The Jaipur mark on it, and a blue that reads green
201×297 cm
Products
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201×297 cm
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Woven at home by women in northern Afghanistan, 200 × 290
200×290 cm
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Forty years in the dark: a Sivrihisar kilim at full color
155×355 cm
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Wool warp as well as wool weft, so it folds like cloth
155×325 cm
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Kazak motifs you can find with a palm, not just an eye
180×285 cm
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A dark field that lightens the room, Oushak drawn in gold
278×372 cm
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An Oushak border around a field that furniture will cover
275×359 cm
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Tobacco and orange outlined in a navy that reads black
360×276 cm
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Earth tones absorb what a red field would otherwise throw
366×277 cm
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Just under ten square meters of Oushak, burgundy over tan
272×367 cm
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Room for a twelve-seat table, cream, and second-hand
308×420 cm
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Every knot tied twice, and an Oushak in blue and brown
310×420 cm
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Bands instead of a medallion: a Çanakkale kilim, all wool
156×258 cm
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Cream that only resolves into pattern underfoot, loom-woven
200×300 cm
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Every box a different weave, brown on cream, wool on cotton
125×186 cm
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An Oushak drawing trimmed proud with shears, in blue
80×410 cm
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An Oushak drawing pulled into gray, knotted thin and close
199×301 cm
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Southeastern Anatolia's Barak drawing, wool and nothing else
147×280 cm
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Karabagh geometry over 214 × 300 cm of black ground
214×300 cm
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Deep brown with a shine on it, knotted in wool over cotton
150×187 cm
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One dye lot carried from mid-blue down to near-black
150×193 cm
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Çınhar wove it in Erzurum fleece: cream ground, loosened figures
171×219 cm
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Dry cleaning only: a zebra-marked cowhide from South America
203×250 cm
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Indian patchwork in tan to coffee, seams left showing
120×180 cm
