Cut to a flower with uneven petals, bamboo viscose in orange
300×300 cm
Rugs & Kilims
Find Your Rug
For those who already know what they are looking for — Halıcızade's most visited collections.
Cut to a flower with uneven petals, bamboo viscose in orange
300×300 cm
Old motifs redrawn in a circle: gray ground, orange, all wool
200×200 cm
Brown into terracotta: the color the fleece came in
113×171 cm
Terracotta with no pattern, 8 mm of viscose that shows footmarks
160×230 cm
Ten square meters of curving orange, anchored in navy
275×370 cm
Tencel® in terracotta, the color running side to side
80×130 cm
Baş Başa: named for being alone with oneself, in terracotta
80×130 cm
Brick by daylight, coral under a bulb: plain terracotta from India
160×230 cm
Plant-dyed terracotta around a medallion, wool over cotton
120×180 cm
Oushak outlines cut in relief with shears, woven in India
120×180 cm
Wool and Tencel®: flowers off symmetry, one bird in the corner
200×300 cm
Silver inside an ivory star, terracotta all around it
200×290 cm
Drawn from a Rumi couplet: terracotta gathered into one corner
300×390 cm
Terracotta surfacing inside gray, every piece given a number
200×300 cm
One of a kind
from
78.000 TL
≈ 13.000 TL/m²
Mamluk stars and octagons, orange on cream, wool and bamboo viscose
130×190 cm
The Dark Canyon of Kemaliye: wool for rock, Tencel® for water
200×300 cm
Three Mamluk octagons, terracotta into gray, wool with Tencel®
200×300 cm
Wool for the matt ground, Tencel® for the birds
240×340 cm
A setting sun drawn flat, and beige blocks to square it
200×300 cm
Terracotta to brick to pomegranate flower, wool with bamboo viscose
249×308 cm
A grid ringed by elephants, camels and horses: Pazyryk, in wool
240×340 cm
Wool takes the terracotta, Tencel® takes the gray
200×300 cm
Warm orange breaking into gray, wool matt and Tencel® bright
200×300 cm
Stone mended with gold: orange veins, wool and lyocell
200×300 cm
A terracotta rug — terra, in Turkish — is a rug in the warm earth tones of fired clay. The range holds several shades at once rather than one flat color, which is why it settles into both modern and traditional rooms, and it is made plain or patterned, handwoven or machine-woven, in every fiber the house carries.
This page covers what the color does in a room, how it differs from its neighbors on the wheel, which fibers and weaves it comes in, which size suits which space, and how a terracotta rug is washed.
It warms a room without brightening it. Terracotta sits low and warm in the value range, so it adds temperature rather than light, and a room with a terracotta floor reads as more comfortable rather than more colorful. The tone belongs to the same family as the brick and tile of Anatolian roofs, and it agrees with those materials on sight.
The useful property is that terra is not one color. A single rug will carry several related shades across the field, which is what lets it bridge two schemes at once — the old and the new, the plain and the patterned — instead of committing to either. It is a color for people tired of matching things.
| Color | Character | What it does to a room |
|---|---|---|
| Terracotta | Earth-toned, muted, several shades in one field | Warms without raising brightness; the easiest of the three to place |
| Orange | Clearer and more saturated | Reads as a color statement; needs the room to be plain around it |
| Copper | Metallic in cast, with a cooler edge | Reflective; changes considerably between warm and cool light |
See orange rugs and copper rugs for the two neighbors.
The character of a terracotta rug is set by its yarn as much as by its color. Cotton takes the tone softly and gives an easy surface underfoot, which is the reason it is the usual choice for anyone who buys a rug with their feet as well as their eyes. Wool holds the color with more depth and more variation across the field, and silk changes the shade as the light moves. Compare cotton rugs and wool rugs.
The color has a long association with flat weave, and handwoven kilims are where it appears most often; see handwoven kilims. Handwoven terracotta pieces are more delicate than machine-woven ones and want more careful placement, so machine-woven versions exist as the alternative for rooms that take hard use.
Both are made, and the choice is really about how much else is happening in the room. A plain terracotta rug picked to match the furniture gives a quiet, resolved floor and is the safer choice in a small or busy space. Floral drawing in the same palette does the opposite in a bedroom, where it makes the room livelier and more colorful than a plain field would. Geometric versions suit anyone who wants movement in the pattern rather than in the color.
Measure the floor before choosing anything else. A bathroom rug is a considerably smaller piece than a living room rug, and a corridor wants a small format too — in both cases a plain tone chosen against the furniture color usually looks better than a pattern. Kitchens and bedrooms take roughly similar sizes, with the actual figure set by the layout rather than by the room's name.
With the size fixed, five things decide the rest.
Beyond construction, size drives the figure — material cost and loom time both scale with area — and natural fibers cost more than synthetic ones.
Use a rug detergent with clean contents rather than an ordinary household one. Ordinary detergents are the usual cause of colors running into one another and of a field losing its depth, and on a multi-tone color like terracotta that loss shows sooner than it would on a plain ground.
Match the method to the fiber. Silk and bamboo rugs need delicate handling and are worth giving to a professional; viscose rugs are relatively more robust and take routine cleaning without trouble. Dry a washed rug out of direct sunlight, which fades the color, and dry it completely — a rug put away damp will develop odor and mold, and both shorten its life. Follow the instructions on the label or the packaging.
Between washes, vacuum at least once a week and wash once or twice a year. On a spill, blot immediately with a paper towel or a dry cloth and do not rub, since rubbing drives the liquid down into the fibers.
A rug in the warm earth tones of fired clay, known as terra in Turkish. The range carries several related shades in one field rather than a single flat color, and it is made in plain and patterned designs across every fiber and construction.
No. Terracotta is muted and earth-toned and holds several shades at once; orange is clearer and more saturated and reads as a statement; copper has a metallic cast and shifts considerably between warm and cool light.
It adds warmth rather than brightness. Terracotta sits low and warm in the value range, so the room reads as more comfortable instead of more colorful, and the tone agrees naturally with brick and tile.
Cotton gives the softest surface underfoot and takes the tone gently. Wool holds the color with more depth and more variation across the field, and silk changes the shade as the light moves. The fiber sets the price and the cleaning routine as well as the feel.
All of them, at different sizes. Bathrooms and corridors want small formats and usually a plain tone chosen against the furniture; bedrooms take floral drawing well; living rooms take the largest sizes the floor allows.
Use a rug detergent with clean contents rather than an ordinary household one, which is what causes colors to run. Vacuum weekly, wash once or twice a year, dry out of direct sunlight and dry completely, and blot spills without rubbing.
Related collections: handwoven kilims · wool rugs · orange rugs · living room rugs