyes rather than from a chemical bath, which is why no two areas of the same color sit at exactly the same strength. Handwoven from wool on a cotton foundation, in a classical Anatolian drawing with a medallion at the center.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe field is Anatolian in the older sense — a medallion held in the middle, motifs stepping outward from it, borders repeating the same forms at a smaller scale. Root dyeing, \u003cem\u003ekök boya\u003c\/em\u003e, is the tradition of coloring yarn with madder, indigo and other plant sources, and its signature is a slow drift of tone across a woven field that weavers call abrash. Here the terracotta carries the medallion and the green and yellow work around it, and the drift is most visible where a large area of one color runs unbroken.\u003c\/p\u003e\n\n\u003cp\u003eWool takes the pile; cotton makes the foundation underneath it. The knots were tied by hand and set close together, which is what gives the rug a soft face and a hard-wearing back at the same time. It was woven in India, in the workshops that keep Anatolian drawing alive outside Anatolia, and it is a single piece rather than one of a run. Because plant dye is not fixed the way industrial dye is, keep it out of long direct sun and have a rug cleaner wash it instead of attempting it at home.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven, wool pile on a cotton foundation.\u003c\/li\u003e\n  \u003cli\u003eColored with root dyes — the madder-and-indigo tradition, not synthetic color.\u003c\/li\u003e\n  \u003cli\u003eTerracotta, green and yellow, with tonal drift across large areas.\u003c\/li\u003e\n  \u003cli\u003eA classical Anatolian field with a central medallion.\u003c\/li\u003e\n  \u003cli\u003eWoven in India.\u003c\/li\u003e\n  \u003cli\u003eKeep it out of prolonged direct sunlight.\u003c\/li\u003e\n  \u003cli\u003eWashing is for a rug specialist.\u003c\/li\u003e\n  \u003cli\u003eOne piece, in this size and this coloring.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat does root-dyed mean on a rug?\u003c\/h3\u003e\n\u003cp\u003eRoot dye, \u003cem\u003ekök boya\u003c\/em\u003e in Turkish, means the yarn was colored with plant sources such as madder root and indigo instead of synthetic dye. The tones sit slightly unevenly and shift as they age, and that unevenness is how a plant-dyed rug is recognized.\u003c\/p\u003e\n\n\u003ch3\u003eWhy do the colors change across the field?\u003c\/h3\u003e\n\u003cp\u003eWeavers call it abrash. Dye lots made from plants never match exactly, so as one batch of yarn runs out and the next begins the tone steps very slightly. On this rug it shows most in the terracotta, and it is a mark of hand production rather than a fault.\u003c\/p\u003e\n\n\u003cscript type=\"application\/ld+json\"\u003e\n{\"@context\":\"https:\/\/schema.org\",\"@type\":\"FAQPage\",\"mainEntity\":[{\"@type\":\"Question\",\"name\":\"What does root-dyed mean on a rug?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"Root dye, kök boya in Turkish, means the yarn was colored with plant sources such as madder root and indigo instead of synthetic dye. The tones sit slightly unevenly and shift as they age, and that unevenness is how a plant-dyed rug is recognized.\"}},{\"@type\":\"Question\",\"name\":\"Why do the colors change across the field?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"Weavers call it abrash. Dye lots made from plants never match exactly, so as one batch of yarn runs out and the next begins the tone steps very slightly. On this rug it shows most in the terracotta, and it is a mark of hand production rather than a fault.\"}}]}\n\u003c\/script\u003e\n\n\u003cp\u003ePlant color goes on moving after the rug is finished, and in twenty years the terracotta will be a quieter version of the color that arrived.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Earth \/ 120 X 180","offer_id":44157021225193,"sku":"EKOOBR000002.01","price":105000.0,"currency_code":"TRY","in_stock":true},{"title":"Earth \/ 170 X 240","offer_id":46029638074601,"sku":"EKOOBR000002.02","price":199000.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ObraSerisiElDokumaAnadoluDesenliKokBoyaliYunHali_6_0157fed9-15e6-4256-a5d0-11db32b61a37.jpg?v=1724669114"},{"product_id":"harem-serisi-usak-desenli-el-dokuma-yun-klasik-hali-2679","title":"Cream Classic Oushak-Pattern Handwoven Wool Rug, Harem Series","description":"\u003cp\u003e\u003cstrong\u003eA handwoven wool rug from the Harem series, cream through the ground and beige in the ornament, with fifteenth-century Oushak motifs handled in a modern register. Erzurum fleece, the Anatolian double knot, and real Bursa silk of the kind that has become hard to source at all. Woven in Türkiye by Çınhar for Halıcızade.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eFifteenth-century Oushak weaving is one of the reference points of the whole craft — the rugs that turn up underfoot in Renaissance paintings came out of that region — and what it contributes here is interval rather than incident. The motifs are spaced so the eye rests between them. Cream and beige sit a half-step apart, which means the pattern is legible in daylight and almost dissolves under a low lamp. That gap between the two readings is the piece's best trick and it costs nothing to enjoy.\u003c\/p\u003e\n\n\u003cp\u003eErzurum produces wool that is soft, bright and durable, and the workshop uses the first shearing. The double knot is Anatolian practice; Çınhar has taken prizes for its drawing at international competitions, which is a fact about the design rather than about this rug's construction, and worth separating. Bursa silk goes into Harem pieces where a motif needs to lift. A pale rug in a pale room asks something of you in return: it wants shoes off, and it wants a professional wash rather than a bucket.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eWoven by hand in Türkiye at the Çınhar workshop.\u003c\/li\u003e\n  \u003cli\u003eErzurum first-shearing wool, on the Anatolian double knot.\u003c\/li\u003e\n  \u003cli\u003eOrnament drawn from fifteenth-century Oushak motifs.\u003c\/li\u003e\n  \u003cli\u003eCream ground with beige ornament — a half-step apart, so the pattern shifts with the light.\u003c\/li\u003e\n  \u003cli\u003eReal Bursa silk, now genuinely scarce, appears in the Harem series.\u003c\/li\u003e\n  \u003cli\u003ePale ground: it asks for shoes off and rewards it.\u003c\/li\u003e\n  \u003cli\u003eCleaning by a professional, and rarely.\u003c\/li\u003e\n  \u003cli\u003eOne rug only.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eRugs like this are usually bought for a living room and end up in a bedroom, where the low light suits them better.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Cream \/ 190 X 216","offer_id":44157042262249,"sku":"ÇINHAR000160.01","price":205000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/HaremSerisiUsakDesenliElDokumaYunKlasikHali_1.jpg?v=1709559030"},{"product_id":"ottoman-serisi-usak-desenli-krem-yun-hali","title":"Cream Oushak-Pattern Handwoven Wool Rug, Ottoman Series","description":"\u003cp\u003e\u003cstrong\u003eErzurum first-shearing oily fleece, blended with silk reeled from the cocoon, tied with the genuine Turkish knot: that is the whole specification of this Ottoman series rug, handwoven on looms in Diyarbakır and Erzurum. Cream and golden yellow through the ground, with real Oushak motifs given a contemporary reading. Production of the series has ended.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe Turkish knot — the Gördes knot — wraps symmetrically around two warps, which is the construction Anatolian weavers have used for centuries and the reason a pile of this density stands upright rather than leaning. Cream and gold keep the rug bright, and the Oushak drawing supplies the structure: medallion logic, wide intervals, a border that closes without crowding. Set on dark stone or dark boards, that contrast is what the piece is for.\u003c\/p\u003e\n\n\u003cp\u003eFirst-shearing fleece is the wool taken from a young animal, and it is brighter, softer and stronger than later clips from the same flock; blending it with silk from the cocoon gives a pile that holds a sheen without becoming slippery. The series is finished — no more are being made — so what exists is what there is. That also means a damaged one cannot be matched. Keep it out of a direct window, and leave washing to a professional.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven on looms in Diyarbakır and Erzurum, Türkiye.\u003c\/li\u003e\n  \u003cli\u003eErzurum first-shearing oily fleece blended with pure silk from the cocoon.\u003c\/li\u003e\n  \u003cli\u003eTied with the genuine Turkish knot, also called the Gördes knot.\u003c\/li\u003e\n  \u003cli\u003eCream and golden yellow, with authentic Oushak motifs read for a modern room.\u003c\/li\u003e\n  \u003cli\u003eStrongest against dark stone or dark wood floors.\u003c\/li\u003e\n  \u003cli\u003eWorks with walnut furniture and with blue and green upholstery.\u003c\/li\u003e\n  \u003cli\u003eThe Ottoman series is out of production and cannot be matched.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing; keep it out of direct sun.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat is the Turkish knot?\u003c\/h3\u003e\n\u003cp\u003eAlso called the Gördes knot, it wraps symmetrically around two neighboring warp threads before the weft passes over them. It is the knot Anatolian weavers have used for centuries, and it is why a dense pile made this way stands upright rather than leaning.\u003c\/p\u003e\n\n\u003ch3\u003eCan a second rug from the Ottoman series be ordered to match?\u003c\/h3\u003e\n\u003cp\u003eNo. The series has finished production, so what exists is what remains. A pair cannot be assembled after the fact, and a damaged piece cannot be replaced with an identical one from the same run.\u003c\/p\u003e\n\n\u003cscript type=\"application\/ld+json\"\u003e{\"@context\":\"https:\/\/schema.org\",\"@type\":\"FAQPage\",\"mainEntity\":[{\"@type\":\"Question\",\"name\":\"What is the Turkish knot?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"Also called the Gördes knot, it wraps symmetrically around two neighboring warp threads before the weft passes over them. It is the knot Anatolian weavers have used for centuries, and it is why a dense pile made this way stands upright rather than leaning.\"}},{\"@type\":\"Question\",\"name\":\"Can a second rug from the Ottoman series be ordered to match?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"No. The series has finished production, so what exists is what remains. A pair cannot be assembled after the fact, and a damaged piece cannot be replaced with an identical one from the same run.\"}}]}\u003c\/script\u003e\n\n\u003cp\u003eCollections that have closed tend to be judged more kindly than open ones, and this one will hold up to it.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Cream \/ 164 X 267","offer_id":44157704667369,"sku":"HASOTT000197.01","price":265000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/OttomanSerisiUsakDesenliKremYunHali_1.jpg?v=1705157416"},{"product_id":"emirgan-serisi-el-dokuma-cicek-desenli-klasik-yun-hali","title":"Cream Floral Handwoven Wool Rug, Emirgan Series","description":"\u003cp\u003e\u003cstrong\u003eThe middle of this rug is deliberately empty. Cream Floral Handwoven Wool Rug, Emirgan Series — made in the Turkish Aegean in wool and viscose, with flowers gathered toward the edges in purple, cream and green and a plain center left for whatever furniture ends up standing on it.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eIt is an old decision and a practical one: a coffee table on a busy field cancels both. Here the drawing crowds the border and thins as it travels inward, so a table sits in open ground and the pattern frames it. The palette runs to three colors and stops there — cream carrying purple and green rather than the reverse — and it lifts a dark parquet floor instead of adding weight to one. Against gilded classical furniture it behaves like a period piece; against walnut with a modern line it turns into something else entirely. With very dark furniture it does neither, and Halıcızade advises against that pairing.\u003c\/p\u003e\n\n\u003cp\u003eWeavers in the Aegean, the region that has carried Turkish weaving longest, worked it by hand in wool and viscose: viscose in the warp, wool and viscose together in the weft. That combination gives the surface both its softness and its faint shine, and it also makes the rug more delicate than one built over a cotton foundation. The fringes are plaited flat like ribbon, a finish rather than a flourish — it keeps the ends from unraveling into a fray. It needs a professional wash, and it needs one rarely.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven in the Turkish Aegean.\u003c\/li\u003e\n  \u003cli\u003eViscose warp, wool and viscose weft — soft surface, low sheen.\u003c\/li\u003e\n  \u003cli\u003ePurple, cream and green, with the flowers concentrated toward the border.\u003c\/li\u003e\n  \u003cli\u003eThe center is left plain so furniture standing on it stays legible.\u003c\/li\u003e\n  \u003cli\u003eFringes plaited flat, like ribbon, at both ends.\u003c\/li\u003e\n  \u003cli\u003eMore delicate than a cotton-foundation rug; it wants care in cleaning.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing only. A single piece.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eMove the table and you get the rug back; that is the whole design, and somebody took a long time arriving at it.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Cream \/ 238 X 331","offer_id":44252120908009,"sku":"KIREMI000044.01","price":360000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/EmirganSerisiElDokumaCicekDesenliKlasikYunHali_4.jpg?v=1709632728"},{"product_id":"emirgan-serisi-el-dokuma-cicek-desenli-klasik-hali","title":"Cream Oushak-Floral Handwoven Rug, Emirgan Series","description":"\u003cp\u003e\u003cstrong\u003eTwo drawings meet on this rug: the large open flowers of Oushak, the weaving region of western Anatolia, and the plaited mat pattern Anatolian weavers call \u003cem\u003ehasır\u003c\/em\u003e. Cream Oushak-Floral Handwoven Rug, Emirgan Series — cream ground, purple and green through the field, pink and blue in the flower heads. Made on the Aegean side of Anatolia. One piece.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eOushak drawings are open and generous; hasır is a tight interlace copied from woven reed matting. Setting one inside the other is what gives the field its changes of scale — a flower head opens across four or five inches, and the ground behind it is worked in a plait small enough that you have to bend down to find it. Pink and blue appear only in the petals, and in a north-facing room they are the two colors still legible after everything else has gone gray.\u003c\/p\u003e\n\n\u003cp\u003eMonths at the loom, at a knot density high enough to hold that interlace together. The warp is viscose and the weft is wool and viscose; viscose is a plant fiber that takes light much as silk does, which is why a cream rug in this construction has a sheen on it. Rugs like this were once standard in the reception rooms of senior Turkish institutions and are barely made now — the weavers who can do it are older than the trade. The fringes are plaited into flat ribbons. Take it to a professional washer and to nobody else.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eWorked by hand on the Aegean side of Anatolia, over months.\u003c\/li\u003e\n  \u003cli\u003eOushak floral drawing set against an Anatolian hasır plait.\u003c\/li\u003e\n  \u003cli\u003eCream ground with purple and green; pink and blue confined to the flower heads.\u003c\/li\u003e\n  \u003cli\u003eViscose warp with a wool-and-viscose weft, worked at high knot density.\u003c\/li\u003e\n  \u003cli\u003eViscose carries the shine; wool carries the softness.\u003c\/li\u003e\n  \u003cli\u003eFlat plaited fringes at both ends.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing. This construction is rarely woven in Türkiye now.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWhat makes it worth having is not the flowers but the plait behind them, and almost nobody is still weaving that.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Cream \/ 234 X 320","offer_id":44252121268457,"sku":"KIREMI000091.01","price":340000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/EmirganSerisiElDokumaCicekDesenliKlasikHali_1.jpg?v=1709633205"},{"product_id":"etnik-desenli-el-dokuma-yun-anadolu-halisi","title":"Multicolor Sivas Zara Handwoven Wool Rug, Anadolu Şal Series","description":"\u003cp\u003e\u003cstrong\u003eZara is a district of Sivas province, high in central Anatolia, and it gives this rug its drawing. Handwoven from wool in Türkiye, 121 × 170 cm (4'0\" × 5'7\"), multicolor, from the Anadolu Şal series — \u003cem\u003eAnadolu Şal\u003c\/em\u003e means Anatolian shawl, after the woven shawls the series takes its patterning from.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eSivas sits high and cold, and its weaving is correspondingly firm: angular motifs, strong outlines, colors used at full strength rather than blended. The Zara drawing works in repeated bands and small filled forms, the shawl logic of a pattern that has to work at arm's length on cloth as well as at walking distance on a floor. Reds, greens and blues sit directly beside one another without a transitional tone, which is how Anatolian village weaving has always handled color and why it survives being copied badly so often.\u003c\/p\u003e\n\n\u003cp\u003eWool throughout, and the knots were set by hand. At 121 × 170 cm it is a bedside or a study size rather than a sitting-room one, and a small rug carrying this much color is best given a plain floor and left alone. Because it was worked by hand rather than from a printed cartoon, the motifs drift slightly out of alignment from row to row — that drift is the identifying mark of a hand-woven Anatolian piece and the first thing to look for. Professional washing, and no household attempt at it.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven from wool in Türkiye.\u003c\/li\u003e\n  \u003cli\u003e121 × 170 cm (4'0\" × 5'7\") — bedside, study or entrance.\u003c\/li\u003e\n  \u003cli\u003eThe pattern is named for Zara, in Sivas province.\u003c\/li\u003e\n  \u003cli\u003eAnadolu Şal — Anatolian shawl — is the series the drawing belongs to.\u003c\/li\u003e\n  \u003cli\u003eFull-strength color with no transitional tones between fields.\u003c\/li\u003e\n  \u003cli\u003eThe motifs drift row to row; that is hand weaving, not a defect.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing.\u003c\/li\u003e\n  \u003cli\u003eOne piece.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhere does the Sivas Zara pattern come from?\u003c\/h3\u003e\n\u003cp\u003eZara lies in Sivas province, in the central Anatolian highlands. Rugs woven there use angular, repeated motifs and unblended color, and the drawing sits closer to the geometry of Anatolian shawls than to the floral field of a workshop rug.\u003c\/p\u003e\n\n\u003ch3\u003eWhat does Anadolu Şal mean?\u003c\/h3\u003e\n\u003cp\u003eAnadolu Şal is Turkish for Anatolian shawl. Halıcızade uses it as the name of a series whose patterning is drawn from woven shawl cloth rather than from classical rug design, and the series name is never translated on the product itself.\u003c\/p\u003e\n\n\u003cscript type=\"application\/ld+json\"\u003e\n{\"@context\":\"https:\/\/schema.org\",\"@type\":\"FAQPage\",\"mainEntity\":[{\"@type\":\"Question\",\"name\":\"Where does the Sivas Zara pattern come from?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"Zara lies in Sivas province, in the central Anatolian highlands. Rugs woven there use angular, repeated motifs and unblended color, and the drawing sits closer to the geometry of Anatolian shawls than to the floral field of a workshop rug.\"}},{\"@type\":\"Question\",\"name\":\"What does Anadolu Şal mean?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"Anadolu Şal is Turkish for Anatolian shawl. Halıcızade uses it as the name of a series whose patterning is drawn from woven shawl cloth rather than from classical rug design, and the series name is never translated on the product itself.\"}}]}\n\u003c\/script\u003e\n\n\u003cp\u003eSmall Anatolian rugs move around a house for fifty years and end up wherever they are needed, which is not true of most furniture.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Colorful \/ 121 X 170","offer_id":44158152999145,"sku":"HALSAL000005.01","price":75000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/AnadoluSalSerisiSivasZaraDesenliElDokumaYunHali_1_29880ef1-99f0-4b1d-8ab4-dcbcacefdd13.jpg?v=1709566925"},{"product_id":"ottoman-serisi-cerceve-desenli-el-dokuma-yun-hali","title":"Beige Framed Handwoven Wool Rug, Ottoman Series","description":"\u003cp\u003e\u003cstrong\u003eThis one was woven by Has Halı, a Turkish mill known well beyond Türkiye, and carries that mill's work rather than the house's own. Beige Framed Handwoven Wool Rug, Ottoman Series — Oushak motifs held inside a border, in cream, beige and gold, with Erzurum fleece through the pile and pure silk in the drawing. A single piece.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe frame does what a frame does: a border closes the field and the Oushak motifs sit inside it without spilling. Oushak, the western Anatolian town the English trade has spelled that way for two centuries, gave the world a particular kind of large, loose floral drawing, and the Ottoman series takes it and tightens it. Where silk falls, the drawing brightens — not everywhere, only along the lines meant to be read first. Cream, beige and gold is a palette that concedes to a room rather than instructing it.\u003c\/p\u003e\n\n\u003cp\u003eThe wool is greasy fleece from Erzurum in eastern Anatolia, where the winters are long and the fiber comes off the animal with its lanolin still in it; that is the source of both the sheen and the resilience. The knot is the Anatolian double knot, symmetrical, tied across two warps, and better at holding detail than at holding speed. Silk is the expensive part and is used sparingly for exactly that reason. Hand it to a rug-washing workshop when the vacuum stops being enough.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eWoven by Has Halı in Türkiye and carried in the Ottoman series.\u003c\/li\u003e\n  \u003cli\u003eErzurum greasy fleece in the pile, pure silk along the pattern lines.\u003c\/li\u003e\n  \u003cli\u003eOushak motifs enclosed by a border.\u003c\/li\u003e\n  \u003cli\u003eCream, beige and gold — a palette that works in most rooms.\u003c\/li\u003e\n  \u003cli\u003eWoven with the Anatolian double knot, which is symmetrical and holds fine detail.\u003c\/li\u003e\n  \u003cli\u003eThe silk catches light along the drawing rather than across the whole field.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing only; one piece.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eIt reads as reserved until the light moves and the silk gives it away.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Cream \/ 130 X 200","offer_id":44158155817193,"sku":"HASOTT000111.01","price":160000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/OttomanSerisiCerceveDesenliElDokumaYunHali_1.jpg?v=1705156573"},{"product_id":"ottoman-serisi-el-dokuma-usak-desenli-ipek-yun-krem-hali","title":"Cream Oushak-Pattern Handwoven Silk and Wool Rug, Ottoman Series","description":"\u003cp\u003e\u003cstrong\u003eErzurum, in the high east of Anatolia, is where the wool for this rug was shorn — the first shearing, the one that comes off with the most lanolin in it. Cream Oushak-Pattern Handwoven Silk and Wool Rug, Ottoman Series: historic Oushak motifs redrawn on a contemporary field in cream, beige and gold, with pure silk worked into the pattern. One piece.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eA first-shearing fleece is finer and glossier than anything that follows it, and it is why this pile already has a soft light on it before any silk is added. The Oushak drawing has been opened out and simplified — the motifs still come from the old weaving of western Anatolia, but the spacing is modern, so the rug never reads as a reproduction of anything. Cream and beige hold the field; gold appears at the joins; the brown in the palette anchors the whole thing against wood.\u003c\/p\u003e\n\n\u003cp\u003eHas Halı wove it, and the technique is the traditional Turkish double knot, tied symmetrically across two warp threads. Silk is confined to the patterned areas, where it does two things at once — it takes color deeper than wool can, and it changes brightness as you walk past. This is not a rug for a dining table: silk in the drawing with food above it is a combination nobody wins. Silk is cleaned by people who know silk, and by nobody else.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eWoven by Has Halı in Türkiye, with the traditional Turkish double knot.\u003c\/li\u003e\n  \u003cli\u003eFirst-shearing greasy fleece from Erzurum, with pure silk in the patterned areas.\u003c\/li\u003e\n  \u003cli\u003eOushak motifs, redrawn at contemporary spacing.\u003c\/li\u003e\n  \u003cli\u003eCream, beige and gold, with brown holding the palette down.\u003c\/li\u003e\n  \u003cli\u003eThe silk shifts in brightness as you cross the room.\u003c\/li\u003e\n  \u003cli\u003eBetter kept away from a dining table.\u003c\/li\u003e\n  \u003cli\u003eSpecialist cleaning. A single piece.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWool of this grade stopped being ordinary a long time ago, and a rug made from it outlasts the room it was bought for.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Cream \/ 160 X 240","offer_id":44158156603625,"sku":"HASOTT000192.01","price":235000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/OttomanSerisiElDokumaUsakDesenliIpekYunKremHali_1.jpg?v=1709379214"},{"product_id":"emirgan-serisi-el-dokuma-cicek-desenli-viskon-krem-hali","title":"Cream Floral Handwoven Viscose and Wool Rug, Emirgan Series","description":"\u003cp\u003e\u003cstrong\u003eViscose in the warp, wool in the weft: that division is what makes Cream Floral Handwoven Viscose and Wool Rug, Emirgan Series look silky and feel soft at the same time. Purple, cream and green flowers over a pale cream ground, made by experienced hands in western Türkiye, on the Aegean. There is only this one.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eTwo fibers here, doing two separate jobs. Viscose is plant-based, with a bright smooth filament, and running it through the warp puts a low light behind every knot; wool in the weft supplies the give underfoot. The result is a pale rug with more depth in it than a pale rug usually has — the purples read almost inky by lamplight and go soft and dusty by day. Against light-colored furniture the flowers become the strongest color in the room; over a dark parquet floor the whole surface lifts.\u003c\/p\u003e\n\n\u003cp\u003eThe Aegean is where the finest Turkish rugs were made and where a diminishing number of weavers still make them. The fringes on this one are braided closely by hand at both ends, slower than machine binding and the reason the ends look finished rather than cut. What follows from the viscose is a rug that will not tolerate wet cleaning: dust it with a vacuum and leave water to the professionals.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven by Aegean weavers in western Türkiye.\u003c\/li\u003e\n  \u003cli\u003eViscose warp for the sheen, wool weft for the softness.\u003c\/li\u003e\n  \u003cli\u003ePurple, cream and green flowers over a pale cream ground.\u003c\/li\u003e\n  \u003cli\u003eFringes braided by hand at both ends.\u003c\/li\u003e\n  \u003cli\u003eThe purples deepen by lamplight and soften in daylight.\u003c\/li\u003e\n  \u003cli\u003eReads best over dark flooring and beside pale furniture.\u003c\/li\u003e\n  \u003cli\u003eNo wet cleaning at home; specialist washing only.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eFewer weavers work this way every year, and each rug that comes off an Aegean loom is a little further from being replaceable.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Cream \/ 219 X 290","offer_id":44252121104617,"sku":"KIREMI000058.01","price":290000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/EmirganSerisiElDokumaCicekDesenliViskonKremHali_1.jpg?v=1709632870"},{"product_id":"emirgan-serisi-el-dokuma-cicek-desenli-krem-hali","title":"Cream Classic Floral Handwoven Wool Rug, Emirgan Series","description":"\u003cp\u003e\u003cstrong\u003eEvery knot in it is tied twice. Cream Classic Floral Handwoven Wool Rug, Emirgan Series is worked with the double knot — the symmetrical Anatolian tie that closes across two warp threads — on a cream field carrying purple flowers and green foliage. Made on Türkiye's Aegean side, in wool and viscose. A single piece.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eA double knot takes longer and returns a firmer surface with a cleaner drawn edge, which is why the flowers here have outlines instead of blurs. The palette is classical: cream doing almost all of the ground, purple appearing only in the blossoms, green threading between them. On a dark parquet floor the pale ground jumps and the drawing sharpens; against white walls and pastel yellows it settles back into the room. It suits heavy furniture and light furniture equally, and it suits curtains that already carry a pattern — classical, damask, or plain tulle.\u003c\/p\u003e\n\n\u003cp\u003eThe warp is viscose alone and the weft mixes wool with viscose. Viscose comes from plant cellulose and has the shine of silk without being silk; it is the fiber doing the visual work here, while wool does the tactile work. The fringes are plaited into flat ribbons at both ends. The absence of a cotton foundation makes this a finer rug and a more fragile one, and it should be cleaned by a professional rather than treated at home.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven on Türkiye's Aegean side with the symmetrical double knot.\u003c\/li\u003e\n  \u003cli\u003eViscose warp; weft of wool and viscose together.\u003c\/li\u003e\n  \u003cli\u003eCream ground, purple blossoms, green foliage running between them.\u003c\/li\u003e\n  \u003cli\u003eFringes plaited flat into ribbons at both ends.\u003c\/li\u003e\n  \u003cli\u003eSuits salons, entrance halls and bedrooms; strongest over dark flooring.\u003c\/li\u003e\n  \u003cli\u003eFiner and more fragile than a rug built over cotton.\u003c\/li\u003e\n  \u003cli\u003eProfessional care recommended. One of one.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eThe double knot is why it will still be drawing a clean line long after a single-knotted rug of the same age has gone soft at the edges.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Cream \/ 242 X 324","offer_id":44158184653033,"sku":"KIREMI000080.01","price":360000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/EmirganSerisiElDokumaCicekDesenliKremHali_1.jpg?v=1709632965"},{"product_id":"emirgan-serisi-el-dokuma-cicekli-krem-hali","title":"Cream Flowered Handwoven Wool Rug, Emirgan Series","description":"\u003cp\u003e\u003cstrong\u003eThe Aegean coast of Türkiye keeps a craft that has nearly stopped: Cream Flowered Handwoven Wool Rug, Emirgan Series came off a loom there, worked in wool and viscose at a high knot count, with flowers spread over a cream ground in purple and green and small notes of pink and blue. One piece, and the technique behind it is thinning out.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eIts drawing borrows from Oushak and from the wider Anatolian repertoire, but the flowers have been enlarged and the ground opened up so the rug reads the way modern furniture wants it to. Cream is the ground, purple and green do the structure, and pink and blue arrive in single blossoms — the two colors that stop the palette from collapsing into a monochrome. Laid over dark boards, the contrast is what you notice first. Beside a modern sofa with a straight line, it does not look borrowed from another century.\u003c\/p\u003e\n\n\u003cp\u003eWool gives it the softness, viscose gives it the silk-like light across the surface, and the density of the knotting is what allows a flower to be drawn rather than approximated. The fringes are arranged and secured by hand so the ends sit straight. It is a fine rug in the literal sense — thin, closely worked, easier to damage than a coarse one — which is why every recommendation the house makes about it ends at a professional washer. It is a workshop wash, not a weekend job.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven on the Aegean coast of Türkiye, at high knot density.\u003c\/li\u003e\n  \u003cli\u003eWool for the hand, viscose for the light on the surface.\u003c\/li\u003e\n  \u003cli\u003eCream ground, purple and green structure, pink and blue in single blossoms.\u003c\/li\u003e\n  \u003cli\u003eOushak and Anatolian drawing, enlarged and opened out.\u003c\/li\u003e\n  \u003cli\u003eStrongest laid over dark wood; sits well with modern furniture and patterned curtains.\u003c\/li\u003e\n  \u003cli\u003eFringes set and secured by hand at both ends.\u003c\/li\u003e\n  \u003cli\u003eDelicate construction — professional cleaning, always.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eVery few looms in Türkiye are still set up to do this, and the number does not go back up.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Cream \/ 213X306","offer_id":45752283398377,"sku":"KIREMI000090.01","price":295000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/EmirganSerisiElDokumaCicekliKremHali_1.jpg?v=1709633080"},{"product_id":"emirgan-serisi-el-dokuma-mor-cicek-desenli-klasik-hali","title":"Cream Purple-Flower Handwoven Classic Rug, Emirgan Series","description":"\u003cp\u003e\u003cstrong\u003eCream Purple-Flower Handwoven Classic Rug, Emirgan Series: a cream ground worked in pastel transitions, with purple flower heads and green foliage running through it and a simply drawn middle that lets whatever stands on the rug be seen. Made by hand in the Aegean, at the western edge of Anatolia, in wool and viscose. There is one.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eMonths go into a rug like this, which is a statement about labor rather than about quality, and the labor shows in the transitions — no color arrives suddenly, and none of the greens is the same green twice. The composition was built for large furniture. A heavy carved table or a wide sofa looks larger standing on it, and a room decorated in white, cream, pale yellow and faded brown gets its warm end from the floor upward. On dark parquet the whole thing sharpens.\u003c\/p\u003e\n\n\u003cp\u003eViscose runs the warp and the weft is wool and viscose together; both are worked entirely by hand, and the fringes come off the ends plaited like ribbon. Viscose is the fiber responsible for the shine — a plant cellulose that behaves optically like silk — and it is also why the rug is more delicate than its size suggests. Nothing about the care is complicated: send it to a rug washer, keep it out of the wet, and do not let a household machine near it.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven over months in the Aegean, at the western edge of Anatolia.\u003c\/li\u003e\n  \u003cli\u003eViscose warp, wool-and-viscose weft, plaited ribbon fringes.\u003c\/li\u003e\n  \u003cli\u003eCream ground with purple flower heads and green foliage in pastel transitions.\u003c\/li\u003e\n  \u003cli\u003eThe center is drawn simply so furniture standing on it reads clearly.\u003c\/li\u003e\n  \u003cli\u003ePairs with carved classical pieces and with avant-garde furniture equally.\u003c\/li\u003e\n  \u003cli\u003eBest over dark flooring, with classical, damask or tulle curtains.\u003c\/li\u003e\n  \u003cli\u003eDelicate; professional washing only. One piece.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eIt is a welcome rug in the older Turkish sense — the thing a guest stands on before they have looked at anything else in the house.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Cream \/ 233 X 326","offer_id":44252121465065,"sku":"KIREMI000092.01","price":345000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/EmirganSerisiElDokumaMorCicekDesenliKlasikHali_1.jpg?v=1709633349"},{"product_id":"sultan-serisi-el-dokuma-anadolu-usak-desenli-krem-hali","title":"Beige Anatolian Floral Handwoven Wool and Silk Rug, Sultan Series","description":"\u003cp\u003e\u003cstrong\u003eReal cocoon silk and wool, both woven in Türkiye: Beige Anatolian Floral Handwoven Wool and Silk Rug, Sultan Series carries traditional Anatolian motifs mixed with Oushak drawing across a beige ground, in gold-yellow, green and brown with a touch of burgundy. A single piece.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eCocoon silk is reeled from a whole cocoon rather than spun from waste, which is why the silk in this rug holds a line instead of fuzzing at the edges. It appears in the pattern and not in the ground, so the gold-yellow reads brightest and the greens keep their depth. The Anatolian and Oushak elements are not layered on top of each other — they alternate, one motif family giving way to the next across the field, which is common practice in Turkish workshop weaving and difficult to do without the joins showing.\u003c\/p\u003e\n\n\u003cp\u003eThe house recommends this one under a dining table, which is unusual advice and worth taking seriously: the drawing is busy enough to forgive a crumb and deep enough in the browns to forgive a shadow. Beside classical furniture it agrees; beside a single-color modern piece in black it does the opposite and sets up a contrast. For anything beyond dust, find somebody who washes hand-knotted rugs.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eWoven in Türkiye in wool with real cocoon silk.\u003c\/li\u003e\n  \u003cli\u003eSilk carried in the pattern; wool through the ground.\u003c\/li\u003e\n  \u003cli\u003eAnatolian and Oushak motif families alternating across a beige field.\u003c\/li\u003e\n  \u003cli\u003eGold-yellow, green and brown, with burgundy touching the edges of the drawing.\u003c\/li\u003e\n  \u003cli\u003eSuited to a bedroom, a living room, or the floor under a dining table.\u003c\/li\u003e\n  \u003cli\u003eAgrees with classical furniture and contrasts with plain black modern pieces.\u003c\/li\u003e\n  \u003cli\u003eSpecialist washing. One piece.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eSilk in the drawing and wool in the ground is the oldest compromise in Turkish weaving, and it still returns the best of both.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"bey \/ 198 X 288","offer_id":47907178414313,"sku":"RENSUL000201.01","price":200000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/SultanSerisiElDokumaAnadoluUsakDesenliKremHali_1.jpg?v=1709633853"},{"product_id":"cerceveli-krem-el-dokuma-ipek-hali","title":"Cream Cartouche Hand-Knotted Pure Silk Rug","description":"\u003cp\u003e\u003cstrong\u003eSilk rugs of this kind are the work of years, and only a handful of workshops still make them. Cream Cartouche Hand-Knotted Pure Silk Rug is tied six by six — thirty-six knots to the square centimeter — in pure silk, with panelled cartouche drawing in coffee tones over a cream ground and the pattern raised in relief. A single piece.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eA cartouche — \u003cem\u003epafta\u003c\/em\u003e in Turkish — is a closed panel inside a field, and the drawing sits inside it rather than running loose across the rug. There are several of them here, each holding its own motif, with shawl figures threaded between. The pile has been carved: outlines are clipped lower than the fields they enclose, so the pattern stands up from the surface and catches light along its cut edges. Cream carries it, coffee browns give the panels their weight, and greens move between the two.\u003c\/p\u003e\n\n\u003cp\u003eThirty-six knots per square centimeter is a moderate density for silk and a very high one for anything else, and it is what lets the relief carving hold a clean edge. It was tied in China, where silk weaving runs back in an unbroken line to the beginning of the trade. A few things to know: it wants natural light to show what it is, it should be kept out of direct sun so the colors hold, animals will damage it, and Halıcızade advises against a gray-toned room, where the cream goes dull. Cleaning is specialist work; the yarn will not take a home solution.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in China in pure silk.\u003c\/li\u003e\n  \u003cli\u003eSix-by-six weave: thirty-six knots to the square centimeter.\u003c\/li\u003e\n  \u003cli\u003eCartouche panels in coffee tones on a cream ground, with shawl motifs between them.\u003c\/li\u003e\n  \u003cli\u003eThe pattern is carved in relief and catches light along the cut edges.\u003c\/li\u003e\n  \u003cli\u003eReads best in daylight; keep it out of direct sun to hold the color.\u003c\/li\u003e\n  \u003cli\u003eNot advised in a gray-toned scheme, and not in a house with animals.\u003c\/li\u003e\n  \u003cli\u003eSpecialist cleaning only. One piece.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWalnut, marble and dark boards are what it was drawn against, and on any of them the relief does something a flat surface cannot.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Cream \/ 204 X 302","offer_id":44158198710505,"sku":"SARIPE000012.01","price":930000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/CerceveliKremElDokumaIpekHali_1.jpg?v=1719139161"},{"product_id":"el-dokuma-ipek-osmanli-desenli-kirmizi-hali","title":"Red Framed Hand-Knotted Silk Rug","description":"\u003cp\u003e\u003cstrong\u003eSixty-four knots in a single square centimeter \u0026mdash; 6,400 to the square decimeter \u0026mdash; is what allows a rug this small to carry a full Ottoman drawing without losing a line of it. A hand-knotted silk rug, silk knots on a silk foundation, 63 \u0026times; 93 cm (2'1\" \u0026times; 3'1\"), red-grounded inside a drawn frame, woven in China. One of one.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe pattern belongs to the court repertoire that came down from the Ottoman palaces: a framed field, the frame itself filled with a running ornament, the red inside it worked with fine floral and scrolling work in gold and deeper burgundy. At this knot density the drawing does not have to simplify. Curves stay curved, a stem stays a stem, and the smallest elements in the border are still legible at reading distance rather than dissolving into steps, which is what happens to the same design on a coarser weave.\u003c\/p\u003e\n\n\u003cp\u003eSilk both above and below: the knots are silk and so is the foundation they are tied onto, which is why the piece is light in the hand and why it shifts between bright and dark as you turn it. Silk weaving in China long predates the pattern on it, and what you have here is a Chinese workshop's reading of a Turkish court design rather than a Turkish rug. At 63 \u0026times; 93 cm it is the size of a cushion, and Halıcızade suggests framing it as a panel or laying it on a desk or a glass table rather than putting it on a floor. That is the honest use for it. Washing is a specialist's job and no one else's.\u003c\/p\u003e\n\n\u003ch3\u003eWhat does 64 knots per square centimeter mean?\u003c\/h3\u003e\n\u003cp\u003eIt is a density measurement: sixty-four separate hand-tied knots occupy each square centimeter of the surface, or 6,400 to the square decimeter. A higher count buys a finer line, which is why the curves hold their shape here and the smallest border elements do not break down into steps.\u003c\/p\u003e\n\n\u003ch3\u003eWhy is a silk rug this size not meant for the floor?\u003c\/h3\u003e\n\u003cp\u003eSilk pile is fine and takes light rather than traffic, and at 63 \u0026times; 93 cm this piece is closer to a panel than to a floor covering. The house suggests framing it, or setting it on a desk or a glass table, where the sheen is what you see rather than footmarks.\u003c\/p\u003e\n\n\u003cscript type=\"application\/ld+json\"\u003e{\"@context\":\"https:\/\/schema.org\",\"@type\":\"FAQPage\",\"mainEntity\":[{\"@type\":\"Question\",\"name\":\"What does 64 knots per square centimeter mean?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"It is a density measurement: sixty-four separate hand-tied knots occupy each square centimeter of the surface, or 6,400 to the square decimeter. A higher count buys a finer line, which is why the curves hold their shape here and the smallest border elements do not break down into steps.\"}},{\"@type\":\"Question\",\"name\":\"Why is a silk rug this size not meant for the floor?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"Silk pile is fine and takes light rather than traffic, and at 63 × 93 cm this piece is closer to a panel than to a floor covering. The house suggests framing it, or setting it on a desk or a glass table, where the sheen is what you see rather than footmarks.\"}}]}\u003c\/script\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in China, in silk throughout \u0026mdash; silk knots on a silk foundation.\u003c\/li\u003e\n  \u003cli\u003e64 knots per square centimeter, or 6,400 per square decimeter.\u003c\/li\u003e\n  \u003cli\u003eAn Ottoman court pattern: a framed field with floral and scrolling work in red, gold and burgundy.\u003c\/li\u003e\n  \u003cli\u003e63 \u0026times; 93 cm (2'1\" \u0026times; 3'1\"), which is cushion size.\u003c\/li\u003e\n  \u003cli\u003eIntended for framing, a desk or a glass table rather than a floor.\u003c\/li\u003e\n  \u003cli\u003eOften bought as a gift for a person or an institution.\u003c\/li\u003e\n  \u003cli\u003eSpecialist washing only.\u003c\/li\u003e\n  \u003cli\u003eOne piece only, at this size and this count.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eSilk of this fineness reads as two different rugs depending on which end you stand at, and framing it fixes the better of the two.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Red \/ 63 X 93","offer_id":44158199660777,"sku":"SARIPE000174.01","price":88000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/SARIPE000174-13_727d1a62-ced6-40d6-be02-1c07438fe685.jpg?v=1709405446"},{"product_id":"saf-ipek-el-dokuma-hereke-desenli-klasik-hali","title":"Deep Red Hereke-Pattern Hand-Knotted Pure Silk Rug","description":"\u003cp\u003e\u003cstrong\u003eDeep Red Hereke-Pattern Hand-Knotted Pure Silk Rug: a dark red ground scattered with the small repeating figures of the Hereke drawing, held against cream, with blue, green and gold sitting underneath the two main colors. Knotted entirely in silk, at eight to fourteen months of work per rug. One piece.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eHereke is a town east of İstanbul that supplied the Ottoman court and gave its name to the densest Turkish weaving; the pattern is named for the place, and this rug carries the pattern rather than the provenance — it was knotted in China. The scattered form, \u003cem\u003eserpme\u003c\/em\u003e, spreads small motifs evenly across the field instead of building toward a central medallion, which is why a red this dark never becomes heavy. The undertones do the rest. Blue and green cool the red where it would otherwise dominate, and gold marks the places the eye is meant to stop.\u003c\/p\u003e\n\n\u003cp\u003eEight to fourteen months for one rug is a working figure rather than a boast, and silk at this fineness is the explanation. Silk holds its brightness under wear better than any other rug fiber, and the pile is thin, so a rug like this shows its drawing rather than its depth. Practical matters, all stated by the house: keep it out of direct sunlight or the reds will lift, turn it end for end from time to time so it wears evenly, and keep it away from cats. Cleaning is for a silk specialist; a general rug washer is not enough.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in China in pure silk.\u003c\/li\u003e\n  \u003cli\u003eBetween eight and fourteen months of weaving for a single rug.\u003c\/li\u003e\n  \u003cli\u003eDeep red ground with cream, in the scattered \u003cem\u003eserpme\u003c\/em\u003e Hereke drawing.\u003c\/li\u003e\n  \u003cli\u003eBlue, green and gold undertones set beneath the two dominant colors.\u003c\/li\u003e\n  \u003cli\u003eKeep it out of direct sun; turn it end for end so it wears evenly.\u003c\/li\u003e\n  \u003cli\u003eSilk is easily damaged by animals; place it accordingly.\u003c\/li\u003e\n  \u003cli\u003eCleaning by a silk specialist. There is one of it.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eRed rooms are rare because red is difficult, and a floor like this is the argument for trying one anyway.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Cream \/ 170 X 251","offer_id":44158202216681,"sku":"SARIPE000005.01","price":795000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/SafIpekElDokumaHerekeDesenliKlasikHali_1.jpg?v=1709633913"},{"product_id":"sultan-serisi-el-dokuma-usak-desenli-krem-hali","title":"Beige Oushak Handwoven Wool and Silk Rug, Sultan Series","description":"\u003cp\u003e\u003cstrong\u003eHeld at arm's length it could be an old Anatolian rug; underfoot it is plainly new. Beige Oushak Handwoven Wool and Silk Rug, Sultan Series was made in Türkiye, its wool ground carrying cocoon silk through an Oushak drawing that runs gold-yellow, green and brown over beige. A single piece.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe illusion is entirely in the palette. Gold-yellow and brown are the colors an old rug arrives at after decades, and putting them into a new one makes it look inherited. Nothing about the surface supports the impression: the pile is even, the drawing unbroken, the fringes clean. Beige in the ground keeps the whole thing calm enough to live under furniture without competing with it, and burgundy shows up only in the smallest elements of the pattern.\u003c\/p\u003e\n\n\u003cp\u003eWool through the body, cocoon silk in the drawing, both woven in Türkiye by weavers working in the local tradition. The rug is meant to be used rather than protected — the house puts it in bedrooms, living rooms and under dining tables without hesitation. Set against classical furniture it agrees; set against a single-color black modern piece it argues, in the useful way. Professional washing, and no household machine at any point.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eMade in Türkiye: a wool ground with cocoon silk through the pattern.\u003c\/li\u003e\n  \u003cli\u003eAn Oushak drawing carried on beige, with Anatolian motifs alongside it.\u003c\/li\u003e\n  \u003cli\u003eBurgundy appears only in the smallest elements of the design.\u003c\/li\u003e\n  \u003cli\u003eA new rug wearing the palette old rugs take decades to reach.\u003c\/li\u003e\n  \u003cli\u003eMeant for daily use — a bedroom, a sitting room, a dining floor.\u003c\/li\u003e\n  \u003cli\u003eQuiet beside carved classical pieces, sharp beside plain black modern ones.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing, and no household machine at any point.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eThe point of a rug like this is that nobody asks where it came from, and that is the compliment it was built for.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"bey \/ 166 X 241","offer_id":47907178381545,"sku":"RENSUL000179.01","price":141000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/SultanSerisiElDokumaUsakDesenliKremHali_15.jpg?v=1709633733"},{"product_id":"el-dokuma-mor-madalyon-desenli-ipek-yatak-odasi-halisi","title":"Purple Medallion Hand-Knotted Pure Silk Rug","description":"\u003cp\u003e\u003cstrong\u003eA hundred knots to the square centimetre, which is a million to the square metre, every one of them tied by hand. This is a hand-knotted pure silk rug with a purple Oushak medallion at its center — warp, weft and pile all silk — woven in China over more than a year. Only a few pieces in this palette exist in Türkiye.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe medallion is the Oushak kind: one large centerpiece with the border repeating its logic in miniature the whole way round. Purple runs from a saturated tone at the middle out into pale lilac, the contrast pitched high enough that the drawing reads from across a room. Purple was the palace color for most of recorded history because the dye was scarce, and a purple silk rug still carries the association whether or not anyone thinks about it. Under a lamp the silk changes value as you move; from the far side of the room the same field looks two shades lighter.\u003c\/p\u003e\n\n\u003cp\u003eSilk from the Chinese mills and nothing else in it — the warps and the wefts are silk as well as the pile, which is what allows a knot count this high. At a hundred knots per square centimetre the fabric ends up about as thin and as light as a handkerchief; it gathers into two hands. More than a year went into it. Silk is the least forgiving fiber in a rug: keep it out of direct sun, lift anything spilled immediately rather than letting it sit, and let a specialist do the washing. It is also one of the pieces the people in the shop stop at most often, which has as much to do with the depth of the purple as with the shine.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in China, where silk weaving has been continuous for centuries.\u003c\/li\u003e\n  \u003cli\u003ePure silk: warp, weft and pile.\u003c\/li\u003e\n  \u003cli\u003eAbout 100 knots per square centimetre — roughly a million to the square metre.\u003c\/li\u003e\n  \u003cli\u003ePurple through pale lilac, on an Oushak medallion composition.\u003c\/li\u003e\n  \u003cli\u003eThin and light in the hand, close to the weight of a handkerchief.\u003c\/li\u003e\n  \u003cli\u003eMore than a year at the loom.\u003c\/li\u003e\n  \u003cli\u003eOnly a handful of examples in this color range exist in Türkiye.\u003c\/li\u003e\n  \u003cli\u003eSpecialist washing, and away from direct sun.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat does a hundred knots per square centimetre actually mean?\u003c\/h3\u003e\n\u003cp\u003eIt means roughly a million hand-tied knots in every square metre of the rug. That density is rare, and it is what lets a silk pile hold fine drawing — the smaller the knot, the smaller the detail a weaver can place without it blurring.\u003c\/p\u003e\n\u003ch3\u003eIs this rug pure silk, or silk-faced?\u003c\/h3\u003e\n\u003cp\u003ePure silk throughout. The warps and wefts of the foundation are silk as well as the pile, which is unusual; most silk rugs are knotted on a cotton foundation and only the surface is silk.\u003c\/p\u003e\n\u003ch3\u003eHow should a pure silk rug be cleaned?\u003c\/h3\u003e\n\u003cp\u003eBy a specialist, and not otherwise. Lift spills at once, keep the rug out of direct sunlight so the dyes hold, and take care around pets, since claws can pull at a pile this fine.\u003c\/p\u003e\n\n\u003cscript type=\"application\/ld+json\"\u003e{\"@context\":\"https:\/\/schema.org\",\"@type\":\"FAQPage\",\"mainEntity\":[{\"@type\":\"Question\",\"name\":\"What does a hundred knots per square centimetre actually mean?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"It means roughly a million hand-tied knots in every square metre of the rug. That density is rare, and it is what lets a silk pile hold fine drawing — the smaller the knot, the smaller the detail a weaver can place without it blurring.\"}},{\"@type\":\"Question\",\"name\":\"Is this rug pure silk, or silk-faced?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"Pure silk throughout. The warps and wefts of the foundation are silk as well as the pile, which is unusual; most silk rugs are knotted on a cotton foundation and only the surface is silk.\"}},{\"@type\":\"Question\",\"name\":\"How should a pure silk rug be cleaned?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"By a specialist, and not otherwise. Lift spills at once, keep the rug out of direct sunlight so the dyes hold, and take care around pets, since claws can pull at a pile this fine.\"}}]}\u003c\/script\u003e\n\n\u003cp\u003eRugs like this one end up on walls as often as on floors, and there is a reasonable argument for it.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Purple \/ 170 X 240","offer_id":44158227546345,"sku":"SARICE000019.01","price":985000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaMorMadalyonDesenliSafIpekHali_5.jpg?v=1735476943"},{"product_id":"saf-ipek-krem-rengi-el-dokuma-klasik-hali","title":"Cream Pure Silk Hand-Knotted Classic Rug","description":"\u003cp\u003e\u003cstrong\u003eBetween eighteen months and two years at the loom, worked by two people side by side. Cream Pure Silk Hand-Knotted Classic Rug \u0026mdash; 100% silk, knotted in China at 207 \u0026times; 303 cm (6'9\" \u0026times; 9'11\"), a cream ground carrying a classical medallion and frame drawn in gold, with thirty-six knots in every square centimeter.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eSilk is what makes the drawing possible. A wool pile cannot hold a line this fine, so the leaves inside the medallion are drawn a knot or two wide and still read as leaves. The ground is cream and the figures are a yellow-gold that changes weight through the day: bright and almost metallic with the sun on it, warm and matte by lamplight, and different again if you walk to the other end of the room and look back along the pile rather than into it. That reversal is the property people buy silk for, and it is why the same rug photographs as two colors.\u003c\/p\u003e\n\n\u003cp\u003eTwo weavers work a piece like this together, one on each half, and thirty-six knots per square centimeter is the rate that makes a year and a half of work necessary. China is where silk weaving began and it is still where the finest silk pile is knotted. Some honesty about living with it: silk is a delicate surface, cats will find it, and it cannot be cleaned at home \u0026mdash; a rug washer who works with silk is the only correct answer. Two pieces exist at this size.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003e100% pure silk, hand-knotted in China.\u003c\/li\u003e\n  \u003cli\u003eThirty-six knots per square centimeter \u0026mdash; a 6 \u0026times; 6 knot spacing.\u003c\/li\u003e\n  \u003cli\u003eEighteen months to two years on the loom, worked by two weavers.\u003c\/li\u003e\n  \u003cli\u003e207 \u0026times; 303 cm (6'9\" \u0026times; 9'11\") \u0026mdash; a full sitting-room size.\u003c\/li\u003e\n  \u003cli\u003eCream ground, gold figures, with a central medallion inside a drawn frame.\u003c\/li\u003e\n  \u003cli\u003eThe color reverses depending on which end of the rug you look from.\u003c\/li\u003e\n  \u003cli\u003eNot a surface for a household with cats.\u003c\/li\u003e\n  \u003cli\u003eCleaning by a specialist in silk rugs only.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\n\u003ch3\u003eWhat does a 6 \u0026times; 6 knot spacing mean on a silk rug?\u003c\/h3\u003e\n\u003cp\u003eIt means six knots across and six down in every centimeter, or thirty-six knots per square centimeter. That density is what allows a curved leaf or a thin stem to be drawn cleanly, and it is also why a rug of this size takes between eighteen months and two years to finish.\u003c\/p\u003e\n\n\u003ch3\u003eCan a pure silk rug be cleaned at home?\u003c\/h3\u003e\n\u003cp\u003eNo. Silk loses its sheen with household detergent and mats when it is over-wetted, so a silk rug goes to a washer who handles silk specifically. Between washes, a light vacuum in the direction of the pile is all it needs.\u003c\/p\u003e\n\n\u003cscript type=\"application\/ld+json\"\u003e\n{\n  \"@context\": \"https:\/\/schema.org\",\n  \"@type\": \"FAQPage\",\n  \"mainEntity\": [\n    {\n      \"@type\": \"Question\",\n      \"name\": \"What does a 6 × 6 knot spacing mean on a silk rug?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"It means six knots across and six down in every centimeter, or thirty-six knots per square centimeter. That density is what allows a curved leaf or a thin stem to be drawn cleanly, and it is also why a rug of this size takes between eighteen months and two years to finish.\"\n      }\n    },\n    {\n      \"@type\": \"Question\",\n      \"name\": \"Can a pure silk rug be cleaned at home?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"No. Silk loses its sheen with household detergent and mats when it is over-wetted, so a silk rug goes to a washer who handles silk specifically. Between washes, a light vacuum in the direction of the pile is all it needs.\"\n      }\n    }\n  ]\n}\n\u003c\/script\u003e\n\n\u003cp\u003eA rug that took two years will spend its first year looking new, and it is the forty after that it was made for.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Cream \/ 207 X 303","offer_id":44158228857065,"sku":"SARIPE000026.01","price":1200000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/KremSafIpekElDokumaKlasikHali_1.jpg?v=1709633990"},{"product_id":"emirgan-serisi-cicek-desenli-el-dokuma-krem-hali","title":"Cream Floral Handwoven Wool Rug, Emirgân Series","description":"\u003cp\u003e\u003cstrong\u003eSmall flowers, drawn fine and set at intervals rather than massed — that is the entire surface of this Emirgân Series rug, a handwoven piece in wool and viscose on a cream ground. It was tied in the Aegean region of Türkiye and the fringes were braided by hand at the end. One piece.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eCream is the point of the series, and the flowers exist to give it something to do. The drawing is classical in its bones and contemporary in how sparingly it has been used, so the rug never becomes the subject of a room, only its floor. Where the viscose runs, the flowers pick up light and separate slightly from the wool around them, which is what keeps a pale rug from going blank.\u003c\/p\u003e\n\n\u003cp\u003eWool and viscose together: wool for the wear, viscose for the silk-like finish on the pattern. Aegean workshops have been knotting for generations and their density standards are what the house buys on. The fringes were not machine-serged. They were braided individually, by hand, after the rug came off the loom — the kind of detail that costs an hour and shows for thirty years. Professional washing keeps the cream where it started.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven in the Aegean region of Türkiye.\u003c\/li\u003e\n  \u003cli\u003eWool with viscose worked through the pattern.\u003c\/li\u003e\n  \u003cli\u003eFine floral drawing set sparingly on a cream ground.\u003c\/li\u003e\n  \u003cli\u003eFringes braided by hand, one at a time, after weaving.\u003c\/li\u003e\n  \u003cli\u003eSuits a sitting room, a bedroom or a study equally.\u003c\/li\u003e\n  \u003cli\u003eOne piece.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eThe flowers will fade a little and the cream will warm; both of those count as improvements.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Cream \/ 129 X 183","offer_id":44217010847977,"sku":"KIREMI000010.01","price":107000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/EmirganSerisiCicekDesenliElDokumaKremHali_4.jpg?v=1709631746"},{"product_id":"emirgan-serisi-el-dokuma-cicek-desenli-krem-klasik-hali","title":"Cream Classic Handwoven Wool and Viscose Rug, Emirgan Series","description":"\u003cp\u003e\u003cstrong\u003eWeavers in the Aegean region of Türkiye made this Emirgan Series rug, a handwoven classic in light cream with purple and green worked into the pattern. Viscose in the warp, wool and viscose in the weft; the center is left plain and the ornament is pushed outward toward the border. One piece.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eLeaving the middle open is a decision, not an omission. Furniture and objects placed on the rug are then read against a clear ground instead of competing with drawing, which is why classical rugs with plain fields keep turning up in rooms that are already full. The purple and green appear at low saturation, closer to a stain in the cream than to a color laid on top of it. The overall impression is silk-like rather than woolly, and that comes out of what is in the yarn.\u003c\/p\u003e\n\n\u003cp\u003eThe construction is worth stating exactly: viscose warps, and wefts of wool and viscose together. Viscose in the foundation is unusual, and it is what gives the finished rug its thinness and its shine, while the wool supplies the resilience. Aegean weaving is among the last hand-knotting still practiced at any scale in Türkiye, and the pieces coming out of it are fewer every year. Send it to a specialist for cleaning.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven in the Aegean region of Türkiye.\u003c\/li\u003e\n  \u003cli\u003eViscose warps; wefts of wool and viscose.\u003c\/li\u003e\n  \u003cli\u003eLight cream ground with purple and green at low saturation.\u003c\/li\u003e\n  \u003cli\u003ePlain center, with the ornament worked toward the border.\u003c\/li\u003e\n  \u003cli\u003eThin and silk-like in the hand rather than woolly.\u003c\/li\u003e\n  \u003cli\u003eSuits entrances, sitting rooms and bedrooms.\u003c\/li\u003e\n  \u003cli\u003eSpecialist cleaning.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eAn open field is the most useful thing a classical rug can give a room that is already crowded.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Cream \/ 175 X 244","offer_id":44176627663081,"sku":"KIREMI000003.01","price":193000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/EmirganSerisiElDokumaCicekDesenliKremKlasikHali_3.jpg?v=1709631488"},{"product_id":"el-dokuma-ipek-vintage-desenli-mavi-hali","title":"Blue Vintage-Pattern Hand-Knotted Silk and Wool Rug","description":"\u003cp\u003e\u003cstrong\u003eIt carries the mark of Jaipur, a weaving house known worldwide for its design, and that is why the rug is not anonymous. A hand-knotted piece in blue with real silk worked through it over wool and cotton, made in India, its vintage drawing taken from Anatolian sources. One of one.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe color is the rarity: a range that sits between blue and green without ever settling on either, so the rug reads blue in one light and green in another. The silk in the pattern is real silk and does what real silk does — it takes light at a different angle from the wool beside it, which produces the watered, moiré-like movement across the surface. That effect comes out of the weaving technique rather than from any finish applied afterward. The drawing is Anatolian in origin and modern in how far it has been simplified.\u003c\/p\u003e\n\n\u003cp\u003eWool and cotton make the body of the rug, and silk is used where the pattern needs to lift. Nothing about the surface is uniform, and that irregularity is evidence of hand work rather than a fault in it: the same design woven twice would not come out the same way twice. It belongs somewhere it will be looked at: a sitting room, a large entrance hall, a study. Professional cleaning, and nothing left wet on the silk.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in India and signed by the Jaipur weaving house.\u003c\/li\u003e\n  \u003cli\u003eReal silk worked through the pattern, over wool and cotton.\u003c\/li\u003e\n  \u003cli\u003eA rare blue-green range that shifts between the two by light.\u003c\/li\u003e\n  \u003cli\u003eWatered, moiré-like surface produced by the weaving technique itself.\u003c\/li\u003e\n  \u003cli\u003eVintage drawing derived from Anatolian designs.\u003c\/li\u003e\n  \u003cli\u003eDeliberately uneven surface — the mark of hand weaving.\u003c\/li\u003e\n  \u003cli\u003eProfessional cleaning; nothing left wet on the silk.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eIt is the kind of rug that decides the color of everything else in the room, and it should be bought knowing that.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Blue \/ 201 X 297","offer_id":47386578977001,"sku":"EKOORI000002.01","price":240000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaIpekliVintageDesenliMaviHali_1.webp?v=1762779369"},{"product_id":"el-dokuma-cerceve-desenli-krem-ipekli-hali","title":"Cream Frame-Pattern Hand-Knotted Silk and Viscose Rug","description":"\u003cp\u003e\u003cstrong\u003eAt 76 × 122 cm (2'6\" × 4'0\") this is a small rug carrying a full classical composition: a detailed medallion on a red ground at the center, layered in blue and beige, held inside a cream frame drawn with turquoise and gold. Hand-knotted in cotton, viscose and silk in China. One of one.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe center reads like a garden seen from above — the layers of blue and beige interleave closely enough that the pattern keeps opening the longer it is looked at. The frame around it does more than close the edge: the turquoise and gold worked into the cream set the character of the whole piece, and without them the red would simply be loud. Symmetry holds everything in place. The surface plays with light through the day and moves between bright and matt as the sun does.\u003c\/p\u003e\n\n\u003cp\u003eCotton, viscose and silk together, tied entirely by hand — hundreds of thousands of knots in a rug this size, which is what fine drawing at small scale requires. The pile is thin and the whole piece is light. Red on the floor brings warmth into a room, and the blue and beige stop it short of dominating. At this size it works in an entrance, in front of a cabinet, or as something to give. Professional washing suits it, and the thin pile makes routine cleaning straightforward.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in China in cotton, viscose and silk.\u003c\/li\u003e\n  \u003cli\u003eRed-ground medallion layered in blue and beige.\u003c\/li\u003e\n  \u003cli\u003eCream frame worked with turquoise and gold.\u003c\/li\u003e\n  \u003cli\u003eThin, light pile with hundreds of thousands of knots in it.\u003c\/li\u003e\n  \u003cli\u003e76 × 122 cm (2'6\" × 4'0\") — an entrance, or the floor in front of a cabinet.\u003c\/li\u003e\n  \u003cli\u003eThe surface moves between bright and matt with the light.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eSmall classical rugs are what people buy for other people, and this is one of the few categories where that counts as a compliment.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Red \/ 76 X 122","offer_id":44224679837929,"sku":"SARBIT000355.01","price":50500.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaCerceveDesenliKremIpekliHali_7.jpg?v=1709630130"},{"product_id":"el-dokuma-usak-desenli-klasik-bordo-hali","title":"Burgundy Oushak Hand-Knotted Wool Rug","description":"\u003cp\u003e\u003cstrong\u003eEight to ten months at the loom, one knot at a time. A hand-knotted Oushak rug with a deep burgundy field and beige and gold-yellow along its edges, wool over a Manchester cotton foundation, woven in India at a high knot density. It is a large piece and there is one of it.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eOushak is the western Anatolian pattern family that Europe collected for four centuries, and this version keeps its proportions: an open burgundy center that takes the weight, and borders where beige and gold do the work of lighting it. The yellow and cream passages give off enough brightness to lift the room around them. A dark-fielded rug usually makes a room darker; this one does the opposite. Walnut and gray furnishings take it without argument.\u003c\/p\u003e\n\n\u003cp\u003eThe foundation is Manchester cotton — a long-staple yarn, brighter and stronger than the standard grade, used here for the warps. Wool goes into the wefts and the pile. High knot density is what allows classical drawing to stay sharp, and it is what makes eight to ten months a realistic figure rather than a boast. Weaving of this kind moved from Türkiye to India as Anatolian hand-knotting contracted. Keep chemicals away from it, keep it out of direct sun, and leave the cleaning to a specialist.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in India, at a high knot count.\u003c\/li\u003e\n  \u003cli\u003eManchester cotton warps; wool wefts and pile.\u003c\/li\u003e\n  \u003cli\u003eDeep burgundy field with beige and gold-yellow borders.\u003c\/li\u003e\n  \u003cli\u003eEight to ten months at the loom.\u003c\/li\u003e\n  \u003cli\u003eLarge enough for a salon, a hotel entrance or the floor beneath a piano.\u003c\/li\u003e\n  \u003cli\u003eClassical Oushak drawing, the pattern Europe collected for four centuries.\u003c\/li\u003e\n  \u003cli\u003eAway from direct sun, no chemicals, specialist cleaning.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat is Manchester cotton?\u003c\/h3\u003e\n\u003cp\u003eA long-staple cotton yarn of higher grade than standard cotton, with more shine and more strength. In a hand-knotted rug it goes into the warps, where the foundation has to hold the tension of tens of thousands of knots without stretching.\u003c\/p\u003e\n\u003ch3\u003eHow long does a rug like this take to weave?\u003c\/h3\u003e\n\u003cp\u003eBetween eight and ten months for a piece of this size and density. Every knot is tied individually, and the knot count governs the time — a looser rug of the same dimensions would come off the loom in a fraction of it.\u003c\/p\u003e\n\u003ch3\u003eWhy is an Oushak design woven in India?\u003c\/h3\u003e\n\u003cp\u003eBecause Anatolian hand-knotting has contracted sharply. Designs once woven in Türkiye moved east, and India is now among the largest producers of high-grade wool and cotton hand-knotted rugs.\u003c\/p\u003e\n\n\u003cscript type=\"application\/ld+json\"\u003e{\"@context\":\"https:\/\/schema.org\",\"@type\":\"FAQPage\",\"mainEntity\":[{\"@type\":\"Question\",\"name\":\"What is Manchester cotton?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"A long-staple cotton yarn of higher grade than standard cotton, with more shine and more strength. In a hand-knotted rug it goes into the warps, where the foundation has to hold the tension of tens of thousands of knots without stretching.\"}},{\"@type\":\"Question\",\"name\":\"How long does a rug like this take to weave?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"Between eight and ten months for a piece of this size and density. Every knot is tied individually, and the knot count governs the time — a looser rug of the same dimensions would come off the loom in a fraction of it.\"}},{\"@type\":\"Question\",\"name\":\"Why is an Oushak design woven in India?\",\"acceptedAnswer\":{\"@type\":\"Answer\",\"text\":\"Because Anatolian hand-knotting has contracted sharply. Designs once woven in Türkiye moved east, and India is now among the largest producers of high-grade wool and cotton hand-knotted rugs.\"}}]}\u003c\/script\u003e\n\n\u003cp\u003ePut it under a bed and it runs out on three sides; put it under a grand piano and it is doing the job it was drawn for.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Burgundy \/ 278 X 372","offer_id":44659626049769,"sku":"BOZSAL000006.01","price":395000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaUsakDesenliKlasikBordoHali_2.jpg?v=1709629427"},{"product_id":"usak-desenli-el-dokuma-ofis-halisi","title":"Cream Oushak Hand-Knotted Wool Office Rug","description":"\u003cp\u003e\u003cstrong\u003eA scattered floral field, the flowers set loose across the middle rather than gathered into a medallion, with traditional Oushak motifs holding the border. A hand-knotted wool rug in cream, beige and brown, made with Manchester cotton and lustrous wool. It was drawn for a desk or a dining table to stand on. One piece.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe loose field is a functional decision. A rug meant to live under furniture cannot afford a strong center, because the center is the part that disappears; scattering the flowers means the pattern survives being covered. The Oushak border does the framing and gives the eye the edge it needs. Cream, beige and brown carry it, and that range goes with almost any wood, as well as with burgundy and blue upholstery.\u003c\/p\u003e\n\n\u003cp\u003eManchester cotton in the foundation and bright wool above it, tied by hand at a high density — which is the reason a rug that spends its life under chair legs stays flat and keeps its drawing. The house sells this one only through its own collection. It is at home in an office, a boardroom or a dining room, and it will take the traffic of all three. Have it cleaned professionally.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted with Manchester cotton and lustrous wool.\u003c\/li\u003e\n  \u003cli\u003eScattered floral field with traditional Oushak motifs on the border.\u003c\/li\u003e\n  \u003cli\u003eCream, beige and brown, against wood, burgundy or blue.\u003c\/li\u003e\n  \u003cli\u003eDrawn to be used beneath a dining table or a desk.\u003c\/li\u003e\n  \u003cli\u003eHigh knot density, which keeps it flat under chair legs.\u003c\/li\u003e\n  \u003cli\u003eAvailable through Halıcızade only.\u003c\/li\u003e\n  \u003cli\u003eProfessional cleaning.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eRugs that live under tables get judged on how they look at the edges, and this one was drawn with that in mind.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Brown \/ 275X359","offer_id":45758777262313,"sku":"BOZSAL000007.01","price":380000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/UsakDesenliElDokumaOfisHalisi_1.jpg?v=1709629290"},{"product_id":"el-dokuma-usak-desenli-taba-pamuk-hali","title":"Orange Oushak Hand-Knotted Wool Rug","description":"\u003cp\u003e\u003cstrong\u003eHand-knotted Oushak rug in orange: tobacco brown and orange through the field, beige holding the light passages, and a navy so dark it reads black at the edges. Manchester cotton in the foundation, wool above it. The pattern has been woven in western Anatolia for centuries; this piece was tied in India, and there is one of it.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eTan and orange is the oldest Oushak palette there is, and it survives because it does something no other combination manages — it puts warmth on a floor without going red. Beige lifts the passages that need lifting, and the near-black navy provides the outline that keeps the whole thing from blurring. Among modern furniture it is the only warm object in the room; in a classical setting it becomes the connecting tissue.\u003c\/p\u003e\n\n\u003cp\u003eThe wool has the shine that comes from a good clip, and the Manchester cotton underneath, a higher grade than standard cotton and brighter, carries the structure. Density is high, which a design with this much small drawing requires. It moves from sitting rooms to dining rooms to large offices without looking out of place in any of them. Professional cleaning, and it is the color range that is worth protecting.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in India with Manchester cotton and lustrous wool.\u003c\/li\u003e\n  \u003cli\u003eTobacco brown, orange and beige, with near-black navy for the outline.\u003c\/li\u003e\n  \u003cli\u003eThe classical Oushak palette, woven in western Anatolia for centuries.\u003c\/li\u003e\n  \u003cli\u003eHigh knot density, which the fine drawing requires.\u003c\/li\u003e\n  \u003cli\u003eSuits sitting rooms, dining rooms and large offices.\u003c\/li\u003e\n  \u003cli\u003eOne piece.\u003c\/li\u003e\n  \u003cli\u003eProfessional cleaning.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eOrange is the color that dates fastest in a room and slowest in a rug, and the Oushak weavers worked that out five hundred years ago.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Red \/ 360 X 276","offer_id":44659645055209,"sku":"BOZSAL000009.01","price":380000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaUsakDesenliTabaYunHali_1.jpg?v=1709629128"},{"product_id":"el-dokuma-klasik-usak-desenli-bordo-hali","title":"Burgundy and Earth-Tone Oushak Hand-Knotted Wool Rug","description":"\u003cp\u003e\u003cstrong\u003eThese were woven in Türkiye until Anatolian hand-knotting thinned out; now they come from India. This one is a classic Oushak in burgundy and earth tones, tied by hand in wool over a Manchester cotton spine. The design sits in the classical literature and has been produced for hundreds of years. Single piece.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eRed is what you see first and the earth tones are what hold it. The reds are deep and bright at once, a function of wool taking dye well rather than of the dye itself, and the browns and tans around them absorb enough of the energy to make the rug livable. Under heavy classical furniture it looks inevitable. In a plain modern room it becomes the cultural object, and it changes the register of everything near it.\u003c\/p\u003e\n\n\u003cp\u003eManchester cotton forms the spine and wool sits above it, on the surface and through the ground. The knotting is tight and the count is high, and eight to ten months is what a piece of this size takes at that density. The same density is why these rugs get passed down instead of replaced: the structure outlasts the fashion. Keep it away from chemicals and let people who clean rugs for a living clean it.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in India, to a design once woven in Türkiye.\u003c\/li\u003e\n  \u003cli\u003eManchester cotton spine; wool on the surface and through the ground.\u003c\/li\u003e\n  \u003cli\u003eDeep, bright reds balanced by brown and tan earth tones.\u003c\/li\u003e\n  \u003cli\u003eTight, high-count knotting.\u003c\/li\u003e\n  \u003cli\u003eEight to ten months at the loom.\u003c\/li\u003e\n  \u003cli\u003eReads as inevitable under heavy classical furniture, and as the one cultural object in a plain room.\u003c\/li\u003e\n  \u003cli\u003eNo chemicals; cleaning by professionals.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eThe pattern is in the classical literature, which means somebody will still recognize it a century from now.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Red \/ 366X277","offer_id":45712733634793,"sku":"BOZSAL000010.01","price":390000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaKlasikUsakDesenliBordoHali_1.jpg?v=1709629014"},{"product_id":"el-dokuma-usak-desenli-bordo-pamuk-hali","title":"Burgundy Oushak-Pattern Hand-Knotted Wool Rug","description":"\u003cp\u003e\u003cstrong\u003eBurgundy over tan, with cream drawing spread right across the field: a hand-knotted wool rug in the Oushak manner, 272 × 367 cm (8'11\" × 12'0\"). Oushak — Uşak in Turkish — is the weaving district of western Anatolia whose large, openly spaced patterns have been copied for four centuries. This one was tied in India, and there is exactly one.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe pattern is the Oushak kind rather than the Persian one: motifs drawn big, spaced generously, and a border that repeats a simplified version of whatever the field is doing. Burgundy holds the middle and tan carries the edges, while cream runs between them as outline rather than as a color of its own. The surface has a definite sheen. Manchester yarn was used in the weaving and it takes light along the pile, so the burgundy goes deep and almost brown from one end of the room and lifts back to red from the other.\u003c\/p\u003e\n\n\u003cp\u003eIt came off an Indian loom, since that is where most Oushak-pattern weaving now happens — production of the pattern in Uşak itself has thinned to very little. The weave is packed tight, and that density is what keeps a field this open from looking thin. One practical thing is worth saying before anything else: 272 × 367 cm is close to nine feet by twelve, so it takes two people to lay it and a specialist to wash it. This is not a rug anyone moves on a whim.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in India, in the Oushak pattern of western Anatolia.\u003c\/li\u003e\n  \u003cli\u003eWool pile, closely packed, with Manchester yarn giving the surface its sheen.\u003c\/li\u003e\n  \u003cli\u003eBurgundy field over tan, with the drawing outlined in cream.\u003c\/li\u003e\n  \u003cli\u003eLarge motifs widely spaced, in the Oushak manner rather than the Persian one.\u003c\/li\u003e\n  \u003cli\u003e272 × 367 cm (8'11\" × 12'0\") — a full living-room size, or a dining room with the chairs pulled out.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing only.\u003c\/li\u003e\n  \u003cli\u003eOne piece, at these exact dimensions, and no second one behind it.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eUnder dark walnut it settles and reads brown; in a white room on pale boards the red comes up and takes the whole floor.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Red \/ 272 X 367","offer_id":44659648135401,"sku":"BOZSAL000046.01","price":385000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaUsakDesenliBordoTabaYunHali_1_f23627c4-5569-4481-8747-5f92b0785b3c.jpg?v=1709628706"},{"product_id":"saf-ipek-el-dokuma-selcuklu-motifli-hali","title":"Burgundy Seljuk-Motif Hand-Knotted Pure Silk Rug","description":"\u003cp\u003e\u003cstrong\u003eEight by eight in the weaver's shorthand: sixty-four hand-tied knots in every square centimeter, and roughly a month of work for each square meter. Burgundy Seljuk-Motif Hand-Knotted Pure Silk Rug — pure silk throughout, knotted in China, carrying the Seljuk star in burgundy and blue with gold and cream around it.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe star at the center is the figure the Seljuks cut into stone, tile and wood across Anatolia, and silk is the only fiber that renders its thin interlaced lines without thickening them. Burgundy and a deep blue hold the field; gold, cream and a yellow close to old gilt lift the drawing clear of it, and small turquoise notes appear where the eye has not asked for them. Silk changes with the angle you stand at, so a single border reads dark from the doorway and bright from a chair.\u003c\/p\u003e\n\n\u003cp\u003eKnotted in China, where silk weaving has the longest unbroken history anywhere. Sixty-four knots to the centimeter square puts hundreds of thousands of them into every square meter, and that density is what pays for the detail — it is also most of what the rug costs, since silk is among the dearest fibers in textiles and only a small number of people still weave it at this scale. Matching sets in several sizes are made, which is now rare in pure silk anywhere. Keep it clear of animals with claws. Cleaning goes to a specialist working at low temperature with the detergents made for silk, and to nobody else.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in China from pure silk, surface and foundation alike.\u003c\/li\u003e\n  \u003cli\u003e8 × 8 knotting — 64 knots in every square centimeter.\u003c\/li\u003e\n  \u003cli\u003eAbout one month of weaving for each square meter.\u003c\/li\u003e\n  \u003cli\u003eThe Seljuk star at the center, a figure carried through Anatolian stone and tile.\u003c\/li\u003e\n  \u003cli\u003eBurgundy and deep blue with gold, cream and occasional turquoise.\u003c\/li\u003e\n  \u003cli\u003eMade as matching sets in more than one size.\u003c\/li\u003e\n  \u003cli\u003eKeep it away from cats and dogs; claws and silk do not agree.\u003c\/li\u003e\n  \u003cli\u003eSpecialist cleaning at low temperature, with silk detergents only.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eHand-knotting in pure silk is thinning out everywhere, which is the plain reason a rug like this is harder to find now than it was.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Burgundy \/ 124 X 184","offer_id":45229812646121,"sku":"SARIPE000216.04","price":425000.0,"currency_code":"TRY","in_stock":false},{"title":"Burgundy \/ 124 X 185","offer_id":46030876705001,"sku":"SARIPE000216.02","price":430000.0,"currency_code":"TRY","in_stock":true},{"title":"Burgundy \/ 123 X 187","offer_id":46030876737769,"sku":"SARIPE000216.01","price":430000.0,"currency_code":"TRY","in_stock":true},{"title":"Burgundy \/ 124 X 187","offer_id":46030876770537,"sku":"SARIPE000216.03","price":435000.0,"currency_code":"TRY","in_stock":true},{"title":"Burgundy \/ 168 X 247","offer_id":48461637124329,"sku":"SARIPE000216.06","price":775000.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/SafIpekElDokumaSelcukluMotifliHali_5.jpg?v=1709562930"},{"product_id":"sultan-serisi-el-dokuma-cicek-desenli-klasik-hali","title":"Cream Floral Hand-Knotted Wool and Silk Rug, Sultan Series","description":"\u003cp\u003e\u003cstrong\u003eMatt wool underneath, bright silk in the drawing: a hand-knotted rug from the Sultan series, 179 × 259 cm (5'10\" × 8'6\"), woven in Türkiye with floral motifs taken from Oushak in beige, gold and a green sitting close to olive.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe flowers are the classical Anatolian ones and they are spread over the whole field rather than gathered into a medallion, which is what keeps a traditional pattern usable under modern furniture. Beige is the ground and gold does most of the drawing, while the green appears in the leaves and along the border, where it stops the warm tones running together. Because the wool is matt and the silk is not, the motifs stand out by brightness even where their colors are close.\u003c\/p\u003e\n\n\u003cp\u003eWool and silk, knotted by hand in Türkiye at a high knot count — the fineness of the flower drawing follows directly from how many knots occupy a square decimeter, and this rug has enough of them to describe a petal. The yarns are the good ones, and the number of Turkish workshops still knotting at this density has fallen sharply. It will hold up under furniture for decades and be ruined by a single home shampoo, so professional washing only.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in Türkiye at a high knot count.\u003c\/li\u003e\n  \u003cli\u003eMatt wool field with silk in the floral motifs, so the pattern reads by brightness.\u003c\/li\u003e\n  \u003cli\u003eBeige, gold and olive green, drawn from Oushak flower motifs.\u003c\/li\u003e\n  \u003cli\u003eFlowers spread across the entire field rather than arranged around a central medallion.\u003c\/li\u003e\n  \u003cli\u003e179 × 259 cm (5'10\" × 8'6\"), a size that takes a sofa and two chairs.\u003c\/li\u003e\n  \u003cli\u003eFewer Turkish workshops weave at this density each year.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing only.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eUnder a very plain modern sofa it does something no plain rug can, which is give the room a history it did not have.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Cream \/ 179 X 259","offer_id":44478444732649,"sku":"RENSUL000182.01","price":163000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/SultanSerisiElDokumaCicekDesenliKlasikHali_2.jpg?v=1709562301"},{"product_id":"sultan-serisi-el-dokuma-cerceve-desenli-krem-hali","title":"Beige Frame-Pattern Hand-Knotted Wool and Silk Rug, Sultan Series","description":"\u003cp\u003e\u003cstrong\u003eEverything here happens inside a frame. A Sultan-series rug of 177 × 234 cm (5'10\" × 7'8\"), hand-knotted in Türkiye in beige with gold and green, its field bordered on all four sides and its pattern held deliberately within. Wool makes the ground and silk appears only in the motifs.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eA framed composition is a quieter thing than an all-over one. The border sets a boundary, the drawing respects it, and the room around the rug stays legible instead of being swallowed. Inside that boundary the Oushak-derived motifs are worked in gold against beige, with green used sparingly along the frame itself. The ground stays matt right across, and what catches the light is the silk in the pattern and nothing besides.\u003c\/p\u003e\n\n\u003cp\u003eKnotted by hand in Türkiye from wool and silk, at the density the series is built around. Confining silk to the motifs is a decision about cost as much as about looks — it puts the expensive fiber where it can be seen and leaves wool where the wear happens, which is why a rug assembled this way outlasts one knotted entirely in silk. Fewer pieces come off Turkish looms at this density every year. Wash it professionally.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in Türkiye, wool ground with silk in the motifs.\u003c\/li\u003e\n  \u003cli\u003eThe field is enclosed by a border on all four sides and the pattern stays inside it.\u003c\/li\u003e\n  \u003cli\u003eBeige and gold, with green worked along the frame.\u003c\/li\u003e\n  \u003cli\u003eMatt wool surface, the shine confined to the silk drawing.\u003c\/li\u003e\n  \u003cli\u003eSilk placed where it is seen and wool where the wear falls.\u003c\/li\u003e\n  \u003cli\u003e177 × 234 cm (5'10\" × 7'8\"), suited to a seating group or the foot of a bed.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eFramed rugs sit better in square rooms than all-over patterns do, because the border gives the walls something to agree with.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"bey \/ 177 X 234","offer_id":47907178447081,"sku":"RENSUL000154.01","price":145000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/SultanSerisiElDokumaCerceveDesenliBejIpekliHali_1.jpg?v=1734006632"},{"product_id":"sultan-serisi-el-dokuma-cicek-desenli-hali","title":"Gold and Cream Floral Hand-Knotted Wool Rug, Sultan Series","description":"\u003cp\u003e\u003cstrong\u003eGold on cream is the oldest combination in Anatolian weaving, and this Sultan-series rug uses it plainly: 172 × 222 cm (5'8\" × 7'3\"), hand-knotted in Türkiye, a wool ground with silk in the flowers, the motifs drawn from Oushak and worked over the entire field.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eCream and gold sit close enough in value that the pattern has to be carried by texture, and it is — the silk flowers read brighter than the wool around them under any light and duller once the room goes dark. Green comes in through the stems and the outer band. Nothing is drawn large. This is a fine, close pattern that rewards being stood on far more than being looked at from a doorway.\u003c\/p\u003e\n\n\u003cp\u003eTürkiye, by hand, knots tied close together. What is scarce here is not the design but the thread: the grade of wool and the silk the series uses have both become harder to source, and a workshop keeping to this knot count finishes fewer rugs a year than it once did. The piece goes as easily under a steel-and-glass table as under a carved sideboard, and few classical patterns manage both. Professional cleaning is not optional with silk in the surface.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in Türkiye with the knots tied close together.\u003c\/li\u003e\n  \u003cli\u003eWool ground carrying silk-knotted flowers, so the pattern separates by sheen.\u003c\/li\u003e\n  \u003cli\u003eCream and gold at close value, with green in the stems and the outer band.\u003c\/li\u003e\n  \u003cli\u003eFine, small-scale drawing across the whole field.\u003c\/li\u003e\n  \u003cli\u003e172 × 222 cm (5'8\" × 7'3\"), the most compact of the room-sized Sultan pieces.\u003c\/li\u003e\n  \u003cli\u003eSuits carved wood and plain steel furniture equally.\u003c\/li\u003e\n  \u003cli\u003eProfessional cleaning, because of the silk.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eThe pattern will still be doing its work in twenty years, and the gold will have gone a half-tone deeper by then.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Cream \/ 172 X 222","offer_id":44478476157161,"sku":"RENSUL000093.01","price":134000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/SultanSerisiElDokumaCicekDesenliHali_19.jpg?v=1724748233"},{"product_id":"sultan-serisi-el-dokuma-krem-hali","title":"Cream and Green Floral Hand-Knotted Wool Rug, Sultan Series","description":"\u003cp\u003e\u003cstrong\u003eA cream rug records a room's traffic, and that is worth saying about this one before anything else. It is a hand-knotted Sultan-series piece of 176 × 252 cm (5'9\" × 8'3\"), made in Türkiye from wool and cocoon silk, with Anatolian floral drawing in beige, gold and green over a light ground.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eGreen is the color separating this piece from the rest of the series. It runs through the leaves and along the border in a value dark enough to anchor the cream, so the rug has a bottom to it rather than floating in the room. Gold is the warm middle tone between the two. Cocoon silk in the motifs sends light back at a different angle from the wool around it, and that single difference does more work than any of the colors.\u003c\/p\u003e\n\n\u003cp\u003eReal wool and cocoon silk, knotted by hand in Türkiye. Cocoon silk is reeled off the whole cocoon rather than gathered from waste fiber, which is why the filament runs continuous and the shine comes out even instead of broken. The wool ground is left matt deliberately, so that a contrast exists at all. This is the classical Anatolian construction and it is not a fast one. Professional washing, and a doormat somewhere before it.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in Türkiye from wool and cocoon silk.\u003c\/li\u003e\n  \u003cli\u003eCocoon silk is reeled off whole cocoons, so the filament runs continuous and the sheen is even.\u003c\/li\u003e\n  \u003cli\u003eMatt wool ground set against silk motifs, which is where the contrast comes from.\u003c\/li\u003e\n  \u003cli\u003eBeige, gold and green, the green dark enough to anchor a light rug.\u003c\/li\u003e\n  \u003cli\u003eAnatolian floral drawing in the Oushak line.\u003c\/li\u003e\n  \u003cli\u003e176 × 252 cm (5'9\" × 8'3\"), for a living room or the foot of a bed.\u003c\/li\u003e\n  \u003cli\u003eA light ground shows traffic; keep a mat between it and the front door.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eCream rugs are bought by people who have already decided to be careful, and this one gives them something to be careful about.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Cream \/ 176 X 252","offer_id":44478484938985,"sku":"RENSUL000029.01","price":156000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/SultanSerisiElDokumaKremHali_1_21f61eb5-dcd0-450b-b4f6-e929fbfcbc2b.jpg?v=1735142244"},{"product_id":"sultan-serisi-el-dokuma-yun-hali","title":"Beige Anatolian-Motif Hand-Knotted Wool and Silk Rug, Sultan Series","description":"\u003cp\u003e\u003cstrong\u003eAt 164 × 211 cm (5'5\" × 6'11\") this is the size that fits where a full living-room rug will not — under a small seating group, or beside a bed, with the pattern still complete. Hand-knotted in Türkiye from wool and cocoon silk, in beige, gold and green, its motifs Anatolian and drawn from Oushak.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eScaling a classical pattern down is harder than it sounds, because the motifs must keep their proportions or the rug ends up looking like a photograph of a bigger one. Here they hold. The border narrows along with the field, the drawing keeps its density, and the beige ground stays open enough to breathe. Gold does the pattern, green closes the edges, and the silk carries whatever light reaches it.\u003c\/p\u003e\n\n\u003cp\u003eWool and cocoon silk on a Turkish loom, tied by hand. The thing the house keeps pointing out about this series is that it goes under ultra-modern furniture without either party looking embarrassed, and the reason is the scale of the drawing rather than the color. It is a classical rug that never insists on being one. Professional washing.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in Türkiye from wool with cocoon silk in the drawing.\u003c\/li\u003e\n  \u003cli\u003eAnatolian motifs in the Oushak line, scaled to the piece rather than cropped down.\u003c\/li\u003e\n  \u003cli\u003eBeige ground with the pattern in gold and green along the borders.\u003c\/li\u003e\n  \u003cli\u003eMatt wool against bright silk, the contrast the series is built on.\u003c\/li\u003e\n  \u003cli\u003e164 × 211 cm (5'5\" × 6'11\") — small enough for a bedroom or a compact sitting room.\u003c\/li\u003e\n  \u003cli\u003eSits under modern furniture as readily as under carved wood.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eIt is the piece to buy when the room is smaller than the ambition for it.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThis rug belongs to the \u003ca href=\"\/en\/collections\/sultan-series\"\u003eSultan Series\u003c\/a\u003e.\u003c\/em\u003e\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Cream \/ 164 X 211","offer_id":44478504173801,"sku":"RENSUL000026.01","price":122000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/SultanSerisiElDokumaYunHali_9.jpg?v=1709561472"},{"product_id":"harem-serisi-usak-desenli-el-dokuma-salon-halisi","title":"Cream Oushak Handwoven Wool Rug, Harem Series","description":"\u003cp\u003e\u003cstrong\u003eTwo knots where most rugs use one: the double-knot technique is what this piece is built on. Cream Oushak Handwoven Wool Rug from the Harem series \u0026mdash; Erzurum wool, woven in T\u0026uuml;rkiye, carrying Oushak motifs of the fourteenth and fifteenth centuries redrawn for a modern floor, at 145 \u0026times; 198 cm (4'9\" \u0026times; 6'6\") and 171 \u0026times; 219 cm (5'7\" \u0026times; 7'2\").\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eOushak \u0026mdash; U\u0026#351;ak in Turkish, in western Anatolia \u0026mdash; is the weaving region whose large medallions and open fields turn up in European painting from the fifteenth century onward, and the drawing here comes from that period rather than from the nineteenth-century revivals. What has changed is the scale and the palette: a cream ground, the figures loosened, the framing simplified. It is a classical rug that a room without a single antique in it can carry.\u003c\/p\u003e\n\n\u003cp\u003eErzurum fleece is soft, holds a shine and wears hard, which is the combination the eastern Anatolian flocks are valued for. The double knot doubles the anchoring at each point of the drawing, and the result is a denser, heavier rug whose motifs keep their edges instead of blurring with traffic. It is woven for Hal\u0026#305;c\u0026#305;zade by \u0026#199;\u0026#305;nhar, a Turkish mill. Two pieces are in stock, one in each size, and their measurements differ because a knotted rug is finished at the loom rather than cut. Professional washing.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHandwoven in T\u0026uuml;rkiye from Erzurum wool.\u003c\/li\u003e\n  \u003cli\u003eDouble-knot technique \u0026mdash; denser and heavier, and the drawing holds its edges.\u003c\/li\u003e\n  \u003cli\u003eOushak motifs of the fourteenth and fifteenth centuries, redrawn at a modern scale.\u003c\/li\u003e\n  \u003cli\u003eCream ground with the figures loosened and the framing simplified.\u003c\/li\u003e\n  \u003cli\u003eWoven for Hal\u0026#305;c\u0026#305;zade by the Turkish mill \u0026#199;\u0026#305;nhar.\u003c\/li\u003e\n  \u003cli\u003e145 \u0026times; 198 cm and 171 \u0026times; 219 cm, one piece of each.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eMost cream rugs go quiet in a room; this one keeps a pattern old enough to have been painted, and lets you use it anyway.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Cream \/ 145 X 198","offer_id":44572205121769,"sku":"ÇINHAR000139.01","price":142000.0,"currency_code":"TRY","in_stock":true},{"title":"Cream \/ 171 X 219","offer_id":47906970730729,"sku":"ÇINHAR000139.02","price":185000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/HaremSerisiUsakDesenliElDokumaSalonHalisi_12.jpg?v=1709560666"},{"product_id":"el-dokuma-cerceve-desenli-ipekli-klasik-mor-hali","title":"Purple Frame-Pattern Hand-Knotted Silk-Blend Rug","description":"\u003cp\u003e\u003cstrong\u003eHundreds of thousands of knots inside a piece measuring 53 × 67 cm (1'9\" × 2'2\"). It is hand-knotted in China from silk, cotton and viscose, with classical drawing in gold and cream over a purple ground and a cream border holding the edges.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003ePurple is the rarest ground color in classical rug weaving and it behaves oddly under light — from one angle it is bright and almost lit, from another it goes deep and nearly black. The gold and cream motifs stay constant through that change, which means the same rug looks like two different objects at different hours of the day. Cream and beige along the border are the counterweight, keeping the density of the purple from closing in on itself.\u003c\/p\u003e\n\n\u003cp\u003eKnotted entirely by hand in China from silk, cotton and viscose. At this scale the knot count is what the piece actually is: the drawing is only possible because each knot is small enough to describe a curve, and a rug of 53 × 67 cm containing several hundred thousand of them is a demonstration more than a floor covering. It is thin and light. Realistically it belongs at a door, beside a bed, or on a wall — too small to be a room's rug and too fine to be treated as a mat. Professional washing.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in China from silk, cotton and viscose.\u003c\/li\u003e\n  \u003cli\u003eSeveral hundred thousand knots inside a piece of 53 × 67 cm (1'9\" × 2'2\").\u003c\/li\u003e\n  \u003cli\u003ePurple ground carrying classical motifs in gold and cream.\u003c\/li\u003e\n  \u003cli\u003eA cream and beige border set against the density of the purple.\u003c\/li\u003e\n  \u003cli\u003eThe purple shifts between bright and near-black depending on the angle of the light.\u003c\/li\u003e\n  \u003cli\u003eThin and light; it suits a doorway, a bedside, or a wall.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eSmall enough to hang, and fine enough to be worth hanging.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Purple \/ 53 X 67","offer_id":44732477571305,"sku":"SARBIT000319.01","price":19500.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaCerceveDesenliKlasikMorHali_7.jpg?v=1709559747"},{"product_id":"el-dokuma-saf-ipek-klasik-anadolu-desenli-modern-bordo-hali","title":"Burgundy Modern Anatolian Hand-Knotted Pure Silk Rug","description":"\u003cp\u003e\u003cstrong\u003eSixty-four knots to the square centimeter, all of them silk. The piece is a hand-knotted pure silk rug, 104 × 168 cm (3'5\" × 5'6\"), woven in China in burgundy, with classic Anatolian motifs redrawn to a modern spacing. Eight by eight is how the weavers count it. One piece; there will not be a second.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eBurgundy at this density does something a printed color cannot. Silk takes the dye deep and then returns the light unevenly, so the ground moves between dark wine and a lit red as you walk past it, and the Anatolian figures — the hooks, the stepped edges, the small hexagons — surface and recede along with it. The drawing is old. The spacing is not. Where a village piece would crowd the field, this one leaves air around each figure, which is why it reads as modern without disowning what it borrowed.\u003c\/p\u003e\n\n\u003cp\u003eChina has been reeling and weaving silk for a very long time, and this is the workshop end of that tradition: tied knot over knot, dense enough that every edge in the drawing stays sharp at arm's length. Small silk rugs are often hung rather than laid, and the surface here carries light well enough to hold a wall. On the floor it wants a corner that nobody crosses in shoes. Silk is the least forgiving fiber in the house, and it should be washed by a specialist and by no one else.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in China in pure silk, surface and foundation alike.\u003c\/li\u003e\n  \u003cli\u003eEight by eight — sixty-four knots in every square centimeter.\u003c\/li\u003e\n  \u003cli\u003eClassic Anatolian and authentic motifs, set at modern intervals.\u003c\/li\u003e\n  \u003cli\u003eThe burgundy shifts between wine and lit red with the angle of the light.\u003c\/li\u003e\n  \u003cli\u003e104 × 168 cm (3'5\" × 5'6\"), which suits a study, a bedside, a small entryway or a wall.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing only; silk does not survive improvisation.\u003c\/li\u003e\n  \u003cli\u003eA single piece.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eHung, it is a picture. Laid down, it is the smallest serious thing in the room.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Red \/ 104 X 168","offer_id":45712192438505,"sku":"SARIPE000080.01","price":265000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/ElDokumaSafIpekKlasikAnadoluDesenliModernBordoHali_7.jpg?v=1709558655"},{"product_id":"madalyon-desenli-mavi-el-dokuma-viskon-hali","title":"Blue Medallion Hand-Knotted Viscose Rug","description":"\u003cp\u003e\u003cstrong\u003eBlue Medallion Hand-Knotted Viscose Rug, 123 × 185 cm (4'0\" × 6'1\") — a turquoise ground carrying cream medallions, closed by a cream border of fine floral work, knotted by hand in China from cotton and viscose. The ground is blue the way shallow water is blue, which is to say it keeps turning turquoise.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe medallions are not stacked around one center. They sit at intervals across the field like flowers on the surface of a pool, so the eye travels outward toward the frame rather than inward to a single point. Cream is what makes that legible: the pale motifs lift off the blue, and the thin floral running through the border softens the coolness of the field before it reaches the edge. Turquoise changes its mind with the light — bright and slightly green at midday, several shades deeper by lamp.\u003c\/p\u003e\n\n\u003cp\u003eViscose comes from cellulose, and cellulose handles light much the way silk handles it, which is why this rug looks costlier than its fiber. Cotton carries the structure; the viscose is what you see and what you touch. The knot count runs into the hundreds of thousands for a piece this size, every one of them tied by hand. The pile is short — short enough that not much finds its way down into it, and short enough to show the direction it was last brushed. Cleaning belongs in a rug workshop.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eHand-knotted in China from cotton and viscose.\u003c\/li\u003e\n  \u003cli\u003eCream medallions scattered across a turquoise-blue ground, inside a fine floral border.\u003c\/li\u003e\n  \u003cli\u003eViscose returns light like silk at a fraction of what silk costs.\u003c\/li\u003e\n  \u003cli\u003eThe blue reads bright and green-tinged in daylight and much deeper by lamp.\u003c\/li\u003e\n  \u003cli\u003eHundreds of thousands of hand-tied knots.\u003c\/li\u003e\n  \u003cli\u003e123 × 185 cm (4'0\" × 6'1\") — a bedroom, an entryway or a landing.\u003c\/li\u003e\n  \u003cli\u003eA short pile, which gives dust very little to lodge in.\u003c\/li\u003e\n  \u003cli\u003eProfessional washing. One piece, with no second one behind it.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eIt is the rug people put down expecting a quiet blue and then find themselves looking at.\u003c\/p\u003e","brand":"HALICIZADE","offers":[{"title":"Turquoise \/ 123 X 185","offer_id":45111481794793,"sku":"SARBIT000345.01","price":123000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/files\/MadalyonDesenliMaviElDokumaIpekHali_1.jpg?v=1706088729"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0565\/9682\/4258\/collections\/Halicizade_ye_Ozel_Tasarimlar_104513c5-f7e8-4629-9d3b-5ec4baf16fd0.jpg?v=1784440647","url":"https:\/\/www.halicizade.com\/en\/collections\/special-collection-rugs.oembed?page=6","provider":"HALICIZADE","version":"1.0","type":"link"}