Ranks of cypress trees on brick red, woven in Oushak
240×340 cm
Rugs & Kilims
Find Your Rug
For those who already know what they are looking for — Halıcızade's most visited collections.
Ranks of cypress trees on brick red, woven in Oushak
240×340 cm
Turkmen rows in burgundy and navy, fringes tied in Oushak
90×490 cm
Scandinavian geometry off an old-pattern Oushak loom, calm blue
200×290 cm
Off-white ground, fringes finished by women in Oushak
200×290 cm
Cypress trees on cream, every fringe knotted by hand in Oushak
90×490 cm
Cypresses in ranks on green, Tencel® over a cotton base
90×490 cm
Tree figures on open red, woven at the Oushak looms
200×290 cm
Fringes tied in Oushak, the drawing borrowed from Yağcıbedir
200×300 cm
Red, yellow and green held at pastel strength, joins left visible
200×290 cm
Mink drifting into beige, cotton and Tencel®, no drawing at all
300×390 cm
Panels stepping from red to earth, Tencel® over cotton
90×290 cm
A two-meter circle, Turkmen figures cut by its own edge
160×160 cm
Bestseller
from
20.500 TL
≈ 8.000 TL/m²
Wool in the foundation as well, Oushak flowers in gray and mink
300×400 cm
Scandinavian figures over blue, Tencel® on an Oushak loom
200×290 cm
Anatolian motifs a half-tone under the beige, sharpening by lamp
300×390 cm
Oushak drawing sunk into pale gray, Tencel® face on cotton
300×390 cm
Gold breaking up burgundy and navy, on old-style looms
160×230 cm
Birds and flowers at twenty knots a square centimeter, in orange
274×357 cm
Cream marbling with no repeat, dense viscose and acrylic
300×400 cm
Clay-red Oushak in Tencel®, tree of life set in the border
90×390 cm
Cream, two meters across, with the fringes knotted by hand
200×200 cm
Sand beige, Gabbeh figures in four colors, colored fringes
230×330 cm
Gabbeh figures set symmetrically, 100% wool, red into burgundy
200×300 cm
Northern geometry on red, loom-woven in Oushak from Tencel®
170×240 cm
One of a kind
from
36.800 TL
≈ 9.000 TL/m²
A living room rug anchors the main seating area of a home, typically sized so at least the front legs of every sofa and armchair rest on it, visually unifying the furniture grouping and absorbing more daily use and visibility than almost any other rug in the house.
The living room rug carries more visual weight than nearly any other purchase in the room: it's seen daily, by every guest, and it has to work with furniture, wall color and traffic patterns all at once, which is why getting size, material and pattern right here matters more than in lower-visibility rooms.
Because the living room is the most flexible room in terms of style — formal, casual, traditional, contemporary — it's also the room where we see customers pull from the widest range of our catalog: Anatolian geometrics for a bold, tribal-influenced look, Oushak-style faded medallions for something softer, or a modern abstract design for a minimalist space. There's no single 'correct' living room pattern family; the room's existing furniture and light usually points the direction.
Wool is the default recommendation for most living rooms because it balances durability and softness better than any single alternative; it holds up to years of foot traffic while still feeling good underfoot. A spill sits on top of a wool pile for a few seconds before it wicks into the fiber, and that pause is the window in which blotting lifts most of it. Silk-highlighted pieces suit lower-traffic, more formal living rooms where fine detail matters more than heavy daily use. Flat-woven kilims work well in more casual living rooms and bring a lighter, more graphic look than a knotted pile.
We carry living room sizing across every construction type in our range specifically because 'living room rug' isn't one product — it's a sizing and placement category that should be matched to your room's actual formality and traffic level, not a single default material.
Size is the most common mistake in living room rug shopping, buyers consistently size down out of budget caution and end up with a rug that looks disconnected from the furniture around it.
| Room Style | Recommended Construction | Why |
|---|---|---|
| Formal / low daily traffic | Hand-knotted wool or silk-highlight | Finer detail rewards closer viewing, less wear pressure |
| Everyday family living room | Dense hand-knotted or machine-made wool | Takes daily traffic; a spill can be blotted before it wicks in |
| Casual / relaxed space | Flat-woven kilim | Lighter look, easy to reposition, good value |
| Sun-facing room | Wool with muted or already-faded colorway | Less visible fading over time than saturated dye |
Vacuum weekly without a beater bar on wool pile, rotate the rug 180 degrees roughly once a year for even wear and light exposure, and address spills immediately by blotting (never rubbing) with a clean cloth before they set into the fiber.
Most living rooms need an 8x10 or 9x12 rug so the front legs of the main seating pieces rest on it; smaller rooms can work with a 6x9, and the safest approach is to measure your furniture footprint directly rather than guessing from room size alone.
Not necessarily; either all four legs of each piece or just the front legs can rest on the rug, as long as the placement is consistent across the furniture group.
Wool is the most common choice for its durability and for the few seconds a spill sits on top of the pile before it wicks into the fiber — long enough to blot most of it up; silk-blend pieces suit lower-traffic, more formal living rooms, and flat-woven kilims suit casual spaces.
A non-slip rug pad underneath solves this in almost every case, and adds cushioning and protects both the rug and your flooring as a secondary benefit.
It doesn't need to match exactly; many designers deliberately choose a rug that contrasts or complements the sofa rather than matching it, since an exact match can read as flat rather than intentional.
Roughly every 12-18 months for a wool rug in normal household traffic, more frequently in homes with pets or light-colored rugs.