Orange nearer clay tile than signal, wool with hand-tied fringes
197×279 cm
Rugs & Kilims
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For those who already know what they are looking for — Halıcızade's most visited collections.
Orange nearer clay tile than signal, wool with hand-tied fringes
197×279 cm
Shawl bands in four colors on red, wool right through
153×217 cm
Six by six knots, and the center deliberately left bare
202×284 cm
Mink and silver hidden in a gray, Tencel® without wool
300×390 cm
Gray on gray in parallel bands, sheen from the viscose
200×290 cm
Geometry picked out in one tone of anthracite, knotted thick
80×150 cm
Gray, and thick as a pullover: hand-knotted in five sizes
170×240 cm
Leaf and flower edges broken down until they read as shadow
120×180 cm
Shine over matt in the same brown: bamboo viscose on wool
174×244 cm
Five weaving towns set side by side, knotted in Anatolian wool
208×307 cm
One of a kind
from
235.000 TL
≈ 37.000 TL/m²
Şeki silk, a Heriz drawing, cream held inside red
250×337 cm
Vintage drawing worn into mink, woven at a hundred reeds
300×400 cm
A single mark where the forehead lands, red on white
80×130 cm
Eighty by a hundred and thirty: a Kütahya prayer rug
80×130 cm
Pale blue field, navy arch, mustard detail: 80 × 130 cm
80×130 cm
Cream that opens in daylight and closes at dusk, round, no wool
200×200 cm
Gabbeh figures on a night blue, and the fringes are dyed too
230×330 cm
Pastel blue inside the red, a tree of life in the frame
200×290 cm
A vintage pattern faded to a watermark, round, up to 300 cm
160×160 cm
Brown shapes loose on cream, nothing repeating anywhere
160×235 cm
A gray frame on cream, and nothing at all inside it
200×300 cm
Low-contrast gray stripe, in every size up to 300 × 400 cm
300×400 cm
Mermer means marble, and the veining is why: a cream circle
200×200 cm
Scandinavian lines in mink, and the rush throws its own shadow
120×180 cm