A hundred reeds of bamboo viscose, black on gray, 240 × 340
240×340 cm
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A hundred reeds of bamboo viscose, black on gray, 240 × 340
240×340 cm
Gray center darkening to a near-black edge, viscose and acrylic
160×230 cm
Nothing inside the frame but black, acrylic with viscose
240×340 cm
Near-black in wool and viscose, made in runs that do not repeat
200×300 cm
Not one stripe parallel to the next, loom-woven in India
90×300 cm
Damask cut in black and tan hide, 89 × 150 cm
89×150 cm
Nothing woven in it: cut skins, blacks gathered to the middle
119×182 cm
Ninety-two centimeters of squared hide, cream jumping to black
92×147 cm
A black that is never one black, inside a wide red border
182×265 cm
Black hide laid like brickwork, a few pieces flecked silver
195×220 cm
Black hide stitched panel by panel inside a silver-gray frame
170×240 cm
A near-square in anthracite, wool above and cotton below
162×217 cm
One dye lot carried from mid-blue down to near-black
150×193 cm
Cream at the center, dark brown around it, 104 × 148 cm
104×148 cm
Karabagh geometry over 214 × 300 cm of black ground
214×300 cm
Named after a fifty-meter tree: black, round, one gray stripe
200×200 cm
Black under a Versace drawing, pure silk motifs, woven in Vietnam
200×300 cm
Black cowhide from South America, no pile and no knots
197×224 cm
Wool over cotton, an Oushak drawing on an Afghan loom
155×219 cm
Navy turns the Oushak medallion into a silhouette, lyocell on cotton
200×300 cm
An Oushak medallion on navy, Tencel® and cotton, no wool
200×300 cm
Black ground, Versace drawing, silk worked through the wool
250×300 cm
One of a kind
from
340.000 TL
≈ 45.000 TL/m²
Sheared down and dyed black; the old pattern still shows
196×294 cm