Gray viscose, 12 mm deep, keeping a record of every step
200×300 cm
Products
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200×300 cm
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Ribs that run like knitted rows, three fifths of it polyester
130×190 cm
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Matt white with the wool still showing, New Zealand fleece
170×240 cm
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A green that goes wet then matt, 12 mm deep in viscose
140×200 cm
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Warm gray drifting into cool, no line between, 9 mm pile
200×300 cm
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Brick shapes cut in with shears, fourteen millimeters of pile
170×240 cm
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Fuchsia against anthracite, panels out of Bünyan, Isparta, Ladik
111×170 cm
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Four colors take turns up a black flatweave, all wool
120×180 cm
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Flowers built out of steps: a Karabagh kilim that traveled
209×312 cm
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Two to one: 161 × 313, wool brocade over cotton warps
161×313 cm
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Cicim carried across six square meters, warm orange underneath
183×315 cm
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Ribbed soumak, previously owned, silk only in the motifs
117×184 cm
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Bought once already: a cream Kayseri, wool over cotton
198×288 cm
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Karabagh flowers on black, the tassels dyed to match them
109×169 cm
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Wool heavy enough for a stone floor: red, navy and mustard
130×240 cm
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Beige by day, red and blue by lamplight, 180 cm of wool
180×180 cm
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Warm yellow, round, and unwilling to share a room: all wool
180×180 cm
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Night sky on the floor: 180 cm of wool, figures in yellow
180×180 cm
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Crimson running into burgundy, a wool circle 180 cm across
180×180 cm
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Khaki leaning olive, 130 × 190 cm, and light enough to carry
130×190 cm
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One red carried at several depths, 202 × 300 cm of wool
202×300 cm
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Deep navy, no pattern at all, two loops to every warp pair
200×300 cm
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Pinhan means hidden, and the color runs mustard into gold
204×297 cm
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Mustard and gold on wool, tied with the double knot
202×308 cm
