Scandinavian figures thin on blue, Tencel® off an Oushak loom
130×190 cm
One of a kind
Blue Scandinavian-Pattern Loom-Woven Tencel Rug, Zara Series
from
22.400 TL
≈ 9.000 TL/m²
Rugs & Kilims
Find Your Rug
For those who already know what they are looking for — Halıcızade's most visited collections.
Scandinavian figures thin on blue, Tencel® off an Oushak loom
130×190 cm
One of a kind
from
22.400 TL
≈ 9.000 TL/m²
Red, not burgundy: flowers inside the geometry, on a pillow
56×119 cm
Counted from memory, not traced: red Kırşehir wool, 114 cm
55×114 cm
Red-ground Anatolian motifs at 59 × 110 cm, wool over cotton
59×110 cm
A green that goes wet then matt, 12 mm deep in viscose
140×200 cm
Scandinavian lines in mink, and the rush throws its own shadow
120×180 cm
Knot heads standing proud on plain cream, 27 mm deep
170×240 cm
Brick shapes cut in with shears, fourteen millimeters of pile
170×240 cm
Burgundy end to end, a Kırşehir pillow in two lengths
56×116 cm
A Kırşehir rug face made into a pillow: burgundy wool on cotton
56×123 cm
Navy for night, burgundy for fire: wool knotted onto wool
110×173 cm
Flat flowers linked on thin stems, fire red in Tencel®
200×300 cm
Tencel® and cotton, a medallion held by ranks of flowers
200×300 cm
Flowers turning around one center, in Tencel® at 200 × 300 cm
200×300 cm
Geometry off an Oushak loom, fringes knotted at home afterwards
200×300 cm
One of a kind
from
78.000 TL
≈ 13.000 TL/m²
Cairo geometry from the 1500s, in orange wool, 160 cm across
160×160 cm
Double-knotted in Afghanistan, roses at even intervals on blue
174×237 cm
Roses in orange and red, each knot tied around two warps
170×244 cm
Karabagh roses opened out full-face, orange over strong blue
170×248 cm
Yağcıbedir in reverse: cream ground, wool warp and wool pile
112×176 cm
Six colors in stacked bands, half a meter of Afghan wool
50×50 cm
Village color at full strength, no pile anywhere in it
50×50 cm
One of a kind
from
2.800 TL
≈ 11.000 TL/m²
Orange leading, blue cooling: a kilim cushion for the floor
50×50 cm
One of a kind
from
2.800 TL
≈ 11.000 TL/m²
Anatolian motifs turned up loud, in wool, at 160 or 200 cm
200×200 cm
The Halıcızade collection holds every in-stock rug the house produces under its own name — hand-knotted wool from Anatolia, Afghanistan and India, loom-woven series in wool, tencel and viscose, machine-woven rugs, flat-woven kilims and rug-faced cushions — as distinct from the guest labels and outside pattern lines the store also carries.
This is a production filter rather than a style. Roughly a thousand pieces sit inside it, and they have nothing in common except who stands behind them. What follows is how the house builds a rug, what the named series are, and how to cut a collection this size down to something you can actually look through.
Everything on this page is the house's own; two guest labels and one outside pattern line are not.
Caché Istanbul and Studio Potato are independent design studios whose work the store carries, and the Versace-pattern rugs are an outside pattern line. They appear in the full catalog but not here. Anything on this page was drawn, specified or commissioned by the house and is sold under its name, which is the only thing the collection asserts.
The house works in all four, and the difference is one of method and time rather than of quality.
| Construction | How it is made | Feel | Suits |
|---|---|---|---|
| Hand-knotted | Knot by knot on a vertical loom; months for one rug | Dense, heavy, deep pile | Fine drawing, long ownership, pieces meant to be kept |
| Loom-woven | Row by row on a hand-operated loom, with a controlled weave structure | Even, medium weight, consistent sizing | Pattern and density at well under a hand-knotted price |
| Flat-woven (kilim) | Weft-faced, no pile, reversible | Thin, light, packable | Layering, entries, warm months, walls |
| Machine-woven | Power loom, patterns reproduced at scale | Uniform, light to medium | Corridors, kitchens, children's rooms, first apartments |
Each has its own page: hand-knotted rugs, loom-woven rugs, handwoven kilims and machine-woven rugs.
Most of the collection is organized into series, each with its own fiber, palette and size range.
Zade and Tempus work classical drawing — medallions, tree-of-life fields, Mamluk and framed layouts — in tencel and viscose or in wool. Nika and Zara run quiet and Scandinavian, in plain grounds and light geometry. Nova is machine-woven viscose in abstract drawing, made in the widest spread of sizes including runners up to 400 cm. Maison is hand-knotted in India in wool, viscose and bamboo yarn; Mihman and Şahzade are hand-knotted wool from Afghanistan. Urkum is loom-woven wool on cotton. The series pages carry the detail; this one carries all of them at once.
Alongside the series, the house buys and sells old Anatolian rugs one at a time.
These are the pieces listed with a place name — Kırşehir, Taşpınar, Döşemealtı, Çanakkale, Yağcıbedir — and often with the phrase for a rug that came out of a household chest rather than a shop. They are wool, dyed with madder and indigo, drawn from memory rather than from a cartoon, and each exists once. Age is described using trade convention, which has no issuing authority behind it: antique means 100 years or more, semi-antique 50 to 100, vintage 20 to 80, and anything under that is new.
A thousand rugs is not a page you browse; it is a page you filter.
Start with the room, then the size. A standard living room begins around 200 x 300 cm (6'7" x 9'10") with the front legs of the seating on the rug, and a large one wants 250 x 340 cm (8'2" x 11'2") or more with everything on. A corridor takes an 80 to 100 cm width in whatever length the hall runs. From there, filter by fiber — wool for warmth and resilience, viscose and tencel for sheen and a cooler hand, cotton for flat weaves — and by color last, since the size decision is the one that cannot be undone.
Wool rugs want the same handful of habits, whatever the construction.
Vacuum without the beater bar, in the direction of the pile. Rotate twice a year so that light and traffic land somewhere new, and keep a rug out of a full south window, which fades madder faster than feet wear it. Blot spills rather than rubbing them. A hand-knotted wool rug in daily use is worth a professional wash every twelve to eighteen months; a machine-woven rug can go longer.
Every rug in stock that the house makes or commissions under its own name — hand-knotted, loom-woven, machine-woven and flat-woven, across roughly a thousand listings. Labels the store carries but does not produce sit outside it.
The guest labels Caché Istanbul and Studio Potato, and the Versace-pattern line. Those are designed elsewhere and carried by the store; this page is limited to the house's own production.
No. It is a production filter, not a look. It holds Anatolian village weavings, Afghan and Indian hand-knotted rugs, Scandinavian-drawn loom-woven series and machine-woven rugs, unified only by whose name is on them.
A hand-knotted rug is tied knot by knot on a vertical loom and takes months. A loom-woven rug is built row by row on a hand-operated loom, which is faster and costs less while keeping a dense pile and consistent sizing.
Türkiye, India, Afghanistan and Pakistan, depending on the series. Village weavings and the flat-woven pieces are largely Anatolian; the modern loom-woven and hand-knotted series are woven in India; the dense figurative wool rugs come from Afghanistan.
Filter by room, by size in square meters, by color or by fiber rather than scrolling. A living room usually starts at 200 x 300 cm (6'7" x 9'10"), and the size collections list which dimensions land in each area band.
Yes, for several of the hand-knotted and loom-woven series. Custom dimensions are made to order for both homes and contract projects, and lead time depends on the series and the size.
Related collections: custom-woven rugs · new arrivals