Forest green in shade, and 100% viscose taking the light
160×230 cm
Rugs & Kilims
Find Your Rug
For those who already know what they are looking for — Halıcızade's most visited collections.
Forest green in shade, and 100% viscose taking the light
160×230 cm
One red carried at several depths, 202 × 300 cm of wool
202×300 cm
Deep navy, no pattern at all, two loops to every warp pair
200×300 cm
Terracotta with no pattern, 8 mm of viscose that shows footmarks
160×230 cm
Gray viscose, 12 mm deep, keeping a record of every step
200×300 cm
Pinhan means hidden, and the color runs mustard into gold
204×297 cm
Beige-leaning cream with nothing woven into it, viscose over acrylic
200×290 cm
Ribs that run like knitted rows, three fifths of it polyester
130×190 cm
Matt white with the wool still showing, New Zealand fleece
170×240 cm
Knots big enough to see, 2,800 grams a square meter
100×400 cm
A green that goes wet then matt, 12 mm deep in viscose
140×200 cm
Khaki leaning olive, 130 × 190 cm, and light enough to carry
130×190 cm
Beige leaning to mink, with a border to hold it
300×400 cm
Knot heads standing proud on plain cream, 27 mm deep
170×240 cm
Warm gray drifting into cool, no line between, 9 mm pile
200×300 cm
Brick shapes cut in with shears, fourteen millimeters of pile
170×240 cm
Red deepening in patches, 120 × 175 cm and no pattern
120×175 cm
Plain yellow, no medallion, no border, 145 × 245 cm
145×245 cm
White ground, a single drawn frame, viscose over acrylic
200×300 cm
Honey yellow, wool on cotton, and a south window will fade it
130×190 cm
New Zealand fleece, moss green, no pattern anywhere on it
130×190 cm
White wool flat-woven over cotton, and no pile at all
120×180 cm
Narrow gray stripes on cream, wool weft over a cotton warp
160×230 cm
Two diameters, 160 and 200 cm, and gray stripes on both
200×200 cm
A plain color rug is a rug woven in a single color, with no figurative motif and no repeating pattern, so that the interest comes from fiber, pile height and surface texture instead. This collection holds 129 of them — hand-knotted wool, viscose, Tencel and machine-woven pile — in sizes from 80 × 150 cm to 300 × 400 cm.
A plain rug is the least neutral choice in a room. It has nowhere to hide a stain, nowhere to hide a seam, and nothing to distract from the color itself, which is why the fiber and the light matter more here than on any patterned rug. What follows is how a solid field behaves under different light, what each fiber does to the color, and which sizes and shapes are stocked.
Holding the floor still while something else moves. A patterned rug competes with a sofa, a wall color and a bookcase; a solid field absorbs all three and hands the attention back to the furniture. That is why plain rugs turn up under carved wood, under strongly figured marble, and in rooms where the walls already carry art.
The reverse case is worth stating plainly. In a room of flat surfaces — white walls, a low sofa in a single fabric, pale boards — a solid rug adds nothing and the floor reads as unfinished. There the answer is a plain rug with relief in it: a carved or high-low pile, a shifting ground with a faint tonal drift, or a long shaggy pile that makes its own shadow.
Light changes a solid field far more than it changes a patterned one, because there is no second color to steady it.
The fiber decides the color more than the dye lot does, because each one reflects light differently.
| Fiber | How the color reads | Underfoot | Suits |
|---|---|---|---|
| Wool, hand-knotted | Matte and deep; the color absorbs light rather than returning it | Springy, dense, recovers after furniture is moved | Rooms in daily use, long ownership |
| Wool, loom-woven | Matte, with a more even surface than hand-knotted | Firm, medium weight | Large plain fields where evenness matters |
| Viscose | Reflective; the ground lightens and darkens as you walk around it | Cool, smooth, slightly slippery | Formal rooms, low traffic, silk-like sheen without silk |
| Tencel | Reflective like viscose, with a quieter, more fluid sheen | Cool and soft | Bedrooms and sitting rooms; keep it dry, since the fiber weakens when wet |
| Machine-woven pile | Even and consistent from end to end | Light to medium, easy to lift and shake out | Corridors, children's rooms, rented flats |
Compare wool rugs, viscose rugs and machine-woven rugs before you settle on a color, not after.
Plain rugs are stocked across the full size range, which is not true of every patterned collection.
Two habits do most of the work. Vacuum in the direction of the pile rather than against it, since a solid field shows brush marks that a pattern would swallow; and rotate the rug twice a year so that traffic and daylight fall on different parts of it. Blot a spill with a dry cloth first — rubbing drives the liquid down into the pile where it sets, and on a pale solid ground that mark stays visible. Use a pad under a light-colored rug on a dark floor, since a thin plain rug will otherwise telegraph the boards beneath it.
A plain color rug is woven in one color with no figurative motif and no repeating pattern. Any visual interest comes from the fiber, the pile height and the surface texture, which is why the same color reads differently in wool, viscose and Tencel.
A solid field shows marks that a pattern would break up, and pale colors show them soonest. In corridors and dining areas a mid-tone gray, terra or anthracite is the practical choice, and a short pile is easier to vacuum clean than a long one.
Oak and walnut both carry a yellow-red undertone. A warm gray or beige with the same undertone sits quietly beside them, while a cool gray reads as a deliberate contrast. Cream lifts a dark-floored room; anthracite anchors a pale one.
For a three-and-two seating group, 200 × 290 cm or 200 × 300 cm lets the front legs of every piece stand on the rug. Rooms where the furniture floats away from the walls need 240 × 340 cm or larger so that all legs land on the pile.
Yes. Hand-knotted wool rugs in single colors are stocked alongside loom-woven and machine-woven pile. Hand-knotted plain rugs show slight tonal drift across the field, since the wool is dyed in lots and the lots are never identical.
Viscose reflects light, so the ground lightens and darkens as you move around it, and it feels cool and smooth underfoot. Wool absorbs light, holds a matte and deeper color, and springs back after furniture has stood on it.
Related collections: calm, minimal rugs · hand-knotted rugs · Tencel rugs · round rugs