Doors turned into geometry, in red on wool over cotton
200×300 cm
Products
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200×300 cm
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Red held in the middle, navy all around it, Kütahya loom
200×300 cm
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The trace of a door, not the door: beige Tencel® on cotton
200×300 cm
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Two lines of Rumi turned into fog: gray Tencel® on cotton
200×300 cm
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A doorway of red opening onto beige, all of it Tencel®
200×300 cm
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A gray threshold worn like a stone step, wool with Tencel®
200×300 cm
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Copper heaped at one end, thinning out into cream: Tencel®
200×300 cm
One of a kind
Cream and Copper Abstract Loom-Woven Tencel Rug, Zima Series
from 90.000 TL
≈ 15.000 TL/m² -
Drawn from a Rumi couplet: terracotta gathered into one corner
300×390 cm
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Terracotta surfacing inside gray, every piece given a number
200×300 cm
One of a kind
Gray Abstract Loom-Woven Wool and Tencel® Rug, Zima Series
from 90.000 TL
≈ 15.000 TL/m² -
Four tones sliding into one another, no edges, all Tencel®
200×300 cm
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Each one carries a weave number, cream easing out to gray
300×390 cm
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Silver creeping in from the edges, wool and Tencel® on cotton
200×300 cm
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Gold and gray cracks netted over mink, fringes braided by hand
200×300 cm
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A setting sun drawn flat, and beige blocks to square it
200×300 cm
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Copper glints rising out of mink, and no wool in it
300×390 cm
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Beige with one pale disc widening in it, Tencel® on cotton
240×340 cm
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Warm orange breaking into gray, wool matt and Tencel® bright
200×300 cm
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Brushmarks running sideways over beige, Tencel® over cotton
200×300 cm
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Stone mended with gold: orange veins, wool and lyocell
200×300 cm
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Sand circle left clean on a scrubbed gray, Tencel® only
200×300 cm
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Half orange, half cream: a single circle in Tencel® and wool
200×300 cm
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Cream that stays cream, loom-woven in Türkiye without wool
200×300 cm
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Red into burgundy, running edge to edge in lyocell
200×300 cm
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Two meters by three of scarlet, one shape at the center
200×300 cm
The Zima Series is Halıcızade's own loom-woven line of abstract-pattern rugs, made on the looms at Uşak and Kütahya in Tencel® lyocell and cotton, with wool in some models. The fringes are braided by hand afterward.
Zima answers a narrow question: whether a rug made the traditional way can speak in a wholly contemporary language. The drawing is abstract rather than historical — fields that drift instead of centering on a medallion — and the palette is neutral, in gray, cream, beige, mink and terra, with red and green on a few models.
Why the Drawing Has No Center
Classical rug design looks for a middle, sets up symmetry and draws a frame. Zima's abstract fields run away from the center: tone shifts across the surface and the boundaries soften. That turns the rug from a passive ground into the strongest thing in a plain room, which is why the series reads best against flat walls and low-pattern furniture.
What Tencel® Actually Is
Tencel® is a brand of lyocell, and lyocell is a regenerated cellulose fiber: wood pulp dissolved and spun into filament. It is plant-derived, and it is manufactured — it is not a natural fiber in the sense that wool and cotton are, and we do not describe it as one. What it gives a rug is a shifting luster that changes with the angle of the light and a hand close to silk. Of the twenty-five pieces listed, twenty-three name Tencel® in their yarn content, twenty-four name cotton and eleven name wool; all twenty-five are loom-woven on looms in Uşak and Kütahya, where the loom ties the knots and the finishing is done by hand. Halıcızade Halı Kilim is in Çankaya, Ankara.
Styling a Zima Series Rug
The abstract drawing and the neutral palette suit contemporary and pared-back rooms, and the series is used in hotel lobbies and suites for the same reason.
- Cream and beige models settle into light rooms; gray models hold their own against charcoal and concrete.
- Pairs naturally with light wood and neutral furniture, letting the pattern and sheen lead subtly.
- Red and terra models work as the single focal point in a room with an otherwise neutral floor.
Zima Series vs. Our General Tencel and Viscose Collections
| Zima Series | General Tencel / Viscose Collections | |
|---|---|---|
| Scope | A specific named house-brand abstract design | Broader collections spanning multiple patterns |
| Pattern approach | Abstract, non-representational | Varies by specific piece |
Care & Maintenance
The low pile keeps dust from settling, and most marks come out with a damp cloth. Blot spills rather than rubbing them and keep standing water off the surface: lyocell, like viscose, is weaker wet than dry. Professional rug washing is the right route for anything beyond light cleaning, and models containing wool should follow the care label.
Frequently Asked Questions
What is the Zima Series?
Halıcızade's own loom-woven line of abstract-pattern rugs, woven at Uşak and Kütahya in Tencel lyocell and cotton, with wool in some models, and finished with hand-braided fringes.
Is Tencel a natural fiber?
No. Tencel is a brand of lyocell, a regenerated cellulose fiber spun from dissolved wood pulp. It is plant-derived but manufactured, and it behaves in use more like viscose than like wool or cotton.
What fiber is used in the Zima Series?
Tencel lyocell with cotton, and wool in some models. Of the twenty-five pieces listed, twenty-three name Tencel in their yarn content, twenty-four name cotton and eleven name wool.
What color palette does the Zima Series use?
Gray, cream, beige, mink and terra across most of the series, with red and green on a few models. The drawing is abstract rather than medallion-based, so color carries most of the character.
Is the Zima Series handwoven or machine-loomed?
Loom-woven, which sits between the two: the loom ties the knots at Uşak and Kütahya, and the finishing is done by hand. The fringes are braided by hand after the rug comes off.
How should I care for a Zima Series rug?
Blot spills rather than rubbing them and keep standing water off the surface, because lyocell is weaker wet than dry. Professional rug washing is the right route for anything beyond light cleaning.
Related collections: Zade Series · viscose and Tencel rugs · natural fiber rugs · wool rugs